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I'm Rhod Gilbert, stand-up comedian. | 0:00:02 | 0:00:04 | |
People tell me I've got the toughest job in town, but I'm sure I'll find other things far more difficult, | 0:00:04 | 0:00:09 | |
so I'm trying something completely different. | 0:00:09 | 0:00:12 | |
This is my work experience and this week I'm a butler. | 0:00:12 | 0:00:17 | |
I had no idea how to prepare for being a butler. | 0:00:20 | 0:00:22 | |
I'd seen the Ferrero Rocher ad and I knew a bloke with a conservatory | 0:00:22 | 0:00:25 | |
but the closest I'd come to a lord was a Lloyd - my flatmate, | 0:00:25 | 0:00:30 | |
comedian Lloyd Langford. | 0:00:30 | 0:00:32 | |
So for the next few hours, Gilbert the Butler butlered the butt off | 0:00:32 | 0:00:35 | |
Lord Lloyd of Port Talbot. | 0:00:35 | 0:00:36 | |
BELL RINGS | 0:00:44 | 0:00:46 | |
FARTS | 0:00:52 | 0:00:54 | |
PLOP! | 0:00:54 | 0:00:56 | |
Washing Lloyd's old boy was the closest I've come to the old boys' network. | 0:00:56 | 0:01:00 | |
I've sat first class on a train a few times, | 0:01:00 | 0:01:02 | |
but a free coffee and a seat that reclines three-quarters of an inch | 0:01:02 | 0:01:06 | |
doesn't make you Princess Margaret. | 0:01:06 | 0:01:08 | |
I needed some serious butler training. | 0:01:08 | 0:01:11 | |
Hello, it's Rhod for butler school. | 0:01:13 | 0:01:17 | |
Not even a thank you, come in. | 0:01:17 | 0:01:20 | |
Nothing. Just the door slides away, ominously. | 0:01:20 | 0:01:23 | |
Cardiff's only posh building - Mansion House. | 0:01:23 | 0:01:25 | |
I felt as out of place as someone with a social life | 0:01:25 | 0:01:29 | |
on Deal Or No Deal. | 0:01:29 | 0:01:30 | |
I was here to meet bona fide butler Anthony Seddon Holland. | 0:01:30 | 0:01:35 | |
Today Holland would attempt to prove that you could polish a turd | 0:01:35 | 0:01:39 | |
by turning me into a butler. | 0:01:39 | 0:01:41 | |
-Go through into the lounge, sir. -Thank you, Holland. | 0:01:41 | 0:01:44 | |
-Take a seat, Mr Gilbert. -This is very like my lounge. | 0:01:44 | 0:01:47 | |
-It is? -No. | 0:01:47 | 0:01:50 | |
-Please make yourself comfortable. -This is comfortable. | 0:01:50 | 0:01:54 | |
What happens now, Holland? I feel awkward with you standing there. | 0:01:54 | 0:01:57 | |
-I'm sorry. -Do you not normally sit down? | 0:01:57 | 0:02:00 | |
No, sir, I would not normally sit down. | 0:02:00 | 0:02:02 | |
What's going to be the biggest challenge? | 0:02:02 | 0:02:04 | |
It feels like for me the biggest challenge is going to be taking it seriously. | 0:02:04 | 0:02:08 | |
I don't mean that in a derogatory way. It's just such an odd world. | 0:02:08 | 0:02:11 | |
I'll have to keep my tongue firmly between my teeth | 0:02:11 | 0:02:14 | |
for the next few days. | 0:02:14 | 0:02:15 | |
You're also have to think about multiple things at the same time | 0:02:15 | 0:02:18 | |
and do multiple things at the same time. Not everybody can do it. | 0:02:18 | 0:02:23 | |
One of the key things in our profession is small detail. | 0:02:23 | 0:02:26 | |
One of the things a lot of people in our society don't care about any more. | 0:02:26 | 0:02:29 | |
If you were to look at this bed and this general area, | 0:02:29 | 0:02:32 | |
what would you say, if anything, is wrong with it? | 0:02:32 | 0:02:34 | |
-Is it upside down? -No. | 0:02:36 | 0:02:38 | |
-I don't know. Absolutely nothing's wrong with that. -Nothing at all? | 0:02:38 | 0:02:41 | |
These cushions are not straight. | 0:02:41 | 0:02:44 | |
-Not straight?! -The zipper is showing. | 0:02:44 | 0:02:47 | |
-It should not be showing. -That's terrible. | 0:02:47 | 0:02:49 | |
-The telephone is pointing... -Let me guess what's wrong with it. | 0:02:49 | 0:02:52 | |
-Go on. -Absolutely nothing. -You don't think so? -No. | 0:02:52 | 0:02:55 | |
Do you not think it would be more appropriate, sir, if the phone | 0:02:55 | 0:02:57 | |
was actually adjusted so it was facing the bed? | 0:02:57 | 0:03:00 | |
So whoever was there could see the number that comes up. | 0:03:00 | 0:03:02 | |
-Now you mention it, yes. -Body language is very important. | 0:03:02 | 0:03:05 | |
I tend to keep my hands in front of me there | 0:03:05 | 0:03:08 | |
because there's less chance of me touching myself. | 0:03:08 | 0:03:12 | |
What?! | 0:03:12 | 0:03:14 | |
-For instance, right now, I have an itch on my top lip. -Do you? | 0:03:14 | 0:03:18 | |
-I want to scratch it. -Allow me, Holland. | 0:03:18 | 0:03:20 | |
Thank you. That's very considerate, sir. | 0:03:20 | 0:03:22 | |
All part of the service. I'm getting used to it. | 0:03:22 | 0:03:23 | |
If there's a lady and you start touching yourself it's embarrassing for everyone. | 0:03:23 | 0:03:27 | |
It is. | 0:03:27 | 0:03:29 | |
I had to learn more boring, pointless information | 0:03:29 | 0:03:32 | |
than someone doing a PhD on armrests. | 0:03:32 | 0:03:35 | |
But if I only remembered one thing, | 0:03:35 | 0:03:36 | |
it was not to grope myself violently while serving dinner. | 0:03:36 | 0:03:40 | |
Come in from the left. | 0:03:40 | 0:03:41 | |
Be aware of this one. Keep it out the way. | 0:03:41 | 0:03:44 | |
Drop this one down silently. | 0:03:44 | 0:03:46 | |
Stealth waitering. Egg and chips with a Parmesan jus. | 0:03:46 | 0:03:49 | |
Thank you. If you're unsure as to whether the person's finished... | 0:03:49 | 0:03:53 | |
If I come in and go like this, what are you going to do? | 0:03:53 | 0:03:56 | |
I'd probably leave it for a minute and when it gets awkward go, "What?" | 0:03:58 | 0:04:02 | |
Somebody drops a spoon, fork, or knife on the floor, | 0:04:02 | 0:04:06 | |
you place the clean item of cutlery on there. | 0:04:06 | 0:04:08 | |
You close the napkin. | 0:04:08 | 0:04:10 | |
If it's a knife or a spoon, | 0:04:10 | 0:04:12 | |
then you would come in from that side to the person. | 0:04:12 | 0:04:16 | |
It's a big intro for a spoon. | 0:04:16 | 0:04:18 | |
It is quite a big intro, but spoons are very important, sir. | 0:04:18 | 0:04:21 | |
-Think where we'd be without them. -We'd have our hands full of soup. | 0:04:21 | 0:04:24 | |
Shall I show you my sock drawer? | 0:04:30 | 0:04:33 | |
My sock drawer would be literally like that. | 0:04:33 | 0:04:37 | |
This is one serious iron you've got here. | 0:04:37 | 0:04:39 | |
Whenever I do a corporate gig or something, | 0:04:39 | 0:04:41 | |
if I haven't ironed my shirt, I just keep my jacket on. | 0:04:41 | 0:04:43 | |
You're doing it wrong. | 0:04:43 | 0:04:45 | |
I'm pushing in there. Look. | 0:04:45 | 0:04:48 | |
Ironing is boring, admit it. Admit it, Holland. | 0:04:48 | 0:04:51 | |
-I live to iron, sir. -What if a woman gives me a dress to iron or a bra. | 0:04:51 | 0:04:55 | |
-We don't iron bras normally anyway. -Do we not? | 0:04:55 | 0:04:58 | |
I thought you iron everything. This is so cool. I am definitely... | 0:04:58 | 0:05:02 | |
Hang on, I've lost the... | 0:05:04 | 0:05:06 | |
The bottom of the iron's fallen off. Argh! | 0:05:06 | 0:05:10 | |
Is that hot? | 0:05:10 | 0:05:12 | |
I thought it would have cooled down. We haven't used it for ages. | 0:05:12 | 0:05:15 | |
Are you all right? When picking up the Teflon plate... | 0:05:17 | 0:05:19 | |
I was really enjoying that! | 0:05:19 | 0:05:22 | |
..make sure you haven't been using it recently, otherwise it may be hot. | 0:05:22 | 0:05:26 | |
I've never seen a Teflon plate on the bottom of an iron before. | 0:05:26 | 0:05:29 | |
Health and safety regulations. | 0:05:29 | 0:05:31 | |
Just waiting for Anthony to bring me some ice. | 0:05:33 | 0:05:35 | |
Anthony! | 0:05:35 | 0:05:37 | |
Here we go, Mr Rhod. | 0:05:37 | 0:05:39 | |
We have a nice bath. | 0:05:39 | 0:05:42 | |
Fantastic. | 0:05:42 | 0:05:44 | |
Thank you. | 0:05:44 | 0:05:46 | |
How big a part of a butler's day is polishing? | 0:05:46 | 0:05:50 | |
Probably three or four hours a day. | 0:05:50 | 0:05:52 | |
-Three or four hours a day polishing silver? -That's basically your job. | 0:05:54 | 0:05:58 | |
At what point in a four-hour polishing stint does it get boring? | 0:05:58 | 0:06:02 | |
I can see it's a job. | 0:06:02 | 0:06:04 | |
I can see there's job satisfaction, pride in doing things right, | 0:06:04 | 0:06:06 | |
getting things just so. | 0:06:06 | 0:06:08 | |
I can see all the normal human instincts, | 0:06:08 | 0:06:10 | |
but the end result, I just think, "Why?!" | 0:06:10 | 0:06:12 | |
Everyone's got a minimum standard. | 0:06:12 | 0:06:15 | |
I don't care if I can see my face in the end of somebody's shoes or the silver tray. | 0:06:15 | 0:06:18 | |
If somebody was serving me in a restaurant, as long as they haven't | 0:06:18 | 0:06:21 | |
got dog poo under their fingernails, that's good enough for me. | 0:06:21 | 0:06:24 | |
Four hours relentless buffing later, | 0:06:24 | 0:06:26 | |
I had to touch myself to check I was still alive. | 0:06:26 | 0:06:28 | |
Holland had polished this turd as best he could. | 0:06:28 | 0:06:31 | |
Time to stick it in a suit and see if it would float. | 0:06:31 | 0:06:34 | |
What's the suit for, exactly? | 0:06:34 | 0:06:35 | |
-I want you to make me look like him. -OK. | 0:06:35 | 0:06:38 | |
Ready, Anthony? Close your eyes. | 0:06:40 | 0:06:43 | |
I will do. I was born ready. | 0:06:43 | 0:06:45 | |
-I want to surprise you on our wedding day. -It's a transformation. | 0:06:45 | 0:06:48 | |
I keep going like that. | 0:06:48 | 0:06:49 | |
Every time you come at me I assume I'm in customs. | 0:06:49 | 0:06:52 | |
You look quite splendid, actually. | 0:06:54 | 0:06:56 | |
Really? Can I do a twirl, Holland? | 0:06:56 | 0:06:59 | |
If you feel strongly about that, sir, yes, you may. Very good. | 0:06:59 | 0:07:03 | |
Time for me to tell you where you'll be working. | 0:07:03 | 0:07:05 | |
You'll be working at Fonmon Castle | 0:07:05 | 0:07:07 | |
with Sir Brooke Boothby and his family. | 0:07:07 | 0:07:09 | |
You are going to do everything we have run through today, sir, | 0:07:09 | 0:07:12 | |
but you're going to be doing it for real. | 0:07:12 | 0:07:14 | |
Serving breakfast, getting up the family, | 0:07:14 | 0:07:17 | |
serving lunch and a formal dinner for 15 in the evening. | 0:07:17 | 0:07:20 | |
A formal dinner for 15? | 0:07:20 | 0:07:22 | |
Yes, a formal dinner for 15. | 0:07:22 | 0:07:24 | |
Turd in a butler suit, Batman. | 0:07:24 | 0:07:26 | |
The closest I've come to a dinner party | 0:07:26 | 0:07:28 | |
is offering a plumber a biscuit. | 0:07:28 | 0:07:30 | |
I had no idea what to expect next morning as I headed to Fonmon Castle near Cardiff. | 0:07:33 | 0:07:37 | |
I hadn't been this nervous since I tried to sneak Tom Cruise | 0:07:37 | 0:07:41 | |
onto a ride at Alton Towers. | 0:07:41 | 0:07:42 | |
Who lives in a castle? | 0:07:42 | 0:07:45 | |
Sir Brooke's house reminded me of my own family home, | 0:07:45 | 0:07:47 | |
in much the same way as when he opened the door, | 0:07:47 | 0:07:50 | |
Sir Brooke reminded me of Dizzee Rascal. | 0:07:50 | 0:07:53 | |
-Sir Boothby. -Good morning to you. -Good morning. | 0:07:53 | 0:07:55 | |
-Welcome to Fonmon. -Thank you. | 0:07:55 | 0:07:57 | |
It's quite a remarkable place. How long has this been in your family? | 0:07:57 | 0:08:00 | |
My ancestor, Colonel Philip Jones, good revolutionary Welshman, | 0:08:00 | 0:08:04 | |
nicked it off the Normans who'd originally built it. | 0:08:04 | 0:08:07 | |
I imagine it's probably yours now, after that long. | 0:08:07 | 0:08:10 | |
Sir Brooke showed me how the other half lived. | 0:08:10 | 0:08:12 | |
Oil paintings of his ancestors, a massive library, servants quarters, | 0:08:12 | 0:08:17 | |
rooms full of tableware, and a mind-blowing spoon. | 0:08:17 | 0:08:22 | |
Beautifully-made spoon. They're so elegant, | 0:08:22 | 0:08:25 | |
the way they're put together. | 0:08:25 | 0:08:26 | |
I'm giving this dinner party tomorrow, therefore I'm looking | 0:08:28 | 0:08:31 | |
for some assistance in the form of a butler to manage the evening. | 0:08:31 | 0:08:37 | |
That absolutely terrifies me. | 0:08:37 | 0:08:40 | |
If I needed any more reason to be nervous, the next day's dinner party | 0:08:40 | 0:08:43 | |
was in honour of the Earl of Bradford, | 0:08:43 | 0:08:45 | |
Sir Brooke's friend who had recently married. | 0:08:45 | 0:08:48 | |
Apart from not touching myself in front of Lady Bradford, | 0:08:48 | 0:08:51 | |
I was unsure of my role. | 0:08:51 | 0:08:52 | |
The basic job of a butler is to make people feel good. | 0:08:52 | 0:08:55 | |
If you can achieve that or help us achieve it, | 0:08:55 | 0:08:58 | |
then that would be a successful dinner. | 0:08:58 | 0:09:00 | |
If all else failed, I knew exactly how to make the guests feel good. | 0:09:00 | 0:09:04 | |
I'd show them Sir Brooke's spoon. | 0:09:04 | 0:09:06 | |
There was loads to do before tomorrow's dinner party | 0:09:06 | 0:09:09 | |
so Sir Brooke gave me my first task, | 0:09:09 | 0:09:11 | |
confessing he had an embarrassing problem. | 0:09:11 | 0:09:13 | |
I've got some gaps in my cellar, so I'm hoping that you can go off | 0:09:13 | 0:09:18 | |
and come back with some possible recommendations. | 0:09:18 | 0:09:20 | |
On top of that, you're going to take with you a bottle of our port | 0:09:20 | 0:09:24 | |
so you can practise taking the port out into the decanters. | 0:09:24 | 0:09:27 | |
But it is fairly precise | 0:09:27 | 0:09:29 | |
and you will be handling a very fine and very rare wine. | 0:09:29 | 0:09:32 | |
I want you to do a little practice. | 0:09:32 | 0:09:35 | |
Great. Tomorrow I'd be in charge of the posh booze as well. | 0:09:35 | 0:09:38 | |
I knew less about very fine, very rare wine than Ian Beale, | 0:09:38 | 0:09:42 | |
but I'd heard that far beneath Cardiff Castle | 0:09:42 | 0:09:44 | |
lived a magic wine Hobbit who could help me. | 0:09:44 | 0:09:47 | |
-Hello, Rhod. Nice to meet you. -Hello. | 0:09:47 | 0:09:50 | |
There is nothing difficult about wine-tasting except for spitting. | 0:09:50 | 0:09:56 | |
The very sad news is I've forgotten the spittoon. | 0:09:56 | 0:10:01 | |
I'm prepared to be professional, toughen my nipples and drink it. | 0:10:01 | 0:10:05 | |
My dear fellow, I congratulate you on your courage. | 0:10:05 | 0:10:08 | |
We'd better start, then, by tasting some wines. | 0:10:08 | 0:10:12 | |
-You've got two nostrils. -Thank you. | 0:10:14 | 0:10:17 | |
It's not just wine you know about. Quite an expert on the human face. | 0:10:17 | 0:10:20 | |
Yes, getting wine there... | 0:10:20 | 0:10:22 | |
-..and wine there. -Good. | 0:10:23 | 0:10:25 | |
Wine, wine, wine again. | 0:10:31 | 0:10:35 | |
-Are you getting plums on your nose? -Stewed plums. -Stewed plums? | 0:10:35 | 0:10:38 | |
I'll go further. I can give you the address these plums were steamed at. | 0:10:38 | 0:10:41 | |
-It's got a silver award this one as well. -Decanter magazine liked it. | 0:10:47 | 0:10:50 | |
I've never heard of Decanter magazine. | 0:10:50 | 0:10:52 | |
-They probably haven't heard of you. -Well said! | 0:10:52 | 0:10:55 | |
-Do you think Sir Brooke would like that? -I've only met him today. | 0:10:55 | 0:10:59 | |
I don't know anything about him. If he doesn't like it, I'll have it. | 0:10:59 | 0:11:01 | |
Forget this whole butler thing this evening. Let's go on the pop. | 0:11:01 | 0:11:05 | |
You could lead a young man astray. | 0:11:05 | 0:11:07 | |
We'll bring you one if you're a very good boy. | 0:11:15 | 0:11:18 | |
I can't remember what we were talking about. | 0:11:18 | 0:11:20 | |
We're talking about why we decant vintage port. | 0:11:20 | 0:11:23 | |
Sir Brooke Boothby seems to be making a really big deal about this port business. | 0:11:23 | 0:11:26 | |
Are my guests really going to be able to tell | 0:11:26 | 0:11:29 | |
if I've done it by the book? | 0:11:29 | 0:11:31 | |
Lord Bradford, one of your guests, he has an exceptionally fine palate. | 0:11:31 | 0:11:34 | |
So he will know whether the port is treated, | 0:11:34 | 0:11:37 | |
decanted properly, whether I've... | 0:11:37 | 0:11:40 | |
Oh, spiffing, more pressure. | 0:11:40 | 0:11:43 | |
Not only was the port I'd be decanting tomorrow | 0:11:43 | 0:11:45 | |
worth more than a signed photo of the Loch Ness monster, | 0:11:45 | 0:11:47 | |
but if the port didn't taste like what it ought, | 0:11:47 | 0:11:50 | |
Sir Brooke would stew my plums. | 0:11:50 | 0:11:52 | |
The wine Hobbit smelt my anxiety and gave me a magic wine-tasting thing | 0:11:52 | 0:11:55 | |
for good luck, and a final tip that I'd never forget. | 0:11:55 | 0:11:58 | |
A bottle of champagne should be opened with no more sound | 0:11:58 | 0:12:03 | |
than a duchess's fart. | 0:12:03 | 0:12:05 | |
There is a duchess coming tomorrow, so I could ask her | 0:12:05 | 0:12:07 | |
to break wind to give us a benchmark. | 0:12:07 | 0:12:09 | |
FEINT HISS | 0:12:11 | 0:12:15 | |
Well done. | 0:12:15 | 0:12:16 | |
-The duchess has barely lifted her leg. -Congratulations. | 0:12:16 | 0:12:19 | |
Master, you are now certainly an opener of champagne. | 0:12:19 | 0:12:22 | |
If you do half as badly as I've done today, you'll be a great success. | 0:12:22 | 0:12:28 | |
Thank you. | 0:12:28 | 0:12:29 | |
Unfortunately, the wine Hobbit had cast an evil spell on me | 0:12:29 | 0:12:32 | |
because by the time I'd got back I'd forgotten everything he said. | 0:12:32 | 0:12:35 | |
I needed to be up at dawn to remove the currants | 0:12:35 | 0:12:37 | |
from Sir Brooke's muesli, | 0:12:37 | 0:12:39 | |
but the Hobbit's spell kept me up all night doing drunken role play. | 0:12:39 | 0:12:43 | |
Can I offer you an aperitif, Lady Bradford? | 0:12:43 | 0:12:45 | |
I'm really bad at role play. | 0:12:45 | 0:12:47 | |
Holland said, whatever you do when you talking to a lady, | 0:12:47 | 0:12:51 | |
in fact when you're talking to anybody, | 0:12:51 | 0:12:53 | |
a blanket rule in fact, blanket ban, don't touch yourself. | 0:12:53 | 0:12:57 | |
Lady Bradford, I presume? | 0:12:57 | 0:12:59 | |
My name? Thank you for asking, Lady Bradford, very kind of you. | 0:12:59 | 0:13:03 | |
Stop it, Lady Bradford. Really! | 0:13:03 | 0:13:05 | |
Don't touch yourself. Lady Bradford, | 0:13:05 | 0:13:07 | |
I am Gilbert. | 0:13:07 | 0:13:10 | |
Gilbert the butler. | 0:13:10 | 0:13:12 | |
Next morning I felt like my head had been decanted. | 0:13:12 | 0:13:15 | |
My mind was as cloudy as a duchess's fart. | 0:13:15 | 0:13:17 | |
My master was up at dawn and I had to be up before him. | 0:13:17 | 0:13:21 | |
What's happened to him? Where is he? | 0:13:21 | 0:13:23 | |
Is breakfast coming today or tomorrow? | 0:13:23 | 0:13:26 | |
Gilbert the butler was supposed to deliver breakfast at 8:30am | 0:13:31 | 0:13:36 | |
to Sir Brooke Boothby in his room | 0:13:36 | 0:13:37 | |
and I can hear him pottering about in the kitchen. | 0:13:37 | 0:13:39 | |
Good morning, Sir Brooke. | 0:13:39 | 0:13:41 | |
Gilbert, good morning. | 0:13:41 | 0:13:42 | |
Or is it good afternoon? | 0:13:42 | 0:13:44 | |
I do apologise, sir. I had a sleeping malfunction. | 0:13:44 | 0:13:46 | |
I'd given up on you on breakfast. | 0:13:46 | 0:13:48 | |
-You can feed the currants to the birds. -I can do that, sir. | 0:13:48 | 0:13:52 | |
You could make me a cup of tea | 0:13:52 | 0:13:53 | |
because I still haven't had my cup of tea. | 0:13:53 | 0:13:55 | |
OK. Where will you be, sir? | 0:13:55 | 0:13:58 | |
Back up at my office because having got something inside me I feel human. | 0:13:58 | 0:14:03 | |
He's had to remove his own currants from his muesli. | 0:14:03 | 0:14:06 | |
13 currants, unlucky for some. | 0:14:06 | 0:14:07 | |
Mr Brooke had to remove them all himself. | 0:14:07 | 0:14:09 | |
Attention to detail, you can see one of the currants is actually damp. | 0:14:09 | 0:14:13 | |
Obviously the milk was poured on and the currant was only spotted later. | 0:14:13 | 0:14:17 | |
So attention to detail, Gilbert the butler would spot things like that. | 0:14:17 | 0:14:21 | |
Teskar, breakfast is served! | 0:14:24 | 0:14:28 | |
Come hither! | 0:14:28 | 0:14:29 | |
Can I help you, ladies? The house is not quite spotless yet. Back to your positions. | 0:14:31 | 0:14:35 | |
-Yes, sir. -Thank you. | 0:14:35 | 0:14:37 | |
My hangover was almost as impressive as Sir Brooke's spoon, | 0:14:42 | 0:14:45 | |
and he'd almost lost a hand on a jagged muesli flake. | 0:14:45 | 0:14:48 | |
But I had to focus. We had a dinner party to organise, and... | 0:14:48 | 0:14:51 | |
-Oh, not more wine! -Mind your head. | 0:14:51 | 0:14:53 | |
Nothing to damage, sir, I assure you. How old are these wines, sir? | 0:14:53 | 0:14:57 | |
Well, these two are only about 12 years old. | 0:14:57 | 0:15:01 | |
So they're not great age. The red one is about 20 odd years old. | 0:15:01 | 0:15:06 | |
And the port we're going to get out in a minute is 40, 50 years old. | 0:15:06 | 0:15:11 | |
Please don't put it on there, sir. | 0:15:11 | 0:15:13 | |
I've never had the privilege of a camera pointing at my backside | 0:15:15 | 0:15:18 | |
as I go up stairs before! | 0:15:18 | 0:15:19 | |
It's an equally good side, sir. | 0:15:19 | 0:15:21 | |
I've got to get these to the fridge. | 0:15:21 | 0:15:25 | |
Gilbert? It's time we got the shooting stuff ready. | 0:15:33 | 0:15:36 | |
Very well, sir. | 0:15:36 | 0:15:38 | |
I'm on my way! | 0:15:40 | 0:15:42 | |
Sir Brooke and I are about to go shooting. | 0:15:42 | 0:15:44 | |
I understand we're going clay pigeon shooting. | 0:15:44 | 0:15:47 | |
At least I hope the pigeons are made of clay. | 0:15:47 | 0:15:49 | |
If the pigeons are made of pigeon, | 0:15:49 | 0:15:51 | |
I may have a little difficulty shooting them. | 0:15:51 | 0:15:53 | |
What I need you to do is unpack the ammunition out of those little boxes | 0:15:53 | 0:15:57 | |
and put them into those two bags. | 0:15:57 | 0:15:59 | |
That will give us plenty of ammunition to shoot. | 0:15:59 | 0:16:01 | |
They are the right sort of pigeons. | 0:16:01 | 0:16:02 | |
They're not going to shit on your head. | 0:16:02 | 0:16:04 | |
Now I'm in my new tweed garb, | 0:16:05 | 0:16:07 | |
I should probably change my persona slightly. | 0:16:07 | 0:16:09 | |
I feel less "Hello, sir, very good, sir, three bags full, sir", | 0:16:09 | 0:16:13 | |
and more "All right, sir? How are you doing?" | 0:16:13 | 0:16:15 | |
"Very good, sir, on the double, sir. I'll be with you in a moment, sir, | 0:16:15 | 0:16:18 | |
I'm just having a dump, me and the wife." | 0:16:18 | 0:16:21 | |
-All right, girls? -Morning. It's nice meeting you. | 0:16:21 | 0:16:23 | |
Nice meeting you too, girls. | 0:16:23 | 0:16:25 | |
-You are staying tonight? -No, I'll be on my way. | 0:16:25 | 0:16:28 | |
We won't see you in the morning then? | 0:16:28 | 0:16:30 | |
You won't see me in the morning, girls. | 0:16:30 | 0:16:32 | |
Not unless I pop in your room! Ha-har! | 0:16:32 | 0:16:34 | |
We have two full bags of cartridges. | 0:16:34 | 0:16:37 | |
-That's right. -Would sir like some help ramming it home? | 0:16:39 | 0:16:41 | |
This sleeve hasn't been used. It's just gone a bit stiff. | 0:16:41 | 0:16:44 | |
There we are. | 0:16:44 | 0:16:46 | |
Good shot, sir! | 0:17:23 | 0:17:25 | |
I say, sir. Don't worry, sirs. | 0:17:31 | 0:17:33 | |
In the words of Meat Loaf, two out of four ain't bad. | 0:17:33 | 0:17:36 | |
This is one of the most dangerous possible things that can happen | 0:17:36 | 0:17:40 | |
-in shooting, if a man is loading for a 20 and a 12. -Absolutely. | 0:17:40 | 0:17:43 | |
If you put one of those down my gun, it will go halfway down the barrel | 0:17:43 | 0:17:47 | |
and jam, and then it will explode in my face and yours. | 0:17:47 | 0:17:50 | |
-Is that the right one, sir? -Yeah. -Double sure, sir? | 0:17:50 | 0:17:53 | |
Pop him in. | 0:17:53 | 0:17:55 | |
I was a little concerned when they asked me | 0:17:55 | 0:17:57 | |
to reload different rifles, shotguns. | 0:17:57 | 0:18:00 | |
Apparently if you get those two mixed up, | 0:18:00 | 0:18:02 | |
then I could have blown Sir Brooke's head off. | 0:18:02 | 0:18:05 | |
Which would have been most inopportune before the dinner party. | 0:18:05 | 0:18:08 | |
I don't mind waiting on Sir Brooke, | 0:18:08 | 0:18:10 | |
but I have no intention of pouring soup down a headless neck. | 0:18:10 | 0:18:13 | |
The battlefield was littered with dead and dying clay pigeons. | 0:18:13 | 0:18:16 | |
Valiant Sir Brooke wanted to finish the injured ones off | 0:18:16 | 0:18:18 | |
with the butt of his rifle, but I held him back. | 0:18:18 | 0:18:21 | |
The dinner party was looming | 0:18:21 | 0:18:23 | |
and my day was packed as tightly as a horse's Y-fronts. | 0:18:23 | 0:18:26 | |
HUMS 'WHOLE LOTTA LOVE' | 0:18:26 | 0:18:29 | |
# You need coolin', baby I'm not foolin' | 0:18:31 | 0:18:34 | |
# I'm gonna send you back to schoolin'... # | 0:18:36 | 0:18:41 | |
876, 877... | 0:18:42 | 0:18:45 | |
God, look at the state of these gloves - look at that. | 0:18:45 | 0:18:49 | |
I look like Paul Daniels after he's had a nervous breakdown. | 0:18:49 | 0:18:52 | |
Holland would have a heart attack if he could see this cushion. | 0:18:55 | 0:18:58 | |
This is the monster fire in the library | 0:19:01 | 0:19:03 | |
where the guests will be before dinner. Look at that. | 0:19:03 | 0:19:07 | |
You could properly brulee creme with that. | 0:19:07 | 0:19:11 | |
How aristocratic is that? Rather than those little firelighters you get, | 0:19:11 | 0:19:15 | |
Sir Brooke lights a fire with champagne corks. | 0:19:15 | 0:19:17 | |
Apparently they do the trick just as well. | 0:19:17 | 0:19:20 | |
All I've got to do now is make sure | 0:19:20 | 0:19:22 | |
Lady Bradford doesn't mistake this for a hairdryer. | 0:19:22 | 0:19:25 | |
Three hours later, this grotty old dump looked as good as Wimpey show home. | 0:19:25 | 0:19:29 | |
So Claire, the housekeeper, introduced me to my crack team of waiting staff. | 0:19:29 | 0:19:32 | |
He's running the show, so you've all got to answer to Rhod. OK? | 0:19:32 | 0:19:36 | |
-Mr Gilbert. -Mr Gilbert, yes. | 0:19:36 | 0:19:38 | |
-There we are. -Got it? | 0:19:38 | 0:19:39 | |
The plan is that you lot are so good, you'll make it look like I know what I'm doing. | 0:19:39 | 0:19:43 | |
Ollie is laying out the candlesticks. | 0:19:46 | 0:19:47 | |
As you can see, they have to be 55 centimetres exactly apart, each one. | 0:19:47 | 0:19:53 | |
That one is a centimetre out. | 0:19:53 | 0:19:55 | |
This is 36, this one. | 0:19:56 | 0:19:58 | |
Someone somewhere cares. | 0:19:58 | 0:20:00 | |
It's not me, it's not Ollie. | 0:20:00 | 0:20:02 | |
That's not fair. We do care. | 0:20:02 | 0:20:04 | |
(But not deep down!) | 0:20:04 | 0:20:06 | |
'Before you could say, "I think Lord and Lady Bradford have arrived, sir"...' | 0:20:07 | 0:20:10 | |
I think Lord and Lady Bradford have arrived, sir. | 0:20:10 | 0:20:12 | |
'..Lord and Lady Bradford arrived. I think.' | 0:20:12 | 0:20:15 | |
Did you have a pleasant trip? | 0:20:15 | 0:20:17 | |
-When we found the place. -Oh, really? -We got slightly lost. -Oh, did you? | 0:20:17 | 0:20:21 | |
-What am I taking? -Our guests of honour were the first to arrive. | 0:20:21 | 0:20:24 | |
Thankfully, they were lovely, but we were off - the night had started. | 0:20:24 | 0:20:28 | |
I'm pretty much winging it now. This is kind of using common sense, | 0:20:28 | 0:20:31 | |
because I haven't been told how to do any of this, | 0:20:31 | 0:20:34 | |
how to greet people or whether to take the car. | 0:20:34 | 0:20:37 | |
I'm a slightly nervous driver, and the last thing I want to do now | 0:20:37 | 0:20:40 | |
is write off this Jag in the side of a 12th Century castle. | 0:20:40 | 0:20:43 | |
The pressure was mounting. Next, I had to decant the port. | 0:20:45 | 0:20:47 | |
He'd been keeping it for 47 years. | 0:20:47 | 0:20:49 | |
I'd rather have pulled my pants down in the library and shouted, | 0:20:49 | 0:20:52 | |
"Anyone for billiards?" than mess this up. | 0:20:52 | 0:20:54 | |
Right, I'm pretty nervous, it has to be said. | 0:20:54 | 0:20:56 | |
This port is two years older than I am. | 0:20:56 | 0:20:58 | |
I have absolutely no idea how much this bottle of port is worth. | 0:20:58 | 0:21:02 | |
It could be hundreds, it could be thousands. | 0:21:02 | 0:21:07 | |
You can see how much... Oh, shit! | 0:21:07 | 0:21:10 | |
The cork has snapped in half. | 0:21:10 | 0:21:12 | |
It's broken off in there. | 0:21:12 | 0:21:14 | |
Oh, dear, this is going terribly wrong. | 0:21:14 | 0:21:17 | |
Come on. | 0:21:17 | 0:21:20 | |
Oh, no - it's just disintegrating! | 0:21:20 | 0:21:23 | |
I'm going to push that in there. Just push it in. | 0:21:23 | 0:21:25 | |
I knew this would go wrong. Look, there are bits of cork coming out. | 0:21:25 | 0:21:30 | |
Keep it steady, apparently. That's the key. | 0:21:30 | 0:21:32 | |
Not too fast, not too slow. | 0:21:32 | 0:21:33 | |
However, I've just pushed the cork into the bottle with my finger, | 0:21:33 | 0:21:38 | |
so I'm doing it as bloody fast as I can | 0:21:38 | 0:21:40 | |
before somebody comes along and catches me. | 0:21:40 | 0:21:42 | |
With the guests due any minute everything had to be perfect. | 0:21:42 | 0:21:45 | |
These people were born with a silver spoon in their mouths. | 0:21:45 | 0:21:48 | |
One of them had a crystal wine decanter | 0:21:48 | 0:21:50 | |
sticking out of his bottom as well. | 0:21:50 | 0:21:51 | |
I had to remember all the pointless detail Holland taught me. | 0:21:51 | 0:21:54 | |
This napkin is not straight. | 0:21:54 | 0:21:56 | |
I'm finding this really stressful. | 0:21:56 | 0:21:58 | |
This is not a world I know anything about. I've never come into contact with it. | 0:21:58 | 0:22:02 | |
I don't know why, it's just daft. | 0:22:02 | 0:22:03 | |
They're just people, and they're nice people. | 0:22:03 | 0:22:06 | |
They have a different way of doing things. | 0:22:06 | 0:22:08 | |
And their way is unbelievably particular. | 0:22:08 | 0:22:14 | |
Just as I thought we were ready, I remembered I'd forgotten to change. | 0:22:14 | 0:22:18 | |
If Sir Brooke caught me in my day suit after dark, | 0:22:18 | 0:22:20 | |
he'd have my guts for garters, and my stewed plums for cuff links. | 0:22:20 | 0:22:24 | |
Yeah. Brilliant. | 0:22:26 | 0:22:28 | |
-Rhod, lots of people are waiting outside. -Shit! | 0:22:28 | 0:22:31 | |
There's about 10 people outside. | 0:22:31 | 0:22:35 | |
What's taken all this time? | 0:22:35 | 0:22:37 | |
Apologies. I am so, so very, very sorry... | 0:22:37 | 0:22:41 | |
for the delay. | 0:22:41 | 0:22:43 | |
Would you like us to go out again? | 0:22:43 | 0:22:45 | |
-Eh...! -The wings of your collar should be underneath your tie. | 0:22:45 | 0:22:49 | |
I appreciate you putting me right. | 0:22:49 | 0:22:52 | |
If you could stagger yourselves... | 0:22:52 | 0:22:54 | |
Like Heathrow, every two minutes, somebody lands! | 0:22:54 | 0:22:57 | |
Don't squabble over who was first. | 0:22:57 | 0:23:00 | |
Good evening. Good evening. Do come in. | 0:23:02 | 0:23:06 | |
Mr and Mrs John Humphries! | 0:23:06 | 0:23:08 | |
It's like Noel's House Party! | 0:23:08 | 0:23:10 | |
Good evening, do come in. | 0:23:10 | 0:23:13 | |
SPEAKS IN FRENCH | 0:23:13 | 0:23:16 | |
Hello. Sorry to have kept you. | 0:23:16 | 0:23:19 | |
Sir Jeffrey and Lady Inkin! | 0:23:21 | 0:23:25 | |
I can't help doing it slightly like I'm compering a gig. | 0:23:25 | 0:23:28 | |
"Your next act, Sir Jeffrey and Lady Inkin!" | 0:23:28 | 0:23:32 | |
The champagne opening had gone well. | 0:23:32 | 0:23:34 | |
As luck would have it, one of the guests had broken wind loudly | 0:23:34 | 0:23:38 | |
just as I uncorked it. | 0:23:38 | 0:23:39 | |
There was just time to swat up on the wine. | 0:23:39 | 0:23:41 | |
READS FRENCH LABEL | 0:23:41 | 0:23:43 | |
And that's from St Esteve. | 0:23:43 | 0:23:45 | |
So let's look at the wine - look at the wine, Gilbert! | 0:23:45 | 0:23:48 | |
Look at it! | 0:23:48 | 0:23:50 | |
Done that. | 0:23:51 | 0:23:52 | |
My Lord, ladies, and gentlemen, dinner is served! | 0:24:00 | 0:24:03 | |
Well done, Gilbert! | 0:24:03 | 0:24:04 | |
It's the first thing you got right all evening. Splendid. | 0:24:04 | 0:24:07 | |
This is like something out of a costume drama. | 0:24:09 | 0:24:12 | |
And their agenda is, come to a dinner party at Sir Brooke's house, | 0:24:12 | 0:24:15 | |
not to make a nice little TV programme and indulge Rhod Gilbert. | 0:24:15 | 0:24:18 | |
They're serious. | 0:24:18 | 0:24:20 | |
God save the Queen. | 0:24:20 | 0:24:21 | |
God bless our food and make us ever thankful, Amen. | 0:24:21 | 0:24:25 | |
ALL: Amen. | 0:24:25 | 0:24:26 | |
While they said Grace, I said a prayer of my own. | 0:24:26 | 0:24:28 | |
"Our father, please don't let there be a ladybird in the potatoes." | 0:24:28 | 0:24:32 | |
You've got a problem. Not only is it a ladybird, | 0:24:32 | 0:24:36 | |
but it is one of the invading foreign Harlequin ladybirds. | 0:24:36 | 0:24:41 | |
Are you sure this isn't just idle prejudice, sir? | 0:24:41 | 0:24:43 | |
No. We've therefore drowned it in the claret, and we wish you to remove it. | 0:24:43 | 0:24:47 | |
-It must die. -And should I return the claret, sir? | 0:24:47 | 0:24:49 | |
I tried another prayer. | 0:24:52 | 0:24:54 | |
"Lord, please don't let all the wine corks break off in the bottles." | 0:24:54 | 0:24:56 | |
Oh, shit! | 0:24:56 | 0:24:58 | |
Bloody cork snapped in the bottle again! Shit, shit, shit, shit, shit! | 0:24:58 | 0:25:03 | |
Stress, stress, stress, stress. | 0:25:03 | 0:25:07 | |
It was almost as if the good Lord was deliberately sabotaging my efforts. | 0:25:10 | 0:25:14 | |
And by good Lord, I mean God, not Lord Bradford. | 0:25:14 | 0:25:16 | |
Although he was about to throw a spanner in the works and all. | 0:25:16 | 0:25:20 | |
The proverbial has hit the fan in a major way. | 0:25:24 | 0:25:27 | |
One of the staff has dropped some spoons. | 0:25:27 | 0:25:30 | |
There was some leek and potato soup in the spoon. | 0:25:30 | 0:25:32 | |
The spoon has flipped up, and the leek and potato soup, | 0:25:32 | 0:25:34 | |
to cut a long story short, is on the back of Lord Bradford. | 0:25:34 | 0:25:38 | |
I could just sneak up and sort of sponge it off him as he's there, | 0:25:38 | 0:25:42 | |
but people are going to say, | 0:25:42 | 0:25:44 | |
"Why is the butler sponging Lord Bradford in the middle of a conversation?" | 0:25:44 | 0:25:47 | |
I'm out of my depth. | 0:25:47 | 0:25:49 | |
I'm going to speak to Sir Brooke and see how he thinks I should proceed. Thank you. | 0:25:49 | 0:25:52 | |
The dress code was "dinner jacket", but Lord Bradford was taking it a bit too literally. | 0:25:52 | 0:25:57 | |
Sir Brooke told me to deal with it directly and discreetly. | 0:25:57 | 0:26:00 | |
But what could I do? I was just a half-polished turd in a butler suit. | 0:26:00 | 0:26:03 | |
He was the Earl of Bradford, | 0:26:03 | 0:26:05 | |
looking like a contestant on Come Dine On Me. | 0:26:05 | 0:26:07 | |
Lord Bradford, can I interrupt you briefly? | 0:26:07 | 0:26:10 | |
It appears that some leek and potato soup | 0:26:10 | 0:26:13 | |
has found its way onto the back of your jacket. | 0:26:13 | 0:26:16 | |
And to give us an opportunity to remove the jacket | 0:26:16 | 0:26:19 | |
and make an attempt at cleaning it and returning it to you. | 0:26:19 | 0:26:22 | |
-Is this piss taking, or genuine? -Genuine. | 0:26:22 | 0:26:26 | |
They're going to start thinking that, you know... | 0:26:26 | 0:26:28 | |
That the entertainment has arrived! | 0:26:28 | 0:26:31 | |
If things got any worse, I'd have to get Sir Brooke's spoon out. | 0:26:31 | 0:26:34 | |
I dealt with Soupgate as discretely as I could. | 0:26:34 | 0:26:37 | |
Leek and potato soup everywhere. | 0:26:37 | 0:26:39 | |
To his credit, Lord Bradford laughed it off. | 0:26:39 | 0:26:42 | |
Well, we sponged it off, but you get my drift. Time for some fun. | 0:26:42 | 0:26:45 | |
Not Sir Brooke's spoon, but a raucous romp of a party game, | 0:26:45 | 0:26:48 | |
called, Guess which of two bottles of the same 1963 port has been disturbed | 0:26:48 | 0:26:50 | |
at some point in the last decade, and which has remained horizontal in a cellar since 1966? | 0:26:50 | 0:26:54 | |
Well, one's well travelled and one doesn't travel at all. | 0:26:54 | 0:26:57 | |
A little game, my Lord, ladies and gentlemen. | 0:26:57 | 0:27:00 | |
When I was growing up we played a similar game called, Guess which milk is off. | 0:27:03 | 0:27:06 | |
But it was never this much fun. | 0:27:06 | 0:27:09 | |
It's more complex. | 0:27:09 | 0:27:10 | |
-More complex? -More bitter. | 0:27:10 | 0:27:13 | |
OK. The answer is that blue has remained here since 1966. | 0:27:13 | 0:27:19 | |
CHEERING AND APPLAUSE | 0:27:19 | 0:27:23 | |
There's nothing wrong | 0:27:23 | 0:27:24 | |
with preferring a port that has moved, absolutely nothing. | 0:27:24 | 0:27:27 | |
Dare to be different. | 0:27:27 | 0:27:29 | |
Guess the disturbed port had exhausted the happy gathering, | 0:27:29 | 0:27:32 | |
so they retired to the library to sit down somewhere else. | 0:27:32 | 0:27:35 | |
It had been stressful, but I'd had a great time with lovely people. | 0:27:35 | 0:27:39 | |
We were very different, and I knew I wasn't cut out | 0:27:39 | 0:27:41 | |
to be a butler because I just couldn't take it seriously. | 0:27:41 | 0:27:43 | |
But I was keen to find out what they made of me. | 0:27:43 | 0:27:46 | |
We need to have some comment on how we've got on. | 0:27:46 | 0:27:50 | |
I would say, Brooke, that Gilbert has been a most refreshing butler, | 0:27:50 | 0:27:54 | |
in that he's been much less intimidating | 0:27:54 | 0:27:56 | |
-than butlers I've come across in the past. -Here, here! | 0:27:56 | 0:28:00 | |
Rhod, unfortunately, is over blessed with too much charm, | 0:28:00 | 0:28:03 | |
so that he gets involved with conversations with the guests, | 0:28:03 | 0:28:06 | |
and forgets about what he should be doing. | 0:28:06 | 0:28:08 | |
I would not employ him as a butler. | 0:28:08 | 0:28:11 | |
But I'd be delighted to have him as a fellow guest at a dinner party. | 0:28:11 | 0:28:15 | |
Thank you! | 0:28:17 | 0:28:19 | |
That's it. I'm a butler no more. | 0:28:19 | 0:28:23 | |
They're a really nice bunch of people. | 0:28:23 | 0:28:24 | |
I didn't find it demeaning in any way. | 0:28:24 | 0:28:28 | |
And there's a real satisfaction and reward in getting things just right, | 0:28:28 | 0:28:33 | |
in getting things perfect, the detail. | 0:28:33 | 0:28:35 | |
I can't switch off that part of my brain that always | 0:28:35 | 0:28:39 | |
wants to try and be funny and try and make people laugh. | 0:28:39 | 0:28:42 | |
It's still a world of weird protocols and weird details. | 0:28:42 | 0:28:45 | |
You're more of a part of it than I am, aren't you? | 0:28:47 | 0:28:50 | |
Sit, Teskar! Sit! | 0:28:50 | 0:28:53 | |
I remember when I was a butler, that dog did everything I said. | 0:28:54 | 0:28:58 | |
Subtitles by Red Bee Media Ltd | 0:29:03 | 0:29:06 | |
E-mail [email protected] | 0:29:06 | 0:29:09 |