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I'm Rhod Gilbert, stand-up comedian. | 0:00:01 | 0:00:03 | |
People tell me I've got the toughest job in town | 0:00:03 | 0:00:05 | |
but I'm sure I'll find other things far more difficult. | 0:00:05 | 0:00:08 | |
So I'm ditching my regular job and trying something completely different. | 0:00:08 | 0:00:12 | |
This is my Work Experience. | 0:00:12 | 0:00:14 | |
This programme contains adult humour and some scenes which some viewers may find upsetting. | 0:00:14 | 0:00:18 | |
All I knew was I was going to a dairy farm so I needed to practise milking something. | 0:00:19 | 0:00:23 | |
Unfortunately the only thing I found to milk was my flatmate, comedian Lloyd Langford. | 0:00:23 | 0:00:28 | |
-Ugh! -That's the way Lloyd, you're doing well now. | 0:00:28 | 0:00:31 | |
-You need to warm your hands up. -You need to warm your udders up. | 0:00:31 | 0:00:34 | |
You've lost your rhythm there. | 0:00:34 | 0:00:35 | |
I have lost my rhythm now. It's not as easy as it looks, farming. | 0:00:35 | 0:00:38 | |
I'm not an expert, but I don't think it should be coming out | 0:00:38 | 0:00:41 | |
of that part of the teat! | 0:00:41 | 0:00:43 | |
Look at that, our cup overfloweth, Lloyd. | 0:00:43 | 0:00:46 | |
Milking Lloyd with his rubber-glove udders gave me an invaluable insight | 0:00:46 | 0:00:49 | |
into the difficulties I would face working with real cows. | 0:00:49 | 0:00:52 | |
This is going to be pretty brutal. It's early mornings, it's manual labour. | 0:00:56 | 0:01:01 | |
Look at me, I've got hands like a snooker referee, not a farmer. | 0:01:01 | 0:01:04 | |
It's a million miles away from what I do. | 0:01:04 | 0:01:07 | |
The closest I've come to being a farmer is when | 0:01:07 | 0:01:09 | |
I do a gig in England and somebody does a sheep noise at me. | 0:01:09 | 0:01:13 | |
This is the farmyard and judging by the smell, I'm in the right place. | 0:01:13 | 0:01:18 | |
'The thought of being a farmer made me as happy as a crated veal calf. | 0:01:18 | 0:01:21 | |
'This pretty West Wales farm belonged to the Robinsons | 0:01:21 | 0:01:24 | |
'and would be my home for the next few days.' | 0:01:24 | 0:01:26 | |
-Hi. -Hi, I'm Ginsey -Hi, Rhod. I've been tiptoeing all the way here through the muck. | 0:01:26 | 0:01:32 | |
-Yeah, you need wellies. -I do. | 0:01:32 | 0:01:33 | |
'Luckily Ginsey was packing rubber - wellied up, we went to meet husband David.' | 0:01:33 | 0:01:38 | |
-You have a weather cow, that's unusual. -I don't know how accurate it is. | 0:01:38 | 0:01:41 | |
-If the BBC can't get it right, I'm not sure a cow can do it. -Ha-ha, yeah. | 0:01:41 | 0:01:46 | |
Hello. David. | 0:01:46 | 0:01:47 | |
-Yes, hi. -Hello, Rod. -Hello. | 0:01:47 | 0:01:50 | |
You've met your wife, Ginsey? | 0:01:50 | 0:01:51 | |
'David had been farming all his life. | 0:01:51 | 0:01:53 | |
'For a few days I would be his poo-spattered apprentice.' | 0:01:53 | 0:01:57 | |
It's typical, you've turned up after all the morning work's been done. | 0:01:57 | 0:02:01 | |
-I'm very good at that. What am I going to have to do? -Anything that's going. | 0:02:01 | 0:02:04 | |
-I've got a list. -OK, what's a normal morning? | 0:02:04 | 0:02:07 | |
Milking, feeding the animals, bedding them down, clean the cows, feed the cows... | 0:02:07 | 0:02:11 | |
'David's day sounded like a shopping list of all my fantasies. | 0:02:11 | 0:02:14 | |
'I was too turned on to listen properly. | 0:02:14 | 0:02:16 | |
'Something about milking a sheep, feeding a log and bedding a tractor. | 0:02:16 | 0:02:21 | |
'One of the bulls recognised his late wife in my leather jacket, | 0:02:21 | 0:02:24 | |
'so I picked something from David's "Farmani" collection.' | 0:02:24 | 0:02:27 | |
I look like a slightly farmery version of the Red Devils. | 0:02:27 | 0:02:31 | |
Come here. | 0:02:31 | 0:02:32 | |
You didn't pay me any attention in my London gear, now look at me! | 0:02:32 | 0:02:36 | |
Like one of the family, eh? | 0:02:36 | 0:02:38 | |
'As a trainee farmer, my benefits package included a head-turning company car.' | 0:02:40 | 0:02:44 | |
-Take a seat. -The seat I can do, I know where the seat is. | 0:02:44 | 0:02:48 | |
Seat, steering wheel, after that I'm lost. | 0:02:48 | 0:02:50 | |
You have a key there that starts it. | 0:02:50 | 0:02:52 | |
You pull the red button to stop it. | 0:02:52 | 0:02:53 | |
You have a horn... Spool valve control there, a spitter box, PTO. | 0:02:53 | 0:02:57 | |
Deflock, two-wheel drive, four-wheel-drive, left hand PTO, it's now off. | 0:02:57 | 0:03:02 | |
The gears in the normal position is one, straight back you get three. | 0:03:02 | 0:03:07 | |
Normally where you get three in a car you've got two, go straight back and you've got reverse. | 0:03:07 | 0:03:11 | |
All fairly straightforward. Turn the key and it will start. | 0:03:11 | 0:03:15 | |
I'll level with you, I zoned out about four minutes ago. | 0:03:15 | 0:03:18 | |
-Right. -Key? -Yes. | 0:03:18 | 0:03:21 | |
ENGINE STARTS | 0:03:21 | 0:03:24 | |
Oh, we're racing now. | 0:03:24 | 0:03:26 | |
I can field the wind in my hair. | 0:03:26 | 0:03:28 | |
'I may have looked like a shit- stained Stig, but this wasn't Top Gear, this was the Tractor Factor.' | 0:03:28 | 0:03:33 | |
-You have to reverse it now through that gate. -Really? | 0:03:33 | 0:03:37 | |
What could possibly go wrong? | 0:03:37 | 0:03:39 | |
This way. | 0:03:39 | 0:03:41 | |
-Totally the wrong way. -No! | 0:03:41 | 0:03:43 | |
Totally the wrong way. | 0:03:43 | 0:03:46 | |
Why is it going that way? | 0:03:46 | 0:03:48 | |
Why is it turning? I've got the bloody wheel straight. | 0:03:48 | 0:03:52 | |
-It's absolutely impossible, what ever I do that trailer goes where it wants to go. -Whoa! | 0:03:52 | 0:03:58 | |
I almost hit the car. | 0:03:58 | 0:04:00 | |
Whoa...no, don't do that! | 0:04:00 | 0:04:03 | |
He's been trying for about half-an-hour to get that trailer through this gateway. | 0:04:03 | 0:04:08 | |
I've had enough of this! Argh! | 0:04:08 | 0:04:12 | |
This is the one, it's a bit tight. | 0:04:12 | 0:04:13 | |
I know this isn't how you wanted it, but it's in. The bloody thing's in, you can't complain about that. | 0:04:13 | 0:04:19 | |
It's your trailer, David, there's something wrong with it. | 0:04:19 | 0:04:22 | |
-Take it back, I would, take it back. Have you got the receipt? -Um... | 0:04:22 | 0:04:25 | |
What sort of dung is this David? Not that it makes a great deal of difference to be honest with you. | 0:04:25 | 0:04:30 | |
When you've had one forkful of shit thrown in your face you've had them all! | 0:04:30 | 0:04:34 | |
This is the reality of a stable. | 0:04:35 | 0:04:37 | |
You never have some kid coming home going, | 0:04:37 | 0:04:40 | |
"You'll never guess who they've cast me as in the nativity play, Mother. | 0:04:40 | 0:04:43 | |
"They've given me this fork and I've got to shovel calf dung all the way through the performance". | 0:04:43 | 0:04:48 | |
'It might sound strange, given I was inhaling neat cow's urine, but a little bit of me was enjoying this.' | 0:04:48 | 0:04:53 | |
Come on! Never in the cesspit of human history has so much dung been shifted by so few. | 0:04:53 | 0:05:01 | |
I am the farmer, eat my dung. | 0:05:01 | 0:05:04 | |
'But just as I was starting to enjoy it, it all went a bit CSI Llandissilio - | 0:05:07 | 0:05:11 | |
'a neighbour's sheep had been attacked by dogs and David had been called in to deal with it.' | 0:05:11 | 0:05:16 | |
I'm going to quickly, as they say, put it out of its misery. | 0:05:16 | 0:05:21 | |
The sheep had been so badly mauled by the dogs | 0:05:21 | 0:05:23 | |
there was no chance of recovery. | 0:05:23 | 0:05:25 | |
GUNSHOT | 0:05:25 | 0:05:27 | |
-Is that it? -Yes. -Dead? | 0:05:27 | 0:05:30 | |
Yes, that's what the dogs have done to it. | 0:05:30 | 0:05:32 | |
-The dogs did that? -Yes. | 0:05:32 | 0:05:34 | |
It's sort of...bringing me quite close to tears. | 0:05:38 | 0:05:42 | |
-The poor thing. -Mm. | 0:05:43 | 0:05:45 | |
He just put that sheep to sleep and just to cheer us up we've come to have look at some piglets. | 0:05:47 | 0:05:53 | |
Ow! I just got bitten on the arse by a cow. | 0:05:53 | 0:05:57 | |
I tell you what, this is the highs and lows of farming in microcosm, isn't it? | 0:05:58 | 0:06:02 | |
We've just put a sheep to sleep and now look at these. | 0:06:02 | 0:06:04 | |
-So these pigs will be eaten - bacon, gammon? -Yes. | 0:06:04 | 0:06:08 | |
-Sausages! Sausages! Sausages! -PIG GRUNTS | 0:06:08 | 0:06:12 | |
He is, he's saying it! | 0:06:12 | 0:06:15 | |
They're marvellous because they can eat the banana skins, apple cores, scraps. | 0:06:15 | 0:06:20 | |
-Nature's recycler? -Yes. -Never mind all these green bags with food waste, just stick it in a pig? | 0:06:20 | 0:06:25 | |
-Stick it through a pig. -Oh, she's having a pee. | 0:06:25 | 0:06:27 | |
Get away piglets. Look at that! | 0:06:27 | 0:06:31 | |
They're too curious for their own good. | 0:06:31 | 0:06:33 | |
Get back, it's not the Trevi Fountain! | 0:06:33 | 0:06:35 | |
-When you've got to go... -On the nose! | 0:06:35 | 0:06:38 | |
You've got to go when you got to go. | 0:06:38 | 0:06:39 | |
I know, but you don't have to go on your kids. | 0:06:39 | 0:06:42 | |
'Back at our farm I had to get over to the cowshed | 0:06:43 | 0:06:46 | |
'so David taught me how to tell a cow's arse from its elbow.' | 0:06:46 | 0:06:49 | |
Rhod, you're off to spread the straw, but when you walk past the cows, | 0:06:49 | 0:06:53 | |
give them a quick scratch as you walk by. | 0:06:53 | 0:06:55 | |
It lets them know you're there so they won't kick you. | 0:06:55 | 0:06:58 | |
If they don't know I'm there they won't kick out. | 0:06:58 | 0:07:00 | |
No logic in that, they wouldn't kick if they didn't think I was there. | 0:07:00 | 0:07:04 | |
Yes, but if you actually startle a cow she'll kick. | 0:07:04 | 0:07:06 | |
Basically I've got to make my way through this, | 0:07:06 | 0:07:09 | |
it's like some kind of... some kind of walk of death. | 0:07:09 | 0:07:13 | |
How do I get through here? | 0:07:13 | 0:07:14 | |
Scratch, scratch, scratch. Don't kick me, please. | 0:07:14 | 0:07:17 | |
COW MOOS | 0:07:17 | 0:07:19 | |
This is what would happen if Harrison Ford was on Emmerdale. | 0:07:19 | 0:07:22 | |
Oh! | 0:07:23 | 0:07:24 | |
They're closing ranks. | 0:07:24 | 0:07:27 | |
Come on, I'm supposed to be the farmer, I'm supposed to be in control of this situation. | 0:07:28 | 0:07:32 | |
This is and Animal Farm, get out of the way. | 0:07:32 | 0:07:34 | |
Only me! | 0:07:34 | 0:07:35 | |
I've got to be very careful as well because | 0:07:35 | 0:07:37 | |
there's two ends to a cow, one of them you see on butter adverts. | 0:07:37 | 0:07:40 | |
And the other one's the one I'm worried about. | 0:07:40 | 0:07:43 | |
I'm not scratching you, look at the state of you. | 0:07:45 | 0:07:48 | |
Room service! | 0:07:48 | 0:07:49 | |
Don't move. Relax. | 0:07:51 | 0:07:53 | |
My arms are absolutely on fire. | 0:07:56 | 0:07:58 | |
I hope you appreciate this. | 0:07:58 | 0:08:00 | |
Oi, I haven't finished with that! | 0:08:00 | 0:08:02 | |
Don't eat your bed. | 0:08:02 | 0:08:03 | |
'Evening and my biggest challenge so far, 50 milky space hoppers, one confined space. | 0:08:05 | 0:08:11 | |
'It was time to put everything I'd learned milking Lloyd into practice.' | 0:08:11 | 0:08:15 | |
It's quite scary being around them and you never know quite what's going to happen. | 0:08:15 | 0:08:20 | |
'If Lloyd had done that when I milked him, I'd have doubled his rent.' | 0:08:20 | 0:08:24 | |
Right, watch, Rhod. Left-hand just to let her know I'm there | 0:08:24 | 0:08:28 | |
and give each teat a good wipe. | 0:08:28 | 0:08:30 | |
Squeeze a bit of milk on the floor to see they're working properly. | 0:08:30 | 0:08:33 | |
Right, now your turn. | 0:08:33 | 0:08:36 | |
I'm here. | 0:08:36 | 0:08:38 | |
Clean, clean, clean - this feels so wrong! | 0:08:38 | 0:08:41 | |
Eugh! | 0:08:41 | 0:08:42 | |
I'm here, don't worry it's only me. | 0:08:43 | 0:08:45 | |
Really unpleasant. | 0:08:45 | 0:08:47 | |
I don't like it. | 0:08:47 | 0:08:49 | |
Is it still working? | 0:08:49 | 0:08:50 | |
You're back left one's off. Put the back left one on, please. | 0:08:50 | 0:08:53 | |
-Right, now you have to put the cluster on. -It's only me. | 0:08:53 | 0:08:56 | |
This is the cluster. Got to try and get this on to this cow. | 0:08:56 | 0:09:00 | |
-Get it on nice and quietly. -Pop your little teat in there. | 0:09:00 | 0:09:03 | |
HISSING SOUND | 0:09:03 | 0:09:04 | |
Have it back! | 0:09:10 | 0:09:12 | |
Yeah, all right. | 0:09:12 | 0:09:13 | |
Then you do the next one, and the next one, and the next one until they're all finished. | 0:09:13 | 0:09:18 | |
And stand back and let one in. | 0:09:18 | 0:09:20 | |
Right, going to let another one in. | 0:09:21 | 0:09:22 | |
They are enormous animals | 0:09:22 | 0:09:25 | |
and it is quite scary being near the back of them. | 0:09:25 | 0:09:29 | |
Go into slot two, please. | 0:09:29 | 0:09:31 | |
Oh no, not you. Oh no, not you. | 0:09:31 | 0:09:33 | |
-Stand back, stand back. -Excuse me, would you mind? | 0:09:33 | 0:09:36 | |
-Oh no, not another one, no, no. -Just be quiet. | 0:09:36 | 0:09:38 | |
Oh, no! | 0:09:38 | 0:09:40 | |
-If you make too much noise they'll all start. -Really? | 0:09:40 | 0:09:44 | |
They started it, if they stop doing it I'll stop making a noise. | 0:09:44 | 0:09:47 | |
Argh! Get off! | 0:09:47 | 0:09:49 | |
-Sorry. -Now look what you've done. | 0:09:49 | 0:09:51 | |
I'll just conduct while these lot just... | 0:09:51 | 0:09:54 | |
MUSIC: "Infernal Gallop" by Offenbach | 0:09:54 | 0:09:59 | |
Instead of an orchestra and violinists and cellists, | 0:09:59 | 0:10:03 | |
I simply have cows' anuses and diarrhoea. | 0:10:03 | 0:10:06 | |
You can't blame her not wanting to come in. | 0:10:25 | 0:10:28 | |
If I was in the kitchen and my mother did that in the lounge, I wouldn't come in either. | 0:10:28 | 0:10:32 | |
'I regretted making so much noise - | 0:10:32 | 0:10:34 | |
'I think I'd rather go for a drink with Jeremy Kyle | 0:10:34 | 0:10:37 | |
'than muck this place out again. | 0:10:37 | 0:10:39 | |
'Luckily my next job was less traumatic.' | 0:10:39 | 0:10:41 | |
You must be yesterday's calf? | 0:10:41 | 0:10:43 | |
Hey, come on. | 0:10:43 | 0:10:45 | |
You're only a day old, you can't have an attitude. | 0:10:45 | 0:10:48 | |
-Go on... -CALF MOOS | 0:10:48 | 0:10:50 | |
Come on, it's nice. Come here. | 0:10:50 | 0:10:52 | |
-Enough of this. -Straddle it. -Straddle it, OK. -That's it. | 0:10:52 | 0:10:56 | |
Come here. | 0:10:56 | 0:10:57 | |
I'm not going to ride you. | 0:10:57 | 0:10:59 | |
'Even this little newborn dairy bull rumbled me. He wasn't born yesterday. | 0:11:00 | 0:11:05 | |
'Well, he was, but he could still tell I was no farmer.' | 0:11:05 | 0:11:08 | |
Come here. | 0:11:08 | 0:11:09 | |
Make the most of it I won't be here... Oh, sorry, sorry. Sorry. | 0:11:10 | 0:11:14 | |
Just to comply with EU rules, this calf has to be tagged. | 0:11:14 | 0:11:18 | |
That's my herd number, and that's the calf number. | 0:11:18 | 0:11:21 | |
-Is this going to hurt her? -Yes. -Oh... | 0:11:21 | 0:11:24 | |
OK, OK, sh, there we are. | 0:11:24 | 0:11:26 | |
Come here. Come here. | 0:11:26 | 0:11:28 | |
But it really hurts if you catch your finger skin in there. | 0:11:28 | 0:11:31 | |
I don't care about you, David. | 0:11:31 | 0:11:33 | |
No offence. | 0:11:33 | 0:11:35 | |
Hey, come here, come here. | 0:11:35 | 0:11:36 | |
Come here, 344. HE did it. Come here. | 0:11:36 | 0:11:39 | |
I was his mum for a few minutes, I fed him and then he got his ears pierced. | 0:11:39 | 0:11:45 | |
Like most kids, once they get their ears pierced they become stroppy teenagers | 0:11:45 | 0:11:49 | |
and want nothing to do with their parents. That's their gratitude. | 0:11:49 | 0:11:52 | |
You've changed. Come here, you're not David Bowie. | 0:11:52 | 0:11:55 | |
'I'd worked harder than a skunk's PR man today. | 0:11:55 | 0:11:58 | |
'Apparently the best way to unwind was by shooting a rabbit in the face.' | 0:11:58 | 0:12:02 | |
We've come out to shoot rabbits, if there's any around. | 0:12:02 | 0:12:06 | |
You want to go to Oxford Services. | 0:12:06 | 0:12:08 | |
-Lots there, are there? -There's hundreds, just off the A40. | 0:12:08 | 0:12:11 | |
It's a bit too far to go tonight. | 0:12:11 | 0:12:13 | |
Yes, and they don't like it if you start shooting in the car park. | 0:12:13 | 0:12:17 | |
How many rabbits would you normally expect to get on a night like this, David? | 0:12:17 | 0:12:21 | |
You'd see a couple of little bright eyes there. | 0:12:21 | 0:12:24 | |
-Bright eyes burning like fire? -No, they're sort of a greeny colour. | 0:12:24 | 0:12:28 | |
No, it's a song. | 0:12:28 | 0:12:29 | |
-Oh, right. -RHOD LAUGHS | 0:12:29 | 0:12:32 | |
Bright eyes, they're a sort of greeny colour, isn't a very good song, to be honest David. | 0:12:32 | 0:12:36 | |
# Bright eyes... # | 0:12:36 | 0:12:38 | |
'Our pest control efforts were thwarted. | 0:12:38 | 0:12:41 | |
'The rabbits had all gone to bed early to do what rabbits do best. | 0:12:41 | 0:12:45 | |
'So we headed to the town's premier nightspot instead.' | 0:12:45 | 0:12:48 | |
This is a very calm place, isn't it? | 0:12:48 | 0:12:49 | |
This should be available as therapy on the NHS. Instead of whale music | 0:12:49 | 0:12:54 | |
and wind chimes relaxation CDs should be cows getting ready for bed. | 0:12:54 | 0:12:58 | |
Stick this on a DVD, A Cowshed At Night. | 0:12:58 | 0:13:01 | |
But you're only getting one dimension, half of the dimension is being there and feeling the cow. | 0:13:01 | 0:13:05 | |
-You only get half a dimension with the whale music as well, to be fair. -True, yes. | 0:13:05 | 0:13:11 | |
-You would drown if you were with them. -All right, David, all right! | 0:13:11 | 0:13:14 | |
Sorry. You're always so pragmatic. | 0:13:14 | 0:13:17 | |
'Missing one dimension, we gave the cows a quick feel, | 0:13:17 | 0:13:21 | |
'read them a story and kissed the pretty ones good night. | 0:13:21 | 0:13:25 | |
'Next day I was literally lactating with excitement. | 0:13:25 | 0:13:28 | |
'When you've dreamt about to place this often, the reality can be a let-down, | 0:13:28 | 0:13:32 | |
'but Carmarthen cattle market was everything I'd imagined. | 0:13:32 | 0:13:35 | |
'Auctioneer John revealed all.' | 0:13:35 | 0:13:37 | |
Right, Rhod, the calf ring... | 0:13:37 | 0:13:39 | |
What's going on with all that shouting? | 0:13:39 | 0:13:41 | |
We'll go up there now, that's the sale ring. | 0:13:41 | 0:13:43 | |
'As the calves arrived, the crowd went wild. It was like Beatlemania.' | 0:13:43 | 0:13:48 | |
AUCTIONEER SPEAKS QUICKLY | 0:13:48 | 0:13:50 | |
Why is it that fast? | 0:13:50 | 0:13:51 | |
Basically you've got 450 or 500 cows to sell in a few hours, | 0:13:51 | 0:13:55 | |
-so they've got to get through them. -He stressing me out just listening to him. | 0:13:55 | 0:13:59 | |
They're on the beef calves at the minute. | 0:13:59 | 0:14:01 | |
-Richard has valued that calf at £100. -Careful, it looks like you're bidding there. | 0:14:01 | 0:14:06 | |
He won't take a bit of me, don't worry. | 0:14:06 | 0:14:08 | |
There's a massive variation in what the calves make. | 0:14:08 | 0:14:10 | |
The bottom will be £20 and the top will be £350. | 0:14:10 | 0:14:15 | |
That's a bargain, a calf for £20 - you couldn't knit it for that, John. Look at this white one. | 0:14:15 | 0:14:20 | |
That is a dairy beef calf. A dairy bull. | 0:14:20 | 0:14:23 | |
He's not a particularly good one. | 0:14:23 | 0:14:25 | |
-A dairy bull - so he's a boy with no nipples? -Absolutely. | 0:14:25 | 0:14:27 | |
At £28, I suggest he'll probably end up in an abattoir in Chippenham tomorrow morning. | 0:14:27 | 0:14:32 | |
Tomorrow morning? | 0:14:32 | 0:14:34 | |
It turned out dairy was a sexist world where the boys were worthless. | 0:14:34 | 0:14:37 | |
Dairy bulls were destined to be dog food. | 0:14:37 | 0:14:40 | |
-Yeah, the fingers move. -That's a bid, is it? -There's a wink. | 0:14:46 | 0:14:48 | |
-Just a look occasionally. -Just a look? | 0:14:48 | 0:14:51 | |
How do you know if somebody's looking at you or if they're just... | 0:14:51 | 0:14:53 | |
Let's have a look. There it is. There's the bid, there's the bid. | 0:14:53 | 0:14:58 | |
There's a guy up there, sort of, got his hands in his pockets, | 0:14:58 | 0:15:01 | |
rummaging around, or is he just over-excited by the calves? | 0:15:01 | 0:15:05 | |
Next up, we met Sandra, a sizzling Page 3 dairy stunner. | 0:15:05 | 0:15:10 | |
All about dairy character. | 0:15:10 | 0:15:11 | |
What's dairy character? | 0:15:11 | 0:15:13 | |
The...capability... No, not quite. | 0:15:13 | 0:15:16 | |
Yeah, to a degree, that's obviously where most of the milk is produced, | 0:15:16 | 0:15:20 | |
but you're looking for feminism and narrowness, effectively. | 0:15:20 | 0:15:24 | |
What are we looking for? An hour-glass cow, is it? | 0:15:24 | 0:15:26 | |
No, no, a V-shaped cow, effectively. | 0:15:26 | 0:15:29 | |
-V-shaped? -Yeah, she needs to be narrow in the front, coming back to width behind, | 0:15:29 | 0:15:34 | |
which carries the milk production vessel, the udder, not the breasts, in town terms. | 0:15:34 | 0:15:39 | |
I see. | 0:15:39 | 0:15:40 | |
Right, Rhod, this is the dairy ring, where it all happens. | 0:15:40 | 0:15:44 | |
This is the rostrum. | 0:15:44 | 0:15:45 | |
-You have a stick in your hand. -I know what you're going to say. | 0:15:45 | 0:15:48 | |
-You're going to have a go. -I knew it. | 0:15:48 | 0:15:50 | |
You watch me have a go first and then, the last cow in the ring, | 0:15:50 | 0:15:54 | |
she'll be yours, and you can have a go selling her. | 0:15:54 | 0:15:57 | |
There was more dairy character on show than Hooters Nottingham. | 0:15:59 | 0:16:02 | |
Someone even stuck a tenner down this cow's top. | 0:16:02 | 0:16:05 | |
-A fit-looking cow. -She's better, yeah. -Good arse on it. | 0:16:06 | 0:16:10 | |
Good set of tumblers on it. Looks like Barbara Windsor in her heyday, that one. | 0:16:10 | 0:16:15 | |
Dribbling a bit, mind. | 0:16:15 | 0:16:17 | |
John said this one's a lot easier. | 0:16:18 | 0:16:20 | |
He said, "Don't worry, when we go to the dairy, it'll be a lot slower | 0:16:20 | 0:16:23 | |
than the meat sales." | 0:16:23 | 0:16:24 | |
SPEAKS INCREDIBLY RAPIDLY | 0:16:24 | 0:16:26 | |
He's into this. | 0:16:33 | 0:16:35 | |
Like that one? Look at that. | 0:16:37 | 0:16:40 | |
I'll probably end up with this one now. If I do end up with it, you buy it off me. | 0:16:49 | 0:16:53 | |
-Well, we'll milk it for you. -I'll buy it, you milk it. | 0:16:53 | 0:16:56 | |
-Did you get it? -Yes. -What, you bought it? Did you? | 0:16:56 | 0:16:59 | |
Going to pick it up, are you? | 0:17:00 | 0:17:02 | |
He was chatting to me. I don't know how he managed to buy a cow and chat at the same time. | 0:17:05 | 0:17:09 | |
Erm, hello. | 0:17:14 | 0:17:15 | |
-Switch it on. -Sorry, I haven't used one of these before. | 0:17:15 | 0:17:18 | |
We are bidding, ladies and gentlemen, | 0:17:18 | 0:17:20 | |
on...a cow. | 0:17:20 | 0:17:24 | |
The cow is the black one down there, in the middle. | 0:17:24 | 0:17:28 | |
25 miles on the clock. | 0:17:28 | 0:17:29 | |
Who'll give me a pound? | 0:17:29 | 0:17:30 | |
Feast your eyes on those udders, ladies and gentlemen. Do I hear a pound? | 0:17:30 | 0:17:34 | |
A pound from the girls at the back. | 0:17:34 | 0:17:36 | |
Come on, where shall we go next? More than a pound. £1,000. | 0:17:36 | 0:17:39 | |
1,100, 1,100, any more than 1,100? | 0:17:39 | 0:17:41 | |
She says her interests are listening to music and going to the toilet. | 0:17:41 | 0:17:45 | |
She wants to work with children, eventually. She's a lovely cow. | 0:17:45 | 0:17:49 | |
Any more then? Did that baby bid or was it involuntary spasm? | 0:17:49 | 0:17:53 | |
What's he saying? 1,150? Are you sure he's got the cash? | 0:17:53 | 0:17:56 | |
Do I hear 1,200 from anyone? Going to the baby at the moment. | 0:17:56 | 0:17:59 | |
Go on, I'll throw in the man in the hat. The bloke comes with it. | 0:17:59 | 0:18:03 | |
Going once...going twice...sold! 1,700! | 0:18:03 | 0:18:09 | |
To the woman in the hat. | 0:18:09 | 0:18:11 | |
-Congratulations. -Thank you very much. | 0:18:11 | 0:18:13 | |
It's the most terrifying gig I've ever done. Tough audience. | 0:18:13 | 0:18:16 | |
It is a buzz and it's exciting. | 0:18:16 | 0:18:18 | |
-It's better than... -Better than sex? | 0:18:18 | 0:18:21 | |
Not quite. Well, it depends who you're with, obviously, but, yeah. | 0:18:21 | 0:18:24 | |
As an apprentice farmer, there was somewhere else I needed to go - the slaughterhouse. | 0:18:26 | 0:18:31 | |
Gareth showed me round. I was dreading it. | 0:18:31 | 0:18:34 | |
We just had a calf the day before yesterday. | 0:18:34 | 0:18:36 | |
I fed it yesterday. I'm hoping it's not coming here. | 0:18:36 | 0:18:39 | |
What sort of calf is it? | 0:18:39 | 0:18:41 | |
Black and white. It's about that high. | 0:18:41 | 0:18:43 | |
-Male or female? -Male. | 0:18:43 | 0:18:46 | |
Chances are, if it's a black and white male, it probably will end up in a place like this. | 0:18:46 | 0:18:50 | |
How long would you give him before he ends up here? | 0:18:50 | 0:18:53 | |
A week or 10 days. | 0:18:53 | 0:18:55 | |
Normally, putting a little hair net on like this, | 0:18:59 | 0:19:02 | |
I'd have a little comedy moment, but it doesn't feel appropriate. | 0:19:02 | 0:19:06 | |
The cows will be coming into this box and they'll be shooting them from that side of the box. | 0:19:07 | 0:19:12 | |
-How grim as it? -It's the quickest way of putting a cow down. | 0:19:12 | 0:19:16 | |
I'll get you in position for the first one and you can see that one, what happens. | 0:19:16 | 0:19:20 | |
I don't think I can watch. | 0:19:20 | 0:19:22 | |
Poor thing. | 0:19:26 | 0:19:27 | |
A bolt about that long enters the cow's brain and makes it brain dead. | 0:19:38 | 0:19:43 | |
It's thrashing about and still making a noise. | 0:19:43 | 0:19:46 | |
That's just nerves. It's the blood moving out of the body | 0:19:46 | 0:19:49 | |
and it's touching the nerves as it goes. | 0:19:49 | 0:19:51 | |
It's all over so quickly. | 0:19:56 | 0:19:57 | |
-Is that just nerves? -Yeah, definitely. | 0:19:59 | 0:20:01 | |
The animal was brain dead before it hit the floor in the stunning box. | 0:20:01 | 0:20:06 | |
Even now, I'm not put off having a steak because of that. | 0:20:06 | 0:20:11 | |
I probably won't have one today. | 0:20:11 | 0:20:13 | |
Every steak that you've ever eaten in your life has been produced like this. | 0:20:13 | 0:20:18 | |
It makes me a more thoughtful consumer of meat, a more knowledgeable one. | 0:20:18 | 0:20:22 | |
A lot of city kids think their steak comes from Tesco's. | 0:20:24 | 0:20:27 | |
They can't associate looking at a cow in a book or in a field and think, | 0:20:27 | 0:20:31 | |
-"That's where I get my steak from." -Yeah. | 0:20:31 | 0:20:34 | |
It's a wonderful tribute to that animal's life. | 0:20:36 | 0:20:38 | |
-It's in good condition, worked all its life and is providing us with food. -A wonderful tribute. | 0:20:38 | 0:20:43 | |
I'm sure he'd rather have just had a quick ceremony and a disco after. | 0:20:43 | 0:20:48 | |
The abattoir was unsettling and I wanted to get straight back to the cows on the farm, | 0:20:48 | 0:20:52 | |
in happier circumstances. | 0:20:52 | 0:20:53 | |
(How's that?) | 0:20:57 | 0:20:59 | |
(Right now, the whole farm is asleep.) | 0:20:59 | 0:21:02 | |
MOO! | 0:21:02 | 0:21:03 | |
(I think he's still awake.) | 0:21:03 | 0:21:06 | |
(All is peaceful and quiet and it's a pretty sharp contrast to the last | 0:21:06 | 0:21:11 | |
(time I saw cattle today, literally being sawn in two with an electric saw and having their lungs out.) | 0:21:11 | 0:21:18 | |
Oh, great(!) | 0:21:21 | 0:21:22 | |
(Nobody mention the abattoir.) | 0:21:22 | 0:21:24 | |
(I've already grown quite attached to the cows here.) | 0:21:25 | 0:21:29 | |
(You're all right now.) | 0:21:29 | 0:21:31 | |
(There's parts of this that I love, but it's bloody hard work.) | 0:21:31 | 0:21:34 | |
(It's also a real privilege to get this kind of insight | 0:21:34 | 0:21:38 | |
(and be this close to something that's so integral and so important to our way of life.) | 0:21:38 | 0:21:43 | |
(David's giving me more responsibility tomorrow. I'll be taking over half the milking shed.) | 0:21:43 | 0:21:47 | |
(The hardest thing for me is that I've got no idea what I'm doing.) | 0:21:47 | 0:21:50 | |
Come on, Rhod. Lots to do today. | 0:21:56 | 0:21:59 | |
My final farmer day was packed as tightly as a bull's boxer shorts. | 0:21:59 | 0:22:02 | |
But my talk of abattoirs last night had clearly upset the cows. | 0:22:02 | 0:22:06 | |
There was more poo in the yard than behind Paula Radcliffe's running machine. | 0:22:06 | 0:22:10 | |
Don't sit. Don't sit. | 0:22:12 | 0:22:14 | |
Don't sit in that! | 0:22:14 | 0:22:16 | |
Stand. | 0:22:16 | 0:22:18 | |
You wake up, have breakfast, first job of the day is to scrape all the cow mess all the way out of this. | 0:22:18 | 0:22:24 | |
Cock-a-ruddy-doodle-doo. | 0:22:24 | 0:22:26 | |
It's like the world's most disappointing ice-cream van. | 0:22:30 | 0:22:33 | |
Shit shovel coming through. | 0:22:35 | 0:22:36 | |
This is where my reversing skills are going to be properly tested. | 0:22:45 | 0:22:49 | |
That is not a backward flip you want to make. | 0:22:50 | 0:22:54 | |
-Keep going, keep going. -Use this cutter thing now. | 0:22:56 | 0:22:59 | |
Next up, Breakfast At Shittany's... | 0:22:59 | 0:23:02 | |
Silage - cows'll eat it till the kids come home. | 0:23:02 | 0:23:05 | |
Come on, Molly. | 0:23:05 | 0:23:07 | |
There you are. What I want to do now is to try | 0:23:10 | 0:23:13 | |
and lift that massive, spiky claw thing on the front without coming up | 0:23:13 | 0:23:17 | |
with about seven cows skewered on the end of it, like some kind of horrendously ugly kebab. | 0:23:17 | 0:23:23 | |
It's the lesser of two evils. I'm either going to take the roof off | 0:23:34 | 0:23:38 | |
or we're going to squash about seven cows' heads flat. | 0:23:38 | 0:23:41 | |
-Whoa! -Oh, not that way. | 0:23:41 | 0:23:44 | |
Oh, not that way, either. Everyone relax. | 0:23:44 | 0:23:47 | |
-No cows in the way, no? -More, more, more, more, more. Whoa! | 0:23:47 | 0:23:52 | |
Now the only danger is I flatten you with it. I'm not so worried about that, David. | 0:23:52 | 0:23:56 | |
I was doing so well on Tractor Factor that David decided to give me my own special set of wheels. | 0:23:58 | 0:24:04 | |
He called it...The Beast. | 0:24:04 | 0:24:08 | |
DRAMATIC MUSIC | 0:24:08 | 0:24:10 | |
Nought to complete loser in six seconds. | 0:24:10 | 0:24:12 | |
I'd tamed The Beast and was getting on well with the cows. | 0:24:30 | 0:24:34 | |
It was finally time to try me out on the ultimate farming gadget. | 0:24:34 | 0:24:38 | |
David called it "a dog". | 0:24:38 | 0:24:40 | |
David said he's going to give us a sheepdog demonstration. | 0:24:40 | 0:24:43 | |
Walk... Walk! | 0:24:43 | 0:24:44 | |
Basically, I see it more as a competition, really. Head to head, me and him. | 0:24:44 | 0:24:48 | |
What he doesn't know is I've watched Babe four times. | 0:24:48 | 0:24:52 | |
Walk! Come here. | 0:24:52 | 0:24:53 | |
OK, Rhod? | 0:24:53 | 0:24:55 | |
I understand from watching Babe that every flock is different. | 0:24:55 | 0:25:00 | |
So what specific instructions do this lot answer to? | 0:25:00 | 0:25:01 | |
It's not the flock, it's the dog, because she's waiting for a command now. Two rising whistles for left. | 0:25:01 | 0:25:06 | |
That's it. | 0:25:08 | 0:25:10 | |
Penny whistle? | 0:25:10 | 0:25:13 | |
-What about...? -WHISTLES "BAA BAA BLACK SHEEP" | 0:25:14 | 0:25:18 | |
I've got a feeling your sheep dog's broken. | 0:25:19 | 0:25:21 | |
-No, no, no. -It is, I think it's broken. | 0:25:21 | 0:25:23 | |
No. HE WHISTLES | 0:25:23 | 0:25:25 | |
You've got it going again. At least it's working again, that's the main thing. | 0:25:25 | 0:25:28 | |
Say "walk", see what that does. | 0:25:28 | 0:25:31 | |
Walk. Walkies! | 0:25:31 | 0:25:33 | |
Stand still! Just stand there. | 0:25:35 | 0:25:37 | |
Under no circumstances do anything whatsoever. | 0:25:37 | 0:25:41 | |
Respond to nothing. Walk! | 0:25:42 | 0:25:45 | |
Sit! Stand! | 0:25:45 | 0:25:47 | |
Heel, come by, away to go. | 0:25:47 | 0:25:50 | |
Look at that. | 0:25:50 | 0:25:52 | |
I told her to ignore all that and she did. | 0:25:52 | 0:25:56 | |
HE WHISTLES | 0:25:56 | 0:25:57 | |
It's working again. Hey, good girl, good girl. | 0:25:57 | 0:26:01 | |
Yes, look at that. | 0:26:02 | 0:26:04 | |
We're like a synchronised machine. | 0:26:04 | 0:26:06 | |
I could almost smell my farming wings. With my sexy boiler suit and the The Beast, | 0:26:08 | 0:26:13 | |
I was like a rural David Hasselhoff - ready for any emergency. | 0:26:13 | 0:26:17 | |
But while The Hoff rescued bikini-clad beauties, | 0:26:17 | 0:26:19 | |
I had some fence posts to deliver on another faulty trailer. | 0:26:19 | 0:26:23 | |
Go that way, go that way! Aargh! | 0:26:23 | 0:26:26 | |
I wish this was that tractor trailer. | 0:26:31 | 0:26:33 | |
This is what I'd be doing to it. | 0:26:33 | 0:26:36 | |
Take that, you trailer! Take that, you piece of trailer trash! | 0:26:36 | 0:26:39 | |
-Not bad. -Not bad, is it? I got angry with it. | 0:26:39 | 0:26:42 | |
OK. Ready for the next one? | 0:26:45 | 0:26:48 | |
Yeah. | 0:26:48 | 0:26:49 | |
Oh, shit the bed. | 0:26:49 | 0:26:51 | |
I think that's in. | 0:26:53 | 0:26:55 | |
-Probably good enough, that one. -Yep, OK. | 0:26:55 | 0:26:57 | |
-So if you grab the bucket and the hammer. -I will. | 0:26:57 | 0:27:01 | |
-Catch your breath back while you walk to the bucket. -OK, yeah. | 0:27:01 | 0:27:04 | |
David, a man about the farm. | 0:27:06 | 0:27:09 | |
Look at him, he's all practical knowledge and hands on and manual labour and knows what he's doing. | 0:27:09 | 0:27:14 | |
Look at me, I'm stuck in a bramble, trapped by my hat. | 0:27:14 | 0:27:17 | |
"Where's Rhod, David?" | 0:27:17 | 0:27:19 | |
"He's not coming in for tea. He's trapped in a bramble. His hat's got stuck." | 0:27:19 | 0:27:23 | |
Right, what's next? | 0:27:26 | 0:27:27 | |
My time as a farmer was nearly up. | 0:27:27 | 0:27:29 | |
I needed to keep calm cos, for my final challenge, I had to run half the milking shed that evening and | 0:27:29 | 0:27:33 | |
I was determined not to set the cows off. | 0:27:33 | 0:27:36 | |
I didn't want to muck out again. | 0:27:36 | 0:27:38 | |
In fact, I'd rather have to tell a bear with an upset stomach that the woods are closed for cleaning. | 0:27:38 | 0:27:42 | |
Cow number one, over there, please. | 0:27:42 | 0:27:45 | |
Where's... Somebody come over my side. | 0:27:47 | 0:27:49 | |
Quite calm at the moment. I don't want to make too much noise. | 0:27:50 | 0:27:54 | |
'There was the odd bottom malfunction, but it was considerably less explosive than last time. | 0:27:54 | 0:28:00 | |
'I was far more in tune with these dairy characters.' | 0:28:00 | 0:28:02 | |
It's not difficult to see how you build up a really close | 0:28:02 | 0:28:05 | |
bond with all of them and know them all individually and their personalities. | 0:28:05 | 0:28:09 | |
In truth, I was falling in love with farming. | 0:28:09 | 0:28:12 | |
On a practical level, I was about as well suited to it as Axl Rose, but I was going to miss this farm. | 0:28:12 | 0:28:16 | |
There was one little fellow I was going to miss more than anything. | 0:28:16 | 0:28:20 | |
Strange to be feeding him again, | 0:28:20 | 0:28:22 | |
having been to an abattoir. Do you want the good news? | 0:28:22 | 0:28:27 | |
You're going to be here for a while. | 0:28:27 | 0:28:28 | |
You're not going to be in dog food this week. | 0:28:28 | 0:28:30 | |
Really starting to get into farm life and enjoy it. | 0:28:30 | 0:28:34 | |
We've come a long way in two days, haven't we? | 0:28:34 | 0:28:37 | |
Hey, don't kick me in the nuts. | 0:28:37 | 0:28:39 | |
Get off! | 0:28:39 | 0:28:41 | |
I'm going to call you Gareth. | 0:28:44 | 0:28:45 | |
You're named after the nice man in the abattoir. | 0:28:45 | 0:28:48 | |
If you do ever end up at the abattoir, there's no way he's going to kill another Gareth. | 0:28:48 | 0:28:53 | |
Come on. | 0:28:54 | 0:28:56 | |
Subtitles by Red Bee Media Ltd | 0:29:07 | 0:29:09 | |
E-mail [email protected] | 0:29:09 | 0:29:11 |