Male Model Rhod Gilbert's Work Experience


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Transcript


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I'm Rhod Gilbert, stand-up comedian. People tell me I've got the toughest job, but I'm sure I'd find

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other things far more difficult, so I'm ditching my job and trying something completely different.

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This is my work experience.

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And this week, I'm a male model.

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I had no idea how to get into this glitzy world. The closest I've come to modelling anything is

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trying on my girlfriend's underwear while she was at the dentist.

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So I catwalked over to London to meet top fashion designer Julien Macdonald.

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If there was a male Kate Moss strutting around inside me, Julien would find him.

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-Hello, nice to meet you.

-I know nothing about this world...

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-Well...

-And apparently, you do.

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I know a lot about the world and the world you would like to

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enter into is very, very difficult, very cut-throat, very competitive.

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Most of the successful models in the world, the biggest models,

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probably start when they're about 15, 16.

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Right, I'm sort of 25 to 30 years late.

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-You're a bit late.

-That just makes it more of a challenge.

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At least you've got hair. Some guys at 45 haven't even got hair.

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All you can say about me is, "at least you've got hair".

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I'm going to show you a picture that was me at that age

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and you will probably have some idea of why I didn't go into modelling.

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-Are you ready?

-Facial hair is quite fashionable now!

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Look at that moustache!

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You're 6ft, skinny. You know what? You could have made it there.

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-Oh, a flat top at some point in the '80s.

-I'm quite impressed.

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You've actually got a jaw line, you know, a chiselled jaw.

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I'm amazed at how positive your reaction is to this.

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-I thought you were going to be instantly sick on the spot.

-When you were younger, I think

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you actually could have been a male model.

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You actually look quite Scandinavian, you look interesting.

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I do not want to challenge your authority in this area,

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but people viewing at home are not going to think he could have been a contender.

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I'm not going to be looking at that screen now, going,

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-"I think Julien is right."

-Some men age better. Look at George Clooney.

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Some guys, as they get older, they become more mature, more handsome, more desirable.

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I don't think that's happened in your case, but...

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RHOD LAUGHS

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-Really?

-To be honest!

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'Julien had shrunk my ego to a size zero.

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'I may have had a chiselled jaw in 1984,

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'but it looked like someone had had a go at it with a lump hammer since.

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'My looks hadn't just gone downhill, they were wedged in a fence at the bottom.

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-'But ignoring the fact I was wearing clothes, Julien had a radical idea.'

-We've talked about the way you look,

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but how do you actually look in clothes?

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-He's got it on.

-It's too small!

-That's model size.

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Most male models are that size. One of the things, you've got to fit into actual model clothes.

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If you don't fit in the clothes, you can't be a model.

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Let's see how you would walk on the catwalk. Give us your best catwalk.

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You must forget everything around you and you own the space,

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you own the clothes.

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And it's your...time to shine.

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Own the space.

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Don't do that!

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Is it that?

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-Is it that or is that...?

-You've got to sell that red jacket.

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-It's your job.

-My job is to sell this red jacket.

-Sell the red jacket.

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Go on. Hit the runway.

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Who's for the red jacket? Anyone want a red jacket?

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Red jackets, five pound.

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See? You've got to take it serious, without laughing!

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-I can't.

-You always laugh on the way back.

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The thing is, that was about as interesting as a dull mat.

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-You've got to be intriguing.

-How am I supposed to be intriguing?

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The thing is, you've got to be entertaining to people.

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'I looked about as intriguing as Kris Akabusi in a cycling helmet

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'and I just couldn't get the hang of it. I was trying my best,

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'but even Julien's travel Doberman knew I was bad. I was dreading Julien's final assessment.'

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Bottom line, do you want me as a male model?

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-Can you do anything with me?

-I don't think so.

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I don't think so!

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-Thank you for your honesty.

-I don't think so! But perhaps somebody might.

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-You might be somebody's cup of tea.

-All right, I can take it.

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You could be somebody's.

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There's not even 'I WILL be somebody's' - I MIGHT be!

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You never know. As a model, you spend most of your time being rejected.

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-This is my first rejection.

-Well, I'm sure you'll have a lot more.

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'My first taste of the industry, a brutal rejection.

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'But while Julien was 99.9% sure he didn't want me, he gave my career a last-minute reprieve.

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'He agreed to put me through my paces in one of his charity shows.

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'If I could pull this off, then who knows, Paris and Milan might beckon.

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'All I had to do was show some potential in Julien's hometown,

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'the fashion epicentre of Merthyr Tydfil.'

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When I went to see him in London, in his swanky offices,

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he told me that even if I was 20 years younger, even if

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I got a dietician, a nutritionist, even if I lost weight,

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started going to the gym, working out, even then, I'd have no chance of being a male model.

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This is my chance to prove him wrong.

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If I can't do it in Merthyr Tydfil Leisure Centre, then I give up.

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'The hall would soon be rammed with 1,000 of Merthyr Tydfil's top fashion movers and shakers.

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'I felt as out of place as Timmy Mallett in a documentary about Malcolm X.'

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-How do you feel?

-It's right up my street, this.

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-My kind of music, my sort of scene.

-SHE LAUGHS

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Yup. Bang up for this!

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'As rehearsals started, I was feeling increasingly self-conscious.'

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Look to the front again, hold for two, and back off.

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Are you all right with that?

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-Go on, the more I do it, the easier I will find it.

-It's...

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# Man, I feel like a woman. # I think it was apt for what you've got on. Is that all right with you?

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-Have you got 'Man, I Feel Like A Complete Dick'?

-No, I haven't got that one.

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'The boys from the Merthyr rugby team were loving it, but I was dying inside.

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-'I'd already Tommy Hilfigered it out that this wasn't for me.'

-Move your leg. Keep going.

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# Bad boys! #

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And walk. This time, clicking fingers.

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-Hate it.

-# Bad boys! Bad boys! #

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Bad boys.

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Bad boys.

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'To make things worse, Julien was watching my lack of progress.

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'A good model is supposed to be a clotheshorse. I felt like one that had been turned into pet food.'

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-What are you expecting from me?

-From you?

-Yeah.

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Everything that we taught you. Strong, confident, a modern man.

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'As the lights went down, the cream of Merthyr Tydfil's fashion scene looked on.

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'But I was feeling about as modern and confident as Ethelred the Unready.

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'The thought of going out there made me as happy as Naomi Campbell's face.'

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-There he is!

-There's the main man!

-There he is, the dick himself.

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Apparently, we're on in about two or three minutes.

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There's no time to complain, there's no time to...question it.

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I guess that is the life of a male model.

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Stick these Speedos on, get out there.

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Well done! Break a leg!

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Go, guys! Go!

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'My performance wasn't just ham-fisted, it was a head-to-toe ham onesie.

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'Problem one, quick changes.

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'Problem two, choreography.

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'Problem three, the wrong clothes.

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'Problem four, no clothes.'

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Julien's not got a suit for me.

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What I have got is a pair of boxer shorts and a dickie bow.

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-We'll find some way out of it, I'm sure.

-I like that. Sounds creative, sounds positive.

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-Yeah.

-Is it just total bollocks?

-Yeah.

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Just as I thought.

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There's a guy over there in a suit. My life pretty much depends on me having that off him.

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'Problem five, dealing with criticism.'

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-You look like a bag of shite!

-I look like a bag of shite, I know I do.

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'Problem six, backstage divas.'

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-Good crowd out there?

-Yeah, good crowd. Gave me a real lift.

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'I was really annoyed with myself.

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'How was I going to do London Fashion Week if I couldn't even nail Merthyr Fashion Hour?'

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Totally shit. That's how I would describe myself as a male model.

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Total and utter shit.

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'I knew this was the end of the runway for me with Julien.

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'I'd never model for a superstar designer like him, but he'd told me to expect rejections,

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'so I dusted myself off and lowered my sights a bit.'

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There's plenty more fish in the sea and I'm going to tout myself around some modelling agencies.

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I've put a little portfolio together with some shots I've had done over the years.

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We'll see what happens.

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I've come down to Hertfordshire to meet BMA Modelling Agency.

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One of the top modelling agencies in the country.

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And I'm going to get a second opinion.

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That's what I'm going to do.

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-Catwalk is out for you. You can't even go there.

-Absolutely not?

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-Absolutely not.

-Unthinkable? Unimaginable?

-Yeah. Unthinkable.

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And you would be 100% sure that every model agency in the world

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-would tell me the same thing?

-In the world, yes.

-In the world!

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That sounds quite definitive!

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'Agents Lyn and Jo were clear. I'd make the worst model

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'since Morph was caught snorting Blu-Tack in Tony Hart's lunchbox.

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'More rejection and this time I had nowhere else to turn.'

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-I'm looking for anything. That's too desperate!

-Well, he's cute.

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-He's very cute!

-The cow?

-We'd sign him up!

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-The cow is cute, yeah.

-Right, lots of character. Very nice.

-Yeah.

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-Lots of character in these?

-Lots of character. Very characterful face.

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You're basically too real.

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-What does that mean?

-You're real. You're like everyone out there.

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I can see you doing a commercial with something like spaghetti hoops,

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that kind of fun...active.

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I started out, I went to see Julien Macdonald.

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And I've ended up as a possible spaghetti hoops commercial!

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Have you any idea how crushing that is?

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It does seem as though this is a big moment.

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The door to my international male modelling catwalk career

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has been firmly slammed in my face.

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But there is hope because apparently I have a characterful face

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and people are on the lookout for guys who just look like regular,

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boring, dragged-in-off-the-street, utterly unremarkable people like me.

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'I just needed to lower my sights a bit. Again. My real person's face

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'would never grace the cover of Vogue, but it might work on a tin of spaghetti hoops.

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'I was determined to prove Julien wrong and set off in search

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'of someone who'd appreciate my tinned pasta face.

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'I found a character modelling agency that could help, although its name didn't lift my spirits.'

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Coming to a place called Ugly to get work, it doesn't feel weird?

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No, I'm 6ft 6, without heels. And today, I'm about 6ft 10.

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So the average agency doesn't specialise in the different look,

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it's more your generic look. These guys, they do everything.

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-Tall, short, fat, thin.

-Let's have a look.

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All right.

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I feel such a wimp!

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Ugly's just a name. It doesn't define the company.

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It's just the name and everyone's unique and everyone's an individual.

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-Do you think I'll get any work?

-No.

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You're very...generic.

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Generic, boring, bland.

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'Julien hadn't been joking about this hard-nosed industry. Too characterful for the catwalk,

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'now I might be too bland for character modelling.

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'As I went in for my audition, I was feeling pretty pessimistic.'

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Yeah, give me a bit of a fake laugh.

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If you can kind of pop your eyes open a bit wider than what you're doing.

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-Big eyes and smiling?

-Yeah, big eyes and big laughter.

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That's it. That's good.

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'I was determined to do whatever it took to get on Mark and Coxy's books.'

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Yes! Come on! Yes! Yes! Woo!

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If you can give us an angry alphabet, so then we've got your mouth moving all different shapes.

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What possible scenario will I have to do an angry alphabet?

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A, B, C, D, E, F, G,

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H, I, J, PISSING P!

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P? Doesn't come after J!

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'They'd Hugo Bossed me around and I waited patiently for another rejection.'

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I think you've got a really good, character face.

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The more weathered you are, I mean, if anything,

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-I'd like you a bit more battered really.

-RHOD LAUGHS

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A few more late nights and a little bit more...

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Believe me, I can't do it any later or drink any more or look

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after myself any less than I do now.

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We've got plenty of beautiful sort of 6ft models, they're boring to us.

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-Someone with character in their face.

-I've got webbed...

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-Aquaman, that's good.

-Aquaman, yeah. I've got webbed fingers.

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That's what it's all about, being something unique and different.

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It sets you against the rest of them, the rest of the norm.

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'Maybe I wasn't too bland after all. A lived-in face could be an asset and let's face it, mine

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'looked like it had been squatted. My weathered looks and all-weather hands were now the way forward.'

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That's it. I've given them my photos, I am on their books.

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Webbed fingers crossed. Let's see what they come up with.

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'As one Christian Dior had closed, another one had opened.

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'I'd taken the beatings but refused to stay down and my tenacity had paid off.

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'The catwalk wanted beauties like Elle 'The Body' Macpherson, but

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'maybe there was other work for Rhod 'The Battered Spaghetti Face' Gilbert.

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'But weeks later, without so much as a Stella McCartney

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'from my agents, it was all feeling hopeless again.'

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The first sort of week, ten days, I was really optimistic.

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I was positive that something was going to come of it,

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but that hope has now faded.

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'The modelling world was as tough as it was glamorous. I needed to be Ross Kemp

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'and Kate Moss all rolled into one. I considered changing my name to Ross Moss.

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'I called my agents again instead.'

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Just wondering if there's any news.

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Um, we've been putting you out there. We've been sending your pictures around

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and putting you forward as one of our new faces.

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Lukewarm reception, some positive feedback from some, some not so positive from others.

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-I do appreciate you checking in. That's what a good model should do.

-Yeah.

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But obviously, don't check in too much or else you'll start to piss us off a bit.

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Didn't sound great, did it?

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Lukewarm responses.

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This is what being a male model is all about -

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not being a male model. That's what it's all about.

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Being a male model is all about not being a male model.

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'The modelling world's focus on appearance was unsettling.

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'Now, even character work was out. I was desperate.

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'Ideas ricocheted round my mind like a sequined rat in a microwave, but then one went ping.

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'Days later, I found myself outside a community centre in East London.'

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I've had no luck so far with my modelling career

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so I thought I'd come along here,

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where I know they're looking for models.

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'I'd had more doors slammed in my face than a second-hand meat salesman.

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'I had to prove Julien wrong. These were desperate times and for someone as shy as me,

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'these were desperate measures, but at least, here, they wouldn't judge me on my looks.

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'As I contemplated what I was about to do, I retreated further and further into my own insecurity.'

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I don't think I've ever been this nervous in my life.

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'The group took a break and Lydia tried to get my heart rate back within EU guidelines.'

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You don't have to be nervous, you have just to be proud

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because you will be part of a piece of art because every people here,

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they are just producing a piece of art with their own mark.

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Possibly, you will not have the same experience again in your life.

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I wasn't intending to have this experience ever in my life.

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These people, they make me feel beautiful. They make me feel important.

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When I see their drawings, their paintings, it's just...wow!

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'I listened to Lydia's passionate, artistic

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'and personal experience of life modelling, then ran like shit.

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'But she cut me off on the stairs, determined to help me fulfil my modelling ambitions.'

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-I don't think I can do it.

-I think that you can and I think that you will enjoy also.

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I'm definitely not going to enjoy it.

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-Why? Why do you think that you can't?

-I can't! I'm too embarrassed.

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-A lot of men, they have a problem when they model the first time about erection.

-Yes!

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I'm worried for an erection! I'm worried for a not erection!

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If I have an erection as well,

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then that takes me into a different plane of worry.

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You're part of the community, doing something artistic.

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I think it is something beautiful.

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Part of the community, I will do neighbourhood watch,

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all sorts of community work I can do,

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without getting my dick out.

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Again, but why are you so busy thinking about your dick?

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Why do you think I'm so busy thinking about my dick? We think about it every seven seconds.

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And that's when you haven't got it out in front of a hundred people.

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How many things do you do during your day

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and you don't think about your dick?

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Yeah, but almost all of them I do with pants on.

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So we're going to start with some quicker poses.

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The first pose is going to be for five minutes.

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Got nothing to say.

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There is nothing in this life that I can think of that is less

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appealing right now.

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'But I hadn't come this far for nothing.

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'I thought of all the rejection, the verbal batterings I'd taken.

0:17:340:17:37

'This might be my last chance to say I'd worked as a model.'

0:17:370:17:40

Look first at the motif, the person or the object you're drawing.

0:17:440:17:49

And then to other elements in the space.

0:17:500:17:54

All those details, they make up the space.

0:17:540:17:57

'I'd failed. At the last second, I'd bottled out of going naked.

0:17:590:18:03

'It was a hashtag epic schlong fail.

0:18:030:18:04

'But Lydia wasn't going to let me get away so easily.

0:18:040:18:07

'Determined to help me benefit from an enriching experience,

0:18:070:18:10

'she wrapped herself around me like a sex burrito. We were entwined like an erotically charged Curly Wurly.

0:18:100:18:16

'Ten minutes later, I'd silently recited every bus timetable in mainland Europe.'

0:18:160:18:22

Thank you very much, guys. OK, a round of applause, please, for our models.

0:18:220:18:26

THEY APPLAUD

0:18:260:18:28

'I had enormous respect for the models, but it wasn't for me.

0:18:310:18:34

'We saw life through very different filters. Theirs was artistic, experiential and profound,

0:18:340:18:39

'and I'm just a repressed clown.'

0:18:390:18:41

That was physically harder than it looked.

0:18:410:18:45

I felt very intense and vulnerable, but ultimately I failed.

0:18:450:18:51

Because I was trying to be a life model...and who is going to

0:18:510:18:55

pay a life model if you don't get to see his wang?

0:18:550:18:59

'I admitted defeat. Julien had been right. I was no-one's cup of tea.

0:19:010:19:04

'I'd given it a damn good shot, dusted myself off more times

0:19:040:19:08

'than Miss Havisham's health visitor, but it just wasn't to be.'

0:19:080:19:12

PHONE RINGS

0:19:120:19:14

-Hello.

-Hello, Rhod. It's Coxy.

-Hiya, mate. How are you doing?

0:19:140:19:19

-I've got some good news, actually.

-Yeah?

0:19:190:19:21

We've been sending out your pictures to some of our clients

0:19:210:19:25

-and today we had a call-back for one of them.

-Yeah.

0:19:250:19:28

Seems we have a bite. They like the look of your hands.

0:19:280:19:33

RHOD LAUGHS I know!

0:19:330:19:35

Have they seen the dicky one?

0:19:350:19:39

Yes, absolutely.

0:19:390:19:41

We've shown them the hands and, for some reason,

0:19:410:19:44

that's what they want for this specific shoot.

0:19:440:19:47

-I'll be in touch with your details.

-Cheers, pal. Thanks, Coxy. Ta-ra!

0:19:470:19:53

Woo-hoo!

0:19:530:19:56

These little beauties!

0:19:590:20:01

My little webbed hands have got me... I feel a bit tearful.

0:20:010:20:08

Genuinely feel a little tear coming.

0:20:080:20:11

I can't even wipe them away. I don't want to over-moisturise.

0:20:110:20:16

'I had to lower my sights again. As a complete package,

0:20:160:20:19

'I'd got nowhere, but my four-clawed sea mitten had landed a job.

0:20:190:20:22

'I went to meet someone who knew all there was to know about hand modelling.

0:20:220:20:26

'Nina's hands were the face of some of our most familiar faces's hands.

0:20:260:20:29

'From pens to, I don't know, maybe an egg. You name it, she'd held it.'

0:20:290:20:33

And these are the hands! I was very aware of shaking your hand.

0:20:330:20:38

-I shook it quite firmly.

-You're allowed!

0:20:380:20:41

-Is that OK?

-Yeah, course it is.

-I don't want to break it.

0:20:410:20:44

-Well, they are insured actually.

-How much are they insured for?

0:20:440:20:47

It's a seven-figure sum.

0:20:470:20:49

-A seven-figure sum! So millions.

-Something like that.

0:20:490:20:52

Where would I know your hands from?

0:20:520:20:54

Billboards, sides of buses, magazines, TV adverts with Kate Moss.

0:20:540:20:58

-So are these Kate Moss's hands?

-Yes.

0:20:580:21:01

-Are they?

-Well, no. They're my hands, obviously.

-Yeah.

0:21:010:21:05

But yeah, they stand in for Kate's.

0:21:050:21:07

I'm very aware that we're standing here with me holding your hands.

0:21:070:21:10

I've only just met you! So we may be, sort of...

0:21:100:21:13

I sort of work with the product, but the way it's edited

0:21:130:21:16

-and cut makes it look like it's Kate picking up the product.

-So, are you there like this?

0:21:160:21:20

-When Kate Moss is there, do you go like this?

-Sometimes. Yes. Something like that.

0:21:200:21:25

-Something like that.

-That's awesome!

-Yeah. So, there you go.

0:21:270:21:31

I mean, it's one part of my job really and I've been able to

0:21:310:21:35

make a whole career out of this for over ten years.

0:21:350:21:38

'With my hand model job just a few days away,

0:21:380:21:40

'Nina gave my all-weather Donald Duck love gloves a full examination.'

0:21:400:21:44

-Do you know what? You've actually got a nice finger shape.

-Have I?

-Yes.

0:21:440:21:49

With male hand modelling, thumbs are very important.

0:21:490:21:52

-Here they are, at the end.

-I know you've got them.

0:21:520:21:55

-Oh.

-But it's the way they look that's quite important.

0:21:550:21:58

-There's more to it.

-Yeah, there is a little bit more to it.

0:21:580:22:01

-How would you rate them out of ten?

-Well, the nails are an issue. So you need time with that.

0:22:010:22:05

'I was desperate to hold something, or at least just pick something up.

0:22:050:22:09

'But Nina said I wasn't ready and deep down, I knew she was right.

0:22:090:22:12

'My hands still looked like I lived in a tree.'

0:22:120:22:14

My beauty regime starts and ends with me

0:22:140:22:16

-washing my hands after I've been to the toilet.

-Nice. OK.

0:22:160:22:20

-That's a good start, but I think we need to...

-It's more basic hygiene.

0:22:200:22:23

-Yeah.

-What's your hand regime?

0:22:230:22:27

At a basic, what I do for my regime is I moisturise about 40 times a day.

0:22:270:22:31

-40 times a day, you moisturise your hands?

-Yeah. Did you say you wanted to be a hand model?

0:22:310:22:35

Cos you know you're going to have to start doing that.

0:22:350:22:38

'I made a mental note to pick up some...moisture on the way home. My hands were finally ready.

0:22:380:22:43

'Nina would teach me everything, from basic grabbing

0:22:430:22:45

'to the techniques of the French master holders.'

0:22:450:22:48

-Try one where you're just resting it.

-Pepper nestling in the cradle.

0:22:480:22:52

Yeah, let's try one of those.

0:22:520:22:54

We don't want to see the inside of the hand.

0:22:540:22:57

Just cradling it and just giving people a bit of stalk.

0:22:570:23:00

I feel like I'm selling it.

0:23:000:23:02

Good! Do you know what? That's what it's got to feel like.

0:23:020:23:04

Am I supposed to be on the phone, or am I just holding the phone?

0:23:040:23:08

-You're a hand model!

-OK.

-Don't forget!

0:23:080:23:10

-I feel like that top finger's working it quite subtly.

-OK.

0:23:100:23:13

Kink in the thumb, check that out.

0:23:130:23:15

And then this index finger might just rest on the corner there.

0:23:150:23:19

And the thumb here, that can vary. See the thumb?

0:23:190:23:22

-Now, you can either have it straight...

-Or bent a bit.

0:23:220:23:25

Ever so slightly.

0:23:250:23:27

'Nina and I had worked intensively on my holding, but I could hardly

0:23:270:23:30

'believe my ears when she said I was ready to do an action shot.

0:23:300:23:33

'This was where the thumbs Nina had found on the end of my hands would come in.'

0:23:330:23:37

So, the thumb is the hero now.

0:23:370:23:39

Remember these fingers around here as well. Don't forget about these ones cos you've lost that now.

0:23:390:23:43

I think it's going really well. I think I've learned a lot

0:23:430:23:46

and the before and after photographs speak for themselves.

0:23:460:23:50

It's hard. There's a lot more to it than you realise, but I'm really getting quite into it.

0:23:500:23:54

'Like a two-inch tall De Niro, my one-take wonder thumb had nailed it.

0:23:540:23:58

'As a final treat, Nina let my hands pose with hers. I was on cloud nine.

0:23:580:24:02

'How many people can say their hands have worked with hands that people think are Kate Moss's hands?'

0:24:020:24:07

-My hand's nervous.

-Just hold the rose.

-OK.

0:24:070:24:10

There's a lot more to this than you would ever imagine.

0:24:100:24:14

-Are our hands working as a team?

-They're working very well as a team.

0:24:140:24:18

-Very good.

-I'm giving you plenty of hand, but I'm not detracting from the rose.

0:24:180:24:23

Just thinking, this is the maddest, weirdest thing I've ever done in my life.

0:24:230:24:27

It is, but it's a job. It is. It's a career.

0:24:270:24:31

Well, good job.

0:24:310:24:34

Oh, I don't want to...just in case. What if I break them?

0:24:340:24:37

-That's a million-quid claim.

-Do it softly. There you go.

-There we go.

0:24:370:24:40

I don't want to ruin your no claims bonus.

0:24:400:24:43

'After Nina's hand boot camp, I'm feeling pretty good.'

0:24:430:24:46

I'm going to take these babies home and pamper them

0:24:460:24:49

and give it my best shot. I'm now feeling pretty confident.

0:24:490:24:52

'That night, I started to get in shape.

0:24:540:24:57

'I had one gig in my diary, but this was a competitive world and Julien's words still haunted me.

0:24:570:25:01

'I was up against guys who were 25 years younger than me, 25 years fitter, stronger.

0:25:010:25:06

'I had a few hours to turn back the clock.'

0:25:060:25:09

# Every little bit of my heart is true

0:25:100:25:15

# This is where I belong

0:25:150:25:18

# Every little bit of my heart's for you

0:25:180:25:22

# So long

0:25:220:25:26

# Every little bit

0:25:260:25:28

# Every little bit of my heart. #

0:25:280:25:31

Come on! One and two, and one and two! Come on! You can do it!

0:25:310:25:35

Feel the burn, come on, you horrible little amphibious shit! Come on!

0:25:350:25:39

Feel the burn! Work it! One and two! And one and two!

0:25:390:25:42

Julien Macdonald told me I would never get work as a male model,

0:25:430:25:47

but I've proved him wrong. Today, my hands are my golden ticket.

0:25:470:25:51

They've landed me my first big hand job.

0:25:510:25:54

It's time to put everything Nina taught me into practice.

0:25:540:25:57

My hands are pumped, they're psyched up, I've cleansed, toned,

0:25:570:26:00

I've moisturised 97 times in the last 20 minutes. My hands are so up for this,

0:26:000:26:04

they haven't slept a wink. They've been excited all night. It's time...to nail this!

0:26:040:26:09

'This was it. I was going to be a model.

0:26:090:26:11

'I'd prepared and done everything I could to make sure this hand job had a happy ending.

0:26:110:26:15

'But when I met photographer Hazel and head of PR Julia, they dropped an almighty hand grenade.'

0:26:150:26:20

We have a great range of products we would like you to model for us

0:26:200:26:23

with your hands. Secateurs, a watering can, some seeds.

0:26:230:26:27

Most of all, we would like you to do it all wearing our gloves,

0:26:270:26:30

our new range of gloves that we've brought in for this season.

0:26:300:26:34

-Got a range of colours, pink or blue.

-Gloves?

-Gloves.

-Yeah.

0:26:340:26:38

'Gloves. The hand model's Kryptonite.

0:26:380:26:42

'I felt like I'd been stabbed in the back...with the secateurs.

0:26:420:26:45

'This was the cruellest rejection of them all.'

0:26:450:26:49

I am disappointed.

0:26:490:26:51

I'm trying to think positively about it, but it's hard.

0:26:510:26:55

Cos I've been quite psyched about getting this job

0:26:550:26:58

and it was two fingers to Julien. He said I could never do it and I had.

0:26:580:27:02

And then now...this is a job, this is a profession

0:27:020:27:06

and I've got to somehow...my hands have got to sparkle through this.

0:27:060:27:09

And not show the disappointment that they're feeling.

0:27:090:27:12

Lovely!

0:27:120:27:14

Anyone behind me, watching this... What the...?

0:27:160:27:19

Just gently sprinkle.

0:27:250:27:28

I always have very dark thoughts whenever anybody puts something like this in my mind.

0:27:280:27:32

I just imagined cutting my own nipples off.

0:27:320:27:34

I think we'll just focus on the rose bush today, if that's OK.

0:27:340:27:37

-I probably won't do it, almost certainly. But it does go through my mind.

-OK.

0:27:370:27:40

-Yes.

-That's it.

-Yes!

-Just relax your fingers.

-Yes.

0:27:400:27:44

I won't tell you... In my mind's eye, I've already cut it off.

0:27:450:27:49

'My hands had put on a brave face and my clients seemed happy.

0:27:510:27:54

'When I got home, I'd ensure my flippers and, if the harsh world of modelling ever got too much,

0:27:540:27:59

'at least I'd have free breakdown cover.'

0:27:590:28:02

And I did it. I made it. I got a job. All right, it might not be Paris or Milan.

0:28:020:28:06

It's a garden centre near Cardiff. And OK, I might have had to wear gloves throughout the whole

0:28:060:28:11

shoot, but these were my hands.

0:28:110:28:13

I've taken the rejection, I've got back up again.

0:28:130:28:16

I never made it as a catwalk model, I didn't make it as a life model, but I took the rejection

0:28:160:28:22

and I got back up and I didn't give in and I got work. I'm a male and I've modelled.

0:28:220:28:28

Those are my hands that are going to be used in that campaign.

0:28:280:28:32

And that, I think, is a success.

0:28:320:28:35

I'm happy with it, anyway.

0:28:350:28:37

# This is where I belong

0:28:370:28:41

# Every little bit of my heart's for you

0:28:410:28:45

# So long... #

0:28:450:28:47

If you could just take the tits for me.

0:28:480:28:51

-Shall I take the pair?

-Yeah, the pair. Lovely.

0:28:510:28:54

-Just perch yourself on the side of the table.

-By the balls?

0:28:540:28:58

-That's it, lovely.

-I've got a head in my arse.

0:28:580:29:02

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0:29:020:29:04

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