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I'm Rhod Gilbert, I'm told I have a tough job but there are more difficult ones. | 0:00:06 | 0:00:09 | |
So, I'm ditching my regular job and trying something different. | 0:00:09 | 0:00:13 | |
This is my Work Experience. | 0:00:13 | 0:00:15 | |
And this week, I'm a tattoo artist. | 0:00:15 | 0:00:18 | |
I'd rather spend the rest of my life in a Portaloo with Mel Gibson than have a tattoo, | 0:00:18 | 0:00:22 | |
but in two days' time, I have to scar some poor sod for life. | 0:00:22 | 0:00:25 | |
So, I picked up a scent of burning flesh and followed it to a tattoo convention in Telford. | 0:00:25 | 0:00:31 | |
I don't really know anything about tattoos. I've never wanted a tattoo. | 0:00:31 | 0:00:34 | |
All this violent imagery and skulls and death and graves and fire, it just seems a bit sad. | 0:00:34 | 0:00:40 | |
I shouldn't think like that. It's my shortcoming, I should be more open-minded. | 0:00:40 | 0:00:44 | |
Who knows, maybe I'll come out desperately wanting a tattoo myself? | 0:00:44 | 0:00:49 | |
I felt as out of place as Bungle on the Death Star. | 0:00:49 | 0:00:53 | |
There wasn't even a "paint a cartoon on your tits" stand. Oh... | 0:00:53 | 0:00:56 | |
Are they wearing like body stockings? | 0:00:56 | 0:00:58 | |
No, no, it's the skin. | 0:00:58 | 0:01:00 | |
-No. -Is that it? -Yes. | 0:01:00 | 0:01:02 | |
-Don't you feel a bit self-conscious? -When there's no paint on, I did. | 0:01:02 | 0:01:05 | |
You felt self-conscious when there was no paint on you? | 0:01:05 | 0:01:07 | |
-But now, I don't at all, because you can't see anything, so... -You can! | 0:01:07 | 0:01:12 | |
If I undid my fly and pulled my testicles out, it wouldn't matter if I had a picture of a lion on there, | 0:01:12 | 0:01:18 | |
you could still see them. | 0:01:18 | 0:01:20 | |
I've never seen a tattoo being done close up. I've only seen it from a kind of distance. | 0:01:22 | 0:01:26 | |
You're just brushing that across. | 0:01:26 | 0:01:28 | |
-It doesn't look like you're ramming it in. -Ramming it in?! -I thought you had to ram it in. | 0:01:28 | 0:01:32 | |
Don't laugh, it's going to go horribly wrong! | 0:01:32 | 0:01:35 | |
You could get a moustache on the Virgin Mary if you're not careful! | 0:01:35 | 0:01:38 | |
Tattooed toilet seats here, why not? | 0:01:40 | 0:01:43 | |
-Is that blood? -No, pen, I think. | 0:01:43 | 0:01:46 | |
-It's what? -Pen. -Oh, pen. | 0:01:46 | 0:01:47 | |
-Ink. -Ink. | 0:01:47 | 0:01:49 | |
I was learning loads. Like, what's worse than finding a maggot in your apple? | 0:01:49 | 0:01:53 | |
That's right, a massive penis on your leg. | 0:01:53 | 0:01:55 | |
You've got a big dick on the back of your leg. I had one once, but I slapped it off. | 0:01:55 | 0:01:59 | |
Look at that, Best Male Leg 2004. | 0:01:59 | 0:02:01 | |
-Just the left leg? Did this one not even get runner up? -No, no. | 0:02:01 | 0:02:04 | |
-They're quite addictive, you'll realise. -Are they? | 0:02:04 | 0:02:08 | |
All it wants me to do is get more tattoos and more tattoos, really. | 0:02:08 | 0:02:11 | |
Show the back of your head. | 0:02:11 | 0:02:14 | |
And what does it all mean? | 0:02:14 | 0:02:15 | |
It's got no specific meaning to me. It's just, I like that, I'll have that done. | 0:02:15 | 0:02:19 | |
You assume every aspect of them holds some significance, but quite often it's not. | 0:02:22 | 0:02:26 | |
I met Louis Molloy, who was to tattooing | 0:02:26 | 0:02:28 | |
what Simon Cowell's trousers were to his backside - right up there. | 0:02:28 | 0:02:31 | |
That many celebrities getting tattooed that half the time | 0:02:31 | 0:02:35 | |
you don't even know who they are when they're coming in. Most famous client would be David Beckham. | 0:02:35 | 0:02:40 | |
Don't tell me you didn't recognise David Beckham? | 0:02:40 | 0:02:42 | |
You only recognised him when you tattooed his kids' names. | 0:02:42 | 0:02:44 | |
I know these names, Brooklyn, Posh Spice. | 0:02:44 | 0:02:47 | |
-I've got to... I've tattooed her as well. -Have you? -Yeah. | 0:02:47 | 0:02:50 | |
There's nothing to tattoo, is there? | 0:02:50 | 0:02:52 | |
I'm trying to get to the bottom of his how significant things are to people, | 0:02:52 | 0:02:55 | |
or how much is, what the hell? | 0:02:55 | 0:02:57 | |
You might pick that particular jacket and that colour of jacket because you like it. | 0:02:57 | 0:03:01 | |
-I can take this jacket off! -Course you can. -Put another one on. | 0:03:01 | 0:03:05 | |
If you're going to tattoo somebody, first of all get tattooed yourself, so that you know what it feels like. | 0:03:05 | 0:03:10 | |
No. | 0:03:10 | 0:03:12 | |
-Why not? It's not that bad. -But it's there for life and I don't want one. -So what? | 0:03:12 | 0:03:16 | |
We should run the tattoo machine over your skin with no colour in it, so you get to know what it feels like. | 0:03:16 | 0:03:22 | |
Go on, Rhod, be a man. | 0:03:22 | 0:03:24 | |
Hearing that celebs were all having tattoos didn't make me want one | 0:03:24 | 0:03:27 | |
any more than watching Psycho made me want a shower, but Louis did have a point. | 0:03:27 | 0:03:32 | |
You sure all this has been rinsed and stuff? | 0:03:32 | 0:03:34 | |
That's the needle. There's five needles on that. | 0:03:34 | 0:03:37 | |
I wasn't expecting this. I'm not good with pain. | 0:03:37 | 0:03:40 | |
Swing your legs over. | 0:03:40 | 0:03:41 | |
I feel I'm going to faint already. | 0:03:41 | 0:03:43 | |
-The only thing I've had close to this is injections in hospital. -I'm not giving you an injection. | 0:03:43 | 0:03:48 | |
I passed out when I had an allergy test. | 0:03:48 | 0:03:50 | |
-Don't move, I'm going to do it. -Don't piss about! -I'm not. -No, I don't like it! -Keep still. | 0:03:50 | 0:03:55 | |
BUZZING | 0:03:55 | 0:03:58 | |
Oh, that's... | 0:03:58 | 0:04:01 | |
Ah! You bastard! | 0:04:01 | 0:04:03 | |
Why would you go through this? | 0:04:03 | 0:04:05 | |
-Seriously? -Show it t'camera. | 0:04:05 | 0:04:08 | |
Where is it? There. | 0:04:08 | 0:04:10 | |
It's unpleasant. It stings. | 0:04:10 | 0:04:13 | |
It's like having lots of little injections in a row. | 0:04:13 | 0:04:16 | |
That took what, 10 seconds? | 0:04:16 | 0:04:18 | |
That took 70 hours. | 0:04:18 | 0:04:21 | |
What is wrong with you? | 0:04:21 | 0:04:23 | |
When you tattoo somebody, they will feel what you've just felt. | 0:04:23 | 0:04:26 | |
So, as nervous as you was, they will be. | 0:04:26 | 0:04:28 | |
So, you've got to inspire confidence in your client that you can do it. | 0:04:28 | 0:04:33 | |
-Can I learn it tomorrow and then do it on Tuesday? -You'll struggle. | 0:04:33 | 0:04:37 | |
An average apprenticeship is five years. | 0:04:37 | 0:04:39 | |
Five years? | 0:04:39 | 0:04:41 | |
-Yep, five years. -I'm no brain surgeon but tracing a knob on someone's leg couldn't be rocket science. | 0:04:41 | 0:04:46 | |
I did need to assess my art skills, though, and I wasn't ready to do any leg genitals, | 0:04:46 | 0:04:50 | |
so graffiti was the perfect low-pressure way to start. | 0:04:50 | 0:04:54 | |
Well, I've got to do a tattoo in a couple of days. | 0:04:54 | 0:04:57 | |
Do you want to do a skull? | 0:04:57 | 0:04:59 | |
-A skull? -Yeah. -Yeah, all right. | 0:04:59 | 0:05:01 | |
-Go closer to the wall. -Closer to the wall. | 0:05:05 | 0:05:08 | |
-Where's the white? -The white? -I need the white. | 0:05:10 | 0:05:14 | |
How's that, out of 10? | 0:05:17 | 0:05:19 | |
Yeah, it's a good, er... | 0:05:19 | 0:05:21 | |
Yeah... Two and a half. | 0:05:21 | 0:05:23 | |
Two and a half out of 10? | 0:05:23 | 0:05:25 | |
It's a good start. | 0:05:25 | 0:05:27 | |
Would you let me tattoo you? | 0:05:27 | 0:05:29 | |
Oh, sorry, I'm getting a cold... | 0:05:29 | 0:05:31 | |
Oh dear, my skull looked like a space invader on a comedown. | 0:05:32 | 0:05:36 | |
Maybe Louis was right, if there was an artist inside me and had to get him out, fast. | 0:05:36 | 0:05:39 | |
Perhaps Catherine's henna would act as an artistic laxative. | 0:05:39 | 0:05:42 | |
I'll show you how you to use it. | 0:05:42 | 0:05:44 | |
It does look suspicious. I used to have a hamster | 0:05:44 | 0:05:47 | |
that would do that if you squeezed him too tightly. | 0:05:47 | 0:05:50 | |
Not as artistically, obviously. | 0:05:50 | 0:05:52 | |
I never drew a flower with him. | 0:05:52 | 0:05:54 | |
Do you think you could copy that? Squeeze a little harder. | 0:05:54 | 0:05:57 | |
My hamster was easier to use than this. | 0:05:57 | 0:05:59 | |
Would you say this is the best first attempt you've seen? | 0:05:59 | 0:06:02 | |
The best first attempt I've seen you do, yeah. | 0:06:02 | 0:06:05 | |
-I think I've mastered flowers. -Shall we try spirals? | 0:06:05 | 0:06:08 | |
Sounds a bit too easy. What about a tiger, a black panther, leaping out with flames coming out of him? | 0:06:08 | 0:06:13 | |
-This is looking a lot better. -There you go. | 0:06:13 | 0:06:16 | |
That looks like a lotus flower. | 0:06:16 | 0:06:18 | |
That's what I'm doing. I've changed my mind, I'll do a lotus flower with a panther leaping through it. | 0:06:18 | 0:06:23 | |
I think this could turn into a good stegosaurus. | 0:06:23 | 0:06:25 | |
-Hang on a minute, this is evolving. -It is. | 0:06:25 | 0:06:27 | |
I'm changing my mind as we go along, as it starts to look like something different each time. | 0:06:27 | 0:06:32 | |
Hopefully the person I tattoo will accept that their initial design might end up as something different. | 0:06:32 | 0:06:37 | |
That's exciting. Well, I've done a nose. Now he's got a nose and a horn. | 0:06:37 | 0:06:41 | |
My rare or parsnip-horned rhino-tigersaurus wouldn't fit on my arm, so I created another original | 0:06:41 | 0:06:46 | |
design and Catherine gave me a hamster pooh tattoo with deep personal significance. | 0:06:46 | 0:06:51 | |
As the ink was drying on the last penis tattoo in Telford, | 0:06:51 | 0:06:54 | |
I headed home to Wales to cram in five years' training. | 0:06:54 | 0:06:57 | |
Artistically speaking, I was badly constipated and I had to tattoo someone very soon. | 0:06:57 | 0:07:02 | |
I don't know what tattoo I'm going to give them. | 0:07:02 | 0:07:04 | |
The tattoo shop is 50 yards away and I want to nail it by the time I get in there. | 0:07:04 | 0:07:08 | |
It's a Chinese takeaway. | 0:07:08 | 0:07:10 | |
I could do a Chinese symbol. | 0:07:10 | 0:07:12 | |
Got a flower shop... | 0:07:12 | 0:07:14 | |
This could be useful. | 0:07:17 | 0:07:19 | |
Everybody likes a nice big fat Buddha, don't they? | 0:07:19 | 0:07:21 | |
Tigers, they look quite nice. The tattoo studio is there. | 0:07:21 | 0:07:26 | |
Post Office is there, with the tigers in the window. | 0:07:26 | 0:07:29 | |
Two doors along, in between the two, Flames Kebab House. | 0:07:29 | 0:07:34 | |
It's like some kind of Derren Brown thing, genuinely freaking me out. | 0:07:34 | 0:07:38 | |
The stars are seriously aligned. | 0:07:38 | 0:07:40 | |
Tomorrow's punter is getting a tiger jumping through flames. | 0:07:40 | 0:07:45 | |
My destination was a family-run tattoo and piercing studio deep in the Welsh Valleys, | 0:07:45 | 0:07:50 | |
the mystical world of Abracadabra. | 0:07:50 | 0:07:51 | |
The name evoked in the magic and mystery of the Orient. I met the owner, Dave. | 0:07:51 | 0:07:56 | |
How long have you been a tattooist, Dave? | 0:07:56 | 0:07:59 | |
33 years this year. | 0:07:59 | 0:08:00 | |
What are the most important skills of a tattoo artist? | 0:08:00 | 0:08:04 | |
To keep a steady hand. | 0:08:04 | 0:08:06 | |
Got to get a firm line down on there. | 0:08:06 | 0:08:09 | |
It can jump about a lot and go all over the place. | 0:08:09 | 0:08:12 | |
I've been looking for inspiration. | 0:08:12 | 0:08:14 | |
I keep coming back to like a tiger or something jumping through some flames. | 0:08:14 | 0:08:19 | |
-That is way beyond. -Is it? -Yeah, yeah. | 0:08:19 | 0:08:22 | |
I can show you an early version. | 0:08:22 | 0:08:24 | |
I did it in like a minute or two with a henna tube I've never used. | 0:08:24 | 0:08:27 | |
-It'll be better than this, I reckon, if I did it again. -Oh, I hope so. | 0:08:27 | 0:08:32 | |
Have you got good insurance? | 0:08:32 | 0:08:35 | |
Every day, people come in and they've had something like that done in someone's bedroom. | 0:08:35 | 0:08:40 | |
-I thought it was quite good. -Er, no. | 0:08:40 | 0:08:43 | |
-Would you have something like that? -Er... No. | 0:08:44 | 0:08:48 | |
I can take the parsnip out. | 0:08:48 | 0:08:50 | |
-And the flames. -Lose the flames? | 0:08:50 | 0:08:52 | |
-Yeah, and the tiger. -THEY LAUGH | 0:08:52 | 0:08:55 | |
So Rhod, have you got any tattoos yourself? | 0:08:55 | 0:08:57 | |
I've got a tiny little R in a bloodline there. | 0:08:57 | 0:09:00 | |
So, there's no ink in the thing. | 0:09:00 | 0:09:02 | |
To do a tattoo on someone, I really that you should experience | 0:09:02 | 0:09:06 | |
what it is you're doing to someone, and have a tattoo yourself. | 0:09:06 | 0:09:11 | |
I left the house this morning and I was hoping it wouldn't come to this. | 0:09:11 | 0:09:15 | |
What the hell would I have? | 0:09:15 | 0:09:17 | |
'How was I meant to choose? I'd rather peel the skin off my own skull | 0:09:17 | 0:09:20 | |
'than get a tattoo of a skull with a dagger through its eye.' | 0:09:20 | 0:09:23 | |
I quite like animals, Dave, but I don't know if I want them permanently etched on my skin. | 0:09:23 | 0:09:28 | |
-Who the hell would have that? -You wouldn't believe what they have. | 0:09:28 | 0:09:32 | |
What would you describe this thing as, then? It's a sort of mixture of a dragon cow-woman with udders. | 0:09:32 | 0:09:38 | |
-I could have my cat. I do quite like my cat. -Have your cat, yeah. | 0:09:38 | 0:09:41 | |
Arnold, his name is. I could have that, an Arnold. | 0:09:41 | 0:09:43 | |
Tom Jones. Is that a popular one round here, up this area? | 0:09:43 | 0:09:47 | |
No, never done that. | 0:09:47 | 0:09:48 | |
-Have you not? -Done John Wayne. | 0:09:48 | 0:09:50 | |
You've done John Wayne, but not Tom Jones. | 0:09:50 | 0:09:53 | |
-Yeah. -So nobody's ever had a Tom? I'm surprised at that, round here. | 0:09:53 | 0:09:57 | |
'Nothing's leaping out at me. People keep asking me what I'm passionate about.' | 0:09:57 | 0:10:00 | |
I can't really think of anything that I'd want tattooed on myself. | 0:10:00 | 0:10:02 | |
Quite a big fan of the NHS, so I could have a picture of Nye Bevan. | 0:10:02 | 0:10:06 | |
I quite enjoy crisps, quite enjoy The Apprentice. | 0:10:06 | 0:10:09 | |
Watching old episodes of Bergerac. | 0:10:09 | 0:10:11 | |
Nobody's going to have a massive John Nettles on their back. | 0:10:11 | 0:10:14 | |
'I couldn't find anything on Dave's charts or tattoo websites. | 0:10:14 | 0:10:17 | |
'In desperation, I started looking in the Argos catalogue.' | 0:10:17 | 0:10:21 | |
I want something that girls like. | 0:10:21 | 0:10:23 | |
I know what women like - cushions! | 0:10:23 | 0:10:26 | |
My girlfriend's always talking about cushions. 'Bingo! A cushion! | 0:10:26 | 0:10:29 | |
'Now I just needed a cushion cover.' | 0:10:29 | 0:10:31 | |
It's clearly a pie of some sort. | 0:10:31 | 0:10:33 | |
I'm not sure what the filling is, but flames coming out the back. | 0:10:33 | 0:10:36 | |
Make it a little bit darker and a little bit more exciting. | 0:10:36 | 0:10:38 | |
That pie's obviously arrived on the scene very quickly. | 0:10:38 | 0:10:41 | |
You can see the element of danger with the Battenberg. | 0:10:41 | 0:10:44 | |
Three or four slices have fallen off there, which is obviously a bit... | 0:10:44 | 0:10:47 | |
It's a shame the Battenberg's not on fire, isn't it? | 0:10:47 | 0:10:50 | |
-You could put it on fire. -We can add some flames to it if you want. | 0:10:50 | 0:10:52 | |
-You can add flames to the Battenberg? -Yes. | 0:10:52 | 0:10:55 | |
-So I can mix and match? -Yeah. | 0:10:55 | 0:10:56 | |
Fair play, you have found a Battenberg on fire. | 0:10:56 | 0:11:00 | |
What about a Battenberg cushion? Can you see if you can find a Battenberg cushion? | 0:11:00 | 0:11:04 | |
-I like the idea of a cushion. -Yeah? | 0:11:04 | 0:11:06 | |
Yeah. Can I get a cushion with your Battenberg one off the wall there, | 0:11:06 | 0:11:12 | |
with the slices falling down on it and then on fire, | 0:11:12 | 0:11:16 | |
some flames coming out of it, and then maybe, I don't know yet, but maybe Nye Bevan looking on. | 0:11:16 | 0:11:21 | |
-Have you done that one before? -Oh, no. | 0:11:21 | 0:11:24 | |
I don't know if anybody's got it. | 0:11:24 | 0:11:27 | |
Believe me, there's nobody has got that. RHOD LAUGHS | 0:11:27 | 0:11:30 | |
'Dave didn't have a ready-made "flaming Battenberg cushion | 0:11:30 | 0:11:33 | |
' "with a concerned Aneurin Bevan looking on" design, so he knocked one up. | 0:11:33 | 0:11:37 | |
I'm just going to draw on the flames. | 0:11:39 | 0:11:40 | |
It's not hurting too much at the moment, Dave. | 0:11:40 | 0:11:44 | |
You'll be fine, but just don't hold your breath, all right? | 0:11:44 | 0:11:47 | |
Breathe as normal. | 0:11:47 | 0:11:48 | |
Just relax, all right? | 0:11:50 | 0:11:53 | |
I can't relax, Dave. | 0:11:53 | 0:11:55 | |
Just drop this arm, that's it. | 0:11:55 | 0:11:57 | |
-Are you ready? -Argh... -BUZZING | 0:11:57 | 0:12:00 | |
Ah, Dave, that hurts! Ah, Dave! | 0:12:01 | 0:12:06 | |
Argh! | 0:12:06 | 0:12:07 | |
Arghhh! Arghhh! | 0:12:07 | 0:12:10 | |
Howww do people do this? Oww! | 0:12:10 | 0:12:13 | |
People come back here... | 0:12:13 | 0:12:15 | |
I'm sure they come back, yes, looking for you, I imagine! | 0:12:15 | 0:12:19 | |
Argh! Ooh! Argh! | 0:12:19 | 0:12:23 | |
Ay-ay-ay-ay! Ah! | 0:12:23 | 0:12:25 | |
I tell you what, I don't think I'm going to get round to having Nye Bevan as well. | 0:12:25 | 0:12:30 | |
'Having a proper tattoo was agony. My shoulder felt like a feminist's bra.' | 0:12:31 | 0:12:36 | |
I never want to see another Battenberg in my life, Dave. Aiii! | 0:12:36 | 0:12:41 | |
Mr Kipling can ... right off. | 0:12:41 | 0:12:43 | |
'I wanted Dave to stop, but there's probably only one thing worse than having a Battenberg on your back, | 0:12:43 | 0:12:48 | |
'and that's having half a Battenberg.' | 0:12:48 | 0:12:50 | |
Ow! It really feels like a needle just going in and then just ripping your flesh. | 0:12:50 | 0:12:54 | |
Have you got some nice cooling spray, Dave? Is that cooling? | 0:13:02 | 0:13:05 | |
-Cooling spray... You'll be back. -I won't be back, Dave. | 0:13:05 | 0:13:09 | |
You'll be back. You'll forget all about it and then you'll think, "Oh, it wasn't really that bad." | 0:13:09 | 0:13:15 | |
It was really that bad. | 0:13:15 | 0:13:17 | |
I will never be back. | 0:13:17 | 0:13:19 | |
I felt like I'd had a back rub off Edward Pizza-wheels-hands. | 0:13:19 | 0:13:22 | |
But the girls wanted to up the ante and we were off in search of new ways to inflict pain. | 0:13:22 | 0:13:26 | |
We're going to Chrome in Cardiff with my mate Ed | 0:13:26 | 0:13:29 | |
and we're going to learn how to put the micro-dermal anchors, | 0:13:29 | 0:13:32 | |
a piece of jewellery which sits underneath the surface of the skin. | 0:13:32 | 0:13:36 | |
Do you do that here at the moment? | 0:13:36 | 0:13:37 | |
No. It something that we want to expand into. | 0:13:37 | 0:13:41 | |
I am not doing it, I'm not being a guinea pig. | 0:13:41 | 0:13:44 | |
I'm not doing anything else today. | 0:13:44 | 0:13:45 | |
I've had enough pain inflicted on me. | 0:13:45 | 0:13:48 | |
'Where we were going, they knew more about holes than a mole with a hole punch. | 0:13:48 | 0:13:52 | |
'I've always thought this piercing lark was a bit weird, | 0:13:52 | 0:13:56 | |
'but when Ed explained some of the things people ask him to do to them, it all sounded very reasonable.' | 0:13:56 | 0:14:01 | |
What we do is mainly body piercing. There's not a lot of places on the body you can't pierce now. | 0:14:01 | 0:14:05 | |
But we also do a little bit of body modification. I've split tongues. | 0:14:05 | 0:14:09 | |
This is an ampallang, the most macho male ones you can have, | 0:14:09 | 0:14:14 | |
the most extreme apart from actually splitting the penis. | 0:14:14 | 0:14:18 | |
-Woah, woah, woah, woah, woah! -Yeah, you can split | 0:14:18 | 0:14:21 | |
and have two halves. | 0:14:21 | 0:14:24 | |
-What, you split that down the middle and... -Yeah. | 0:14:24 | 0:14:27 | |
-Like leaves of a book? -Yeah. | 0:14:27 | 0:14:29 | |
-Why would you do that, Ed? -That doesn't float my boat. | 0:14:29 | 0:14:32 | |
Have you had somebody come in and go... | 0:14:32 | 0:14:34 | |
"Ed, today I'd like you to split my penis in two." | 0:14:34 | 0:14:37 | |
Someone asked for it and I told them no. | 0:14:37 | 0:14:38 | |
'I was about to ask Ed if he'd split my penis down the middle | 0:14:38 | 0:14:42 | |
'and pop a few scoops of ice cream round it when a punter came in. | 0:14:42 | 0:14:44 | |
'I wasn't sure whether to say hello or stick 20p in her and try and win a cuddly toy. | 0:14:44 | 0:14:49 | |
'I said hello.' | 0:14:49 | 0:14:51 | |
-I'm sorry to stare at you. -It's hard not to. | 0:14:51 | 0:14:55 | |
I feel like Bill Oddie looking at a woodland creature. | 0:14:55 | 0:14:58 | |
Come on, Izzie. Be brave. | 0:15:00 | 0:15:02 | |
I'm going to start there. We're not allowed to give any pain relief, | 0:15:02 | 0:15:06 | |
but then that's half the fun. | 0:15:06 | 0:15:08 | |
What's wrong with you all? | 0:15:08 | 0:15:10 | |
What is wrong with all of you lot? | 0:15:10 | 0:15:12 | |
I don't smoke, I don't drink... | 0:15:12 | 0:15:14 | |
Well, start smoking and drinking, I would. | 0:15:14 | 0:15:17 | |
-Here we go. -I'm not going to faint now, the worst of it's over. | 0:15:27 | 0:15:31 | |
It's not as painful as the last one I had. | 0:15:31 | 0:15:34 | |
'There's just an intensity around this whole world. | 0:15:34 | 0:15:37 | |
'The pain that I felt when I was being tattooed...' | 0:15:37 | 0:15:40 | |
Thinking about inflicting that pain on somebody else is a really horrible thought. | 0:15:40 | 0:15:43 | |
My big day arrived, but Dave was worried that I was as ready to tattoo someone | 0:15:47 | 0:15:52 | |
as a man with both hands trapped under a sleeping gorilla. | 0:15:52 | 0:15:55 | |
I had to work on my drawing skills. He put a thingy on the pencil so it was more like a tattoo thing. | 0:15:55 | 0:16:00 | |
Trying to draw this panther. | 0:16:04 | 0:16:06 | |
With this thing on it's really, really difficult. | 0:16:06 | 0:16:10 | |
It looks like what I imagine Scooby Doo might look like if he was abusing solvents. | 0:16:10 | 0:16:15 | |
I think I've got a fix for this. | 0:16:15 | 0:16:17 | |
I think I've made this look deliberate. Here it is. | 0:16:17 | 0:16:20 | |
This is Scooby Doo, in brackets, after hearing he's been fined £50 for dog fouling. | 0:16:20 | 0:16:26 | |
There's the dog foul there, on the pavement. | 0:16:26 | 0:16:28 | |
And then we'll have Scooby shouting, "It wasn't me!" | 0:16:28 | 0:16:31 | |
protesting his innocence. | 0:16:31 | 0:16:33 | |
I've added Scrappy Doo shouting, "Yes, it was!" at Scooby. | 0:16:33 | 0:16:37 | |
'I still felt artistically constipated, but surprisingly | 0:16:37 | 0:16:40 | |
'Dave and Maria quite liked my mountain cat with dropsy.' | 0:16:40 | 0:16:43 | |
-Out of ten, Dave? -Got all the shadowing. -Out of 10, I'd say seven. | 0:16:43 | 0:16:49 | |
-Really? -Yeah, yeah, that's good. -That's the one I was trying to do. | 0:16:49 | 0:16:52 | |
-Good choice. -What we've ended up with is a slight evolution of that. | 0:16:52 | 0:16:56 | |
He looks more like Scooby Doo having a mild nervous breakdown. | 0:16:56 | 0:17:00 | |
Or looks like it's been run over. | 0:17:00 | 0:17:02 | |
Very difficult to use, this, though. | 0:17:04 | 0:17:07 | |
Yeah, it's the weight thing, isn't it? | 0:17:07 | 0:17:09 | |
My roadkill Scooby Doo poodunnit got a thumbs-down, | 0:17:09 | 0:17:12 | |
but, spinning it positively, Dave said my work had a sense of humour. | 0:17:12 | 0:17:16 | |
So he introduced me to someone he thought I'd get on with. | 0:17:16 | 0:17:18 | |
Royston had more famous faces down his trousers than Russell Brand. | 0:17:18 | 0:17:22 | |
What's this one here? I can just see something else peeping out there. | 0:17:22 | 0:17:24 | |
Hang on, let me guess. Let's reveal it bit by bit. | 0:17:24 | 0:17:27 | |
I'll give you a clue. A Scot. | 0:17:27 | 0:17:29 | |
A Scot. Go on, she's got long hair there. | 0:17:29 | 0:17:32 | |
Look at that. I tell you what, | 0:17:33 | 0:17:35 | |
that is a rather splendid, beautiful-looking Lorraine Kelly. | 0:17:35 | 0:17:38 | |
Why Lorraine Kelly? | 0:17:38 | 0:17:40 | |
Everybody comes in, they want a skull, they want a dagger | 0:17:40 | 0:17:43 | |
or a dagger through the skull and God knows what else. | 0:17:43 | 0:17:46 | |
So I had a word with Dave, so we came up with the idea of Lorraine Kelly. | 0:17:46 | 0:17:50 | |
It just goes to show there's a brighter side to tattooing. | 0:17:50 | 0:17:53 | |
This is the light side. I see. I see what you're saying. | 0:17:53 | 0:17:56 | |
'This light side of tattooing was all very well, | 0:17:56 | 0:17:59 | |
'but if I tattooed someone now, Dave would need a sense of humour and legal aid. | 0:17:59 | 0:18:03 | |
'My fledgling tattoo career looked over. | 0:18:03 | 0:18:05 | |
'Then, out of the blue, a superhero arrived. | 0:18:05 | 0:18:08 | |
'Was it a bird? Was it a plane? No, it was Russell Brand legs man. He said I could practise on him.' | 0:18:08 | 0:18:13 | |
He's got loads of tattoos. He's covered in them. | 0:18:13 | 0:18:16 | |
So that's why we sort of picked him as a guinea pig, really. | 0:18:16 | 0:18:20 | |
He knows the score and he understands that this might not be | 0:18:20 | 0:18:23 | |
the finest artwork he's ever seen in his life. | 0:18:23 | 0:18:25 | |
This is making the transfer that's going to go on to Royston's skin. | 0:18:25 | 0:18:29 | |
There we are, look at that. Magic. | 0:18:29 | 0:18:31 | |
-Take the needle out of the packet. -It's making my knees go weak already. | 0:18:31 | 0:18:36 | |
-Rub it in with your hand, that's the way. -Are you happy with it there, Royston? | 0:18:39 | 0:18:42 | |
Yeah, happy with it. | 0:18:42 | 0:18:44 | |
Nervous? | 0:18:44 | 0:18:45 | |
-How nervous are you, out of a scale of 1 to 10? -Seriously, truthfully? | 0:18:45 | 0:18:49 | |
-Yeah. 1 to 10. -10. | 0:18:49 | 0:18:51 | |
I'm only on a 7! | 0:18:51 | 0:18:54 | |
So you put it in there, and do you press the button while it's in there? | 0:18:54 | 0:18:59 | |
I'm about to do my first ever tattoo. | 0:18:59 | 0:19:03 | |
-Right. No problem. -BUZZING | 0:19:05 | 0:19:08 | |
-How's that, Royston? -All right there, thanks. | 0:19:12 | 0:19:14 | |
-Painful? -Yeah. | 0:19:14 | 0:19:16 | |
I'm going to try and make it less painful for you, is my objective. | 0:19:16 | 0:19:19 | |
How's that, Roy? | 0:19:23 | 0:19:25 | |
I tell you what, Royston, that's not bad. | 0:19:35 | 0:19:37 | |
No, not bad at all. | 0:19:37 | 0:19:39 | |
'Russell Brand legs man had saved the day. | 0:19:39 | 0:19:42 | |
'He was the laxative to my artistic constipation. | 0:19:42 | 0:19:44 | |
'I was starting to enjoy this light side to tattooing. | 0:19:44 | 0:19:46 | |
'I even got my Battenberg out for the girls.' | 0:19:46 | 0:19:49 | |
Check the art. | 0:19:49 | 0:19:51 | |
Wow. I love cake. | 0:19:51 | 0:19:54 | |
Do you? Cushions? | 0:19:54 | 0:19:55 | |
-Cushions, my favourite. -All women love cushions. | 0:19:55 | 0:19:59 | |
'My real customer would be along soon and I was on a high. | 0:19:59 | 0:20:02 | |
But Maria felt I was still a bit of an inky penis on the leg of tattooing, | 0:20:02 | 0:20:05 | |
'and that I needed more coaching.' | 0:20:05 | 0:20:08 | |
What's it actually like being a full-time tattoo artist, Maria? | 0:20:08 | 0:20:13 | |
You get to meet loads of interesting people with lots of different stories | 0:20:13 | 0:20:17 | |
and you become a part of their life. | 0:20:17 | 0:20:19 | |
One of the things I've noticed about this place is it seems to be like a real heart of the community. | 0:20:19 | 0:20:24 | |
Yeah, yeah. It's like therapy for them, me, | 0:20:24 | 0:20:28 | |
if I need to get anything off my chest. | 0:20:28 | 0:20:31 | |
If I didn't tattoo, I think I'd be a counsellor. | 0:20:31 | 0:20:34 | |
-Would you? -Yeah. -Everybody says tattoos are addictive. | 0:20:34 | 0:20:37 | |
Once you have one, you want more and more. | 0:20:37 | 0:20:39 | |
It's the whole bonding thing, like they come back for that. | 0:20:39 | 0:20:44 | |
It's the buzz of the piece when it's done. You know, you feel good. | 0:20:44 | 0:20:47 | |
-Did you feel good? -No. | 0:20:47 | 0:20:50 | |
And I tell you now, I'm not coming back, community or no community. | 0:20:50 | 0:20:53 | |
'In the next few minutes, I learned why the shop was called Abracadabra. | 0:20:53 | 0:20:57 | |
'One minute I was having a nice chat with Maria, | 0:20:57 | 0:21:00 | |
'the next I mysteriously found myself semi-naked in Joy's dentist chair.' | 0:21:00 | 0:21:04 | |
It's not as bad as you think it's going to be. | 0:21:05 | 0:21:07 | |
-It better not be as bad as I think it's going to be. -It's not. | 0:21:07 | 0:21:10 | |
Right, there's the clamp going on. | 0:21:16 | 0:21:18 | |
Joy! It's ironic, you having a name like Joy, isn't it? | 0:21:20 | 0:21:24 | |
When you bring so much misery and bloody pain... Even that's agony! | 0:21:24 | 0:21:28 | |
-What's that, is that just the ice? -Yes. Oh, my God. | 0:21:28 | 0:21:30 | |
I don't even want it. | 0:21:30 | 0:21:32 | |
All done. Ready? | 0:21:34 | 0:21:37 | |
HE SCREAMS | 0:21:37 | 0:21:42 | |
Joy! | 0:21:42 | 0:21:46 | |
Oh, God, this is horrible. | 0:21:46 | 0:21:48 | |
Oh, God alive. | 0:21:48 | 0:21:50 | |
Can't take any more. | 0:21:50 | 0:21:52 | |
Between the tattoo and now this, I just... | 0:21:52 | 0:21:55 | |
Poor little nipple. | 0:21:55 | 0:21:57 | |
What have I done to you? | 0:21:57 | 0:21:59 | |
God alive. | 0:22:02 | 0:22:03 | |
Not light headed, or...? | 0:22:07 | 0:22:09 | |
'Joy had rammed that thing through my man-tit like a cheap buffet snack. | 0:22:11 | 0:22:16 | |
'Time for my revenge. I wanted to split her breasts in half and fill them with fruit. | 0:22:16 | 0:22:21 | |
'She wanted an earring.' Look at that. | 0:22:21 | 0:22:23 | |
-That's what you push in through here. -What is? -The whole thing. | 0:22:23 | 0:22:28 | |
That's not going right through the ear, like that? | 0:22:28 | 0:22:30 | |
You haven't got to go right in, just until you can see it out the back. | 0:22:30 | 0:22:33 | |
Then you pull the needle back and you'll leave a plastic tube. | 0:22:33 | 0:22:36 | |
Say all that again. I wasn't listening, I was panicking. | 0:22:36 | 0:22:39 | |
-Are you ready? -Mm-hmm. | 0:22:39 | 0:22:40 | |
Couldn't you have chosen me something to pierce that's a bit further away from your brain? | 0:22:43 | 0:22:48 | |
-Can we take your ear off and do it somewhere else? -My brain is in my feet. | 0:22:48 | 0:22:51 | |
-OK? -Mm-hmm. | 0:22:51 | 0:22:52 | |
Ow! | 0:22:54 | 0:22:56 | |
-Flick that bit off now. -Are you all right? -Mm-hmm. If the jewellery is right through... | 0:22:56 | 0:23:00 | |
The jewellery is right through, I can see the thread. | 0:23:00 | 0:23:03 | |
Oh, heck. | 0:23:05 | 0:23:07 | |
-I've dropped the bling. -Me balls are gone. | 0:23:10 | 0:23:12 | |
The balls, the end of the jewellery bit's gone. | 0:23:12 | 0:23:15 | |
-Has it been sterilised now? -Yes, I just sterilised it. | 0:23:15 | 0:23:18 | |
So it's fully sterilised again. | 0:23:18 | 0:23:20 | |
Very difficult to get it on there. | 0:23:21 | 0:23:23 | |
Shit, I've dropped it. Where has it gone? It's in your ear. | 0:23:25 | 0:23:28 | |
-It's right at the back there. -Yeah, that could be it. | 0:23:36 | 0:23:39 | |
There we go. | 0:23:39 | 0:23:41 | |
Who's a brave boy? | 0:23:41 | 0:23:43 | |
'My tattoo appointment was in. | 0:23:49 | 0:23:51 | |
'I had to forget about Nipplegate and focus. | 0:23:51 | 0:23:53 | |
'Amanda was a tattoo virgin. | 0:23:53 | 0:23:55 | |
'As her tattoo artist, it was my job to reassure her and build her confidence.' | 0:23:55 | 0:23:59 | |
Amanda. Hello. | 0:24:00 | 0:24:02 | |
Nice to meet you. How are you doing? | 0:24:03 | 0:24:05 | |
-Do you know what to expect? -No. | 0:24:05 | 0:24:08 | |
The first thing I've got to tell you is, it's agony. | 0:24:08 | 0:24:13 | |
It's really, properly, seriously painful. | 0:24:13 | 0:24:16 | |
It feels like somebody ripping into you with a compass. | 0:24:16 | 0:24:19 | |
It feels like being ironed with a scalding iron. | 0:24:19 | 0:24:22 | |
It does, honestly. It feels like somebody, if taking a cheese grater to your leg | 0:24:23 | 0:24:28 | |
and rubbing like that for about an hour until it's bleeding and stuff, that's what it feels like. | 0:24:28 | 0:24:33 | |
Really, really painful. What are you going to go for? | 0:24:33 | 0:24:36 | |
This one by here. | 0:24:36 | 0:24:38 | |
-This one? -Yep. There. | 0:24:38 | 0:24:41 | |
That's good because the only tattoo I've ever done was on the front of somebody's leg. | 0:24:41 | 0:24:45 | |
'Amanda was still nervous, so I showed her my artwork. | 0:24:45 | 0:24:47 | |
'Maybe the light side of tattooing would appeal to her too.' | 0:24:47 | 0:24:50 | |
That was in a henna tube, they're really difficult to control. | 0:24:50 | 0:24:53 | |
Tattooing's far easier than that. You can see the talent, can't you? | 0:24:53 | 0:24:55 | |
You can see the raw talent that I've got to work with. This is some of my early stuff. | 0:24:55 | 0:24:59 | |
This was earlier in my career. | 0:24:59 | 0:25:00 | |
I did this...yesterday. | 0:25:00 | 0:25:03 | |
Oh, no, the day before. It was the day before yesterday! | 0:25:04 | 0:25:07 | |
-Oh, my God. -I didn't do that. | 0:25:07 | 0:25:11 | |
That's the original. But look what I did. | 0:25:11 | 0:25:14 | |
It's not bad. | 0:25:15 | 0:25:17 | |
Don't lose confidence just because I can't get a glove on. | 0:25:18 | 0:25:22 | |
If you don't want to go through with it, you must say now, | 0:25:22 | 0:25:25 | |
because in about a minute from now it's going to be too late. So if you... | 0:25:26 | 0:25:31 | |
We should have some tense music like on a quiz show. | 0:25:33 | 0:25:37 | |
Just get ready for a really sort of intense scratching, burning, all right? | 0:25:42 | 0:25:46 | |
-OK, just stretching the skin to make sure. Ready? -Yeah. | 0:25:46 | 0:25:50 | |
That's it. Try not to move. | 0:25:50 | 0:25:53 | |
Don't move, whatever you do now, don't move. | 0:25:53 | 0:25:56 | |
That's it. Really try and stay still. | 0:25:57 | 0:26:00 | |
It's a little bit wobbly where you moved, | 0:26:00 | 0:26:02 | |
but hardly nothing, it's absolutely fine. | 0:26:02 | 0:26:04 | |
You know it's going to be really painful | 0:26:04 | 0:26:07 | |
but as soon as I take my hand away, the pain goes. | 0:26:07 | 0:26:09 | |
Do you think you can not move for this bit? Are you sure? | 0:26:09 | 0:26:13 | |
OK, every time you move like that, don't flinch now. | 0:26:15 | 0:26:18 | |
OK, don't move, don't move. | 0:26:19 | 0:26:22 | |
OK, try not to move. | 0:26:22 | 0:26:24 | |
No moving, no moving! | 0:26:24 | 0:26:26 | |
It's only going to be a second, don't move, that's it, don't move. | 0:26:26 | 0:26:30 | |
Deep breaths. | 0:26:30 | 0:26:32 | |
OK? Don't look. | 0:26:32 | 0:26:35 | |
Try not to flinch like that. | 0:26:37 | 0:26:39 | |
'Tattooing Amanda was far more difficult than Russell Brand legs man. | 0:26:39 | 0:26:43 | |
'She was a moving target. | 0:26:43 | 0:26:45 | |
'It was as dangerous as a woman doing her bikini line on a bouncy castle.' | 0:26:45 | 0:26:49 | |
If you jolt, I could put a line like that anywhere around here. | 0:26:49 | 0:26:53 | |
That's supposed to mean good and beautiful, you could end up with... | 0:26:53 | 0:26:56 | |
-Egg fried rice. -Egg fried rice. | 0:26:56 | 0:26:59 | |
Don't jolt now. | 0:27:14 | 0:27:17 | |
Get a bit of pink colour in there. | 0:27:17 | 0:27:19 | |
We're just going to put a little bit of colour in these petals. | 0:27:19 | 0:27:24 | |
Right, everyone, I want to show you my first customer, | 0:27:27 | 0:27:31 | |
first real customer. | 0:27:31 | 0:27:34 | |
This one is a bit wobbly, | 0:27:34 | 0:27:36 | |
-but that's down to movement. -You. | 0:27:36 | 0:27:38 | |
I don't know what all the fuss was about. You were shifting about. | 0:27:38 | 0:27:42 | |
You should have seen me yesterday. I was as good as gold, wasn't I? | 0:27:42 | 0:27:45 | |
Now you can see how difficult it can be. | 0:27:45 | 0:27:49 | |
-I'm going to give you five on this one. -Right, and if I do that? -Six. | 0:27:49 | 0:27:53 | |
Six? I genuinely thought you were going to say 9, 9.6. | 0:27:53 | 0:27:58 | |
Amanda, ladies and gentlemen. Give it up. | 0:27:58 | 0:28:01 | |
'Amanda would never win best female leg, but provided she never took her trousers off | 0:28:01 | 0:28:06 | |
'and married someone with cataracts, she'd be fine.' | 0:28:06 | 0:28:08 | |
-Thanks very much for everything, mate. -Pleasure. -It's been great. | 0:28:08 | 0:28:12 | |
It's been a fascinating insight into your life. | 0:28:12 | 0:28:14 | |
I never thought it was going to be easy, but it's very, very difficult. | 0:28:14 | 0:28:17 | |
You need to be accurate. You need to have great concentration. | 0:28:17 | 0:28:20 | |
-It's a really hard canvas, the human body. -That's right. | 0:28:20 | 0:28:22 | |
It jumps about like a box of frogs. | 0:28:22 | 0:28:24 | |
'There's a little bit of me thinking I want to go back and do that again - the tattooing, that is.' | 0:28:24 | 0:28:30 | |
Because there's two things I never want to do again as long as I live. | 0:28:30 | 0:28:33 | |
One, I never want to have another tattoo. I absolutely hate it. | 0:28:33 | 0:28:37 | |
And two, I will never, EVER pierce another nipple. | 0:28:37 | 0:28:42 | |
And that, my little friend, is a cast-iron promise. | 0:28:42 | 0:28:46 | |
I'm so sorry that I did that to you. | 0:28:46 | 0:28:48 | |
I don't know what I was thinking. | 0:28:48 | 0:28:50 | |
I just got carried away. | 0:28:50 | 0:28:51 | |
It's this stupid programme, it makes me do some ridiculous things. | 0:28:51 | 0:28:55 | |
Come on, Nipple. Let's get you home. | 0:28:55 | 0:28:57 | |
Subtitles by Red Bee Media Ltd | 0:29:05 | 0:29:08 | |
E-mail [email protected] | 0:29:08 | 0:29:11 |