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This programme contains some strong language. | 0:00:03 | 0:00:10 | |
CHEERING AND APPLAUSE | 0:00:22 | 0:00:29 | |
Very goooo-oo-ood evening, good evening, | 0:00:29 | 0:00:33 | |
good evening, good evening, good evening, good evening, | 0:00:33 | 0:00:35 | |
and welcome to QI. | 0:00:35 | 0:00:37 | |
Now, a magpie's real name is a pie. It's a pie. | 0:00:39 | 0:00:42 | |
Then where does the "mag" come from? | 0:00:43 | 0:00:45 | |
-Margaret. -Yeah, Margaret. -Was it? | 0:00:45 | 0:00:47 | |
-Yeah. -Margaret pie? | 0:00:47 | 0:00:49 | |
CHEERING AND APPLAUSE | 0:00:49 | 0:00:52 | |
Where did that come from? | 0:00:52 | 0:00:54 | |
Margaret pie. | 0:00:57 | 0:00:58 | |
In medieval England, it was common to give birds | 0:00:58 | 0:01:01 | |
a Christian name, sometimes, | 0:01:01 | 0:01:03 | |
and the ones that have survived have included magpie. | 0:01:03 | 0:01:06 | |
-Which other ones can you...? -Robin. -Robin. | 0:01:06 | 0:01:08 | |
-Robin redbreast. -Robin redbreast. | 0:01:08 | 0:01:10 | |
Robin's the only one where the first name is the one that's kept... | 0:01:10 | 0:01:13 | |
-Dave Starling. -Sorry? LAUGHTER | 0:01:13 | 0:01:15 | |
-Joseph Starling? -No, big Dave Starling. | 0:01:15 | 0:01:17 | |
LAUGHTER Joseph would have been funny. | 0:01:17 | 0:01:20 | |
Joseph Starling is good, yeah. I like that. I prefer that. | 0:01:20 | 0:01:22 | |
-Not as funny as Dave, but it's better. -Yeah. | 0:01:22 | 0:01:25 | |
-Tomtit. Jenny Wren. -Tomtit, yeah. | 0:01:25 | 0:01:27 | |
Charlie Crow. | 0:01:27 | 0:01:29 | |
-Jackdaw. -Jackdaw. -Oh, jackdaw. -Yeah, yeah. | 0:01:29 | 0:01:32 | |
-So, there are a few of them. -Christopher Chaffinch. | 0:01:32 | 0:01:35 | |
LAUGHTER | 0:01:35 | 0:01:39 | |
-We had an injured bird in the garden yesterday... -Oh. | 0:01:39 | 0:01:41 | |
..and it looked like a magpie, and it couldn't take off, | 0:01:41 | 0:01:44 | |
and I was watching it for ages. I didn't know what to do with it, | 0:01:44 | 0:01:47 | |
so I opened the back gate and shooed it out. | 0:01:47 | 0:01:49 | |
LAUGHTER Oh, dear. | 0:01:49 | 0:01:51 | |
-What do you think it was, then? What make? -"The back gate." | 0:01:51 | 0:01:54 | |
-I think it was a young crow... -Yeah. | 0:01:54 | 0:01:57 | |
..that was having a bit of trouble with flight | 0:01:57 | 0:02:00 | |
-cos it flew into a bush... -Oh, dear. -..and I presume it's dead by now. | 0:02:00 | 0:02:04 | |
-LAUGHTER -That's it? You...? | 0:02:04 | 0:02:06 | |
-And that's the end of tonight's Springwatch. -Yes. | 0:02:06 | 0:02:09 | |
LAUGHTER | 0:02:09 | 0:02:12 | |
APPLAUSE | 0:02:12 | 0:02:16 | |
What could you have done with it? | 0:02:16 | 0:02:19 | |
-I don't know. What are you going to do with a bird? -Shoot it. | 0:02:19 | 0:02:21 | |
-Take it out. -Shoot the... | 0:02:21 | 0:02:23 | |
-Sniper's rifle through the brain. -I could have gone after it | 0:02:23 | 0:02:26 | |
cos it was in the garden and couldn't get out. | 0:02:26 | 0:02:27 | |
I could have easily got it with a tennis racket. | 0:02:27 | 0:02:30 | |
-Yeah, exactly. Yeah. -AUDIENCE GASPS | 0:02:30 | 0:02:32 | |
Just scoop it up with a tennis racket | 0:02:32 | 0:02:33 | |
-and hit it with a frying pan... -LAUGHTER | 0:02:33 | 0:02:35 | |
..and chuck it over the wall. That's what I would do. | 0:02:35 | 0:02:38 | |
Then its parents would have come and ate it, wouldn't they? | 0:02:38 | 0:02:40 | |
-Yeah, that's right. -Let's face it, it is the wild. -Yeah. -Exactly, yes. | 0:02:40 | 0:02:44 | |
-Even if it is Hampstead. -LAUGHTER | 0:02:44 | 0:02:46 | |
It's wild for them, though. | 0:02:46 | 0:02:48 | |
They'd have had it in a coulis. | 0:02:48 | 0:02:50 | |
LAUGHTER | 0:02:50 | 0:02:53 | |
A crow couscous. | 0:02:53 | 0:02:55 | |
-With some quinoa. -LAUGHTER | 0:02:55 | 0:02:58 | |
-I wonder what its name was. -Clive, I expect. | 0:02:58 | 0:03:01 | |
-No, I think it was Vel. -Vel? | 0:03:01 | 0:03:03 | |
-Vel-crow. -Velcro. -Oh! -APPLAUSE | 0:03:03 | 0:03:07 | |
Oh, dear. Oh, dear. | 0:03:07 | 0:03:09 | |
Now, what begins with M that you could shoot with one of these? | 0:03:11 | 0:03:16 | |
-Those guys are tiny. -LAUGHTER | 0:03:17 | 0:03:20 | |
-A mallard. -Mallard is very good. Absolutely. | 0:03:20 | 0:03:23 | |
You recognise what that is? | 0:03:23 | 0:03:24 | |
-It's a punt gun. -It is indeed a punt gun. | 0:03:24 | 0:03:27 | |
APPLAUSE | 0:03:27 | 0:03:30 | |
There's a few punters in. | 0:03:30 | 0:03:32 | |
You're good on guns, aren't you, Jeremy? | 0:03:32 | 0:03:35 | |
Well, I shot one of those, but I shot a clay pigeon with it... | 0:03:35 | 0:03:39 | |
-Oh! -..and proved that a man can actually fly. | 0:03:39 | 0:03:43 | |
LAUGHTER | 0:03:43 | 0:03:45 | |
So, don't tell me you weren't on a punt? | 0:03:45 | 0:03:47 | |
No, I wasn't on a punt, and there's a sort of momentum thing goes. | 0:03:47 | 0:03:50 | |
You get it going and then you just can't stop it, | 0:03:50 | 0:03:53 | |
-and I was airborne for 20 minutes. -LAUGHTER | 0:03:53 | 0:03:56 | |
That's one of the reasons they have them on punts is... | 0:03:56 | 0:03:59 | |
-I mean, the boat goes backwards. -That's the point. | 0:03:59 | 0:04:01 | |
You could fire that at Norfolk and you would wind up in Stavanger | 0:04:01 | 0:04:05 | |
-three weeks later. -LAUGHTER | 0:04:05 | 0:04:07 | |
More or less true. But also, more distressingly, perhaps, | 0:04:07 | 0:04:10 | |
if you like the waterfowl, one shot can destroy up to 50 at a time. | 0:04:10 | 0:04:15 | |
-So, you've got to have the... -Is it shot like a shotgun? | 0:04:15 | 0:04:17 | |
Yeah, it's just a huge amount of blast. | 0:04:17 | 0:04:19 | |
No, but, I mean, I know you're a vegetableist, | 0:04:19 | 0:04:21 | |
-which is fine, but... -LAUGHTER | 0:04:21 | 0:04:23 | |
..what I don't understand about these | 0:04:23 | 0:04:25 | |
is that if you actually hit a duck, | 0:04:25 | 0:04:27 | |
-it vaporised it. -LAUGHTER | 0:04:27 | 0:04:29 | |
And apart from licking the lake or the grass... | 0:04:29 | 0:04:32 | |
-LAUGHTER -..there's no nutritional value | 0:04:32 | 0:04:35 | |
-from an atomised... -You're pretty much right. | 0:04:35 | 0:04:38 | |
LAUGHTER | 0:04:38 | 0:04:41 | |
-What are your monsters called? -We've got... On Dartmoor? -Yeah. | 0:04:41 | 0:04:44 | |
We've got the Hairy Hand. Are you aware of the Hairy Hand? | 0:04:44 | 0:04:47 | |
-Which is a... -No. -You get it when you're about 15. | 0:04:47 | 0:04:50 | |
LAUGHTER | 0:04:50 | 0:04:53 | |
The Hairy Hand is a disembodied hand that would appear from nowhere | 0:04:53 | 0:04:59 | |
-if you were driving along the B3021... -Pissed. | 0:04:59 | 0:05:04 | |
..and it would steer you off the road. | 0:05:04 | 0:05:07 | |
-But there's... -"Officer!" -"Officer!" | 0:05:07 | 0:05:09 | |
IN WEST COUNTRY ACCENT: It smelt of cider, didn't it? | 0:05:09 | 0:05:12 | |
LAUGHTER | 0:05:12 | 0:05:14 | |
-IN WEST COUNTRY ACCENT: -It dropped its pint on me, | 0:05:14 | 0:05:16 | |
-and then it drove me off the road. -LAUGHTER | 0:05:16 | 0:05:20 | |
One of the people that claimed | 0:05:20 | 0:05:22 | |
he'd been steered off the road by the Hairy Hand, | 0:05:22 | 0:05:24 | |
he described it as invisible. | 0:05:24 | 0:05:27 | |
LAUGHTER | 0:05:27 | 0:05:30 | |
Oh, bless him for trying. | 0:05:30 | 0:05:32 | |
There are lots of places in the UK named after mammaries. | 0:05:34 | 0:05:37 | |
-Can you name one? -Boob Town. | 0:05:37 | 0:05:40 | |
"Boob Town!" LAUGHTER | 0:05:40 | 0:05:42 | |
-No, can you name some real ones? -Great Tit-chfield. | 0:05:42 | 0:05:45 | |
-GRANDLY: -The Mountains of Boob. -LAUGHTER | 0:05:45 | 0:05:49 | |
-SHE LAUGHS: -"The Mountains of Boob!" | 0:05:49 | 0:05:52 | |
LAUGHTER Press your buzzer. | 0:05:52 | 0:05:55 | |
-'Man United!' -Manchester? -Yes! | 0:05:55 | 0:05:59 | |
-It was Mam-chester originally. -No. -As in mammary, yes. | 0:05:59 | 0:06:02 | |
And it's got "chest" in it as well. | 0:06:02 | 0:06:04 | |
-Yeah. -LAUGHTER | 0:06:04 | 0:06:06 | |
-It's an incredibly rudely-named place. -It's double. | 0:06:06 | 0:06:09 | |
-Full breasts - the mammaries and the chest. -Yeah. | 0:06:09 | 0:06:11 | |
And there's Nippleton as well, isn't there? | 0:06:11 | 0:06:13 | |
Yes, from the Celtic "mam", | 0:06:13 | 0:06:16 | |
-you've got Mam Tor in Derbyshire. -Jugsford. | 0:06:16 | 0:06:19 | |
LAUGHTER | 0:06:19 | 0:06:22 | |
Racksbury. | 0:06:22 | 0:06:24 | |
Memford. | 0:06:24 | 0:06:26 | |
-Great Titi. -Bazookaville. LAUGHTER | 0:06:26 | 0:06:30 | |
Rackton. | 0:06:30 | 0:06:31 | |
LAUGHTER | 0:06:31 | 0:06:34 | |
Oh, dear. Gracious. | 0:06:34 | 0:06:35 | |
The Paps of Anu in Ireland are named after the breasts of... | 0:06:35 | 0:06:39 | |
LAUGHTER | 0:06:39 | 0:06:40 | |
And there's a Pap of Glencoe and a Maiden Pap in Scotland. | 0:06:40 | 0:06:43 | |
-There's Papworth. -Papworth. Absolutely, yes. | 0:06:43 | 0:06:45 | |
There's a hospital there. | 0:06:45 | 0:06:47 | |
-And what about Titty Hill in West Sussex? -What about it? | 0:06:47 | 0:06:49 | |
LAUGHTER It exists, | 0:06:49 | 0:06:51 | |
-but it's not named after breasts. -No, of course not. | 0:06:51 | 0:06:54 | |
-What's it named after? -Sir Malcolm Titty. | 0:06:54 | 0:06:57 | |
LAUGHTER It's so silly, it's funny. | 0:06:57 | 0:07:00 | |
His assistant named it when they both discovered it. | 0:07:00 | 0:07:03 | |
"What do you think we should call this?" | 0:07:03 | 0:07:05 | |
-"I think we should name it after you, Titty." -"Titty Hill?" | 0:07:05 | 0:07:08 | |
-LAUGHTER -"You found it, Titty." | 0:07:08 | 0:07:10 | |
"We're not going to name it after you, Big Dick." | 0:07:13 | 0:07:15 | |
Silly Carry On lines. Oh, dear. | 0:07:15 | 0:07:18 | |
I used to do a bit of stand-up about this thing that I found. | 0:07:18 | 0:07:22 | |
HE LAUGHS | 0:07:22 | 0:07:24 | |
-LAUGHTER -That sounds great. -Sounds brilliant. | 0:07:24 | 0:07:27 | |
What it was, we were doing a Secret Santa, right? | 0:07:27 | 0:07:29 | |
And it was a £10 limit. | 0:07:29 | 0:07:30 | |
And I went in... | 0:07:30 | 0:07:32 | |
There was quite a good adult shop on the Essex Road, | 0:07:32 | 0:07:34 | |
and for under £10, the only thing they offered was anal hoopla. | 0:07:34 | 0:07:39 | |
LAUGHTER | 0:07:39 | 0:07:41 | |
-Anal hoopla consists of a stick... -LAUGHTER | 0:07:41 | 0:07:45 | |
..that goes... Guess where. | 0:07:45 | 0:07:47 | |
And three hoops. | 0:07:47 | 0:07:48 | |
LAUGHTER | 0:07:48 | 0:07:51 | |
-That's...that's the actual game. -It's an icebreaker. | 0:07:51 | 0:07:55 | |
-It's an icebreaker. -LAUGHTER | 0:07:55 | 0:07:57 | |
If you think things have gone a bit flat in the bedroom area... | 0:07:57 | 0:07:59 | |
-"Come on!" -I mean, the tone of this show | 0:07:59 | 0:08:02 | |
-is so difficult to get right. -I'm sorry. | 0:08:02 | 0:08:05 | |
I'm just...I'm recalibrating. | 0:08:05 | 0:08:08 | |
-All this anal hoopla. -Who would have predicted anal hoopla? | 0:08:08 | 0:08:11 | |
LAUGHTER | 0:08:11 | 0:08:13 | |
On the front of it - on the front of the packet - | 0:08:13 | 0:08:15 | |
is a cartoon drawing a bit like a saucy postcard | 0:08:15 | 0:08:18 | |
of two people playing it, | 0:08:18 | 0:08:20 | |
as if they couldn't get anyone to actually demo it. | 0:08:20 | 0:08:23 | |
-I dare say it doesn't work. -Where was this for sale? | 0:08:23 | 0:08:26 | |
-At the Arsenal football ground? -LAUGHTER | 0:08:26 | 0:08:29 | |
HE MAKES GUTTURAL SOUNDS | 0:08:29 | 0:08:32 | |
-Thank you. -That's Klingon for, "Anal hoopla?" | 0:08:32 | 0:08:34 | |
LAUGHTER | 0:08:34 | 0:08:38 | |
HE MAKES GUTTURAL SOUNDS | 0:08:38 | 0:08:42 | |
-"No, thanks." -LAUGHTER | 0:08:43 | 0:08:45 | |
-"Let's play Scrabble." -LAUGHTER | 0:08:45 | 0:08:49 | |
Now, on the subject of probability, you've got this... | 0:08:49 | 0:08:53 | |
It's really interesting. It's a probability issue. | 0:08:53 | 0:08:55 | |
You want a pack of cards each. | 0:08:55 | 0:08:57 | |
-I can't catch. -Oh, well caught. We've got some for you. | 0:08:58 | 0:09:01 | |
So, I want you to take the cards out and give them a good shuffle. | 0:09:01 | 0:09:04 | |
-Good shuffle. I'm going to do the same. -Ooh. | 0:09:04 | 0:09:06 | |
LAUGHTER | 0:09:09 | 0:09:13 | |
-Beautifully done. -Sorry, boys. | 0:09:13 | 0:09:15 | |
And Sandi has been... Look at her. | 0:09:15 | 0:09:18 | |
She's like a croupier. Jesus! | 0:09:18 | 0:09:20 | |
LAUGHTER | 0:09:20 | 0:09:22 | |
Very good. APPLAUSE | 0:09:22 | 0:09:24 | |
-Very good. -Yes, I've shuffled. | 0:09:24 | 0:09:26 | |
-I've riffled, shuffled. -Yeah. -Not a gambler? | 0:09:26 | 0:09:29 | |
So, can you shove your cards in here? | 0:09:29 | 0:09:32 | |
-Oh. All right, then. -All right, thank you. | 0:09:32 | 0:09:34 | |
I'll give them a really good shake. | 0:09:34 | 0:09:36 | |
Is this going to be one of those Derren Brown ones | 0:09:36 | 0:09:38 | |
-where we all can't eat for a week or something? -No, no, no. | 0:09:38 | 0:09:40 | |
Anyway, there you go. All right. | 0:09:40 | 0:09:44 | |
It's just about probability. It's not a big deal. | 0:09:44 | 0:09:47 | |
Is there anything you can't turn your hand to, Stephen? | 0:09:47 | 0:09:49 | |
-Now it's magic. -You haven't seen me turn my hand to anything yet. | 0:09:49 | 0:09:53 | |
OK, and I'll put my cards in as well. There we go. | 0:09:53 | 0:09:55 | |
All right, give them all a good shake. | 0:09:55 | 0:09:58 | |
All right, so, you take one card out. Don't look. | 0:09:58 | 0:10:01 | |
And if you can put it close to your chest, but not... | 0:10:01 | 0:10:03 | |
-No, no, don't look. -I've looked. I know what it is. | 0:10:03 | 0:10:06 | |
Well, it doesn't matter. | 0:10:06 | 0:10:07 | |
The point is to shove it close to your chest so that that's... | 0:10:07 | 0:10:10 | |
-That's not your chest, darling. -LAUGHTER | 0:10:10 | 0:10:12 | |
The reason to shove it close to your chest | 0:10:12 | 0:10:14 | |
-is so that when you reveal it, it's camera height. -Oh, right. | 0:10:14 | 0:10:18 | |
That's all it is, all right? So, take one out. Feel it. | 0:10:18 | 0:10:22 | |
Yeah, very good. Very good. All right, I'll do the same. | 0:10:23 | 0:10:26 | |
All right, all right, I'll do the same. | 0:10:26 | 0:10:28 | |
OK, so, there is a possibility, but a very unlikely possibility, | 0:10:28 | 0:10:33 | |
-that two of the cards will be the same. -OK. | 0:10:33 | 0:10:35 | |
So, Sandi, you'll reveal your card. LAUGHTER | 0:10:35 | 0:10:39 | |
Yours is the six of clubs. All right. OK. | 0:10:39 | 0:10:42 | |
And you'll reveal your... Oh, my God. | 0:10:42 | 0:10:44 | |
-AUDIENCE GASPS -Oh! -Alan? | 0:10:44 | 0:10:46 | |
-Oh! -Oh, no. -You reveal yours. -Surely not. | 0:10:46 | 0:10:50 | |
No. Oh, my God. | 0:10:50 | 0:10:51 | |
And mine as well. Oh, there you go. Funny. | 0:10:51 | 0:10:54 | |
How can that happen? | 0:10:54 | 0:10:56 | |
APPLAUSE There it is. | 0:10:56 | 0:10:59 | |
-Burn him. -He's a witch. | 0:10:59 | 0:11:02 | |
-There you are. OK. -He's a witch. | 0:11:02 | 0:11:03 | |
-That's a very good trick. -Thank you very much. -Very good. | 0:11:03 | 0:11:06 | |
-Very good at cards. -Thank you. | 0:11:06 | 0:11:08 | |
APPLAUSE | 0:11:08 | 0:11:12 | |
Now, what kind of bird does the Goliath bird-eating spider consume? | 0:11:13 | 0:11:19 | |
-Oh, God. Whoa! -LAUGHTER | 0:11:19 | 0:11:21 | |
That should have had a warning. Whoa. | 0:11:21 | 0:11:23 | |
That is...fucking horrible, sorry. | 0:11:23 | 0:11:26 | |
-LAUGHTER -Whoa! | 0:11:26 | 0:11:28 | |
-He's a little furry animal. -Still there. -OK. -Still there. -OK. | 0:11:28 | 0:11:31 | |
-Still there. -Oh. Ah! -LAUGHTER | 0:11:31 | 0:11:34 | |
Oh, my God. | 0:11:34 | 0:11:36 | |
-OK, now there's a still image of one. -Yeah. | 0:11:36 | 0:11:38 | |
-It's not moving any more. -Oh! I'm just going to look at Phil. | 0:11:38 | 0:11:41 | |
-Eyes on me. Eyes on me. Eyes on me. -It's all right, Phil. It's OK. | 0:11:41 | 0:11:44 | |
-OK, I'm... -SHE SCREAMS | 0:11:44 | 0:11:46 | |
LAUGHTER | 0:11:46 | 0:11:48 | |
That was naughty. | 0:11:48 | 0:11:50 | |
APPLAUSE | 0:11:50 | 0:11:53 | |
-Sorry. -Oh, I'm sorry. -What a pathetic reaction. That's... | 0:11:53 | 0:11:56 | |
No, please. I'd be the same, if not for all the therapy. | 0:11:56 | 0:11:59 | |
LAUGHTER We should have asked. | 0:11:59 | 0:12:01 | |
We should have asked if you had a problem. | 0:12:01 | 0:12:03 | |
-It's not moving, so that's OK. It's not moving. -No. They're big. | 0:12:03 | 0:12:06 | |
It must be said they are very big | 0:12:06 | 0:12:07 | |
and they're called Goliath bird-eating spiders. | 0:12:07 | 0:12:09 | |
But it's never eaten a bird in its life. | 0:12:09 | 0:12:11 | |
Well, that one may not have done | 0:12:11 | 0:12:13 | |
because it's very, very rare for them to eat birds. | 0:12:13 | 0:12:15 | |
It just so happens the person who discovered it | 0:12:15 | 0:12:17 | |
happened upon one eating a hummingbird | 0:12:17 | 0:12:19 | |
and so called it a bird-eating spider. | 0:12:19 | 0:12:21 | |
That's like, in your family, when you do something once. | 0:12:21 | 0:12:23 | |
Yeah, exactly. LAUGHTER | 0:12:23 | 0:12:25 | |
It's like, "Oh, Cariad always gets sick on holiday." | 0:12:25 | 0:12:28 | |
-And you're like, "It was one time." -LAUGHTER | 0:12:28 | 0:12:31 | |
Oh, Poland-invading Adolf. | 0:12:31 | 0:12:34 | |
"Once, I invade Poland!" | 0:12:34 | 0:12:36 | |
LAUGHTER | 0:12:36 | 0:12:39 | |
Now, here's an interesting effect. Listen to this. | 0:12:39 | 0:12:42 | |
DISTORTED RECORDING OF SPEECH | 0:12:42 | 0:12:45 | |
-What was being said? -Is that the Devil? | 0:12:45 | 0:12:48 | |
It was the Devil, but do you know what he was saying? | 0:12:48 | 0:12:50 | |
"I'm going to be late. Put the dinner on." | 0:12:50 | 0:12:53 | |
Have another listen. | 0:12:53 | 0:12:55 | |
DISTORTED RECORDING OF SPEECH | 0:12:55 | 0:12:58 | |
Now, the chances are you just didn't understand what he was saying, | 0:12:58 | 0:13:01 | |
but if you heard it said, clearly, | 0:13:01 | 0:13:05 | |
then listen again to that distorted sound. | 0:13:05 | 0:13:07 | |
And so this is what was being said. | 0:13:07 | 0:13:10 | |
-RECORDING: -'Try saying "blue whale". | 0:13:10 | 0:13:11 | |
'That's bound to come up eventually.' | 0:13:11 | 0:13:13 | |
DISTORTED RECORDING OF SAME SPEECH | 0:13:13 | 0:13:16 | |
-LAUGHTER Isn't it extraordinary? -Wow! | 0:13:16 | 0:13:18 | |
-Hear that again. RECORDING: -'Try saying "blue whale". | 0:13:18 | 0:13:21 | |
'That's bound to come up eventually.' | 0:13:21 | 0:13:23 | |
DISTORTED RECORDING OF SAME SPEECH | 0:13:23 | 0:13:25 | |
-Yeah! -You really can hear it, can't you? | 0:13:25 | 0:13:27 | |
-It just sounds like he's saying it with a cold. -That's right. | 0:13:27 | 0:13:30 | |
It's amazing what the human brain can process. | 0:13:30 | 0:13:33 | |
But it needs a little bit of information. | 0:13:33 | 0:13:35 | |
From that apparently random sound | 0:13:35 | 0:13:36 | |
that you thought you could never, ever understand, | 0:13:36 | 0:13:39 | |
once you're told what it is, | 0:13:39 | 0:13:40 | |
you can instantly imprint the structure of it. | 0:13:40 | 0:13:42 | |
It's amazing, I think. | 0:13:42 | 0:13:44 | |
Now, who has the best teeth in the world? | 0:13:44 | 0:13:47 | |
-I really like this question and the answer. -The Bee Gees. | 0:13:47 | 0:13:49 | |
The Bee Gees. They had good teeth. | 0:13:49 | 0:13:51 | |
-John Bishop. -I'm looking for a nation. | 0:13:51 | 0:13:54 | |
-I'm looking for a people. -Americans. | 0:13:54 | 0:13:56 | |
KLAXON BLARES Did you say Americans? | 0:13:56 | 0:13:58 | |
No, I didn't say it. | 0:13:58 | 0:14:00 | |
-Is it Scandinavians? It must be the Scandinavians. -No. | 0:14:00 | 0:14:03 | |
-Oh, no, it'd be... -The English. -Yes, the British! -Yeah! | 0:14:03 | 0:14:07 | |
The British have the best teeth in the world. | 0:14:07 | 0:14:09 | |
APPLAUSE It's true. | 0:14:09 | 0:14:12 | |
-We win again! -LAUGHTER | 0:14:14 | 0:14:17 | |
Yeah, according to the OECD - | 0:14:17 | 0:14:18 | |
the Organisation of Economic Co-operation and Development, | 0:14:18 | 0:14:21 | |
-the international body... -Well remembered. | 0:14:21 | 0:14:23 | |
..they looked at all the different nations | 0:14:23 | 0:14:25 | |
and they found that, according to fillings and decay | 0:14:25 | 0:14:29 | |
and so on, that British children had the best teeth on planet Earth. | 0:14:29 | 0:14:34 | |
Did they just go to one particular school in Nottingham? | 0:14:34 | 0:14:37 | |
LAUGHTER I don't think so. | 0:14:37 | 0:14:39 | |
Yeah, but they said that's cos we've got less fillings. | 0:14:39 | 0:14:42 | |
Maybe it's cos we don't go to the dentist at all. | 0:14:42 | 0:14:44 | |
LAUGHTER Fewer fillings. Fewer fillings. | 0:14:44 | 0:14:47 | |
No... AUDIENCE GROANS | 0:14:47 | 0:14:49 | |
-I'm just being silly. -Stephen, knock, knock. | 0:14:49 | 0:14:51 | |
-Yeah, who's there? -To. | 0:14:51 | 0:14:53 | |
-To who? -No, it's "to whom". | 0:14:53 | 0:14:55 | |
LAUGHTER | 0:14:55 | 0:14:57 | |
-Yes! Touche! Tou-bloody-che! -Yes. | 0:14:57 | 0:15:02 | |
-Alan. -Hello. -Let's bring this to a beautiful, beautiful conclusion. | 0:15:04 | 0:15:07 | |
Cariad has been bitten by a snake. SHE LAUGHS | 0:15:07 | 0:15:11 | |
What's happening to me? This is not I'm A Celebrity... | 0:15:11 | 0:15:14 | |
LAUGHTER What should you do? | 0:15:14 | 0:15:17 | |
-Suck her. -LAUGHTER | 0:15:17 | 0:15:20 | |
KLAXON BLARES In every sense, no. | 0:15:20 | 0:15:24 | |
-You can't afford it, love. -LAUGHTER | 0:15:24 | 0:15:27 | |
APPLAUSE | 0:15:27 | 0:15:31 | |
Even when you've been bitten by a cobra, | 0:15:31 | 0:15:34 | |
-you're going to haggle prices. -Oh, yeah. Yeah, yeah, yeah. | 0:15:34 | 0:15:37 | |
You'd soon drop your prices once you've tried it. | 0:15:37 | 0:15:39 | |
LAUGHTER Oh, dear. All right. | 0:15:39 | 0:15:42 | |
-You tourniquet it. You... -No. | 0:15:44 | 0:15:46 | |
KLAXON BLARES | 0:15:46 | 0:15:49 | |
Nor even a tourniquet. | 0:15:49 | 0:15:51 | |
Guys, I'm dying. You haven't told me. What's happened? | 0:15:51 | 0:15:54 | |
-I've been bitten by a snake. -Stay still. -The spider's coming. | 0:15:54 | 0:15:56 | |
LAUGHTER | 0:15:56 | 0:15:58 | |
If you stay still so it doesn't go round your blood. | 0:15:58 | 0:16:01 | |
-Is that in there? -Well, if you're not near a car. | 0:16:01 | 0:16:04 | |
But drive her to a hospital. LAUGHTER | 0:16:04 | 0:16:07 | |
-Where are you taking me? -Take the snake if you can. | 0:16:07 | 0:16:09 | |
Yeah, exactly. Or a photograph of it. | 0:16:09 | 0:16:11 | |
LAUGHTER | 0:16:11 | 0:16:14 | |
No, I didn't say a selfie. | 0:16:14 | 0:16:17 | |
Is this when...? You know when you HAVE to be awake at ten to five? | 0:16:18 | 0:16:24 | |
-Oh, yeah. -No matter what happens, you HAVE to be awake at ten to five. | 0:16:24 | 0:16:28 | |
And miraculously, you are awake at ten to five. | 0:16:28 | 0:16:31 | |
-That's an alarm clock, love. -LAUGHTER | 0:16:31 | 0:16:35 | |
No, I have that too. I do, definitely. It's extraordinary. | 0:16:35 | 0:16:38 | |
-So, is that the same kind of...? -Works very well. | 0:16:38 | 0:16:40 | |
At school, if we were going on a, you know, little dawn raid | 0:16:40 | 0:16:42 | |
-or something like that, you know, they'd say... -Sorry? | 0:16:42 | 0:16:46 | |
LAUGHTER | 0:16:46 | 0:16:48 | |
Do a raid on the kitchens and steal jelly and things. | 0:16:48 | 0:16:52 | |
I forgot you grew up in an Enid Blyton novel. | 0:16:52 | 0:16:55 | |
LAUGHTER | 0:16:55 | 0:16:58 | |
To get your catapult back from the teacher? | 0:16:58 | 0:17:00 | |
LAUGHTER | 0:17:00 | 0:17:03 | |
You would do this onto the pillow. | 0:17:03 | 0:17:05 | |
You'd go, "One, two, three, four," like that, | 0:17:05 | 0:17:07 | |
and you'd wake up at four in the morning. | 0:17:07 | 0:17:09 | |
-It always seemed to work. -No! | 0:17:09 | 0:17:10 | |
-I can't remember a time when it didn't work. -That is bullshit. | 0:17:10 | 0:17:13 | |
OK. LAUGHTER | 0:17:13 | 0:17:15 | |
-I totally agree, Sarah. -HE CHUCKLES | 0:17:15 | 0:17:18 | |
It may be a false memory I've got, but it's a very clear one. | 0:17:18 | 0:17:21 | |
If it's so true, | 0:17:21 | 0:17:23 | |
-I want you to give us your phone and alarm clock... -Mm-hm. | 0:17:23 | 0:17:26 | |
..and never use it again to wake yourself up... | 0:17:26 | 0:17:29 | |
-HE CHUCKLES -..and just use the head hitting. | 0:17:29 | 0:17:32 | |
It all changes when you get an enlarged prostate. | 0:17:32 | 0:17:34 | |
LAUGHTER | 0:17:34 | 0:17:38 | |
APPLAUSE | 0:17:38 | 0:17:40 | |
And do you still hit it four times on the pillow? | 0:17:43 | 0:17:46 | |
LAUGHTER | 0:17:46 | 0:17:48 | |
-Something that Blyton didn't cover much. -She didn't, did she? | 0:17:48 | 0:17:51 | |
-Not lashings of enlarged prostate. -No. -Oh, dear. | 0:17:51 | 0:17:54 | |
Marsh warblers just make it up as they go along. | 0:17:55 | 0:17:58 | |
And now for a question about metamor... | 0:17:58 | 0:18:00 | |
LAUGHTER What happened? | 0:18:00 | 0:18:03 | |
What happened while I was reading the...? | 0:18:03 | 0:18:05 | |
I had my back turned to you when I was looking at the blackboard. | 0:18:05 | 0:18:08 | |
-What...? -Nothing, sir. -I don't know, sir. | 0:18:08 | 0:18:11 | |
Sir, David showed me a picture of a penis, sir. | 0:18:11 | 0:18:13 | |
-LAUGHTER -And then he showed me that, sir. | 0:18:13 | 0:18:16 | |
-APPLAUSE -Not that one. -That is not a penis. | 0:18:16 | 0:18:18 | |
-Look at Bailey's drawing of a penis, sir. -I never did that. | 0:18:18 | 0:18:21 | |
That is nothing like a penis. | 0:18:21 | 0:18:22 | |
What's wrong with his penis if he draws one like that? | 0:18:22 | 0:18:25 | |
-He drew a penis on the world. -LAUGHTER | 0:18:25 | 0:18:28 | |
That's got to be... That's illegal, isn't it? | 0:18:28 | 0:18:30 | |
LAUGHTER Oh, Lord. | 0:18:30 | 0:18:33 | |
I'm going to get a glass of water | 0:18:34 | 0:18:36 | |
and I'll get a teaspoon. | 0:18:36 | 0:18:40 | |
-Right. -Oh, I'll just... To prove that it is water, I'll drink it. | 0:18:40 | 0:18:43 | |
-That just proves it might be vodka. -LAUGHTER | 0:18:43 | 0:18:47 | |
-It proves at least that it's not sulphuric acid or something... -Yeah. | 0:18:47 | 0:18:51 | |
..because what I'm going to do | 0:18:51 | 0:18:53 | |
is try and make this teaspoon disappear. | 0:18:53 | 0:18:55 | |
It may not work. | 0:18:57 | 0:18:59 | |
I'm not a good magician. | 0:18:59 | 0:19:00 | |
I'm a great magician. | 0:19:00 | 0:19:02 | |
And so we stir it here and I... | 0:19:02 | 0:19:05 | |
Oh, don't... Oh, no... | 0:19:06 | 0:19:08 | |
Oh, it might not work, it might work, I don't know. | 0:19:08 | 0:19:11 | |
I'm, oh... | 0:19:11 | 0:19:13 | |
Yeah, it seems to have worked. | 0:19:13 | 0:19:15 | |
-Ooh. -AUDIENCE GASPS | 0:19:15 | 0:19:17 | |
-APPLAUSE -Wow! | 0:19:17 | 0:19:19 | |
There you are. Thank you. | 0:19:19 | 0:19:21 | |
-That's rather good, isn't it? -Rather good. -That's good. -That is. | 0:19:24 | 0:19:27 | |
In fact, on this occasion, it wasn't a magic trick | 0:19:27 | 0:19:29 | |
and it's something you can do. | 0:19:29 | 0:19:31 | |
I'll give you your water and you'll notice the water is rather warm. | 0:19:31 | 0:19:34 | |
-Ooh, it's warm. -It's warm water. -Warm water. | 0:19:34 | 0:19:36 | |
And I'll give you a couple of spoons. | 0:19:36 | 0:19:38 | |
They are metal, they're metal spoons, but the metal... | 0:19:38 | 0:19:41 | |
-Are they made out of Alka-Seltzer? -LAUGHTER | 0:19:41 | 0:19:44 | |
They might as well be. They're made out of gallium. | 0:19:44 | 0:19:47 | |
And gallium is a metal... | 0:19:47 | 0:19:49 | |
-A very useful metal. -Let's have a look. | 0:19:49 | 0:19:51 | |
..but it has the quality that it melts, | 0:19:51 | 0:19:54 | |
-as Alan is showing, in water. -Good Lord. | 0:19:54 | 0:19:57 | |
Oh, you wouldn't want that of your teaspoon, would you? | 0:19:57 | 0:20:00 | |
No, it wouldn't make a practical teaspoon. | 0:20:00 | 0:20:02 | |
-That's lasting less time than a biscuit. -Yeah. | 0:20:02 | 0:20:05 | |
-That's it. -Look at that. | 0:20:05 | 0:20:07 | |
Now, if you stir it, it'll happen more quickly. | 0:20:07 | 0:20:10 | |
-Oh, good Lord, look at that. -Ah, jeez. -That is... | 0:20:10 | 0:20:13 | |
That would be the most annoying teaspoon in the world. | 0:20:13 | 0:20:15 | |
-It really would, wouldn't it? -"Now... Oh." | 0:20:15 | 0:20:18 | |
But it's, like, Terminator's teaspoon. | 0:20:18 | 0:20:20 | |
Yeah, exactly. Terminator 2, it should be said. | 0:20:20 | 0:20:23 | |
Yes. Terminator two-spoon. | 0:20:23 | 0:20:26 | |
Hey! | 0:20:26 | 0:20:27 | |
-Scuba diving. When they go caving with scuba diving... -Oh, yeah. | 0:20:27 | 0:20:31 | |
..they take tanks with them | 0:20:31 | 0:20:33 | |
because you can't get all the way in in one tank. | 0:20:33 | 0:20:35 | |
-Scary. -So, you do this incredibly dangerous thing | 0:20:35 | 0:20:38 | |
where you lug down some tanks and you leave a tank. | 0:20:38 | 0:20:41 | |
-You've got to remember where you've left them. -Exactly. | 0:20:41 | 0:20:44 | |
If you can't find it on the way back, you'll die. | 0:20:44 | 0:20:47 | |
So, very important that you remember... | 0:20:47 | 0:20:49 | |
-LAUGHTER -"Just once..." | 0:20:49 | 0:20:51 | |
"You were supposed to remember where the tank was. | 0:20:51 | 0:20:53 | |
-"That was your only job." -"Well, what's the worst that could happen?" | 0:20:53 | 0:20:56 | |
LAUGHTER "Cooee! I moved it. Guess where." | 0:20:56 | 0:21:00 | |
"Hilarious. I'm moving his tank. This'll be funny. Watch this." | 0:21:00 | 0:21:03 | |
"I tell you what, then he died. | 0:21:03 | 0:21:05 | |
"You should have seen the look on his dead face." | 0:21:05 | 0:21:07 | |
LAUGHTER | 0:21:07 | 0:21:10 | |
So, now, how would this bird make an offer you couldn't refuse? | 0:21:10 | 0:21:15 | |
LAUGHTER | 0:21:15 | 0:21:18 | |
Oh, yeah. That bird. He does your tax returns. | 0:21:18 | 0:21:21 | |
LAUGHTER | 0:21:21 | 0:21:23 | |
It's called a brown-headed cowbird, rather unimaginatively. | 0:21:23 | 0:21:27 | |
It's got a brown head and it's on a cow. | 0:21:27 | 0:21:29 | |
I just don't want to know how it got the brown head. | 0:21:29 | 0:21:32 | |
-I don't want to think about how it got the brown head. -Oh, stop it. | 0:21:32 | 0:21:36 | |
-LAUGHTER -"That's as far as I can go!" | 0:21:36 | 0:21:39 | |
"All right, that'll do. Now flap your wings." | 0:21:39 | 0:21:43 | |
-"I can't!" -LAUGHTER | 0:21:43 | 0:21:46 | |
You haven't seen the cow's legs. They're blue. | 0:21:46 | 0:21:49 | |
We have to forget the cow in this instance, | 0:21:49 | 0:21:51 | |
other than the fact that it's in its name. | 0:21:51 | 0:21:52 | |
It is a parasitic bird in a sense. A brood parasite. | 0:21:52 | 0:21:56 | |
As I say, it's parasitic in the way | 0:21:56 | 0:21:58 | |
-that it occupies a host's birthing place. -A womb. | 0:21:58 | 0:22:01 | |
Not womb in this case cos they don't have wombs exactly, do they, birds? | 0:22:01 | 0:22:04 | |
-Oh, I thought it was in the cow. -Oh, no, no, it's the bird. | 0:22:04 | 0:22:07 | |
-It's the bird that's the parasite. -Oh, OK. -It's a brood parasite. | 0:22:07 | 0:22:10 | |
It lays its eggs in someone else's nest. | 0:22:10 | 0:22:12 | |
I'd love if it was the cow that was the parasite. | 0:22:12 | 0:22:14 | |
LAUGHTER Living off the bird. | 0:22:14 | 0:22:17 | |
That would be such a flaw | 0:22:17 | 0:22:19 | |
for a parasite to have to wait for the bird to land on you. | 0:22:19 | 0:22:23 | |
Just running around getting underneath birds. | 0:22:23 | 0:22:25 | |
LAUGHTER | 0:22:25 | 0:22:27 | |
Yeah, it's a brood parasite. | 0:22:27 | 0:22:29 | |
-It lays its egg like that, as does, more famously, our... -Cuckoo. | 0:22:29 | 0:22:33 | |
-Cuckoo. -Cuckoo, yes. Cuckoo's the great British brood parasite. | 0:22:33 | 0:22:36 | |
-That nest wasn't on the back of that cow, was it? -No. | 0:22:36 | 0:22:38 | |
I did say, "Forget the cow," | 0:22:38 | 0:22:39 | |
but I knew that wouldn't be a helpful remark. | 0:22:39 | 0:22:41 | |
I couldn't forget the cow, Stephen. | 0:22:41 | 0:22:43 | |
It's a question of why the birds put up with it. | 0:22:43 | 0:22:45 | |
Why does the one that lays the blue eggs, in this instance, | 0:22:45 | 0:22:48 | |
allow that to happen? | 0:22:48 | 0:22:49 | |
Why didn't they just get rid of the egg? | 0:22:49 | 0:22:51 | |
The answer is it does...once. | 0:22:51 | 0:22:54 | |
If it tries it, the bird that's laid that egg will come back | 0:22:54 | 0:22:57 | |
-and absolutely destroy the nest and everything in it. -Wow. | 0:22:57 | 0:23:02 | |
And the mother bird learns this | 0:23:02 | 0:23:04 | |
and next time laboriously builds a new nest, | 0:23:04 | 0:23:08 | |
laboriously lays her own eggs. | 0:23:08 | 0:23:10 | |
Next time a brown-headed cowbird comes along to lay their egg, | 0:23:10 | 0:23:13 | |
they go, "You can have it. Honestly, I'll look after it. | 0:23:13 | 0:23:16 | |
"No problem." It's basically a protection racket. | 0:23:16 | 0:23:18 | |
They're gangster birds, hence the phrase, | 0:23:18 | 0:23:20 | |
-"Make you an offer you can't refuse." -Oh. | 0:23:20 | 0:23:22 | |
-But it works. -So, which one...? | 0:23:22 | 0:23:23 | |
Was it the one with the blue eggs or the other one? | 0:23:23 | 0:23:26 | |
The blue eggs is, like, the nice guy who runs the Italian delicatessen... | 0:23:26 | 0:23:29 | |
-Exactly. -..with his family all these years, | 0:23:29 | 0:23:31 | |
and then the other egg is the guy who comes round going... | 0:23:31 | 0:23:33 | |
-IN ITALIAN AMERICAN ACCENT: -"You gonna look after my egg?" | 0:23:33 | 0:23:36 | |
IN ITALIAN AMERICAN ACCENT: "You'll find a job for my boy." | 0:23:36 | 0:23:39 | |
"You see this egg? You know what I'm gonna do to this egg? | 0:23:39 | 0:23:42 | |
"If you don't look after the other egg..." | 0:23:42 | 0:23:44 | |
And then he throws it out. | 0:23:44 | 0:23:46 | |
Eventually, cos it's evolution, | 0:23:46 | 0:23:47 | |
they'll start spraying their own blue egg that brown colour. | 0:23:47 | 0:23:51 | |
"Hey, someone's already done me. Leave it." | 0:23:51 | 0:23:54 | |
You're right. That's quite likely, isn't it? | 0:23:54 | 0:23:56 | |
Why haven't they evolved just to lay enough eggs so there's no gap? | 0:23:56 | 0:23:59 | |
LAUGHTER | 0:23:59 | 0:24:01 | |
-APPLAUSE -That's what I would do. | 0:24:01 | 0:24:04 | |
Good point. | 0:24:06 | 0:24:08 | |
-So, pay attention now. It's time for a magical, money-making moment. -Oh. | 0:24:08 | 0:24:12 | |
Yes. I've got a proper, proper printing press here. It's very... | 0:24:12 | 0:24:16 | |
It's a rather exciting one, and as you can see, | 0:24:16 | 0:24:19 | |
it's got all the bells and whistles. | 0:24:19 | 0:24:21 | |
And it's even got a little calibration here. Can you see? | 0:24:21 | 0:24:24 | |
It's on ten. I'm going to move it up to 20. So, I've got a 20... | 0:24:24 | 0:24:27 | |
..sized one here. I hope this works. | 0:24:28 | 0:24:30 | |
It takes a long time to fill it with ink, | 0:24:30 | 0:24:32 | |
so if it doesn't work, I'm not going to do it twice. | 0:24:32 | 0:24:34 | |
-Oh, yes. That works. Oh, good. There you are. -Oh, wow. | 0:24:34 | 0:24:37 | |
There you are. APPLAUSE | 0:24:37 | 0:24:40 | |
Oh, there we go. | 0:24:40 | 0:24:42 | |
Stephen, one of the options is a 100. | 0:24:42 | 0:24:46 | |
-I just want to see what one of them looks like. -OK. | 0:24:46 | 0:24:49 | |
Um... Oh. Oh. | 0:24:51 | 0:24:53 | |
There we go. And... | 0:24:53 | 0:24:55 | |
Oh. Oh, it's a 50. It should be 100. | 0:24:55 | 0:24:58 | |
-Oh, it is 100. -Ah. -There you are. 100. | 0:24:58 | 0:25:01 | |
APPLAUSE | 0:25:01 | 0:25:04 | |
Now, how many paintings did Vincent Van Gogh, | 0:25:04 | 0:25:08 | |
or "Goch," or "Gough," or "Go"... | 0:25:08 | 0:25:10 | |
How many did he sell while he was alive? | 0:25:10 | 0:25:12 | |
Don't say none. | 0:25:12 | 0:25:14 | |
-TURNTABLE BUZZER -None! I'm going to say none. | 0:25:14 | 0:25:17 | |
KLAXON BLARES | 0:25:17 | 0:25:19 | |
-D'oh! -D'oh! | 0:25:19 | 0:25:21 | |
Really, I'm afraid... | 0:25:21 | 0:25:24 | |
-One. -A few, maybe? | 0:25:24 | 0:25:25 | |
KLAXON BLARES | 0:25:25 | 0:25:27 | |
"A few." | 0:25:27 | 0:25:29 | |
It was lots. He sold hundreds of paintings. | 0:25:29 | 0:25:32 | |
-Hundreds?! -Yeah, when he was 15, he used to work in an art gallery. | 0:25:32 | 0:25:35 | |
-Oh, shut up! -LAUGHTER | 0:25:35 | 0:25:37 | |
It's true. I just asked you how many paintings... | 0:25:37 | 0:25:41 | |
This is the closest I've come to walking out of this show. | 0:25:41 | 0:25:43 | |
I'd like a recount on those two. | 0:25:43 | 0:25:46 | |
It was a horribly mean question, | 0:25:46 | 0:25:48 | |
but the fact is he did sell hundreds. | 0:25:48 | 0:25:50 | |
They just weren't his own. BILL GROANS | 0:25:50 | 0:25:53 | |
I know, I'm sorry, but, look, I did say... | 0:25:53 | 0:25:56 | |
Oh, the chairman of the Pedantic Association. | 0:25:56 | 0:25:58 | |
LAUGHTER | 0:25:58 | 0:26:00 | |
"It's actually the Society of Pedantics, | 0:26:00 | 0:26:02 | |
-"but I'll let that go." -Yes, exactly. In fact. | 0:26:02 | 0:26:04 | |
LAUGHTER | 0:26:04 | 0:26:06 | |
I've never had, in 14 years, | 0:26:06 | 0:26:09 | |
people eating sweets in the front row. | 0:26:09 | 0:26:12 | |
-What the hell? -And I can't think about anything else except... | 0:26:12 | 0:26:16 | |
LAUGHTER | 0:26:16 | 0:26:19 | |
APPLAUSE | 0:26:19 | 0:26:21 | |
Well done. | 0:26:23 | 0:26:25 | |
-Thanks. -You can have them back at the end of the lesson. | 0:26:28 | 0:26:31 | |
LOUD RUSTLING | 0:26:31 | 0:26:33 | |
I feel really bad for those people cos obviously, | 0:26:33 | 0:26:36 | |
you're just sat there watching an episode of QI | 0:26:36 | 0:26:38 | |
and then, suddenly, the telly gets up... | 0:26:38 | 0:26:40 | |
LAUGHTER | 0:26:40 | 0:26:43 | |
-..and nicks your sweets. -It should happen more often! | 0:26:43 | 0:26:47 | |
"I didn't press the red button. What's going on?" | 0:26:47 | 0:26:50 | |
LAUGHTER | 0:26:50 | 0:26:52 | |
Now, describe the plot of, or sing a song from, | 0:26:52 | 0:26:56 | |
the popular musical The Bathrooms Are Coming. | 0:26:56 | 0:26:59 | |
LAUGHTER | 0:26:59 | 0:27:01 | |
# The bathrooms are coming | 0:27:01 | 0:27:03 | |
# Thank God, I need a shit. # | 0:27:03 | 0:27:05 | |
-LAUGHTER -How about...? | 0:27:05 | 0:27:08 | |
Bill, can you do me Cisterns Are Doing It For Themselves? | 0:27:08 | 0:27:12 | |
Oh, there we go. | 0:27:12 | 0:27:14 | |
-APPLAUSE -No, I can't. | 0:27:14 | 0:27:16 | |
# The bathrooms are coming Lock up your pipes | 0:27:16 | 0:27:19 | |
# The bathrooms are coming Where are your knives? | 0:27:19 | 0:27:22 | |
# Kill, kill, kill them They'll be coming | 0:27:22 | 0:27:26 | |
# Kill them, kill them | 0:27:26 | 0:27:27 | |
# The bathrooms are coming for your lives | 0:27:27 | 0:27:30 | |
# They're coming for your souls | 0:27:31 | 0:27:33 | |
# I've had it installed now | 0:27:36 | 0:27:40 | |
# But there's nothing to pay till September... # | 0:27:40 | 0:27:43 | |
LAUGHTER | 0:27:43 | 0:27:47 | |
# I am on a HP high | 0:27:47 | 0:27:51 | |
# And ain't no debt collector ever gonna bring me down... # | 0:27:52 | 0:27:56 | |
LAUGHTER | 0:27:56 | 0:27:58 | |
Water may be very hot. | 0:27:58 | 0:28:00 | |
# Don't let the grout go mouldy on me. # | 0:28:00 | 0:28:05 | |
LAUGHTER | 0:28:05 | 0:28:08 | |
Do country and western. | 0:28:09 | 0:28:11 | |
If you're going to do country and western, it's got to be... | 0:28:12 | 0:28:15 | |
# Fixed shower head driving me wild... # | 0:28:15 | 0:28:19 | |
LAUGHTER | 0:28:19 | 0:28:21 | |
# Can't find my crevices | 0:28:21 | 0:28:23 | |
# No matter how hard I try | 0:28:24 | 0:28:27 | |
-# Then I put my leg up... # -No, don't. | 0:28:27 | 0:28:31 | |
-# Pull my junk to the side... # -LAUGHTER | 0:28:31 | 0:28:35 | |
HE PLAYS A BROKEN CHORD | 0:28:35 | 0:28:38 | |
LAUGHTER Thank you. | 0:28:38 | 0:28:40 | |
APPLAUSE | 0:28:40 | 0:28:43 |