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This programme contains some strong language. | 0:00:02 | 0:00:09 | |
Good evening, good evening, good evening, good evening, good evening. | 0:00:30 | 0:00:34 | |
Welcome to QI. | 0:00:34 | 0:00:35 | |
-Now, you mentioned the gluteus maximus. -Yeah. | 0:00:37 | 0:00:39 | |
The ass muscles there. This a true thing, right? | 0:00:39 | 0:00:43 | |
It is physically impossible for the human buttocks to break an egg. | 0:00:43 | 0:00:49 | |
-LAUGHTER -That is true. | 0:00:49 | 0:00:51 | |
That is absolutely, 100% true and I've tried it and... | 0:00:51 | 0:00:56 | |
And...the beautiful thing... | 0:00:58 | 0:00:59 | |
-You mean put it in the crack, in the cleavage? -As much as you want. | 0:00:59 | 0:01:03 | |
He's not allowed to work in kitchens any more. | 0:01:03 | 0:01:06 | |
Yeah, if you put the egg between the buttocks and it doesn't matter | 0:01:07 | 0:01:10 | |
how hard you squeeze, impossible to crack the egg. | 0:01:10 | 0:01:13 | |
Now, here's the thing, I know that to be true. | 0:01:13 | 0:01:15 | |
There might be people watching this who question that, | 0:01:15 | 0:01:18 | |
-and I'd like to think all over the country... -People are now. | 0:01:18 | 0:01:22 | |
Introducing eggs into the area... | 0:01:22 | 0:01:25 | |
"Is Noble lying or not?" | 0:01:25 | 0:01:27 | |
I mean, if you got somebody laying there, you put an egg there, | 0:01:27 | 0:01:30 | |
if somebody else is there to go like that... | 0:01:30 | 0:01:32 | |
-But then that's not the muscle doing it. -Ah, OK, yeah. -That's the point. | 0:01:32 | 0:01:36 | |
-You can't... -It's the muscle. Can you by a twitch, pulling in? | 0:01:36 | 0:01:40 | |
-Exactly. -I'm doing it now. | 0:01:41 | 0:01:43 | |
The problem would be... | 0:01:43 | 0:01:45 | |
"Oh! That Cadbury's Creme Egg is gone." | 0:01:45 | 0:01:49 | |
That's probably melting rather than... | 0:01:49 | 0:01:51 | |
I think the worry is that you do it, the egg could go right up. | 0:01:51 | 0:01:55 | |
-Is that a worry? -You see, that's interesting. | 0:01:55 | 0:01:58 | |
Now, what mania was started by a few myopic Merseysiders? | 0:02:05 | 0:02:10 | |
-BUZZER -But weirdly... | 0:02:10 | 0:02:12 | |
No, keep going... Does this buzzer stop Jimmy speaking? Try again. | 0:02:12 | 0:02:16 | |
-I was just going to say... -BUZZER | 0:02:20 | 0:02:22 | |
APPLAUSE | 0:02:22 | 0:02:24 | |
There's some support for it. | 0:02:24 | 0:02:27 | |
I find the buzzers really disconcerting. | 0:02:27 | 0:02:29 | |
It does feel like somebody's about to get murdered. | 0:02:29 | 0:02:32 | |
-BUZZER: -'Oh, go to bed.' -LAUGHTER | 0:02:32 | 0:02:37 | |
-There's a childish ghost cries. BUZZER: -'Mice!' | 0:02:37 | 0:02:40 | |
LAUGHTER | 0:02:40 | 0:02:42 | |
Myopic Merseysiders. Myopic's short-sighted, is it? | 0:02:42 | 0:02:45 | |
-Yes, short-sighted. -Partially sighted. | 0:02:45 | 0:02:47 | |
So what M could help you with partial sightedness? | 0:02:47 | 0:02:50 | |
-My glasses? -LAUGHTER | 0:02:50 | 0:02:54 | |
Yes. | 0:02:54 | 0:02:56 | |
Any particular type of ophthalmic instrument that would help the... | 0:02:56 | 0:03:00 | |
-Monocle. -Monocle is the right answer. | 0:03:00 | 0:03:02 | |
There we go. Very good. | 0:03:02 | 0:03:04 | |
CHEERING AND APPLAUSE | 0:03:04 | 0:03:07 | |
Yeah. | 0:03:09 | 0:03:10 | |
I only knew that cos there happens to be a monocle next to me. | 0:03:12 | 0:03:16 | |
It was a bit of a giveaway. There you are. Pop them in. | 0:03:16 | 0:03:19 | |
It was a fashion thing that seemed to sweep Liverpool... | 0:03:19 | 0:03:21 | |
I can't imagine it taking off again, to be honest. | 0:03:21 | 0:03:24 | |
You do look very... | 0:03:24 | 0:03:25 | |
"George, me old pal." | 0:03:25 | 0:03:29 | |
Jimmy, you have never looked more like a ventriloquist's doll. | 0:03:33 | 0:03:35 | |
APPLAUSE | 0:03:35 | 0:03:38 | |
THEY MOUTH WORDLESSLY | 0:03:40 | 0:03:44 | |
He really did look like Lord Charles there. | 0:03:47 | 0:03:50 | |
HE LAUGHS | 0:03:50 | 0:03:52 | |
I now feel slightly haunted. | 0:03:52 | 0:03:54 | |
The word meteorology comes from the Greek for things high up | 0:03:55 | 0:04:00 | |
and in terms of high up, they used to use frogs | 0:04:00 | 0:04:03 | |
for telling weather forecasts. | 0:04:03 | 0:04:05 | |
They built them little ladders and put them in a jar. | 0:04:05 | 0:04:08 | |
They thought if they went up the ladder, it was going to be fine. | 0:04:08 | 0:04:11 | |
If they went down the ladder, it was going to be a bit wet. | 0:04:11 | 0:04:13 | |
You are getting an idea here. LAUGHTER | 0:04:13 | 0:04:16 | |
Did frogs even know what ladders were? | 0:04:16 | 0:04:19 | |
-I don't think they had to know what they are. -Did they just...? | 0:04:20 | 0:04:23 | |
-Instinct to climb. -It could've been anything, | 0:04:23 | 0:04:26 | |
-it didn't have to be ladders? -It didn't have to be. | 0:04:26 | 0:04:28 | |
"Where's the frog?" "It's halfway up." | 0:04:28 | 0:04:30 | |
"Well, which way is he looking?" "He's looking down." | 0:04:30 | 0:04:32 | |
"Just say scattered showers. Scattered showers." | 0:04:34 | 0:04:37 | |
-I think you're right. -"Sunny spells, sunny spells. | 0:04:38 | 0:04:41 | |
"Just do a cloud with a bit of the sun, half of the sun." | 0:04:41 | 0:04:45 | |
What if it was foggy. "He's got an escalator, it's foggy." | 0:04:45 | 0:04:49 | |
Maybe he's just trying to get out the top. He's trying to escape. | 0:04:52 | 0:04:54 | |
One day, the ladder is right up to the top | 0:04:54 | 0:04:56 | |
and the frog has fucked off. Then what's going to happen? | 0:04:56 | 0:05:00 | |
He's left a note, "I have no idea what the weather is going to be. | 0:05:00 | 0:05:04 | |
"I'm out of here." | 0:05:04 | 0:05:05 | |
There we have it. | 0:05:09 | 0:05:10 | |
-I'll tell you an interesting thing about Queen Victoria. -Yeah. | 0:05:13 | 0:05:16 | |
When she died, | 0:05:16 | 0:05:17 | |
towards the end of her life... LAUGHTER | 0:05:17 | 0:05:21 | |
-Go on. -I feel guilty about telling you. | 0:05:21 | 0:05:24 | |
She won't find out. | 0:05:24 | 0:05:26 | |
She was wider than she was tall. | 0:05:26 | 0:05:28 | |
-Really? -So? | 0:05:28 | 0:05:30 | |
LAUGHTER | 0:05:30 | 0:05:33 | |
APPLAUSE | 0:05:33 | 0:05:37 | |
No, tell us more about old... | 0:05:37 | 0:05:39 | |
She was 59 inches tall | 0:05:39 | 0:05:42 | |
and she was 66 inches wide. | 0:05:42 | 0:05:44 | |
-Wow. -Bless her. -Really? | 0:05:44 | 0:05:46 | |
-But wide or...? -Well, in circumference. | 0:05:46 | 0:05:48 | |
-Yeah, I was going to say. -Sorry, not wide. | 0:05:48 | 0:05:50 | |
Couldn't have possibly been... | 0:05:50 | 0:05:51 | |
LAUGHTER No, sorry. | 0:05:51 | 0:05:54 | |
No, circumference. Yeah. | 0:05:54 | 0:05:56 | |
-I don't mean width. -Here she comes! | 0:05:56 | 0:05:58 | |
All the way round was 66 inches. | 0:05:58 | 0:06:00 | |
-"We're going to have to knock through." -Yeah. | 0:06:00 | 0:06:02 | |
Can't get through any of the doors. | 0:06:03 | 0:06:05 | |
And that's how the Victoria line starts... | 0:06:07 | 0:06:09 | |
-LAUGHTER -She needs a pew of her own. | 0:06:09 | 0:06:12 | |
The Albert Hall was just a cast of her body. | 0:06:14 | 0:06:18 | |
This is her bust size I'm talking about. 66. | 0:06:18 | 0:06:21 | |
-66 bust? -Wow. -Yeah. -Crikey. -Good lord. | 0:06:21 | 0:06:24 | |
-She was very short. -Ooh, yeah, some loving there. | 0:06:24 | 0:06:26 | |
Alaska's state motto is "North to the Future". | 0:06:29 | 0:06:32 | |
Don't know what that means, but it's... There it is. | 0:06:32 | 0:06:35 | |
They all have mottos, these states, | 0:06:35 | 0:06:38 | |
and my favourite one is Kentucky. | 0:06:38 | 0:06:41 | |
Kentucky's known, really, for two things. It's called... | 0:06:41 | 0:06:44 | |
-Fried chicken. -Well, yeah, apart from that. | 0:06:44 | 0:06:46 | |
It's called the Bluegrass State, | 0:06:46 | 0:06:48 | |
but it's bourbon and the Kentucky Derby, the race. | 0:06:48 | 0:06:52 | |
And somebody came up with a two-word phrase for Kentucky | 0:06:52 | 0:06:56 | |
which encapsulates both those things, | 0:06:56 | 0:06:58 | |
which I think is rather brilliant. | 0:06:58 | 0:06:59 | |
Pissed horses. | 0:06:59 | 0:07:00 | |
LAUGHTER That would do it. | 0:07:00 | 0:07:03 | |
No, it's Unbridled Spirit. | 0:07:03 | 0:07:06 | |
-Ah! -Isn't that clever? -Very good. -Genuinely clever. -Yeah. | 0:07:06 | 0:07:09 | |
No, that's great. | 0:07:09 | 0:07:11 | |
That absolutely shits on North to the Future. | 0:07:11 | 0:07:14 | |
It does, doesn't it? It's got to be said. | 0:07:14 | 0:07:17 | |
Because if there's one place you do not want to head north from, | 0:07:17 | 0:07:20 | |
it's Alaska | 0:07:20 | 0:07:21 | |
cos there's fuck all of the world there. | 0:07:21 | 0:07:24 | |
You want to go south. | 0:07:24 | 0:07:26 | |
-You want to see stuff... -South to the Future. -Yeah. | 0:07:26 | 0:07:28 | |
North to the Future, maybe you'd say from Argentina. | 0:07:28 | 0:07:31 | |
-Yes. -Alaska, South... | 0:07:31 | 0:07:33 | |
North in Denial of the Rest of Humanity. | 0:07:33 | 0:07:37 | |
-Head into the Snow and Die. -North to the Massive Tundra. -Yeah. | 0:07:37 | 0:07:40 | |
Wishful thinking, exactly. | 0:07:40 | 0:07:41 | |
But, in terms of anagrams... This isn't an anagram, | 0:07:42 | 0:07:45 | |
it's actually a limerick composed by someone, | 0:07:45 | 0:07:47 | |
-which I invite you to recite to me. -Oh. -Oh. | 0:07:47 | 0:07:51 | |
See if you can. | 0:07:51 | 0:07:52 | |
-Eh? -Yes. -Oh. -That's a shock, isn't it? -Yes. | 0:07:52 | 0:07:56 | |
-And you can do it. -Can you? -Yes, you can. | 0:07:56 | 0:07:59 | |
-It is a limerick. -OK. OK. | 0:07:59 | 0:08:01 | |
You have to ask yourself what these numbers are, in fact. | 0:08:01 | 0:08:04 | |
-They have some other... -A dozen and 12 dozen... -Ah! | 0:08:04 | 0:08:06 | |
But 144 is also called a...? | 0:08:06 | 0:08:09 | |
A gross. | 0:08:09 | 0:08:11 | |
So, a dozen, a gross, a score | 0:08:11 | 0:08:14 | |
plus three times the square root of four. | 0:08:14 | 0:08:17 | |
SUSAN LAUGHS HYSTERICALLY Divided by seven. | 0:08:17 | 0:08:20 | |
You're all right. You're doing well. That's five... | 0:08:20 | 0:08:23 | |
-Calm down. Do I have to slap you? -Yes. | 0:08:24 | 0:08:27 | |
LAUGHTER | 0:08:27 | 0:08:29 | |
The episode of QI where Stephen just slapped me. | 0:08:31 | 0:08:35 | |
-So, say it again as a limerick. You can do it now. -Yes, yes. | 0:08:35 | 0:08:37 | |
-Go on. -Go on, then, Susan. -SUSAN LAUGHS HYSTERICALLY | 0:08:37 | 0:08:40 | |
-A dozen... -A dozen... -A dozen, a gross... | 0:08:40 | 0:08:42 | |
A dozen, a gross and a score... | 0:08:42 | 0:08:44 | |
-ALL: -Plus three times the square root of four. | 0:08:44 | 0:08:47 | |
Divided by seven plus five times 11 equals nine squared... | 0:08:47 | 0:08:52 | |
Plus not a bit more. | 0:08:52 | 0:08:54 | |
-There you are. -Yeah! -Well done. | 0:08:54 | 0:08:55 | |
APPLAUSE | 0:08:55 | 0:08:57 | |
Now, who would like to see some milky magic? | 0:09:02 | 0:09:04 | |
Cos I want to show you... | 0:09:04 | 0:09:06 | |
LAUGHTER | 0:09:06 | 0:09:09 | |
Stranger danger! | 0:09:09 | 0:09:10 | |
APPLAUSE | 0:09:10 | 0:09:13 | |
I wish I hadn't put it like that. | 0:09:15 | 0:09:17 | |
If a man says this to you in a park, say no. | 0:09:17 | 0:09:21 | |
-IN A MENACING VOICE: -Would you like to see my milky magic? | 0:09:23 | 0:09:26 | |
You know what I meant. | 0:09:26 | 0:09:28 | |
Would you like to see my milky magic? | 0:09:28 | 0:09:30 | |
OK. I've got some... Mm, yeah. | 0:09:30 | 0:09:33 | |
Mm, lovely milky things. | 0:09:33 | 0:09:35 | |
LAUGHTER | 0:09:35 | 0:09:37 | |
Stop saying it! | 0:09:37 | 0:09:39 | |
Well, now, because... Here we are. | 0:09:40 | 0:09:43 | |
Now, this is just a thing about milk - | 0:09:43 | 0:09:45 | |
-there's never enough, you always want more. -Yeah. -But... | 0:09:45 | 0:09:47 | |
LAUGHTER | 0:09:47 | 0:09:50 | |
-Bear with me. -Milky magic! | 0:09:50 | 0:09:51 | |
Here we have...here we have some milk. | 0:09:51 | 0:09:54 | |
Now, what I'd like you to do | 0:09:54 | 0:09:56 | |
is just transfer it along the way | 0:09:56 | 0:09:58 | |
from smaller to larger glasses, | 0:09:58 | 0:10:01 | |
as you can see. | 0:10:01 | 0:10:02 | |
And, well, this'll fill it about halfway up, maybe. | 0:10:02 | 0:10:05 | |
Just checking the size, really. Let's just see how much... | 0:10:05 | 0:10:08 | |
-Oh, well, that fills it up completely. -Oh, that's weird. | 0:10:08 | 0:10:11 | |
That's all right, that's good, | 0:10:11 | 0:10:13 | |
because we've got more than we started out with. | 0:10:13 | 0:10:15 | |
-and that's got to be a thing... -Fast forward. -..with milk. | 0:10:15 | 0:10:17 | |
-We've got... -No! -What?! | 0:10:17 | 0:10:19 | |
-There we are. -Oh, that's weird. -Got to have that, haven't you? | 0:10:19 | 0:10:22 | |
-No! -That makes sense. | 0:10:22 | 0:10:24 | |
And then see if we can get even more, | 0:10:24 | 0:10:26 | |
because what we're doing is earning ourselves lots and lots of milk... | 0:10:26 | 0:10:29 | |
-Wow! -Oh, man. -..which has good to be good, surely. | 0:10:29 | 0:10:31 | |
-There we are. -Can you do this with wine? | 0:10:31 | 0:10:33 | |
LAUGHTER AND APPLAUSE | 0:10:33 | 0:10:36 | |
-Here we are. -Oh, no! You're Jesus! -We've got even more. | 0:10:36 | 0:10:39 | |
LAUGHTER That's it. | 0:10:39 | 0:10:42 | |
APPLAUSE There. Do you like that? | 0:10:42 | 0:10:45 | |
After World War II, in America they used surplus parachutes | 0:10:49 | 0:10:54 | |
to help repopulate beavers into the wild. | 0:10:54 | 0:10:57 | |
The idea was that they'd shove them in a box. | 0:10:57 | 0:10:59 | |
They first thought, "We'll shove them in a box, they'll fall, | 0:10:59 | 0:11:02 | |
"and they'll gnaw their way out of the box." | 0:11:02 | 0:11:04 | |
This doesn't sound like sexy times to me. | 0:11:04 | 0:11:06 | |
-LAUGHTER -"Shove them in a box." | 0:11:06 | 0:11:08 | |
They worried they'd eat through the box while they were still in the air. | 0:11:08 | 0:11:11 | |
-Then they chucked them out of a plane? -Yeah. | 0:11:11 | 0:11:13 | |
-To repopulate...? -Yeah. Huge areas of wilderness. | 0:11:13 | 0:11:16 | |
-It's incredibly hard to get them out... -Yes, makes total sense. | 0:11:16 | 0:11:19 | |
..give them their own territory. | 0:11:19 | 0:11:21 | |
Couldn't they have driven them there, Stephen? | 0:11:21 | 0:11:23 | |
No, they... Wilderness, huge areas of wilderness. | 0:11:23 | 0:11:26 | |
They're bigger than countries, they're bigger than England... | 0:11:26 | 0:11:29 | |
-What, beavers?! -No, the parks. LAUGHTER | 0:11:29 | 0:11:31 | |
-IN AMERICAN ACCENT: -"Bring me some massive beavers." | 0:11:31 | 0:11:33 | |
-In the parks in which you wish to drop them. -OK. | 0:11:33 | 0:11:35 | |
And you want to sort of get them disposed evenly around. | 0:11:35 | 0:11:38 | |
-Why have they been dying out? -Oh, gosh... | 0:11:38 | 0:11:40 | |
-People have been throwing them out of planes. -Yeah. | 0:11:40 | 0:11:44 | |
"If you don't fall out, you can gnaw your way out of your crate." | 0:11:44 | 0:11:46 | |
You go, "Oh, thanks a lot. | 0:11:46 | 0:11:47 | |
"Well, this is the middle of f...cking nowhere. | 0:11:47 | 0:11:50 | |
"I've got to go all the way back to Ottawa." | 0:11:50 | 0:11:53 | |
Until another beaver lands on your head at high velocity. | 0:11:53 | 0:11:55 | |
LAUGHTER | 0:11:55 | 0:11:57 | |
They had tried moving them into new territories for them by mule, | 0:11:57 | 0:12:01 | |
and they just simply got too hot, and they really didn't like it at all. | 0:12:01 | 0:12:04 | |
-They put a beaver on horseback, essentially? -Yeah. | 0:12:04 | 0:12:07 | |
They've got to transport it somehow. How would you transport...? | 0:12:07 | 0:12:10 | |
I don't understand why the beavers... | 0:12:10 | 0:12:12 | |
-I don't understand any of this. -LAUGHTER | 0:12:12 | 0:12:15 | |
So they thought, "OK, there's no way we can drop them into a park | 0:12:15 | 0:12:19 | |
"other than from the sky..." | 0:12:19 | 0:12:20 | |
Or by mule, which you found also incomprehensible. | 0:12:20 | 0:12:24 | |
Is there a man with - or a lady - with a beaver on horseback, | 0:12:24 | 0:12:28 | |
-or is it just a beaver on horseback? -Well, no. | 0:12:28 | 0:12:31 | |
LAUGHTER Of course there's a person. | 0:12:31 | 0:12:34 | |
I'm confused! | 0:12:34 | 0:12:35 | |
So, is it one beaver per mule? | 0:12:35 | 0:12:37 | |
Because, then, we're repopulating the place with mules | 0:12:39 | 0:12:42 | |
-as far as I can work out. -LAUGHTER | 0:12:42 | 0:12:44 | |
The beavers didn't want to stay. | 0:12:44 | 0:12:46 | |
The mules have forced the beavers further along. | 0:12:46 | 0:12:49 | |
They're relying on the mule to find its way back. | 0:12:49 | 0:12:52 | |
More complicated than you think, this beaver transportation. | 0:12:53 | 0:12:56 | |
Yeah, it is. | 0:12:56 | 0:12:57 | |
Well, that was harder work than I expected. | 0:12:57 | 0:12:59 | |
Erm... LAUGHTER | 0:12:59 | 0:13:02 | |
But, on the subject of Mary Queen of Scots, | 0:13:02 | 0:13:04 | |
do you remember who her husband was, by any chance? | 0:13:04 | 0:13:07 | |
Darnley, his name was, her husband. | 0:13:07 | 0:13:10 | |
He was murdered. He was actually blown up. | 0:13:10 | 0:13:13 | |
This is a very extraordinary story. | 0:13:13 | 0:13:15 | |
One of the presumed architects of the explosion | 0:13:15 | 0:13:17 | |
was a fellow called Archibald Douglas - | 0:13:17 | 0:13:19 | |
a pair of his shoes were found at the scene of the crime. | 0:13:19 | 0:13:21 | |
ALAN GIGGLES | 0:13:21 | 0:13:23 | |
"Where's your shoes, Archibald?" | 0:13:23 | 0:13:25 | |
-"Oh!" -LAUGHTER | 0:13:25 | 0:13:28 | |
You've always got to take your shoes off before a dynamite - | 0:13:28 | 0:13:31 | |
that's what I say. | 0:13:31 | 0:13:32 | |
But he later gave an account of Mary's reaction. | 0:13:32 | 0:13:35 | |
-So, this is Mary, her husband has been blown up. -Mm-hm. | 0:13:35 | 0:13:38 | |
"She sent for a number of light ladies and women | 0:13:38 | 0:13:42 | |
"to come to Holyroodhouse | 0:13:42 | 0:13:44 | |
"and participate stark naked in a ball. | 0:13:44 | 0:13:48 | |
"Then they had cut off their pubic hair | 0:13:48 | 0:13:52 | |
"and had put it in puddings | 0:13:52 | 0:13:54 | |
"to be eaten by the male guests, | 0:13:54 | 0:13:57 | |
"who were sick." | 0:13:57 | 0:13:58 | |
LAUGHTER | 0:13:58 | 0:14:00 | |
Is that what you do when your husband's blown up? | 0:14:00 | 0:14:02 | |
Was she just trying to... | 0:14:02 | 0:14:03 | |
you know, like, trying to get back to normal life? | 0:14:03 | 0:14:06 | |
LAUGHTER | 0:14:06 | 0:14:08 | |
"First, let's just carry on as we were." | 0:14:08 | 0:14:10 | |
"Get your pubes and put them in that pie." | 0:14:10 | 0:14:12 | |
"It's what he would have wanted." LAUGHTER | 0:14:12 | 0:14:16 | |
Actually , I think this might be quite clever. | 0:14:16 | 0:14:18 | |
Probably, if your partner is killed in a horrific way, | 0:14:18 | 0:14:20 | |
all anyone is ever going to talk to you about is, | 0:14:20 | 0:14:22 | |
-"Aw, what happened to your husband?" But, now, no. -Yeah. | 0:14:22 | 0:14:25 | |
-"Why did you have that pube party?" -LAUGHTER | 0:14:25 | 0:14:28 | |
-"What? Why was it in...?" -It's all the detail we have. | 0:14:28 | 0:14:32 | |
"Two things, Mary - number one, condolences, number two..." | 0:14:32 | 0:14:36 | |
It's all the detail we have, sadly. | 0:14:36 | 0:14:37 | |
But the actual person who took the rap for the murder, | 0:14:37 | 0:14:40 | |
he was hanged, drawn and quartered | 0:14:40 | 0:14:41 | |
on the basis that he was the one who discovered the scene, | 0:14:41 | 0:14:44 | |
which seems a bit unfair. | 0:14:44 | 0:14:45 | |
-His name was William Blackadder. -Oh! | 0:14:45 | 0:14:49 | |
AS GENERAL MELCHETT: Meh! | 0:14:49 | 0:14:50 | |
It's true. LAUGHTER | 0:14:50 | 0:14:52 | |
APPLAUSE Oh, stop it. Don't. | 0:14:52 | 0:14:55 | |
Now, show me the symptoms of bicycle face. | 0:14:57 | 0:15:01 | |
-Bicycle face? -Mm-hm. | 0:15:02 | 0:15:04 | |
That's with goggles. | 0:15:05 | 0:15:07 | |
No, these are wheels. | 0:15:07 | 0:15:09 | |
Oh, I see! Sorry. Of course they're wheels. | 0:15:09 | 0:15:11 | |
What is bicycle face? When you get sucked off by your grifter? | 0:15:11 | 0:15:14 | |
LAUGHTER | 0:15:14 | 0:15:16 | |
Wow! | 0:15:16 | 0:15:18 | |
-Wow! -I better go. -Yes. No. | 0:15:18 | 0:15:21 | |
That's the right answer. That's what I've got written on the card. | 0:15:21 | 0:15:24 | |
That's amazing. | 0:15:24 | 0:15:25 | |
On my card, in this universe, on the other hand, | 0:15:26 | 0:15:29 | |
I've got something else. | 0:15:29 | 0:15:30 | |
The Literary Digest in 1895 warned women cyclists... | 0:15:32 | 0:15:36 | |
-Don't know why I'm looking at you. -I'm a woman. That's OK. | 0:15:36 | 0:15:39 | |
You've identified me as a woman. | 0:15:39 | 0:15:40 | |
It's going to get worse, I'm afraid, this thing is. | 0:15:40 | 0:15:43 | |
"Overexertion, the upright position on the wheel | 0:15:43 | 0:15:45 | |
"and the unconscious effort to maintain one's balance | 0:15:45 | 0:15:48 | |
"produces a wearied and exhausted bicycle face." | 0:15:48 | 0:15:51 | |
-"No-one will marry you!" -Yes! LAUGHTER | 0:15:51 | 0:15:54 | |
"The main symptoms are a hard, clenched jaw and bulging eyes..." | 0:15:54 | 0:15:58 | |
Wasn't sure where you were going to stop at | 0:15:58 | 0:15:59 | |
after "hard, clenched" there. | 0:15:59 | 0:16:01 | |
"..as well as being flushed or pale." | 0:16:01 | 0:16:03 | |
-Either of those. -Right. -Yeah. | 0:16:03 | 0:16:04 | |
And, "Wearing a haggard, anxious expression." | 0:16:04 | 0:16:07 | |
That's just the fear of patriarchy - that's what that is. | 0:16:07 | 0:16:10 | |
"I'm under so much pressure." | 0:16:10 | 0:16:12 | |
Some doctors said that, | 0:16:12 | 0:16:13 | |
"Cycling would irritate the pelvic organs | 0:16:13 | 0:16:15 | |
"and stimulate women to disturbing lusts." | 0:16:15 | 0:16:18 | |
LAUGHTER | 0:16:18 | 0:16:20 | |
If you can't get it at home, you get it on a bike, right, ladies? | 0:16:20 | 0:16:24 | |
Get your stimulated pelvic organs, right? | 0:16:24 | 0:16:26 | |
-Well, there's a downside, according to a French expert... -Of course. | 0:16:26 | 0:16:30 | |
..who said, "It would ruin the female organs | 0:16:30 | 0:16:32 | |
"of matrimonial necessity." | 0:16:32 | 0:16:34 | |
LAUGHTER | 0:16:34 | 0:16:36 | |
Now, Cariad, tell me, your organs of matrimonial necessity... | 0:16:36 | 0:16:39 | |
-Excuse me? What are you asking me? -I'm just hoping that... | 0:16:39 | 0:16:43 | |
"Hello, Wembley, we're the Female Organs of Natural Necessity." | 0:16:43 | 0:16:46 | |
-It's funny, cos the clitoris... -STEPHEN GASPS | 0:16:46 | 0:16:49 | |
LAUGHTER | 0:16:49 | 0:16:51 | |
-I'm just going to draw a picture. -La-la-la-la... | 0:16:51 | 0:16:53 | |
She said it! She said it! She said it! | 0:16:54 | 0:16:57 | |
SHE IMITATES ALARM | 0:16:57 | 0:16:59 | |
I've drawn a rainbow, everyone - it's all right. | 0:16:59 | 0:17:01 | |
LAUGHTER | 0:17:01 | 0:17:03 | |
Where's Sue Perkins when you need her? | 0:17:03 | 0:17:06 | |
The clitoris is actually a very large organ... | 0:17:06 | 0:17:08 | |
Shush, Cariad! | 0:17:08 | 0:17:10 | |
..and...it's just literally the tip of an iceberg. | 0:17:10 | 0:17:13 | |
When you say, "LITERALLY the tip of an iceberg"...? | 0:17:13 | 0:17:15 | |
I knew I was looking for it in the wrong place. | 0:17:15 | 0:17:18 | |
LAUGHTER | 0:17:18 | 0:17:20 | |
-There was an artist in New York... -In the Arctic Ocean. | 0:17:20 | 0:17:22 | |
Yeah, an artist in New York? | 0:17:22 | 0:17:24 | |
..and she made, like, this, obviously not to scale, clitoris, | 0:17:24 | 0:17:27 | |
and she got women to ride on it. | 0:17:27 | 0:17:29 | |
But it literally...it's huge. | 0:17:29 | 0:17:31 | |
It's like there's this bit | 0:17:31 | 0:17:32 | |
and then there's these two other huge bits that are in the body... | 0:17:32 | 0:17:35 | |
-I was looking behind you. -Yeah. | 0:17:35 | 0:17:37 | |
-LAUGHTER -Behind me just here. | 0:17:37 | 0:17:39 | |
-Wow. -It's way bigger. | 0:17:39 | 0:17:41 | |
But you have two, don't you? It's one under each arm? | 0:17:41 | 0:17:44 | |
LAUGHTER Have I...have I got this wrong? | 0:17:44 | 0:17:46 | |
-Alan, help me out. -It's OK. I didn't bring mine with me today. | 0:17:46 | 0:17:50 | |
So to say it damages the marital organs, is, again... | 0:17:50 | 0:17:52 | |
So, how much more of it is there, then, going...? | 0:17:52 | 0:17:55 | |
Oh, my God. Guys, do we have to, like...? | 0:17:55 | 0:17:57 | |
Is this the bit where I tell you about...explain it to you? | 0:17:57 | 0:18:00 | |
A woman, at some point in your life, | 0:18:00 | 0:18:02 | |
should've explained this to you, but perhaps... | 0:18:02 | 0:18:04 | |
I've never seen such fear in all your faces! | 0:18:04 | 0:18:06 | |
LAUGHTER | 0:18:06 | 0:18:08 | |
APPLAUSE | 0:18:08 | 0:18:12 | |
A man called Miura, who's an aeronautical designer, | 0:18:12 | 0:18:15 | |
was doing solar panel foldings | 0:18:15 | 0:18:18 | |
and he came up with this way of doing it. | 0:18:18 | 0:18:20 | |
And you...all you have to do is that, and it folds. | 0:18:22 | 0:18:25 | |
You just push the corners together. | 0:18:25 | 0:18:27 | |
-And it doesn't matter what... -I bet... | 0:18:28 | 0:18:30 | |
What's more, it doesn't get, it doesn't get... Sorry? | 0:18:30 | 0:18:32 | |
It wouldn't work if you gave it to me. | 0:18:32 | 0:18:34 | |
-Stephen, did you...? -Well, I'll give you one. | 0:18:34 | 0:18:36 | |
The one that you've got there, is that a map of Mars? | 0:18:36 | 0:18:39 | |
LAUGHTER You've got one there. | 0:18:39 | 0:18:42 | |
And you just take the top right and bottom left corners | 0:18:42 | 0:18:45 | |
or any other way. | 0:18:45 | 0:18:46 | |
-Is that, that way? -It's so folded, it just does it by itself. | 0:18:46 | 0:18:48 | |
Take the corners and push them together. | 0:18:48 | 0:18:50 | |
JEREMY GASPS That's it! Jeremy, you did it. | 0:18:50 | 0:18:53 | |
CHEERING AND APPLAUSE | 0:18:53 | 0:18:56 | |
-But this man is the greatest genius who ever lived. -Isn't he? | 0:19:00 | 0:19:03 | |
I know. It's fantastic. | 0:19:03 | 0:19:04 | |
-Who is he? -He's called Miura. He's a... | 0:19:04 | 0:19:07 | |
LAUGHTER | 0:19:07 | 0:19:10 | |
God. | 0:19:10 | 0:19:11 | |
Of course, what you don't realise, he was trying to make a crane. | 0:19:11 | 0:19:14 | |
LAUGHTER | 0:19:14 | 0:19:16 | |
Koryo Miura, his name is, and they are very handy. | 0:19:16 | 0:19:19 | |
I would've been so fucking pleased | 0:19:19 | 0:19:22 | |
-if I'd invented that. -LAUGHTER | 0:19:22 | 0:19:24 | |
Well, there are other things you can do with folding. | 0:19:24 | 0:19:26 | |
I've got some tissues here, and... | 0:19:26 | 0:19:29 | |
-Oh, what are we doing now? -Oh, origami. | 0:19:29 | 0:19:32 | |
I'm going to give you each a tissue, right? | 0:19:32 | 0:19:35 | |
-So, I'll pass... -OK. | 0:19:35 | 0:19:37 | |
There we are. Pass down. Oops. | 0:19:37 | 0:19:39 | |
-What are we doing with the tissue? -What are we doing? | 0:19:39 | 0:19:42 | |
-I'll have one here. -OK. So, what are we up to? | 0:19:42 | 0:19:44 | |
What you're trying to do is scrunch it up... | 0:19:44 | 0:19:46 | |
-Oh, yeah. OK. -..like this in your hands. | 0:19:46 | 0:19:49 | |
You scrunch it up. | 0:19:49 | 0:19:50 | |
-And then... -You stick it right up your bum. -No. | 0:19:50 | 0:19:52 | |
LAUGHTER You don't... | 0:19:52 | 0:19:54 | |
You try and think of an animal. Then think of an animal. | 0:19:54 | 0:19:56 | |
I'm thinking of a swan or something. | 0:19:56 | 0:19:59 | |
-I've really scrunched mine up. -Think of a swan. | 0:19:59 | 0:20:01 | |
You see? Like that. Can you see my swan? | 0:20:01 | 0:20:03 | |
-Do I have to think of a swan? -There you are. | 0:20:03 | 0:20:05 | |
LAUGHTER | 0:20:06 | 0:20:08 | |
APPLAUSE | 0:20:08 | 0:20:11 | |
And we've heard the marsh warbler. | 0:20:14 | 0:20:16 | |
The monotonous lark is so-called cos it's monotonous... | 0:20:16 | 0:20:19 | |
A monotonous lark. | 0:20:19 | 0:20:21 | |
"Come on, we're going on a monotonous lark." | 0:20:21 | 0:20:23 | |
LAUGHTER | 0:20:23 | 0:20:25 | |
We're going on narrow boat holiday in Norfolk. | 0:20:25 | 0:20:27 | |
-Hey! -THAT is a monotonous lark. | 0:20:28 | 0:20:31 | |
I went on one of those. | 0:20:32 | 0:20:33 | |
"Oh, that'll be fun." | 0:20:33 | 0:20:35 | |
"Yeah, let's go on a narrow boat holiday," | 0:20:35 | 0:20:37 | |
and everyone was taking turns doing the engine. | 0:20:37 | 0:20:39 | |
Cut to a couple of hours later, everyone downstairs drinking wine. | 0:20:39 | 0:20:43 | |
Me, upstairs... | 0:20:43 | 0:20:44 | |
HE IMITATES ENGINE | 0:20:44 | 0:20:47 | |
..for three days! Three days! | 0:20:47 | 0:20:50 | |
-There... -HE IMITATES ENGINE | 0:20:50 | 0:20:53 | |
-Oh, golly. -"Do you want a glass of wine, Bill?" | 0:20:53 | 0:20:55 | |
"No, no, I'm fine. I'm here, I'll be fine." | 0:20:55 | 0:20:56 | |
-HE IMITATES ENGINE -Worst weekend of my life. | 0:20:56 | 0:20:59 | |
LAUGHTER | 0:20:59 | 0:21:01 | |
It begins with M, this particular life form. | 0:21:01 | 0:21:03 | |
-It got rid of all the oxygen... -Mouse. | 0:21:03 | 0:21:06 | |
-Sorry? -Mouse. -It wasn't a mouse. | 0:21:06 | 0:21:08 | |
You've got the right consonants. | 0:21:08 | 0:21:10 | |
Consonants. All right. | 0:21:10 | 0:21:11 | |
M...m...m...m... | 0:21:11 | 0:21:14 | |
M and a S. M and a S. | 0:21:14 | 0:21:16 | |
It's wonderful how he's coming on, isn't it? | 0:21:16 | 0:21:18 | |
LAUGHTER | 0:21:18 | 0:21:20 | |
-It's moss. -Moss! -Moss. -Moss! | 0:21:23 | 0:21:26 | |
-Moss is the answer. -Oh, how boring. -Yeah, hard to believe. Moss. | 0:21:26 | 0:21:29 | |
-It was like a phage. It ate away at rocks... -Right. | 0:21:29 | 0:21:32 | |
Hey, look, Cariad - there's an iceberg like your clitoris. | 0:21:32 | 0:21:35 | |
-LAUGHTER -You're learning! | 0:21:35 | 0:21:38 | |
I mean this, Alan, you can get more... | 0:21:38 | 0:21:40 | |
If you've just joined the show... | 0:21:40 | 0:21:41 | |
I can usually predict almost everything | 0:21:41 | 0:21:43 | |
that's going to be said on this show, but, | 0:21:43 | 0:21:46 | |
"There's an iceberg like your clitoris," is a new one. | 0:21:46 | 0:21:48 | |
That's exactly what I was talking about. | 0:21:49 | 0:21:51 | |
Don't just work with what you see. | 0:21:51 | 0:21:53 | |
Now you've got to work with more, underneath it. | 0:21:53 | 0:21:55 | |
-There's not moss on it, is there? -Yes, mate. Keep the moss on. | 0:21:55 | 0:21:58 | |
What's wrong with you? Don't want to look like a child. | 0:21:58 | 0:22:00 | |
-Wear your moss and be proud, ladies. -You're right. | 0:22:02 | 0:22:04 | |
Interestingly, you only get moss on the north side of a lady. | 0:22:04 | 0:22:08 | |
LAUGHTER | 0:22:08 | 0:22:11 | |
-That seems fair. -Oh, Lord. | 0:22:11 | 0:22:14 | |
Depends how long she's been at the bus stop. | 0:22:14 | 0:22:16 | |
I went on a bus once. | 0:22:18 | 0:22:20 | |
LAUGHTER | 0:22:20 | 0:22:22 | |
APPLAUSE | 0:22:22 | 0:22:24 | |
End of anecdote. | 0:22:24 | 0:22:26 | |
It wasn't a bus, it was a coach, | 0:22:27 | 0:22:29 | |
and it had a lavatory in the middle of it. | 0:22:29 | 0:22:31 | |
You know, you go down some stairs into the bowels of the thing. | 0:22:31 | 0:22:35 | |
And the driver was a very, very, very large man | 0:22:35 | 0:22:37 | |
who could barely get behind the enormous wheel. | 0:22:37 | 0:22:40 | |
And he pulled the bus over, | 0:22:40 | 0:22:41 | |
and he prised himself out from behind the wheel | 0:22:41 | 0:22:44 | |
and went down the aisle - a bit of a squeeze - | 0:22:44 | 0:22:47 | |
went down the...stairs, | 0:22:47 | 0:22:51 | |
disappeared into this cupboard. | 0:22:51 | 0:22:52 | |
-And we all waited. -LAUGHTER | 0:22:52 | 0:22:55 | |
Then when he came up, he said, | 0:22:55 | 0:22:56 | |
"No-one can use the toilet. It's full." | 0:22:56 | 0:23:00 | |
LAUGHTER | 0:23:00 | 0:23:02 | |
Charming! | 0:23:04 | 0:23:05 | |
And then he got behind the wheel and drove off. | 0:23:07 | 0:23:09 | |
Where are most missionaries positioned? | 0:23:11 | 0:23:15 | |
LAUGHTER | 0:23:15 | 0:23:17 | |
GREGORIAN CHANTING Matt? | 0:23:17 | 0:23:19 | |
I'm going to guess that most of them are in Utah, | 0:23:19 | 0:23:23 | |
where the Mormons tend to kind of congregate, | 0:23:23 | 0:23:26 | |
because they haven't yet been assigned their places to go to. | 0:23:26 | 0:23:30 | |
Interesting, interesting answer, | 0:23:30 | 0:23:32 | |
but I'm talking about which is the country | 0:23:32 | 0:23:34 | |
that receives the most incoming... | 0:23:34 | 0:23:35 | |
Well, I'm not talking about that. | 0:23:35 | 0:23:37 | |
No, no. LAUGHTER | 0:23:37 | 0:23:39 | |
I'm talking about them before they've gone. | 0:23:39 | 0:23:42 | |
So, I'm not asking where the most missionaries come from, I'm asking... | 0:23:43 | 0:23:46 | |
I know, but I am still getting to that point. | 0:23:46 | 0:23:50 | |
This doesn't work by you answering the question that I haven't asked. | 0:23:50 | 0:23:54 | |
OK. | 0:23:54 | 0:23:55 | |
-My guess is China. -Yeah, it's a possibility. Well, it's not... | 0:23:55 | 0:23:58 | |
It is a possibility, but it's not a fact. | 0:23:58 | 0:24:00 | |
-Is it in Africa? -It's not Africa, no. -Is it England? -No. | 0:24:00 | 0:24:04 | |
England's a much, much closer... KLAXON BLARES | 0:24:04 | 0:24:06 | |
-South America? -Not South America. Not SOUTH America. | 0:24:06 | 0:24:09 | |
-Central! -North America? -North! -North America! | 0:24:09 | 0:24:11 | |
-America. United States. -Really? | 0:24:11 | 0:24:13 | |
Well, I think you'll find Utah is in America. | 0:24:13 | 0:24:15 | |
LAUGHTER | 0:24:15 | 0:24:18 | |
APPLAUSE | 0:24:18 | 0:24:20 | |
-ALL: -Ooh! -Yeah, impressive. | 0:24:23 | 0:24:25 | |
Ooh! Look. | 0:24:25 | 0:24:27 | |
It looks like a happy face that's taken a lot of drugs. | 0:24:27 | 0:24:29 | |
LAUGHTER | 0:24:29 | 0:24:31 | |
-It does a bit, doesn't it? -Yeah. | 0:24:31 | 0:24:33 | |
But what is it, Stephen? | 0:24:33 | 0:24:35 | |
Well, I just want to know who first wrote the theorem | 0:24:35 | 0:24:38 | |
that this model demonstrates? | 0:24:38 | 0:24:40 | |
-Pythagoras. -Pythagoras. | 0:24:40 | 0:24:42 | |
KLAXON BLARES Oh! | 0:24:42 | 0:24:44 | |
My grandfather, who was from Hungary, | 0:24:47 | 0:24:50 | |
always pronounced it Peeta-goras. LAUGHTER | 0:24:50 | 0:24:52 | |
IN HUNGARIAN ACCENT: "At school, doing the mathematics, | 0:24:52 | 0:24:55 | |
"are you studying Peeta-goras?" LAUGHTER | 0:24:55 | 0:24:57 | |
And I thought this man, Peter Goras. Who is Peter? | 0:24:57 | 0:25:00 | |
-No, it wasn't Peter Goras who first proved it. -Ah. | 0:25:00 | 0:25:04 | |
What is it, the theorem that needs to be discussed here? | 0:25:04 | 0:25:07 | |
A squared equals B squared plus C squared. | 0:25:07 | 0:25:09 | |
-Yeah. It's the... -The sum of the two...the squared... | 0:25:09 | 0:25:12 | |
The sum of the two squares is equal to the sum on the hypotenuse. | 0:25:12 | 0:25:15 | |
-You can see that. -That big one should go into the other two. | 0:25:15 | 0:25:17 | |
So, you can see here, the yellow, that's the triangle. | 0:25:17 | 0:25:21 | |
These are its two sides. | 0:25:21 | 0:25:22 | |
And these are the squares of the two sides. | 0:25:22 | 0:25:24 | |
They are literally geometrically expressed as squares | 0:25:24 | 0:25:27 | |
rather than just mathematically as if that was, say, X, | 0:25:27 | 0:25:31 | |
it's just not X squared, but it's literally the square there. | 0:25:31 | 0:25:35 | |
Then there's Y squared | 0:25:35 | 0:25:36 | |
and it's supposedly equal to Z squared, | 0:25:36 | 0:25:39 | |
which is the longest side, the hypotenuse. | 0:25:39 | 0:25:41 | |
Cos here's the right angle. Here. | 0:25:41 | 0:25:43 | |
These are not right angles, obviously. | 0:25:43 | 0:25:46 | |
And...there's that... | 0:25:46 | 0:25:48 | |
How can we show they're equal? | 0:25:48 | 0:25:49 | |
Well, there are all kinds of ways, but here's one way. | 0:25:49 | 0:25:52 | |
-Drumroll, please. -Oh, yes. | 0:25:52 | 0:25:54 | |
THEY TAP ON DESKS All right, let's go. | 0:25:54 | 0:25:57 | |
-ALL: -Ooh! | 0:25:59 | 0:26:01 | |
Oh, that's very clever. | 0:26:01 | 0:26:03 | |
There it goes. Pouring into the first square. | 0:26:03 | 0:26:05 | |
-Wow. -Expensive. -Is it going to fill it up? | 0:26:05 | 0:26:08 | |
-Oh! Well, it definitely equals X squared. -Yes! | 0:26:08 | 0:26:12 | |
Does it equal Y squared as well? | 0:26:12 | 0:26:14 | |
I need to go to the toilet. | 0:26:14 | 0:26:16 | |
LAUGHTER | 0:26:16 | 0:26:18 | |
There's a Y squared. It's filling up. | 0:26:18 | 0:26:20 | |
It's filling up, it's filling up. It's full. And there it is. | 0:26:20 | 0:26:23 | |
APPLAUSE There it is. | 0:26:23 | 0:26:26 | |
Isn't that satisfactory? | 0:26:27 | 0:26:28 | |
Highly satisfactory. | 0:26:31 | 0:26:33 | |
Now time for a short interval. Who wants an ice cream? | 0:26:33 | 0:26:36 | |
-There we are. -Me, me, me, me. Pick me. | 0:26:36 | 0:26:38 | |
Yeah, go on. Take a couple. | 0:26:38 | 0:26:40 | |
We've got some leftover, of course. | 0:26:40 | 0:26:42 | |
-Wow. -There you go. | 0:26:42 | 0:26:43 | |
-Johnny? -Oh, yes, please. Thank you, my love. | 0:26:43 | 0:26:46 | |
I've got chocolate. I don't really like chocolate. | 0:26:46 | 0:26:49 | |
I've got raisin. I don't like raisin. | 0:26:49 | 0:26:50 | |
-Do you want to swap? -Yes. No, I'd like vanilla, please. -Oh. | 0:26:50 | 0:26:54 | |
LAUGHTER | 0:26:54 | 0:26:56 | |
-Just swap. -You can have another flavour. -Yes! | 0:26:56 | 0:26:58 | |
-I've got strawberry. -That'll do me. -All right. | 0:26:58 | 0:27:00 | |
-Oh, you've already had a bit! -Yes! | 0:27:00 | 0:27:02 | |
LAUGHTER | 0:27:02 | 0:27:04 | |
How else would I know I didn't like it? | 0:27:04 | 0:27:07 | |
Well, do what I did - just sniff it and lick it. | 0:27:07 | 0:27:09 | |
Don't do that! | 0:27:09 | 0:27:10 | |
-People who sniff... -Don't take a lump out. | 0:27:13 | 0:27:15 | |
You must have very warm hands cos this is already melted. | 0:27:16 | 0:27:19 | |
I'm having a hot flush! | 0:27:19 | 0:27:21 | |
-LAUGHTER AND APPLAUSE -It's one of my superpowers! | 0:27:21 | 0:27:24 | |
-Mine's turned into a slushy! -Yes! | 0:27:24 | 0:27:26 | |
You're going to a dinner party | 0:27:26 | 0:27:28 | |
and they've forgotten to get the ice cream out of the freezer - | 0:27:28 | 0:27:30 | |
-I just hold it against my neck... -LAUGHTER | 0:27:30 | 0:27:32 | |
and it's spoon-soft in seconds. | 0:27:32 | 0:27:34 | |
-While there's barely any... -THEY BOTH SHOUT OVER EACH OTHER | 0:27:34 | 0:27:37 | |
LAUGHTER | 0:27:37 | 0:27:39 | |
-Right... -I don't want to do this in front of Stephen... -No. | 0:27:39 | 0:27:42 | |
..but the next time, we're having ice cream. Just... | 0:27:42 | 0:27:45 | |
LAUGHTER | 0:27:45 | 0:27:47 | |
Don't have her on my team. | 0:27:47 | 0:27:48 | |
Do you have any HRT-flavoured ice cream? | 0:27:48 | 0:27:51 | |
-No, this is delicious. Thank you very much. -Good. | 0:27:53 | 0:27:55 | |
This is what I think life would be like in a nursing home. | 0:27:55 | 0:27:57 | |
LAUGHTER | 0:27:57 | 0:27:59 | |
APPLAUSE Anyway... | 0:27:59 | 0:28:01 | |
-What flavour have you got?! -Bingo! | 0:28:01 | 0:28:04 | |
-So what was the biggest nuisance in the Victorian theatre? -I like peas! | 0:28:04 | 0:28:08 | |
-I've got a fly in mine. -What was the biggest nuisance | 0:28:08 | 0:28:10 | |
-in the Victorian theatre? -I've got to tell this. | 0:28:10 | 0:28:12 | |
-What was the biggest nuisance in the Victorian theatre? -I've got to... | 0:28:12 | 0:28:15 | |
What was the biggest nuisance in the Victorian theatre? | 0:28:15 | 0:28:18 | |
-LAUGHTER AND APPLAUSE -Please... | 0:28:18 | 0:28:20 | |
HE SHOUTS: What was the biggest nuisance in the Victorian theatre?! | 0:28:20 | 0:28:24 | |
LAUGHTER | 0:28:24 | 0:28:27 | |
CHEERING AND APPLAUSE | 0:28:27 | 0:28:29 | |
Yes? Any thoughts? | 0:28:31 | 0:28:33 | |
Ice cream? | 0:28:33 | 0:28:35 | |
APPLAUSE | 0:28:36 | 0:28:39 |