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This programme contains some strong language | 0:00:02 | 0:00:08 | |
CHEERING AND APPLAUSE | 0:00:21 | 0:00:24 | |
Oh, how nice. Thank you very much. | 0:00:32 | 0:00:34 | |
How lovely! | 0:00:34 | 0:00:36 | |
Welcome to QI, where tonight it's a lot of noble rot with knobs on. | 0:00:36 | 0:00:42 | |
Nibbling at the upper crust are the incomparable king of comedy, | 0:00:42 | 0:00:46 | |
Jason Manford. | 0:00:46 | 0:00:48 | |
-CHEERING AND APPLAUSE -Hello, hello. | 0:00:48 | 0:00:51 | |
The quintessential queen of quips, Sarah Pascoe. | 0:00:51 | 0:00:56 | |
CHEERING AND APPLAUSE | 0:00:56 | 0:00:58 | |
The peerless Prince of pleasantries, Jeremy Clarkson. | 0:01:00 | 0:01:04 | |
CHEERING AND APPLAUSE | 0:01:04 | 0:01:08 | |
And Lordy, Lordy, it's Alan Davies. | 0:01:08 | 0:01:11 | |
CHEERING AND APPLAUSE | 0:01:11 | 0:01:15 | |
Right. Please ring down for service. | 0:01:17 | 0:01:20 | |
Jason goes... | 0:01:20 | 0:01:21 | |
SMALL BELL TINKLES | 0:01:21 | 0:01:23 | |
Sarah goes... | 0:01:23 | 0:01:24 | |
SCHOOL BELL RINGS | 0:01:24 | 0:01:26 | |
Jeremy goes... | 0:01:27 | 0:01:28 | |
LARGE BELL CLANGS | 0:01:28 | 0:01:30 | |
And Alan goes... | 0:01:32 | 0:01:34 | |
ACAPELLA SINGING | 0:01:34 | 0:01:35 | |
# Ring-a-ding, ring-a-ding | 0:01:35 | 0:01:37 | |
# Ring-a-ding, ring-a-ding-ding Ring, ring, ring... # | 0:01:37 | 0:01:39 | |
Let's start off by hobnobbing with a top nobs. | 0:01:39 | 0:01:44 | |
Name a nobleman who invented a hot drink you might enjoy with a hobnob. | 0:01:44 | 0:01:48 | |
-JEREMY: -Coffee Annan. | 0:01:48 | 0:01:50 | |
LAUGHTER AND APPLAUSE | 0:01:50 | 0:01:53 | |
That's a drink and a snack, I think. | 0:01:53 | 0:01:56 | |
-Baron Horlicks? -Very good. | 0:01:57 | 0:01:59 | |
Hobnobs, of course, are an impostor | 0:01:59 | 0:02:01 | |
and no nobleman would have had a hobnob. | 0:02:01 | 0:02:03 | |
-No, that is true. -They have the air of a classic. | 0:02:03 | 0:02:06 | |
They do, and yet it's a PR invention. | 0:02:06 | 0:02:08 | |
Actually, there is a kind of '70s hallucination. | 0:02:08 | 0:02:11 | |
OK. So this hot drink is also a kind of PR invention, | 0:02:11 | 0:02:14 | |
which we called by the name of the Lord, but it isn't really. | 0:02:14 | 0:02:17 | |
-Earl Grey. -Earl Grey. -It is Earl Grey. | 0:02:17 | 0:02:19 | |
It is a black tea which has been flavoured with bergamot oil, | 0:02:19 | 0:02:23 | |
and it is named after Earl Grey. | 0:02:23 | 0:02:24 | |
Almost certainly nothing to do with it. | 0:02:24 | 0:02:26 | |
Even though I think it continues to say so on the packaging. | 0:02:26 | 0:02:28 | |
What about Lady Grey? | 0:02:28 | 0:02:30 | |
-I like Lady Grey. -I was going to ask that. That's lovely, that one. | 0:02:30 | 0:02:32 | |
Well, you and me both! But... LAUGHTER | 0:02:32 | 0:02:35 | |
-It's not a euphemism, it's an actual tea! -Oh, I see. | 0:02:35 | 0:02:38 | |
I'm not into Earl Grey. | 0:02:38 | 0:02:39 | |
-Why's that? -It's like someone's melted some pot pourri in a cup. | 0:02:39 | 0:02:44 | |
The fact it smells exactly like it tastes is weird. | 0:02:44 | 0:02:48 | |
Yeah. You do know you're drunk at a party | 0:02:48 | 0:02:50 | |
if you're eating the pot pourri, don't you? | 0:02:50 | 0:02:53 | |
POT pourri, he started this. | 0:02:53 | 0:02:55 | |
-POT pourri. -POT pourri is how it's said, isn't it, Jason? | 0:02:55 | 0:02:57 | |
Oh, why, is there another pronunciation of it? | 0:02:57 | 0:02:59 | |
-I'm going to say Po Pourri. -Oh, I see. | 0:02:59 | 0:03:01 | |
Po Pourri. I don't know, we don't have it in our house. | 0:03:01 | 0:03:04 | |
Do we know why it's been named after Earl Grey? | 0:03:04 | 0:03:06 | |
-I've no idea. -Indeed, that is correct. -He insisted. | 0:03:06 | 0:03:08 | |
No, he was probably dead 40 years when somebody first came up with it. | 0:03:08 | 0:03:12 | |
Oh, like Jesus. | 0:03:12 | 0:03:14 | |
LAUGHTER | 0:03:14 | 0:03:16 | |
If I'd said that I'd be in so much... He probably will be. | 0:03:23 | 0:03:26 | |
LAUGHTER | 0:03:26 | 0:03:28 | |
Anybody know what Earl Grey IS famous for? | 0:03:28 | 0:03:30 | |
When was he alive? | 0:03:30 | 0:03:31 | |
Well, I can tell you when he was in government, which is from 1830-1834. | 0:03:31 | 0:03:36 | |
-Was it a law? Was it a movement? -It is a law. | 0:03:36 | 0:03:39 | |
OK, so 1830... | 0:03:39 | 0:03:40 | |
-1832 there was an important law. What was that one, Jeremy? -Yes. | 0:03:40 | 0:03:43 | |
-In 1830... -Corn Laws. Repealing the Corn Laws. | 0:03:43 | 0:03:47 | |
-It's the Great Reform Act. -The police... | 0:03:47 | 0:03:49 | |
-That's it! -Great Reform Act... | 0:03:49 | 0:03:50 | |
# Ring-a-ding, ring-a-ding... # | 0:03:50 | 0:03:52 | |
-Yes? -The Great Reform Act of 1832. | 0:03:52 | 0:03:54 | |
LAUGHTER AND APPLAUSE | 0:03:54 | 0:03:57 | |
Yes. So the reforming government extended the right to vote | 0:03:58 | 0:04:01 | |
and got rid of the rotten boroughs, when there were, maybe, | 0:04:01 | 0:04:05 | |
only nine voters returning a member of Parliament, | 0:04:05 | 0:04:07 | |
so it's hard to re-establish the authority of Parliament. | 0:04:07 | 0:04:09 | |
But it was also that he led the most nepotistic government | 0:04:09 | 0:04:14 | |
in British history. OK? | 0:04:14 | 0:04:18 | |
It was described as the most | 0:04:18 | 0:04:19 | |
aristocratic administration that has ever been formed. | 0:04:19 | 0:04:23 | |
All but one of his 13 Cabinet members were either peers | 0:04:23 | 0:04:27 | |
or heirs to a peerage and, in the lower ranks, | 0:04:27 | 0:04:29 | |
-large numbers of his own family. -Did they call it 50 Shades Of Grey? | 0:04:29 | 0:04:33 | |
They should have done. LAUGHTER | 0:04:33 | 0:04:36 | |
-They would have been ahead of the game. -And pretty sexy. | 0:04:36 | 0:04:38 | |
I don't... | 0:04:39 | 0:04:41 | |
Tea, of course, the great British cure-all. | 0:04:41 | 0:04:43 | |
There are some historians who consider that tea ought to take | 0:04:43 | 0:04:46 | |
credit for the fact that the Industrial Revolution | 0:04:46 | 0:04:48 | |
happened first in Britain. Why might that be? | 0:04:48 | 0:04:50 | |
-Caffeine. -What, keeping you awake? -Yes. | 0:04:50 | 0:04:53 | |
-No, it's not that. -What was the question? | 0:04:53 | 0:04:56 | |
No, I was, I'm a bit deaf. | 0:04:57 | 0:04:59 | |
-I'm so glad you joined us. -You're mocking the afflicted. | 0:04:59 | 0:05:02 | |
-Not at all. -That's my job! | 0:05:02 | 0:05:04 | |
SHE SHOUTS: Some historians take a view... | 0:05:04 | 0:05:06 | |
Yep. | 0:05:06 | 0:05:08 | |
It was last Tuesday! LAUGHTER | 0:05:08 | 0:05:10 | |
There are historians who take a view that tea is responsible | 0:05:10 | 0:05:13 | |
for the Industrial Revolution. Why might it be? | 0:05:13 | 0:05:16 | |
-A determination to get tea here quickly? -No. | 0:05:16 | 0:05:19 | |
So, industrialisation, what happens is you get a concentration | 0:05:19 | 0:05:22 | |
of the population in cities and that usually leads to epidemics. | 0:05:22 | 0:05:25 | |
However, in Britain | 0:05:25 | 0:05:26 | |
the health got better rather than worse in cities... | 0:05:26 | 0:05:29 | |
Oh, cos they were boiling the water? | 0:05:29 | 0:05:30 | |
-Because they were boiling the water. -They didn't have the germs. | 0:05:30 | 0:05:33 | |
Exactly right. So other foods associated, I don't know, | 0:05:33 | 0:05:35 | |
more or less plausibly with eponymous nobles? | 0:05:35 | 0:05:38 | |
Baron Kit Kat? | 0:05:38 | 0:05:39 | |
A Baron Kit Kat sounds like one without chocolate on it, doesn't it? | 0:05:41 | 0:05:44 | |
LAUGHTER | 0:05:44 | 0:05:46 | |
APPLAUSE | 0:05:46 | 0:05:49 | |
Beef Wellington. Beef Wellington! | 0:05:49 | 0:05:51 | |
-Good one. -Which I find too rich. Does anybody like beef Wellington? | 0:05:51 | 0:05:54 | |
-I like it, me. -Do you? -Yeah, we didn't get it much at school. | 0:05:54 | 0:05:57 | |
-Did you not? -I've grown into the taste, yeah. | 0:05:57 | 0:06:00 | |
Battenberg cake which was created especially for | 0:06:00 | 0:06:03 | |
the marriage of Prince Louis of Battenberg in 1884. | 0:06:03 | 0:06:07 | |
Are we looking for titled people who give their names to food? | 0:06:07 | 0:06:11 | |
Well, yes. That would be ideal. | 0:06:11 | 0:06:12 | |
LAUGHTER | 0:06:12 | 0:06:14 | |
Wellington. | 0:06:14 | 0:06:15 | |
I will catch up with you in about five minutes. | 0:06:15 | 0:06:18 | |
LAUGHTER | 0:06:18 | 0:06:20 | |
It's a new thing. Honestly, have you tried being deaf? | 0:06:20 | 0:06:24 | |
It's bloody difficult! | 0:06:24 | 0:06:25 | |
-You can't... -Sorry? -It is. | 0:06:25 | 0:06:28 | |
Put your fingers in your ears. It's all just like I'm underwater. | 0:06:28 | 0:06:31 | |
-I'll lean forwards like that then I can stay in tune. -If you say so. | 0:06:32 | 0:06:36 | |
Anyway. Moving on. | 0:06:36 | 0:06:38 | |
One way to get a good job is to be a nobleman's nephew. | 0:06:38 | 0:06:42 | |
But how can you improve your job prospects by getting nicked? | 0:06:42 | 0:06:46 | |
Is this Duke of Marlborough type stuff? | 0:06:46 | 0:06:48 | |
No. Not particularly. | 0:06:48 | 0:06:50 | |
We have to think about other words for... | 0:06:50 | 0:06:53 | |
Oh! So if you're trying to get a job, and it would be good if you | 0:06:53 | 0:06:55 | |
got nicked, maybe the job is, like, testing how sharp paper is. | 0:06:55 | 0:06:58 | |
-OK. -And are people going to get paper cuts? That meaning of nicked. | 0:06:58 | 0:07:02 | |
-That would be a great job. I would like that. -Just work with paper | 0:07:02 | 0:07:04 | |
all day, like - those ones are too sharp. | 0:07:04 | 0:07:06 | |
That one's lovely. | 0:07:06 | 0:07:07 | |
What about when you lick an envelope and you cut your lip. | 0:07:07 | 0:07:10 | |
-Oh! -Yeah. That would be, like, for the boss person | 0:07:10 | 0:07:12 | |
to do that one, with tongues involved. | 0:07:12 | 0:07:14 | |
Half your face falls off. | 0:07:14 | 0:07:16 | |
-Yeah. -OK, weirdly... -That's how the joker got like that. | 0:07:16 | 0:07:19 | |
-Weirdly... -An envelope accident. -..you are in the right area. | 0:07:19 | 0:07:23 | |
-Excellent. -..of cutting your face. | 0:07:23 | 0:07:26 | |
Shaving! Shavers! | 0:07:26 | 0:07:29 | |
-No. -Razors! -Barber! -No, it's nothing to do with shaving. | 0:07:29 | 0:07:32 | |
It is until the Second World War | 0:07:32 | 0:07:34 | |
the tradition of duelling with swords was absolutely woven | 0:07:34 | 0:07:39 | |
into the fabric of life in the higher echelons of society. | 0:07:39 | 0:07:42 | |
We are talking about the German-speaking world, | 0:07:42 | 0:07:44 | |
I should be specific. | 0:07:44 | 0:07:45 | |
And the professional classes | 0:07:45 | 0:07:47 | |
they wore the resulting scars on their cheeks as badges of honour. | 0:07:47 | 0:07:50 | |
And even today there's about 160 student duelling clubs. | 0:07:50 | 0:07:54 | |
We can have a look at them fighting here. | 0:07:54 | 0:07:57 | |
So one of the things is you mustn't move. | 0:07:57 | 0:07:59 | |
You're not allowed to move your feet at all. | 0:07:59 | 0:08:01 | |
You have to keep your left hand behind your back. | 0:08:01 | 0:08:03 | |
-Are they beekeepers or...? -LAUGHTER | 0:08:03 | 0:08:05 | |
They're a bit like Freemasons. | 0:08:05 | 0:08:06 | |
And so the old boys of these duelling clubs | 0:08:06 | 0:08:08 | |
they absolutely dominate lots and lots of the jobs in big business. | 0:08:08 | 0:08:13 | |
And you can see it's very ritualised, | 0:08:13 | 0:08:15 | |
and they have these extraordinary get-togethers. | 0:08:15 | 0:08:17 | |
They sing patriotic songs and they have such prodigious | 0:08:17 | 0:08:20 | |
beer-drinking contests that they have special puking basins. | 0:08:20 | 0:08:24 | |
Is this before the fight? | 0:08:24 | 0:08:26 | |
I'm very much hoping it's afterwards. | 0:08:26 | 0:08:28 | |
-I very much... -That would be great, drunk-duelling. | 0:08:28 | 0:08:31 | |
-I'd like to see that. -I think you did that on about series 16 | 0:08:31 | 0:08:33 | |
of Top Gear, didn't you? | 0:08:33 | 0:08:35 | |
LAUGHTER | 0:08:35 | 0:08:37 | |
They were terrible injuries. | 0:08:37 | 0:08:39 | |
In 1566 the Danish astronomer Tycho Brahe | 0:08:39 | 0:08:42 | |
lost his nose to a fellow student. | 0:08:42 | 0:08:44 | |
Sorry, he was an astronomer? | 0:08:44 | 0:08:47 | |
A famous Danish astronomer. So I'm trying on each show, Jason, | 0:08:47 | 0:08:50 | |
to put in a random Scandinavian fact. | 0:08:50 | 0:08:52 | |
-Good. -Which I call my Randy Scandi. | 0:08:52 | 0:08:54 | |
LAUGHTER | 0:08:54 | 0:08:56 | |
He lost his nose and he had to wear a brass | 0:08:56 | 0:08:58 | |
-prosthetic for the rest of his life. -Brass? -Brass, yeah. | 0:08:58 | 0:09:01 | |
You'd look a bit ridiculous going through airport metal detectors. | 0:09:01 | 0:09:04 | |
That's right. They couldn't get a better nose replacement than brass, | 0:09:04 | 0:09:07 | |
but there were aeroplanes. | 0:09:07 | 0:09:09 | |
LAUGHTER | 0:09:09 | 0:09:11 | |
Why did they fit a brass one? | 0:09:11 | 0:09:13 | |
-It's a talking point, isn't it? -They had chewing gum in those days. | 0:09:13 | 0:09:16 | |
-How did they fit it? -There was an adhesive, | 0:09:16 | 0:09:18 | |
but he is said to have had a green line on his face | 0:09:18 | 0:09:21 | |
where the adhesive... And it's possible he also had | 0:09:21 | 0:09:23 | |
a special gold or silver one for parties. | 0:09:23 | 0:09:25 | |
He's an interesting guy. | 0:09:25 | 0:09:27 | |
He was really concerned about the look of things, | 0:09:27 | 0:09:29 | |
and it is possible that he died from extremely good manners. | 0:09:29 | 0:09:33 | |
So 1601, he was at a banquet, and it wasn't the thing, | 0:09:33 | 0:09:36 | |
when you are at a banquet, to excuse yourself to go and wee. | 0:09:36 | 0:09:40 | |
And he may or may not have died of a burst bladder. | 0:09:40 | 0:09:43 | |
Or maybe he was doing coke? | 0:09:43 | 0:09:45 | |
Again... | 0:09:45 | 0:09:46 | |
Which would probably be really tricky with a brass nose. | 0:09:46 | 0:09:50 | |
-Yeah. -I think I'd have denim. | 0:09:50 | 0:09:52 | |
LAUGHTER | 0:09:52 | 0:09:55 | |
Or gingham for parties. | 0:09:55 | 0:09:57 | |
LAUGHTER | 0:09:57 | 0:09:59 | |
Like kitchen curtains. There's a hole! | 0:09:59 | 0:10:01 | |
LAUGHTER | 0:10:01 | 0:10:03 | |
Or you'd have a miniature sword... | 0:10:03 | 0:10:05 | |
LAUGHTER | 0:10:05 | 0:10:08 | |
"Look, madam, look at my rapier!" | 0:10:12 | 0:10:13 | |
Terrible if you're trying to get off with someone. | 0:10:13 | 0:10:16 | |
"Oh, sorry! Fuck!" | 0:10:16 | 0:10:18 | |
Unless they'd lost their nose as well, and they had a little shield. | 0:10:21 | 0:10:24 | |
That's how you'd know were made for each other. | 0:10:24 | 0:10:26 | |
Literally, been made for each other. I like that very much. | 0:10:26 | 0:10:30 | |
Anybody think women did duelling, or just a boy's thing? | 0:10:30 | 0:10:32 | |
Have you been to the Bigg Market in Newcastle on a Saturday night? | 0:10:32 | 0:10:36 | |
I hope that women did do duelling as well. | 0:10:36 | 0:10:39 | |
Yeah, they did. It was called petticoat duels | 0:10:39 | 0:10:41 | |
and possibly the most famous... | 0:10:41 | 0:10:43 | |
ALAN MIMICS GUNSHOT | 0:10:43 | 0:10:45 | |
LAUGHTER | 0:10:45 | 0:10:48 | |
A kind of a snatch-and-grab! | 0:10:51 | 0:10:53 | |
LAUGHTER | 0:10:53 | 0:10:55 | |
Never thought of hiding a pistol there. | 0:10:57 | 0:10:59 | |
So the most famous one, 1892 in Austria, | 0:10:59 | 0:11:02 | |
it was a topless duel... | 0:11:02 | 0:11:04 | |
Oh, that's brilliant! Channel 5, where are you? | 0:11:04 | 0:11:07 | |
LAUGHTER | 0:11:07 | 0:11:10 | |
..between Princess Metternich and Countess Kielmannsegg | 0:11:10 | 0:11:13 | |
and what I love about it, it's said to have been caused by | 0:11:13 | 0:11:16 | |
a disagreement over a flower arrangement. | 0:11:16 | 0:11:18 | |
Any excuse. | 0:11:18 | 0:11:19 | |
That sounds like, "Yeah, well, I don't like the flowers, | 0:11:19 | 0:11:22 | |
"so get your top off!" | 0:11:22 | 0:11:24 | |
LAUGHTER | 0:11:24 | 0:11:27 | |
I'll duel you! | 0:11:27 | 0:11:29 | |
Apparently both the women were worried that if they were wounded | 0:11:29 | 0:11:32 | |
and some fabric got into the wound it would get infected. | 0:11:32 | 0:11:36 | |
It's the very first emancipated duel, in that every single person | 0:11:36 | 0:11:39 | |
who took part, all the seconds, the two duellers | 0:11:39 | 0:11:42 | |
and indeed the medic, were all women. | 0:11:42 | 0:11:44 | |
It's hard to say who won. | 0:11:44 | 0:11:46 | |
The Princess, she was injured first, on the nose, | 0:11:46 | 0:11:48 | |
so the Countess got first blood, as it were. | 0:11:48 | 0:11:50 | |
But she was then injured on the arm which is a better wound. | 0:11:50 | 0:11:52 | |
So there's points for where you cut the person, then? | 0:11:52 | 0:11:55 | |
-Who does better. -OK. | 0:11:55 | 0:11:57 | |
As long as you come out with both your nipples | 0:11:57 | 0:11:59 | |
I'm sure you'll be all right. | 0:11:59 | 0:12:01 | |
Oh! | 0:12:01 | 0:12:03 | |
LAUGHTER | 0:12:03 | 0:12:05 | |
Milk everywhere. | 0:12:07 | 0:12:09 | |
AUDIENCE GROANS | 0:12:09 | 0:12:11 | |
Boobs aren't full of milk! | 0:12:11 | 0:12:14 | |
That's not why we have... | 0:12:14 | 0:12:16 | |
Do you suppose that there's milk all the time? | 0:12:16 | 0:12:19 | |
We've got a baby in the house, there's milk everywhere. | 0:12:20 | 0:12:22 | |
Boobs are sometimes full of milk. | 0:12:25 | 0:12:27 | |
Possibly not those four. | 0:12:28 | 0:12:29 | |
Perhaps they weren't at the time of the duel. | 0:12:29 | 0:12:32 | |
LAUGHTER | 0:12:32 | 0:12:34 | |
"Stop it!" | 0:12:36 | 0:12:38 | |
"Stop it!" | 0:12:38 | 0:12:40 | |
"You are perforated." | 0:12:42 | 0:12:44 | |
I often wonder how we get to where we do. | 0:12:46 | 0:12:49 | |
LAUGHTER | 0:12:49 | 0:12:51 | |
The rule for German businessman is, "You scratch my cheek | 0:12:51 | 0:12:54 | |
"and I'll scratch yours." How can you tell a nob from a yob? | 0:12:54 | 0:12:59 | |
So we were talking about PO pourri and POT pourri. | 0:12:59 | 0:13:01 | |
How would you know your upper-class from your not so upper-class? | 0:13:01 | 0:13:05 | |
Would they say he's a YOBE? | 0:13:05 | 0:13:07 | |
A NOBE and a YOBE. | 0:13:07 | 0:13:10 | |
It is absolutely to do with what you say. | 0:13:10 | 0:13:12 | |
So in 1954 there was a linguistics professor at Aston University | 0:13:12 | 0:13:15 | |
in Birmingham called Alan Ross. And he devised the terms | 0:13:15 | 0:13:19 | |
U and non-U to distinguish speech patterns | 0:13:19 | 0:13:22 | |
of the English upper classes and what they, unfortunately, called | 0:13:22 | 0:13:25 | |
the lower social strata. | 0:13:25 | 0:13:26 | |
The following year, Nancy Mitford, the extraordinary... | 0:13:26 | 0:13:29 | |
one of the Mitford sisters - there she is on the right there | 0:13:29 | 0:13:31 | |
with her sister's Unity and Diana - | 0:13:31 | 0:13:33 | |
she picked this up in an essay and she said that, nowadays, | 0:13:33 | 0:13:36 | |
you couldn't tell the upper classes, cos they were no longer | 0:13:36 | 0:13:39 | |
cleaner, richer or better-educated than anybody else. | 0:13:39 | 0:13:41 | |
It was principally by language, | 0:13:41 | 0:13:43 | |
and this caused tremendous anxiety in the middle-classes. | 0:13:43 | 0:13:46 | |
So the question is, would you use loo paper or toilet paper? | 0:13:46 | 0:13:48 | |
Bog roll! | 0:13:48 | 0:13:51 | |
LAUGHTER | 0:13:51 | 0:13:53 | |
Do you know, it really is an interesting question. | 0:13:53 | 0:13:55 | |
I was away last week, I was Namibia, and I went up to the man, | 0:13:55 | 0:13:58 | |
cos we were camping. I said, "Have you got any bog roll?" | 0:13:58 | 0:14:01 | |
And he went, "What?" Like, it obviously doesn't work in Namibia. | 0:14:01 | 0:14:04 | |
And I was actually flummoxed, thinking, "Now, what do I say?" | 0:14:04 | 0:14:07 | |
What did you do, did you mime? | 0:14:07 | 0:14:09 | |
-Yes, I did. -Did you? | 0:14:09 | 0:14:10 | |
Rather than say loo roll. | 0:14:10 | 0:14:12 | |
Which is just... I know. | 0:14:12 | 0:14:14 | |
LAUGHTER | 0:14:14 | 0:14:17 | |
Here's an interesting fact about wiping your bum. | 0:14:17 | 0:14:20 | |
Yes. | 0:14:20 | 0:14:21 | |
I worked this out on the last tour of mine, right. | 0:14:23 | 0:14:25 | |
But half the population, right, when they're wiping their bottom, | 0:14:25 | 0:14:28 | |
they stand up, a hand goes back and they wipe, right. | 0:14:28 | 0:14:32 | |
And the other half, they stay sat down and reach in and have a wipe. | 0:14:32 | 0:14:35 | |
And the weirdest thing is one half, until I just said it now, | 0:14:35 | 0:14:39 | |
didn't even know the other half existed. | 0:14:39 | 0:14:42 | |
-How did you get inspired to start this survey? -Yeah. | 0:14:42 | 0:14:45 | |
How did you know that about the other people? | 0:14:45 | 0:14:48 | |
I think I just walked in on someone. | 0:14:48 | 0:14:49 | |
LAUGHTER | 0:14:49 | 0:14:51 | |
I was like, "What are you doing?" | 0:14:51 | 0:14:53 | |
"This is how you wipe your bum." I went, "It isn't, watch this." | 0:14:53 | 0:14:55 | |
LAUGHTER | 0:14:55 | 0:14:57 | |
So this is a survey based on two people? | 0:14:57 | 0:15:00 | |
LAUGHTER | 0:15:00 | 0:15:02 | |
-I started mentioning it on tour. -Oh, started mentioning it... | 0:15:02 | 0:15:05 | |
-And I noticed that... We'll do it now. -OK. -Right. | 0:15:05 | 0:15:08 | |
LAUGHTER | 0:15:08 | 0:15:09 | |
-If you stand up after you finished and wipe your bottom... -Yeah. | 0:15:09 | 0:15:13 | |
..give me a cheer. | 0:15:13 | 0:15:15 | |
AUDIENCE CHEERS | 0:15:15 | 0:15:17 | |
If you stay sat down and reach in and wipe your bottom, | 0:15:17 | 0:15:19 | |
-give us a cheer. -AUDIENCE CHEERS | 0:15:19 | 0:15:21 | |
50-50. It's weird! It's weird! | 0:15:21 | 0:15:24 | |
APPLAUSE | 0:15:24 | 0:15:26 | |
I didn't think it is 50-50. | 0:15:29 | 0:15:31 | |
I thought the ones who sit down were a slightly camper noise. | 0:15:31 | 0:15:34 | |
LAUGHTER | 0:15:34 | 0:15:35 | |
When you go to a festival or any outdoor event, | 0:15:35 | 0:15:38 | |
what is it that causes somebody to sit down on the lavatory | 0:15:38 | 0:15:42 | |
and then completely mess up all the rest of it. | 0:15:42 | 0:15:45 | |
"What shall I do with that? I'll throw it on the floor. | 0:15:45 | 0:15:48 | |
"Then I'll completely unravel all the rest of the bog and then, | 0:15:48 | 0:15:51 | |
"somehow, get all that blue stuff all over the seat." | 0:15:51 | 0:15:54 | |
You think, do you do that at home? I mean, how...? | 0:15:54 | 0:15:57 | |
LSD! They're on LSD. | 0:15:57 | 0:16:00 | |
Ah! | 0:16:01 | 0:16:02 | |
LAUGHTER | 0:16:02 | 0:16:04 | |
APPLAUSE | 0:16:12 | 0:16:14 | |
I'm in a blue box! | 0:16:14 | 0:16:17 | |
I'm more suspicious. | 0:16:17 | 0:16:18 | |
I think they might have known that you were behind them in the queue. | 0:16:18 | 0:16:21 | |
LAUGHTER | 0:16:21 | 0:16:24 | |
It's every one of them! Every single one you ever go. | 0:16:24 | 0:16:26 | |
They can't all imagine I'm in there. | 0:16:26 | 0:16:28 | |
Although somebody did once push one of those things over | 0:16:28 | 0:16:30 | |
when I was in it. Yes, they did know it was me. | 0:16:30 | 0:16:33 | |
-Did they? -At least you can stand up. | 0:16:33 | 0:16:35 | |
For women it's really difficult because you sort of have to hover, | 0:16:35 | 0:16:38 | |
don't you? And I remember one time I went to the ladies, | 0:16:38 | 0:16:40 | |
and the lock didn't quite work. This is a very tricky | 0:16:40 | 0:16:43 | |
moment for a woman, because you have to sort of hover... | 0:16:43 | 0:16:45 | |
LAUGHTER | 0:16:45 | 0:16:47 | |
And I...so obsessed with not making a mess on the seat, I thought, | 0:16:47 | 0:16:50 | |
"Oh, sod it, I'll just sit down." And as I sat down | 0:16:50 | 0:16:52 | |
the door burst open and a woman came straight in | 0:16:52 | 0:16:54 | |
and she went, "Oh, I'm so sorry." And then she shut the door again. | 0:16:54 | 0:16:57 | |
And then she burst it open again | 0:16:57 | 0:16:59 | |
and she went, "You're Sandi Toksvig. Can I...?" | 0:16:59 | 0:17:01 | |
LAUGHTER AND APPLAUSE | 0:17:01 | 0:17:04 | |
"Give us a minute!" | 0:17:06 | 0:17:08 | |
Anyway, moving on. | 0:17:09 | 0:17:10 | |
What's so darn shocking about this map? | 0:17:10 | 0:17:13 | |
-Is "darn" important? -Darn is very important, yeah. | 0:17:13 | 0:17:16 | |
-So it's something to do with knitting? -No, not that kind of darn. | 0:17:16 | 0:17:19 | |
In the United States what might darn be for? | 0:17:19 | 0:17:22 | |
-Darn! -Darn! -People who say "darn"? | 0:17:22 | 0:17:24 | |
Yes, people who say "darn". It's a euphemism for "damn" from 1781. | 0:17:24 | 0:17:29 | |
And this is its Gi-z score. | 0:17:29 | 0:17:32 | |
OK. | 0:17:32 | 0:17:34 | |
LAUGHTER | 0:17:34 | 0:17:36 | |
It's statistics, people. | 0:17:36 | 0:17:39 | |
LAUGHTER | 0:17:39 | 0:17:40 | |
There was an analysis done of nine billion words in... | 0:17:40 | 0:17:44 | |
-Nine billion... -..in America. -..ejaculations! | 0:17:44 | 0:17:47 | |
LAUGHTER | 0:17:47 | 0:17:49 | |
Blue's bad, but orange is really bad! | 0:17:49 | 0:17:51 | |
LAUGHTER | 0:17:51 | 0:17:53 | |
Nine billion words in American tweets and then they geocoded them, | 0:17:54 | 0:17:58 | |
so they analysed where they are, pinpointing it on a map. | 0:17:58 | 0:18:00 | |
And then they displayed them as heat maps. | 0:18:00 | 0:18:02 | |
So this is "darn". | 0:18:02 | 0:18:04 | |
And if you look at the more the word is used, the darker the red colour. | 0:18:04 | 0:18:08 | |
And the less it's used, the darker the blue. | 0:18:08 | 0:18:11 | |
So it shows that darn is used very heavily | 0:18:11 | 0:18:13 | |
in the northern-central states, well, in tweets, at the very least. | 0:18:13 | 0:18:16 | |
So have a look at this one. | 0:18:16 | 0:18:18 | |
What words do you think this map represents? | 0:18:18 | 0:18:20 | |
It's another American swearword. | 0:18:20 | 0:18:23 | |
"Golly". | 0:18:23 | 0:18:24 | |
You're close, it's "gosh". | 0:18:24 | 0:18:27 | |
-Gosh. -Gosh. -Gosh darn! | 0:18:27 | 0:18:29 | |
So heavily used around Texas - | 0:18:29 | 0:18:31 | |
you can see where the red is and hardly at all up in New England. | 0:18:31 | 0:18:33 | |
They don't use "gosh" very much. | 0:18:33 | 0:18:35 | |
-I like these ones. -Is this words that people use when they jizz? | 0:18:35 | 0:18:38 | |
Is that what it is? | 0:18:38 | 0:18:41 | |
-LAUGHTER -"Gosh!" | 0:18:41 | 0:18:42 | |
LAUGHTER | 0:18:42 | 0:18:46 | |
"Gosh darn it! | 0:18:46 | 0:18:47 | |
"I'm sorry, Miss Ellen." | 0:18:47 | 0:18:49 | |
This show's changing, isn't it? | 0:18:51 | 0:18:53 | |
Yeah. And I'm just trying to wrestle it back. | 0:18:53 | 0:18:56 | |
So have a look at this one. | 0:18:56 | 0:18:57 | |
Very heavily used in New England, | 0:18:57 | 0:18:59 | |
hardly used in the south-east at all. | 0:18:59 | 0:19:01 | |
Goddamn! It's "asshole"! | 0:19:01 | 0:19:03 | |
-Asshole. -Asshole. Of course. | 0:19:03 | 0:19:04 | |
-That and... -Do they not use it, then? | 0:19:04 | 0:19:06 | |
-They don't say "asshole" in Arkansas? -Georgia. | 0:19:06 | 0:19:09 | |
-Or the Carolinas? -Not used in Florida. | 0:19:09 | 0:19:11 | |
-It's not used in Montana, cos there's nobody there. -That's true. | 0:19:11 | 0:19:16 | |
It's not often you see a map of the Gi-z score for "asshole", is it? | 0:19:16 | 0:19:19 | |
LAUGHTER | 0:19:19 | 0:19:21 | |
Not now Stephen's gone. | 0:19:21 | 0:19:22 | |
LAUGHTER | 0:19:22 | 0:19:26 | |
So here's the question. | 0:19:27 | 0:19:28 | |
Do you think that people who swear a lot are more articulate | 0:19:28 | 0:19:32 | |
or less articulate? | 0:19:32 | 0:19:34 | |
-More. -Why? | 0:19:34 | 0:19:35 | |
Cos they've got more words. | 0:19:35 | 0:19:37 | |
That's exactly right. No, it's exactly right. | 0:19:37 | 0:19:39 | |
Like "wank" and "bloody", and things like that. | 0:19:39 | 0:19:41 | |
People who don't swear haven't got those words. | 0:19:41 | 0:19:43 | |
You were doing so well, | 0:19:43 | 0:19:45 | |
and now you're hardly going to appear in the programme at all. | 0:19:45 | 0:19:48 | |
LAUGHTER AND APPLAUSE | 0:19:48 | 0:19:50 | |
-It's just going to be you going, "What?" -What? | 0:19:50 | 0:19:53 | |
It's since I started wearing cardigans my ears have gone wrong. | 0:19:53 | 0:19:57 | |
-Is that what it is? -Yeah. -I think you're putting them on wrong. | 0:19:57 | 0:20:00 | |
LAUGHTER | 0:20:00 | 0:20:01 | |
No, there's a swearing fluency test, | 0:20:03 | 0:20:05 | |
and if you do the test and you ask people to write down how many | 0:20:05 | 0:20:07 | |
swear words they can think of in two minutes, | 0:20:07 | 0:20:09 | |
the people who will succeed best are the people who are the most | 0:20:09 | 0:20:12 | |
articulate, although it depends what language you speak, so Japanese, | 0:20:12 | 0:20:15 | |
very, very few swear words. | 0:20:15 | 0:20:17 | |
Dutch bargees, they can swear uninterrupted, most of them, | 0:20:17 | 0:20:20 | |
for two minutes without repetition or hesitation. | 0:20:20 | 0:20:22 | |
-Can they really? -Yeah. Dutch is really good. | 0:20:22 | 0:20:25 | |
-They've got, what's that word, "Swaffelen". -What does it mean? | 0:20:25 | 0:20:28 | |
Well, you certainly couldn't say it on Dutch television. | 0:20:28 | 0:20:31 | |
It means to bang your penis against the Taj Mahal. | 0:20:31 | 0:20:36 | |
LAUGHTER | 0:20:36 | 0:20:38 | |
Who amongst us hasn't had that urge? | 0:20:42 | 0:20:45 | |
Jeremy, when I finish this show, | 0:20:47 | 0:20:49 | |
if I get into trouble for googling that, I'm coming after you. | 0:20:49 | 0:20:51 | |
LAUGHTER | 0:20:51 | 0:20:53 | |
Anyway. Moving on. | 0:20:53 | 0:20:55 | |
What can't you have knobs on in Canada? | 0:20:55 | 0:20:57 | |
-Furniture. -Sort of. | 0:20:57 | 0:21:00 | |
It's against the law in some places. | 0:21:00 | 0:21:02 | |
Isn't everything against the law in Canada, really? | 0:21:02 | 0:21:05 | |
They're very polite, Canadians, they're like America with manners. | 0:21:05 | 0:21:08 | |
They are incredibly nice and Vancouver always wins the best place | 0:21:08 | 0:21:11 | |
in the world to live, because nothing ever happens there. | 0:21:11 | 0:21:14 | |
-OK, so it is Vancouver that we need to be in. -Oh. | 0:21:14 | 0:21:17 | |
And it was a law passed in 2014. | 0:21:17 | 0:21:19 | |
-Doorknobs. -Doorknobs, yes. | 0:21:19 | 0:21:21 | |
You cannot have doorknobs at all in Vancouver. | 0:21:21 | 0:21:24 | |
-Are they trapped inside? -They can't get out. | 0:21:24 | 0:21:26 | |
LAUGHTER | 0:21:26 | 0:21:28 | |
Has anyone heard from anyone from Vancouver in the last year? | 0:21:28 | 0:21:31 | |
"It's the best place to live in the world, | 0:21:31 | 0:21:34 | |
"we won't let you out again!" | 0:21:34 | 0:21:36 | |
No new buildings, domestic or commercial, is allowed to have | 0:21:36 | 0:21:38 | |
doorknobs on them. They can only have levers. Why might that be? | 0:21:38 | 0:21:41 | |
Is it when it gets caught in your pocket as you wander past? | 0:21:41 | 0:21:43 | |
Really annoying, isn't it? | 0:21:43 | 0:21:45 | |
No, it's to do with the elderly and the infirm. | 0:21:45 | 0:21:47 | |
-They can't turn the knobs. -Arthritic hands. | 0:21:47 | 0:21:50 | |
Yes! The idea is to make all buildings work for everybody, | 0:21:50 | 0:21:52 | |
so that you don't have doorknobs any more. | 0:21:52 | 0:21:54 | |
Anyway, a year before the ban was introduced | 0:21:54 | 0:21:57 | |
there was a pro-knob lobby. | 0:21:57 | 0:22:00 | |
They were up in arms about the incursions of the nanny state. | 0:22:01 | 0:22:05 | |
And the president of the Antique Doorknob Collectors Of America, | 0:22:05 | 0:22:08 | |
Allen Joslyn, said, "To say that when I build my private home | 0:22:08 | 0:22:12 | |
"and nobody is disabled, that I have to put levers on | 0:22:12 | 0:22:15 | |
"strikes me as overreach." | 0:22:15 | 0:22:16 | |
And they do have one rather telling objection, | 0:22:16 | 0:22:19 | |
because the advantage of door levers is not restricted to | 0:22:19 | 0:22:22 | |
the old and the infirm. So, operating a doorknob requires | 0:22:22 | 0:22:25 | |
-pronation and supination of the wrist. -Yeah, a dog can get in. | 0:22:25 | 0:22:28 | |
That's the point. | 0:22:28 | 0:22:30 | |
To be fair, that dog deserves to be able to open a door. | 0:22:30 | 0:22:33 | |
Yeah, that's true. | 0:22:33 | 0:22:34 | |
-If that's skills he's got. -But they prefer levers to knobs | 0:22:34 | 0:22:36 | |
because if you haven't got an opposable thumb | 0:22:36 | 0:22:38 | |
you can't possibly work it. | 0:22:38 | 0:22:40 | |
However, there is a county in Colorado, Pitkin County, | 0:22:40 | 0:22:43 | |
which has gone the opposite way to Vancouver and banned all levers. | 0:22:43 | 0:22:46 | |
You can only have doorknobs. Why might that be? | 0:22:46 | 0:22:48 | |
-Bears. -Absolutely right. It is bears. | 0:22:48 | 0:22:50 | |
"Look at them. We can't get in, what are we going to do?" | 0:22:50 | 0:22:53 | |
"I'll pick you up. You go through the window." | 0:22:53 | 0:22:56 | |
LAUGHTER | 0:22:56 | 0:23:00 | |
Anyway. What did the royal families of Europe | 0:23:00 | 0:23:03 | |
wear under their uniforms during the 19th century? | 0:23:03 | 0:23:06 | |
Pot pourri. | 0:23:06 | 0:23:08 | |
They were naked. | 0:23:08 | 0:23:10 | |
No! KLAXON | 0:23:10 | 0:23:13 | |
They had rather fine underwear. | 0:23:13 | 0:23:15 | |
-Armour. -What was the question? I've forgotten this one as well. | 0:23:15 | 0:23:19 | |
What did royal families of Europe wear | 0:23:19 | 0:23:22 | |
-under the uniform during the 19th century? -Silk undies. | 0:23:22 | 0:23:26 | |
It's closer to the skin even than your underwear. | 0:23:26 | 0:23:29 | |
Lice. | 0:23:29 | 0:23:31 | |
LAUGHTER | 0:23:31 | 0:23:34 | |
Just loads of lice all around. | 0:23:34 | 0:23:36 | |
That that's even a thought in your head is a worry. | 0:23:36 | 0:23:40 | |
No. Decorative. | 0:23:40 | 0:23:42 | |
-Tattoos. -Tattoos is exactly right. | 0:23:42 | 0:23:44 | |
There was a craze for tattoos. | 0:23:44 | 0:23:46 | |
According to the Harmsworth monthly pictorial magazine | 0:23:46 | 0:23:50 | |
the Grand Duke Alexei of Russia was most elaborately tattooed. | 0:23:50 | 0:23:54 | |
And they were lots of them - Prince and Princess Valdemar of Denmark, | 0:23:54 | 0:23:57 | |
Queen Olga of Greece, King Oscar of Sweden, | 0:23:57 | 0:24:00 | |
the Grand Duke Konstantin | 0:24:00 | 0:24:02 | |
and, in fact, also in the UK, King Edward VII, | 0:24:02 | 0:24:05 | |
and his son George V. | 0:24:05 | 0:24:06 | |
Edward VII had five crosses, which he had done on a visit to Jerusalem | 0:24:06 | 0:24:10 | |
when he was the Prince of Wales, when he was 20. | 0:24:10 | 0:24:13 | |
And then George, his son, had the same design done | 0:24:13 | 0:24:15 | |
by the same artist 20 years later. | 0:24:15 | 0:24:17 | |
And my favourite story features a random Scandinavian, | 0:24:17 | 0:24:20 | |
a Randy Scandi of sorts, | 0:24:20 | 0:24:22 | |
Napoleon's marshal, Jean-Baptiste Jules Bernadotte, | 0:24:22 | 0:24:26 | |
he was a revolutionary firebrand, and he rose to become | 0:24:26 | 0:24:29 | |
King of Sweden and Norway, | 0:24:29 | 0:24:32 | |
and had turned against Napoleon. | 0:24:32 | 0:24:34 | |
He reigned for 26 years after Bonaparte's deposition and | 0:24:34 | 0:24:37 | |
while he was king he never allowed doctors to see his naked torso. | 0:24:37 | 0:24:42 | |
And there is a reason, that became apparent after death, | 0:24:42 | 0:24:44 | |
when he was found to have a tattoo from his revolutionary days | 0:24:44 | 0:24:47 | |
that said, "Death to kings"! | 0:24:47 | 0:24:49 | |
LAUGHTER | 0:24:49 | 0:24:52 | |
And his heirs are the royal family of Sweden to this day. | 0:24:52 | 0:24:54 | |
-Wow. -Anyway, lots of kings have had tattoos, | 0:24:54 | 0:24:57 | |
but we can't show you any for regal reasons! | 0:24:57 | 0:25:00 | |
AUDIENCE GROANS | 0:25:00 | 0:25:02 | |
-All right, that's enough! -Thank you. | 0:25:02 | 0:25:05 | |
Now we descend from the airy mansions of the nobility | 0:25:05 | 0:25:08 | |
to the bleak basement that is general ignorance. | 0:25:08 | 0:25:10 | |
Fingers on buzzers, please. | 0:25:10 | 0:25:12 | |
What was this person's first name? | 0:25:12 | 0:25:15 | |
-Victoria. -It is Queen Victoria... | 0:25:15 | 0:25:17 | |
KLAXON | 0:25:17 | 0:25:20 | |
-..but it isn't her first name. -Oh! | 0:25:21 | 0:25:23 | |
She was born on 24th May... | 0:25:23 | 0:25:26 | |
Brian. | 0:25:26 | 0:25:27 | |
LAUGHTER | 0:25:27 | 0:25:29 | |
..and christened Brian. | 0:25:29 | 0:25:31 | |
Could it be something, Gertrude or something German? | 0:25:32 | 0:25:35 | |
It's Alexandrina. | 0:25:35 | 0:25:37 | |
She was named both after her godfather, Alexander I of Russia, | 0:25:37 | 0:25:40 | |
and her mother as well. When she was a child she was known as Drina, | 0:25:40 | 0:25:43 | |
and when she became Queen, so 1837, | 0:25:43 | 0:25:45 | |
in the official documents she is originally Alexandrina Victoria, | 0:25:45 | 0:25:48 | |
and then she decided that she wanted her first name removed | 0:25:48 | 0:25:51 | |
and never to be used again. | 0:25:51 | 0:25:52 | |
But I think it was part of her wanting to be her own person, | 0:25:52 | 0:25:55 | |
because her very first royal act, when she was 18, and she became | 0:25:55 | 0:25:58 | |
queen, was to have her bed moved out of her mother's bedroom | 0:25:58 | 0:26:01 | |
and to have her own bedroom. | 0:26:01 | 0:26:03 | |
That is quite old to still be sleeping in your mum's room. | 0:26:03 | 0:26:05 | |
-Especially if you're queen. -Fair play, I'm in charge now. | 0:26:05 | 0:26:08 | |
The Victorians were nearly the Drinians. | 0:26:08 | 0:26:12 | |
Under the Emperor Diocletian, the Roman Empire had four capitals, | 0:26:12 | 0:26:16 | |
please, name two of them. | 0:26:16 | 0:26:18 | |
Constantinople? | 0:26:18 | 0:26:20 | |
KLAXON | 0:26:20 | 0:26:22 | |
No. Any more for any more? | 0:26:22 | 0:26:24 | |
Not Constantinople. | 0:26:24 | 0:26:26 | |
-Rome. -What had four capitals? | 0:26:26 | 0:26:27 | |
KLAXON The Roman Empire. | 0:26:27 | 0:26:30 | |
-London? -Not Rome, not London. | 0:26:30 | 0:26:33 | |
Keep going, I don't think you're going to guess. | 0:26:33 | 0:26:35 | |
Venice, Tripoli, Florence. | 0:26:35 | 0:26:37 | |
Something Germania. | 0:26:37 | 0:26:39 | |
When he came to power, so 2804 AD, | 0:26:39 | 0:26:41 | |
the Roman Empire, it was threatened to collapse | 0:26:41 | 0:26:43 | |
and he did this brilliant thing. He decided to do a tetrarchy, | 0:26:43 | 0:26:47 | |
and that is to be ruled by four emperors. | 0:26:47 | 0:26:50 | |
And so he had four capitals. | 0:26:50 | 0:26:52 | |
They were Nicomedia, which is in modern-day Turkey, | 0:26:52 | 0:26:55 | |
Sirmium, in modern-day Serbia. | 0:26:55 | 0:26:57 | |
Mediolanum, which is modern-day Milan. | 0:26:57 | 0:27:00 | |
And Augusta Treverorum, modern-day Trier. | 0:27:00 | 0:27:03 | |
And actually it worked so well | 0:27:03 | 0:27:06 | |
that Diocletian was the very first emperor to be able to retire. | 0:27:06 | 0:27:09 | |
He retired to the Dalmatian coast, | 0:27:09 | 0:27:12 | |
so that's modern-day Croatia, and he grew vegetables. | 0:27:12 | 0:27:14 | |
So that's the real moral about outsourcing. | 0:27:14 | 0:27:17 | |
-Yes. -Don't get too stressed, | 0:27:17 | 0:27:18 | |
-give other people your job and grow some vegetables. -Franchise! | 0:27:18 | 0:27:21 | |
-JASON: -Just delegate, man. -Yeah. | 0:27:21 | 0:27:23 | |
Don't worry too much about it. All of which brings us to the scores. | 0:27:23 | 0:27:28 | |
Well, a fantastic and outright winner, | 0:27:28 | 0:27:30 | |
in first place with eight points, | 0:27:30 | 0:27:32 | |
it's Jason! | 0:27:32 | 0:27:34 | |
APPLAUSE | 0:27:34 | 0:27:37 | |
You'd better check them! | 0:27:37 | 0:27:39 | |
In second place with minus five, | 0:27:39 | 0:27:41 | |
it's Jeremy. | 0:27:41 | 0:27:42 | |
Thank you so much. | 0:27:42 | 0:27:44 | |
-APPLAUSE -Thank you. | 0:27:44 | 0:27:47 | |
In third place, minus 21, Sarah. | 0:27:47 | 0:27:49 | |
CHEERING | 0:27:49 | 0:27:53 | |
And with a commendable minus 64... | 0:27:53 | 0:27:56 | |
LAUGHTER | 0:27:56 | 0:27:57 | |
Alan! | 0:27:57 | 0:27:59 | |
APPLAUSE | 0:27:59 | 0:28:03 | |
It only remains for me to thank Sarah, Jason, Jeremy and Alan, | 0:28:07 | 0:28:11 | |
and finally, in case you're feeling envious of the nobility, | 0:28:11 | 0:28:14 | |
spare a thought for Lord Ivy. | 0:28:14 | 0:28:16 | |
The head of the Guinness family in the 1980s | 0:28:16 | 0:28:19 | |
was injured in a traffic accident in Dublin and taken to hospital. | 0:28:19 | 0:28:22 | |
Under the Irish system, people earning more than £11,000 a year | 0:28:22 | 0:28:26 | |
had to pay for their treatment, so when he arrived they asked him, | 0:28:26 | 0:28:29 | |
"Do you earn £11,000?" | 0:28:29 | 0:28:31 | |
To which he replied, "Some days I do, some days I don't." | 0:28:31 | 0:28:34 | |
Toodle-pip! | 0:28:34 | 0:28:36 |