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This programme contains some strong language | 0:00:04 | 0:00:12 | |
APPLAUSE | 0:00:23 | 0:00:27 | |
Goooooood evening, | 0:00:30 | 0:00:33 | |
good evening, good evening, good evening, good evening, | 0:00:33 | 0:00:35 | |
and welcome to QI, | 0:00:35 | 0:00:37 | |
where, tonight, we're mixing and matching | 0:00:37 | 0:00:40 | |
a medley of things beginning with M. | 0:00:40 | 0:00:44 | |
Now, let's meet our makers. | 0:00:44 | 0:00:46 | |
The matchless James Acaster. | 0:00:46 | 0:00:48 | |
CHEERING AND APPLAUSE | 0:00:48 | 0:00:52 | |
The match-fit Jo Brand. | 0:00:52 | 0:00:54 | |
CHEERING AND APPLAUSE | 0:00:54 | 0:00:57 | |
The match made in heaven, Bill Bailey. | 0:00:57 | 0:01:01 | |
CHEERING AND APPLAUSE | 0:01:01 | 0:01:04 | |
And match abandoned, Alan Davies. | 0:01:04 | 0:01:08 | |
CHEERING AND APPLAUSE | 0:01:08 | 0:01:13 | |
So, let's hear you mix. | 0:01:13 | 0:01:15 | |
James goes... | 0:01:15 | 0:01:17 | |
EGG BEING BEATEN | 0:01:17 | 0:01:20 | |
-That's mixing. -Is it? | 0:01:20 | 0:01:22 | |
Yeah, you're beating an egg, I think. | 0:01:22 | 0:01:24 | |
-Beating something. -LAUGHTER | 0:01:24 | 0:01:28 | |
Now. | 0:01:28 | 0:01:29 | |
You're on your first warning. LAUGHTER | 0:01:29 | 0:01:32 | |
Jo goes... | 0:01:32 | 0:01:33 | |
ELECTRIC WHISK MIXING | 0:01:33 | 0:01:37 | |
Yes, that's masturbation as I know it. | 0:01:37 | 0:01:40 | |
LAUGHTER | 0:01:40 | 0:01:44 | |
I'd love to know what the machine is, wouldn't you? | 0:01:44 | 0:01:48 | |
LAUGHTER | 0:01:48 | 0:01:50 | |
Bill goes... | 0:01:50 | 0:01:52 | |
TURNTABLE SCRATCHING | 0:01:52 | 0:01:55 | |
Ah, yeah. I like it, yes. | 0:01:55 | 0:01:57 | |
That's masturbation as I know it. | 0:01:57 | 0:01:59 | |
LAUGHTER AND APPLAUSE | 0:01:59 | 0:02:04 | |
So, three mixes and Alan goes... | 0:02:04 | 0:02:07 | |
MATCH OF THE DAY THEME PLAYS | 0:02:07 | 0:02:11 | |
-Ah, you see. -A match. -Yeah. | 0:02:11 | 0:02:13 | |
So, on with the game. | 0:02:13 | 0:02:14 | |
Now our first "M" tonight is "M" for metals. | 0:02:14 | 0:02:17 | |
Can you see anything on this board, here, that does not contain metal? | 0:02:17 | 0:02:22 | |
-Oh. -You've got a mushroom, | 0:02:22 | 0:02:24 | |
the balloon, a stack of coins, | 0:02:24 | 0:02:27 | |
a monkey, a star, an Alan Davies... | 0:02:27 | 0:02:30 | |
-of some kind. -An Alan Davies. | 0:02:30 | 0:02:32 | |
Well, bodies do contain metal, so it can't be... | 0:02:32 | 0:02:35 | |
-They do. -It can't be you... | 0:02:35 | 0:02:37 | |
-Alan, you contain metal. -Yes. -You do. -I do. | 0:02:37 | 0:02:40 | |
-Enough iron to make a nail. -Alan specifically? | 0:02:40 | 0:02:42 | |
LAUGHTER | 0:02:42 | 0:02:44 | |
-Yeah, just Alan. -Just Alan. He can make a nail. | 0:02:44 | 0:02:46 | |
But no, that's right, isn't it? | 0:02:46 | 0:02:47 | |
The body contains enough iron to make a nail - | 0:02:47 | 0:02:50 | |
phosphorus, carbon, water... | 0:02:50 | 0:02:53 | |
-Magnesium. -Lime. | 0:02:53 | 0:02:55 | |
-Gold, actually. -A person... | 0:02:55 | 0:02:57 | |
You could boil it down to a half-decent kids' party. | 0:02:57 | 0:02:59 | |
LAUGHTER | 0:02:59 | 0:03:01 | |
You could get a paddling pool, some fireworks and a tequila slammer. | 0:03:01 | 0:03:04 | |
-All inside us, churning away. -All inside. So, it can't be Alan. | 0:03:04 | 0:03:07 | |
No, it's not me. And I don't... I'm... | 0:03:07 | 0:03:10 | |
-Now, look... -Now. | 0:03:10 | 0:03:12 | |
-Things that grow probably have got metal in them... -Yes. | 0:03:12 | 0:03:14 | |
-..that's my thinking. -Yeah. | 0:03:14 | 0:03:16 | |
The fact is, you've brilliantly avoided everything | 0:03:16 | 0:03:19 | |
cos all those things contain metals. | 0:03:19 | 0:03:21 | |
When the universe was created... | 0:03:21 | 0:03:23 | |
4,000 years ago... | 0:03:23 | 0:03:24 | |
-4,000 years ago, as it says in the Bible. -..by our Lord. | 0:03:24 | 0:03:27 | |
LAUGHTER | 0:03:27 | 0:03:29 | |
..only two elements were created at that time. | 0:03:29 | 0:03:31 | |
Gold and silver. | 0:03:31 | 0:03:33 | |
-LAUGHTER -Yes. | 0:03:33 | 0:03:35 | |
-It was... -Frankincense and myrrh. | 0:03:35 | 0:03:37 | |
Cheese and pickle. | 0:03:37 | 0:03:39 | |
-They are still the most abundant elements in the universe. -Helium! | 0:03:39 | 0:03:42 | |
99% of the universe is composed of? | 0:03:42 | 0:03:44 | |
Helium and sarcasm. | 0:03:44 | 0:03:46 | |
LAUGHTER | 0:03:46 | 0:03:49 | |
Helium and... | 0:03:49 | 0:03:50 | |
Hydrogen? | 0:03:50 | 0:03:51 | |
-Hydrogen is correct. -Yes. | 0:03:51 | 0:03:53 | |
And then the first two elements to be created, | 0:03:53 | 0:03:56 | |
after hydrogen and helium, | 0:03:56 | 0:03:58 | |
which are both gases, | 0:03:58 | 0:03:59 | |
were both metals. | 0:03:59 | 0:04:01 | |
Imagine God was rather depressed by having created the universe. | 0:04:01 | 0:04:04 | |
-A knife. -I should think he bloody well was. I would be. -Yeah. | 0:04:04 | 0:04:07 | |
So, if you're depressed, what's the metal you'd go for? | 0:04:07 | 0:04:09 | |
-Lithium. -Lithium. | 0:04:09 | 0:04:10 | |
Lithium was one of them and the other was beryllium. | 0:04:10 | 0:04:13 | |
-Oh, beryllium. -Beryllium, I love that one. -Beryllium. | 0:04:13 | 0:04:16 | |
And how were they created? What was the process? | 0:04:16 | 0:04:18 | |
It was in the stars. | 0:04:18 | 0:04:19 | |
-Fusion? -Fusion. | 0:04:19 | 0:04:21 | |
-You're on fire. -Crikey! | 0:04:21 | 0:04:23 | |
Like the stars, very good. | 0:04:23 | 0:04:24 | |
APPLAUSE Yeah. | 0:04:24 | 0:04:28 | |
And in that fusion, EVERYTHING was made. | 0:04:28 | 0:04:31 | |
And we are, as Carl Sagan famously said, we are made of star stuff. | 0:04:31 | 0:04:35 | |
We are made of the stuff that was created in those fusion moments. | 0:04:35 | 0:04:38 | |
Yes, we are. | 0:04:38 | 0:04:40 | |
And astronomers call anything | 0:04:40 | 0:04:42 | |
that isn't the first two, | 0:04:42 | 0:04:44 | |
hydrogen and helium, a metal - | 0:04:44 | 0:04:46 | |
even if it's oxygen. | 0:04:46 | 0:04:48 | |
Are some people made of heavy metal? | 0:04:48 | 0:04:51 | |
LAUGHTER | 0:04:51 | 0:04:52 | |
-Yeah. -Lemmy. -Lemmy. | 0:04:52 | 0:04:53 | |
Lemmy from Motorhead. | 0:04:53 | 0:04:55 | |
Death metal. That's a good one. | 0:04:55 | 0:04:57 | |
Yeah. Thrash metal. | 0:04:57 | 0:04:59 | |
Nu metal, when I was a teenager. | 0:04:59 | 0:05:00 | |
What's nu metal? | 0:05:00 | 0:05:02 | |
It was rap and metal together. | 0:05:02 | 0:05:04 | |
It went very badly. | 0:05:04 | 0:05:05 | |
LAUGHTER | 0:05:05 | 0:05:06 | |
-Yeah, there was quite a lot of... -TURNTABLE BUZZER | 0:05:06 | 0:05:09 | |
Quite a lot of that in it, yeah. | 0:05:09 | 0:05:10 | |
There was one I was told about that was a mixture of techno and disco... | 0:05:10 | 0:05:15 | |
and it was called Tesco. | 0:05:15 | 0:05:17 | |
LAUGHTER | 0:05:17 | 0:05:19 | |
Then there was Valium metal | 0:05:19 | 0:05:20 | |
and Tesco's own brand metal. | 0:05:20 | 0:05:22 | |
LAUGHTER | 0:05:22 | 0:05:24 | |
Yeah, the human body contains a lot of metal, even gold. | 0:05:24 | 0:05:28 | |
How many human beings | 0:05:28 | 0:05:30 | |
would you need to extract the gold from | 0:05:30 | 0:05:32 | |
before you could make, of them, a gold coin? | 0:05:32 | 0:05:36 | |
Just Mr T. | 0:05:36 | 0:05:37 | |
LAUGHTER | 0:05:37 | 0:05:39 | |
Yes, just that, yeah. | 0:05:39 | 0:05:40 | |
Very good, that's true. | 0:05:40 | 0:05:41 | |
Normal humans. | 0:05:41 | 0:05:42 | |
-One million humans. -No. | 0:05:42 | 0:05:44 | |
-One billion humans. -No, it's... | 0:05:44 | 0:05:46 | |
47. | 0:05:46 | 0:05:48 | |
-Six. -LAUGHTER | 0:05:48 | 0:05:50 | |
This could take a long time. 40,000. | 0:05:50 | 0:05:52 | |
And how many different metals have we got inside us? | 0:05:52 | 0:05:54 | |
72. | 0:05:54 | 0:05:56 | |
47. | 0:05:56 | 0:05:57 | |
Very close, it's 48! | 0:05:57 | 0:05:59 | |
APPLAUSE | 0:05:59 | 0:06:01 | |
-Whoa! -On fire! | 0:06:01 | 0:06:03 | |
-Amazing. -On fire! | 0:06:03 | 0:06:05 | |
In your face! | 0:06:05 | 0:06:07 | |
Did you just point at Alan and say, "Eat it"? | 0:06:07 | 0:06:09 | |
No. | 0:06:09 | 0:06:11 | |
No, I pointed at him and went, "On fire!" | 0:06:11 | 0:06:13 | |
-Oh, "On fire." -"On fire!" | 0:06:13 | 0:06:14 | |
It's most impressive. | 0:06:14 | 0:06:15 | |
And you're all right, in many ways. | 0:06:15 | 0:06:17 | |
To astronomers, anything that isn't hydrogen or helium is a metal. | 0:06:17 | 0:06:21 | |
Even apparently normal metals can be quite deceptive, | 0:06:21 | 0:06:24 | |
as this trick shows. | 0:06:24 | 0:06:26 | |
I'm going to get a glass of water | 0:06:26 | 0:06:28 | |
and I'll get a teaspoon. | 0:06:28 | 0:06:31 | |
-Right. -Oh, I'll just... To prove that it is water, I'll drink it. | 0:06:31 | 0:06:35 | |
That just proves it might be vodka. | 0:06:35 | 0:06:37 | |
LAUGHTER | 0:06:37 | 0:06:39 | |
-It proves at least that it's not sulphuric acid or something... -Yeah. | 0:06:39 | 0:06:43 | |
..because what I'm going to do | 0:06:43 | 0:06:44 | |
is try and make this teaspoon disappear. | 0:06:44 | 0:06:47 | |
It may not work. | 0:06:49 | 0:06:51 | |
I'm not a good magician, | 0:06:51 | 0:06:52 | |
I'm a great magician. | 0:06:52 | 0:06:54 | |
And so we stir it here and I... | 0:06:54 | 0:06:56 | |
Oh, don't, Oh, no... | 0:06:57 | 0:06:59 | |
Oh, it might not work, it might work, I don't know. | 0:06:59 | 0:07:02 | |
I'm, oh... | 0:07:02 | 0:07:05 | |
-Yeah, it seems to have worked. -Ooh. | 0:07:05 | 0:07:07 | |
AUDIENCE GASPS | 0:07:07 | 0:07:09 | |
APPLAUSE | 0:07:09 | 0:07:10 | |
Wow! | 0:07:10 | 0:07:12 | |
There you are. Thank you. | 0:07:12 | 0:07:15 | |
That's rather good, isn't it? | 0:07:15 | 0:07:17 | |
-Rather good. -That's good. -That is. | 0:07:17 | 0:07:18 | |
In fact, on this occasion, it wasn't a magic trick | 0:07:18 | 0:07:21 | |
and it's something you can do. | 0:07:21 | 0:07:22 | |
I'll give you your water and you'll notice the water is rather warm. | 0:07:22 | 0:07:26 | |
-Oh, it's warm. -It's warm water. -Warm water. | 0:07:26 | 0:07:28 | |
And I'll give you a couple of spoons. | 0:07:28 | 0:07:30 | |
They are metal, they're metal spoons, but the metal... | 0:07:30 | 0:07:33 | |
Are they made out of Alka-Seltzer? | 0:07:33 | 0:07:34 | |
LAUGHTER | 0:07:34 | 0:07:36 | |
They might as well be, they're made out of gallium. | 0:07:36 | 0:07:38 | |
And gallium is a metal... | 0:07:38 | 0:07:41 | |
A very useful metal. | 0:07:41 | 0:07:43 | |
-Let's have a look. -..but it has the quality that it melts, | 0:07:43 | 0:07:46 | |
-as Alan is showing, in water. -Good lord. | 0:07:46 | 0:07:49 | |
Oh, you wouldn't want that of your teaspoon, would you? | 0:07:49 | 0:07:52 | |
No, it wouldn't make a practical teaspoon. | 0:07:52 | 0:07:54 | |
-That's lasting less time than a biscuit. -Yeah. | 0:07:54 | 0:07:57 | |
-That's it. -Look at that. | 0:07:57 | 0:07:59 | |
Now, if you stir it, | 0:07:59 | 0:08:00 | |
it'll happen more quickly. | 0:08:00 | 0:08:02 | |
-Oh, good lord, look at that. -Ah, jeez. -That is... | 0:08:02 | 0:08:05 | |
That would be the most annoying teaspoon in the world. | 0:08:05 | 0:08:07 | |
It really would, wouldn't it? | 0:08:07 | 0:08:08 | |
Now, oh. | 0:08:08 | 0:08:10 | |
But it's, like, Terminator's teaspoon. | 0:08:10 | 0:08:12 | |
Yeah, exactly. Terminator 2, it should be said. | 0:08:12 | 0:08:15 | |
Yes. Terminator two-spoon. | 0:08:15 | 0:08:17 | |
Hey! | 0:08:17 | 0:08:18 | |
-Well, I hope you're impressed with that. -Wow. -I'm very impressed. -Yeah. | 0:08:18 | 0:08:21 | |
-It's not poisonous, gallium, so you can drink it again. -I shan't. | 0:08:21 | 0:08:25 | |
LAUGHTER OK. You can put your glasses away. | 0:08:25 | 0:08:28 | |
There you are, top man. | 0:08:28 | 0:08:30 | |
"Mmm, delicious." | 0:08:30 | 0:08:32 | |
LAUGHTER | 0:08:32 | 0:08:33 | |
OK, pop away. | 0:08:33 | 0:08:35 | |
Now, why would you spread mustard on your lawn? | 0:08:35 | 0:08:37 | |
So you can... Like, if you stick roast beef on yourself | 0:08:38 | 0:08:42 | |
-and you slide across the lawn... -LAUGHTER | 0:08:42 | 0:08:45 | |
Somebody's made a graphic of a man mowing some custard. | 0:08:45 | 0:08:48 | |
LAUGHTER | 0:08:48 | 0:08:50 | |
Imagine you wanted to conduct | 0:08:51 | 0:08:54 | |
a worm census of your lawn, | 0:08:54 | 0:08:57 | |
you wanted to find out how many worms there wah... "There wah"? | 0:08:57 | 0:09:00 | |
-..in your lawn. -Make them come up out of the earth | 0:09:00 | 0:09:02 | |
with washing-up liquid. | 0:09:02 | 0:09:04 | |
-Is that what you'd use? -Yeah. | 0:09:04 | 0:09:06 | |
That really works a treat, actually. | 0:09:06 | 0:09:08 | |
What, do you put the washing up liquid...? | 0:09:08 | 0:09:10 | |
You just spray washing up liquid on the lawn and they all come up, | 0:09:10 | 0:09:13 | |
"Oh", like that, to help you with the washing up. | 0:09:13 | 0:09:15 | |
LAUGHTER | 0:09:15 | 0:09:17 | |
And it doesn't harm them? | 0:09:17 | 0:09:18 | |
Oh, it kills them. | 0:09:18 | 0:09:19 | |
LAUGHTER | 0:09:19 | 0:09:21 | |
This... | 0:09:21 | 0:09:22 | |
This is where your system and mine differ | 0:09:22 | 0:09:25 | |
because my system is just about counting them and not harming them. | 0:09:25 | 0:09:27 | |
-Right. -Because it does... | 0:09:27 | 0:09:29 | |
But you can still count them when they're dead. | 0:09:29 | 0:09:31 | |
LAUGHTER | 0:09:31 | 0:09:33 | |
-Easier, really. -It is easier. -It's true, you're right. | 0:09:33 | 0:09:35 | |
-Dry them out. -But they're good for aerating the lawn, aren't they? | 0:09:35 | 0:09:39 | |
-So is a pitchfork. -Yeah. | 0:09:39 | 0:09:40 | |
LAUGHTER | 0:09:40 | 0:09:42 | |
Well, anyway, it irritates them slightly, | 0:09:42 | 0:09:44 | |
but it doesn't kill them. | 0:09:44 | 0:09:45 | |
And, in fact, they did this in America | 0:09:45 | 0:09:47 | |
and discovered that 100% of North American worms are non-native. | 0:09:47 | 0:09:52 | |
All the worms of North America | 0:09:53 | 0:09:56 | |
were wiped out a long time ago. | 0:09:56 | 0:09:59 | |
-Washing up liquid. -Must have been. | 0:09:59 | 0:10:01 | |
10,000 years ago, | 0:10:01 | 0:10:02 | |
-before washing up liquid. -Ice age? | 0:10:02 | 0:10:05 | |
Ice age is the right answer. | 0:10:05 | 0:10:07 | |
Yeah, they were wiped out. | 0:10:07 | 0:10:08 | |
He's on fire, you're both on fire. | 0:10:08 | 0:10:10 | |
APPLAUSE | 0:10:10 | 0:10:13 | |
Yeah, the European worms arrived | 0:10:13 | 0:10:15 | |
in the root balls of plants | 0:10:15 | 0:10:17 | |
that were exported to the Americas. | 0:10:17 | 0:10:20 | |
But what else do we...? | 0:10:20 | 0:10:22 | |
Help me with mustard. | 0:10:22 | 0:10:23 | |
You can spread it on your hands if you're trying to give up smoking. | 0:10:23 | 0:10:26 | |
LAUGHTER | 0:10:26 | 0:10:28 | |
Yes, apparently a friend of mine did that, to try and, you know, | 0:10:28 | 0:10:31 | |
-give up smoking. -Did it work? | 0:10:31 | 0:10:33 | |
Um... No. | 0:10:33 | 0:10:34 | |
LAUGHTER | 0:10:34 | 0:10:36 | |
Gas, lethal gas. | 0:10:36 | 0:10:39 | |
Yes, mustard gas. | 0:10:39 | 0:10:41 | |
What was mustard gas? Did it have mustard in it? | 0:10:41 | 0:10:43 | |
It stank, poisonous. | 0:10:43 | 0:10:45 | |
It didn't actually contain mustard. | 0:10:45 | 0:10:47 | |
Nothing to do with mustard, called it only because of the colour of it. | 0:10:47 | 0:10:51 | |
-Well, the colour and the smell. -And the smell of it. | 0:10:51 | 0:10:53 | |
Sulphur mustard, it was called. | 0:10:53 | 0:10:54 | |
And rather like too much mustard, it could cause blistering. | 0:10:54 | 0:10:57 | |
And there were mustard baths. | 0:10:57 | 0:10:59 | |
A bath of mustard? | 0:10:59 | 0:11:00 | |
Is that a Comic Relief thing? | 0:11:00 | 0:11:02 | |
LAUGHTER No, you'd think it was. | 0:11:02 | 0:11:04 | |
But, funnily enough, | 0:11:04 | 0:11:06 | |
we British have mustard baths all the time, didn't you know that? | 0:11:06 | 0:11:09 | |
-No? -No. | 0:11:09 | 0:11:10 | |
According to the National Museum of Mustard, | 0:11:10 | 0:11:14 | |
which is in Middleton, Wisconsin. | 0:11:14 | 0:11:15 | |
I was going to say, it's got to be in America. | 0:11:15 | 0:11:18 | |
-Yeah. -Yeah. | 0:11:18 | 0:11:19 | |
They have a National Museum of Mustard and I... | 0:11:19 | 0:11:22 | |
Just be careful, | 0:11:22 | 0:11:23 | |
-because Norwich has a very famous mustard museum as well. -Uh-oh. | 0:11:23 | 0:11:26 | |
-Mr Coleman? -Coleman's, exactly. | 0:11:26 | 0:11:28 | |
This museum in Middleton, Wisconsin, | 0:11:28 | 0:11:30 | |
it asserts that "bathing in mustard is an English custom | 0:11:30 | 0:11:34 | |
"to this very day." | 0:11:34 | 0:11:35 | |
LAUGHTER | 0:11:35 | 0:11:38 | |
There you are, that's what they think. | 0:11:38 | 0:11:41 | |
-FAUX-AMERICAN ACCENT: -That's right, over in England, at night they... | 0:11:41 | 0:11:45 | |
Everyone in England asks their butler to draw them a mustard bath. | 0:11:45 | 0:11:49 | |
LAUGHTER | 0:11:49 | 0:11:51 | |
And you spoke of Coleman's of Norwich... | 0:11:51 | 0:11:53 | |
-Norwich. -..the great mustard company of Norwich. | 0:11:53 | 0:11:56 | |
They provided quite a lot of mustard for Robert Falcon Scott | 0:11:56 | 0:11:59 | |
-and his Discovery Expedition. -To the South Pole. | 0:11:59 | 0:12:02 | |
As you can see there, he has pots of Coleman's Mustard. | 0:12:02 | 0:12:05 | |
-That's a genuine real photograph... -Yes, of course. | 0:12:05 | 0:12:07 | |
..not in the least bit touched-up. LAUGHTER | 0:12:07 | 0:12:10 | |
How much did Coleman's, of Norwich, give... | 0:12:10 | 0:12:14 | |
to Captain Scott's team in the 1901/02...? | 0:12:14 | 0:12:17 | |
Two enormous barrels of mustard. | 0:12:17 | 0:12:19 | |
-Actually, they gave them one and a half tonnes... -Tiny jar? | 0:12:19 | 0:12:22 | |
-One and a half tonnes?! -..of mustard. | 0:12:22 | 0:12:25 | |
"TONNES" of mustard. | 0:12:25 | 0:12:27 | |
Excellent. | 0:12:27 | 0:12:28 | |
That's enough for a lot of baths, as well as a lot of food. | 0:12:28 | 0:12:30 | |
Now, from counting worms | 0:12:30 | 0:12:32 | |
to monkeys that count. | 0:12:32 | 0:12:34 | |
What job can even a monkey do? | 0:12:34 | 0:12:37 | |
ELECTRICAL WHISK BUZZER | 0:12:37 | 0:12:39 | |
Yes, Jo? | 0:12:39 | 0:12:41 | |
Is it quantity surveying? | 0:12:41 | 0:12:43 | |
LAUGHTER | 0:12:43 | 0:12:46 | |
-They might be able to. -Apologies to all quantity surveyors watching. | 0:12:46 | 0:12:49 | |
-That includes my brother. -Is your brother...? -Oh, is he? | 0:12:49 | 0:12:52 | |
-He is a quantity surveyor, yes. -Does he survey quantities all day? | 0:12:52 | 0:12:55 | |
-Yeah, sadly for him. -Do you get tired of surveying quantities? | 0:12:55 | 0:12:57 | |
I mean, how many quantities can you survey in one day? | 0:12:57 | 0:13:00 | |
-He can survey 47 quantities in a day. -47 quantities? | 0:13:00 | 0:13:04 | |
That's a lot of quantities. | 0:13:04 | 0:13:06 | |
Wow. Well, no, I don't think monkeys can survey quantities. | 0:13:06 | 0:13:09 | |
-They can count. -Yes. | 0:13:09 | 0:13:11 | |
The person who counts how many people are on the plane | 0:13:11 | 0:13:14 | |
before you take off, that could be a monkey. | 0:13:14 | 0:13:16 | |
LAUGHTER | 0:13:16 | 0:13:18 | |
That would instil us all with confidence, wouldn't it? | 0:13:18 | 0:13:20 | |
LAUGHTER | 0:13:20 | 0:13:22 | |
Just before take off, | 0:13:22 | 0:13:23 | |
a small primate comes down the aisle with a clicker. | 0:13:23 | 0:13:27 | |
LAUGHTER | 0:13:27 | 0:13:30 | |
And he also does the duty frees because no-one ever buys anything. | 0:13:30 | 0:13:32 | |
Yes. | 0:13:32 | 0:13:34 | |
In Thailand, there is a school. | 0:13:34 | 0:13:36 | |
-A monkey school? -Yep. | 0:13:36 | 0:13:38 | |
They have between three and six months of training - | 0:13:38 | 0:13:40 | |
the pig-tailed macaques - | 0:13:40 | 0:13:42 | |
and they end up working on a plantation, | 0:13:42 | 0:13:47 | |
where they can pick between 800 and 1,000 whats a day? | 0:13:47 | 0:13:52 | |
-Bananas. -Not bananas cos they'd eat those, wouldn't they? -They would. | 0:13:52 | 0:13:55 | |
-Coconuts. -Coconuts! | 0:13:55 | 0:13:56 | |
Between 800 and 1,000 coconuts a day, they can pick. | 0:13:56 | 0:14:00 | |
There they are. | 0:14:00 | 0:14:01 | |
But it's very useful. | 0:14:01 | 0:14:02 | |
So, a lot more than a human could, probably. | 0:14:02 | 0:14:04 | |
But they do they count them as well? | 0:14:04 | 0:14:06 | |
Well, I don't... Those don't, no. | 0:14:06 | 0:14:09 | |
Clicker in one hand. | 0:14:09 | 0:14:10 | |
LAUGHTER | 0:14:10 | 0:14:12 | |
In the US, they use capuchin monkeys | 0:14:12 | 0:14:15 | |
for a charity called Helping Hands, | 0:14:15 | 0:14:17 | |
which assists people with disabilities, | 0:14:17 | 0:14:19 | |
and they help with feeding, | 0:14:19 | 0:14:21 | |
retrieving dropped items, | 0:14:21 | 0:14:22 | |
changing compact discs, | 0:14:22 | 0:14:24 | |
-turning lights on and off. -Wow. | 0:14:24 | 0:14:26 | |
And in Tokyo, there's a tavern where... | 0:14:26 | 0:14:29 | |
A traditional sake house, | 0:14:29 | 0:14:31 | |
where macaques are employed | 0:14:31 | 0:14:33 | |
to bring customers hot towels. | 0:14:33 | 0:14:35 | |
I don't want a hot towel off that fella, I'll tell you that. | 0:14:35 | 0:14:38 | |
LAUGHTER | 0:14:38 | 0:14:40 | |
That is horrible. | 0:14:40 | 0:14:42 | |
Imagine that at the end of your bed at night. | 0:14:42 | 0:14:44 | |
Oh, God! | 0:14:44 | 0:14:46 | |
"Hot towel, sir?" Oh, fuck off! | 0:14:46 | 0:14:48 | |
LAUGHTER | 0:14:48 | 0:14:49 | |
Now, from smart monkeys to smart aleck kids. | 0:14:49 | 0:14:52 | |
Which of these would an ancient Mexican use | 0:14:52 | 0:14:56 | |
to teach children manners? | 0:14:56 | 0:14:58 | |
You've got chocolate, chilli... | 0:14:58 | 0:15:00 | |
A monkey with a baseball bat seems pretty effective. | 0:15:00 | 0:15:02 | |
You definitely would. | 0:15:02 | 0:15:04 | |
You've got to say "please" or you get the monkey with the bat. | 0:15:04 | 0:15:07 | |
I, personally, would use a cactus. | 0:15:07 | 0:15:09 | |
-Yeah. -What would you do with it? | 0:15:09 | 0:15:11 | |
Throw the child at it. | 0:15:11 | 0:15:12 | |
LAUGHTER | 0:15:12 | 0:15:14 | |
Then you are pretty much on a par with those ancient Mexicans. | 0:15:14 | 0:15:17 | |
Oh, am I? | 0:15:17 | 0:15:19 | |
Yeah. The Aztec or the... SHE MOUTHS | 0:15:19 | 0:15:21 | |
..Mexica. | 0:15:21 | 0:15:23 | |
LAUGHTER | 0:15:23 | 0:15:24 | |
-The Mexica, as they were called... -Yes. | 0:15:24 | 0:15:26 | |
From which, we get our word Mexico. | 0:15:26 | 0:15:28 | |
..did have a firm, but fair, way of treating their children. | 0:15:28 | 0:15:31 | |
That means "very cruel". | 0:15:31 | 0:15:32 | |
Yeah, I know. | 0:15:32 | 0:15:34 | |
And the Codex Mendoza was written by someone | 0:15:34 | 0:15:36 | |
observing the practices of the Aztecs, | 0:15:36 | 0:15:39 | |
and this is what he found. | 0:15:39 | 0:15:41 | |
Basically, they were taught to be humble, hard-working and polite, | 0:15:41 | 0:15:45 | |
just like British... | 0:15:45 | 0:15:47 | |
Oh, no, what am I talking about? LAUGHTER | 0:15:47 | 0:15:49 | |
So this is how it went. | 0:15:49 | 0:15:51 | |
It begins with an eight-year-old boy | 0:15:51 | 0:15:53 | |
-being threatened with the spines of a cactus. -Wow. | 0:15:53 | 0:15:56 | |
The following year, he's stripped, bound and pierced | 0:15:56 | 0:15:58 | |
in his neck, side and thigh. | 0:15:58 | 0:16:01 | |
Next year, he's bound and beaten with a pine stick. | 0:16:01 | 0:16:04 | |
The year after that, aged 11, his father holds his son, | 0:16:04 | 0:16:07 | |
bound and weeping over a fire of burning chillies - | 0:16:07 | 0:16:11 | |
as you can see, top right, there. | 0:16:11 | 0:16:13 | |
-All practices carried on in English boarding schools. -Yes. | 0:16:13 | 0:16:15 | |
LAUGHTER | 0:16:15 | 0:16:17 | |
Finally, a stroppy 12-year-old is bound and dumped | 0:16:17 | 0:16:19 | |
in a damp vegetable patch for a day | 0:16:19 | 0:16:22 | |
to reflect on his conduct. | 0:16:22 | 0:16:23 | |
By the time he's 13, he's dutifully gathering reeds, as you can see. | 0:16:23 | 0:16:27 | |
Yeah, bearing a terrible grudge. | 0:16:27 | 0:16:29 | |
LAUGHTER | 0:16:29 | 0:16:30 | |
-Which he will take out on his child. -Yes. | 0:16:30 | 0:16:32 | |
Unfortunately, that's the way it works. | 0:16:32 | 0:16:34 | |
-So, it's a sort of a meme of cruelty. -It is, yeah. | 0:16:34 | 0:16:37 | |
But the Huichol Mexicans - and you'll like this, I think, Jo - | 0:16:37 | 0:16:40 | |
they had an interesting practice, | 0:16:40 | 0:16:42 | |
which was, when a woman was pregnant, | 0:16:42 | 0:16:44 | |
she would lie and, | 0:16:44 | 0:16:45 | |
in the room above, | 0:16:45 | 0:16:47 | |
her husband would lie | 0:16:47 | 0:16:49 | |
and he would have strings | 0:16:49 | 0:16:51 | |
attached to his testicles, | 0:16:51 | 0:16:53 | |
which would drop down into the room below - | 0:16:53 | 0:16:55 | |
where his wife was, pregnant. | 0:16:55 | 0:16:56 | |
I'm loving this so far. | 0:16:56 | 0:16:57 | |
She would have... | 0:16:57 | 0:16:58 | |
She would hold the strings and, when she had a contraction, | 0:16:58 | 0:17:01 | |
she would pull... AUDIENCE GASPS | 0:17:01 | 0:17:04 | |
..so that he was forced to share her pain... | 0:17:04 | 0:17:06 | |
LAUGHTER | 0:17:06 | 0:17:08 | |
He, cunningly, slipped the string off, tied it onto the... | 0:17:08 | 0:17:11 | |
boards of the bed and went to the pub. | 0:17:11 | 0:17:13 | |
LAUGHTER | 0:17:13 | 0:17:15 | |
Tied it to the dog. | 0:17:15 | 0:17:17 | |
"Tied it to the dog"! | 0:17:17 | 0:17:19 | |
BILL BARKS | 0:17:19 | 0:17:20 | |
Or his 12-year-old son. | 0:17:20 | 0:17:21 | |
-"Argh!" -LAUGHTER | 0:17:21 | 0:17:23 | |
It's possible. | 0:17:23 | 0:17:25 | |
-Oh, we're... Sorry, go on. -No, carry on. | 0:17:25 | 0:17:27 | |
No, I was going to say a terrible | 0:17:27 | 0:17:28 | |
and a very embarrassing story about testicles, but you carry on. | 0:17:28 | 0:17:31 | |
-Oh, I want your testicle story. -All right, then. | 0:17:31 | 0:17:33 | |
Well, we had this dog and it got into the bed | 0:17:33 | 0:17:35 | |
and it started to lick... | 0:17:35 | 0:17:37 | |
the wrong set of testicles. | 0:17:37 | 0:17:39 | |
-That's all I'm saying. -LAUGHTER AND GASPS | 0:17:39 | 0:17:43 | |
Surely everybody wins? | 0:17:43 | 0:17:45 | |
-Everyone's a winner. -LAUGHTER | 0:17:45 | 0:17:48 | |
Not everyone, Stephen. | 0:17:48 | 0:17:50 | |
I haven't been back. | 0:17:50 | 0:17:51 | |
LAUGHTER | 0:17:51 | 0:17:54 | |
APPLAUSE | 0:17:54 | 0:17:59 | |
Yeah, the Mexica people of Mexico | 0:17:59 | 0:18:02 | |
used a very hands-on variety of tough love. | 0:18:02 | 0:18:05 | |
And speaking of hands, what's this man doing with his other hand? | 0:18:05 | 0:18:09 | |
LAUGHTER | 0:18:09 | 0:18:10 | |
-Oh, Lord! -It's M, it's M... | 0:18:10 | 0:18:12 | |
-It begins with M. -It begins with M. | 0:18:12 | 0:18:15 | |
He could be doing anything, Stephen. | 0:18:15 | 0:18:16 | |
Is it something beginning with M? | 0:18:16 | 0:18:18 | |
If that was me, it would be me trying to work out how the... | 0:18:18 | 0:18:20 | |
-Scratching? -..bloody thing works with a printer. | 0:18:20 | 0:18:23 | |
-Well, it does begin with M. -Massaging something? | 0:18:23 | 0:18:25 | |
-If I tell you that he's a professor. -He's got a massive mouse on his leg. | 0:18:25 | 0:18:28 | |
-Milking, mousing. -"Massive mouse." | 0:18:28 | 0:18:31 | |
You're right to think of an animal cos he's a scientist - | 0:18:31 | 0:18:33 | |
a professor at the University of Kentucky. | 0:18:33 | 0:18:36 | |
Has he got his finger stuck in a moose? | 0:18:36 | 0:18:39 | |
LAUGHTER | 0:18:39 | 0:18:42 | |
He's a Mexican, he's a Mexican man, | 0:18:42 | 0:18:44 | |
and he's pressing a child against a cactus under the desk. | 0:18:44 | 0:18:47 | |
LAUGHTER | 0:18:47 | 0:18:49 | |
He's a cruel man. | 0:18:49 | 0:18:50 | |
He is Professor Grayson Brown | 0:18:50 | 0:18:52 | |
and he's an entomologist of a particular kind. | 0:18:52 | 0:18:55 | |
A culicidologist, if that makes any sense to you. | 0:18:55 | 0:18:58 | |
-Molluscs? -Not molluscs. | 0:18:58 | 0:19:00 | |
-Oh. -An entomologist. -Mosquitoes. | 0:19:00 | 0:19:02 | |
Mosquitoes is the right answer. | 0:19:02 | 0:19:04 | |
CHEERING AND APPLAUSE | 0:19:04 | 0:19:06 | |
-Wow! -On fire. | 0:19:06 | 0:19:09 | |
Sorry. | 0:19:09 | 0:19:10 | |
That's brilliant. | 0:19:10 | 0:19:11 | |
He's very serious in his study of mosquitoes | 0:19:11 | 0:19:14 | |
and he was allowing 1,000 mosquitoes - | 0:19:14 | 0:19:16 | |
as he does every morning, | 0:19:16 | 0:19:17 | |
while he carries on doing his e-mails - | 0:19:17 | 0:19:19 | |
to feast on his arm. | 0:19:19 | 0:19:22 | |
His body is so used to it they no longer leave a mark, apparently. | 0:19:22 | 0:19:25 | |
It's most bizarre. | 0:19:25 | 0:19:27 | |
Asian mosquitoes are very picky, | 0:19:27 | 0:19:29 | |
they only, ONLY, feast on humans... | 0:19:29 | 0:19:32 | |
They won't eat the blood of any other animal. | 0:19:32 | 0:19:34 | |
..and, in order to keep them happy, | 0:19:34 | 0:19:36 | |
obviously they need a big supply of blood. | 0:19:36 | 0:19:38 | |
So, he and his fellow workers... | 0:19:38 | 0:19:39 | |
And some animals, it has to be said, in his lab, | 0:19:39 | 0:19:42 | |
also supply the blood for other breeds of mosquito - | 0:19:42 | 0:19:46 | |
but, for the Asian ones, it's just humans. | 0:19:46 | 0:19:49 | |
And, of course, they have to keep them breeding. | 0:19:49 | 0:19:52 | |
Now, they're odd, these Asian mosquitoes, | 0:19:52 | 0:19:54 | |
cos they're really a bit lazy. | 0:19:54 | 0:19:56 | |
I suppose they produce so many thousands... | 0:19:56 | 0:19:58 | |
What's he trying to find out? | 0:19:58 | 0:19:59 | |
I mean, what is there left to know about these creatures? | 0:19:59 | 0:20:01 | |
Well, given how many millions of people they kill every year, | 0:20:01 | 0:20:04 | |
it's kind of... You can't know enough. | 0:20:04 | 0:20:06 | |
Cos they kill more, as you know, than wars. | 0:20:06 | 0:20:09 | |
But in order to get them to mate, to force-mate them. | 0:20:09 | 0:20:11 | |
Play some Barry White, give them some wine. | 0:20:11 | 0:20:14 | |
LAUGHTER | 0:20:14 | 0:20:15 | |
Well, that's what I thought but, in this case, | 0:20:15 | 0:20:17 | |
-they decapitate the male... -Oh, that's different. | 0:20:17 | 0:20:19 | |
-No, no, that wouldn't work. -Good so far. | 0:20:19 | 0:20:21 | |
LAUGHTER ..they anaesthetise the female. | 0:20:21 | 0:20:24 | |
They then insert the male's genitals | 0:20:24 | 0:20:26 | |
into his unconscious partner. | 0:20:26 | 0:20:29 | |
Despite the lack of the male's head, | 0:20:29 | 0:20:31 | |
and the lack of the female's consciousness, | 0:20:31 | 0:20:33 | |
the insects lock together, | 0:20:33 | 0:20:35 | |
sperm is transferred | 0:20:35 | 0:20:36 | |
and the female becomes pregnant. | 0:20:36 | 0:20:38 | |
Does that happen with humans? SHE MOUTHS | 0:20:38 | 0:20:40 | |
-Yes? -Well, if you have enough Jagermeister, | 0:20:40 | 0:20:43 | |
-I suppose it will, yeah. -LAUGHTER | 0:20:43 | 0:20:45 | |
And a skilled entomologist can do this without a microscope. | 0:20:45 | 0:20:48 | |
That's nothing to brag about though, is it? | 0:20:48 | 0:20:51 | |
No, it probably isn't. | 0:20:51 | 0:20:52 | |
"Oh, I can make mosquitoes bang without a microscope." | 0:20:52 | 0:20:55 | |
LAUGHTER | 0:20:55 | 0:20:56 | |
We had a pair of preying mantis once in the kitchen, | 0:20:56 | 0:20:59 | |
In a... You know, in the tank, obviously. | 0:20:59 | 0:21:02 | |
And I came home one night and the male praying mantis | 0:21:02 | 0:21:05 | |
was on the kitchen floor | 0:21:05 | 0:21:06 | |
walking across, like, towards the door. | 0:21:06 | 0:21:08 | |
And I went, "Oh, no, he's got out of the t... Oh, what a shame." | 0:21:08 | 0:21:11 | |
And I carefully scooped him up | 0:21:11 | 0:21:12 | |
and I placed him back in the tank, very gently, | 0:21:12 | 0:21:14 | |
and the female pounced and bit his head off and... | 0:21:14 | 0:21:17 | |
LAUGHTER | 0:21:17 | 0:21:18 | |
..he was clearly making a break for it. | 0:21:18 | 0:21:20 | |
-Oh, because they do. -The whole time, "No, don't put me back there. Oh." | 0:21:20 | 0:21:23 | |
-The females do eat the males, don't they? -Yes, they do. | 0:21:23 | 0:21:25 | |
-So, they must have just mated. -They must have just... | 0:21:25 | 0:21:28 | |
-And he was off. -Yeah. Oh, dear, oh, dear. | 0:21:28 | 0:21:30 | |
But now it's time to move on | 0:21:30 | 0:21:31 | |
to the low-hanging fruit | 0:21:31 | 0:21:32 | |
of General Ignorance. | 0:21:32 | 0:21:34 | |
What do magpies like to steal? | 0:21:34 | 0:21:37 | |
Shiny things. | 0:21:37 | 0:21:39 | |
KLAXON BLARES | 0:21:39 | 0:21:41 | |
Of course, everyone knows that! Come on! | 0:21:41 | 0:21:43 | |
Oh, Alany, Alany, Alany-walany, Alany-walany-woo. | 0:21:43 | 0:21:46 | |
-No. We think they do, but they don't. -Oh. | 0:21:46 | 0:21:48 | |
-We've done tests. Well, we haven't, people have. -Have you? | 0:21:48 | 0:21:51 | |
Out of 64 of them, magpies picked up a shiny object only twice | 0:21:51 | 0:21:54 | |
and then immediately dropped it. | 0:21:54 | 0:21:56 | |
They're not interested in shiny things. | 0:21:56 | 0:21:58 | |
Like all animals, they're interested in things that look like food or... | 0:21:58 | 0:22:01 | |
that they can shag. LAUGHTER | 0:22:01 | 0:22:03 | |
The... It's folklore surrounding them seems to be just that - | 0:22:03 | 0:22:06 | |
folklore, anecdotes. | 0:22:06 | 0:22:08 | |
But the Italian for magpie... | 0:22:08 | 0:22:11 | |
leads to an interesting thing. | 0:22:11 | 0:22:13 | |
-FAUX ITALIAN ACCENT: -Magpie-o. | 0:22:13 | 0:22:14 | |
LAUGHTER | 0:22:14 | 0:22:16 | |
That's an awfully nice thought. | 0:22:16 | 0:22:18 | |
Do you know the Rossini opera, The Thieving Magpie? | 0:22:18 | 0:22:20 | |
Called "La Gazza Ladra". | 0:22:20 | 0:22:22 | |
"Gazza" is a magpie | 0:22:22 | 0:22:24 | |
and a little magpie, "gazzetta". | 0:22:24 | 0:22:27 | |
-Oh, it's the newspaper. -Called the "gazzetta". | 0:22:27 | 0:22:30 | |
A newspaper - gazette. | 0:22:30 | 0:22:32 | |
And that's it, the gossipy chatter, | 0:22:32 | 0:22:33 | |
-like a magpie. -Ah! | 0:22:33 | 0:22:35 | |
That's where we get that word, "gazette". | 0:22:35 | 0:22:37 | |
-I like... I quite like that one. -Yeah, me too. -Yeah. -Yeah, certainly. | 0:22:37 | 0:22:41 | |
Also, if I were to say that the magpie's real name is a pie, | 0:22:41 | 0:22:44 | |
it's a pie. | 0:22:44 | 0:22:46 | |
Then where does the "mag" come from? | 0:22:46 | 0:22:48 | |
-Margaret. -Yeah. | 0:22:48 | 0:22:50 | |
-Margaret. -Was it? | 0:22:50 | 0:22:52 | |
-Yeah. -"Margaret pie?" -APPLAUSE | 0:22:52 | 0:22:56 | |
Where did that come from? | 0:22:56 | 0:23:00 | |
"Margaret pie"? | 0:23:00 | 0:23:01 | |
In medieval England, it was common | 0:23:01 | 0:23:03 | |
to give birds a Christian name, sometimes, | 0:23:03 | 0:23:06 | |
and the ones that have survived have included magpie. | 0:23:06 | 0:23:09 | |
-Which other ones can you...? -Robin. -Robin. | 0:23:09 | 0:23:11 | |
-Robin redbreast. -Robin redbreast. | 0:23:11 | 0:23:13 | |
Robin's the only one where the first name is the one that's kept... | 0:23:13 | 0:23:16 | |
-Dave Starling. -Sorry? LAUGHTER | 0:23:16 | 0:23:18 | |
-Joseph Starling? -No, big Dave Starling. | 0:23:18 | 0:23:20 | |
LAUGHTER | 0:23:20 | 0:23:21 | |
Joseph would have been funny. | 0:23:21 | 0:23:23 | |
Joseph Starling is good, yeah. I like that. I prefer that. | 0:23:23 | 0:23:25 | |
-Not as funny as Dave, but it's better. -Yeah. | 0:23:25 | 0:23:29 | |
-Tomtit. Jenny Wren. -Tomtit, yeah. | 0:23:29 | 0:23:31 | |
Charlie Crow. | 0:23:31 | 0:23:32 | |
-Jackdaw. -Jackdaw. -Oh, jackdaw. -Yeah, yeah. | 0:23:32 | 0:23:35 | |
So there are a few of them. | 0:23:35 | 0:23:37 | |
Christopher Chaf-finch. | 0:23:37 | 0:23:38 | |
LAUGHTER | 0:23:38 | 0:23:42 | |
-We had an injured bird in the garden yesterday... -Oh. | 0:23:42 | 0:23:45 | |
..and it looked like a magpie, and it couldn't take off, | 0:23:45 | 0:23:47 | |
and I was watching it for ages. I didn't know what to do with it, | 0:23:47 | 0:23:50 | |
so I opened the back gate and shooed it out. | 0:23:50 | 0:23:52 | |
LAUGHTER | 0:23:52 | 0:23:53 | |
-Oh, dear. -What do you think it was, then? What make? -"The back gate." | 0:23:53 | 0:23:57 | |
-I think it was a young crow... -Yeah. | 0:23:57 | 0:24:00 | |
..that was having a bit of trouble with flight | 0:24:00 | 0:24:03 | |
-because it flew into a bush... -Oh, dear. | 0:24:03 | 0:24:05 | |
..and I presume it's dead by now. | 0:24:05 | 0:24:07 | |
LAUGHTER | 0:24:07 | 0:24:09 | |
-That's it, you...? -And that's the end of tonight's Springwatch. -Yes. | 0:24:09 | 0:24:12 | |
LAUGHTER | 0:24:12 | 0:24:15 | |
APPLAUSE | 0:24:15 | 0:24:19 | |
What could you have done with it? | 0:24:19 | 0:24:22 | |
-I don't know, what are you going to do with a bird? -Shoot it, shoot it. | 0:24:22 | 0:24:25 | |
-Take it out. -Shoot the... | 0:24:25 | 0:24:27 | |
-Sniper's rifle, through the brain. -I could have gone after it | 0:24:27 | 0:24:29 | |
because it was in the garden and couldn't get out. | 0:24:29 | 0:24:31 | |
-I could have easily got it with a tennis racket. -Yeah, exactly. Yeah. -AUDIENCE GASPS | 0:24:31 | 0:24:35 | |
Just scoop it up with a tennis racket | 0:24:35 | 0:24:37 | |
-and hit it with a frying pan... -LAUGHTER | 0:24:37 | 0:24:39 | |
..and chuck it over the wall. That's what I would do. | 0:24:39 | 0:24:41 | |
And then its parents would have come and ate it, wouldn't they? | 0:24:41 | 0:24:44 | |
-Yeah, that's right. -Let's face it, it is the wild. -Yeah. -Exactly, yes. | 0:24:44 | 0:24:47 | |
Even if it is Hampstead. | 0:24:47 | 0:24:48 | |
LAUGHTER | 0:24:48 | 0:24:49 | |
It's wild for them, though. | 0:24:49 | 0:24:51 | |
They've have had it in a coulis. | 0:24:51 | 0:24:53 | |
LAUGHTER | 0:24:53 | 0:24:56 | |
A crow couscous. | 0:24:56 | 0:24:58 | |
With some quinoa. | 0:24:58 | 0:25:00 | |
LAUGHTER | 0:25:00 | 0:25:01 | |
I wonder what its name was. | 0:25:01 | 0:25:03 | |
Clive, I expect. | 0:25:03 | 0:25:04 | |
No, I think it was Vel. | 0:25:04 | 0:25:06 | |
-Vel? -Vel-crow. -"Velcro." | 0:25:06 | 0:25:07 | |
APPLAUSE | 0:25:07 | 0:25:11 | |
Oh, dear. Oh, dear. | 0:25:11 | 0:25:14 | |
So, magpies aren't particularly interested in shiny objects. | 0:25:14 | 0:25:18 | |
How many paintings did Vincent Van Gogh - | 0:25:18 | 0:25:20 | |
or "Goch," or "Gough," or "Go"... | 0:25:20 | 0:25:23 | |
How many did he sell while he was alive? | 0:25:23 | 0:25:25 | |
Don't say none. | 0:25:25 | 0:25:26 | |
TURNTABLE BUZZER | 0:25:26 | 0:25:27 | |
None! I'm going to say none. | 0:25:27 | 0:25:29 | |
KLAXON BLARES | 0:25:29 | 0:25:32 | |
-D'oh! -D'oh! | 0:25:32 | 0:25:34 | |
Really, I'm afraid... | 0:25:34 | 0:25:36 | |
-One. -A few, maybe? | 0:25:36 | 0:25:38 | |
KLAXON BLARES | 0:25:38 | 0:25:40 | |
"A few". | 0:25:40 | 0:25:41 | |
It was lots. He sold hundreds of paintings. | 0:25:41 | 0:25:44 | |
-Hundreds?! -Yeah, when he was 15, | 0:25:44 | 0:25:46 | |
he used to work in an art gallery. | 0:25:46 | 0:25:48 | |
-Oh, shut up! -LAUGHTER | 0:25:48 | 0:25:49 | |
It's true. | 0:25:49 | 0:25:51 | |
I just asked you how many paintings... | 0:25:51 | 0:25:53 | |
This is the closest I've come to walking out of this show! | 0:25:53 | 0:25:56 | |
I'd like a recount on those two. | 0:25:56 | 0:25:58 | |
It was a horribly mean question, | 0:25:58 | 0:26:00 | |
but the fact is he did sell hundreds - | 0:26:00 | 0:26:03 | |
they just weren't his own. | 0:26:03 | 0:26:04 | |
He was very good at selling them too, | 0:26:04 | 0:26:06 | |
he did extremely well and | 0:26:06 | 0:26:08 | |
it was a big French company | 0:26:08 | 0:26:09 | |
and his brother, Theo, | 0:26:09 | 0:26:11 | |
ran the Montmartre branch, | 0:26:11 | 0:26:13 | |
and Vincent relocated, after a while, to the London branch. | 0:26:13 | 0:26:17 | |
And he spent two years in London, living in Brixton, | 0:26:17 | 0:26:20 | |
and he called it the happiest time of his life. | 0:26:20 | 0:26:23 | |
Yeah, he did really well and he loved it. | 0:26:23 | 0:26:25 | |
-Good fun in Brixton. -It's great. -It was good fun, it's a good place. | 0:26:25 | 0:26:28 | |
-Brixton Village. -Brixton Village. | 0:26:28 | 0:26:30 | |
He would have gone and got some chicken from CHICKENliquor, | 0:26:30 | 0:26:32 | |
that's real nice. | 0:26:32 | 0:26:34 | |
-Yeah. -Is that your manor? | 0:26:34 | 0:26:36 | |
I used to live in Brixton and... | 0:26:36 | 0:26:38 | |
do you know what I nearly did then? | 0:26:38 | 0:26:39 | |
-I nearly called you "man" and then I stopped myself. -Thank you. | 0:26:39 | 0:26:42 | |
-I just want you to appreciate that. -I really do. Thank you. | 0:26:42 | 0:26:46 | |
-Anyway, perhaps the most surprising thing we'll all learn today... -Yes. | 0:26:46 | 0:26:50 | |
..is that, after Brixton, | 0:26:50 | 0:26:52 | |
he came back to the UK in 1876, | 0:26:52 | 0:26:56 | |
and Vincent Van Gogh... | 0:26:56 | 0:26:57 | |
worked... | 0:26:57 | 0:26:58 | |
as a supply teacher in Ramsgate. | 0:26:58 | 0:27:01 | |
-Oh! -Isn't that wonderful? | 0:27:01 | 0:27:03 | |
Wow. | 0:27:03 | 0:27:04 | |
-That's a big surprise, isn't it? -It is. It is, yeah. | 0:27:04 | 0:27:06 | |
I wonder if the children remembered him for years afterwards... | 0:27:06 | 0:27:09 | |
-Mr Van Gogh? -..as a flame-haired figure. -Moody sod. | 0:27:09 | 0:27:12 | |
-Yeah. -Yeah. -Then he became a painter, supported financially | 0:27:12 | 0:27:14 | |
and, indeed, emotionally by his brother, Theo. | 0:27:14 | 0:27:17 | |
He suffered from tinnitus, vertigo and, of course, depression | 0:27:17 | 0:27:20 | |
and he killed himself aged 37. | 0:27:20 | 0:27:22 | |
Only one of his 900 paintings | 0:27:22 | 0:27:25 | |
was sold in his lifetime. | 0:27:25 | 0:27:27 | |
Sold to a remarkable woman called Anna Boch, | 0:27:27 | 0:27:30 | |
who was, herself, a painter. | 0:27:30 | 0:27:31 | |
-One. You said one! -I said one. -You said one. | 0:27:31 | 0:27:34 | |
I asked how many paintings, not how many of his own paintings. | 0:27:34 | 0:27:36 | |
BILL GROANS | 0:27:36 | 0:27:38 | |
I know, I'm sorry, but, look, I did say... | 0:27:38 | 0:27:40 | |
Chairman of the Pedantic Association. | 0:27:40 | 0:27:42 | |
LAUGHTER | 0:27:42 | 0:27:44 | |
"It's actually the Society of Pedantics, but I'll let that go." | 0:27:44 | 0:27:47 | |
Yes, exactly, in fact. LAUGHTER | 0:27:47 | 0:27:50 | |
Anna Boch paid 400 francs | 0:27:50 | 0:27:52 | |
for a painting of his called The Red Vineyard, | 0:27:52 | 0:27:55 | |
which is rather beautiful. | 0:27:55 | 0:27:56 | |
And with that, the final whistle has blown and... | 0:27:56 | 0:27:59 | |
STEPHEN LAUGHS | 0:27:59 | 0:28:00 | |
..the match has come to an end. | 0:28:00 | 0:28:02 | |
It's actually a very extraordinary series of scores. | 0:28:02 | 0:28:06 | |
In first place, with plus eight... | 0:28:07 | 0:28:09 | |
Yes, she was on fire, Jo Brand. | 0:28:09 | 0:28:12 | |
CHEERING AND APPLAUSE | 0:28:12 | 0:28:17 | |
In second place... | 0:28:17 | 0:28:20 | |
with minus seven, it's James. | 0:28:20 | 0:28:22 | |
CHEERING AND APPLAUSE | 0:28:22 | 0:28:25 | |
In third place... | 0:28:25 | 0:28:27 | |
with minus 32, is Bill Bailey. | 0:28:27 | 0:28:30 | |
-Minus, how...? -CHEERING AND APPLAUSE | 0:28:30 | 0:28:34 | |
In fourth place... | 0:28:34 | 0:28:35 | |
with minus 41, Alan Davies. | 0:28:35 | 0:28:37 | |
CHEERING AND APPLAUSE | 0:28:37 | 0:28:39 | |
Thank you very much, thank you. | 0:28:39 | 0:28:40 | |
So, all that remains for me | 0:28:44 | 0:28:46 | |
is to pull up the corner flags, | 0:28:46 | 0:28:48 | |
thank James, Bill, Jo and Alan, | 0:28:48 | 0:28:50 | |
and to leave you with this classic piece of Ron Atkinson. | 0:28:50 | 0:28:53 | |
When asked about what made the perfect match, | 0:28:53 | 0:28:55 | |
"Well, Clive, it's all about the two M's - | 0:28:55 | 0:28:58 | |
"movement and positioning." | 0:28:58 | 0:29:00 | |
Goodnight. | 0:29:00 | 0:29:01 | |
APPLAUSE | 0:29:01 | 0:29:05 |