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I'm Rhod Gilbert, stand-up comedian. | 0:00:02 | 0:00:03 | |
People tell me I've got the toughest job in town, | 0:00:03 | 0:00:05 | |
but I'm sure I'd find other things far more difficult, | 0:00:05 | 0:00:08 | |
so I'm ditching my regular job | 0:00:08 | 0:00:09 | |
and trying something completely different. | 0:00:09 | 0:00:11 | |
This is my Work Experience and this week, I'm a journalist. | 0:00:11 | 0:00:14 | |
This programme contains some strong language. | 0:00:16 | 0:00:19 | |
In a few days, I'd be working on Wales's flagship TV news, | 0:00:20 | 0:00:24 | |
BBC Wales Today, but the closest I've come to reporting breaking news | 0:00:24 | 0:00:27 | |
is shouting, "Who's farted?" on a Megabus. | 0:00:27 | 0:00:30 | |
'To start my training, I'd come to Wales's answer to Fleet Street - | 0:00:30 | 0:00:33 | |
'King Street, Carmarthen - | 0:00:33 | 0:00:35 | |
'my hometown, and home to Wales's oldest newspaper, | 0:00:35 | 0:00:38 | |
'the Carmarthen Journal. | 0:00:38 | 0:00:40 | |
'Editor Emma Bryant had agreed to give me | 0:00:40 | 0:00:42 | |
'a one-day PhD in news-gathering.' | 0:00:42 | 0:00:45 | |
So it's my first day as a journalist. | 0:00:45 | 0:00:47 | |
What do you expect from me? | 0:00:47 | 0:00:48 | |
So, we're looking for a page-one story, | 0:00:48 | 0:00:51 | |
so we're chucking you in at the deep end. It's a bit of a challenge. | 0:00:51 | 0:00:54 | |
The press will start tomorrow, whether we are ready or not, | 0:00:54 | 0:00:56 | |
and I don't want the Carmarthen Journal not to print | 0:00:56 | 0:00:59 | |
for the first time in 205 years. | 0:00:59 | 0:01:01 | |
'Emma was ramping up the pressure | 0:01:01 | 0:01:03 | |
'but I felt about as ready to get a page-one story | 0:01:03 | 0:01:06 | |
'as a horse who's just found out his ex-wife is now a Pritt Stick.' | 0:01:06 | 0:01:08 | |
How do I get a story? Do you just wander around looking? | 0:01:08 | 0:01:11 | |
"Oh, look, there's a dog stuck in a hedge there." | 0:01:11 | 0:01:13 | |
-You know what I mean? What do you...? -Just go and find people, | 0:01:13 | 0:01:15 | |
so you're going to have to get straight in there. | 0:01:15 | 0:01:17 | |
"I'm looking for a story for the Journal. Anything going on? | 0:01:17 | 0:01:20 | |
"Anything I need to know about?" | 0:01:20 | 0:01:21 | |
-And just get it down, really. -I've never written anything, | 0:01:21 | 0:01:24 | |
I don't think. Not journalistic stuff. | 0:01:24 | 0:01:26 | |
The simplest way for you to write the story - remember | 0:01:26 | 0:01:28 | |
who, what, why, where and when. | 0:01:28 | 0:01:31 | |
Who, what, why, when, where. | 0:01:31 | 0:01:33 | |
'The paper's record was at stake so there was no room to piss about. | 0:01:33 | 0:01:37 | |
'I borrowed something called a tie, | 0:01:37 | 0:01:38 | |
'as reporter Guto took me to somewhere called Lampeter. | 0:01:38 | 0:01:41 | |
'If there were any dogs' bottoms sticking out of hedges, | 0:01:41 | 0:01:43 | |
'it'd be my job to sniff them out.' | 0:01:43 | 0:01:46 | |
Good luck finding stories here and, just remember, | 0:01:46 | 0:01:49 | |
talk to as many people as you want. I'll see you back in the office. | 0:01:49 | 0:01:51 | |
-4 o'clock? -4 o'clock, see you then. | 0:01:51 | 0:01:53 | |
See you, Guto. | 0:01:54 | 0:01:56 | |
'It wasn't even the night before Christmas | 0:01:56 | 0:01:58 | |
'and all through the place, | 0:01:58 | 0:02:00 | |
'not a creature was stirring, not so much as a trace. | 0:02:00 | 0:02:02 | |
'There was more life in Action Man's underpants.' | 0:02:02 | 0:02:05 | |
ENGINE PURRS | 0:02:13 | 0:02:16 | |
Diesel engine. | 0:02:17 | 0:02:19 | |
It doesn't feel like a big news day at the moment. | 0:02:24 | 0:02:26 | |
'It was the slowest news day since the BBC decided to cover | 0:02:28 | 0:02:31 | |
'the World Staring Championships.' | 0:02:31 | 0:02:34 | |
I'm just wondering whether this is a bit of a local issue, maybe. | 0:02:34 | 0:02:38 | |
"Council in white line fiasco debacle." | 0:02:38 | 0:02:44 | |
"Horror"? Is "terror" too strong? | 0:02:44 | 0:02:47 | |
That's all I've got so far. | 0:02:47 | 0:02:48 | |
Our deadline is 4 o'clock and I've got to get some bloody stories. | 0:02:48 | 0:02:52 | |
'Lampeter was to news what Fred Astaire was to dancing - | 0:02:52 | 0:02:55 | |
'it was dead - | 0:02:55 | 0:02:56 | |
'but Emma's advice had been to talk to people so I dived in.' | 0:02:56 | 0:02:59 | |
I have to get the scoop, | 0:02:59 | 0:03:01 | |
front page, big story, with big photo, from Lampeter now. | 0:03:01 | 0:03:06 | |
This is Lampeter. Barely anything happens here. | 0:03:06 | 0:03:09 | |
-Has anything happened? -My friend had a baby last week. | 0:03:09 | 0:03:12 | |
-That's not front page, is it? -No, erm... -I'll jot it down. | 0:03:12 | 0:03:15 | |
I'm looking for a front-page scoop | 0:03:17 | 0:03:19 | |
for the Carmarthen Journal that will wow the world. | 0:03:19 | 0:03:21 | |
It's Lampeter. | 0:03:23 | 0:03:24 | |
We haven't got any sex or scandal or anything. | 0:03:29 | 0:03:31 | |
-Something must happen here. -Nothing happens here. | 0:03:31 | 0:03:33 | |
-Nothing happens here? -Nothing. That's the whole idea. | 0:03:33 | 0:03:36 | |
That's why you live here, because nothing happens here. | 0:03:36 | 0:03:39 | |
This is a bloody nightmare. Absolutely nothing. | 0:03:39 | 0:03:42 | |
Emma was banging on about, "Who, why, when, what, where?" | 0:03:42 | 0:03:45 | |
To who? No-one. | 0:03:45 | 0:03:47 | |
Where? Nowhere. When? Never. | 0:03:47 | 0:03:49 | |
What? Nothing. | 0:03:49 | 0:03:51 | |
Why? | 0:03:51 | 0:03:52 | |
Why, indeed? | 0:03:52 | 0:03:54 | |
'The saying goes that no news is good news. | 0:03:54 | 0:03:56 | |
'Well, not if you're a bloody journalist, it's not. | 0:03:56 | 0:03:58 | |
'I may have looked like a hack but there was hack-all going on.' | 0:03:58 | 0:04:02 | |
Now, ladies, can you tell me | 0:04:02 | 0:04:04 | |
anything that might be worthy of a...? Anything at all? | 0:04:04 | 0:04:07 | |
Actually, the church bells. | 0:04:07 | 0:04:09 | |
We've been having some strange goings-on lately. | 0:04:09 | 0:04:11 | |
-The church - that church right there. -Yeah? | 0:04:11 | 0:04:14 | |
Somebody broke in and started ringing the church bells. | 0:04:14 | 0:04:17 | |
"Somebody broke in and started chiming the church bells..." | 0:04:17 | 0:04:23 | |
At... | 0:04:23 | 0:04:24 | |
At silly o'clock in the morning. | 0:04:24 | 0:04:26 | |
-"Silly o'clock"? -Yeah. | 0:04:26 | 0:04:27 | |
'Saved by the bell - a quirky Quasimodo. | 0:04:27 | 0:04:30 | |
'I rinsed the girls for as much detail as I could.' | 0:04:30 | 0:04:33 | |
It's like a random ninja. | 0:04:33 | 0:04:34 | |
"A random..." | 0:04:34 | 0:04:35 | |
-Ninja. -Ninja. | 0:04:35 | 0:04:36 | |
-"..ninja..." -Yeah. | 0:04:36 | 0:04:38 | |
Do they sound like an experienced bell-ringer? | 0:04:38 | 0:04:40 | |
-They're giving it a good dong. -They're giving it a good dong? | 0:04:40 | 0:04:42 | |
-Definitely. -Let me jot that down. | 0:04:42 | 0:04:44 | |
-Nice. -Lampeter's a really quiet town | 0:04:44 | 0:04:45 | |
-and nobody really does anything apart from work. -Yes. | 0:04:45 | 0:04:48 | |
Until three o'clock in the morning, | 0:04:48 | 0:04:50 | |
then it's not quiet any more. | 0:04:50 | 0:04:51 | |
-Yeah. -No. -No. -That's my headline - "Quiet town not quiet". | 0:04:51 | 0:04:53 | |
-At three o'clock in the morning. -That'll be a good headline. | 0:04:53 | 0:04:56 | |
'Oh, Sir Trevor McDonald, | 0:04:56 | 0:04:57 | |
'I was ding-donging merrily on high | 0:04:57 | 0:04:59 | |
'and getting the photos to prove it. | 0:04:59 | 0:05:01 | |
'Tersely walking as fast as my legs could carry me, | 0:05:01 | 0:05:03 | |
'I Jon-Snowed it up to the church to investigate. | 0:05:03 | 0:05:06 | |
'I just hoped Emma would go for my story.' | 0:05:06 | 0:05:08 | |
-Hi, Emma, it's Rhod. -Have you found anything? | 0:05:08 | 0:05:10 | |
Well, it was a fairly slow news day, it has to be said, | 0:05:10 | 0:05:13 | |
-but then, outside the toilets, I met two girls. -Yeah? | 0:05:13 | 0:05:16 | |
Hang on, it gets better, this story. | 0:05:16 | 0:05:18 | |
They told me, up at the church, St Peter's church, | 0:05:18 | 0:05:21 | |
there's been somebody, they reckon... | 0:05:21 | 0:05:24 | |
ringing the bells at, like, 3 o'clock, 4 o'clock in the morning, | 0:05:24 | 0:05:27 | |
several nights last week. | 0:05:27 | 0:05:29 | |
-Really? -Yeah. | 0:05:29 | 0:05:30 | |
-Do you like this story, do you? -I really like it, yeah. | 0:05:30 | 0:05:33 | |
It's very unusual. It's quirky. Yes. | 0:05:33 | 0:05:36 | |
I was sizzling like Peter Sissons in a griddle, | 0:05:36 | 0:05:39 | |
nailing this journalism lark like a badass. | 0:05:39 | 0:05:41 | |
She's holding the front page. | 0:05:41 | 0:05:43 | |
I've got to get back there now and talk it through with her. | 0:05:43 | 0:05:45 | |
This is the buzz, man. | 0:05:45 | 0:05:48 | |
Back at the Journal HQ, | 0:05:48 | 0:05:50 | |
the next step was to get a headline for my campanological conundrum, | 0:05:50 | 0:05:54 | |
so Emma assembled a crack team to brainstorm. | 0:05:54 | 0:05:56 | |
So, we need something a bit catchy, a bit clever, so any thoughts? | 0:05:56 | 0:06:01 | |
Have you had any thoughts about it? | 0:06:01 | 0:06:02 | |
-Yeah, I jotted some down in the car. -You have? All right. OK. | 0:06:02 | 0:06:05 | |
"What the bell is going on?" | 0:06:05 | 0:06:08 | |
We've got, "What chime do you call this?" | 0:06:08 | 0:06:10 | |
"Two girls woken by mystery dong." | 0:06:12 | 0:06:14 | |
-That's going to grab you, isn't it? -Absolutely. | 0:06:14 | 0:06:18 | |
-Well, there's "bell-raiser". -Bell-raiser? | 0:06:18 | 0:06:21 | |
-That's good. -"Where will it all bell end?" | 0:06:21 | 0:06:23 | |
No. | 0:06:23 | 0:06:25 | |
"Ding-dong, the wicked witch may be dead | 0:06:25 | 0:06:28 | |
"but somebody's ringing those bells." | 0:06:28 | 0:06:30 | |
Maybe not. | 0:06:30 | 0:06:31 | |
I love "What chime do you call this?" It's brilliant. | 0:06:31 | 0:06:34 | |
-What about "girls woken by mystery dong"? -No. | 0:06:34 | 0:06:37 | |
'My headline was sorted but I still had Adrian Chiles to do. | 0:06:37 | 0:06:40 | |
'I needed to write up my unbelievable story but, | 0:06:40 | 0:06:43 | |
'looking at my notes, I suddenly felt like a right Michael Buerk.' | 0:06:43 | 0:06:46 | |
I can't read my own handwriting. | 0:06:46 | 0:06:47 | |
I don't know shorthand so I had to write it out in full, | 0:06:47 | 0:06:49 | |
but my own writing is actually worse than shorthand. | 0:06:49 | 0:06:51 | |
I have written here, "Silly o'clock, three, | 0:06:51 | 0:06:54 | |
"which engaged my in the town." | 0:06:54 | 0:06:56 | |
I put it down. She's going to look stupid. It doesn't make any sense. | 0:06:58 | 0:07:01 | |
'I needed to get a Dermot Murnaghan | 0:07:01 | 0:07:03 | |
'if I was going to make this deadline, | 0:07:03 | 0:07:04 | |
'but I was having an Eddie Mair, | 0:07:04 | 0:07:06 | |
'cos what I'd written was a load of Bill Turnbull.' | 0:07:06 | 0:07:08 | |
"Wet wasp oven in the shop." | 0:07:08 | 0:07:10 | |
Is that Welsh? | 0:07:10 | 0:07:12 | |
It's supposed to be... No, it was English when I wrote it. | 0:07:12 | 0:07:15 | |
"He said he had seen it horse riding." | 0:07:15 | 0:07:17 | |
-Had he? -I don't know. | 0:07:19 | 0:07:21 | |
-What does that say? -"Pineapple sermon." | 0:07:21 | 0:07:24 | |
-Friends... -"Pineapple surname"? | 0:07:24 | 0:07:25 | |
'As more and more of Emma's team joined in, we crowded round my notes | 0:07:25 | 0:07:28 | |
'like a bunch of footballers trying to find the handle on a banana.' | 0:07:28 | 0:07:32 | |
-Purple. -Purple. | 0:07:32 | 0:07:33 | |
-Swarm. -Swarm. | 0:07:33 | 0:07:34 | |
-Of. -Of. | 0:07:34 | 0:07:35 | |
-Cows. -Cows. | 0:07:35 | 0:07:37 | |
We need to go back to our seats now cos we're going to miss | 0:07:37 | 0:07:39 | |
this deadline and we've got lots to do, please. Sorry. | 0:07:39 | 0:07:42 | |
'My notepad was the worst mess since | 0:07:42 | 0:07:43 | |
'Abu Hamza agreed to help catch his neighbour's budgie | 0:07:43 | 0:07:46 | |
'but, with the team's expert guidance, | 0:07:46 | 0:07:48 | |
'I got the page-one scoop Emma had been hoping for.' | 0:07:48 | 0:07:51 | |
I'm actually quite amazed you've come back with a really good story. | 0:07:51 | 0:07:54 | |
-I'm amazed. -Erm, I am amazed. -Absolutely amazed. | 0:07:54 | 0:07:57 | |
And good luck. | 0:07:57 | 0:07:59 | |
-Thank you very much, Carmarthen Journal. -You're welcome. | 0:07:59 | 0:08:02 | |
-Wales's oldest newspaper. -Wales's oldest newspaper. | 0:08:02 | 0:08:04 | |
The next day, I was buzzing like Arfon Haines Davies's fridge. | 0:08:04 | 0:08:08 | |
From Lampeter to just outside Lampeter, | 0:08:08 | 0:08:10 | |
my scoop was the talk of the town, and just outside the town. | 0:08:10 | 0:08:13 | |
'I was ready to move to the big city, | 0:08:13 | 0:08:14 | |
'and the Holy Grail for journalists around the world - BBC Wales. | 0:08:14 | 0:08:19 | |
'In Cardiff, Wales Today producer Ruth Woodward | 0:08:19 | 0:08:22 | |
'would put Rhod the Wonder Scoop through his paces.' | 0:08:22 | 0:08:25 | |
You will hopefully be able to go out on a story | 0:08:25 | 0:08:29 | |
and we'll broadcast it on Wales Today. | 0:08:29 | 0:08:31 | |
Part of me is filled with horror at the thought of it. The other half | 0:08:31 | 0:08:34 | |
of me thinks you're going to do a really good job and you'll be grand. | 0:08:34 | 0:08:37 | |
'I was feeling confident | 0:08:37 | 0:08:39 | |
'but, before I could blow them all away with my own story, | 0:08:39 | 0:08:41 | |
'I'd spend a day shadowing Welsh TV news legend, | 0:08:41 | 0:08:43 | |
'Nick "The News" Palit. | 0:08:43 | 0:08:45 | |
'While Nick cracked on with his package about cycling in Cardiff, | 0:08:45 | 0:08:48 | |
'I chilled out, confident that Rhod the Scoop | 0:08:48 | 0:08:50 | |
'could handle whatever was thrown at me...' | 0:08:50 | 0:08:52 | |
You should have a little break. | 0:08:52 | 0:08:54 | |
-It's nice coffee, this, mate. -OK. | 0:08:54 | 0:08:55 | |
-Have a little break. -We'll have a break. | 0:08:55 | 0:08:57 | |
'..but, as I watched Nick do his stuff, | 0:08:57 | 0:08:59 | |
'I realised there was more to TV news | 0:08:59 | 0:09:01 | |
'than pointing at a church and making knob gags.' | 0:09:01 | 0:09:04 | |
-We have to send it into the BBC server... -Yeah. | 0:09:04 | 0:09:07 | |
-..through a programme called JFE. -Yeah. | 0:09:07 | 0:09:09 | |
White balance is a thing that we tend to do | 0:09:09 | 0:09:12 | |
to tell the camera what is white. | 0:09:12 | 0:09:14 | |
It needs to know what is white before it can know | 0:09:14 | 0:09:17 | |
what any other colour is. | 0:09:17 | 0:09:19 | |
Well, a "SOV up" means "sound on video up". | 0:09:19 | 0:09:22 | |
An OOV, another technical term - an OOV is "out of vision". | 0:09:22 | 0:09:25 | |
'As a one-man news team, Nick had to master vast amounts of technology, | 0:09:25 | 0:09:29 | |
'and pack his car tighter than Simon Cowell's forehead. | 0:09:29 | 0:09:31 | |
'With everything from electronics to clothing, | 0:09:31 | 0:09:34 | |
'it was a mobile high street.' | 0:09:34 | 0:09:35 | |
Moss Bros, there, in the back. | 0:09:35 | 0:09:37 | |
I've got a coat, a winter coat and a jacket. | 0:09:37 | 0:09:40 | |
As you can see, there's a lot of running around | 0:09:40 | 0:09:42 | |
and you don't want to wear your best suit | 0:09:42 | 0:09:44 | |
and, as long as this bit's respectable, | 0:09:44 | 0:09:46 | |
-you should be fine. -Yeah. | 0:09:46 | 0:09:47 | |
Have you ever done a...? | 0:09:47 | 0:09:49 | |
Have you done a piece bottomless? | 0:09:49 | 0:09:51 | |
There's always a first, eh? | 0:09:51 | 0:09:54 | |
'Nick was a nifty news ninja | 0:09:54 | 0:09:56 | |
'and I didn't have a Kate Adie what was going on.' | 0:09:56 | 0:09:59 | |
I think my head's going to explode. | 0:09:59 | 0:10:02 | |
Oh, hang on a minute, I forgot something - helmet. | 0:10:02 | 0:10:05 | |
It's a good job - | 0:10:07 | 0:10:08 | |
Nick's head could have exploded as well, for different reasons. | 0:10:08 | 0:10:12 | |
'On top of the technology, Nick the News Ninja was juggling | 0:10:12 | 0:10:15 | |
'multiple interviews and developing his story in his head as he went.' | 0:10:15 | 0:10:18 | |
-Could I ask you a couple of questions? -Yes. -OK. | 0:10:20 | 0:10:23 | |
Just tell me why you like cycling. | 0:10:23 | 0:10:25 | |
I find mainly it gives me energy. | 0:10:25 | 0:10:27 | |
I like to start the day... I kind of wake up during my cycle. | 0:10:27 | 0:10:30 | |
Everything's happening in a whirlwind. | 0:10:30 | 0:10:32 | |
I don't know when these interviews have been arranged. | 0:10:32 | 0:10:34 | |
I don't know who anyone is or what their relationship to this story is. | 0:10:34 | 0:10:37 | |
'I looked the part but I was no more a reporter | 0:10:37 | 0:10:40 | |
'than Marilyn Manson with a saucer on his head is a mug. | 0:10:40 | 0:10:42 | |
'Sensing my confusion, | 0:10:42 | 0:10:44 | |
'Nick tried to help me get my Jeremy Paxmans round it all.' | 0:10:44 | 0:10:46 | |
You've got to look at a news item as almost like a jigsaw puzzle. | 0:10:46 | 0:10:49 | |
You're gathering interviews, actuality of people doing things... | 0:10:49 | 0:10:53 | |
There might be a graphic element. | 0:10:53 | 0:10:54 | |
So you're sort of making a short film, really? | 0:10:54 | 0:10:56 | |
Yeah, that's the way I look at it. It's really creative. | 0:10:56 | 0:10:59 | |
You're only limited by your imagination and obviously by time. | 0:10:59 | 0:11:02 | |
'Nick was a one-man film industry, | 0:11:02 | 0:11:04 | |
'like Steven Spielberg, Clint Eastwood and Quentin Tarantino | 0:11:04 | 0:11:07 | |
'all rolled into one. | 0:11:07 | 0:11:08 | |
'That's right, he was Clint Spielatinoswood, | 0:11:08 | 0:11:10 | |
'and I had no idea how I was going to do his job.' | 0:11:10 | 0:11:13 | |
I just feel totally out of my depth. | 0:11:13 | 0:11:15 | |
'I just tried to shake somebody's hand and failed. | 0:11:15 | 0:11:18 | |
'When I left the Journal, I was feeling quite cocky. | 0:11:18 | 0:11:20 | |
'Rhod the Scoop,' | 0:11:20 | 0:11:22 | |
I was known as, briefly. | 0:11:22 | 0:11:25 | |
Now I feel like a total dick. | 0:11:25 | 0:11:27 | |
'Like a man with haemorrhoids | 0:11:27 | 0:11:29 | |
'applying for a job in a seesaw factory, | 0:11:29 | 0:11:30 | |
'I was already having second thoughts about the whole thing, | 0:11:30 | 0:11:33 | |
'and when Clint Spielatinoswood took me back to the BBC, | 0:11:33 | 0:11:36 | |
'I realised I hadn't seen the half of it.' | 0:11:36 | 0:11:38 | |
When you walk into this newsroom, | 0:11:38 | 0:11:39 | |
it's very pressured and very stressed. | 0:11:39 | 0:11:41 | |
Everything is deadline, deadline, deadline, driven, | 0:11:41 | 0:11:44 | |
and then Nick rushes around all day | 0:11:44 | 0:11:47 | |
and types this up with one finger. | 0:11:47 | 0:11:49 | |
NICK CHUCKLES | 0:11:49 | 0:11:51 | |
Big on the old "thumbing on the space-bar", I notice. | 0:11:53 | 0:11:56 | |
It's all calloused, that one finger. | 0:11:56 | 0:11:57 | |
-It's twice the size of the others. -It is. | 0:11:57 | 0:12:00 | |
'To say Nick had a busy day would be the greatest understatement | 0:12:00 | 0:12:02 | |
'since Mary told Joseph there was someone else. | 0:12:02 | 0:12:05 | |
'He still had to edit the footage, write the story, find music | 0:12:05 | 0:12:07 | |
'and graphics to bring it to life, and all in just two hours, | 0:12:07 | 0:12:10 | |
'and I wasn't sure I was helping.' | 0:12:10 | 0:12:12 | |
Erm, I like to start the day... | 0:12:12 | 0:12:14 | |
I kind of wake up during my cycle to work. | 0:12:14 | 0:12:17 | |
Shouldn't be setting off asleep, | 0:12:17 | 0:12:18 | |
-should she? -Nothing really puts me off. I feel quite safe... | 0:12:18 | 0:12:21 | |
Always make sure you wake up before you get on your bike, kids. | 0:12:21 | 0:12:25 | |
You're like Lance Armstrong without the drugs. | 0:12:25 | 0:12:27 | |
What you mean "without the drugs"? | 0:12:27 | 0:12:29 | |
-Like Lance Armstrong on Night Nurse. -'The pollutants...' | 0:12:29 | 0:12:31 | |
'When Nick started out in news, | 0:12:31 | 0:12:33 | |
'Jesus was still offering lepers E45 cream | 0:12:33 | 0:12:35 | |
'and you could hear those years of experience in his voice.' | 0:12:35 | 0:12:38 | |
'This survey, I do worry about the vulnerability to oncoming traffic | 0:12:38 | 0:12:42 | |
'and, of course, the pollutants that I might be breathing in.' | 0:12:42 | 0:12:45 | |
Oh, you've got that news voice. | 0:12:45 | 0:12:47 | |
'And, of course, the pollutants | 0:12:47 | 0:12:49 | |
-'I might be breathing in.' -Pollutants...breathing in. | 0:12:49 | 0:12:52 | |
Full stop. | 0:12:52 | 0:12:53 | |
-You didn't say "full stop". -No, I didn't. | 0:12:53 | 0:12:56 | |
Didn't need to. | 0:12:56 | 0:12:57 | |
-How long did it take you to get that news voice? -Oh, a lifetime. | 0:12:57 | 0:13:00 | |
Was it? | 0:13:00 | 0:13:01 | |
Are you doing it now or not? | 0:13:01 | 0:13:03 | |
For television... I probably am, aren't I? | 0:13:03 | 0:13:05 | |
-You can't get out of it, can you? -I can't. | 0:13:05 | 0:13:07 | |
-Do you go home with it? -I speak like that at home. | 0:13:07 | 0:13:09 | |
I say, "Tonight, my darling, I would like lasagne and chips for tea." | 0:13:09 | 0:13:12 | |
-And of course. -And of course. | 0:13:12 | 0:13:14 | |
'We'd moved into the final stage, | 0:13:14 | 0:13:16 | |
'working with this editor woman to add the finishing touches. | 0:13:16 | 0:13:19 | |
'Less than 40 minutes to go to broadcast | 0:13:19 | 0:13:21 | |
'and Clint Spielatinoswood was about to blow my mind.' | 0:13:21 | 0:13:24 | |
I wanted to have the, sort of, | 0:13:24 | 0:13:26 | |
-frothy coffee noise. -MILK HISSES | 0:13:26 | 0:13:28 | |
-Just a bit of that before he starts talking, yeah? -Oh, that does work. | 0:13:28 | 0:13:31 | |
It gives it immediate flavour. | 0:13:31 | 0:13:33 | |
Coffee. | 0:13:33 | 0:13:35 | |
Milk. | 0:13:36 | 0:13:37 | |
We always try and get what we call natural sound on various things, | 0:13:37 | 0:13:41 | |
just to, sort of, punctuate... | 0:13:41 | 0:13:42 | |
You have certainly punctuated the atmos there. | 0:13:42 | 0:13:44 | |
You've frothed it right up. | 0:13:44 | 0:13:46 | |
You've frothed up your package. | 0:13:46 | 0:13:48 | |
I know what I want to end the piece on, I forgot to tell you - | 0:13:48 | 0:13:50 | |
-probably put some bells ringing. -Ring, ring. | 0:13:50 | 0:13:52 | |
-So, can we put that at the end of the piece? -Oh, OK. | 0:13:52 | 0:13:54 | |
BELL RINGS Boy, oh, boy. | 0:13:54 | 0:13:57 | |
You're going to over-froth this package if you're not careful. | 0:13:57 | 0:13:59 | |
BELL RINGS That bell on the end. | 0:13:59 | 0:14:02 | |
Bell-end. | 0:14:02 | 0:14:04 | |
'My pathetic sense of humour was catching | 0:14:04 | 0:14:06 | |
'and, if I'd suspected Nick was really good at this, | 0:14:06 | 0:14:08 | |
'I Gavin Hewitt now.' | 0:14:08 | 0:14:11 | |
I can't stop staring at you, Nick. | 0:14:11 | 0:14:13 | |
-'The pedal-power paradox...' -The presence of greatness. | 0:14:16 | 0:14:19 | |
-He drinks normal coffees. -Yup. | 0:14:19 | 0:14:21 | |
'With national broadcast just minutes away, | 0:14:21 | 0:14:23 | |
'Nick was as calm as George Osborne pushing a cow off a cliff.' | 0:14:23 | 0:14:27 | |
-How long before it goes live? -17 1/2 minutes. | 0:14:27 | 0:14:29 | |
And this is normal, is it, to be still working on it? | 0:14:29 | 0:14:32 | |
Oh, yeah, we've got plenty of time. | 0:14:32 | 0:14:34 | |
HE MOUTHS | 0:14:34 | 0:14:36 | |
Take a sip of your normal coffee now, just to emphasise the point. | 0:14:36 | 0:14:40 | |
-Mmm. -That's normal, that is. | 0:14:40 | 0:14:42 | |
-Normal coffee like you and me would drink. -That's what you think. | 0:14:42 | 0:14:45 | |
Like normal people would... | 0:14:45 | 0:14:46 | |
'With Wales Today about to TX and Nick's package frothed | 0:14:46 | 0:14:49 | |
and dusted with sound effects, | 0:14:49 | 0:14:51 | |
we Fiona Bruced it down to the gallery to watch it go out live. | 0:14:51 | 0:14:54 | |
Bike-friendly cities. Well, our reporter Nick Palit has taken to... | 0:14:54 | 0:14:58 | |
'Nick was to news what David Cameron was to a pig's head. | 0:14:58 | 0:15:01 | |
'He knew it inside out. | 0:15:01 | 0:15:03 | |
'In the space of a few hours, the package-frother extraordinaire | 0:15:03 | 0:15:06 | |
'had taken a few facts and figures about cycling | 0:15:06 | 0:15:08 | |
'and created an informative short film for that evening's news.' | 0:15:08 | 0:15:11 | |
BELL RINGS | 0:15:11 | 0:15:13 | |
Nick Palit reporting there. Now... | 0:15:13 | 0:15:16 | |
-Happy with Nick's... -Piece? -..package? | 0:15:21 | 0:15:23 | |
-I was very happy. -Didn't mind the bell on the end? | 0:15:23 | 0:15:26 | |
I was very pleased with this report, thank you very much. | 0:15:26 | 0:15:29 | |
Are you hopeful that we're going to see a Rhod Gilbert report | 0:15:29 | 0:15:32 | |
-on the national news? -No, I'm... | 0:15:32 | 0:15:35 | |
No. I just don't know what the hell... | 0:15:35 | 0:15:37 | |
how the hell I'm going to take this on to the next level. | 0:15:37 | 0:15:40 | |
'I was dangling by the Naga Munchettys, | 0:15:40 | 0:15:43 | |
'but I had no time to think about it. | 0:15:43 | 0:15:44 | |
'As a new journalist, I could be sent anywhere so, first, | 0:15:44 | 0:15:47 | |
I went to Hereford, | 0:15:47 | 0:15:48 | |
where hostile environment expert Stephen Cook would turn me into | 0:15:48 | 0:15:52 | |
a cross between Nicholas Witchell and Jean-Claude Van Damme. | 0:15:52 | 0:15:55 | |
As a journalist, what do I need to be thinking about? | 0:15:55 | 0:15:57 | |
If you were interviewing me now | 0:15:57 | 0:15:59 | |
and, potentially, I am somebody who is likely to become aggressive, | 0:15:59 | 0:16:02 | |
do you think this is a good position to be in? | 0:16:02 | 0:16:05 | |
I don't know, I wouldn't have thought about it. | 0:16:05 | 0:16:07 | |
-Exactly, exactly. -Where should I be? Under the table? | 0:16:07 | 0:16:09 | |
Well, no, the point is, | 0:16:09 | 0:16:10 | |
-I can get hands on you there. -Hiding under the table? | 0:16:10 | 0:16:12 | |
-I mean, who else is in the room? Do they have weapons? -I don't know. | 0:16:12 | 0:16:15 | |
What's going on outside of that building? | 0:16:15 | 0:16:17 | |
-How would you close down the interview? -I don't know. | 0:16:17 | 0:16:20 | |
How do you tell if that person's aggressive or agitated | 0:16:20 | 0:16:23 | |
or not happy with your questioning technique, OK? | 0:16:23 | 0:16:26 | |
-What guarantees have we got when we get to Baghdad? -I don't know. | 0:16:26 | 0:16:29 | |
'As Steve talked me through the challenging scenarios | 0:16:29 | 0:16:31 | |
'a reporter can wind up in, I was getting increasingly anxious | 0:16:31 | 0:16:34 | |
'and things were about to get worse | 0:16:34 | 0:16:35 | |
'when he sent me outside to learn some self-defence | 0:16:35 | 0:16:38 | |
'with coked-up cockney Nutribullet Jonah.' | 0:16:38 | 0:16:40 | |
-How are you doing, mate? -Ah! -Amend that position. Please don't hurt me! | 0:16:40 | 0:16:43 | |
-Bang! -Ah! -What's the matter? | 0:16:43 | 0:16:44 | |
-Are you all right, mate? -For fuck's sake, man! | 0:16:44 | 0:16:46 | |
-Because you've got a beard, I can... -Ah! | 0:16:46 | 0:16:48 | |
I'll just give you a little bit of slight discomfort, yeah? | 0:16:48 | 0:16:51 | |
-OK? Here, watch. -Ah! -OK, so... | 0:16:51 | 0:16:53 | |
-"Slight discomfort", you said! -Go on, go on, go, go. | 0:16:53 | 0:16:56 | |
-Get your own back! -No, no, I don't want to get my own back. | 0:16:56 | 0:16:58 | |
-I want a cup of tea... -Come on, you fucking love it! | 0:16:58 | 0:17:00 | |
-Come on, come on. -..and a piece of cake. | 0:17:00 | 0:17:02 | |
'Jonah floated like a butterfly | 0:17:02 | 0:17:04 | |
'and stung like Dettol on a punctured nutsack.' | 0:17:04 | 0:17:07 | |
You've got loads of pressure points here. | 0:17:07 | 0:17:09 | |
You can touch them, you can finger me. | 0:17:09 | 0:17:10 | |
-I'm not fingering you! -Come on! | 0:17:10 | 0:17:12 | |
RHOD SHOUTS ANGRILY | 0:17:12 | 0:17:14 | |
OK, so this is a good thing, we've got a hat here. | 0:17:14 | 0:17:17 | |
'After ten minutes of trauma, | 0:17:17 | 0:17:19 | |
'I realised he'd been fingering the wrong bloke - someone called Rob.' | 0:17:19 | 0:17:22 | |
So we're kicking. You're going to get me back, Rob. | 0:17:22 | 0:17:25 | |
-You're going to kick here. -It's Rhod! -So I'll be like there, bang! | 0:17:25 | 0:17:28 | |
-You're doing it to the wrong person! -Sorry, yeah. | 0:17:28 | 0:17:30 | |
Are you waiting for somebody called Rob? | 0:17:30 | 0:17:32 | |
The lesson of this is always give your name clearly on reception | 0:17:32 | 0:17:36 | |
-when you turn up... -What are you doing? Come on! | 0:17:36 | 0:17:40 | |
'I was to self-defence what a Scotch egg | 0:17:40 | 0:17:43 | |
'and a breadstick are to championship snooker, | 0:17:43 | 0:17:45 | |
'but, if I thought Hurricane Jonah was an ordeal, | 0:17:45 | 0:17:48 | |
'the role-play Steve had lined up next | 0:17:48 | 0:17:50 | |
'took me to another level of discomfort.' | 0:17:50 | 0:17:52 | |
All our scenarios are based around factual events. | 0:17:52 | 0:17:55 | |
We are going to be using actors. | 0:17:55 | 0:17:57 | |
There will possibly be pyrotechnics. | 0:17:57 | 0:17:59 | |
STEVE LAUGHS | 0:17:59 | 0:18:00 | |
'I was heading to a simulated war zone | 0:18:00 | 0:18:03 | |
'as a simulated journalist to interview some simulated refugees. | 0:18:03 | 0:18:07 | |
'Despite the obvious gravity of the simulated situation, | 0:18:07 | 0:18:09 | |
'role-play always makes me acutely embarrassed | 0:18:09 | 0:18:11 | |
'and I was struggling to take it seriously.' | 0:18:11 | 0:18:13 | |
-Have you travelled far? -I've come from Wales. Do you know it? | 0:18:13 | 0:18:16 | |
-Ryan Giggs. -Sheep. | 0:18:16 | 0:18:18 | |
Sheep and Ryan Giggs. | 0:18:18 | 0:18:20 | |
Aled Jones. You know The Snowman? | 0:18:22 | 0:18:23 | |
# We're walking in the air... # | 0:18:23 | 0:18:25 | |
You know? | 0:18:25 | 0:18:27 | |
'Of course, situations like this in real life are horrifying, | 0:18:27 | 0:18:30 | |
'but, while I was doing my best, this play acting just felt so weird. | 0:18:30 | 0:18:33 | |
'I didn't know how to deal with it.' | 0:18:33 | 0:18:34 | |
-My name is Rhod. I'm a journalist. -Why are you here? | 0:18:34 | 0:18:38 | |
-To tell the world your story, your suffering. -You want a chair? | 0:18:38 | 0:18:42 | |
-Oh, yes, should I take a chair? -You are British? -British, yes. | 0:18:42 | 0:18:45 | |
Ryan Giggs. | 0:18:45 | 0:18:47 | |
-B&Q. -B&Q. | 0:18:47 | 0:18:48 | |
Ah, the chair, yes, sorry. | 0:18:48 | 0:18:49 | |
I thought you were just listing references. | 0:18:49 | 0:18:52 | |
'But if I had been struggling to take it seriously, | 0:18:52 | 0:18:54 | |
'moments later, the role-play gave me a stark reality check.' | 0:18:54 | 0:18:57 | |
EXPLOSION | 0:18:57 | 0:18:58 | |
SCREAMING | 0:18:58 | 0:19:01 | |
SCREAMING AND EXPLOSIONS CONTINUE | 0:19:01 | 0:19:04 | |
-Help them! -Help them? | 0:19:06 | 0:19:08 | |
I'm not sure if I'm supposed to help you or... | 0:19:10 | 0:19:13 | |
SHOUTING | 0:19:13 | 0:19:15 | |
I don't know what the hell is going on. I was not prepared for that. | 0:19:23 | 0:19:25 | |
I've left my camcorder there and even though I only saw his feet, | 0:19:25 | 0:19:29 | |
I know that was bloody Jonah, the one who kicked me off the chair! | 0:19:29 | 0:19:33 | |
Oh, no! | 0:19:34 | 0:19:35 | |
-Oh, not again! -What do you need me to do? -Thomas, do something. | 0:19:35 | 0:19:38 | |
'I'd gone into this simulated situation pretty flippantly, | 0:19:38 | 0:19:42 | |
'but the intensely uncomfortable experience had given me some insight | 0:19:42 | 0:19:45 | |
'into aspects of the news industry I hadn't given much thought to.' | 0:19:45 | 0:19:49 | |
It made you imagine and wonder, my God, | 0:19:49 | 0:19:53 | |
the situations journalists put themselves in. | 0:19:53 | 0:19:56 | |
I'm hoping that BBC Wales | 0:19:56 | 0:19:57 | |
aren't going to put me in a warzone on day one. | 0:19:57 | 0:20:01 | |
Obviously, joking aside, it's not for me. | 0:20:01 | 0:20:05 | |
'The next day, I John Sucheted over to BBC Wales | 0:20:07 | 0:20:09 | |
for my big day in TV news. | 0:20:09 | 0:20:12 | |
'My first job was to find out | 0:20:12 | 0:20:13 | |
'what my story was going to be from producer Ruth. | 0:20:13 | 0:20:16 | |
'After my hostile environment training, | 0:20:16 | 0:20:17 | |
'I was anxious about what might lie ahead.' | 0:20:17 | 0:20:20 | |
The story I'd like you to have a look at today is based | 0:20:20 | 0:20:23 | |
on some research that's published about motorists | 0:20:23 | 0:20:25 | |
and how road signs can often cause confusion to people. | 0:20:25 | 0:20:30 | |
'Road signs - thank Alastair Burnet for that! I was very relieved. | 0:20:30 | 0:20:34 | |
'But to put any kind of package together, | 0:20:34 | 0:20:37 | |
'I still had a mountain to climb and only eight hours to climb it.' | 0:20:37 | 0:20:40 | |
It's really important that you let me know | 0:20:40 | 0:20:42 | |
if you've got any problems because if this report | 0:20:42 | 0:20:45 | |
isn't going to be broadcastable, then I'm going to need a plan B. | 0:20:45 | 0:20:49 | |
I don't want to end up, at the end of the day, | 0:20:49 | 0:20:51 | |
with a big black hole in my programme. | 0:20:51 | 0:20:53 | |
I've got to try to get a package on the news tonight about road signs. | 0:20:57 | 0:21:03 | |
I've got one day to try and put it together. | 0:21:03 | 0:21:06 | |
I know! | 0:21:08 | 0:21:10 | |
I can't get this look off my face. | 0:21:16 | 0:21:18 | |
'Come six o'clock, if Ruth's still in a big black hole, | 0:21:21 | 0:21:24 | |
'I'd be getting it right in the John Humphrys. | 0:21:24 | 0:21:26 | |
'But I have an idea cos, as luck would have it, | 0:21:26 | 0:21:29 | |
'I knew the perfect place to start my road signs story.' | 0:21:29 | 0:21:32 | |
Why is everything so much harder | 0:21:32 | 0:21:34 | |
when you're just panicking and in a rush? | 0:21:34 | 0:21:36 | |
God, I wish Steven Spielnick was here now. | 0:21:36 | 0:21:39 | |
'Getting to grips with the camera technology, | 0:21:39 | 0:21:41 | |
'it was time to think about my script | 0:21:41 | 0:21:43 | |
'and try out my new news voice.' | 0:21:43 | 0:21:46 | |
This quirky Cardiff landmark, | 0:21:46 | 0:21:48 | |
known locally as the Magic Roundabout - is it... | 0:21:48 | 0:21:51 | |
Oh, Jesus! | 0:21:51 | 0:21:52 | |
Known locally as the Magic Roundabout, | 0:21:52 | 0:21:55 | |
to some an art installation. | 0:21:55 | 0:21:58 | |
I sound like David...Attenborough now. | 0:21:58 | 0:22:00 | |
It's just a roundabout, it's not a silverback. | 0:22:00 | 0:22:02 | |
Known locally as the Magic Roundabout... Rounamout? | 0:22:02 | 0:22:06 | |
Aaaah! | 0:22:06 | 0:22:08 | |
Whether they're a help | 0:22:08 | 0:22:09 | |
or a hindrance to Welsh motorists today... | 0:22:09 | 0:22:11 | |
DRIVER SHOUTS | 0:22:11 | 0:22:12 | |
This... CAR HORN TOOTS | 0:22:12 | 0:22:15 | |
CAR HORN TOOTS Yes! | 0:22:15 | 0:22:16 | |
Everybody stop tooting! | 0:22:16 | 0:22:18 | |
CAR HORN TOOTS Yeah, fuck off. | 0:22:18 | 0:22:20 | |
'At this rate, Ruth was going to be | 0:22:20 | 0:22:22 | |
'serving me my Jason Mohammads on a plate. | 0:22:22 | 0:22:24 | |
'It had taken me half an hour to get a usable take.' | 0:22:24 | 0:22:27 | |
But is it a metaphor for widespread public confusion on our roads? | 0:22:27 | 0:22:33 | |
God, I've got a boner. Full boner. | 0:22:34 | 0:22:38 | |
'Journalists rely on their sources. | 0:22:44 | 0:22:45 | |
'I had a fridge full of them, | 0:22:45 | 0:22:47 | |
'but that didn't make me John Simpson so I headed | 0:22:47 | 0:22:50 | |
'to nearby Cowbridge High Street | 0:22:50 | 0:22:51 | |
'to check out the public's grasp of road signs.' | 0:22:51 | 0:22:54 | |
We're a bit far away, aren't we? | 0:22:54 | 0:22:56 | |
Let's come in a bit. Come in a bit. What about there? | 0:22:56 | 0:22:59 | |
You're too short. | 0:22:59 | 0:23:00 | |
Are we going to...? Shall I come down to you? | 0:23:00 | 0:23:02 | |
Can you come up? No, you can't come up. | 0:23:02 | 0:23:05 | |
'Nick the News Ninja had made the technical side of filming look easy, | 0:23:05 | 0:23:08 | |
'but with that big black hole looming over me, | 0:23:08 | 0:23:10 | |
'I was making rookie mistakes.' | 0:23:10 | 0:23:12 | |
-I wasn't expecting this. -I'll put those down there. No... | 0:23:12 | 0:23:16 | |
Nobody expects this. | 0:23:16 | 0:23:18 | |
I've done one that way. Variety. | 0:23:18 | 0:23:20 | |
If I can ask you to just come forward a little bit. | 0:23:20 | 0:23:22 | |
I'm going to press record there. We're all recording. | 0:23:22 | 0:23:25 | |
And if you can direct your answers to me. OK. | 0:23:25 | 0:23:27 | |
-Are you a motorist? -No, I'm not, actually. No. | 0:23:27 | 0:23:30 | |
-You don't drive? -No. So that's no good, is it? | 0:23:30 | 0:23:33 | |
-You should have asked that first! -Cut! | 0:23:33 | 0:23:38 | |
Sorry, Pam. | 0:23:38 | 0:23:40 | |
That's a waste of everybody's time. Sorry about that, Pam. | 0:23:42 | 0:23:46 | |
'With the clock ticking, | 0:23:49 | 0:23:51 | |
'I'd set up an interview with a driving instructor, | 0:23:51 | 0:23:54 | |
'to get the opinion of someone who I at least knew definitely had a car.' | 0:23:54 | 0:23:57 | |
Roll With Rhod. Oh, you're a Rhod. | 0:23:57 | 0:23:59 | |
I don't think I've ever met another Rhod. I was going to say there's not many of us left then. | 0:23:59 | 0:24:03 | |
I don't know why I was going to say that. | 0:24:03 | 0:24:05 | |
'With Rhod's flash learner car, I saw a chance | 0:24:05 | 0:24:08 | |
'to froth up my package, but without Nick on hand to show me | 0:24:08 | 0:24:11 | |
'the Kate Garraway, I was struggling.' | 0:24:11 | 0:24:13 | |
I don't really know what I'm doing, if I'm honest. But when I was watching Nick, he was | 0:24:13 | 0:24:17 | |
getting shots of people's feet and the... Get your feet, Rhod. A nice one on your feet there. | 0:24:17 | 0:24:21 | |
I don't know what I'm doing. I just... Bit of car. | 0:24:21 | 0:24:24 | |
'With my deadline fast approaching, | 0:24:24 | 0:24:26 | |
'I was barging round the streets like an escaped monkey on a ferry.' | 0:24:26 | 0:24:30 | |
Do you know what that sign means? No idea? | 0:24:30 | 0:24:33 | |
Horse and carriage in the road. OK. Thank you. | 0:24:33 | 0:24:36 | |
I'm running out of time. | 0:24:36 | 0:24:37 | |
I've got to get back to BBC Wales, but I think I'm running late. | 0:24:37 | 0:24:41 | |
-How did it go? -I don't know. | 0:24:48 | 0:24:51 | |
-How are you feeling? I don't know. Did you manage to get people to talk to you? -I don't know. | 0:24:51 | 0:24:55 | |
-You must have done. You must have been doing something all day. -I got people to talk to me, yeah. -Yeah? | 0:24:55 | 0:24:59 | |
I have been doing something all day. I'm just not sure what. | 0:24:59 | 0:25:02 | |
'The job was half done. I had a whole film load of turd on camera | 0:25:02 | 0:25:06 | |
'and just two hours to polish it into something the BBC Wales | 0:25:06 | 0:25:10 | |
'audience could digest at tea time. Luckily, Nick Spielnick was on hand to help.' | 0:25:10 | 0:25:13 | |
-Do you want me to type? -It's today's news, you know? It's not the end of year round up. | 0:25:13 | 0:25:17 | |
-Very, very fast fingers. Fast Fingered Nick, they call me. -They don't. | 0:25:17 | 0:25:20 | |
They call you Steven Spielnick, as you know. | 0:25:20 | 0:25:23 | |
'Our deadline was coming at us like Krishnan Guru-Murthy on a segway.' | 0:25:23 | 0:25:27 | |
-Do you think Ruth is going to be happy with this? -Um... | 0:25:27 | 0:25:32 | |
She can be ruthless. | 0:25:32 | 0:25:34 | |
-Ironically. -Ironically. Yeah. | 0:25:34 | 0:25:37 | |
'As we hurriedly stitched my package together, | 0:25:37 | 0:25:40 | |
'I still needed to know what Nick would make of my news voice.' | 0:25:40 | 0:25:43 | |
I think you've mastered that. You've nailed it. | 0:25:43 | 0:25:46 | |
-I can't help but sound like I'm taking the piss. -You are! -I'm not! | 0:25:46 | 0:25:51 | |
I'm not. I'm trying to do a Nick Palit. | 0:25:51 | 0:25:54 | |
It's hoped any changes will put an end to motorists' confusion. | 0:25:54 | 0:25:58 | |
Let's hope so! | 0:26:00 | 0:26:02 | |
Boner time! Let's get it on, Nick! | 0:26:02 | 0:26:06 | |
'With just minutes to spare, we ran in to see this editor bloke. | 0:26:11 | 0:26:14 | |
'I was feeling pretty confident that my package tasted like coffee | 0:26:14 | 0:26:18 | |
'but with no time to froth it up, it was never going to be | 0:26:18 | 0:26:20 | |
'a package-cino.' | 0:26:20 | 0:26:22 | |
I don't think we've got anything as frothy as your froth. | 0:26:22 | 0:26:25 | |
It's a reasonable thing though, that you after 27 years, you can froth. | 0:26:25 | 0:26:29 | |
Me on my first day... | 0:26:29 | 0:26:30 | |
It was certainly confusing in Cowbridge today... | 0:26:30 | 0:26:33 | |
-Decaf froth. -Decaf Mellow Birds is what I've come up with. | 0:26:33 | 0:26:36 | |
If I can get a Mellow Birds out on time, I'm happy. | 0:26:36 | 0:26:38 | |
Other chicory drinks are available. | 0:26:38 | 0:26:40 | |
'With the news just moments away, Ruthless Ruth arrived. | 0:26:40 | 0:26:44 | |
'Either I'd created an informative piece on road signs, | 0:26:44 | 0:26:46 | |
'or Nick was going to have to don a spangly costume | 0:26:46 | 0:26:49 | |
-'for the TV debut of his one-finger typing showstopper.' -Um... I mean... You know, | 0:26:49 | 0:26:53 | |
fair play, especially doing pieces to camera, it's really... | 0:26:53 | 0:26:57 | |
You know, quite accomplished. I'm quite impressed. | 0:26:57 | 0:27:00 | |
I am very relieved. We've had it okayed. | 0:27:00 | 0:27:04 | |
There's only one added complication now. | 0:27:04 | 0:27:06 | |
Ruth's asked me to go on live to talk about doing my work | 0:27:06 | 0:27:10 | |
experience here and talk about making this package for them. | 0:27:10 | 0:27:13 | |
You can probably tell, I'm having my make up done. | 0:27:17 | 0:27:21 | |
If you can't tell that, you really shouldn't be doing this programme. | 0:27:22 | 0:27:25 | |
'Live TV is terrifying at the best of times, but when it's sprung on you last minute | 0:27:25 | 0:27:29 | |
'and you're totally unprepared, with no idea what questions you're going | 0:27:29 | 0:27:32 | |
'to be asked or what you're going to say, it's a potential minefield.' | 0:27:32 | 0:27:36 | |
(I don't like live TV.) | 0:27:36 | 0:27:38 | |
(I have weird compulsive urges to wreck it.) | 0:27:38 | 0:27:42 | |
(This is tea time news. I've got to remember that.) | 0:27:42 | 0:27:45 | |
(Yes, you do! No swearing!) | 0:27:45 | 0:27:47 | |
(No swearing.) | 0:27:47 | 0:27:48 | |
(I'm not going to swear, as long as Lucy the presenter doesn't swear.) | 0:27:48 | 0:27:53 | |
(You're making me really nervous now.) | 0:27:53 | 0:27:55 | |
This quirky Cardiff landmark... | 0:28:01 | 0:28:03 | |
'With Nick's help, the whole nation had seen my frothy package filling Ruth's big black hole. | 0:28:03 | 0:28:07 | |
-I'm asking you, what does that sign mean? -What does it say? | 0:28:07 | 0:28:10 | |
Well, it's no go area, but I'm not sure where. | 0:28:10 | 0:28:12 | |
'I'd been run ragged all day and was just as shocked as anyone that I'd managed to pull it off.' | 0:28:12 | 0:28:17 | |
-How did you find being a reporter at Wales Today? -Awful! -Really? | 0:28:17 | 0:28:22 | |
'We'd got through it. | 0:28:22 | 0:28:23 | |
'And most importantly, I hadn't sworn on live TV. | 0:28:23 | 0:28:26 | |
'Ruthless Ruth and the team breathed a massive sigh of relief, | 0:28:26 | 0:28:29 | |
'as the professionals took control once more.' | 0:28:29 | 0:28:31 | |
It's quite timely as well, as the cocks... | 0:28:31 | 0:28:34 | |
The clocks go back an hour this weekend. | 0:28:34 | 0:28:36 | |
'Oh, dear. Sue's little boobs... Sorry, boob. | 0:28:36 | 0:28:38 | |
'Just goes to show, even a team that have clocked up | 0:28:38 | 0:28:41 | |
'thousands of news reports can still clock up on the night. | 0:28:41 | 0:28:44 | |
'When the arse... Sorry, pressure is on, anything can bollocks... | 0:28:44 | 0:28:47 | |
'I mean happen. | 0:28:47 | 0:28:49 | |
'Joking aside, Ruth, Nick | 0:28:49 | 0:28:50 | |
'and the team worked incredibly smoothly in the most | 0:28:50 | 0:28:52 | |
'pressured conditions and I, for one, was hugely impressed with them. | 0:28:52 | 0:28:57 | |
'This is Rhod Gilbert, BBC Wales, Muff Dive. | 0:28:57 | 0:29:00 | |
'I mean, good night!' | 0:29:00 | 0:29:02 |