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You see, people respect you, Val. | 0:00:04 | 0:00:05 | |
You can walk into a staff room and yes, yeah, | 0:00:05 | 0:00:08 | |
Peter might laugh at food tech but nobody laughs at you. | 0:00:08 | 0:00:12 | |
Where I see injustice, I will speak. | 0:00:12 | 0:00:14 | |
Roger, you work in the Winter Gardens, there is no injustice. | 0:00:14 | 0:00:19 | |
This is the second row I've had tonight about fish fingers. | 0:00:19 | 0:00:22 | |
Well, it's obviously not about fish fingers. | 0:00:22 | 0:00:25 | |
They're merely a symptom of my malaise. | 0:00:25 | 0:00:27 | |
You should be wise about life because the biggest thing | 0:00:27 | 0:00:30 | |
in life has happened to you - your baby died. | 0:00:30 | 0:00:34 | |
I still feel I'm his Mum! Mummy! | 0:00:34 | 0:00:37 | |
And you don't feel like you're someone's dad. | 0:00:37 | 0:00:40 | |
So what? No I don't, I admit it. | 0:00:40 | 0:00:43 | |
I was someone's dad for five and a half weeks. | 0:00:43 | 0:00:45 | |
How did it go? | 0:00:45 | 0:00:47 | |
Oh, very well indeed, very well. Couldn't have gone better. | 0:00:47 | 0:00:50 | |
I was legally astute and stung like a bee. | 0:00:50 | 0:00:53 | |
-I've been sacked. -What? | 0:00:53 | 0:00:55 | |
Yes, I've been sacked. | 0:00:55 | 0:00:56 | |
So much for the tough guy act. | 0:00:56 | 0:00:59 | |
I thought about a tribunal, Val, but I really don't think I can face it. | 0:00:59 | 0:01:04 | |
You? Roger Stevenson? | 0:01:04 | 0:01:07 | |
You should have prayed all your life to be sacked | 0:01:07 | 0:01:09 | |
because this will be your finest hour. | 0:01:09 | 0:01:12 | |
You'll be brilliant. | 0:01:12 | 0:01:13 | |
It's not what you say, it's how you say it, Val. | 0:01:17 | 0:01:19 | |
Oh, I see, | 0:01:19 | 0:01:20 | |
so I'm gagged from speaking about anything to do with personal hygiene. | 0:01:20 | 0:01:24 | |
I needed it quickly. I woke up desperate. | 0:01:24 | 0:01:26 | |
Well, all I'm saying is that I would like to have had a bath in the hotel | 0:01:26 | 0:01:29 | |
with all the lovely free stuff. | 0:01:29 | 0:01:31 | |
Val, I had no clothes on. There you go. | 0:01:31 | 0:01:33 | |
I'm first this time. | 0:01:33 | 0:01:35 | |
I had no clothes on, I'd had a lot to drink the night before. | 0:01:35 | 0:01:38 | |
That made it worse. | 0:01:38 | 0:01:40 | |
No, it made it impossible for me to use the reception toilet. | 0:01:40 | 0:01:43 | |
Oh, please, feel free to use your own toilet. | 0:01:43 | 0:01:46 | |
You could have had a bath. | 0:01:46 | 0:01:47 | |
I couldn't! It was an extremely inefficient extractor fan. | 0:01:47 | 0:01:51 | |
I said if you use the bubble bath, | 0:01:51 | 0:01:53 | |
it would have risen up and killed the smell. | 0:01:53 | 0:01:56 | |
Those places never provide you with any bleach, | 0:01:56 | 0:01:59 | |
which is what I do at home. | 0:01:59 | 0:02:00 | |
I don't mind at home. | 0:02:00 | 0:02:02 | |
Which is why we get through bottles of bleach very quickly. | 0:02:02 | 0:02:05 | |
We've got a window at home. | 0:02:05 | 0:02:07 | |
Oh, I'm not taking this, I'm not. | 0:02:07 | 0:02:09 | |
In a hotel I like, as a woman, | 0:02:18 | 0:02:20 | |
to go in there and use all the lovely stuff. | 0:02:20 | 0:02:24 | |
This morning, that was taken away from me. | 0:02:24 | 0:02:27 | |
Val, I've said nothing about your behaviour, gasping for air, | 0:02:27 | 0:02:30 | |
"Ooh, have you been to the toilet? Ooh, close the door, oh". | 0:02:30 | 0:02:34 | |
Oh, all this over one single sentence, | 0:02:34 | 0:02:37 | |
"I wish I could have had a bath". | 0:02:37 | 0:02:39 | |
-Don't turn the lamp on! -No lamp. | 0:02:39 | 0:02:41 | |
No, sorry, Roger, I don't mean to be horrible, | 0:02:41 | 0:02:44 | |
it's just I feel very... | 0:02:44 | 0:02:45 | |
..it's the depression of the unpacking | 0:02:45 | 0:02:47 | |
and the bleakness of the house. | 0:02:47 | 0:02:49 | |
Yeah. | 0:02:49 | 0:02:51 | |
Until we're done, I'd prefer it that we kept it as bleak as possible. | 0:02:51 | 0:02:55 | |
No, no, Val, not on a Sunday night, | 0:02:55 | 0:02:57 | |
not after I've been hauled up for human functions. | 0:02:57 | 0:03:00 | |
Oh, come on now, come on. | 0:03:00 | 0:03:02 | |
Because, look, when we're all unpacked, it'll be transformed. | 0:03:02 | 0:03:05 | |
The lights will be on, the curtains will be drawn | 0:03:05 | 0:03:08 | |
and then we'll be home, nothing more to do. | 0:03:08 | 0:03:11 | |
Well, you'll be glad to know the heating hasn't come on as well then. | 0:03:11 | 0:03:16 | |
Well, since we're going ahead with bleak, | 0:03:16 | 0:03:18 | |
I'm turning the fire on in the sitting room. | 0:03:18 | 0:03:21 | |
Bleak. | 0:03:21 | 0:03:22 | |
Uh, I'm cold, I've got a slight headache over one eye, | 0:03:22 | 0:03:27 | |
I've even got jaw ache from eating all of these wine gums. | 0:03:27 | 0:03:32 | |
Oh, don't, Roger, otherwise I will just sit down. | 0:03:32 | 0:03:35 | |
Sorry. | 0:03:35 | 0:03:37 | |
Good. Bleak. | 0:03:37 | 0:03:40 | |
Yeah. | 0:03:40 | 0:03:41 | |
See? Dreadful. | 0:03:41 | 0:03:43 | |
I don't want to sit down or not unpack at all, do you see? | 0:03:43 | 0:03:47 | |
And then it's straight up the cold stairs in my coat. | 0:03:47 | 0:03:50 | |
-It's going to be awful. -Yeah. | 0:03:50 | 0:03:51 | |
Grim, and then it won't be, | 0:03:51 | 0:03:53 | |
because when the lamps are on we've unpacked, haven't we? | 0:03:53 | 0:03:57 | |
And we can sit down. | 0:03:57 | 0:03:58 | |
Can't even begin to think about that. | 0:03:58 | 0:04:01 | |
That should be on now, is that better? | 0:04:03 | 0:04:06 | |
Mmm. Oh, yeah. | 0:04:06 | 0:04:08 | |
-Oh, thank you, Val. -Hey! | 0:04:08 | 0:04:10 | |
Ha ha! | 0:04:10 | 0:04:12 | |
'Don't stop me, don't stop me, don't stop me' eh, Val? | 0:04:12 | 0:04:15 | |
Last night did you a load of good didn't it, Rog? | 0:04:15 | 0:04:17 | |
Because I was "having a good time, having a good time". | 0:04:17 | 0:04:21 | |
Every song that came on, it was like, "ah, yeah, this one!" | 0:04:21 | 0:04:24 | |
That one in particular but can you understand why, Val? | 0:04:24 | 0:04:27 | |
Yeah, because it could have been written for you, Rog. | 0:04:27 | 0:04:30 | |
Yes, yes, it could! | 0:04:30 | 0:04:31 | |
And I was thinking Val, | 0:04:31 | 0:04:33 | |
"I'm a shooting start leaping through the sky like a tiger | 0:04:33 | 0:04:37 | |
"defying Phil Hewlett at the tribunal!" | 0:04:37 | 0:04:39 | |
Well, you can tell where my... what I was thinking there. | 0:04:39 | 0:04:44 | |
Yeah, yeah. Well, I knew that really, from the sprint. | 0:04:44 | 0:04:47 | |
Yeah. | 0:04:47 | 0:04:48 | |
What, what sprint, love? | 0:04:51 | 0:04:53 | |
Well, you did a sprint, Roger, | 0:04:54 | 0:04:56 | |
an actual sprint four times very fast round the dance floor. | 0:04:56 | 0:05:00 | |
But it was the sprint of a man who will win his tribunal. | 0:05:00 | 0:05:03 | |
That's what I saw. | 0:05:03 | 0:05:05 | |
I, I was OK, wasn't I? With the dancing? | 0:05:06 | 0:05:09 | |
Yeah. | 0:05:09 | 0:05:10 | |
That, that was true even for "Eye of the Tiger", wasn't it? | 0:05:11 | 0:05:16 | |
Well, that was when you did the sprint. | 0:05:16 | 0:05:19 | |
But, er, yeah. | 0:05:19 | 0:05:20 | |
Oh. | 0:05:23 | 0:05:24 | |
Buzz, buzz, buzz, sacked, sacked, sacked, that's all I heard. | 0:05:28 | 0:05:32 | |
No, you didn't, Roger, because you're never off the dance floor | 0:05:32 | 0:05:35 | |
and as well as that, nobody said it. | 0:05:35 | 0:05:38 | |
-I'm getting far too comfortable now. -Mmm. | 0:05:42 | 0:05:44 | |
I am pulling myself away from here... now. | 0:05:44 | 0:05:49 | |
Can you have a cup of tea in the bleak regime? | 0:05:51 | 0:05:54 | |
Yes, so long as I take it straight upstairs. | 0:05:54 | 0:05:57 | |
-Here, Roger, from Mike. -What? | 0:06:05 | 0:06:06 | |
-He asked me to give you this when we got home. -What is it? | 0:06:06 | 0:06:09 | |
I don't know. | 0:06:09 | 0:06:10 | |
He said "I can't give it to him myself, otherwise I'll be in pieces." | 0:06:10 | 0:06:14 | |
Two Little Boys. | 0:06:18 | 0:06:20 | |
A message, "Good luck for the tribunal my brother, Mike." | 0:06:21 | 0:06:25 | |
Aww. | 0:06:25 | 0:06:27 | |
It's our childhood copy. | 0:06:27 | 0:06:30 | |
The one my mother used... | 0:06:30 | 0:06:33 | |
Oh, there's room on his horse for two. Yeah. | 0:06:33 | 0:06:36 | |
Oh, that's lovely, Roger. | 0:06:36 | 0:06:38 | |
Well, it's, you know, Rolf Harris doing what he does very well. | 0:06:38 | 0:06:42 | |
I'm glad they didn't play that last night. | 0:06:43 | 0:06:45 | |
Well, they never would, Roger. | 0:06:45 | 0:06:47 | |
No, but that would have tipped me over the edge. | 0:06:47 | 0:06:50 | |
Why don't men ever put kisses? | 0:06:50 | 0:06:53 | |
No. Simple words, Val, and a grand gesture. | 0:06:53 | 0:06:57 | |
I have some sympathy for Mike's hair | 0:07:01 | 0:07:04 | |
but if you are the father of the bride, | 0:07:04 | 0:07:07 | |
your own hair should not upstage your daughter. | 0:07:07 | 0:07:09 | |
No. | 0:07:09 | 0:07:10 | |
I mean, what actually has happened to his hair, Roger? | 0:07:10 | 0:07:13 | |
Val, I've said, I don't know. | 0:07:13 | 0:07:15 | |
Shock, it's got to be. | 0:07:15 | 0:07:17 | |
It's not just the hair on his head, is it? | 0:07:17 | 0:07:19 | |
His eyebrows have gone completely white and his eyelashes | 0:07:19 | 0:07:22 | |
-and probably, you know... -Val. | 0:07:22 | 0:07:23 | |
Well, I'm just saying! | 0:07:23 | 0:07:25 | |
Five weeks ago, his hair was as dark as yours. | 0:07:25 | 0:07:28 | |
They should have said something. | 0:07:28 | 0:07:30 | |
Yes, they should, | 0:07:30 | 0:07:31 | |
because as they were coming up the aisle it wasn't, you know, | 0:07:31 | 0:07:34 | |
"Oh, lovely, here comes the bride." | 0:07:34 | 0:07:36 | |
It was, "What on earth has happened to Mike's hair?" | 0:07:36 | 0:07:39 | |
I don't know. He's not ill. | 0:07:39 | 0:07:42 | |
No, it's shock. | 0:07:42 | 0:07:44 | |
Or his hair has come so far down the road in life | 0:07:44 | 0:07:48 | |
that it simply hurled itself off a cliff. | 0:07:48 | 0:07:52 | |
But you're right, | 0:07:52 | 0:07:53 | |
they should have called each one of the guests and told them... | 0:07:53 | 0:07:57 | |
Actually, it's tricky, isn't it? | 0:07:57 | 0:07:59 | |
Maybe texted them and said "Mike's hair's gone white overnight." | 0:07:59 | 0:08:04 | |
"Big changes here, including Mike's hair." | 0:08:04 | 0:08:07 | |
Yeah. | 0:08:07 | 0:08:08 | |
Oh, I know what I would have done, | 0:08:08 | 0:08:10 | |
I'd have got Mike and said, "Come and have your photo taken," | 0:08:10 | 0:08:13 | |
and I would have sent a copy of that to each one of the guests | 0:08:13 | 0:08:16 | |
and written a note on it saying "Proud dad, please look at photo". | 0:08:16 | 0:08:20 | |
Brilliant. | 0:08:20 | 0:08:22 | |
That's how I'd have handled it. | 0:08:22 | 0:08:23 | |
Or, "Proud dad and daughter, please look." | 0:08:23 | 0:08:28 | |
Yes, that's better, actually. | 0:08:28 | 0:08:30 | |
Superb, Val. | 0:08:30 | 0:08:31 | |
That is clever. | 0:08:31 | 0:08:33 | |
Because it doesn't face it head on but it does deal with it. | 0:08:33 | 0:08:36 | |
Actually, Rog, can you move this Sunday paper? | 0:08:36 | 0:08:39 | |
It's like 15 other people coming into the house, | 0:08:39 | 0:08:42 | |
all jibber-jabbering at me, all vying for my attention. | 0:08:42 | 0:08:46 | |
-Rog. -Oh, yeah. | 0:08:46 | 0:08:48 | |
Where's my glasses? | 0:08:49 | 0:08:51 | |
Oh. Right, rubbish, rubbish. | 0:08:57 | 0:09:00 | |
Roger! | 0:09:03 | 0:09:04 | |
It's the deputy headship letter. | 0:09:07 | 0:09:09 | |
Right. | 0:09:09 | 0:09:11 | |
Val, I'm calm, | 0:09:11 | 0:09:15 | |
I am confident | 0:09:16 | 0:09:19 | |
and I'm right behind you. | 0:09:19 | 0:09:21 | |
And I am ice cool. | 0:09:21 | 0:09:24 | |
I am. | 0:09:24 | 0:09:26 | |
Don't care either way. | 0:09:26 | 0:09:28 | |
Yeah. | 0:09:28 | 0:09:29 | |
Oh, Jesus. | 0:09:29 | 0:09:30 | |
Oh God, what does it say? | 0:09:32 | 0:09:33 | |
Right, right. | 0:09:33 | 0:09:35 | |
I've got an interview. | 0:09:41 | 0:09:42 | |
Oh, Val, congratulations. | 0:09:42 | 0:09:45 | |
Oh, I've got to sit down. | 0:09:45 | 0:09:48 | |
Oh I've been shortlisted, I'm on a shortlist, Roger. | 0:09:49 | 0:09:52 | |
Oh, oh, oh, Val, let's see. | 0:09:52 | 0:09:55 | |
-"We are delighted .. -Yeah. -Yeah. | 0:09:55 | 0:09:58 | |
"Shortlisted for an interview," oh, Val, I'm over the moon. | 0:09:58 | 0:10:03 | |
Oh, why couldn't we have known about this last night? | 0:10:03 | 0:10:06 | |
I mean, that's come after we've left, hasn't it? | 0:10:06 | 0:10:09 | |
That has been sitting on the mat all the time we've been at that hotel. | 0:10:09 | 0:10:13 | |
If we'd known, last night we'd have been a couple on the up. | 0:10:13 | 0:10:16 | |
Yeah! Whoa, oh yeah. | 0:10:16 | 0:10:18 | |
And look at us, everyone - Roger's fighting unfair dismissal | 0:10:18 | 0:10:21 | |
and I'm on a shortlist for a Deputy Headship. | 0:10:21 | 0:10:24 | |
Woo! Look at us! | 0:10:24 | 0:10:25 | |
You know what song I would have got on... | 0:10:25 | 0:10:27 | |
# I shot the Sheriff but I did not shoot the deputy # | 0:10:27 | 0:10:33 | |
No, Roger, please don't tempt my fate for me. | 0:10:33 | 0:10:36 | |
-Right, then, I wouldn't have. -Not that. | 0:10:36 | 0:10:39 | |
I would have chosen... | 0:10:39 | 0:10:41 | |
# Come on Eileen! # | 0:10:41 | 0:10:43 | |
Something like that, that would have been better. | 0:10:43 | 0:10:46 | |
This is great news, isn't it? | 0:10:46 | 0:10:48 | |
Ah. | 0:10:51 | 0:10:52 | |
Oh. | 0:10:53 | 0:10:55 | |
The tactical mistake we've made, you know what it was? | 0:10:57 | 0:11:01 | |
We've stopped at a Little Chef at half past five. | 0:11:01 | 0:11:04 | |
-I know. -Oh. | 0:11:04 | 0:11:05 | |
You're lulled into it. Grey road, it's raining. | 0:11:05 | 0:11:09 | |
-What a night we could now have had. -Don't, Val. | 0:11:09 | 0:11:13 | |
I'm massively out of kilter, are you? | 0:11:13 | 0:11:18 | |
Roger, 20 quid a head for the hotel breakfast? | 0:11:18 | 0:11:21 | |
Mmm, really annoying, | 0:11:21 | 0:11:23 | |
then another 35 at the Little Chef. I didn't even want that burger. | 0:11:23 | 0:11:26 | |
Jesus, I'm behaving like a person in full-time employment. | 0:11:26 | 0:11:29 | |
Mmm, worst by far was the hotel breakfast. | 0:11:29 | 0:11:32 | |
I mean, hindsight is a wonderful thing | 0:11:32 | 0:11:34 | |
but what we could have done there is been clever. | 0:11:34 | 0:11:37 | |
You should have said "My wife will have nothing, thank you, | 0:11:37 | 0:11:40 | |
-"and I will have the full works for one." -Yeah. | 0:11:40 | 0:11:43 | |
There was a mug in the bedroom. | 0:11:43 | 0:11:45 | |
I'd have been happy to use that for my coffee. And a plate. | 0:11:45 | 0:11:48 | |
I'd have the mug, you could have the official stuff. | 0:11:48 | 0:11:50 | |
Why did we own up? | 0:11:50 | 0:11:52 | |
-40 quid for breakfast, Val. -Oh. | 0:11:52 | 0:11:54 | |
I only wanted to stop at Little Chef because I thought, | 0:11:54 | 0:11:57 | |
"Oh come, on come on, it's the last weekend before the tribunal, | 0:11:57 | 0:12:00 | |
"go for it." | 0:12:00 | 0:12:02 | |
How was your open chicken sandwich? | 0:12:02 | 0:12:04 | |
It was all right. | 0:12:04 | 0:12:06 | |
You see, my burger was mediocre. | 0:12:06 | 0:12:07 | |
You know, even with the good news, | 0:12:07 | 0:12:10 | |
I don't think I can eat anything else at all tonight, can you? | 0:12:10 | 0:12:13 | |
No, definitely not. | 0:12:13 | 0:12:15 | |
The only... only thing I might fancy, maybe... | 0:12:19 | 0:12:25 | |
is a curry. | 0:12:25 | 0:12:27 | |
See, but that would have to be at ten o'clock. | 0:12:27 | 0:12:30 | |
Then there's no way because that would be another £17. | 0:12:30 | 0:12:34 | |
Val? | 0:12:37 | 0:12:38 | |
I can't believe this. | 0:12:38 | 0:12:40 | |
-Well, it takes a while to sink in good news. -Yeah. | 0:12:40 | 0:12:43 | |
-Val, Val, Val? -Yeah? | 0:12:43 | 0:12:44 | |
Sod the unpacking. | 0:12:44 | 0:12:45 | |
No, Roger, no. Bring your tea with you - come on, upstairs. | 0:12:45 | 0:12:50 | |
20 minutes and we'll be done. | 0:12:50 | 0:12:52 | |
We can really enjoy it then, you know, put the lamps on, pull the curtains. | 0:12:52 | 0:12:59 | |
He was a nice bloke, Val, the Hebridean vet. | 0:12:59 | 0:13:01 | |
Yeah. Don't forget the hangers, Roger. | 0:13:01 | 0:13:05 | |
And his wife was. | 0:13:05 | 0:13:07 | |
Did you meet her? | 0:13:07 | 0:13:08 | |
She has never cut her hair in her life. | 0:13:08 | 0:13:11 | |
She said to me, "I've never cut my hair in my life." | 0:13:11 | 0:13:16 | |
-On the bed? -Yeah, for now. | 0:13:22 | 0:13:25 | |
She said where they live, | 0:13:25 | 0:13:27 | |
the whole village would come out and follow the bride. | 0:13:27 | 0:13:30 | |
She said "We're not used to this, people in hotels." | 0:13:30 | 0:13:35 | |
It was quite hard, Val, for me to go to the wedding. | 0:13:35 | 0:13:38 | |
What you saw last night was more than a bit of bravado. | 0:13:38 | 0:13:41 | |
The vet's wife, when you were dancing, she said | 0:13:41 | 0:13:44 | |
"Who does your husband fight? For he wrestles with more than music." | 0:13:44 | 0:13:49 | |
You see, if we lived where they live, | 0:13:49 | 0:13:50 | |
there's no way I would have been sacked. | 0:13:50 | 0:13:53 | |
Phil and I would sort it out on fiddle night down the pub. | 0:13:53 | 0:13:56 | |
Mmm, I don't know. | 0:13:56 | 0:13:57 | |
Oh, she also said, "We have cold winds." | 0:13:57 | 0:14:01 | |
You see, we'd be known enemies on the island, me and Phil. | 0:14:01 | 0:14:05 | |
When he died, I'd cry, if I died first, he'd cry. | 0:14:05 | 0:14:09 | |
Did you tell her the whole saga? | 0:14:09 | 0:14:11 | |
No, I just told her you'd been unfairly dismissed | 0:14:11 | 0:14:14 | |
and she said, "The man with the big nose thinks everyone speaks of it." | 0:14:14 | 0:14:19 | |
Meaning what? | 0:14:19 | 0:14:21 | |
Uh, well, meaning that your tribunal is your big nose. | 0:14:21 | 0:14:26 | |
I think. | 0:14:26 | 0:14:27 | |
It's island wisdom. | 0:14:27 | 0:14:29 | |
No, I don't know. | 0:14:29 | 0:14:31 | |
When me and Phil are old... | 0:14:31 | 0:14:34 | |
Roger! | 0:14:34 | 0:14:35 | |
If we met on this Scottish island... | 0:14:35 | 0:14:37 | |
would we not be able to go for a pint and the craic would be good? | 0:14:37 | 0:14:40 | |
Yes, YOU would. It's Phil that's the problem. | 0:14:40 | 0:14:43 | |
It was on the tip of my fingers last night to text him | 0:14:43 | 0:14:46 | |
and say "Come on, Phil, let's sort this out, mate." | 0:14:46 | 0:14:49 | |
Have you done that? | 0:14:49 | 0:14:51 | |
-No, I haven't. -Have you? | 0:14:51 | 0:14:52 | |
No, I double-checked this morning. | 0:14:52 | 0:14:55 | |
-Last night, it's the oddest thing, Val. -Go on. | 0:14:55 | 0:14:57 | |
When we were dancing, I really wished Phil was there. | 0:14:57 | 0:15:01 | |
It sounds stupid | 0:15:01 | 0:15:02 | |
but he would have seen when I was dancing with every fibre of my being | 0:15:02 | 0:15:07 | |
that I wanted goodness and he'd have said "Roger, come back, mate." | 0:15:07 | 0:15:14 | |
Yeah, well, that's why they have tribunals, Rog, | 0:15:14 | 0:15:17 | |
so that you can get things sorted out in an official way | 0:15:17 | 0:15:20 | |
because you can't do it at a disco. | 0:15:20 | 0:15:22 | |
How sad. | 0:15:22 | 0:15:24 | |
Last night I would have grabbed Phil's waist in the conga. | 0:15:24 | 0:15:27 | |
-I wouldn't. -Please, Val. | 0:15:27 | 0:15:28 | |
I'd have done Oops Upside Your Head with Phil. | 0:15:28 | 0:15:31 | |
I'd have done Hi-ho Silver Lining with him. | 0:15:31 | 0:15:33 | |
Last night I danced for everyone, last night... | 0:15:33 | 0:15:36 | |
..I danced for Phil. | 0:15:36 | 0:15:39 | |
Sorry. | 0:15:39 | 0:15:41 | |
I was having such a good time when I came up here. | 0:15:41 | 0:15:44 | |
Oh, Rog. | 0:15:45 | 0:15:46 | |
It's all right, it's, it's just stress | 0:15:46 | 0:15:49 | |
because it all kicks off next week. | 0:15:49 | 0:15:52 | |
Oh, God, it's really hitting me now. | 0:15:52 | 0:15:54 | |
I hope the car passes its MoT, because if it doesn't, | 0:15:56 | 0:15:59 | |
I'm going to have to go to the tribunal on my bike. | 0:15:59 | 0:16:02 | |
Sorry. | 0:16:02 | 0:16:03 | |
Put this toilet bag in the bathroom, Roger. | 0:16:03 | 0:16:06 | |
-Right. -And check that the radiators are working in there. | 0:16:06 | 0:16:09 | |
Val, I'm really sorry about this. | 0:16:09 | 0:16:11 | |
You're, you're right it's stress. | 0:16:11 | 0:16:13 | |
Radiator in here needs bleeding. I'll do it tomorrow. | 0:16:13 | 0:16:18 | |
You shouldn't even be unpacking. | 0:16:18 | 0:16:20 | |
You could be downstairs. You've had great news. | 0:16:20 | 0:16:23 | |
Well, you'll have great news soon, Roger, hopefully. | 0:16:23 | 0:16:26 | |
I wonder who else has been shortlisted. | 0:16:26 | 0:16:28 | |
-Well. -Pam Bagnall. | 0:16:28 | 0:16:30 | |
-Probably. -No, definitely. | 0:16:30 | 0:16:32 | |
Oh, then there's going to be the interview. | 0:16:32 | 0:16:35 | |
Mmm, wish I haven't thought about actually. I feel a bit sick. | 0:16:35 | 0:16:38 | |
-No, don't. -Ooh. | 0:16:38 | 0:16:39 | |
Because I tell you what you handle superbly, stress. | 0:16:39 | 0:16:43 | |
Yes, I am a Chinese gymnast. I may bend but I will never break. | 0:16:43 | 0:16:47 | |
Anyone who gives into stress is weak. | 0:16:47 | 0:16:49 | |
They'll weed that out. If you're going to crumple, get out. | 0:16:49 | 0:16:53 | |
Anyone seen Val Stevenson? Oh, she's good. | 0:16:53 | 0:16:57 | |
Yeah, and you know why that is, Rog, because I'm a cook. | 0:16:57 | 0:17:00 | |
You should say that in the interview. | 0:17:00 | 0:17:02 | |
Oh, I don't think the panel would take that very seriously. | 0:17:02 | 0:17:05 | |
They think anyone can cook a Sunday dinner. Wrong. | 0:17:05 | 0:17:08 | |
People who can cook it suffer stress. | 0:17:08 | 0:17:11 | |
Roast potatoes, carrots, timing, gravy. | 0:17:11 | 0:17:14 | |
-Yes. -And then everyone expects a pudding, huh! | 0:17:14 | 0:17:17 | |
Could I be a Deputy Head? Yes. | 0:17:17 | 0:17:20 | |
Hear, hear. | 0:17:20 | 0:17:22 | |
Roger. | 0:17:22 | 0:17:23 | |
Am I tonight how I expected you to look having just had that news? | 0:17:23 | 0:17:29 | |
Actually, you don't look all that fussed | 0:17:30 | 0:17:33 | |
but I thought that was the whole bleak unpacking thing. | 0:17:33 | 0:17:38 | |
It isn't. | 0:17:38 | 0:17:39 | |
What? Oh, do you want me to ask you some questions? | 0:17:39 | 0:17:43 | |
No, thank you, no, I don't need anyone's help. | 0:17:43 | 0:17:46 | |
I've helped myself. | 0:17:46 | 0:17:48 | |
What's that? | 0:18:02 | 0:18:03 | |
Don't, don't, don't. It's not what you think. | 0:18:03 | 0:18:05 | |
In fact, pull the curtains because people can see straight in. | 0:18:05 | 0:18:08 | |
What is it? | 0:18:13 | 0:18:15 | |
It helps me, | 0:18:15 | 0:18:17 | |
now, don't tell anyone about this, right? | 0:18:17 | 0:18:20 | |
Right. | 0:18:20 | 0:18:22 | |
When I walk into that room, Roger, I will not be alone. | 0:18:22 | 0:18:26 | |
I will, in fact, be accompanied by three remarkable women. | 0:18:26 | 0:18:31 | |
By Martina Navratilova, | 0:18:31 | 0:18:35 | |
by Hillary Clinton | 0:18:35 | 0:18:37 | |
and by Margaret that used to be off of The Apprentice. | 0:18:37 | 0:18:40 | |
I know it looks odd, I know that, | 0:18:40 | 0:18:42 | |
but it's the only way I can think of to face off Pam Bagnall | 0:18:42 | 0:18:46 | |
because when I see her in that interview waiting room, | 0:18:46 | 0:18:49 | |
my legs are going to go from under me. | 0:18:49 | 0:18:50 | |
Are you taking that? | 0:18:50 | 0:18:51 | |
No, of course I'm not taking this! | 0:18:51 | 0:18:54 | |
It's a Deputy Headship interview, Roger. | 0:18:54 | 0:18:57 | |
No, I just use this on my own in front of the mirror. | 0:18:57 | 0:19:00 | |
Well, what does it do? | 0:19:00 | 0:19:02 | |
It's brilliant, look... | 0:19:02 | 0:19:05 | |
..am I on Martina? | 0:19:05 | 0:19:07 | |
Yeah, but, how do you know who you're on? | 0:19:07 | 0:19:10 | |
Because I've got it written on the inside. Mart, Hils, Marg. | 0:19:10 | 0:19:14 | |
I'm on Martina because I start a set down from Pam Bagnall | 0:19:14 | 0:19:20 | |
because I'm food tech, she is history. | 0:19:20 | 0:19:24 | |
I'm food tech, she is history | 0:19:24 | 0:19:26 | |
and she's banging it back across the court | 0:19:26 | 0:19:29 | |
and she's smashing it back every time | 0:19:29 | 0:19:31 | |
and I've got to learn to be aggressive | 0:19:31 | 0:19:34 | |
and I've got to stay on my toes | 0:19:34 | 0:19:35 | |
but I've also got to learn, in the breaks, | 0:19:35 | 0:19:38 | |
to very calmly sit in my seat, with a towel over my head | 0:19:38 | 0:19:42 | |
and eat half a banana. | 0:19:42 | 0:19:43 | |
Certainly you do. | 0:19:45 | 0:19:47 | |
Right, so say to me now, "Food tech is not an academic subject." | 0:19:47 | 0:19:51 | |
No. | 0:19:51 | 0:19:52 | |
No, as the interviewer, Roger, come on, it's important. | 0:19:52 | 0:19:55 | |
Oh, sorry. Food tech is not an academic subject. | 0:19:55 | 0:20:00 | |
That is a short-sighted statement | 0:20:00 | 0:20:03 | |
and bears absolutely no relevance to the post of Deputy Head. | 0:20:03 | 0:20:06 | |
Bam! | 0:20:06 | 0:20:07 | |
Brilliant. | 0:20:07 | 0:20:08 | |
See, that is something that Martina herself would face, coming from PE, | 0:20:08 | 0:20:12 | |
which so often is bracketed with food tech and, and careers. | 0:20:12 | 0:20:16 | |
Right, ask me something else. | 0:20:16 | 0:20:18 | |
-Where did you get the pictures from? -Eh? | 0:20:18 | 0:20:20 | |
Off the internet, Roger, and I stuck them onto this box. | 0:20:20 | 0:20:23 | |
Ask me something about, oh, I don't know, discipline. | 0:20:23 | 0:20:25 | |
-When did you do all this? -Roger, come on please. | 0:20:25 | 0:20:28 | |
Sorry. Are you a believer in strict discipline? | 0:20:28 | 0:20:31 | |
For this, I turn to the gimlet eye of studious dignity | 0:20:34 | 0:20:38 | |
of Margaret who was on The Apprentice. | 0:20:38 | 0:20:42 | |
I am the head of food technology, | 0:20:42 | 0:20:45 | |
I work in a room with 30 kids and hot ovens. | 0:20:45 | 0:20:48 | |
I think you'll find that my discipline is to the fore. | 0:20:48 | 0:20:53 | |
Oh, Val. | 0:20:53 | 0:20:54 | |
You see, what they're expecting is five foot Val from food tech - | 0:20:54 | 0:20:58 | |
"Oh, have you got room for my cookery basket?" | 0:20:58 | 0:21:00 | |
but that's not who they're getting. | 0:21:00 | 0:21:02 | |
This is who they're getting from now on. | 0:21:02 | 0:21:04 | |
This is who's taking me in, Roger. | 0:21:04 | 0:21:07 | |
Hillary Clinton. | 0:21:07 | 0:21:09 | |
Oh, Val. Who better? | 0:21:09 | 0:21:13 | |
Right, you be the interview panel, OK, | 0:21:13 | 0:21:16 | |
and when I come in just say "Hello" or something. | 0:21:16 | 0:21:18 | |
Ready and... | 0:21:20 | 0:21:21 | |
.. Now. | 0:21:23 | 0:21:24 | |
Hello. | 0:21:24 | 0:21:25 | |
Hi. | 0:21:25 | 0:21:27 | |
You see I'm wearing a mask, not an actual mask, | 0:21:27 | 0:21:30 | |
but the mask of Hillary's persona | 0:21:30 | 0:21:32 | |
because a Deputy Headship interview wouldn't even register on her radar. | 0:21:32 | 0:21:36 | |
-No, she'd be flying off somewhere else after that. -Yeah, yeah. | 0:21:36 | 0:21:39 | |
You throw Hillary Clinton into the mix, | 0:21:39 | 0:21:41 | |
Pam Bagnall doesn't look like such a safe bet. | 0:21:41 | 0:21:44 | |
-Yeah. -What I've done, Roger, | 0:21:44 | 0:21:45 | |
is I have looked to women my own age for help. | 0:21:45 | 0:21:49 | |
Then what I do at the end is I bring it all together... | 0:21:49 | 0:21:53 | |
..as me. | 0:21:53 | 0:21:54 | |
So, I come in. Good afternoon, nice to meet you. | 0:21:54 | 0:21:58 | |
"I wonder if we could discuss the la le la le or the de dee de dah", | 0:22:01 | 0:22:05 | |
you know, whatever it is I'm saying. | 0:22:05 | 0:22:07 | |
Yeah, Val, now that I've got my head around it... | 0:22:07 | 0:22:10 | |
this is superb. | 0:22:10 | 0:22:12 | |
Yeah. | 0:22:14 | 0:22:15 | |
Do you know, I really like Hillary. | 0:22:15 | 0:22:19 | |
I mean, the other two are very helpful and everything | 0:22:19 | 0:22:22 | |
but there's something about Hillary, | 0:22:22 | 0:22:24 | |
I feel I could have a glass of wine with her, | 0:22:24 | 0:22:27 | |
you know, I think she would sense that she could trust me, | 0:22:27 | 0:22:30 | |
maybe open up a little bit about Bill. | 0:22:30 | 0:22:32 | |
Maybe have a little cry, you know, | 0:22:32 | 0:22:34 | |
I don't know, I just, I just really like her. | 0:22:34 | 0:22:38 | |
I think she'd say, "Do you know what, Val? | 0:22:38 | 0:22:41 | |
"You're very lucky with Roger," and I'd say, "I know". | 0:22:41 | 0:22:44 | |
Hmm. Lamps on in here now? | 0:22:53 | 0:22:55 | |
Yeah, I think so - we're finished, haven't we? | 0:22:55 | 0:22:58 | |
I don't have to hide this any more, | 0:22:58 | 0:23:00 | |
so, um, will it disturb you if I put it on the dressing table? | 0:23:00 | 0:23:03 | |
I shouldn't think so, no. | 0:23:03 | 0:23:04 | |
I might have a go, you know, Val, for the tribunal. | 0:23:04 | 0:23:07 | |
Ooh, really - who would you choose, then? | 0:23:07 | 0:23:10 | |
Oh... Kinnock, maybe? | 0:23:10 | 0:23:12 | |
I don't know, I'm so bitterly disappointed in so many people. | 0:23:14 | 0:23:18 | |
-David Bellamy. -Mmm. | 0:23:18 | 0:23:20 | |
-and Bill Bailey. -Oh, no. | 0:23:20 | 0:23:22 | |
Can I just ask you, the people at the wedding, | 0:23:22 | 0:23:24 | |
did they all really think I was going to win the tribunal? | 0:23:24 | 0:23:28 | |
They didn't know, Roger, because they don't know anything about it. | 0:23:28 | 0:23:31 | |
We can put the lamps on down here now, ooh, gorgeous. | 0:23:31 | 0:23:34 | |
No, but in general, when you spoke to them, | 0:23:34 | 0:23:36 | |
did you get the feeling they thought I'd be successful, | 0:23:36 | 0:23:39 | |
that I had nothing to worry about? | 0:23:39 | 0:23:41 | |
Well, it wasn't like that, because how could they know? | 0:23:41 | 0:23:43 | |
No. | 0:23:43 | 0:23:44 | |
Well, it doesn't really make any difference. | 0:23:44 | 0:23:47 | |
I was just looking for a bit of a boost, that's all. | 0:23:47 | 0:23:49 | |
Oh. It doesn't make any difference, Roger, | 0:23:49 | 0:23:51 | |
because they don't know anything about it. | 0:23:51 | 0:23:54 | |
No, exactly. Exactly. | 0:23:54 | 0:23:56 | |
Don't know if I'm hungry or not now. | 0:23:57 | 0:24:00 | |
Are you hungry? | 0:24:00 | 0:24:01 | |
Er, well, I could eat something. Couldn't you? | 0:24:01 | 0:24:04 | |
Er... | 0:24:04 | 0:24:05 | |
well, I fell into the seventh circle of hell | 0:24:05 | 0:24:07 | |
at the Little Chef till with the wine gums, | 0:24:07 | 0:24:09 | |
so, don't know. | 0:24:09 | 0:24:11 | |
I hope Mike's hair didn't go white because I got sacked. | 0:24:11 | 0:24:14 | |
I just thought that. | 0:24:14 | 0:24:16 | |
No! Don't be so ridiculous, Roger. | 0:24:16 | 0:24:18 | |
Right. What have I got in here? | 0:24:20 | 0:24:25 | |
Nothing. | 0:24:25 | 0:24:26 | |
Oh, I'm so angry with myself, Roger, because I had fish pie in my hand | 0:24:26 | 0:24:30 | |
on Friday afternoon which I gave to the head because we were going away. | 0:24:30 | 0:24:35 | |
And that's all we've got left, the mashed potato from that. | 0:24:35 | 0:24:38 | |
Anything in the freezer? | 0:24:38 | 0:24:40 | |
Which I could make potato cakes from quite easily. | 0:24:40 | 0:24:43 | |
Oh, Val, oh, we haven't had those in years. | 0:24:43 | 0:24:46 | |
Yeah, and they're delicious, all covered with butter. | 0:24:46 | 0:24:49 | |
Yeah, not since we first got married | 0:24:49 | 0:24:51 | |
and we were, | 0:24:51 | 0:24:52 | |
"You could see that that Pierre did truly love the mademoiselle." | 0:24:52 | 0:24:55 | |
That was another good one last night. | 0:24:55 | 0:24:57 | |
Right, you're on, Roger, go and sort out the sitting room, come on. | 0:24:57 | 0:25:01 | |
Yeah. | 0:25:01 | 0:25:02 | |
I'll put the fire off cos the heating's kicking in. | 0:25:02 | 0:25:04 | |
Oh, perhaps I might get a bath then. | 0:25:04 | 0:25:07 | |
I'm just, um, I've, er, I've left something in the car. | 0:25:44 | 0:25:49 | |
OK. | 0:25:49 | 0:25:50 | |
What's the matter? | 0:26:11 | 0:26:12 | |
Nothing. | 0:26:12 | 0:26:14 | |
Nothing I, I thought I'd left Mike's record in the car but I hadn't. | 0:26:14 | 0:26:17 | |
Oh. | 0:26:17 | 0:26:19 | |
I'm going crackers. | 0:26:19 | 0:26:20 | |
Yes, too long in the car. | 0:26:20 | 0:26:23 | |
You gave it to me in the house. | 0:26:23 | 0:26:25 | |
Roger, can you reach that flour down for me, please? | 0:26:27 | 0:26:30 | |
Rog, the flour. | 0:26:39 | 0:26:40 | |
Oh, yeah, yeah, hang on. | 0:26:40 | 0:26:43 | |
-Argh! -Oh, oh it's gone all over. | 0:26:43 | 0:26:45 | |
It's all right, I'm all right. | 0:26:45 | 0:26:47 | |
Are you OK? | 0:26:47 | 0:26:48 | |
Yeah, yeah, the sodding bag was open. | 0:26:48 | 0:26:51 | |
-It doesn't hurt, it's flour. -There's enough left to make the potato cakes. | 0:26:51 | 0:26:55 | |
Oh I'm sorry Val, I'm all fingers... | 0:26:55 | 0:26:57 | |
-You look like Mike. -No. | 0:26:57 | 0:27:00 | |
Oh, I'll get the Hoover. | 0:27:00 | 0:27:03 | |
No, no, it's all right, I'll do that. | 0:27:03 | 0:27:05 | |
Go on, you go and have a shower. | 0:27:05 | 0:27:07 | |
Try and get as much out as you can before it all turns to dough | 0:27:07 | 0:27:11 | |
-and sticks to your hair. -Yeah. | 0:27:11 | 0:27:13 | |
Subtitles by Red Bee Media Ltd | 0:28:03 | 0:28:07 |