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CHEERING AND APPLAUSE | 0:00:23 | 0:00:28 | |
Gooood evening, | 0:00:28 | 0:00:30 | |
good evening, good evening, good evening, good evening, | 0:00:30 | 0:00:33 | |
good evening, good evening, good evening, good evening... | 0:00:33 | 0:00:35 | |
and welcome to QI - | 0:00:35 | 0:00:36 | |
where, tonight, we're mired in Misconceptions | 0:00:36 | 0:00:40 | |
and nothing is as it seems. | 0:00:40 | 0:00:42 | |
Or is it? Or will they? Have they? | 0:00:42 | 0:00:44 | |
I don't know. LAUGHTER | 0:00:44 | 0:00:46 | |
Do you? Maybe not. I simply don't know. | 0:00:46 | 0:00:48 | |
Or do I? LAUGHTER | 0:00:48 | 0:00:50 | |
Joining me tonight are... | 0:00:50 | 0:00:52 | |
Sue Perkins. | 0:00:52 | 0:00:54 | |
CHEERING AND APPLAUSE | 0:00:54 | 0:00:57 | |
..Chris Addison... | 0:00:57 | 0:00:59 | |
CHEERING AND APPLAUSE | 0:00:59 | 0:01:02 | |
..Sara Cox... | 0:01:02 | 0:01:04 | |
CHEERING AND APPLAUSE | 0:01:04 | 0:01:07 | |
..and Alan Davies. | 0:01:07 | 0:01:08 | |
-CHEERING AND APPLAUSE -Thank you, thank you. | 0:01:08 | 0:01:11 | |
So, let's hear your buzzers. | 0:01:13 | 0:01:16 | |
Sue goes... | 0:01:16 | 0:01:17 | |
BUZZER | 0:01:17 | 0:01:19 | |
-Oh! -Chris goes... IDENTICAL BUZZER | 0:01:19 | 0:01:22 | |
Sara goes... IDENTICAL BUZZER | 0:01:22 | 0:01:24 | |
Alan's buzzer... | 0:01:24 | 0:01:25 | |
BIRD SCREECHES | 0:01:25 | 0:01:27 | |
LAUGHTER | 0:01:27 | 0:01:28 | |
Oh. KLAXON | 0:01:28 | 0:01:30 | |
LAUGHTER | 0:01:30 | 0:01:32 | |
That wasn't a buzzer, that was a buzzard. | 0:01:32 | 0:01:34 | |
-That's harsh, though, isn't it? -It is harsh. | 0:01:34 | 0:01:37 | |
Am I on minus then already, | 0:01:37 | 0:01:39 | |
-before I've spoken? -Yes. | 0:01:39 | 0:01:41 | |
That is a new record. | 0:01:41 | 0:01:42 | |
LAUGHTER | 0:01:42 | 0:01:43 | |
I have no... My hands are tied. | 0:01:43 | 0:01:45 | |
LAUGHTER | 0:01:45 | 0:01:47 | |
Now, how did the first American airmail arrive at its destination? | 0:01:47 | 0:01:51 | |
Human cannonball. | 0:01:52 | 0:01:54 | |
LAUGHTER That's a good thought. | 0:01:54 | 0:01:56 | |
They just put a postman in a cannon and fired him. | 0:01:56 | 0:02:00 | |
Was it an air balloon? | 0:02:00 | 0:02:01 | |
It wasn't, I'm afraid. KLAXON | 0:02:01 | 0:02:04 | |
-I mean... -Ha-ha-ha! -..that seems... | 0:02:06 | 0:02:08 | |
LAUGHTER | 0:02:08 | 0:02:11 | |
Welcome to QI. Quite right. | 0:02:11 | 0:02:13 | |
Oh, surely a carrier pigeon. | 0:02:13 | 0:02:16 | |
-Oh! -As in... | 0:02:16 | 0:02:17 | |
KLAXON | 0:02:17 | 0:02:20 | |
Was it by bus? | 0:02:20 | 0:02:22 | |
Closer. | 0:02:22 | 0:02:23 | |
-Bus is closer. Airmail was by bus? -Stagecoach? | 0:02:23 | 0:02:25 | |
-Train. -Sedan chair. -Train is the right answer. -Sedan chair. | 0:02:25 | 0:02:28 | |
You deserve to get some points back, because it started by balloon, | 0:02:28 | 0:02:31 | |
-you see, Sara. -Oh, really? -Yeah. | 0:02:31 | 0:02:33 | |
With great hoopla, they started an airmail service. | 0:02:33 | 0:02:35 | |
It was going to go from Indiana to New York. | 0:02:35 | 0:02:38 | |
Unfortunately, they chose the opening day | 0:02:38 | 0:02:40 | |
and lots of mail had arrived, which was very self-consciously excited. | 0:02:40 | 0:02:43 | |
"My darling, you're going to get this by a new means of transport," | 0:02:43 | 0:02:47 | |
etc, etc. They were all thrilled by it. | 0:02:47 | 0:02:49 | |
There was no wind and, after five hours, it had gone 30 miles... | 0:02:49 | 0:02:52 | |
-LAUGHTER ..and so he just... -Could he...? | 0:02:52 | 0:02:55 | |
Basically, they let themselves down and got on a train. | 0:02:55 | 0:02:58 | |
Throwing the post overboard to keep height. | 0:02:58 | 0:03:00 | |
LAUGHTER | 0:03:00 | 0:03:01 | |
He was a piano maker turned ballooning pioneer, | 0:03:01 | 0:03:03 | |
Professor John Wise, who started it out. | 0:03:03 | 0:03:06 | |
It was in 1859. | 0:03:06 | 0:03:08 | |
But the regular airmail service was started in 1918 | 0:03:08 | 0:03:12 | |
as a way of training pilots - | 0:03:12 | 0:03:13 | |
and the assistant postmaster was ruthless, | 0:03:13 | 0:03:16 | |
and he insisted that the trainees | 0:03:16 | 0:03:19 | |
would fly, whatever the weather. | 0:03:19 | 0:03:21 | |
And out of 40 who started, | 0:03:21 | 0:03:23 | |
-more than half were killed. -Oh, f...! -Oh, dear. | 0:03:23 | 0:03:25 | |
He was a lunatic. He, himself, didn't fly - | 0:03:25 | 0:03:27 | |
so it was pretty obvious he had no idea what was going on, | 0:03:27 | 0:03:30 | |
so it was all rather tragic. | 0:03:30 | 0:03:31 | |
Good to see the use of a sinister doll on the mailbag as well. | 0:03:31 | 0:03:34 | |
LAUGHTER | 0:03:34 | 0:03:35 | |
-The whole thing's sent by voodoo. -Yeah, it is. | 0:03:35 | 0:03:37 | |
LAUGHTER | 0:03:37 | 0:03:39 | |
It's for when they don't want to get in the plane, | 0:03:39 | 0:03:41 | |
-he makes them with the doll. -LAUGHTER | 0:03:41 | 0:03:43 | |
He walks the doll. | 0:03:43 | 0:03:44 | |
"I don't want to fly in the plane!" | 0:03:44 | 0:03:46 | |
The first airplane-powered glider airmail service | 0:03:46 | 0:03:51 | |
was founded by whom? | 0:03:51 | 0:03:53 | |
-Amy Johnson. -The first one was named after... | 0:03:53 | 0:03:55 | |
-No, she's not known as an aviatrix... -Oh, right. | 0:03:55 | 0:03:58 | |
..she's known as a novelist. | 0:03:58 | 0:03:59 | |
-Madonna. -Barbara Cartland. | 0:03:59 | 0:04:01 | |
Is the right answer! | 0:04:01 | 0:04:03 | |
APPLAUSE | 0:04:03 | 0:04:08 | |
INAUDIBLE | 0:04:08 | 0:04:10 | |
That was very impressive, Sue. | 0:04:10 | 0:04:11 | |
Barbara Cartland flew the first glider that dispensed mail? | 0:04:11 | 0:04:15 | |
-Yep, that's absolutely right. -Tell me it was painted pink. | 0:04:15 | 0:04:18 | |
The glider was called The Barbara Cartland, as you can see. Yeah. | 0:04:18 | 0:04:21 | |
-Where does she get her ideas? -Indeed. | 0:04:21 | 0:04:23 | |
Well, she was a flapper, she was a sort of deb. | 0:04:23 | 0:04:25 | |
She was very much an aristocrat, | 0:04:25 | 0:04:27 | |
part of the Bright Young Things - and they all loved to fly. | 0:04:27 | 0:04:30 | |
-It was an expression of youth. -"Oh, because it was extremely good fun! | 0:04:30 | 0:04:33 | |
"I mean, just really, really good to get in a glider | 0:04:33 | 0:04:35 | |
"and just shove a few letters out. | 0:04:35 | 0:04:36 | |
"Lovely, rollicking, good fun." | 0:04:36 | 0:04:38 | |
America's first airmail letters arrived by train. | 0:04:38 | 0:04:42 | |
Now, from airmail to e-mail. | 0:04:42 | 0:04:44 | |
What's the most effective way to do a massive data dump? | 0:04:44 | 0:04:47 | |
-Is it...? -LAUGHTER | 0:04:47 | 0:04:49 | |
Is it - "Give your laptop to a British civil servant | 0:04:49 | 0:04:52 | |
"to leave in a car?" | 0:04:52 | 0:04:53 | |
LAUGHTER Yes, that will happen. | 0:04:53 | 0:04:55 | |
-A data dump? -Yeah. | 0:04:55 | 0:04:56 | |
I'm sorry about the picture, | 0:04:56 | 0:04:58 | |
it's nothing to do with anything lavatorial. | 0:04:58 | 0:05:00 | |
-Where have you got that from? -I've no idea. | 0:05:00 | 0:05:02 | |
They just googled "data dump", and there you are. | 0:05:02 | 0:05:04 | |
-Yeah. -The techno turd. -LAUGHTER | 0:05:04 | 0:05:06 | |
No, don't... Forget that whole side of it. We... | 0:05:06 | 0:05:09 | |
-No, I'm obsessed with that image. -It's our fault. | 0:05:09 | 0:05:11 | |
Our picture suggests the lavatory, but it's not about that. | 0:05:11 | 0:05:14 | |
If you want to transfer HUGE amounts of data, | 0:05:14 | 0:05:16 | |
-what's the best way to do it? -Dropbox. -Dropbox, yeah. | 0:05:16 | 0:05:18 | |
Dropbox. You send it... KLAXON | 0:05:18 | 0:05:20 | |
Oh, dear. Oh, dear. Oh, dear. Oh, dear. | 0:05:20 | 0:05:24 | |
Do you...? By data dump, do you mean to get the data somewhere else, | 0:05:24 | 0:05:27 | |
-or do you mean to...? -To wipe it? -Yeah, exactly. | 0:05:27 | 0:05:29 | |
-Oh sorry, the "wipe it" again, I mean... -No, not to wipe it. | 0:05:29 | 0:05:31 | |
LAUGHTER | 0:05:31 | 0:05:32 | |
But you always want to wipe after a data dump. | 0:05:32 | 0:05:35 | |
I'll give you an example. | 0:05:35 | 0:05:36 | |
Enormous data sets that come from Hubble | 0:05:36 | 0:05:39 | |
have to be transferred to different scientists, | 0:05:39 | 0:05:41 | |
to interpret and to render the images | 0:05:41 | 0:05:43 | |
and all these kind of... And they're huge data sets. | 0:05:43 | 0:05:45 | |
So, what do they use to send it? Do they use Ethernet? | 0:05:45 | 0:05:48 | |
Do they use...? What do they use? Fibre optics? | 0:05:48 | 0:05:50 | |
Do they just print it off? | 0:05:50 | 0:05:51 | |
-No, that's... -Do they put it in the Cloud? -They don't put it... | 0:05:51 | 0:05:54 | |
They run to a phone booth. They do all that, like in the old films. | 0:05:54 | 0:05:56 | |
"I've got all the data. OK, have you got a pen? Listen." | 0:05:56 | 0:05:59 | |
LAUGHTER | 0:05:59 | 0:06:00 | |
"OK, first thing - a star, then a bit a space, then another star..." | 0:06:00 | 0:06:03 | |
-LAUGHTER -..and do that for some time. | 0:06:03 | 0:06:06 | |
What they do is they post it... | 0:06:06 | 0:06:08 | |
in the mail, the ordinary mail. | 0:06:08 | 0:06:10 | |
-It's quicker. -Bradley Wiggins delivers it. -It's quicker. | 0:06:10 | 0:06:13 | |
It takes less than 24 hours for each transfer | 0:06:13 | 0:06:15 | |
if you take it by mail. | 0:06:15 | 0:06:17 | |
Whereas, to transfer the complete data set, | 0:06:17 | 0:06:19 | |
which is 120 terabytes, | 0:06:19 | 0:06:20 | |
it would take 111 days... | 0:06:20 | 0:06:23 | |
-if you did it by the internet. -To send? | 0:06:23 | 0:06:25 | |
-You know, by e-mail. -Yeah. | 0:06:25 | 0:06:26 | |
That is surprising, isn't it? | 0:06:26 | 0:06:28 | |
And we've done some calculations. | 0:06:28 | 0:06:30 | |
FedEx or UPS, or any of those, | 0:06:30 | 0:06:32 | |
could deliver massive amounts of information | 0:06:32 | 0:06:34 | |
64 times faster than the internet. | 0:06:34 | 0:06:37 | |
Based on the weight of packages which ship every day... | 0:06:37 | 0:06:39 | |
They're going to love you! | 0:06:39 | 0:06:40 | |
-I hope you're getting money from them for this! -No, it's just... | 0:06:40 | 0:06:43 | |
I didn't... Oh, from FedEx. | 0:06:43 | 0:06:44 | |
It all ends up on an island with Tom Hanks... | 0:06:44 | 0:06:47 | |
"Faster than the internet." - Stephen Fry. | 0:06:47 | 0:06:49 | |
..for three years. | 0:06:49 | 0:06:51 | |
Based on the weight of packages and the weight of memory cards, | 0:06:51 | 0:06:54 | |
they could transport 2,222 terabytes per second. | 0:06:54 | 0:06:58 | |
Now that... The whole internet, in 2016, | 0:06:58 | 0:07:01 | |
is expected to be 34.5 terabytes a second. | 0:07:01 | 0:07:04 | |
What's a terabyte, Stephen? | 0:07:04 | 0:07:05 | |
-Well, you've got a byte... -Yes. -A byte. | 0:07:05 | 0:07:08 | |
..a kilobyte... | 0:07:08 | 0:07:09 | |
And then the terror-byte! | 0:07:09 | 0:07:10 | |
-..a megabyte... -Megabyte. -Yeah. Megabyte I can do, yeah. | 0:07:10 | 0:07:13 | |
-Yeah, a megabyte. ..and then a gigabyte... -Yeah. | 0:07:13 | 0:07:16 | |
..and a terabyte... | 0:07:16 | 0:07:18 | |
..and then you have a petabyte, even bigger than that. Petabyte. | 0:07:18 | 0:07:21 | |
But the expansion of memory, | 0:07:21 | 0:07:23 | |
the expansion of processing power in computing is bewildering - | 0:07:23 | 0:07:26 | |
partly because it doubles every two years, | 0:07:26 | 0:07:29 | |
and do you know what that is called? | 0:07:29 | 0:07:31 | |
It was predicted in the '60s that it would double. | 0:07:31 | 0:07:33 | |
-A gobble, a gobble, a double gobble. -No, there was a man who predicted | 0:07:33 | 0:07:36 | |
-Oh, right. -..that it would double every two years. | 0:07:36 | 0:07:39 | |
His name was Gordon Moore and it's called Moore's Law, | 0:07:39 | 0:07:41 | |
-and Moore's Law... -Oh, that's good. | 0:07:41 | 0:07:43 | |
-That worked out well, didn't it? -Yeah. | 0:07:43 | 0:07:45 | |
Moore's Law has governed the astonishing rise in power | 0:07:45 | 0:07:47 | |
and capacity in computing ever since. | 0:07:47 | 0:07:50 | |
For a long, long time. It doubles and doubles and doubles. | 0:07:50 | 0:07:53 | |
To give you an example of how breathtaking and bewildering it is, | 0:07:53 | 0:07:56 | |
we've got some memory capacity here. | 0:07:56 | 0:07:58 | |
Here... This is from the '60s | 0:07:58 | 0:08:00 | |
and it's rather elegant in its own little way. | 0:08:00 | 0:08:03 | |
And it would have fitted into some sort of great, big cabinet | 0:08:03 | 0:08:06 | |
that was part of a computing system. | 0:08:06 | 0:08:08 | |
It's called the Univac 1004. | 0:08:08 | 0:08:10 | |
And it's a core store memory module. | 0:08:10 | 0:08:14 | |
And how much memory do you think that contains? | 0:08:14 | 0:08:16 | |
A byte. | 0:08:16 | 0:08:18 | |
No, it's a lot more than that. | 0:08:18 | 0:08:20 | |
-A gigabyte. -A gigabyte. | 0:08:20 | 0:08:21 | |
Oh, no, it's nothing like as big as that. | 0:08:21 | 0:08:23 | |
LAUGHTER | 0:08:23 | 0:08:24 | |
-It's one kilobyte. -A kilobyte?! -Yeah. | 0:08:24 | 0:08:27 | |
-There's a kilobyte, too. -What's a kilobyte? -I don't remember. | 0:08:27 | 0:08:29 | |
1,000 bytes. | 0:08:29 | 0:08:31 | |
And look. I've got here, this - | 0:08:31 | 0:08:33 | |
which is 128 gigabytes. | 0:08:33 | 0:08:35 | |
Can you see it? I'll put it there, it's a little... | 0:08:35 | 0:08:37 | |
micro SD chip. | 0:08:37 | 0:08:40 | |
And this, here, | 0:08:40 | 0:08:43 | |
would have to weigh 140,229 metric tonnes... | 0:08:43 | 0:08:49 | |
to carry this much information. LAUGHTER | 0:08:49 | 0:08:52 | |
-In 1963. -Yeah. -That is hugely impractical. | 0:08:52 | 0:08:54 | |
It's... Exactly. | 0:08:54 | 0:08:55 | |
Just under six-and-a-half Ark Royal aircraft carriers... | 0:08:55 | 0:08:59 | |
-I'd need an extension done. -LAUGHTER | 0:08:59 | 0:09:00 | |
..if this was what you were using. | 0:09:00 | 0:09:02 | |
And it just shows, this is an example of Moore's Law - | 0:09:02 | 0:09:04 | |
you go from that to that. | 0:09:04 | 0:09:06 | |
Or maybe this. | 0:09:06 | 0:09:08 | |
Ah! There we are. | 0:09:08 | 0:09:09 | |
-Look at that. Isn't that beautiful? -It is. | 0:09:09 | 0:09:11 | |
It is a splendid piece of work, isn't it? | 0:09:11 | 0:09:13 | |
-That's the middle of C-3PO. -LAUGHTER | 0:09:13 | 0:09:15 | |
It's the Elliott 803 core store memory module. | 0:09:15 | 0:09:19 | |
It was made in the early '60s, also, | 0:09:19 | 0:09:21 | |
-and it weighs seven kilograms... -Wow. | 0:09:21 | 0:09:23 | |
..and stores 20 kilobytes. | 0:09:23 | 0:09:26 | |
LAUGHTER Wow! | 0:09:27 | 0:09:29 | |
-Yeah. -How about that? | 0:09:29 | 0:09:31 | |
-My favourite one... -Supercomputers. | 0:09:31 | 0:09:33 | |
..is the Bryant Model-2 Series hard disk platter. | 0:09:33 | 0:09:36 | |
-Mine too. -Yeah. | 0:09:36 | 0:09:39 | |
I love that. I've got all of them. | 0:09:39 | 0:09:40 | |
I have a poster. Did you have the poster? | 0:09:40 | 0:09:42 | |
-Yeah, absolutely. I was obsessed. -I love it. I was in the club. | 0:09:42 | 0:09:45 | |
-I had the... -GASPS AND LAUGHTER | 0:09:45 | 0:09:46 | |
-There it is. -No! | 0:09:46 | 0:09:48 | |
THAT is a hard disk. | 0:09:48 | 0:09:50 | |
Isn't that good? | 0:09:50 | 0:09:51 | |
-It's a disk... -That's ludicrous! | 0:09:51 | 0:09:53 | |
HE KNOCKS ON DISK ..and it's hard. | 0:09:53 | 0:09:55 | |
LAUGHTER | 0:09:55 | 0:09:57 | |
It's very rare for technology to double as S&M equipment, isn't it? | 0:09:57 | 0:09:59 | |
LAUGHTER I think it's absolutely blissful. | 0:09:59 | 0:10:02 | |
You look like a Borrower playing with a CD. | 0:10:02 | 0:10:05 | |
I'm going to put that down again... | 0:10:05 | 0:10:06 | |
Oh! ..because it's so heavy. Oh! | 0:10:06 | 0:10:09 | |
It's made of magnesium alloy of some kind. | 0:10:09 | 0:10:12 | |
-Careful, you'll scratch it. -LAUGHTER | 0:10:12 | 0:10:13 | |
Yeah, I don't want to scratch it. | 0:10:13 | 0:10:15 | |
It carried eight megabytes, | 0:10:15 | 0:10:17 | |
so that was pretty impressive. | 0:10:17 | 0:10:19 | |
-What's a megabyte? -And its drive... LAUGHTER | 0:10:19 | 0:10:22 | |
Can't remember. | 0:10:22 | 0:10:23 | |
The drive that operated the Bryant Model-2 Series hard disk platter, | 0:10:23 | 0:10:28 | |
the brochure boasted its short warm-up time. | 0:10:28 | 0:10:31 | |
Which was? | 0:10:31 | 0:10:32 | |
15 minutes. | 0:10:32 | 0:10:34 | |
-LAUGHTER -Oh. | 0:10:34 | 0:10:35 | |
Well, listen, I ought to say that we are extremely grateful | 0:10:35 | 0:10:38 | |
to the National Museum of Computing, who lent us these fabulous items. | 0:10:38 | 0:10:42 | |
If you want a really great day out, you could do a lot worse than visit | 0:10:42 | 0:10:46 | |
the National Museum of Computing at Bletchley - | 0:10:46 | 0:10:48 | |
where, of course, Enigma was cracked | 0:10:48 | 0:10:50 | |
-and it's the home of British engineering in that regard. -Yeah. | 0:10:50 | 0:10:53 | |
Now then, for a question about mistakes, | 0:10:53 | 0:10:55 | |
what's the real cost of parachute jumping? | 0:10:55 | 0:10:58 | |
A shattered pelvis? | 0:10:58 | 0:10:59 | |
It can be. | 0:10:59 | 0:11:01 | |
Why do most people jump off planes? | 0:11:01 | 0:11:03 | |
-For charity. -Charity. -For charity. | 0:11:03 | 0:11:05 | |
Well... | 0:11:05 | 0:11:06 | |
Which is good, don't get me wrong. LAUGHTER | 0:11:06 | 0:11:08 | |
Can I just say, it's only in that situation, | 0:11:08 | 0:11:10 | |
falling out of a plane, that my hair makes sense. | 0:11:10 | 0:11:13 | |
LAUGHTER | 0:11:13 | 0:11:14 | |
I've been looking for a context for this for years. | 0:11:14 | 0:11:17 | |
-It does, doesn't it? -Now, finally. -Whoosh. | 0:11:17 | 0:11:19 | |
Stephen appears quite frightened at the back there. | 0:11:19 | 0:11:22 | |
-Well, I am... -Are you on fire? | 0:11:22 | 0:11:23 | |
..because I probably know about the 1999 Perth Royal Infirmary study - | 0:11:23 | 0:11:29 | |
which is most unfortunate. | 0:11:29 | 0:11:30 | |
They looked at five years of charity jumps | 0:11:30 | 0:11:33 | |
and found they resulted in injuries to 174 people, right? | 0:11:33 | 0:11:38 | |
-Which cost the National Health Service... -Oh, no. | 0:11:38 | 0:11:40 | |
over £600,000. | 0:11:40 | 0:11:43 | |
How much had they raised? | 0:11:43 | 0:11:45 | |
The average amount raised per person for charity was £30. | 0:11:45 | 0:11:48 | |
So, every pound raised | 0:11:48 | 0:11:50 | |
cost the NHS roughly £13.75. | 0:11:50 | 0:11:54 | |
Oh, that is so depressing, though. | 0:11:54 | 0:11:57 | |
And, of course, about 70% of the jumps | 0:11:57 | 0:12:01 | |
were raising money for NHS-related causes. | 0:12:01 | 0:12:04 | |
-LAUGHTER -Oh, no. That is amazing. | 0:12:04 | 0:12:07 | |
It is amazing, isn't it? | 0:12:07 | 0:12:09 | |
The thing is, when you think about it, don't do something | 0:12:09 | 0:12:11 | |
that is likely to injure yourself, if that's your game. | 0:12:11 | 0:12:14 | |
"I'm having a sponsored catch-the-measles." | 0:12:14 | 0:12:16 | |
LAUGHTER | 0:12:16 | 0:12:17 | |
-Sponsored... -For Measles Relief. -Yeah, for Measles relief. | 0:12:17 | 0:12:20 | |
Sponsored spread cholera. | 0:12:20 | 0:12:22 | |
-Bring typhus back....for charity. -LAUGHTER | 0:12:22 | 0:12:25 | |
It is... Well, a lot of... | 0:12:25 | 0:12:26 | |
I think if you've jumped out of a plane, you should pay. | 0:12:26 | 0:12:29 | |
-Well, yes. -But don't they pay? -"How did you do it?" | 0:12:29 | 0:12:31 | |
"I jumped out of a plane." "Oh, well, I'm sorry, but..." | 0:12:31 | 0:12:34 | |
A lot of them are first-time jumpers, of course, | 0:12:34 | 0:12:36 | |
and what happens is, very often, | 0:12:36 | 0:12:38 | |
when the ground rushes up to meet you, | 0:12:38 | 0:12:40 | |
you forget everything you've been taught | 0:12:40 | 0:12:43 | |
and so all the bad things you've been told could happen, happen. | 0:12:43 | 0:12:46 | |
And you need longer training, | 0:12:46 | 0:12:48 | |
not necessarily on the details of how to roll and drop - | 0:12:48 | 0:12:51 | |
but on how to prepare your mind so that you don't panic. | 0:12:51 | 0:12:54 | |
-That's the key. -Is that a thing that they do in the paras then? | 0:12:54 | 0:12:57 | |
So before they go behind enemy lines, are they there going, | 0:12:57 | 0:13:00 | |
-"Hmm..."? -LAUGHTER | 0:13:00 | 0:13:02 | |
"Just don't drop us yet, I'm not quite there." | 0:13:02 | 0:13:05 | |
LAUGHTER Maybe. Maybe. | 0:13:05 | 0:13:07 | |
I mean the fact is, it's a dangerous thing to do. | 0:13:07 | 0:13:10 | |
And in the days of, you know, those great commando parachute drops, | 0:13:10 | 0:13:13 | |
they're unlikely to survive more than three. | 0:13:13 | 0:13:15 | |
Well, but then there were people shooting at you then - | 0:13:15 | 0:13:18 | |
which might actually make them more fun, these charity drops. | 0:13:18 | 0:13:21 | |
Certainly add a bit of spice. | 0:13:21 | 0:13:23 | |
Well, there was a dog called Rob, in 1945, | 0:13:23 | 0:13:25 | |
and this was in Africa and Italy, in the campaign there, and he... | 0:13:25 | 0:13:30 | |
Apparently, he did 20 drops, and he won... | 0:13:30 | 0:13:33 | |
For the RSPCA! | 0:13:33 | 0:13:35 | |
He won the... LAUGHTER | 0:13:35 | 0:13:37 | |
-Yes, quite! -Fundraising. | 0:13:37 | 0:13:39 | |
He won the Dickin Medal, which is the VC for animals. | 0:13:39 | 0:13:42 | |
They just open the door of the plane, throw a bone out | 0:13:42 | 0:13:44 | |
and off he goes. | 0:13:44 | 0:13:46 | |
But it wasn't until 2006 that it was revealed | 0:13:46 | 0:13:48 | |
that his heroism was a hoax. | 0:13:48 | 0:13:50 | |
-What? -Oh. -For morale? | 0:13:50 | 0:13:51 | |
Well, not quite, actually. Well, sort of morale, in a way. | 0:13:51 | 0:13:54 | |
It was that the couple from Shropshire, | 0:13:54 | 0:13:57 | |
who had given the dog to the regiment, said, | 0:13:57 | 0:13:59 | |
"Can we have him back, please?" | 0:13:59 | 0:14:01 | |
And the regiment were so fond of him, | 0:14:01 | 0:14:03 | |
they made-up all these things to show that he was indispensable. | 0:14:03 | 0:14:06 | |
"He's a heroic dog, you will not believe what he can do." | 0:14:06 | 0:14:09 | |
And so they went, "Oh, all right then, you'd better keep him, | 0:14:09 | 0:14:11 | |
"I suppose. He's valuable for the war effort." | 0:14:11 | 0:14:13 | |
-But he wasn't at all, he was just a mascot. -Brilliant. | 0:14:13 | 0:14:16 | |
They just liked him. | 0:14:16 | 0:14:17 | |
Sending them pictures of him chewing Hitler's legs. | 0:14:17 | 0:14:19 | |
LAUGHTER Yes, that's right. | 0:14:19 | 0:14:21 | |
After World War II, in America, they used surplus parachutes | 0:14:21 | 0:14:25 | |
to help repopulate beavers into the wild. | 0:14:25 | 0:14:28 | |
The idea was they'd shove them in a box. | 0:14:28 | 0:14:30 | |
They first thought, "We'll shove them in a box and they'll fall | 0:14:30 | 0:14:33 | |
"and then they'll gnaw their way out of the box." | 0:14:33 | 0:14:35 | |
-Then they worried... -This doesn't sound like sexy times to me. | 0:14:35 | 0:14:38 | |
Just shove them in a box. They'll pull through. | 0:14:38 | 0:14:40 | |
They worried that they'd eat through the box | 0:14:40 | 0:14:42 | |
-while they were still in the air. -They chucked them out of a plane? | 0:14:42 | 0:14:45 | |
-Yeah. -To repopulate... -Yeah. LAUGHTER | 0:14:45 | 0:14:46 | |
There are huge areas of wilderness. | 0:14:46 | 0:14:48 | |
-It's incredibly hard to... -Yes, it makes total sense. | 0:14:48 | 0:14:51 | |
..give them their own territory. | 0:14:51 | 0:14:52 | |
Couldn't they have driven them there, Stephen? | 0:14:52 | 0:14:54 | |
-They could have driven them there. -No... Wilderness. | 0:14:54 | 0:14:56 | |
Huge areas of wilderness. They're bigger than countries. | 0:14:56 | 0:14:59 | |
-They're bigger than England, these... -What, beavers?! | 0:14:59 | 0:15:01 | |
No, the parks! The parks. LAUGHTER | 0:15:01 | 0:15:03 | |
"Bring me some massive beavers!" | 0:15:03 | 0:15:05 | |
-The parks in which you wished to drop them. -OK. | 0:15:05 | 0:15:07 | |
And you want to sort of get them disposed evenly around. | 0:15:07 | 0:15:09 | |
-Why had they been dying out? -Oh, gosh. | 0:15:09 | 0:15:11 | |
-People had been throwing them out of planes. -Yeah. | 0:15:11 | 0:15:14 | |
LAUGHTER | 0:15:14 | 0:15:15 | |
As you fall out, you gnaw your way out of your crate and go, | 0:15:15 | 0:15:18 | |
"Oh, thanks a lot!" | 0:15:18 | 0:15:19 | |
-"Well, this is the middle of... -HE MOUTHS -..nowhere." | 0:15:19 | 0:15:21 | |
LAUGHTER | 0:15:21 | 0:15:23 | |
"I've got to go all the way back to Ottawa." | 0:15:23 | 0:15:25 | |
Until another beaver lands on your head at high velocity. | 0:15:25 | 0:15:27 | |
LAUGHTER | 0:15:27 | 0:15:28 | |
The rest of the wildlife... | 0:15:28 | 0:15:30 | |
The moose around there, | 0:15:30 | 0:15:32 | |
"What is going on?!" | 0:15:32 | 0:15:34 | |
Beavers coming out of the sky. | 0:15:34 | 0:15:36 | |
"My God! It's actually happening!" | 0:15:36 | 0:15:37 | |
"It's raining beavers." | 0:15:37 | 0:15:39 | |
Part of the moose religious texts is that that's... | 0:15:39 | 0:15:42 | |
LAUGHTER | 0:15:42 | 0:15:43 | |
That's a sign of the rapture is when the beavers start dropping. | 0:15:43 | 0:15:47 | |
Well, they had tried moving them | 0:15:47 | 0:15:48 | |
into new territories for them by mule | 0:15:48 | 0:15:51 | |
and they just simply got too hot and they really didn't like it at all. | 0:15:51 | 0:15:54 | |
-They put a beaver on horseback, essentially? -Yeah. | 0:15:54 | 0:15:57 | |
Well, you've got to transport it somehow. | 0:15:57 | 0:15:59 | |
-What...? How would you transport it? -Well, I... | 0:15:59 | 0:16:01 | |
But I don't understand why the beavers... | 0:16:01 | 0:16:03 | |
-I don't understand any of this. -LAUGHTER | 0:16:03 | 0:16:06 | |
They thought, "We can't..." | 0:16:06 | 0:16:07 | |
"OK, there's no way we can drop them into a park, | 0:16:07 | 0:16:09 | |
"other than from the sky." | 0:16:09 | 0:16:11 | |
Or by mule, which you found also incomprehensible. | 0:16:11 | 0:16:14 | |
Is there a man with...? | 0:16:14 | 0:16:16 | |
Or a lady with a beaver on horseback? | 0:16:16 | 0:16:19 | |
Or is it just a beaver on horseback? | 0:16:19 | 0:16:21 | |
LAUGHTER | 0:16:21 | 0:16:22 | |
Of course there's a person. | 0:16:22 | 0:16:24 | |
I'm confused. | 0:16:24 | 0:16:25 | |
So, is it one beaver per mule? | 0:16:25 | 0:16:27 | |
LAUGHTER | 0:16:27 | 0:16:29 | |
Because then they're repopulating the place with mules, | 0:16:29 | 0:16:31 | |
-as far as I can work it out. -LAUGHTER | 0:16:31 | 0:16:34 | |
Yeah, the beavers didn't want to stay. | 0:16:34 | 0:16:37 | |
The mules have forced the beavers further along... | 0:16:37 | 0:16:40 | |
They were relying on the mule to find its way back. | 0:16:40 | 0:16:42 | |
LAUGHTER | 0:16:42 | 0:16:43 | |
More complicated than you think, this beaver transportation thing. | 0:16:43 | 0:16:46 | |
Yeah, it is. | 0:16:46 | 0:16:47 | |
Well, that was harder work than I expected. | 0:16:47 | 0:16:50 | |
LAUGHTER | 0:16:50 | 0:16:52 | |
Now, we're off to the match and it's penalty time. | 0:16:52 | 0:16:55 | |
For the best chance of success, where should you aim? | 0:16:55 | 0:16:57 | |
At the ball. | 0:16:57 | 0:16:58 | |
LAUGHTER | 0:16:58 | 0:17:00 | |
-And then into the goal. -Wahey! | 0:17:00 | 0:17:03 | |
I'm so bad at sport, my inclination would be to... | 0:17:03 | 0:17:05 | |
I know where I'd hit it, | 0:17:05 | 0:17:07 | |
so I would then just reverse my natural inclination. | 0:17:07 | 0:17:09 | |
That would probably be the best. | 0:17:09 | 0:17:11 | |
-So, a bit of game theory going on, on yourself? -Yes. | 0:17:11 | 0:17:13 | |
-Yeah. -See, I'd go top right, | 0:17:13 | 0:17:15 | |
which means that probably the best way would be bottom left... | 0:17:15 | 0:17:18 | |
KLAXON | 0:17:18 | 0:17:21 | |
Yeah, top corner either way is not the best. | 0:17:21 | 0:17:23 | |
Is it "at the goalie?" | 0:17:23 | 0:17:25 | |
Yes. | 0:17:25 | 0:17:26 | |
-Because he's going to jump... -Yeah, because he's going to... | 0:17:26 | 0:17:28 | |
-He's going to go. -Because the goalkeeper nearly always | 0:17:28 | 0:17:31 | |
-goes one way or the other. -So you hit it straight down the middle? | 0:17:31 | 0:17:34 | |
Straight down the middle is, far and away, | 0:17:34 | 0:17:36 | |
the most statistical likely way of doing it. | 0:17:36 | 0:17:38 | |
But it's odd, because footballers know this... | 0:17:38 | 0:17:42 | |
because it's been, you know, obviously well gone over... | 0:17:42 | 0:17:45 | |
and yet footballers don't. | 0:17:45 | 0:17:47 | |
Is it because they just think they'd look so stupid | 0:17:47 | 0:17:49 | |
-if they kicked it right at the keeper... -Yes! | 0:17:49 | 0:17:51 | |
..and the keeper just caught it? | 0:17:51 | 0:17:53 | |
If the one or two times out of 100, | 0:17:53 | 0:17:55 | |
the goalkeeper does actually stay in the middle | 0:17:55 | 0:17:57 | |
and the ball goes and hits him, | 0:17:57 | 0:17:59 | |
the crowd would just boo their heads off | 0:17:59 | 0:18:01 | |
and think that the penalty taker is the biggest idiot in the world. | 0:18:01 | 0:18:03 | |
Although, statistically, he was doing exactly the right thing. | 0:18:03 | 0:18:06 | |
So, they'd rather not look a fool. You're absolutely right. | 0:18:06 | 0:18:09 | |
Because it's seen as 50/50. | 0:18:09 | 0:18:10 | |
If the goalie goes the correct way and saves it, | 0:18:10 | 0:18:12 | |
-it's still seen as all right, isn't it? -Yes. | 0:18:12 | 0:18:15 | |
In fact, it's 57% in one direction, | 0:18:15 | 0:18:17 | |
41% in the other. | 0:18:17 | 0:18:20 | |
-Do you know which that might be? -Left. Left-right. -Left? | 0:18:20 | 0:18:22 | |
-It's 57% left, yes. -Because you... | 0:18:22 | 0:18:24 | |
-They go left more often. -..use your right foot. | 0:18:24 | 0:18:26 | |
And 2% in the middle. | 0:18:26 | 0:18:28 | |
Three countries have an absolute | 0:18:28 | 0:18:30 | |
0% success record in penalty shoot-outs. | 0:18:30 | 0:18:33 | |
They played two and lost two. | 0:18:33 | 0:18:34 | |
-San Marino? -No, it's Gabon... | 0:18:34 | 0:18:37 | |
-Micronesia. -..Romania and Chile. | 0:18:37 | 0:18:40 | |
But there's one country that's taken part in more than two | 0:18:40 | 0:18:43 | |
and has the worst record of all in the world, apart from those three... | 0:18:43 | 0:18:47 | |
-Is it England? -..and it's England. -Yeah. | 0:18:47 | 0:18:50 | |
-AUDIENCE GROANS -Why is that? -What a surprise(!) | 0:18:50 | 0:18:52 | |
We've only ever won one. | 0:18:52 | 0:18:54 | |
We've won one out of eight. | 0:18:54 | 0:18:56 | |
12.5% success rate - as opposed to Germany, who've won 83% of theirs. | 0:18:56 | 0:19:01 | |
Why is that then? | 0:19:01 | 0:19:02 | |
Because, presumably, all teams have access to that | 0:19:02 | 0:19:04 | |
very simple statistical information. | 0:19:04 | 0:19:06 | |
Is it just the fact that it's now embedded in the psyche? | 0:19:06 | 0:19:09 | |
-FAUX GERMAN ACCENT: -"You are weak, mentally weak." | 0:19:09 | 0:19:11 | |
LAUGHTER | 0:19:11 | 0:19:13 | |
-Do you think hypnotism would help? -Probably. | 0:19:13 | 0:19:15 | |
-Of the keeper. -Of the keeper, yeah. -LAUGHTER | 0:19:15 | 0:19:18 | |
-Of the keeper, like... -LAUGHTER | 0:19:18 | 0:19:20 | |
I think if it was me, I'd stand by one post, feigning indifference... | 0:19:20 | 0:19:24 | |
-Having a fag. -..and, as they run up to take it, | 0:19:24 | 0:19:27 | |
-I would sprint to the other post... -LAUGHTER | 0:19:27 | 0:19:29 | |
..surely distracting him | 0:19:29 | 0:19:30 | |
and, if he did go that way, it would hit me on the way past. | 0:19:30 | 0:19:33 | |
LAUGHTER | 0:19:33 | 0:19:34 | |
That would do it. | 0:19:34 | 0:19:35 | |
Yep, that's the plain truth. | 0:19:35 | 0:19:37 | |
To be successful in penalty shoot-outs, | 0:19:37 | 0:19:39 | |
either go straight down the middle or be German. | 0:19:39 | 0:19:43 | |
LAUGHTER | 0:19:43 | 0:19:44 | |
Do an impression of the world's first mime. | 0:19:44 | 0:19:46 | |
"Come back! I'm not supposed to be saying anything. Come back!" | 0:19:46 | 0:19:50 | |
-Is it the one where you do...? -Oh. | 0:19:50 | 0:19:53 | |
They do the... Is it that one? | 0:19:53 | 0:19:55 | |
KLAXON Oh, they're all doing it. | 0:19:55 | 0:19:59 | |
You're all doing activities. | 0:19:59 | 0:20:01 | |
Where does the word "mime" come from, do you imagine? | 0:20:01 | 0:20:04 | |
-"Twat in white gloves?" -Mimic? -LAUGHTER | 0:20:04 | 0:20:07 | |
Mimic, the same root as the word mimic. | 0:20:07 | 0:20:10 | |
You see... | 0:20:10 | 0:20:11 | |
-Mimesis. -Yeah. | 0:20:11 | 0:20:13 | |
-Greek word meaning... Yes, imitation. -Imitation, yeah. | 0:20:13 | 0:20:16 | |
It was acting, | 0:20:16 | 0:20:17 | |
it was full-on acting. | 0:20:17 | 0:20:19 | |
Speech and movement and everything else. | 0:20:19 | 0:20:21 | |
The world's first mime was a fellow called Sophron, | 0:20:21 | 0:20:25 | |
who was much admired by Plato, amongst others. | 0:20:25 | 0:20:27 | |
His audience don't seem to like him very much. | 0:20:27 | 0:20:29 | |
Well, no, that's... LAUGHTER | 0:20:29 | 0:20:30 | |
-They're punching him. -No, I think... | 0:20:30 | 0:20:32 | |
They're recreating that night after Top Gear. | 0:20:32 | 0:20:34 | |
LAUGHTER | 0:20:34 | 0:20:37 | |
Very good. APPLAUSE | 0:20:37 | 0:20:41 | |
In Rome, mimes were pretty amazing. | 0:20:41 | 0:20:43 | |
Women took the female parts, which is just... | 0:20:43 | 0:20:46 | |
-Scandalous! -Yeah. | 0:20:46 | 0:20:47 | |
LAUGHTER | 0:20:47 | 0:20:48 | |
Performers did not wear masks or formal acting shoes. | 0:20:48 | 0:20:52 | |
LAUGHTER | 0:20:52 | 0:20:54 | |
Oh! Forfend! | 0:20:54 | 0:20:55 | |
"My formal acting shoes." | 0:20:55 | 0:20:56 | |
"What kind of formal acting shoes would you wear?" | 0:20:56 | 0:20:59 | |
The object... Now you'll like this, Alan. | 0:20:59 | 0:21:01 | |
The object was to get laughs, no matter how obscene... | 0:21:01 | 0:21:04 | |
LAUGHTER ..the jokes had to be. | 0:21:04 | 0:21:06 | |
They all had a character called the "stupidus," or fool, who was some... | 0:21:06 | 0:21:09 | |
-Who's actually the cleverest one of them all. -Yes. Now, exactly. | 0:21:09 | 0:21:13 | |
LAUGHTER | 0:21:13 | 0:21:14 | |
Sometimes they featured adultery live on stage. | 0:21:14 | 0:21:16 | |
Wahey! | 0:21:16 | 0:21:18 | |
-Or a little bit less, less... -Gets better by the minute! | 0:21:18 | 0:21:21 | |
Less amusingly, | 0:21:21 | 0:21:22 | |
live executions with actors replaced by condemned criminals. | 0:21:22 | 0:21:26 | |
-Were they wearing the right shoes? -Yes. | 0:21:26 | 0:21:29 | |
The church excommunicated all mimes in the fifth century AD. | 0:21:29 | 0:21:33 | |
Not a moment too soon. | 0:21:33 | 0:21:35 | |
-Why? -I guess, because they were pleasurable and... | 0:21:35 | 0:21:39 | |
It's not why, it's... | 0:21:39 | 0:21:40 | |
-It's hard because you can't scream. -LAUGHTER | 0:21:40 | 0:21:44 | |
Anyway, if you want something, what's the magic word? | 0:21:44 | 0:21:47 | |
"Darling..." | 0:21:47 | 0:21:49 | |
LAUGHTER | 0:21:49 | 0:21:51 | |
"Please." | 0:21:51 | 0:21:53 | |
KLAXON | 0:21:53 | 0:21:55 | |
LAUGHTER | 0:21:55 | 0:21:57 | |
This is something that's been researched. | 0:21:57 | 0:22:00 | |
There is a particular word. | 0:22:00 | 0:22:02 | |
Let's suppose that you queue-barge. | 0:22:02 | 0:22:04 | |
Now, in general, if you queue-barge apologetically and charmingly, | 0:22:04 | 0:22:09 | |
60% of people will let you in without too much complaint - | 0:22:09 | 0:22:12 | |
this was done for a queue to a photocopier - | 0:22:12 | 0:22:15 | |
but if you used this one word in your sentence, | 0:22:15 | 0:22:18 | |
you would get 95% of people letting you in quite happily. | 0:22:18 | 0:22:21 | |
-Smallpox? -LAUGHTER | 0:22:21 | 0:22:24 | |
-Letting you in... -"I've got the smallpox. Can I get in?" | 0:22:24 | 0:22:27 | |
Letting you in, not abandoning the queue. | 0:22:27 | 0:22:29 | |
-It's a good thought though. -It's probably better though. | 0:22:29 | 0:22:31 | |
-"Unclean, unclean." -What do you say? | 0:22:31 | 0:22:33 | |
Do you say, "Room for a small one?" | 0:22:33 | 0:22:36 | |
You say, "I like your blouse. Can I come in?" | 0:22:36 | 0:22:38 | |
LAUGHTER It's one word. | 0:22:38 | 0:22:40 | |
"Because." | 0:22:40 | 0:22:42 | |
"Because." "Yeah, because I've got some photocopying to do." | 0:22:42 | 0:22:46 | |
And it's obvious you've got photocopying to do, | 0:22:46 | 0:22:48 | |
you've gone to the front of the photocopying queue, | 0:22:48 | 0:22:50 | |
-but just saying "because" is the magic word. -You can't... | 0:22:50 | 0:22:53 | |
It unlocks people's objection. "Because I'm in a hurry." | 0:22:53 | 0:22:55 | |
"Do you mind? Because I'm in a hurry." | 0:22:55 | 0:22:57 | |
Can you turn to someone and go, "Because!" | 0:22:57 | 0:22:59 | |
LAUGHTER Maybe. | 0:22:59 | 0:23:01 | |
# Because, because, because, because... # | 0:23:01 | 0:23:03 | |
Obviously there are... | 0:23:03 | 0:23:05 | |
There are variables in terms of attitude and niceness. | 0:23:05 | 0:23:07 | |
# I'm off to see the wizard... # | 0:23:07 | 0:23:09 | |
"Because!" | 0:23:09 | 0:23:11 | |
"All right, go in front, Christ!" | 0:23:11 | 0:23:13 | |
LAUGHTER | 0:23:13 | 0:23:14 | |
-He's going to do the whole musical. -You're ever so silly. Oh, dear. | 0:23:14 | 0:23:18 | |
# The wonderful Wizard of Oz... # "All right, go in front of me!" | 0:23:18 | 0:23:22 | |
Well, I can illustrate the answer, actually, | 0:23:22 | 0:23:24 | |
because - say it's a magical word here, this is... | 0:23:24 | 0:23:26 | |
-You know I like to do little magical moments... -I know. | 0:23:26 | 0:23:29 | |
..because it's the M series here - | 0:23:29 | 0:23:30 | |
and we've got, as you can see, MAGICAL. | 0:23:30 | 0:23:32 | |
So, what we do is, we take all the letters from MAGICAL... | 0:23:32 | 0:23:36 | |
As you can see, I hope. | 0:23:36 | 0:23:37 | |
..and we shuffle them about. | 0:23:37 | 0:23:39 | |
-I'll have one from the bottom, please. -Well... | 0:23:39 | 0:23:41 | |
Or from anywhere else, please, Carol. | 0:23:41 | 0:23:43 | |
What I'll do is, I'll give you... I'll give you the numbers, | 0:23:43 | 0:23:46 | |
so you can call out where you want the letter to go. | 0:23:46 | 0:23:49 | |
-Do you see? -OK. Yes, sir. | 0:23:49 | 0:23:50 | |
So I'll pick a letter up and you decide where it goes, all right. | 0:23:50 | 0:23:53 | |
-Three. -Three? | 0:23:53 | 0:23:55 | |
One, two, three, isn't it? There. Yeah. | 0:23:55 | 0:23:57 | |
-Smooth. -Seven. | 0:23:57 | 0:23:59 | |
Seven? All right. This will go in seven. | 0:23:59 | 0:24:01 | |
-Are you sure seven? -Five. -All right, OK. -Five. | 0:24:01 | 0:24:04 | |
One, two, three, four, five. Yeah. | 0:24:04 | 0:24:06 | |
-One. -One, oh... | 0:24:06 | 0:24:07 | |
-This is what happens when you do these things. -Four. | 0:24:07 | 0:24:10 | |
Four? Oh, God, you had to do that, didn't you? | 0:24:10 | 0:24:13 | |
-Yeah? -Two. -Two. | 0:24:13 | 0:24:14 | |
Two? All right, all right, all right. | 0:24:14 | 0:24:16 | |
And what are the chances? What are the chances? | 0:24:16 | 0:24:18 | |
What are the chances?! | 0:24:18 | 0:24:21 | |
APPLAUSE | 0:24:21 | 0:24:26 | |
The laws of physics absolutely defied on this programme. | 0:24:28 | 0:24:31 | |
It's frightening. LAUGHTER | 0:24:31 | 0:24:33 | |
Now - since this whole show has been about Misconceptions - | 0:24:33 | 0:24:35 | |
this week, we've replaced General Ignorance | 0:24:35 | 0:24:38 | |
with a test of your M-themed general knowledge. | 0:24:38 | 0:24:41 | |
There are lots and lots of points to be won in this quickfire round, | 0:24:41 | 0:24:44 | |
so fingers on buzzers. | 0:24:44 | 0:24:46 | |
What's the capital of Mexico? BUZZARD | 0:24:46 | 0:24:48 | |
-Mexico City. -Is the right answer. | 0:24:48 | 0:24:50 | |
Very good. Name the deepest part of the ocean? | 0:24:50 | 0:24:53 | |
-BUZZARD Yes? -The Mariana... | 0:24:53 | 0:24:55 | |
Marianas Trench or something? | 0:24:55 | 0:24:56 | |
The Mariana Trench is the right answer. | 0:24:56 | 0:24:58 | |
If something is genuine, it's the real...? | 0:24:58 | 0:25:00 | |
-BUZZER -McCoy. | 0:25:00 | 0:25:01 | |
Oh. KLAXON | 0:25:01 | 0:25:04 | |
LAUGHTER | 0:25:04 | 0:25:05 | |
No, the original phrase is McKay. | 0:25:05 | 0:25:07 | |
That's 42 years older than the phrase - "the real McCoy." | 0:25:07 | 0:25:10 | |
It's from G McKay, the Scottish distillers. | 0:25:10 | 0:25:14 | |
There you are. | 0:25:14 | 0:25:15 | |
FAUX SCOTTISH ACCENT: "A drappie o' the real McKay." | 0:25:15 | 0:25:18 | |
So, what city can be found on the Moscow River? | 0:25:18 | 0:25:21 | |
-BUZZER Yes? -Moscow. | 0:25:21 | 0:25:22 | |
Is the right answer! | 0:25:22 | 0:25:24 | |
What's the name of Cameron Mackintosh's | 0:25:24 | 0:25:26 | |
Abba-themed London Musical? | 0:25:26 | 0:25:28 | |
-BUZZARD Yes? -Mamma Mia. | 0:25:28 | 0:25:30 | |
BUZZER Mamma Mia? Oh, Alan! | 0:25:30 | 0:25:32 | |
KLAXON | 0:25:32 | 0:25:34 | |
No, indeed. BUZZER | 0:25:34 | 0:25:37 | |
Mamma Mia was produced by Judy Craymer - | 0:25:37 | 0:25:39 | |
but, before that, a musical called Abbacadabra, | 0:25:39 | 0:25:42 | |
produced by Cameron Mackintosh, | 0:25:42 | 0:25:43 | |
-staged at the Lyric, Hammersmith, in 1983. -Oh! -Yeah. | 0:25:43 | 0:25:48 | |
So, who created Miss Marple? | 0:25:48 | 0:25:49 | |
BUZZER Yes? | 0:25:49 | 0:25:51 | |
-Agatha Christie. -Of course. | 0:25:51 | 0:25:53 | |
-You see, nothing to be frightened of. -I'm scared now. | 0:25:53 | 0:25:55 | |
LAUGHTER That's the point... | 0:25:55 | 0:25:57 | |
-I'm really scared. -..we want you scared. | 0:25:57 | 0:25:59 | |
Agatha Christie, of course, created Miss Marple. | 0:25:59 | 0:26:02 | |
What's the gambling capital of the world? | 0:26:02 | 0:26:04 | |
-BUZZER Yes? -Las Vegas. | 0:26:04 | 0:26:07 | |
Oh! KLAXON | 0:26:07 | 0:26:09 | |
-Oh, that was really unlucky. -I don't know. | 0:26:09 | 0:26:12 | |
-Is it Croydon? -Dubai? -"Croydon." LAUGHTER | 0:26:12 | 0:26:15 | |
It's seven times bigger than Las Vegas. | 0:26:15 | 0:26:17 | |
-BUZZER -It's Hong Kong. | 0:26:17 | 0:26:19 | |
-No. You're in the right area. -The other one. | 0:26:19 | 0:26:21 | |
-What's our themed letter? -M. M... | 0:26:21 | 0:26:23 | |
-AUDIENCE CALL OUT: -Macau. | 0:26:23 | 0:26:25 | |
Audience gets the points. BUZZER | 0:26:25 | 0:26:27 | |
APPLAUSE | 0:26:27 | 0:26:28 | |
-I guessed on your behalf. -It's Macau. -Macau. -Is it really? | 0:26:28 | 0:26:31 | |
-Yes. -Where's your sheep, though? Hey! | 0:26:31 | 0:26:34 | |
-It's Ma-cow. -Here's me cow. | 0:26:34 | 0:26:36 | |
LAUGHTER | 0:26:36 | 0:26:39 | |
-Very, very, very, very... -Me cow. | 0:26:39 | 0:26:41 | |
..very amusing! | 0:26:41 | 0:26:43 | |
LAUGHTER | 0:26:43 | 0:26:46 | |
Macau is the gambling capital of the world. | 0:26:46 | 0:26:48 | |
Where's your cow? | 0:26:48 | 0:26:49 | |
Your last chance for lots of points is a picture round. | 0:26:49 | 0:26:52 | |
Please draw a picture of a juvenile fruit fly brain. | 0:26:52 | 0:26:56 | |
A juvenile fruit fly brain? | 0:26:58 | 0:27:00 | |
Yes, indeed. | 0:27:00 | 0:27:02 | |
All right. | 0:27:02 | 0:27:03 | |
I'll wager... | 0:27:03 | 0:27:05 | |
that it doesn't have one. | 0:27:05 | 0:27:07 | |
LAUGHTER | 0:27:07 | 0:27:10 | |
I'm going to do it... | 0:27:10 | 0:27:12 | |
So, we've already got... | 0:27:12 | 0:27:13 | |
We've got there, from Chris' juvenile fruit fly brain | 0:27:13 | 0:27:16 | |
-to scale. -I've done a banana. What have you drawn? | 0:27:16 | 0:27:19 | |
You've got a strawberry. | 0:27:19 | 0:27:20 | |
Well, the shattering news for you, Alan - | 0:27:20 | 0:27:22 | |
and it really is disappointing - | 0:27:22 | 0:27:24 | |
is that, for once, what you usually draw could have worked. | 0:27:24 | 0:27:26 | |
-What, it's like... -It's a cock and balls! -..a cock and balls? | 0:27:26 | 0:27:29 | |
-No! -Yes! LAUGHTER | 0:27:29 | 0:27:31 | |
There they are. | 0:27:31 | 0:27:32 | |
WHISTLING | 0:27:33 | 0:27:35 | |
You see, the one time you didn't. | 0:27:35 | 0:27:37 | |
The one time you behaved. Oh, you did? | 0:27:37 | 0:27:40 | |
-Before the show. -Before the show. | 0:27:40 | 0:27:42 | |
Before the show? I see. | 0:27:42 | 0:27:43 | |
We got the cock and balls out of our system before the show. | 0:27:43 | 0:27:46 | |
-LAUGHTER -We got that out of the way. | 0:27:46 | 0:27:48 | |
First thing you do when you arrive. Do the cock and balls. | 0:27:48 | 0:27:51 | |
Do the cock and balls, then you won't make a fool of yourself | 0:27:51 | 0:27:53 | |
by drawing a cock and balls on the programme. | 0:27:53 | 0:27:55 | |
Well, on that cock-shell, let's take a look at... | 0:27:55 | 0:27:57 | |
LAUGHTER | 0:27:57 | 0:27:59 | |
Let's take a look at the scores. | 0:27:59 | 0:28:00 | |
It's pretty exciting, because we have a clear winner, | 0:28:00 | 0:28:03 | |
on a staggering... | 0:28:03 | 0:28:05 | |
plus - and minus - zero, | 0:28:05 | 0:28:07 | |
is Chris Addison. CHEERING AND APPLAUSE | 0:28:07 | 0:28:10 | |
How? | 0:28:10 | 0:28:12 | |
In second place... | 0:28:12 | 0:28:14 | |
with a highly impressive minus six, | 0:28:14 | 0:28:16 | |
Sue Perkins. CHEERING AND APPLAUSE | 0:28:16 | 0:28:21 | |
Usually this would be good enough to win the wooden spoon, Sara, | 0:28:21 | 0:28:24 | |
it's a brilliant first appearance to get minus 13... | 0:28:24 | 0:28:28 | |
CHEERING AND APPLAUSE | 0:28:28 | 0:28:30 | |
..but it takes an old hand to do really, really badly at this game, | 0:28:30 | 0:28:34 | |
-Alan Davies on minus 54! -54?! | 0:28:34 | 0:28:38 | |
CHEERING AND APPLAUSE | 0:28:38 | 0:28:40 | |
So it's thank you from Sara, Chris, Sue, Alan and me. | 0:28:44 | 0:28:47 | |
And I leave you with this from Charlie Brown. | 0:28:47 | 0:28:50 | |
"Sometimes I lie awake at night and I ask, 'Where have I gone wrong?' | 0:28:50 | 0:28:55 | |
"Then a voice says to me, | 0:28:55 | 0:28:57 | |
" 'This is going to take more than one night.' " | 0:28:57 | 0:29:00 | |
LAUGHTER Goodnight. | 0:29:00 | 0:29:02 | |
APPLAUSE | 0:29:02 | 0:29:05 |