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I'm Rhod Gilbert, stand-up comedian. People tell me I've got the | 0:00:02 | 0:00:04 | |
toughest job in town, but I'm sure | 0:00:04 | 0:00:06 | |
I'd find other things far more difficult, | 0:00:06 | 0:00:08 | |
so I'm ditching my regular job and trying something different. | 0:00:08 | 0:00:11 | |
This is my work experience. And this week, I'm a vet! | 0:00:11 | 0:00:15 | |
With just a few days to cram in five years' training, | 0:00:20 | 0:00:23 | |
I needed a place that'd be happy to cut a few corners. | 0:00:23 | 0:00:26 | |
Boom - Budget Vets. | 0:00:26 | 0:00:28 | |
I was in business. They might as well have called it Petstretcher. | 0:00:28 | 0:00:31 | |
Expecting drunken vets working on rain-soaked mattresses, | 0:00:31 | 0:00:34 | |
I was pleasantly surprised. | 0:00:34 | 0:00:36 | |
Boss Peter Heathcote began my induction, | 0:00:36 | 0:00:38 | |
and he certainly knew how to get me motivated. | 0:00:38 | 0:00:40 | |
At the end of this, will I want to be a vet, do you think? | 0:00:40 | 0:00:43 | |
-No. Categorically. -That's the quickest answer I've ever had. | 0:00:43 | 0:00:46 | |
Categorically, no. | 0:00:46 | 0:00:48 | |
Once you have seen behind the scenes, I think | 0:00:48 | 0:00:50 | |
there are so many other things you would choose to do. | 0:00:50 | 0:00:53 | |
It's a vocation, it's something that starts very young | 0:00:53 | 0:00:55 | |
and then people work tirelessly to become vets. | 0:00:55 | 0:00:58 | |
'I hate working tirelessly, so I was apprehensive.' | 0:00:58 | 0:01:01 | |
But like a sniper with an erection, I couldn't wriggle out of this now. | 0:01:01 | 0:01:04 | |
Over the next few days I'd have to slot into this | 0:01:04 | 0:01:07 | |
busy Newport practice, and with no time to lose, Peter took me | 0:01:07 | 0:01:09 | |
to meet his furry friends - some puppies, not his testicles. | 0:01:09 | 0:01:13 | |
The mum can't feed them, so they've all got to be fed and toileted. | 0:01:13 | 0:01:17 | |
Why can't the mum feed them? | 0:01:17 | 0:01:19 | |
She's had some problems and then she's had the emergency operation. | 0:01:19 | 0:01:22 | |
She hasn't got any milk. | 0:01:22 | 0:01:24 | |
Oh, my God, it's so beautiful. | 0:01:24 | 0:01:26 | |
Are you sure they're not just hamsters? | 0:01:26 | 0:01:29 | |
You know what you're doing. | 0:01:29 | 0:01:30 | |
'Pete knew what he was doing, but I clearly didn't, so vet nurse | 0:01:30 | 0:01:34 | |
'and semi-pro Brian May tribute act Nicki started my training.' | 0:01:34 | 0:01:38 | |
Oh, it's a little boy. Hello. Hello! | 0:01:38 | 0:01:43 | |
Oh, it's a little girl. | 0:01:43 | 0:01:45 | |
It's a little girl. | 0:01:45 | 0:01:47 | |
Bit worrying, isn't it? 45 years old and I can't tell the difference. | 0:01:47 | 0:01:51 | |
'We started with the basics - feeding. | 0:01:51 | 0:01:53 | |
'I wasn't the only one who needed biology lessons. | 0:01:53 | 0:01:56 | |
'The hungry pup scoured my barren man teats | 0:01:56 | 0:01:58 | |
'in a vain search for milk.' | 0:01:58 | 0:02:00 | |
I'm not sure we're going to do it like that. | 0:02:00 | 0:02:02 | |
You can have a go, many have tried... | 0:02:02 | 0:02:04 | |
-He's determined to find something. -He's looking. -Get off my breasts! | 0:02:04 | 0:02:08 | |
'Despite Peter's doom-mongering and the pup's inappropriate suckling, | 0:02:08 | 0:02:11 | |
'I was already loving it here.' | 0:02:11 | 0:02:13 | |
-That's nice. Good boy or girl. -Little boy, this one. -Good boy. | 0:02:13 | 0:02:19 | |
'Abandoned by their mother, | 0:02:19 | 0:02:20 | |
'we had to teach the pups what to do with food once they'd eaten it.' | 0:02:20 | 0:02:23 | |
Normally the bitch would clean them, | 0:02:23 | 0:02:25 | |
she would be licking all the genital area here, the wee and poop. | 0:02:25 | 0:02:29 | |
-They only wee and poo when they're rubbed? -When they're rubbed, yes. | 0:02:29 | 0:02:33 | |
That's a bit disturbing. | 0:02:33 | 0:02:34 | |
Going to attempt to stimulate a puppy to the | 0:02:36 | 0:02:38 | |
point at which it goes to the toilet. | 0:02:38 | 0:02:40 | |
And then I'm going to clear it up. Which seems an odd logic! | 0:02:40 | 0:02:43 | |
-Rub the vulva first. -Rub the vulva first? | 0:02:43 | 0:02:46 | |
-I can't really see what's what down here. -I'll hold her. | 0:02:46 | 0:02:49 | |
You hold her...I'll stimulate her. | 0:02:49 | 0:02:52 | |
PUPPY SQUEAKS | 0:02:52 | 0:02:53 | |
"Daddy rubbed my vulva and I had a wee." | 0:02:53 | 0:02:55 | |
Rub her bum as well and see if she'll poo for you. | 0:02:55 | 0:02:57 | |
Rub your bum as well and see if you'll poo for me. | 0:02:57 | 0:02:59 | |
How big is it going to be if it comes out? | 0:02:59 | 0:03:01 | |
-It's coming out, I can see a bit. -Oh, hang on a minute. | 0:03:01 | 0:03:03 | |
-Ugh! It's like Dijon mustard. -It is, you're right. | 0:03:03 | 0:03:09 | |
That'd be lovely on a bit of ham, that. You take the condiments. | 0:03:09 | 0:03:13 | |
Anything with animal waste on - faeces, urine, vomit etc, | 0:03:13 | 0:03:17 | |
goes in the yellow bin. | 0:03:17 | 0:03:18 | |
Yellow bin - blood, faeces, vomit. | 0:03:18 | 0:03:20 | |
It's the same system I've got at home. | 0:03:20 | 0:03:21 | |
My wife keeps putting things in the wrong bin, she's always putting | 0:03:21 | 0:03:24 | |
body parts in with the bottles, and faeces in with the cardboard. | 0:03:24 | 0:03:28 | |
Peter's purple palace was like a Piccadilly Circus for pets. | 0:03:28 | 0:03:32 | |
Four-legged, three-legged, two-legged and no-legged, | 0:03:32 | 0:03:34 | |
new patients poured in. | 0:03:34 | 0:03:36 | |
Just come in, a new arrival, I'm told is a gannet. | 0:03:36 | 0:03:38 | |
Which, to you and me, is a massive seagull with a yellow head. | 0:03:38 | 0:03:41 | |
Gannet. | 0:03:43 | 0:03:45 | |
That's the way, good gannet. | 0:03:45 | 0:03:47 | |
Once we've treated him for lice, do you think we can do me as well? | 0:03:47 | 0:03:50 | |
LAUGHTER | 0:03:50 | 0:03:52 | |
My first day, I felt like Dr Dolittle - | 0:03:52 | 0:03:53 | |
in that there was very little I could do. | 0:03:53 | 0:03:56 | |
Shove them in the boot! | 0:03:56 | 0:03:57 | |
'But for now at least, I was enjoying being on arrivals.' | 0:03:57 | 0:04:00 | |
Snake in a bag. Before I do it, is this a poisonous snake? | 0:04:02 | 0:04:05 | |
Well, that's why I want you to open the bag. | 0:04:05 | 0:04:08 | |
-Have a look inside. -That's disgusting. | 0:04:09 | 0:04:12 | |
-It's not disgusting. -It is, Peter. | 0:04:12 | 0:04:15 | |
Sorry. | 0:04:15 | 0:04:16 | |
I've got gannet lice. | 0:04:16 | 0:04:19 | |
I was having fun, but Peter was determined to spoil it for me. | 0:04:19 | 0:04:22 | |
'He knew my stomach was weaker than a crane fly's quads, | 0:04:22 | 0:04:24 | |
'so he made me sit in on an operation. | 0:04:24 | 0:04:26 | |
Feel just a little queasy, just a slight... | 0:04:26 | 0:04:31 | |
slight smattering of cold sweat all over the body. | 0:04:31 | 0:04:35 | |
I'd be observing a routine castration. | 0:04:37 | 0:04:40 | |
'When it came to dog's bollocks, vet Alexa was the dog's bollocks.' | 0:04:40 | 0:04:44 | |
Look at that. Gosh, you literally sort of rip it out of it. | 0:04:44 | 0:04:48 | |
I'm feeling a sort of phantom castration going on myself. | 0:04:51 | 0:04:55 | |
HE LAUGHS | 0:04:55 | 0:04:56 | |
I can feel everything you're doing! | 0:04:56 | 0:04:58 | |
Even though Bailey was totally unconscious, he could tell | 0:04:58 | 0:05:01 | |
I was nervous, and held my hand throughout the procedure. | 0:05:01 | 0:05:04 | |
-You can see the parting. -Oh, God. | 0:05:04 | 0:05:06 | |
Yeah, that's helped, that's really helped(!) | 0:05:06 | 0:05:08 | |
I would say the level of responsibility is pretty heavy. | 0:05:09 | 0:05:13 | |
In my job I have no responsibility, other than trying to give | 0:05:13 | 0:05:17 | |
people a good night, make sure they have a bit of a laugh. | 0:05:17 | 0:05:19 | |
It's not really the same thing. | 0:05:19 | 0:05:21 | |
There's a pair of testicles on a table over there - | 0:05:21 | 0:05:23 | |
it's a different level. | 0:05:23 | 0:05:24 | |
'Like Ronnie O'Sullivan on a bad day, | 0:05:24 | 0:05:26 | |
'Bailey had left two red balls on a table.' | 0:05:26 | 0:05:27 | |
But there was no time to fetch my snooker cue, | 0:05:27 | 0:05:30 | |
we were on to the next patient. | 0:05:30 | 0:05:31 | |
Peter was still trying to destroy any thoughts I had of being a vet, | 0:05:31 | 0:05:35 | |
and decided to up the ante. | 0:05:35 | 0:05:36 | |
But it was a horse dog with an anus horrificus. | 0:05:36 | 0:05:39 | |
Buddy...Buddy. | 0:05:39 | 0:05:41 | |
Holly's just going to hold him so I can explain to Rhod what to do. | 0:05:41 | 0:05:44 | |
Don't think we need to hold him, do we? He's fine like this! | 0:05:44 | 0:05:47 | |
'When Nicki explained exactly what we'd be doing, | 0:05:47 | 0:05:49 | |
'I was as excited as a puppy's vulva.' | 0:05:49 | 0:05:52 | |
We've got the anus here, just inside, | 0:05:52 | 0:05:54 | |
what you're feeling for is two grape-sized swellings... | 0:05:54 | 0:05:56 | |
I switched off, once you said, "Inside Buddy's anus," | 0:05:56 | 0:05:59 | |
I switched off. | 0:05:59 | 0:06:01 | |
'Buddy needed a routine anal gland expression. | 0:06:01 | 0:06:03 | |
'His ass was packed so tight he was farting pure house brick | 0:06:03 | 0:06:06 | |
'and the ANUS was on me to sort it out.' | 0:06:06 | 0:06:08 | |
It can squirt out, that's why you don't look directly at it, | 0:06:08 | 0:06:11 | |
or you will have a faceful. | 0:06:11 | 0:06:13 | |
-This is like some horrible practical joke. -So this finger... | 0:06:13 | 0:06:16 | |
Do you mean I have to choose which one? | 0:06:16 | 0:06:18 | |
It's such a shame for the others to miss out. | 0:06:18 | 0:06:20 | |
'I believe in freedom of expression, | 0:06:20 | 0:06:22 | |
'but not when it's the freedom to express bum juice in my face.' | 0:06:22 | 0:06:24 | |
-Can I at least have some protective...? -Do you want a mask? | 0:06:24 | 0:06:27 | |
-Yes, please. -I can get you a mask. | 0:06:27 | 0:06:29 | |
I'll pop out and get one. | 0:06:29 | 0:06:31 | |
While the anal gland juice flies out, it'll just be nice to have | 0:06:31 | 0:06:34 | |
something between that and my face. | 0:06:34 | 0:06:36 | |
Buddy was a weapon of ass destruction, | 0:06:36 | 0:06:38 | |
so I battened down my facial hatches and prepared for the poonami. | 0:06:38 | 0:06:42 | |
-This is horrific. -I'll hold the tail. -This is horrific! | 0:06:42 | 0:06:45 | |
Oh, I can't, I can't stick my finger up his arse, it's just too wrong. | 0:06:45 | 0:06:48 | |
This is just an anus, | 0:06:48 | 0:06:49 | |
it's just some tissue joined together with some more | 0:06:49 | 0:06:52 | |
connective tissue and skin, some blood vessels, there's nothing else. | 0:06:52 | 0:06:55 | |
I realise that, but you could say that | 0:06:55 | 0:06:57 | |
about Holly and I'm not about to shove my finger up her arse. | 0:06:57 | 0:07:00 | |
Sorry, Holly, I was just using you as an example. | 0:07:00 | 0:07:02 | |
Could have been anyone. | 0:07:02 | 0:07:04 | |
-Ah-HA! Sorry. -Can you feel a little...? | 0:07:05 | 0:07:08 | |
-No, I'm not in. -Not in yet. | 0:07:08 | 0:07:11 | |
Oh, God, this is disgusting. | 0:07:11 | 0:07:13 | |
My glasses have steamed up. Oh, God, it's in. | 0:07:15 | 0:07:17 | |
-You want to be a good inch inside. -I am an inch inside. | 0:07:17 | 0:07:21 | |
And can you feel any kind of swelling, | 0:07:21 | 0:07:22 | |
like a grape-sized swelling or smaller swelling? | 0:07:22 | 0:07:26 | |
No. | 0:07:26 | 0:07:27 | |
'Buddy was backed up like an FBI hard drive, | 0:07:27 | 0:07:30 | |
'as hard as tractor tyres, so Nicki the arse whisperer took over. | 0:07:30 | 0:07:33 | |
'Like a bum-based King Midas, everything she touched shat itself.' | 0:07:33 | 0:07:37 | |
-Ooh, there we go. -Oh, my God. Good boy. | 0:07:37 | 0:07:40 | |
There you go, that's what we were trying to get out. | 0:07:42 | 0:07:44 | |
There's two types of people in the world - | 0:07:47 | 0:07:49 | |
the people who've done that and the people who haven't. | 0:07:49 | 0:07:51 | |
There's no way back to the old me. | 0:07:51 | 0:07:54 | |
To the old world. To the old order. | 0:07:54 | 0:07:58 | |
It had been a weird first day, | 0:08:01 | 0:08:02 | |
but despite Gonadgate and Fartmageddon, I'd had a great time. | 0:08:02 | 0:08:05 | |
But Peter was still trying to put me off. | 0:08:05 | 0:08:07 | |
'I hadn't even rubbed his vulva and he was still pissing on my chips.' | 0:08:07 | 0:08:11 | |
You've only had a real gentle taste today, | 0:08:11 | 0:08:13 | |
but you've also got to be aware that just having | 0:08:13 | 0:08:15 | |
an idea in your mind that every day's going to be wonderful | 0:08:15 | 0:08:18 | |
and it's just playing with animals, that's not what it is. | 0:08:18 | 0:08:21 | |
I was slightly worried about what Peter had in store for me, | 0:08:21 | 0:08:24 | |
but I'd find out soon enough. | 0:08:24 | 0:08:25 | |
If my first day had been Salvador Dali strange, | 0:08:25 | 0:08:28 | |
'my second one was about to get Francis Bacon weird,' | 0:08:28 | 0:08:30 | |
as Peter sent me out on pet ambulance duty. | 0:08:30 | 0:08:33 | |
COCK CROWS | 0:08:33 | 0:08:34 | |
This is Peter's farm, | 0:08:36 | 0:08:38 | |
where he thinks somebody might have got his pig pregnant. | 0:08:38 | 0:08:41 | |
It's down to me find out whether that's true or not. | 0:08:43 | 0:08:46 | |
I had no idea what to do, but how hard could it be to | 0:08:46 | 0:08:50 | |
ultrasound a 700-pound pork Portakabin? | 0:08:50 | 0:08:52 | |
What we do is send sound waves into the pig's abdomen, and then, as | 0:08:52 | 0:08:56 | |
the sound waves are received back, it produces an image on the screen. | 0:08:56 | 0:08:59 | |
This is the actual probe, | 0:08:59 | 0:09:00 | |
and hopefully we'll be able to pick out foetuses. | 0:09:00 | 0:09:02 | |
Imagine you were a pig - where am I looking for? | 0:09:02 | 0:09:05 | |
Get on all fours. | 0:09:05 | 0:09:06 | |
-To help me to see what I've got to do. -Right. -So imagine you're a pig. | 0:09:08 | 0:09:12 | |
If I'm a pig, we've got a line of boobies, not just two, | 0:09:12 | 0:09:15 | |
so in between a row of boobies and a line along the side here. | 0:09:15 | 0:09:18 | |
'I couldn't wait to get in there and gel up Dotty's boobies, | 0:09:18 | 0:09:20 | |
'when Nicki the arse whisperer dropped a bombshell.' | 0:09:20 | 0:09:23 | |
Dotty seems to be in a bad mood this morning. | 0:09:23 | 0:09:25 | |
She's really not happy with what we're doing. | 0:09:25 | 0:09:27 | |
-What does that mean in pig terms? -Less tolerant, really. | 0:09:27 | 0:09:30 | |
She might show her teeth, and the worst case scenario she'd try | 0:09:30 | 0:09:33 | |
and sort of go for your legs or your feet. | 0:09:33 | 0:09:35 | |
-Biting? -Yeah. | 0:09:35 | 0:09:37 | |
'I wasn't sure if the arse whisperer was telling porky pies, | 0:09:37 | 0:09:39 | |
'but Peter left me in no doubt.' | 0:09:39 | 0:09:41 | |
She's charged, and she's actually come over that gate... | 0:09:41 | 0:09:44 | |
She's got over that gate?! | 0:09:44 | 0:09:45 | |
She's got over that gate, which is pretty impressive. | 0:09:45 | 0:09:47 | |
'I needed some protection. | 0:09:49 | 0:09:50 | |
'I'd forgotten my pork sword and my spam javelin, | 0:09:50 | 0:09:53 | |
'but luckily Peter had the latest hi-tech anti-pig defence system.' | 0:09:53 | 0:09:57 | |
-So this is a pig board. -Pig board? | 0:09:57 | 0:10:00 | |
A pig board, and this is your safety when you go in there with her, | 0:10:00 | 0:10:04 | |
because you're going to hold this... | 0:10:04 | 0:10:06 | |
Doesn't look very technical, | 0:10:06 | 0:10:07 | |
-this piece of safety equipment. -Not very technical. | 0:10:07 | 0:10:10 | |
You can use that just to shield you, | 0:10:10 | 0:10:12 | |
so if she knocks you out the way, you've got that board to deflect her. | 0:10:12 | 0:10:15 | |
At what point am I allowed to smack her over the head with this board? | 0:10:15 | 0:10:18 | |
Preferably not. | 0:10:18 | 0:10:21 | |
You're just keeping that between her mouth and you, | 0:10:21 | 0:10:24 | |
and then trying to rub her belly just to get her nice and relaxed, | 0:10:24 | 0:10:27 | |
so that you can actually get her into a position to take | 0:10:27 | 0:10:30 | |
the ultrasound scan. | 0:10:30 | 0:10:31 | |
'Dotty put the Arnie into bacon sarnie. | 0:10:32 | 0:10:35 | |
'Clutching my pig swatter nervously, | 0:10:35 | 0:10:36 | |
'I got in the ring with the waddling sausage apocalypse.' | 0:10:36 | 0:10:40 | |
-Is there a noise I can make or something I can say? -Just say hello. | 0:10:40 | 0:10:42 | |
-Keep away from her mouth. -I've found this is what | 0:10:42 | 0:10:45 | |
I do with animals. Is that nice? | 0:10:45 | 0:10:46 | |
-That's nice. -Relaxing, innit? -It's lovely. | 0:10:46 | 0:10:50 | |
-She's showing you her teeth now. -Is she? -But that's fine. | 0:10:50 | 0:10:54 | |
God, I feel like a bullfighter. Is this good? | 0:10:54 | 0:10:57 | |
DOTTY OINKS | 0:10:57 | 0:10:59 | |
Which side? Any side, and then just stroke her belly. | 0:10:59 | 0:11:02 | |
There you go. | 0:11:02 | 0:11:03 | |
She's actually bitten one of those boards in half in the past. | 0:11:03 | 0:11:06 | |
'As I tangoed with the hormonal bacon bungalow, | 0:11:06 | 0:11:09 | |
'Peter noticed something odd about her behaviour.' | 0:11:09 | 0:11:11 | |
-It looks like she wants you to be her partner. -Really? -Yeah. | 0:11:11 | 0:11:14 | |
I'm genuinely not interested, Dotty, nothing personal. | 0:11:14 | 0:11:17 | |
Well, it is personal, it's totally personal, in fact. | 0:11:17 | 0:11:20 | |
'Peter could tell the grumpy gammonfest wasn't pregnant. | 0:11:20 | 0:11:23 | |
'In fact, he was convinced the horny harbinger of ham | 0:11:23 | 0:11:25 | |
'wanted me to pork her. | 0:11:25 | 0:11:26 | |
'I wasn't ready for that and needed to get out of there fast.' | 0:11:26 | 0:11:30 | |
-Stay calm, Gilbert. -Stay calm? Jesus Christ. | 0:11:30 | 0:11:33 | |
She's starting to swell at the back end. | 0:11:33 | 0:11:36 | |
That kind of behaviour for her, knowing her for the last | 0:11:37 | 0:11:39 | |
four years, that's what she's like when she's coming into season. | 0:11:39 | 0:11:43 | |
So there's no point in me | 0:11:43 | 0:11:44 | |
-going in there with the ultrasound equipment? -No point. | 0:11:44 | 0:11:47 | |
-Cos I have to say, I don't think I'd be able to do it. -No, you wouldn't. | 0:11:47 | 0:11:50 | |
It wouldn't be safe for you or her. | 0:11:50 | 0:11:52 | |
-Was she really doing signs that she wanted me as a mate? -Yeah. | 0:11:52 | 0:11:55 | |
-I don't think she's that fussy, to be honest, but... -Thanks(!) | 0:11:56 | 0:12:00 | |
Slightly traumatised, | 0:12:01 | 0:12:02 | |
I was starting to see why Peter had tried to put me off being a vet. | 0:12:02 | 0:12:05 | |
Before I could hand in my notice, we had another call. | 0:12:05 | 0:12:08 | |
Peter worked closely with a local charity that looked after stray | 0:12:08 | 0:12:11 | |
and rescue dogs, and I had a feeling the fun was about to stop. | 0:12:11 | 0:12:15 | |
Unfortunately we've had two dogs in, about an hour ago | 0:12:15 | 0:12:18 | |
in a pretty bad way, and I need you to give them a check. | 0:12:18 | 0:12:22 | |
'The charity were very concerned about one of the dogs in particular. | 0:12:22 | 0:12:25 | |
'Oscar was a Staffordshire bull terrier in | 0:12:25 | 0:12:27 | |
'dire need of a medical examination.' | 0:12:27 | 0:12:30 | |
-OK, my sweetheart. -(There we are. There we go.) | 0:12:30 | 0:12:33 | |
Good boy. | 0:12:39 | 0:12:41 | |
OSCAR BREATHES UNEVENLY | 0:12:43 | 0:12:45 | |
So he seems a little bit dehydrated at the moment, | 0:12:46 | 0:12:48 | |
so what we'd probably advise is if we hospitalise him on a drip and | 0:12:48 | 0:12:52 | |
get him hydrated, and probably start him on some antibiotics as well. | 0:12:52 | 0:12:56 | |
We can monitor how he gets on over the next 24 hours, see what | 0:12:56 | 0:13:00 | |
improvement we get and whether we need to do | 0:13:00 | 0:13:02 | |
-any further tests. -Steady, steady. | 0:13:02 | 0:13:03 | |
So we're going to take him in? | 0:13:05 | 0:13:06 | |
I'm just glad he's going to have a chance for now. | 0:13:06 | 0:13:08 | |
One step at a time, isn't it? | 0:13:08 | 0:13:11 | |
'Poor Oscar was almost completely blind and clearly very weak.' | 0:13:11 | 0:13:14 | |
Vet Alexa wanted to get him back for treatment as soon as possible. | 0:13:14 | 0:13:17 | |
Things, my friend, can only get better. Good boy, nearly there. | 0:13:17 | 0:13:22 | |
Nearly there, get you in the ambulance. | 0:13:23 | 0:13:26 | |
Back at the surgery, I was desperately hoping that once | 0:13:26 | 0:13:28 | |
we'd got Oscar rehydrated, we'd start seeing signs of improvement. | 0:13:28 | 0:13:32 | |
Good boy, good boy. One last short journey for today. | 0:13:32 | 0:13:35 | |
Then you can relax and sleep all you like, mate. | 0:13:35 | 0:13:37 | |
Good boy. | 0:13:39 | 0:13:41 | |
Good boy! | 0:13:41 | 0:13:43 | |
It's amazing how quickly you do bond. We've only met today. | 0:13:43 | 0:13:46 | |
I feel pretty involved. | 0:13:46 | 0:13:48 | |
Vets are going to give his insides a good old check out. | 0:13:48 | 0:13:51 | |
As somebody without any qualifications | 0:13:51 | 0:13:53 | |
in this area at all, I can tell you that he's | 0:13:53 | 0:13:55 | |
letting out some of the most horrific farts I've ever smelt. | 0:13:55 | 0:14:00 | |
But I think under the circumstances, I'm going to let him off. | 0:14:00 | 0:14:04 | |
No pun intended. | 0:14:04 | 0:14:05 | |
It'd been an emotional day, but there was no time to dwell on it. | 0:14:07 | 0:14:10 | |
I needed some more training, cos Peter wanted me | 0:14:10 | 0:14:12 | |
to experience first-hand the life-and-death responsibility | 0:14:12 | 0:14:15 | |
that came with being a vet. | 0:14:15 | 0:14:16 | |
Tomorrow's going to be a really big day for you, | 0:14:16 | 0:14:18 | |
we're stepping your level of responsibility up. | 0:14:18 | 0:14:22 | |
You're going to be monitoring the anaesthetics. | 0:14:22 | 0:14:24 | |
Sara's going to be looking after you, making sure things go to plan. | 0:14:24 | 0:14:28 | |
'Tomorrow I'd be assisting in surgery, | 0:14:28 | 0:14:30 | |
'and there was a lot to learn. | 0:14:30 | 0:14:31 | |
'Nurse Sara had her work cut out, | 0:14:31 | 0:14:33 | |
'cos the closest I've come to operating on an animal | 0:14:33 | 0:14:35 | |
'is pricking a sausage.' | 0:14:35 | 0:14:37 | |
This is the anaesthetic vaporiser machine. | 0:14:37 | 0:14:39 | |
This is basically what keeps your patient asleep. | 0:14:39 | 0:14:42 | |
So the levels of gas that you need is determined with | 0:14:42 | 0:14:45 | |
the levels on the dial. You've got one to five, OK? | 0:14:45 | 0:14:48 | |
The depth they go in depends on what we've got, | 0:14:48 | 0:14:50 | |
and it does happen fairly quickly depending... | 0:14:50 | 0:14:53 | |
'I was knackered after an emotional day, | 0:14:53 | 0:14:55 | |
'but tomorrow I'd be in theatre, and I needed to know this stuff.' | 0:14:55 | 0:14:58 | |
So, to turn your oxygen on, | 0:14:59 | 0:15:00 | |
you just literally flick your dial all the way round, so when | 0:15:00 | 0:15:03 | |
you've got oxygen in the system, can you notice the little...? | 0:15:03 | 0:15:06 | |
-It's revolving. -Yeah. And then if you just check them... | 0:15:06 | 0:15:08 | |
'As we pushed on into the night, | 0:15:08 | 0:15:10 | |
'the dedication required to work here was obvious. | 0:15:10 | 0:15:12 | |
'Unless you normally hang out with pigs, dogs, | 0:15:12 | 0:15:14 | |
'ferrets and gannets, you could kiss goodbye to a social life.' | 0:15:14 | 0:15:17 | |
And just make sure then that you've got enough isoflurane in the | 0:15:17 | 0:15:20 | |
system then, obviously, for that procedure that you're doing, yeah. | 0:15:20 | 0:15:23 | |
'Sara ploughed on and on, | 0:15:23 | 0:15:25 | |
'force-feeding my brain like she was fattening it up for pate.' | 0:15:25 | 0:15:28 | |
Keep an eye on this level cos we don't want it to drop any lower | 0:15:28 | 0:15:31 | |
than that, cos otherwise you run the risk of running out of | 0:15:31 | 0:15:33 | |
anaesthetic gas, and obviously while your patient's on the table | 0:15:33 | 0:15:36 | |
there is the risk of your patient waking up. | 0:15:36 | 0:15:39 | |
-It's a very big responsibility. -Yeah. -You're the difference between | 0:15:39 | 0:15:42 | |
it being a good outcome for that patient or a bad outcome. | 0:15:42 | 0:15:45 | |
-A good outcome or a bad outcome. That's life or death. -Yeah. | 0:15:45 | 0:15:49 | |
'I could feel my fattened pate brain oozing out of my ears. | 0:15:49 | 0:15:51 | |
'I was ready for bed, | 0:15:51 | 0:15:52 | |
'but Sara wanted to check I'd taken it all in.' | 0:15:52 | 0:15:55 | |
What's important about the valve? | 0:15:55 | 0:15:56 | |
The valve has got to be open before we start. | 0:15:56 | 0:15:58 | |
If the valve is shut and things start coming through, | 0:15:58 | 0:16:01 | |
-this could expand, inflate and actually burst. -Correct. | 0:16:01 | 0:16:04 | |
-Now can I go home? -What should we be checking with our isoflurane unit? | 0:16:04 | 0:16:07 | |
We should be checking that the isoflurane before we start | 0:16:07 | 0:16:10 | |
is above that bottom line there, | 0:16:10 | 0:16:11 | |
-like a little dipstick. -That's correct. | 0:16:11 | 0:16:14 | |
Now, please, I'm exhausted! Miss, can I go home? | 0:16:14 | 0:16:18 | |
You can after we've got theatre ready, | 0:16:18 | 0:16:20 | |
so we have to clean theatre ready. | 0:16:20 | 0:16:22 | |
I don't want to clean theatre ready, Miss! | 0:16:22 | 0:16:24 | |
I'm going to be involved in operations, | 0:16:26 | 0:16:28 | |
and in a lot more hands-on and a lot more technical... | 0:16:28 | 0:16:31 | |
just a lot more responsibility than I've done up to now. | 0:16:31 | 0:16:34 | |
And, er, that is, er, that's weighing on my mind. | 0:16:34 | 0:16:38 | |
Can I go home now, please? | 0:16:39 | 0:16:40 | |
Yep, we've just got one more little job to do. | 0:16:40 | 0:16:42 | |
We just need to check how Oscar's doing | 0:16:42 | 0:16:43 | |
with the night vet before we go. | 0:16:43 | 0:16:46 | |
That...I can do, as long as he's... | 0:16:46 | 0:16:49 | |
As long as he's improved a bit, | 0:16:50 | 0:16:51 | |
that will give me a little lift to finish the day. | 0:16:51 | 0:16:53 | |
'It was approaching midnight and tomorrow was a big day, | 0:16:54 | 0:16:57 | |
'but I did want to check on Oscar and settle him down for the night.' | 0:16:57 | 0:17:00 | |
His condition at the moment I would say is still quite critical. | 0:17:00 | 0:17:03 | |
He's so weak from everything he's gone through. | 0:17:03 | 0:17:06 | |
All we can do for him tonight now is give him supportive therapy | 0:17:06 | 0:17:09 | |
and see how he responds to that. | 0:17:09 | 0:17:11 | |
'I hadn't realised a vets' was this intense. | 0:17:11 | 0:17:14 | |
'Behind the scenes the patients needed you | 0:17:14 | 0:17:16 | |
'24 hours a day, seven days a week. | 0:17:16 | 0:17:17 | |
'It was very hard to just go home. | 0:17:17 | 0:17:20 | |
'First thing next morning, | 0:17:24 | 0:17:25 | |
'I headed straight in to see how Oscar was doing. | 0:17:25 | 0:17:27 | |
'Vet Ellie was on duty and gave me an update.' | 0:17:27 | 0:17:30 | |
He doesn't seem to be showing much signs of improvement. | 0:17:32 | 0:17:35 | |
No, no, he's still sort of very, very poorly, | 0:17:35 | 0:17:38 | |
and obviously he can't see anything. | 0:17:38 | 0:17:41 | |
He can't really sort of stand up either, | 0:17:41 | 0:17:43 | |
he's falling all over the place, you have to sort of think of, | 0:17:43 | 0:17:46 | |
"Is that a good enough life for him, really, | 0:17:46 | 0:17:48 | |
"where he can't do the things he's supposed to do as a dog?" | 0:17:48 | 0:17:51 | |
'The vets felt that Oscar was too old and frail | 0:17:51 | 0:17:53 | |
'to cope with the major operations he needed to pull through, | 0:17:53 | 0:17:56 | |
'and a very difficult decision had been made.' | 0:17:56 | 0:17:59 | |
In his case, then, the best interest for him would be | 0:17:59 | 0:18:02 | |
to put him to sleep. | 0:18:02 | 0:18:04 | |
OSCAR WHEEZES | 0:18:04 | 0:18:06 | |
-That's hard. -Mm, it is, it is tough, yeah. | 0:18:08 | 0:18:12 | |
You know, you have to sort of keep your feelings out of it, really. | 0:18:12 | 0:18:15 | |
It is difficult to step away, it is. | 0:18:15 | 0:18:17 | |
You know, you have to sort of think of what is best for him. | 0:18:17 | 0:18:20 | |
What we'll do is inject into the catheter going into his vein, | 0:18:28 | 0:18:32 | |
so it is like an anaesthetic, really. | 0:18:32 | 0:18:34 | |
It's going to be painless for him cos he hasn't... | 0:18:34 | 0:18:37 | |
He won't feel a needle or anything going in. | 0:18:37 | 0:18:39 | |
So he'll start drifting off to sleep now, OK. | 0:18:40 | 0:18:43 | |
OSCAR WHEEZES | 0:18:43 | 0:18:45 | |
Good boy, Oscar. | 0:18:45 | 0:18:46 | |
It's difficult, innit? | 0:18:51 | 0:18:53 | |
Good boy. Good boy. | 0:18:56 | 0:18:59 | |
(Good boy.) | 0:19:05 | 0:19:07 | |
-You OK? -Yeah. | 0:19:09 | 0:19:10 | |
It's important to remember that he was surrounded by people that | 0:19:15 | 0:19:19 | |
genuinely cared about him at this time. | 0:19:19 | 0:19:22 | |
It's very sad, it's hard. | 0:19:26 | 0:19:28 | |
Even though you know it's totally the right thing to do, | 0:19:30 | 0:19:34 | |
it's still, er... | 0:19:34 | 0:19:35 | |
Watching a life disappear is hard. | 0:19:36 | 0:19:39 | |
I know he's gone, but I'm still wishing him well | 0:19:39 | 0:19:43 | |
and still sending him off with a "Go on, my son. | 0:19:43 | 0:19:47 | |
"Get up to doggy heaven and give 'em hell up there," innit? | 0:19:47 | 0:19:51 | |
Good boy. | 0:19:52 | 0:19:53 | |
Good boy. | 0:19:56 | 0:19:57 | |
Right, let's get the hell out of here. | 0:19:59 | 0:20:01 | |
Pete told me at the start of this to enjoy the positives. | 0:20:13 | 0:20:16 | |
The positive moments that you get, really breathe them in deep | 0:20:19 | 0:20:22 | |
and hold on to them because you'll need them | 0:20:22 | 0:20:25 | |
in the more difficult, emotionally challenging times. | 0:20:25 | 0:20:27 | |
When I think of putting Oscar down, er, you know, | 0:20:27 | 0:20:31 | |
you need things like the ducklings. | 0:20:31 | 0:20:34 | |
Finding 16 ducklings in the back of a BMW, | 0:20:34 | 0:20:37 | |
you need those lighter moments to, er, | 0:20:37 | 0:20:39 | |
you need to hold on to those to get you through the harder times. | 0:20:39 | 0:20:43 | |
And he was absolutely right. | 0:20:43 | 0:20:45 | |
'I now knew exactly what Peter had been on about. It was bloody tough. | 0:20:49 | 0:20:52 | |
'One of the hardest things was always having to just keep going | 0:20:52 | 0:20:55 | |
'and move on to the next patient. | 0:20:55 | 0:20:57 | |
'I really needed a positive patient outcome to lift my spirits. | 0:20:57 | 0:21:00 | |
'The Hope Rescue Team were back with a hairy horde of homeless hounds | 0:21:00 | 0:21:04 | |
'to be neutered, and my next patient was just the tonic I needed. | 0:21:04 | 0:21:07 | |
'Alison had brought in a wiry bundle-fun called Poppy. | 0:21:07 | 0:21:11 | |
'Poppy was in for a routine spay, and I'd be on anaesthetic duty.' | 0:21:11 | 0:21:15 | |
So what we need to do today, Rhod, | 0:21:15 | 0:21:17 | |
is get informed consent from the client. | 0:21:17 | 0:21:19 | |
So we need to explain what the procedure is. | 0:21:19 | 0:21:21 | |
-She's going to be given a general anaesthetic. -Yeah. | 0:21:21 | 0:21:24 | |
-You're aware of what that means? -Yes. -Knocked out completely. -Yeah. | 0:21:24 | 0:21:29 | |
-Gas. -It is quite a serious procedure that we're doing for Poppy today. | 0:21:29 | 0:21:33 | |
We will do a full ovarian hysterectomy on her. | 0:21:33 | 0:21:36 | |
So, in layman's terms, she's going to leave without her... | 0:21:36 | 0:21:40 | |
Ovaries and her uterus. | 0:21:40 | 0:21:42 | |
Her ovaries and her uterus. | 0:21:42 | 0:21:44 | |
-We're all clear? -Yeah, that's fine. | 0:21:44 | 0:21:46 | |
Poppy, are you clear? | 0:21:46 | 0:21:48 | |
One blink for yes. | 0:21:48 | 0:21:49 | |
One blink for yes. | 0:21:50 | 0:21:52 | |
Thank you. Done. | 0:21:52 | 0:21:53 | |
'With Poppy's legally binding blink, | 0:21:55 | 0:21:57 | |
'I whisked her off for her pre-med, where Vet Ellie knocked her out - | 0:21:57 | 0:22:00 | |
'with sedative drugs, not her fist.' | 0:22:00 | 0:22:02 | |
And then your Uncle Rhod is going to make sure there's enough oxygen, | 0:22:02 | 0:22:05 | |
enough gas for you to keep you anaesthetised | 0:22:05 | 0:22:08 | |
at just the right level. | 0:22:08 | 0:22:09 | |
You can trust your old Uncle Rhod, can't you? | 0:22:09 | 0:22:12 | |
I've done this 100 times. | 0:22:12 | 0:22:15 | |
I did tell her a little white lie there. | 0:22:17 | 0:22:21 | |
Does seem to have relaxed her. | 0:22:21 | 0:22:22 | |
'Poppy was going to have her girl gonads removed, | 0:22:24 | 0:22:26 | |
'but she was hairier than a shot-putter's shoulders. | 0:22:26 | 0:22:28 | |
'As she started to lose consciousness, | 0:22:28 | 0:22:30 | |
'we plucked her, basted her in butter | 0:22:30 | 0:22:32 | |
'and popped her on a baking tray.' | 0:22:32 | 0:22:34 | |
The closest I've come to this is carrying | 0:22:34 | 0:22:36 | |
a chicken from a unit into the oven! | 0:22:36 | 0:22:38 | |
'It was time to put my foot on the gas - LOL, ROFL, etc. | 0:22:40 | 0:22:43 | |
'Under the watchful eye of Nurse Nicky, it was my job to keep | 0:22:43 | 0:22:45 | |
'Poppy sedated comfortably, safely, and most importantly, alive-ly.' | 0:22:45 | 0:22:50 | |
Just popped a heart-rate monitor onto Poppy's tongue | 0:22:50 | 0:22:53 | |
to check her pulse. | 0:22:53 | 0:22:55 | |
This is a very odd feeling. | 0:22:57 | 0:22:59 | |
It's certainly a first for me to be involved in any kind of surgery. | 0:22:59 | 0:23:03 | |
'While Vet Ellie skilfully plucked out Poppy's puppy pack, | 0:23:03 | 0:23:06 | |
'Nicky made sure that what I was doing wouldn't lead to | 0:23:06 | 0:23:09 | |
'a negative outcome for the patient.' | 0:23:09 | 0:23:11 | |
We still are continuously checking the dog's respiration, | 0:23:11 | 0:23:14 | |
her colour, anything you think is unusual. | 0:23:14 | 0:23:16 | |
'I was concentrating hard to remember my training | 0:23:16 | 0:23:19 | |
'and monitor Poppy's vitals. | 0:23:19 | 0:23:20 | |
'But the bleeping heart-rate monitor was stressing me out. | 0:23:20 | 0:23:23 | |
'Like a coked-up microwave, | 0:23:23 | 0:23:24 | |
'it was a constant reminder that it was just us keeping her alive.' | 0:23:24 | 0:23:28 | |
OK, I'm just checking her blink reflex. | 0:23:28 | 0:23:31 | |
The eye position is down, so the eye, she's actually looking, | 0:23:31 | 0:23:34 | |
pupils and thingies have dropped down. | 0:23:34 | 0:23:36 | |
OK, the jaw tone is... feels very slack. | 0:23:36 | 0:23:39 | |
-So do I mark "slack" for that? -Put an S. -S for slack. | 0:23:39 | 0:23:43 | |
Can you just have a look at her eye position? | 0:23:43 | 0:23:44 | |
It doesn't look as down as it was earlier. | 0:23:44 | 0:23:47 | |
I can see quite a lot of the eye. | 0:23:47 | 0:23:49 | |
'For a nervy first-time anaesthetist, every twitch, | 0:23:49 | 0:23:52 | |
'every bleep or lack of bleep was a heart-stopping moment.' | 0:23:52 | 0:23:56 | |
MONITOR BEEPS | 0:23:56 | 0:23:58 | |
-You just moved it on the tongue. -Sometimes what... | 0:23:58 | 0:24:00 | |
Even though you're here and I know that my responsibilities... | 0:24:00 | 0:24:05 | |
In any way, you panic if you don't see the chest rise for a second. | 0:24:05 | 0:24:08 | |
-You panic. -Last thing you want is somebody, with an anaesthetist, | 0:24:08 | 0:24:12 | |
is to be complacent and think, "Haven't had a breath for a while." | 0:24:12 | 0:24:16 | |
You've got to be straight on it, otherwise you would lose something. | 0:24:16 | 0:24:19 | |
-Oh, I'm glad I've got the right instincts. -No, that's right. | 0:24:19 | 0:24:22 | |
The main sense of anxiety or stress or drama or | 0:24:22 | 0:24:26 | |
responsibility is coming from that bloody machine. | 0:24:26 | 0:24:29 | |
'It may have been a routine operation, | 0:24:29 | 0:24:30 | |
'but for me it felt like a lifetime. | 0:24:30 | 0:24:32 | |
'It was finally time to sew Poppy up after one important inventory.' | 0:24:32 | 0:24:36 | |
So, we've got one, two, three, four, five swabs | 0:24:36 | 0:24:40 | |
and I've still got my four needles. | 0:24:40 | 0:24:42 | |
-So you're doing a kind of check that nothing is left in there? -Yeah. | 0:24:42 | 0:24:45 | |
Nobody left in there? We're all here? Nicky? | 0:24:45 | 0:24:47 | |
-And she's still got her glasses. -Present. | 0:24:47 | 0:24:49 | |
-You've still got your glasses on! -I can still see, that's good. | 0:24:49 | 0:24:52 | |
-Still can't believe I'm going to do the next one. -Maybe. -I'm not. | 0:24:52 | 0:24:56 | |
I'm not doing the next one. | 0:24:56 | 0:24:58 | |
Relax. | 0:24:58 | 0:24:59 | |
'I was very relieved. Poppy wouldn't be playing Twister for a few weeks, | 0:24:59 | 0:25:03 | |
'but she seemed fine.' | 0:25:03 | 0:25:04 | |
Immediately, as soon as we turned the isoflurane, the anaesthetic, off | 0:25:05 | 0:25:09 | |
she's starting to come round, legs are starting to move. | 0:25:09 | 0:25:13 | |
-So her gag reflex is intact? -Yeah, here we go. -Good girl. | 0:25:13 | 0:25:15 | |
-Hi, lovely. Good morning. -Good girl. | 0:25:15 | 0:25:18 | |
'Call it puppy love, but I wanted to stay with Poppy | 0:25:18 | 0:25:20 | |
'and look after her for a bit. | 0:25:20 | 0:25:22 | |
'But in this job there's no time to dwell on the positive outcomes | 0:25:22 | 0:25:25 | |
'either, and once again it was straight on to another patient.' | 0:25:25 | 0:25:28 | |
I'm back at Peter's farm to see Dotty the pig. | 0:25:29 | 0:25:32 | |
She's in season, so I've come back today | 0:25:32 | 0:25:36 | |
potentially to artificially inseminate my first pig. | 0:25:36 | 0:25:40 | |
To artificially inseminate my first anything! | 0:25:40 | 0:25:44 | |
It's a beautiful day for it. | 0:25:44 | 0:25:46 | |
ROMANTIC MUSIC PLAYS | 0:25:46 | 0:25:48 | |
This is what you're going to insert into her, OK? | 0:26:13 | 0:26:16 | |
You need to turn this anticlockwise. | 0:26:16 | 0:26:18 | |
Going to put a little bit of lubrication on there first, | 0:26:18 | 0:26:21 | |
just to get her in the mood, erm, and then push it in nice and firm | 0:26:21 | 0:26:24 | |
and you'll feel it lock into place. | 0:26:24 | 0:26:26 | |
You shouldn't really be able to pull it back very easily | 0:26:26 | 0:26:29 | |
when it's fully inserted and locked into place. | 0:26:29 | 0:26:32 | |
Start twisting. Getting ready to party. That's it, yeah. | 0:26:39 | 0:26:43 | |
Bit of resistance. That's it, that's good. Push in there, Rhod. | 0:26:43 | 0:26:46 | |
Yeah, she likes you. She's ready. | 0:26:46 | 0:26:48 | |
'Unsurprisingly, artificial insemination didn't come naturally. | 0:26:50 | 0:26:53 | |
'They say you can't make a silk purse out of a sow's ear, | 0:26:53 | 0:26:56 | |
'but I was making a right pig's ear out of this sow's silk purse!' | 0:26:56 | 0:26:59 | |
-There we are. And you've just mated your first pig. -Thanks, Peter. | 0:27:01 | 0:27:06 | |
-Well done. -First of many, I feel. | 0:27:06 | 0:27:08 | |
'Peter was confident that Dotty and I would soon hear | 0:27:09 | 0:27:12 | |
'the clickety-clack of tiny trotters. | 0:27:12 | 0:27:14 | |
'I wasn't so sure - I hadn't even had a lardon. | 0:27:14 | 0:27:17 | |
'But for once I was glad there was no time to dwell on it. | 0:27:17 | 0:27:20 | |
'It was back to base to check on Poppy.' | 0:27:20 | 0:27:22 | |
Hello! She's recovered tremendously well and quickly. | 0:27:22 | 0:27:28 | |
'Poppy's operation had been a complete success, but with no | 0:27:28 | 0:27:31 | |
'home for her to go to, it didn't feel like a totally happy ending.' | 0:27:31 | 0:27:35 | |
Still a bit of an emotional tug to see her going off. | 0:27:35 | 0:27:38 | |
Form that bond and then off she goes to a rescue centre. | 0:27:38 | 0:27:41 | |
Well, fingers crossed she'll find a home. | 0:27:41 | 0:27:44 | |
It's quite hard, you don't quite know what her future's going to be. | 0:27:44 | 0:27:47 | |
So how have you found it over the last four days? | 0:27:52 | 0:27:55 | |
I think my body language should give you some idea. | 0:27:57 | 0:28:00 | |
This is a wonderful vocation... | 0:28:00 | 0:28:04 | |
and a shit job. | 0:28:04 | 0:28:06 | |
What I mean by that is that it's... | 0:28:06 | 0:28:08 | |
This job, you give up your social life, | 0:28:08 | 0:28:10 | |
you live and work and breathe it. | 0:28:10 | 0:28:12 | |
Our vets, they don't feel like they've given up anything, really, | 0:28:12 | 0:28:15 | |
because this is what they want to do, this is their vocation. | 0:28:15 | 0:28:19 | |
And that means that they were the right people to become vets. | 0:28:19 | 0:28:22 | |
You've seen that while you've been here and you've been part of that, | 0:28:22 | 0:28:26 | |
and well done to you because you've really stuck with it. | 0:28:26 | 0:28:28 | |
-I had my finger up a dog's ass. -Yeah, perhaps we'll forget that bit. | 0:28:28 | 0:28:32 | |
'Two weeks later, I had almost forgotten about it, | 0:28:35 | 0:28:37 | |
'but I hadn't forgotten about Poppy. | 0:28:37 | 0:28:39 | |
'Luckily the rescue centre had found her a new home, | 0:28:39 | 0:28:41 | |
'so I paid them a visit.' | 0:28:41 | 0:28:43 | |
Hello! Hello, Poppy! | 0:28:43 | 0:28:44 | |
How's your new home? | 0:28:44 | 0:28:46 | |
How is your new home? | 0:28:46 | 0:28:48 | |
(D'you like it? | 0:28:48 | 0:28:50 | |
(What's that say there? | 0:28:50 | 0:28:52 | |
("Home sweet home." | 0:28:52 | 0:28:54 | |
(Is it good to be home?) | 0:28:54 | 0:28:56 |