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APPLAUSE | 0:00:22 | 0:00:28 | |
Good evening, good evening, good evening, good evening, | 0:00:31 | 0:00:33 | |
good evening, good evening, good evening and welcome to QI, | 0:00:33 | 0:00:37 | |
where, tonight, we'll be taking in a magnificent miscellany | 0:00:37 | 0:00:40 | |
of things beginning with M. | 0:00:40 | 0:00:42 | |
Please welcome the mundivagant Rhod Gilbert. | 0:00:42 | 0:00:46 | |
APPLAUSE | 0:00:46 | 0:00:49 | |
The marmoraceous Noel Fielding. | 0:00:49 | 0:00:51 | |
APPLAUSE | 0:00:51 | 0:00:55 | |
A woman of great muliebrity, Cariad Lloyd. | 0:00:55 | 0:00:59 | |
APPLAUSE | 0:00:59 | 0:01:03 | |
And macerating in the corner, Alan Davies. | 0:01:03 | 0:01:06 | |
APPLAUSE | 0:01:06 | 0:01:10 | |
On with the buzzers. | 0:01:12 | 0:01:13 | |
They're, frankly, a miscellany of musical mischief. | 0:01:13 | 0:01:17 | |
Cariad goes... | 0:01:17 | 0:01:18 | |
DRUMROLL | 0:01:18 | 0:01:21 | |
Noel goes... DRUMROLL | 0:01:21 | 0:01:24 | |
SWING BEAT | 0:01:24 | 0:01:28 | |
Rhod goes... DRUMROLL | 0:01:28 | 0:01:31 | |
MUSIC: God Save The Queen | 0:01:31 | 0:01:37 | |
And Alan goes... DRUMROLL | 0:01:37 | 0:01:40 | |
GUILLOTINE BLADE SWOOSHES | 0:01:40 | 0:01:42 | |
CHEERING | 0:01:42 | 0:01:45 | |
Now, then, what was the matter | 0:01:45 | 0:01:47 | |
with the Gilbert U-238 Atomic Energy children's chemistry set? | 0:01:47 | 0:01:52 | |
LAUGHTER | 0:01:52 | 0:01:54 | |
Did it have uranium in it or something? | 0:01:54 | 0:01:56 | |
LAUGHTER It sure did. | 0:01:56 | 0:01:59 | |
LAUGHTER | 0:01:59 | 0:02:01 | |
-That's what... -Kids glowing green. | 0:02:01 | 0:02:03 | |
That's what U-238 is. Yeah, absolutely. | 0:02:03 | 0:02:06 | |
It contained uranium | 0:02:06 | 0:02:08 | |
and other sources of alpha, beta and gamma radiation, | 0:02:08 | 0:02:11 | |
including good, healthy polonium... | 0:02:11 | 0:02:14 | |
LAUGHTER ..which was in there. | 0:02:14 | 0:02:16 | |
Yeah. And it included a Geiger counter | 0:02:16 | 0:02:19 | |
and instructions on how to mine for uranium and... | 0:02:19 | 0:02:23 | |
-LAUGHTER -Wow. | 0:02:23 | 0:02:25 | |
This is the start of the Iranian weapons programme. | 0:02:25 | 0:02:28 | |
-LAUGHTER Yes, exactly. -"We have the kit." | 0:02:28 | 0:02:30 | |
The packaging said it was completely safe and harmless. | 0:02:30 | 0:02:33 | |
It was sold in 1951, 1952, for 49.50, | 0:02:33 | 0:02:37 | |
-which is about £300 now. -Whoa. | 0:02:37 | 0:02:40 | |
-So, it was pricey. -It was. | 0:02:40 | 0:02:41 | |
If you wanted your polonium even then, it'd cost you. | 0:02:41 | 0:02:44 | |
And that's why they stopped making it. | 0:02:44 | 0:02:45 | |
Cos it was too expensive? | 0:02:45 | 0:02:46 | |
Yeah, the margins were not good enough | 0:02:46 | 0:02:48 | |
for them to make much of a profit on it. | 0:02:48 | 0:02:50 | |
As you see, it says along the top, | 0:02:50 | 0:02:52 | |
"Another Gilbert Hall of Science product" and the... | 0:02:52 | 0:02:54 | |
-It also says exciting and safe. -That's right. Absolutely. | 0:02:54 | 0:02:57 | |
I'm not sure those two things go together. | 0:02:57 | 0:03:00 | |
LAUGHTER They don't, do they? | 0:03:00 | 0:03:02 | |
Well, the guy responsible was called Alfred Carlton Gilbert | 0:03:02 | 0:03:06 | |
and he came up with a number of sets for children. | 0:03:06 | 0:03:08 | |
I mean, there was a chemistry set which contained ammonium nitrate, | 0:03:08 | 0:03:12 | |
which is the principle ingredient for fertiliser bombs. | 0:03:12 | 0:03:15 | |
-LAUGHTER -He liked the good stuff, didn't he? | 0:03:15 | 0:03:18 | |
Yeah, he liked, exactly, the good stuff. | 0:03:18 | 0:03:21 | |
-Agent Orange. -LAUGHTER | 0:03:21 | 0:03:23 | |
The first experiment in that kit | 0:03:23 | 0:03:25 | |
was to make gunpowder. LAUGHTER | 0:03:25 | 0:03:28 | |
He just didn't like children, did he? | 0:03:28 | 0:03:30 | |
LAUGHTER His most famous invention | 0:03:30 | 0:03:33 | |
is huge in America. | 0:03:33 | 0:03:34 | |
It's the American equivalent of Meccano, | 0:03:34 | 0:03:36 | |
-which is called Erector. -Erector set. -And there it is. | 0:03:36 | 0:03:39 | |
LAUGHTER | 0:03:39 | 0:03:41 | |
Are there giggles from our audience because it contains the word erect? | 0:03:41 | 0:03:46 | |
LAUGHTER Well, there you are. | 0:03:46 | 0:03:48 | |
They're still all smiling now. "Ooh, love that word." | 0:03:50 | 0:03:53 | |
I just love the idea | 0:03:53 | 0:03:54 | |
that you can make a Ferris wheel out of erections. | 0:03:54 | 0:03:57 | |
LAUGHTER | 0:03:57 | 0:03:59 | |
-It interconnects with any penis. -LAUGHTER | 0:03:59 | 0:04:02 | |
Simple docking. | 0:04:02 | 0:04:04 | |
GROANING Oh. | 0:04:04 | 0:04:06 | |
LAUGHTER | 0:04:07 | 0:04:11 | |
Sorry, Stephen. I was doing the Ferris wheel | 0:04:11 | 0:04:13 | |
as if it were attached to my cock. | 0:04:13 | 0:04:14 | |
-I'm so sorry. -Fair enough. LAUGHTER | 0:04:14 | 0:04:17 | |
-I'm lowering the tone again. -I accept that. | 0:04:17 | 0:04:19 | |
But it was all part of that time - 1950s - | 0:04:19 | 0:04:23 | |
this incredible worship of the nuclear bomb. | 0:04:23 | 0:04:25 | |
And it even got to the stage where you could get a cereal toy, | 0:04:25 | 0:04:29 | |
which was an atomic bomb ring, celebrating The Lone Ranger series. | 0:04:29 | 0:04:33 | |
There it is. There's the atomic bomb inside a ring | 0:04:33 | 0:04:36 | |
and it contains polonium alpha, | 0:04:36 | 0:04:39 | |
so it gives off brilliant flashes of light | 0:04:39 | 0:04:41 | |
as part of nuclear disintegration. | 0:04:41 | 0:04:43 | |
So that your little boy and your little girl | 0:04:43 | 0:04:45 | |
each have one from the cereal packet and they flash. | 0:04:45 | 0:04:48 | |
But it's weird that this was for The Lone Ranger, | 0:04:48 | 0:04:51 | |
which you may remember was a Western set in the 19th century. | 0:04:51 | 0:04:54 | |
-Yeah, it's a cowboy. -Yeah. | 0:04:54 | 0:04:55 | |
But somehow, he had the atom bomb in what's a very complicated story. | 0:04:55 | 0:04:58 | |
-LAUGHTER -He had an atomic bomb in his ring? | 0:04:58 | 0:05:02 | |
-Yeah. -LAUGHTER | 0:05:02 | 0:05:06 | |
Wait. Wait. | 0:05:06 | 0:05:08 | |
That's one of my favourite ever sentences on this show. | 0:05:08 | 0:05:11 | |
-LAUGHTER -And that's when he was running | 0:05:11 | 0:05:13 | |
the Erector amusement park. | 0:05:13 | 0:05:15 | |
-"I've got an A-bomb in my ring." -LAUGHTER | 0:05:15 | 0:05:18 | |
You sounded like Jeremy Clarkson then. | 0:05:18 | 0:05:20 | |
LAUGHTER | 0:05:20 | 0:05:23 | |
Jeremy would love an A-bomb in his ring. | 0:05:23 | 0:05:26 | |
A cowboy with an A-bomb in his ring. | 0:05:26 | 0:05:29 | |
So, he's got an A-bomb in his ring and then decades later, | 0:05:29 | 0:05:31 | |
James Bond comes along and all his watch does | 0:05:31 | 0:05:33 | |
is fire a dart into a mouse or something, isn't it? | 0:05:33 | 0:05:36 | |
-It gives you a dead leg. -I've basically got | 0:05:36 | 0:05:39 | |
-The Lone Ranger's costume on tonight. -You have! | 0:05:39 | 0:05:41 | |
-LAUGHTER -Have you got an A-bomb in your ring? | 0:05:41 | 0:05:43 | |
I have, yeah. | 0:05:43 | 0:05:44 | |
At the end of the show, I'll let that off and... | 0:05:44 | 0:05:47 | |
But this is rather... | 0:05:47 | 0:05:48 | |
Like a small firework display. | 0:05:48 | 0:05:50 | |
We'll all gather round to see the lights. | 0:05:50 | 0:05:52 | |
This is not like, "Oh, we found this obscure present | 0:05:52 | 0:05:55 | |
"in some cereal packs for a four-month period." | 0:05:55 | 0:05:58 | |
-Over a million of these were made. -Really? -God. | 0:05:58 | 0:06:00 | |
It was a big promotion. | 0:06:00 | 0:06:02 | |
There was a boy as late as the '90s - '94 - | 0:06:02 | 0:06:05 | |
who tried to construct a nuclear reactor | 0:06:05 | 0:06:08 | |
in his mother's shed in his garden in Michigan. | 0:06:08 | 0:06:10 | |
He was the Nuclear Boy Scout. | 0:06:10 | 0:06:13 | |
There are his badges, including, top left, | 0:06:13 | 0:06:15 | |
he's holding up the nuclear badge. | 0:06:15 | 0:06:17 | |
-I didn't know Scouts had one, but they seem to. -Wow. | 0:06:17 | 0:06:20 | |
He can't even fix a blind. | 0:06:20 | 0:06:21 | |
LAUGHTER | 0:06:21 | 0:06:24 | |
They called him the Radioactive Boy Scout | 0:06:24 | 0:06:26 | |
and when I said he was trying to construct a nuclear reactor, | 0:06:26 | 0:06:29 | |
I mean it. He was trying to construct a nuclear reactor. | 0:06:29 | 0:06:32 | |
His safety included wearing a lead poncho. | 0:06:32 | 0:06:37 | |
Where do you find a lead poncho? | 0:06:37 | 0:06:39 | |
-LAUGHTER -Noel's got one. Noel's got one. | 0:06:39 | 0:06:41 | |
-Yes, you have one. Yes! -You must have a lead poncho. | 0:06:41 | 0:06:43 | |
You're the only person who would have a lead poncho. | 0:06:43 | 0:06:46 | |
-LAUGHTER -He's not going to make a nuclear... | 0:06:46 | 0:06:49 | |
He's got an arrow to show which way up his top goes on. | 0:06:49 | 0:06:52 | |
LAUGHTER There is that. | 0:06:52 | 0:06:54 | |
And he threw away his clothes after each session | 0:06:54 | 0:06:56 | |
that he was in his mother's shed. | 0:06:56 | 0:06:58 | |
He was in the middle of purifying thorium | 0:06:58 | 0:07:00 | |
-when he was rumbled by the authorities. -Wow. | 0:07:00 | 0:07:02 | |
And his shed was found to be 1,000 times more radioactive | 0:07:02 | 0:07:05 | |
than background radiation and was buried in the desert. | 0:07:05 | 0:07:08 | |
LAUGHTER It was! | 0:07:08 | 0:07:10 | |
How did they take his shed to the desert? | 0:07:10 | 0:07:12 | |
-That's amazing. -Must have been a chopper. -Yeah. | 0:07:12 | 0:07:15 | |
"We're going to have to take the birdbath as well. This is..." | 0:07:15 | 0:07:18 | |
LAUGHTER | 0:07:18 | 0:07:20 | |
"This washing line - that's right out, mate." | 0:07:20 | 0:07:22 | |
"And the trellis. The trellis has got to go." | 0:07:22 | 0:07:24 | |
-"Dad's barbecue - gone, mate. Gone." -LAUGHTER | 0:07:24 | 0:07:27 | |
So, if you want to really light up your children's faces, | 0:07:27 | 0:07:30 | |
you could get them a radioactive chemistry lab. | 0:07:30 | 0:07:32 | |
Which place, beginning with M, holds the world's deadest parties? | 0:07:32 | 0:07:37 | |
Milton Keynes. | 0:07:37 | 0:07:38 | |
LAUGHTER Milton Keynes? Oh, dear. | 0:07:38 | 0:07:41 | |
-Michael Gove's underpants. -LAUGHTER | 0:07:41 | 0:07:45 | |
-Maidstone. -KLAXON | 0:07:45 | 0:07:47 | |
Oh! How amazing. | 0:07:47 | 0:07:50 | |
You got Maidstone. Thank you for that. | 0:07:50 | 0:07:52 | |
Well, no, it's an island - one of the largest islands on Earth. | 0:07:52 | 0:07:55 | |
-Oh, erm... -Madagascar. -Madagascar. -Madagascar. | 0:07:55 | 0:07:57 | |
The Malagasy people. The Malgache people. | 0:07:57 | 0:08:00 | |
Yeah, every few years, they dig up their ancestors | 0:08:00 | 0:08:03 | |
and have a party and dance with them over their heads. | 0:08:03 | 0:08:05 | |
LAUGHTER Yeah, I know. | 0:08:05 | 0:08:07 | |
-Not as weird as a radioactive chemistry kit. -No, it isn't. | 0:08:07 | 0:08:10 | |
They dig them up. | 0:08:10 | 0:08:11 | |
-They dress them in silk... -"Hello, Grandad!" | 0:08:11 | 0:08:13 | |
Dress them in silk scarves. Yeah. | 0:08:13 | 0:08:16 | |
-It's what we do in Camden. -LAUGHTER | 0:08:16 | 0:08:19 | |
They also spray their ancestors' bodies with perfume, | 0:08:19 | 0:08:21 | |
perhaps understandably... LAUGHTER | 0:08:21 | 0:08:23 | |
..and they bathe them in sparkling wine. | 0:08:23 | 0:08:25 | |
After the dance, the corpses are placed on the ground like that. | 0:08:25 | 0:08:29 | |
See, there are the corpses in winding sheets and so on. | 0:08:29 | 0:08:31 | |
-Oh, too weird. Too weird. -Yeah. And the elders tell their children | 0:08:31 | 0:08:35 | |
about the significance of their relatives. | 0:08:35 | 0:08:37 | |
But they also tell the dead ancestors | 0:08:37 | 0:08:39 | |
about the children that have been born since the ancestors died. | 0:08:39 | 0:08:43 | |
So, they have a sort of two-way communication, as it were, | 0:08:43 | 0:08:46 | |
about their families. | 0:08:46 | 0:08:47 | |
They should have booked a bigger hall. | 0:08:47 | 0:08:49 | |
Yeah. Well, yes, it's full and bouncy. | 0:08:49 | 0:08:51 | |
It's amazing. That's amazing. | 0:08:51 | 0:08:53 | |
We don't talk about death enough, just to bring up in a comedy show. | 0:08:53 | 0:08:55 | |
I am NOT getting my grandma out... | 0:08:55 | 0:08:58 | |
-LAUGHTER -..in a potato sack. | 0:08:58 | 0:09:01 | |
-LAUGHTER -I know what you mean. | 0:09:01 | 0:09:03 | |
-We hide away from it here. -I'm with you, Cariad. | 0:09:03 | 0:09:05 | |
-We don't talk about it at all. -Other cultures are much more open. | 0:09:05 | 0:09:08 | |
I don't. I'm a Goth. I'm all over it. | 0:09:08 | 0:09:10 | |
-LAUGHTER -I sleep in a coffin. | 0:09:10 | 0:09:13 | |
-LAUGHTER -No, you're right, we do. | 0:09:13 | 0:09:15 | |
We don't like to talk about it, but they celebrate it. | 0:09:15 | 0:09:18 | |
They do. It's rather wonderful. | 0:09:18 | 0:09:19 | |
-Do they drink at the party? -You must have to. -I think so. | 0:09:19 | 0:09:22 | |
Do they sometimes get home and think, "Oh, shit! | 0:09:22 | 0:09:24 | |
"I've left Grandma somewhere." | 0:09:24 | 0:09:26 | |
-LAUGHTER -On the bus! | 0:09:26 | 0:09:29 | |
LAUGHTER | 0:09:29 | 0:09:32 | |
Supposedly, they do it because they've had a dream | 0:09:32 | 0:09:35 | |
in which an ancestor's visited them | 0:09:35 | 0:09:36 | |
and told them they're cold in their grave | 0:09:36 | 0:09:39 | |
and that they want to come up. | 0:09:39 | 0:09:40 | |
This ceremony, it's called a Famadihana | 0:09:40 | 0:09:43 | |
and the whole taboo and folklore system of Madagascar is called fady | 0:09:43 | 0:09:47 | |
and it's very strong. | 0:09:47 | 0:09:48 | |
It's much stronger than it is in many other countries | 0:09:48 | 0:09:51 | |
and despite all the pressures on Madagascar, | 0:09:51 | 0:09:53 | |
as they are on all countries. It seems a bit grim, | 0:09:53 | 0:09:55 | |
-but I think it's fine. -Quite nice, I think. -I like it. | 0:09:55 | 0:09:57 | |
Two things they're known for - that and square guitars. | 0:09:57 | 0:10:00 | |
LAUGHTER Yes. Yeah, it does. | 0:10:00 | 0:10:02 | |
Now for a serious medical malady. | 0:10:02 | 0:10:05 | |
Show me the symptoms of bicycle face. | 0:10:05 | 0:10:07 | |
-Bicycle face? -Mm-hm. LAUGHTER | 0:10:08 | 0:10:12 | |
-That's with goggles. -No, these are wheels. -Oh, they're... | 0:10:12 | 0:10:15 | |
Oh, I see. Sorry. Of course they're wheels! | 0:10:15 | 0:10:17 | |
Is bicycle...? What is bicycle face? | 0:10:17 | 0:10:19 | |
When you get sucked off by your Grifter? | 0:10:19 | 0:10:21 | |
LAUGHTER Wow! | 0:10:21 | 0:10:24 | |
-LAUGHTER -Sorry. I'd better go. | 0:10:24 | 0:10:27 | |
No, that's the right answer! | 0:10:27 | 0:10:28 | |
That's what I've got written on the card. | 0:10:28 | 0:10:30 | |
LAUGHTER That's amazing! | 0:10:30 | 0:10:33 | |
On my card, in this universe, on the other hand... | 0:10:33 | 0:10:35 | |
LAUGHTER ..I've got something else. | 0:10:35 | 0:10:38 | |
The Literary Digest, in 1895, warned women cyclists... | 0:10:38 | 0:10:42 | |
-I don't know why I'm looking at you. -I'm a woman. -You are. -That's OK. | 0:10:42 | 0:10:45 | |
You've identified me as a woman. | 0:10:45 | 0:10:47 | |
-It's going to get worse, I'm afraid. -OK. -This thing is. | 0:10:47 | 0:10:49 | |
"Over-exertion, the upright position on the wheel | 0:10:49 | 0:10:52 | |
"and the unconscious effort to maintain one's balance | 0:10:52 | 0:10:55 | |
"produces a wearied and exhausted bicycle face. | 0:10:55 | 0:10:58 | |
-"The main symptoms..." -No-one will marry you! -Yes. | 0:10:58 | 0:11:00 | |
"The main symptoms are a hard, clenched jaw and bulging eyes..." | 0:11:00 | 0:11:04 | |
-I wasn't sure where you were going to stop at. -Yeah, quite. | 0:11:04 | 0:11:07 | |
"..as well as being flushed or pale." | 0:11:07 | 0:11:09 | |
-Either of those. -I... -Yeah. | 0:11:09 | 0:11:11 | |
And, "Wearing a haggard, anxious expression." | 0:11:11 | 0:11:13 | |
-That's just the fear of patriarchy. -LAUGHTER | 0:11:13 | 0:11:16 | |
-"I'm under so much pressure." -Well, there was a worry. | 0:11:16 | 0:11:18 | |
Some doctors said that, | 0:11:18 | 0:11:20 | |
"Cycling would irritate the pelvic organs | 0:11:20 | 0:11:22 | |
"and stimulate women to disturbing lusts." | 0:11:22 | 0:11:25 | |
-LAUGHTER -If you can't get it at home, | 0:11:25 | 0:11:27 | |
-you get it on a bike, right, ladies? -Yeah. | 0:11:27 | 0:11:30 | |
Get your stimulated pelvic organs. | 0:11:30 | 0:11:32 | |
Well, there's a downside, according to a French expert... | 0:11:32 | 0:11:36 | |
-Of course. -..who said, "It would ruin the female organs | 0:11:36 | 0:11:39 | |
"of matrimonial necessity." | 0:11:39 | 0:11:40 | |
LAUGHTER | 0:11:40 | 0:11:43 | |
Now, Cariad, tell me, your organs of matrimonial necessity... | 0:11:43 | 0:11:46 | |
Excuse me? What are you asking me? | 0:11:46 | 0:11:47 | |
I'm just hoping that they haven't been ruined by bicycling. | 0:11:47 | 0:11:50 | |
"Hello, Wembley! We're the Female Organs Of Natural Necessity." | 0:11:50 | 0:11:53 | |
-It's funny cos the clitoris... -HE INHALES SHARPLY | 0:11:53 | 0:11:55 | |
LAUGHTER | 0:11:55 | 0:11:57 | |
-La-la-la, la-la-la. -Shall we draw a picture? | 0:11:57 | 0:12:00 | |
LAUGHTER She said it! She said it! | 0:12:00 | 0:12:02 | |
She said it! SHE IMITATES ALARM | 0:12:02 | 0:12:06 | |
I've drawn a rainbow, everyone. | 0:12:06 | 0:12:07 | |
-It's all right. -LAUGHTER | 0:12:07 | 0:12:10 | |
Where's Sue Perkins when you need her? | 0:12:10 | 0:12:12 | |
The clitoris is actually a very large organ... | 0:12:12 | 0:12:15 | |
-Shush, Cariad! -LAUGHTER | 0:12:15 | 0:12:17 | |
And it's just literally the tip of an iceberg. | 0:12:17 | 0:12:19 | |
When you say, "LITERALLY the tip of an iceberg..."? | 0:12:19 | 0:12:21 | |
-Yeah. -I knew I was looking for it in the wrong place. | 0:12:21 | 0:12:24 | |
LAUGHTER | 0:12:24 | 0:12:26 | |
-There was an artist in New York... -In the Arctic Ocean. | 0:12:26 | 0:12:29 | |
Yeah. An artist in New York. | 0:12:29 | 0:12:30 | |
She made like, this, obviously not to scale, clitoris | 0:12:30 | 0:12:33 | |
and she got women to ride on it, but it literally...it's huge. | 0:12:33 | 0:12:37 | |
It's, like, there's this bit | 0:12:37 | 0:12:38 | |
and then there's these two other huge bits that are in the body. | 0:12:38 | 0:12:41 | |
-I was looking behind you. -Yeah. | 0:12:41 | 0:12:43 | |
-LAUGHTER -Behind just here. | 0:12:43 | 0:12:45 | |
-Wow. -It's giant. It's way bigger... -But you have two, don't you? | 0:12:45 | 0:12:48 | |
It's one under each arm, yes? | 0:12:48 | 0:12:50 | |
LAUGHTER Have I got this wrong? | 0:12:50 | 0:12:53 | |
-Alan, help me out. -It's OK. | 0:12:53 | 0:12:54 | |
-I didn't bring mine with me today. -LAUGHTER | 0:12:54 | 0:12:57 | |
So, to say it damages the vital organs is... | 0:12:57 | 0:12:59 | |
So, how much more of it is there, then? Going...? | 0:12:59 | 0:13:01 | |
Oh, my God. Guys, do we have to, like...? | 0:13:01 | 0:13:03 | |
Is this the bit where I tell you about...explain it to you? | 0:13:03 | 0:13:07 | |
A woman at some point in your life | 0:13:07 | 0:13:08 | |
should have explained this to you, but perhaps... | 0:13:08 | 0:13:10 | |
I've never seen such fear in all your faces. | 0:13:10 | 0:13:12 | |
LAUGHTER | 0:13:12 | 0:13:14 | |
Do you think people will believe it if I say that my penis | 0:13:14 | 0:13:17 | |
-is only the tip of the iceberg? -LAUGHTER | 0:13:17 | 0:13:19 | |
There's a lot more under the surface | 0:13:19 | 0:13:21 | |
-you haven't seen. -LAUGHTER | 0:13:21 | 0:13:23 | |
There's a huge nerve ending | 0:13:23 | 0:13:24 | |
coming out right out of the top of my head. | 0:13:24 | 0:13:26 | |
LAUGHTER | 0:13:26 | 0:13:28 | |
Anyway, bicycle face was a medical condition | 0:13:28 | 0:13:30 | |
that would apparently only affect lady cyclists. | 0:13:30 | 0:13:33 | |
Now, how would this bird make an offer you couldn't refuse? | 0:13:33 | 0:13:37 | |
LAUGHTER | 0:13:37 | 0:13:40 | |
Oh, yeah, that bird. He does your tax returns. | 0:13:40 | 0:13:42 | |
LAUGHTER | 0:13:42 | 0:13:45 | |
It's called a brown-headed cowbird, rather unimaginatively. | 0:13:45 | 0:13:49 | |
It's got a brown head and it's on a cow. | 0:13:49 | 0:13:51 | |
I just don't want to know how it got the brown head. | 0:13:51 | 0:13:54 | |
I don't want to think about how it got the brown head. | 0:13:54 | 0:13:56 | |
Oh, stop it! LAUGHTER | 0:13:56 | 0:13:59 | |
"That's as far as I can go!" "All right, stop there." | 0:13:59 | 0:14:03 | |
"Now flap. Now flap your wings!" "I can't!" | 0:14:03 | 0:14:05 | |
LAUGHTER | 0:14:05 | 0:14:08 | |
You haven't seen the cow's legs. They're blue. | 0:14:08 | 0:14:10 | |
And we have to forget the cow in this instance, | 0:14:10 | 0:14:12 | |
other than the fact that it's in its name. | 0:14:12 | 0:14:14 | |
It is a parasitic bird, in a sense. A brood parasite. | 0:14:14 | 0:14:18 | |
Do you know what a brood parasite might be? | 0:14:18 | 0:14:20 | |
-What's a brood? -A family of parasites. | 0:14:20 | 0:14:23 | |
-If you're broody. -You want to have more parasites. | 0:14:23 | 0:14:26 | |
You want to have... LAUGHTER | 0:14:26 | 0:14:29 | |
The type of parasite it is is a brood parasite. | 0:14:29 | 0:14:31 | |
That's to say it's parasitic in the way | 0:14:31 | 0:14:33 | |
-that it occupies a host's birthing place. -Womb. | 0:14:33 | 0:14:36 | |
Not womb in this case cos they don't have wombs, do they, birds? | 0:14:36 | 0:14:39 | |
-Oh, I thought it was in the cow. -Oh, no, no. It's the bird. | 0:14:39 | 0:14:42 | |
-It's the bird that's the parasite. -Oh, OK. -It's a brood parasite. | 0:14:42 | 0:14:45 | |
It lays its eggs in someone else's nest. | 0:14:45 | 0:14:47 | |
I'd love if it was the cow that was the parasite! | 0:14:47 | 0:14:49 | |
LAUGHTER Living off the bird. | 0:14:49 | 0:14:52 | |
That would be such a flaw for a parasite - | 0:14:52 | 0:14:54 | |
to have to wait for the bird to land on you. | 0:14:54 | 0:14:56 | |
LAUGHTER | 0:14:56 | 0:14:58 | |
Running around getting underneath birds. | 0:14:58 | 0:15:00 | |
LAUGHTER | 0:15:00 | 0:15:02 | |
Painting an H on your own back. | 0:15:02 | 0:15:04 | |
-Well, that's... -Put a nest on your back. | 0:15:06 | 0:15:10 | |
With a vacant sign. | 0:15:10 | 0:15:11 | |
LAUGHTER | 0:15:11 | 0:15:13 | |
Yeah, it's a brood parasite, it lays its egg like that. | 0:15:13 | 0:15:16 | |
-As does, more famously, our...? -Cuckoo. -Cuckoo. -Cuckoo, yes. | 0:15:16 | 0:15:19 | |
Cuckoo's the Great British brood parasite. | 0:15:19 | 0:15:21 | |
That nest wasn't on the back of that cow, was it? | 0:15:21 | 0:15:23 | |
No. I did say, "Forget the cow," | 0:15:23 | 0:15:24 | |
but I knew that wasn't going to be a helpful remark. | 0:15:24 | 0:15:26 | |
-I couldn't forget the cow, Stephen. -Yeah, well... | 0:15:26 | 0:15:29 | |
It's a question of why did the birds put up with it? | 0:15:29 | 0:15:31 | |
Why does the one that lays the blue eggs in this instance, | 0:15:31 | 0:15:33 | |
allow that to happen? | 0:15:33 | 0:15:35 | |
Why doesn't he just get rid of the egg? | 0:15:35 | 0:15:37 | |
-Is it...? -The answer is it does...once. | 0:15:37 | 0:15:39 | |
If it tries it, a bird that's laid that egg will come back | 0:15:39 | 0:15:43 | |
and absolutely destroy the nest and everything in it. | 0:15:43 | 0:15:47 | |
And the mother bird learns this and next time it builds... | 0:15:47 | 0:15:51 | |
laboriously builds a new nest, laboriously lays her own eggs... | 0:15:51 | 0:15:56 | |
Next time a brown-headed cow bird comes along to lay their egg | 0:15:56 | 0:15:58 | |
they go, "Yeah, you can have it, I'll look after it, it's no problem." | 0:15:58 | 0:16:01 | |
-It's basically a protection racket. They're gangster birds. -Oh, my God. | 0:16:01 | 0:16:05 | |
-Hence the phrase, "Make you an offer you can't refuse." -Ohh. | 0:16:05 | 0:16:07 | |
But it works. | 0:16:07 | 0:16:08 | |
So which one...was it the one with the blue eggs or the other one? | 0:16:08 | 0:16:11 | |
The blue eggs is like the nice guy who runs the Italian delicatessen | 0:16:11 | 0:16:14 | |
-for his family all these years. -Exactly, that's it. | 0:16:14 | 0:16:16 | |
And then the other egg is the guy who comes round going, | 0:16:16 | 0:16:18 | |
"You're going to look after my egg, otherwise I'll come round..." | 0:16:18 | 0:16:21 | |
-Or "You'll find a job for my boy, you'll find him a job." -Yeah. | 0:16:21 | 0:16:24 | |
"You see this egg? You know what I'm going to do to this egg | 0:16:24 | 0:16:27 | |
"if you don't look after the other egg? | 0:16:27 | 0:16:29 | |
And then he sma...and then he throws it out. | 0:16:29 | 0:16:31 | |
Eventually, cos it's evolution, they'll start spraying | 0:16:31 | 0:16:34 | |
-their own blue egg that brown colour. -Yes. | 0:16:34 | 0:16:37 | |
"Hey, someone's already done me. Leave it." | 0:16:37 | 0:16:39 | |
You're right, that's quite likely, isn't it? | 0:16:39 | 0:16:41 | |
Why haven't they evolved just to lay enough eggs so there's no gap? | 0:16:41 | 0:16:45 | |
-LAUGHTER -Oh, yeah. | 0:16:45 | 0:16:48 | |
That's what I'd do. | 0:16:48 | 0:16:49 | |
Good point. You'd think they would, wouldn't you? | 0:16:51 | 0:16:55 | |
Stop leaving a gap! | 0:16:55 | 0:16:57 | |
Anyway, that's brown-headed cowbirds. | 0:16:57 | 0:17:00 | |
Now, what starts with M and nearly destroyed the world | 0:17:00 | 0:17:04 | |
470 million years ago? | 0:17:04 | 0:17:07 | |
Magneto. | 0:17:07 | 0:17:09 | |
You try... I can feel us being led by this image... | 0:17:11 | 0:17:15 | |
-Yes. -..in a direction. | 0:17:15 | 0:17:16 | |
You're right, I'm going to warn you, I'm in a good mood, | 0:17:16 | 0:17:19 | |
do not say meteor or meteorite, or meteoroid. | 0:17:19 | 0:17:21 | |
-Don't say either of those. -It looks like the logo for MasterChef. | 0:17:21 | 0:17:23 | |
Which is branding a pterodactyl. But... | 0:17:26 | 0:17:28 | |
-A m-earthquake. -A m-earthquake. | 0:17:28 | 0:17:30 | |
That's what we hope happens here every week. | 0:17:30 | 0:17:34 | |
Is it mitochondria? Is it something, like, bacterial... | 0:17:35 | 0:17:38 | |
Well, it's a life form, you're absolutely right. | 0:17:38 | 0:17:40 | |
It's a life form that destroyed all other life forms, | 0:17:40 | 0:17:42 | |
virtually, on earth. | 0:17:42 | 0:17:44 | |
It was the Ordovician-Silurian extinction event. | 0:17:44 | 0:17:46 | |
-But it begins with M, this particular life form. -Mouse. | 0:17:46 | 0:17:50 | |
-It got rid of all the oxygen... Sorry? -Mouse. | 0:17:50 | 0:17:52 | |
It wasn't a mouse. You've got the right consonants. | 0:17:52 | 0:17:56 | |
Consonants. All right. M...m...m... | 0:17:56 | 0:17:58 | |
-..m... -M and a S. | 0:17:58 | 0:18:01 | |
M and a S. It's wonderful how he's coming on, isn't it? | 0:18:01 | 0:18:04 | |
LAUGHTER | 0:18:04 | 0:18:06 | |
-It's moss. -Moss! -Moss! -Yes, moss is the answer. | 0:18:09 | 0:18:12 | |
-How boring. -Wow. -Yeah, hard to believe. Moss. | 0:18:12 | 0:18:14 | |
It was like a phage, it ate away at rocks... | 0:18:14 | 0:18:17 | |
-Right. -..even altering them chemically. | 0:18:17 | 0:18:18 | |
Hey, Cariad, there's an iceberg like your clitoris. | 0:18:18 | 0:18:21 | |
-LAUGHTER -You're learning! | 0:18:21 | 0:18:23 | |
I mean this, Alan, you can get more... | 0:18:23 | 0:18:25 | |
If you've just joined the show... | 0:18:25 | 0:18:27 | |
I can usually predict almost everything | 0:18:27 | 0:18:29 | |
that's going to be said on this show, | 0:18:29 | 0:18:31 | |
but "There's an iceberg like your clitoris" is a new one for me. | 0:18:31 | 0:18:34 | |
That's exactly what I was talking about. | 0:18:35 | 0:18:37 | |
Don't just work with what you see. | 0:18:37 | 0:18:39 | |
You've got to work with more underneath it. | 0:18:39 | 0:18:41 | |
-Not moss on it, is there? -Yes, mate. | 0:18:41 | 0:18:42 | |
Keep the moss on, what's wrong with you? | 0:18:42 | 0:18:44 | |
You don't want to look like a child. | 0:18:44 | 0:18:46 | |
LAUGHTER | 0:18:46 | 0:18:47 | |
Wear your moss and be proud, ladies. | 0:18:47 | 0:18:50 | |
Interestingly, you only get moss on the north side of a lady. | 0:18:50 | 0:18:54 | |
LAUGHTER | 0:18:54 | 0:18:57 | |
-That seems fair. -Oh, Lord. | 0:18:57 | 0:18:59 | |
It depends how long she's been at the bus stop. | 0:18:59 | 0:19:02 | |
There's types of moss that destroy other types of moss, | 0:19:02 | 0:19:06 | |
but it takes like sort of, you know, hundreds of years. | 0:19:06 | 0:19:08 | |
-Yeah. -But if you were to watch it, | 0:19:08 | 0:19:10 | |
you would see what is essentially a horrible war... | 0:19:10 | 0:19:12 | |
There's moss that destroys itself, like Kate Moss. | 0:19:12 | 0:19:15 | |
LAUGHTER But... | 0:19:15 | 0:19:18 | |
Now... | 0:19:18 | 0:19:19 | |
Yeah. | 0:19:19 | 0:19:20 | |
Well, this moss used to eat the rocks and it would create | 0:19:23 | 0:19:25 | |
a chemical reaction with phosphorus, reacted with CO2, | 0:19:25 | 0:19:28 | |
sucked it from the atmosphere. | 0:19:28 | 0:19:29 | |
So it was a whole series of these reactions. | 0:19:29 | 0:19:31 | |
And that used up almost all the oxygen, | 0:19:31 | 0:19:33 | |
destroying life forms everywhere. | 0:19:33 | 0:19:35 | |
It took about 35 million years for this process to work | 0:19:35 | 0:19:39 | |
and it was 470 million years ago. | 0:19:39 | 0:19:42 | |
-We should keep an eye on moss now, in case it ever... -We should, yeah. | 0:19:42 | 0:19:45 | |
..gets an idea again to take over. | 0:19:45 | 0:19:46 | |
I've always had my suspicions about moss. | 0:19:46 | 0:19:49 | |
Have you? | 0:19:49 | 0:19:50 | |
Bitchin' about lichen. | 0:19:52 | 0:19:54 | |
LAUGHTER | 0:19:54 | 0:19:56 | |
APPLAUSE | 0:19:56 | 0:19:59 | |
Now, from moss to moths. | 0:19:59 | 0:20:01 | |
Why would you want to blow up a moth's penis? | 0:20:01 | 0:20:05 | |
Really the question should be why wouldn't you? | 0:20:05 | 0:20:08 | |
You've run out of balloons at a kids' children's party. | 0:20:09 | 0:20:11 | |
-Blow it up like destroy it, or... -Inflate it. | 0:20:12 | 0:20:15 | |
-Inflate it, yeah. -..like, with a foot pump? | 0:20:15 | 0:20:17 | |
-Using... -Flotation device. | 0:20:17 | 0:20:19 | |
It takes a certain kind of person to invent something | 0:20:19 | 0:20:22 | |
to increase the size of a moth's penis... | 0:20:22 | 0:20:24 | |
-It does. -It certainly does. -It really does. | 0:20:24 | 0:20:26 | |
It takes an Australian. | 0:20:26 | 0:20:28 | |
And it takes a device that they've invented called... | 0:20:30 | 0:20:33 | |
-"Get your lips round that, fella." -Yeah. | 0:20:33 | 0:20:35 | |
LAUGHTER And it's called... | 0:20:35 | 0:20:37 | |
"We're going to have to float downstream or we'll die." | 0:20:37 | 0:20:39 | |
And it's called the phalloblaster. | 0:20:41 | 0:20:43 | |
Now, the phalloblaster is what pumps up the penis of a moth... | 0:20:44 | 0:20:50 | |
Come here little fella, | 0:20:50 | 0:20:51 | |
I'm just going to increase the size of your penis. | 0:20:51 | 0:20:53 | |
Shouldn't hurt. | 0:20:53 | 0:20:55 | |
Did we...did we answer the why... | 0:20:55 | 0:20:57 | |
-Why would we? -Yeah, why? Why? | 0:20:57 | 0:20:59 | |
I love the idea that they blow up the penis, | 0:20:59 | 0:21:01 | |
-then let it go and it goes... -HE MIMES DEFLATING BALLOON | 0:21:01 | 0:21:03 | |
LAUGHTER Well, what it is... | 0:21:03 | 0:21:06 | |
And the moths go, "Woo-hoo-hoo-hoo!" | 0:21:06 | 0:21:08 | |
There are a lot of species of insect that are impossible to determine, | 0:21:08 | 0:21:13 | |
the actual species, except by an inspection of the genitalia. | 0:21:13 | 0:21:17 | |
-Right. -Oh, really? -Yeah. | 0:21:17 | 0:21:18 | |
Oh, some doctor said, "It's the only way I could find out | 0:21:18 | 0:21:21 | |
"if it was a man, so I blew it and now I know." | 0:21:21 | 0:21:25 | |
They used to use... | 0:21:25 | 0:21:28 | |
"Because otherwise I wasn't sure. Leave me alone, Mary..." | 0:21:28 | 0:21:32 | |
I thought moths were just butterflies from the '70s. | 0:21:33 | 0:21:36 | |
LAUGHTER | 0:21:36 | 0:21:40 | |
Ah-ha. | 0:21:40 | 0:21:41 | |
So forward, the phalloblaster. | 0:21:41 | 0:21:43 | |
It uses a stream of pressurised alcohol | 0:21:43 | 0:21:46 | |
to fill and inflate the insect's penis. | 0:21:46 | 0:21:49 | |
And if anyone knows about pressurised alcohol, it's an Australian. | 0:21:49 | 0:21:53 | |
I don't think that's a... | 0:21:55 | 0:21:56 | |
"Can we have two streams of pressurised alcohol, please?" | 0:21:56 | 0:21:58 | |
That's not a scientific experiment, that's an Australian stag do. | 0:21:58 | 0:22:01 | |
It basically is. | 0:22:01 | 0:22:03 | |
When the alcohol evaporates, you see, it hardens the tissue | 0:22:03 | 0:22:06 | |
and then you're left with one much larger, hardened organ that... | 0:22:06 | 0:22:11 | |
This is the sort of thing you should put in a kit for a teenage boy. | 0:22:11 | 0:22:14 | |
Yeah. | 0:22:14 | 0:22:15 | |
How do they do this? Because, the thing is... | 0:22:15 | 0:22:17 | |
Have we come on to the why yet, as well? | 0:22:17 | 0:22:19 | |
Do they hold the moth and then do it? | 0:22:19 | 0:22:21 | |
Because, you know, when you hold moths, the gold stuff | 0:22:21 | 0:22:24 | |
comes off their wings and they can't fly any more | 0:22:24 | 0:22:26 | |
and they have to walk home. | 0:22:26 | 0:22:27 | |
It explains why they're always trying to get to the moon, no? | 0:22:28 | 0:22:31 | |
Bloody hell. I'd be out of here, as well. | 0:22:31 | 0:22:33 | |
They've been told there's spare penises up there... | 0:22:33 | 0:22:36 | |
I've had enough of this, I'm off. | 0:22:36 | 0:22:38 | |
When you said "I'm off," it sounded like "I...moth." | 0:22:38 | 0:22:43 | |
-Like I... -Like a very thoughtful moth. | 0:22:43 | 0:22:46 | |
-Yeah. -I moth. -I moth. -Do take thee, other moth. | 0:22:46 | 0:22:50 | |
-I thought he was just talking Welsh. I-moth. -I-moth. | 0:22:51 | 0:22:54 | |
I-moth. Well, it's cowin' lush, either way. So um... | 0:22:54 | 0:22:57 | |
LAUGHTER | 0:22:57 | 0:22:59 | |
See, I speak Welsh. | 0:22:59 | 0:23:00 | |
Now, this man invented toilet vinegar. | 0:23:01 | 0:23:04 | |
What other bright ideas did he have? | 0:23:04 | 0:23:06 | |
Waterproof fish and chips? | 0:23:06 | 0:23:08 | |
LAUGHTER | 0:23:08 | 0:23:11 | |
-NOEL: -The triple beard. -Yes. | 0:23:12 | 0:23:14 | |
-Is it Thomas Edison? -It's not Thomas Edison. | 0:23:18 | 0:23:21 | |
-With the light bulb. -No... -Bright idea, you see. | 0:23:21 | 0:23:24 | |
You're right, very clever, that was brilliant. Smarter than we've been. | 0:23:24 | 0:23:27 | |
-Is it Jack Torch, inventor of the torch? -No. | 0:23:27 | 0:23:31 | |
Is toilet vinegar something to do with cleaning? | 0:23:31 | 0:23:33 | |
It's toilet vinegar in the sense of toilet water. | 0:23:33 | 0:23:35 | |
-It's supposed to be... -Oh, yeah. | 0:23:35 | 0:23:36 | |
But, in fact, it would work for cleaning. | 0:23:36 | 0:23:38 | |
But if I told you his name, you might guess what he invented | 0:23:38 | 0:23:41 | |
which is in a related field. | 0:23:41 | 0:23:43 | |
His name was Rimmel. | 0:23:43 | 0:23:44 | |
-Oh, did he invent... -Oh, make-up. | 0:23:44 | 0:23:46 | |
-Particular kind? -The lipstick? -Lipstick. | 0:23:46 | 0:23:48 | |
-Not the lipstick, no. -The blusher? | 0:23:48 | 0:23:50 | |
-Not the blusher. -Mascara. | 0:23:50 | 0:23:52 | |
-Yes. -Oh. -Absolutely right, mascara. -Yes. | 0:23:52 | 0:23:54 | |
Why weren't things going off then? | 0:23:54 | 0:23:56 | |
If I'd said things, it would all have gone off. | 0:23:56 | 0:23:58 | |
LAUGHTER | 0:23:58 | 0:24:02 | |
Finally you've worked out the pattern... | 0:24:02 | 0:24:04 | |
If you start guessing things, it goes off! | 0:24:04 | 0:24:07 | |
That's how it works. | 0:24:07 | 0:24:09 | |
-It's just that fair. -Just cos she's a girl! | 0:24:10 | 0:24:12 | |
Oh, now! Now then. | 0:24:12 | 0:24:14 | |
Ahh, she's a girl who knew the right answer. | 0:24:14 | 0:24:16 | |
Ahh, I can't believe it. | 0:24:18 | 0:24:19 | |
There's an urban myth that mascara contains...? | 0:24:19 | 0:24:22 | |
-Have you ever heard of this? -Dogs. | 0:24:22 | 0:24:24 | |
It is made of dogs. The French don't care. | 0:24:24 | 0:24:26 | |
You know what they're like. They're cruel. | 0:24:26 | 0:24:28 | |
Some people think it's made of bat guano. Bat droppings. | 0:24:28 | 0:24:32 | |
-Oh, my goodness. -Bat gua... -It's because it has guanine in it | 0:24:32 | 0:24:35 | |
and guanine is made from fish scales. | 0:24:35 | 0:24:37 | |
Robin, take that and make some mascara. | 0:24:37 | 0:24:39 | |
He looks like... | 0:24:40 | 0:24:42 | |
Please. | 0:24:43 | 0:24:45 | |
Be proud of yourself. | 0:24:45 | 0:24:46 | |
-Is bat guano poisonous? -Batman shit. | 0:24:46 | 0:24:48 | |
LAUGHTER | 0:24:48 | 0:24:51 | |
He was very much a perfume-y sort of person. | 0:24:51 | 0:24:53 | |
In plays in the Victorian era, as the curtain went up, | 0:24:53 | 0:24:56 | |
there would be a waft of perfume for each scene, different perfume, | 0:24:56 | 0:24:59 | |
and he would be credited in the programme - "Perfume by Rimmel." | 0:24:59 | 0:25:04 | |
And now it's time for us to leave the maelstrom of miscellany | 0:25:04 | 0:25:06 | |
and move into the murky waters of general ignorance. | 0:25:06 | 0:25:09 | |
Fingers on mushroomoids. | 0:25:09 | 0:25:11 | |
After you die, what's the last bit of your body to stop beating? | 0:25:11 | 0:25:15 | |
The internal section of the clit... | 0:25:15 | 0:25:19 | |
LAUGHTER | 0:25:19 | 0:25:21 | |
-Now, you see... RHOD: -The foot. | 0:25:21 | 0:25:23 | |
APPLAUSE | 0:25:23 | 0:25:26 | |
It's known as the foot, Alan, in mountaineering circles. | 0:25:26 | 0:25:29 | |
-The foothills are the clitoris. -NOEL: -Oh, is it the shadow? | 0:25:29 | 0:25:32 | |
Excuse me? LAUGHTER | 0:25:32 | 0:25:37 | |
Officially weird. | 0:25:37 | 0:25:39 | |
APPLAUSE | 0:25:41 | 0:25:44 | |
Well, just imagine if you were lying in a coffin | 0:25:44 | 0:25:47 | |
and your shadow was going, "Great, what am I going to do now? | 0:25:47 | 0:25:49 | |
-LAUGHTER -"I could be someone else's shadow." | 0:25:49 | 0:25:52 | |
Do you know about the little pulsing, beating hairs we have in our body? | 0:25:52 | 0:25:56 | |
Oh, in your digestive system? | 0:25:56 | 0:25:57 | |
They're tiny. We have them all over the body. | 0:25:57 | 0:25:59 | |
In the nose, not the nostril hairs, they're big, | 0:25:59 | 0:26:02 | |
but the tiny, tiny little... | 0:26:02 | 0:26:04 | |
Like moss. | 0:26:04 | 0:26:05 | |
Like moss. They're called cilia. | 0:26:05 | 0:26:07 | |
-What, the little hairs in your nose? -Cilia. | 0:26:07 | 0:26:09 | |
-No, not the visible ones. -I was going to say, I feel really guilty, | 0:26:09 | 0:26:12 | |
I machined mine out this morning. | 0:26:12 | 0:26:14 | |
They're like little... | 0:26:14 | 0:26:15 | |
Are they the ones that collect mucus? | 0:26:15 | 0:26:17 | |
Microscopic little bulrushes there, | 0:26:17 | 0:26:19 | |
and they beat in waves to pass things backwards and forwards. | 0:26:19 | 0:26:22 | |
You can test if you put saccharin in your nose... | 0:26:22 | 0:26:25 | |
I know it sounds suspicious... | 0:26:25 | 0:26:27 | |
You trying to get us into trouble or...? | 0:26:27 | 0:26:29 | |
"No, Officer, I'm trying something... | 0:26:29 | 0:26:32 | |
"It's a QI thing. You put..." | 0:26:32 | 0:26:33 | |
Pulling up in a lay-by on the A40. "It's saccharin, Officer." | 0:26:33 | 0:26:36 | |
If you put, just dab saccharin on your nostrils, right... | 0:26:36 | 0:26:39 | |
Right. | 0:26:39 | 0:26:40 | |
And wait, don't push it up or sniff it up, or anything like that, | 0:26:40 | 0:26:43 | |
just wait until you can taste it in the back of the throat. | 0:26:43 | 0:26:46 | |
-Right. -And that's the action of the cilia pulling it up. | 0:26:46 | 0:26:48 | |
Like tiny elves passing to each other. | 0:26:48 | 0:26:51 | |
So, yeah, they studied 100 cadavers, scientists, | 0:26:51 | 0:26:53 | |
and found that not only did the cilia keep moving for up to 20 hours, | 0:26:53 | 0:26:56 | |
but the beat of them slowed down at a consistent pace, regardless | 0:26:56 | 0:27:00 | |
of external factors, like temperature and so on. | 0:27:00 | 0:27:03 | |
-That's so sad. -It could help forensic investigators though, | 0:27:03 | 0:27:05 | |
-work out the time of death. -They kept trying to keep... | 0:27:05 | 0:27:08 | |
"Come on, lads. Keep going, he might come back." | 0:27:08 | 0:27:10 | |
Why would they continue doing that? | 0:27:10 | 0:27:12 | |
Cos they weren't ready to let it go... | 0:27:12 | 0:27:13 | |
Let it go, cilia. | 0:27:13 | 0:27:15 | |
They even transport molecules to the retina's light-sensitive cells. | 0:27:15 | 0:27:19 | |
-They're very amazing. -Quite useful, aren't they? | 0:27:19 | 0:27:22 | |
They help propel sperm and waft eggs through the oviduct. | 0:27:22 | 0:27:25 | |
That's...that's one for you. | 0:27:25 | 0:27:26 | |
LAUGHTER | 0:27:26 | 0:27:29 | |
I have ovaries. | 0:27:29 | 0:27:31 | |
Just in case anyone who watched the programme didn't know that I had | 0:27:31 | 0:27:34 | |
a clitoris, ovaries and a vulva, we've discussed mine this evening. | 0:27:34 | 0:27:37 | |
-Yeah. -Thank you. -Shall I get my rainbow out? -Yes, please. | 0:27:37 | 0:27:40 | |
I've got a Ferris wheel on me cock so don't worry too much. | 0:27:42 | 0:27:45 | |
-We're both having a good time. -Everyone relax, everyone relax. | 0:27:45 | 0:27:47 | |
Shall I waft my eggs over to your Ferris wheel... | 0:27:47 | 0:27:50 | |
Yeah, oh-ho! Oh-ho! | 0:27:50 | 0:27:52 | |
I would say your matrimonial necessities | 0:27:52 | 0:27:54 | |
-have had a damn good airing this evening. -Yeah. | 0:27:54 | 0:27:57 | |
They didn't need it, they definitely didn't need it. | 0:27:57 | 0:28:00 | |
Well, that brings me to the matter of the scores | 0:28:00 | 0:28:03 | |
and how fascinating they are. | 0:28:03 | 0:28:05 | |
Actually, really fantastic because way out in the lead | 0:28:05 | 0:28:09 | |
with a magnificent plus eight is Cariad Lloyd. | 0:28:09 | 0:28:12 | |
-Ah. -LAUGHTER | 0:28:12 | 0:28:15 | |
I win. | 0:28:15 | 0:28:17 | |
In a superb second place, with plus four - Noel Fielding. | 0:28:18 | 0:28:22 | |
APPLAUSE | 0:28:22 | 0:28:25 | |
And no disgrace to be on minus seven - Rhod Gilbert. | 0:28:25 | 0:28:30 | |
Incredible. I'm happy with that... | 0:28:30 | 0:28:33 | |
And pretty good for him, | 0:28:33 | 0:28:35 | |
minus 29 - Alan Davies. | 0:28:35 | 0:28:37 | |
Thank you. | 0:28:37 | 0:28:39 | |
APPLAUSE | 0:28:39 | 0:28:44 | |
Well, that's all from Cariad, Rhod, Noel, Alan and me. | 0:28:44 | 0:28:46 | |
And I leave you with this quote about mystery | 0:28:46 | 0:28:49 | |
from Sir Arthur Eddington, the great physicist. | 0:28:49 | 0:28:51 | |
"Something unknown is doing we don't know what." Goodnight. | 0:28:51 | 0:28:56 |