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APPLAUSE AND CHEERING | 0:00:20 | 0:00:22 | |
Hello, I'm Frank Skinner, and welcome to Room 101 - | 0:00:32 | 0:00:36 | |
the show where three guests explain what really winds them up, | 0:00:36 | 0:00:39 | |
in the hope that I'll condemn said things | 0:00:39 | 0:00:41 | |
to the grim environs of Room 101. | 0:00:41 | 0:00:44 | |
Our guests' choices have been sorted into categories, | 0:00:44 | 0:00:47 | |
and in each round, only one item can be chosen. | 0:00:47 | 0:00:49 | |
The final decision is mine. Let's meet this week's guests. | 0:00:49 | 0:00:53 | |
Joining me tonight are comedian Bob Mortimer, Countdown's Rachel Riley | 0:00:53 | 0:00:56 | |
and Mrs Brown herself, Brendan O'Carroll. | 0:00:56 | 0:00:59 | |
APPLAUSE AND CHEERING | 0:00:59 | 0:01:02 | |
Right, then, let's have our first category. | 0:01:07 | 0:01:09 | |
It's People. So, Brendan, what kind of people doesn't HE like? | 0:01:14 | 0:01:19 | |
People who don't know how to use their mobile phone. | 0:01:26 | 0:01:31 | |
People who say they want the most modern mobile phone, | 0:01:31 | 0:01:35 | |
-but haven't a clue how to use it. -Mm. -Basically taking photographs. | 0:01:35 | 0:01:39 | |
Because they come up after a show or in the street and they go, | 0:01:39 | 0:01:43 | |
"You're her, aren't you?" And they say the most bizarre things. | 0:01:43 | 0:01:48 | |
They say things like, "You've got a moustache." | 0:01:48 | 0:01:51 | |
"Yes." | 0:01:53 | 0:01:54 | |
"What do you do with the moustache when you're playing Mrs Brown?" | 0:01:54 | 0:01:57 | |
"I keep it in my pocket." | 0:01:57 | 0:01:59 | |
"Why don't you leave the moustache on?" | 0:02:01 | 0:02:03 | |
I say, "Because then I'll look like my mother." | 0:02:03 | 0:02:05 | |
What it is is, the first thing they'll say is, "Do you mind | 0:02:09 | 0:02:12 | |
"if I get a photograph?" No problem, I love getting photographs taken. | 0:02:12 | 0:02:15 | |
I was ignored for 25 years, so I love being noticed. | 0:02:15 | 0:02:18 | |
So I go, "Yes, sure." | 0:02:18 | 0:02:20 | |
And I stand with him and I stand with him, | 0:02:20 | 0:02:23 | |
and she goes, "I don't know how to work this." | 0:02:23 | 0:02:26 | |
And you're there, going... | 0:02:26 | 0:02:27 | |
He's now nervous, so he's starting to smell a bit sweaty. | 0:02:29 | 0:02:32 | |
Then, you realise he hasn't brushed his teeth, when he goes, | 0:02:33 | 0:02:36 | |
"She's funny, isn't she?" And then it's, click, and then she says, | 0:02:36 | 0:02:41 | |
"Wait till I check I got it." You see two pairs of legs. His and mine. | 0:02:41 | 0:02:44 | |
So, it's people who get the latest gadgets | 0:02:44 | 0:02:47 | |
and just don't know how to use them. | 0:02:47 | 0:02:49 | |
That thing with having your photo taken, | 0:02:49 | 0:02:53 | |
I think I got repetitive strain injury, | 0:02:53 | 0:02:56 | |
honestly, from standing like that with people. | 0:02:56 | 0:02:59 | |
I had a pain in my shoulder and I worked it out, | 0:02:59 | 0:03:02 | |
it was from standing like that. | 0:03:02 | 0:03:03 | |
Interestingly, it got better as I got less popular. | 0:03:03 | 0:03:06 | |
Have you had the exuberant fan - who I absolutely love - | 0:03:09 | 0:03:13 | |
but the exuberant fan who comes up with a mobile, and you get ready, | 0:03:13 | 0:03:16 | |
and they go, "No, I have my mother on the phone, can you say hello?" | 0:03:16 | 0:03:19 | |
-Oh, yes. -And I go, "Really?" | 0:03:19 | 0:03:22 | |
"Yes. As Mrs Brown." | 0:03:22 | 0:03:24 | |
"Hello." | 0:03:27 | 0:03:29 | |
"Who is this?!" | 0:03:29 | 0:03:31 | |
"Hello, it's Mrs Brown." | 0:03:31 | 0:03:32 | |
"Who?" | 0:03:32 | 0:03:34 | |
"Mrs Brown, TV show, Mrs Brown's Boys." "Who?" | 0:03:35 | 0:03:38 | |
"Hold on, I'll put him back on. Here." | 0:03:39 | 0:03:41 | |
"She loves you. She loves you." | 0:03:41 | 0:03:44 | |
There is a lovely boy that comes into Countdown, called Caleb, | 0:03:44 | 0:03:47 | |
and he has been coming since he was about 14. | 0:03:47 | 0:03:49 | |
I think he has just turned 21 and he gets a photo with me every time | 0:03:49 | 0:03:52 | |
and his dad prints it into a T-shirt and, then, every time he comes back, | 0:03:52 | 0:03:56 | |
he wears the T-shirt. Then, they take another photo | 0:03:56 | 0:03:58 | |
and then he gets that made into a T-shirt. | 0:03:58 | 0:04:00 | |
-It's T-shirt inside T-shirt inside T-shirt. -Is he a cute stalker? | 0:04:00 | 0:04:04 | |
He is not! No, no, no! He is not a stalker. Just a big Countdown fan. | 0:04:04 | 0:04:07 | |
-And he's lovely. -It can only end in an injunction. | 0:04:07 | 0:04:10 | |
I was once a mascot at a football match. | 0:04:10 | 0:04:14 | |
It was West Brom versus Norwich. And I said, "I'll do it, | 0:04:14 | 0:04:18 | |
"but I don't want anyone to know I'm in the mascot's suit." | 0:04:18 | 0:04:23 | |
And when you walk round the pitch, all the kids want their photo took | 0:04:23 | 0:04:25 | |
with the mascot, so I spent 20 minutes doing this... | 0:04:25 | 0:04:29 | |
..before I remembered that you don't have to smile. | 0:04:31 | 0:04:34 | |
And the sheer joy of having your photo took with someone like that... | 0:04:37 | 0:04:41 | |
I can understand the lure of the burka. | 0:04:43 | 0:04:45 | |
So, West Brom were playing Norwich? | 0:04:49 | 0:04:51 | |
-They were, on that occasion. -So, who was there? | 0:04:51 | 0:04:54 | |
-AUDIENCE: -Ooh! | 0:04:54 | 0:04:56 | |
I used to tell a story about West Brom, slagging them off. | 0:04:59 | 0:05:03 | |
I used to say that I used to go to West Brom games when I was a kid | 0:05:03 | 0:05:06 | |
and I was caught getting over the wall once and a policeman caught me | 0:05:06 | 0:05:10 | |
and said, "Get back in there and watch that match." | 0:05:10 | 0:05:13 | |
Brendan...I started off loving you. | 0:05:15 | 0:05:19 | |
-I'm a Birmingham City boy, I'm sorry. -OK. Could tell by the accent. | 0:05:20 | 0:05:24 | |
Can I show you? This is a thing | 0:05:26 | 0:05:28 | |
that a guy called Dominic Wilcox invented, | 0:05:28 | 0:05:32 | |
and it's for when you're on... | 0:05:32 | 0:05:34 | |
So this is, this is a stylus, a nasal stylus. | 0:05:34 | 0:05:40 | |
So you can do something... You can operate... | 0:05:43 | 0:05:47 | |
Why can't the user use their hands? What situation is it covering? | 0:05:50 | 0:05:54 | |
Well, you might be in the bath, is one example that he gives. | 0:05:54 | 0:05:57 | |
So you might want to hold... You might want to hold it and have a... | 0:05:57 | 0:05:59 | |
-What, hold your...?! -LAUGHTER DROWNS OUT SPEECH | 0:05:59 | 0:06:02 | |
I worked on The Gadget Show and we did see a lot of crap gadgets, | 0:06:04 | 0:06:07 | |
but that has got to be top of the list. | 0:06:07 | 0:06:09 | |
Oh, you can't say that. | 0:06:09 | 0:06:10 | |
-A man has strived to invent that. It does work... -For who? | 0:06:10 | 0:06:13 | |
Well, it does change... | 0:06:13 | 0:06:15 | |
Shall we do a straw poll? Anyone in the audience want that? | 0:06:15 | 0:06:18 | |
AUDIENCE: No! | 0:06:18 | 0:06:21 | |
There is a very good chance | 0:06:21 | 0:06:22 | |
that the person who does really need it won't be putting their hand up. | 0:06:22 | 0:06:25 | |
I don't think we can top that. | 0:06:32 | 0:06:34 | |
Let's see what winds up Bob about people. | 0:06:34 | 0:06:38 | |
I'd like to apply for entry for people, | 0:06:41 | 0:06:44 | |
namely shop assistants, who give you the receipt on the bottom | 0:06:44 | 0:06:49 | |
and then put the money on top of the receipt. | 0:06:49 | 0:06:52 | |
When you're doing the cash-till ballet and doing everything, | 0:06:52 | 0:06:56 | |
and you're left with a wallet in one hand, | 0:06:56 | 0:06:58 | |
and really nowhere to go from there, but a world of frustration. | 0:06:58 | 0:07:03 | |
That is annoying, I must say. | 0:07:05 | 0:07:06 | |
Well, it's not... I've lost faith in it, very suddenly, but... | 0:07:06 | 0:07:10 | |
I have to agree, I find that really frustrating, | 0:07:12 | 0:07:15 | |
when you end up with this bundle of coins | 0:07:15 | 0:07:17 | |
wrapped in a receipt in your pocket... | 0:07:17 | 0:07:20 | |
Yes, that's all you can do, Brendan. You just have to crush it. | 0:07:20 | 0:07:22 | |
-Crush it and bear... -And weep. | 0:07:22 | 0:07:25 | |
And then, because you've done the crush, and in your pocket, | 0:07:25 | 0:07:28 | |
cos your wallet is in the other hand, | 0:07:28 | 0:07:30 | |
you can't then just dispose of it in the bin outside, | 0:07:30 | 0:07:33 | |
because you'd be throwing all your cash in, as well. | 0:07:33 | 0:07:36 | |
You've got to unwrap it. | 0:07:36 | 0:07:37 | |
You've got to unwrap it, yeah, you know, like... | 0:07:37 | 0:07:40 | |
Life is so hard(!) | 0:07:40 | 0:07:41 | |
Have you ever..? My sons like to do it. Have you ever gone round | 0:07:44 | 0:07:47 | |
the supermarket and found the biggest detergent that you can find | 0:07:47 | 0:07:51 | |
and put it into someone else's trolley? | 0:07:51 | 0:07:54 | |
It's quite satisfying. | 0:07:55 | 0:07:58 | |
I love that you have got time to do that, but not time to stop and say, | 0:08:00 | 0:08:03 | |
-"I don't want the receipt." -Behind this, Rachel, is that you | 0:08:03 | 0:08:07 | |
-are causing queue frustration, as well, which is awful. -Oh, yeah. | 0:08:07 | 0:08:12 | |
I cause my wife amazing frustration when shopping, | 0:08:12 | 0:08:15 | |
because I'm a bit OCD about shopping. | 0:08:15 | 0:08:17 | |
You see, there is a certain way that the groceries go into cupboards. | 0:08:17 | 0:08:21 | |
So because they go in in a particular way, | 0:08:21 | 0:08:24 | |
they should be packed in the bags in a particular way. | 0:08:24 | 0:08:27 | |
So, what she often does is she'll go round with a few bits of stuff | 0:08:27 | 0:08:30 | |
and when she sees I'm not looking, just dumps them into the cart | 0:08:30 | 0:08:33 | |
and waits for me to come back - "Argh!" | 0:08:33 | 0:08:35 | |
Or the Boy Scouts. God love them, I'm sure they're well meaning, | 0:08:35 | 0:08:39 | |
but they often pack bags. | 0:08:39 | 0:08:41 | |
And I'm there sweating and crying. | 0:08:41 | 0:08:44 | |
I want to go, "There's a tenner, please go away." | 0:08:45 | 0:08:48 | |
"No, the bread doesn't go in with the bleach!" | 0:08:50 | 0:08:52 | |
Also, that thing when someone's forgot something | 0:08:56 | 0:08:58 | |
and they're allowed to go and shop again. | 0:08:58 | 0:09:01 | |
I was there with one woman who said, "Oh, I meant to get gravy granules." | 0:09:02 | 0:09:07 | |
Well, you can live a life full of regret or you can move on. | 0:09:07 | 0:09:10 | |
The woman said, "Can I just...?" The woman said yes. | 0:09:12 | 0:09:15 | |
So, she went off to get the gravy. | 0:09:15 | 0:09:18 | |
I'm waiting, you know, infuriated. | 0:09:18 | 0:09:21 | |
She came back. She'd got Ryvita, as well. | 0:09:21 | 0:09:25 | |
That is awful! | 0:09:26 | 0:09:28 | |
I would not have had the GALL to come back with an extra thing. | 0:09:28 | 0:09:32 | |
Mind you, you wouldn't eat a Ryvita without gravy granules, would you? | 0:09:32 | 0:09:36 | |
This is, I think, | 0:09:38 | 0:09:39 | |
the best-ever thing I've ever seen in a supermarket. | 0:09:39 | 0:09:42 | |
Get a load of this. | 0:09:42 | 0:09:44 | |
See what it says there? | 0:09:45 | 0:09:47 | |
-That's a genuine... -Is that for the teachers? | 0:09:51 | 0:09:53 | |
Back to school. OK, then. | 0:09:54 | 0:09:57 | |
What kind of people wind up Rachel Riley? | 0:09:57 | 0:10:00 | |
Rachel, you've gone too far this time. | 0:10:04 | 0:10:07 | |
This, kind of, demonstrates it, but people who think | 0:10:07 | 0:10:10 | |
they're more important than they are, | 0:10:10 | 0:10:12 | |
just because they wear a uniform. | 0:10:12 | 0:10:14 | |
Ah, I see. | 0:10:14 | 0:10:16 | |
-So it's not the Village People themselves. -No, no. | 0:10:16 | 0:10:18 | |
Kind of going back to supermarkets, actually, | 0:10:18 | 0:10:21 | |
because my hatred of, kind of, like, the bouncer syndrome, | 0:10:21 | 0:10:23 | |
is what I call it, started in a supermarket, | 0:10:23 | 0:10:26 | |
because I was with my then boyfriend, who was 26, | 0:10:26 | 0:10:28 | |
I was 23, my little brother was 21 | 0:10:28 | 0:10:30 | |
and we were buying all of our shopping | 0:10:30 | 0:10:32 | |
and a four-pack of beer, and they said, | 0:10:32 | 0:10:35 | |
"There's a new law coming in, so we need all of your group to have ID." | 0:10:35 | 0:10:38 | |
I had my ID. I was 23. | 0:10:38 | 0:10:40 | |
My boyfriend was 26, he had his, and my brother, who was 21, | 0:10:40 | 0:10:43 | |
6ft tall, covered in tattoos, looks old enough, didn't have any ID. | 0:10:43 | 0:10:46 | |
So, they said, "Well, we're not serving you." | 0:10:46 | 0:10:48 | |
I didn't buy any of the shopping in the end, but because I got | 0:10:48 | 0:10:51 | |
so annoyed about it, my family and friends started sending me | 0:10:51 | 0:10:53 | |
stories from the papers of similar things that had happened. | 0:10:53 | 0:10:56 | |
So, erm... There was another supermarket | 0:10:56 | 0:10:58 | |
where a grandma was refused knitting needles | 0:10:58 | 0:11:01 | |
because she didn't have ID. | 0:11:01 | 0:11:03 | |
There was another old lady... | 0:11:03 | 0:11:04 | |
Apparently in this, like, certain town there was a spate | 0:11:04 | 0:11:06 | |
of lemon-related crime, | 0:11:06 | 0:11:08 | |
-and this woman was trying to buy a bag of lemons. -Lemon? | 0:11:08 | 0:11:11 | |
Lemons. And she was trying to buy a bag, but they had a two-lemon limit, | 0:11:11 | 0:11:16 | |
so they wouldn't let this old lady buy lemons. | 0:11:16 | 0:11:18 | |
There was another thing with, um, spoons. | 0:11:18 | 0:11:22 | |
Someone couldn't buy spoons cos they didn't have any ID, | 0:11:22 | 0:11:25 | |
because it's drug-related paraphernalia. | 0:11:25 | 0:11:27 | |
I don't know how old you have to be to buy drugs. | 0:11:27 | 0:11:30 | |
The heroin is easy to get, but the spoon... | 0:11:30 | 0:11:32 | |
Don't talk to me! | 0:11:34 | 0:11:35 | |
They just kind of have a trumped-up sense of power because they're in... | 0:11:35 | 0:11:38 | |
They're not in a position of power. | 0:11:38 | 0:11:40 | |
I think uniforms should be, you know, people who are respected, | 0:11:40 | 0:11:42 | |
like police, firefighters and medical people. | 0:11:42 | 0:11:46 | |
Oh, listen, if you give somebody an armband... | 0:11:48 | 0:11:51 | |
A steward. Good luck. | 0:11:51 | 0:11:53 | |
Oh, sorry, I thought you meant the Nazis. | 0:11:53 | 0:11:56 | |
-Same thing! -They got very officious, didn't they? | 0:11:57 | 0:12:00 | |
Rachel, we've got to ask - lemon-related crime? | 0:12:01 | 0:12:04 | |
I don't know, but I just got irrationally so angry about it that | 0:12:04 | 0:12:08 | |
everyone sent to me all these ridiculous stories | 0:12:08 | 0:12:11 | |
of people with a tiny bit of power. | 0:12:11 | 0:12:13 | |
Do you get it at airports? | 0:12:13 | 0:12:16 | |
Yeah, air hostesses. | 0:12:16 | 0:12:18 | |
There are some airlines, budget airlines, | 0:12:18 | 0:12:20 | |
when you're walking towards that desk, you know they're going, | 0:12:20 | 0:12:24 | |
"Heh, heh, heh!" | 0:12:24 | 0:12:25 | |
"Just checking in." "Have you got any luggage?" | 0:12:27 | 0:12:30 | |
"No, just my carry-on." "That's great. Just weigh it." | 0:12:30 | 0:12:33 | |
I look behind me, and there's a guy behind me who's 25 stone. | 0:12:33 | 0:12:36 | |
I say, "Forget my bag - weigh him." | 0:12:36 | 0:12:38 | |
OK. So, well, many good points have been made. | 0:12:40 | 0:12:43 | |
I think people in uniforms, they do overdo it, | 0:12:43 | 0:12:46 | |
but they are basically trying to do their job. | 0:12:46 | 0:12:48 | |
I must admit, they've more or less reduced citrus-based crime | 0:12:48 | 0:12:52 | |
to a minimum in this country. | 0:12:52 | 0:12:55 | |
I think, again, people in the supermarket probably have | 0:12:55 | 0:12:57 | |
to give you your receipt, but I do think if you're going to spend money | 0:12:57 | 0:13:01 | |
and get yourself a phone, you should probably work out how to operate it. | 0:13:01 | 0:13:04 | |
So I'm going to put | 0:13:04 | 0:13:06 | |
people who can't operate their own smartphones into Room 101. | 0:13:06 | 0:13:10 | |
APPLAUSE AND CHEERING | 0:13:10 | 0:13:14 | |
Next category, please. | 0:13:22 | 0:13:24 | |
It's Modern Life. What does Bob hate about modern life? | 0:13:30 | 0:13:33 | |
Whoa! | 0:13:36 | 0:13:38 | |
One aspect of modern life that I don't enjoy is this craze now | 0:13:38 | 0:13:42 | |
of wrapping your food in bacon before you cook it, | 0:13:42 | 0:13:46 | |
with your fishes and your meats. | 0:13:46 | 0:13:49 | |
I've just got a feeling it's one of these celebrity-chef things, | 0:13:49 | 0:13:52 | |
and it's been sold on the basis that it seals in the flavour, | 0:13:52 | 0:13:57 | |
and I don't think it does do that. | 0:13:57 | 0:13:59 | |
It just collapses and leaks out its saltiness. | 0:14:01 | 0:14:03 | |
I don't actually believe that they're flavours that work. | 0:14:03 | 0:14:07 | |
I think it's, like... It's one of these pretentious things. | 0:14:07 | 0:14:09 | |
I think, say, with pigs in a blanket, | 0:14:09 | 0:14:13 | |
you know, when they wrap it round sausage, | 0:14:13 | 0:14:15 | |
I think it's to stop the sausage splitting, isn't it? | 0:14:15 | 0:14:19 | |
It sort of operates like a hernia belt. | 0:14:19 | 0:14:22 | |
I think you're giving bacon a, kind of, super-strength there | 0:14:22 | 0:14:26 | |
that it doesn't have, as if it can grip the sausage. | 0:14:26 | 0:14:29 | |
I have to tell you, one of the treats that we've always had | 0:14:29 | 0:14:33 | |
for Christmas, we have, every Christmas morning, | 0:14:33 | 0:14:36 | |
and all the kids come round and Jen cooks it up, | 0:14:36 | 0:14:39 | |
is fried Christmas pudding with bacon. | 0:14:39 | 0:14:42 | |
Really, try it. Honest to God, it's something else. | 0:14:42 | 0:14:45 | |
It really is something else. And you can drink like a fish after it. | 0:14:45 | 0:14:48 | |
Do you remember those little bits - you don't see them so much now - | 0:14:50 | 0:14:54 | |
like, little bits of white gristle that you get in bacon? | 0:14:54 | 0:14:56 | |
Almost like little bits of white plastic. | 0:14:56 | 0:14:59 | |
-Like a little bit of bone. -Yeah. Going through it. | 0:14:59 | 0:15:01 | |
I use those to create the windows | 0:15:01 | 0:15:04 | |
on the pork aeroplanes... | 0:15:04 | 0:15:07 | |
-LAUGHTER -..I like to make. | 0:15:07 | 0:15:10 | |
I don't think you're fully appreciating | 0:15:13 | 0:15:15 | |
the versatility of bacon and, indeed, pork, in general. | 0:15:15 | 0:15:18 | |
I've never flown Pork. | 0:15:18 | 0:15:19 | |
I have used it... This is a fact - | 0:15:21 | 0:15:24 | |
I was frying sausages and eggs in the same thing, | 0:15:24 | 0:15:29 | |
and I didn't have one of those things | 0:15:29 | 0:15:31 | |
that you pick the eggs up with. | 0:15:31 | 0:15:33 | |
I had a knife, so I got under the egg, just to loosen it, | 0:15:33 | 0:15:36 | |
but I couldn't pick it up. | 0:15:36 | 0:15:38 | |
So I used one of the rashers of bacon as a sort of a stretcher, | 0:15:38 | 0:15:42 | |
to carry the egg to the plate. | 0:15:42 | 0:15:45 | |
I've no objection to using bacon as a stretcher. | 0:15:45 | 0:15:49 | |
I'm absolutely fine with that. | 0:15:49 | 0:15:50 | |
I've used it as a utensil. | 0:15:50 | 0:15:53 | |
I have eaten baked beans with bacon, using it like that. | 0:15:53 | 0:15:57 | |
You could use it as a bookmark, | 0:15:57 | 0:15:59 | |
a savoury bookmark. But please, not wrapping it round... | 0:15:59 | 0:16:02 | |
But at least it tastes good. | 0:16:02 | 0:16:04 | |
The food fad I really hate is when they put foam on stuff. | 0:16:04 | 0:16:07 | |
-Right. -Foam? | 0:16:07 | 0:16:09 | |
Foam. That's, like, a fad that I don't get at all. | 0:16:09 | 0:16:11 | |
They just have foam. | 0:16:11 | 0:16:12 | |
It just looks like someone's spat on your food. | 0:16:12 | 0:16:14 | |
Maybe that's what they've done. | 0:16:14 | 0:16:16 | |
I think you should stop eating in Carol Vorderman's restaurant. | 0:16:16 | 0:16:19 | |
OK, what does Brendan hate about modern life? | 0:16:23 | 0:16:26 | |
Pedal bins in hotels - the ones in the bathroom that they tend to put | 0:16:31 | 0:16:35 | |
between the sink and the toilet bowl, that are about this size, | 0:16:35 | 0:16:40 | |
that every time you press the pedal, it jumps away from you, | 0:16:40 | 0:16:44 | |
so you end up going around the bathroom like this... | 0:16:44 | 0:16:46 | |
They absolutely drive me... Because we spend so much time on the road, | 0:16:51 | 0:16:55 | |
we live a lot of the time in hotels, | 0:16:55 | 0:16:58 | |
and this is the one thing in the hotel that just absolutely | 0:16:58 | 0:17:01 | |
drives me crazy, and I think they can do better. | 0:17:01 | 0:17:04 | |
A bigger bin, a weight at the bottom of it - they can do better. | 0:17:04 | 0:17:08 | |
You know, you've taken a beautiful room, gorgeous curtains, | 0:17:08 | 0:17:10 | |
lovely mattress and a Mickey Mouse pedal bin. | 0:17:10 | 0:17:14 | |
I like, "They can do better." It's become motivational speaking. | 0:17:14 | 0:17:18 | |
There'll be hotel owners all over the country saying, "He's right." | 0:17:20 | 0:17:23 | |
Press it. Press it. | 0:17:23 | 0:17:25 | |
Take off your shoe. | 0:17:32 | 0:17:34 | |
That's a pretty good pedal bin. | 0:17:36 | 0:17:38 | |
I often, in a certain chain of hotels, | 0:17:40 | 0:17:43 | |
I take this to bed with me, the inside of it, | 0:17:43 | 0:17:46 | |
put it next to me on the bedside table, | 0:17:46 | 0:17:48 | |
and if I have a night movement, I do it in this pot. | 0:17:48 | 0:17:52 | |
I'm just saying. | 0:17:53 | 0:17:55 | |
So, I'm a big fan! | 0:17:55 | 0:17:57 | |
Which, actually, if you replaced it, | 0:17:59 | 0:18:02 | |
would weigh the pedal bin down. | 0:18:02 | 0:18:04 | |
-We should get a twin room. -We should! | 0:18:07 | 0:18:09 | |
I stayed in a villa in Greece. | 0:18:11 | 0:18:14 | |
The plumbing was one of those when you couldn't put toilet paper | 0:18:14 | 0:18:18 | |
down the toilet, so there was a pedal bin in the toilet... | 0:18:18 | 0:18:21 | |
-Oh, no. -..and you had to put it in the pedal bin. | 0:18:21 | 0:18:24 | |
I was appalled by it, but this was before I had children. | 0:18:24 | 0:18:28 | |
Now, I could happily put it in my top pocket. | 0:18:28 | 0:18:31 | |
Here is an interesting thing I saw in a toilet. This is a toilet brush, | 0:18:37 | 0:18:41 | |
which I think we have all seen - commercially available - | 0:18:41 | 0:18:45 | |
but it has got a... | 0:18:45 | 0:18:47 | |
-..a microphone at the end. -You know when you're at the bathroom mirror - | 0:18:48 | 0:18:52 | |
# When the day is dawr-ning on the Texas sun... # | 0:18:52 | 0:18:57 | |
Obviously, don't do it in a nice shirt. | 0:18:57 | 0:18:59 | |
What do people do with this? | 0:19:00 | 0:19:03 | |
I suppose you say goodbye to your movement. | 0:19:03 | 0:19:06 | |
# Goodbye The time we spent together... # | 0:19:06 | 0:19:08 | |
Well, I had... | 0:19:12 | 0:19:14 | |
I'm slightly obsessed with Dragons' Den and I'm always trying | 0:19:14 | 0:19:17 | |
to think of inventions and I had... It's a pedal bin-based invention. | 0:19:17 | 0:19:23 | |
I'm serious about this. | 0:19:23 | 0:19:26 | |
I think this... I think it's a brilliant idea. | 0:19:26 | 0:19:29 | |
-Show us. -Yeah, I'll show it. Can we get my invention, please? | 0:19:29 | 0:19:32 | |
THEME TUNE PLAYS | 0:19:32 | 0:19:35 | |
Right. Now, this is what I call the Piddle Bin. | 0:19:43 | 0:19:46 | |
It's... This is... | 0:19:46 | 0:19:49 | |
Often when men go to the toilet, they want to lift the seat up. | 0:19:49 | 0:19:53 | |
It's quite unhygienic, touching a toilet seat in a public toilet. | 0:19:53 | 0:19:57 | |
With this, you don't have to worry. | 0:19:57 | 0:20:00 | |
So that's one advantage. OK? | 0:20:00 | 0:20:02 | |
Also, if you're a man, you'll go into a toilet and sometimes | 0:20:02 | 0:20:05 | |
the toilet seat doesn't stay up in public toilets, | 0:20:05 | 0:20:07 | |
and you have to stand in that... | 0:20:07 | 0:20:09 | |
..that sort of... that weird Elvis stance. | 0:20:11 | 0:20:13 | |
Also, if you're sitting on it and you're a bit weary, | 0:20:15 | 0:20:18 | |
you can use it to help you get up. | 0:20:18 | 0:20:20 | |
The Piddle Bin. | 0:20:24 | 0:20:26 | |
That's very good. | 0:20:28 | 0:20:29 | |
-That could sell. -I mean it! | 0:20:31 | 0:20:33 | |
If you called it Reggae Reggae Piddle Bin... | 0:20:33 | 0:20:37 | |
..it could go through the roof, couldn't it? | 0:20:39 | 0:20:41 | |
I love it, I love it. | 0:20:41 | 0:20:43 | |
OK, what winds up Rachel about modern life? | 0:20:43 | 0:20:45 | |
It's when you're about to have a treat and someone - | 0:20:49 | 0:20:53 | |
normally a friend - will start telling you how calorific | 0:20:53 | 0:20:57 | |
and how bad for you it is and how it's got sugar in it, | 0:20:57 | 0:21:01 | |
and it's got fat in it, and you shouldn't eat it, | 0:21:01 | 0:21:03 | |
and they've gone wheat-free, dairy-free, they're vegan, | 0:21:03 | 0:21:05 | |
they've stopped living and having fun, | 0:21:05 | 0:21:07 | |
but they're really fit, and they went for a run in the morning | 0:21:07 | 0:21:10 | |
and they've done sit-ups and you shouldn't eat the thing | 0:21:10 | 0:21:12 | |
that you're about to eat | 0:21:12 | 0:21:14 | |
and you've sat down with a cup of tea to enjoy. | 0:21:14 | 0:21:16 | |
-And that spoils it? -Yeah. -This happened to me once | 0:21:16 | 0:21:19 | |
when I drank a whole bottle of Pernod at a christening. | 0:21:19 | 0:21:21 | |
I know what you mean. I think it's very hard. | 0:21:27 | 0:21:30 | |
I went to the Harry Potter premiere of the first film, | 0:21:30 | 0:21:33 | |
and I sat next to a little kid. | 0:21:33 | 0:21:36 | |
I suppose he was about seven or eight. | 0:21:36 | 0:21:38 | |
Before the show started he got out a Crunchie bar, | 0:21:38 | 0:21:41 | |
and he took the whole wrapper off it, so it was completely... | 0:21:41 | 0:21:46 | |
-Naked. -It was naked. | 0:21:46 | 0:21:48 | |
And he held it like... | 0:21:48 | 0:21:49 | |
He put one end against his teeth and the other end against - | 0:21:49 | 0:21:52 | |
I'm not kidding - and he went like that... | 0:21:52 | 0:21:54 | |
..like a sawmill. | 0:21:57 | 0:21:58 | |
And I thought to myself, "You never see grown-ups eat chocolate | 0:22:00 | 0:22:04 | |
"with that kind of joy and abandon." | 0:22:04 | 0:22:06 | |
Have you ever seen the hot dog-stuffed pizza? | 0:22:08 | 0:22:10 | |
No, but I'm interested. | 0:22:12 | 0:22:14 | |
Yes. It looks like a perfectly nice pizza, | 0:22:14 | 0:22:17 | |
but if you look at it side on, there is a ring of sausage, | 0:22:17 | 0:22:21 | |
as I think Johnny Cash described it, which goes round the edge. | 0:22:21 | 0:22:26 | |
They also do a thing called the double-decker pizza, | 0:22:26 | 0:22:29 | |
which I thought would be two pizzas, one on top of the other, | 0:22:29 | 0:22:32 | |
-but it's actually... It's got a Double Decker running right through. -GROANING | 0:22:32 | 0:22:36 | |
-Can I say, I made this one up. -Yeah. | 0:22:36 | 0:22:39 | |
A friend of mine said she made a chocolate and almond cake | 0:22:39 | 0:22:43 | |
and, while she was out, her dog got on the table | 0:22:43 | 0:22:48 | |
and, when she got back in, | 0:22:48 | 0:22:50 | |
the dog had bitten a small piece, about that big, out of the cake | 0:22:50 | 0:22:55 | |
and I said to her, "That's strange, though, isn't it, | 0:22:55 | 0:22:58 | |
"because a dog would not have a bite and think, "Oh, this might be | 0:22:58 | 0:23:01 | |
"a bit fattening, this." What that dog has done | 0:23:01 | 0:23:05 | |
is bitten the cake and gone... "No, I don't think so." | 0:23:05 | 0:23:09 | |
Could there be a greater insult for a cake than a dog | 0:23:10 | 0:23:13 | |
having a small piece?! | 0:23:13 | 0:23:15 | |
OK. So we come to the end of the round. | 0:23:18 | 0:23:20 | |
Brendan, I feel your pain, but I think the pedal bin, essentially, | 0:23:20 | 0:23:23 | |
is, as you say, it's a fairly noble invention, | 0:23:23 | 0:23:26 | |
it's just that they tend to get faulty. | 0:23:26 | 0:23:29 | |
The bacon round food - I am a great bacon enthusiast, | 0:23:29 | 0:23:33 | |
and sometimes I think it helps less interesting food. | 0:23:33 | 0:23:37 | |
But I do agree, now, there is | 0:23:37 | 0:23:38 | |
a whole swathe of people who will say, "Oh, you shouldn't have that, | 0:23:38 | 0:23:43 | |
"It's not very good for you." | 0:23:43 | 0:23:45 | |
Better to live, as a driver said to me the other day, | 0:23:45 | 0:23:47 | |
70 happy, than 80 having lived a life of grim rules and regulations. | 0:23:47 | 0:23:52 | |
I agree. | 0:23:52 | 0:23:54 | |
Then, he drove straight into a wall. | 0:23:54 | 0:23:57 | |
So anyway, I am going to put people who tell you not to eat stuff | 0:23:57 | 0:24:00 | |
because it's bad for you into Room 101. | 0:24:00 | 0:24:02 | |
CHEERING AND APPLAUSE | 0:24:02 | 0:24:07 | |
Next category, please. | 0:24:13 | 0:24:15 | |
OK, it is the Audience Choice, when the people speak. | 0:24:21 | 0:24:25 | |
I think we have got Christine Pedat in the audience tonight. | 0:24:25 | 0:24:29 | |
-Hello, Christine! -Hello, Frank! -How are you? -I am good, thank you. | 0:24:29 | 0:24:33 | |
Now, what would you like to put into Room 101? | 0:24:33 | 0:24:35 | |
Elvis impersonators. | 0:24:35 | 0:24:39 | |
SOME CHEERING | 0:24:39 | 0:24:41 | |
Yeah, I'm fine with that. | 0:24:45 | 0:24:47 | |
I am intrigued to hear this. Please carry on. | 0:24:49 | 0:24:52 | |
Well, I think it is quasi-nauseating to watch middle-aged, overweight, | 0:24:52 | 0:24:59 | |
unattractive men in white jumpsuits waggling their belly, | 0:24:59 | 0:25:05 | |
curling their lips... | 0:25:05 | 0:25:06 | |
I don't mind it generally, but when they're doing Elvis... | 0:25:06 | 0:25:10 | |
It's just vomit-making and why, why can't we have young, fit | 0:25:10 | 0:25:16 | |
Elvis impersonators? I rest my case, Frank. | 0:25:16 | 0:25:21 | |
APPLAUSE AND CHEERING | 0:25:21 | 0:25:24 | |
Have you seen one in the flesh? | 0:25:29 | 0:25:31 | |
Oh, I've had them thrust upon me a couple of times. | 0:25:31 | 0:25:33 | |
Well, that would be frightening. | 0:25:33 | 0:25:36 | |
It was scary stuff! | 0:25:36 | 0:25:37 | |
And they come in teams. They do Elvis nights. | 0:25:37 | 0:25:40 | |
It's not like you go and see a guy doing an Elvis impersonation - | 0:25:40 | 0:25:43 | |
it's Elvis night, so there will be six Elvises on that night. | 0:25:43 | 0:25:45 | |
Really, honestly, it gives me pain. And they always do the same song. | 0:25:45 | 0:25:49 | |
They always do American Trilogy. | 0:25:49 | 0:25:51 | |
-Yeah. -Yeah. | 0:25:51 | 0:25:52 | |
-That's the big finish. -Yeah. | 0:25:52 | 0:25:53 | |
-IMPERSONATING ELVIS: -# And I wish I was in the land of cotton... # | 0:25:53 | 0:25:56 | |
And you think, the land of cotton to Elvis, | 0:25:56 | 0:25:58 | |
because he came from the south, | 0:25:58 | 0:26:00 | |
must have meant a tremendous amount, he poured great emotion. | 0:26:00 | 0:26:03 | |
To them, they probably think it's like World Of Leather. | 0:26:03 | 0:26:06 | |
LAUGHTER | 0:26:06 | 0:26:07 | |
Anyway, we have a clip, this is a man. To be fair to this man, | 0:26:09 | 0:26:15 | |
he is not a regular Elvis impersonator. | 0:26:15 | 0:26:17 | |
He did it on... This is a talent show on a cruise ship. | 0:26:17 | 0:26:20 | |
And he himself in the comments below | 0:26:20 | 0:26:24 | |
said, "This is the most embarrassing three minutes of my life." | 0:26:24 | 0:26:27 | |
So at least he accepted it. | 0:26:27 | 0:26:29 | |
But, uh, get a load of this. | 0:26:29 | 0:26:32 | |
# Went to a party at the county jail | 0:26:35 | 0:26:37 | |
# ..began to wail. # | 0:26:39 | 0:26:40 | |
HE MUTTERS INCORRECT LYRICS | 0:26:40 | 0:26:43 | |
# .. the jailbird sing, let's rock | 0:26:44 | 0:26:47 | |
# Everybody, let's rock | 0:26:48 | 0:26:50 | |
# Let's do the jailhouse rock | 0:26:51 | 0:26:54 | |
# Dancin' to the jailhouse rock | 0:26:55 | 0:26:56 | |
HE MUTTERS INCORRECT LYRICS | 0:26:58 | 0:27:00 | |
# ..trombone... | 0:27:02 | 0:27:03 | |
# Let's rock. # | 0:27:07 | 0:27:08 | |
APPLAUSE AND LAUGHTER | 0:27:08 | 0:27:11 | |
So I've... Yeah, I've got to agree with you on this, Christine, | 0:27:15 | 0:27:19 | |
I just wish it would stop. | 0:27:19 | 0:27:21 | |
We don't need it, we just... We've still got | 0:27:21 | 0:27:23 | |
all those wonderful records of the King | 0:27:23 | 0:27:26 | |
and his marvellous thing. | 0:27:26 | 0:27:28 | |
And, so, um, first of all to you, | 0:27:28 | 0:27:29 | |
-IMPERSONATES ELVIS: -..thank you very much. | 0:27:29 | 0:27:31 | |
GROANS AND LAUGHTER | 0:27:31 | 0:27:33 | |
I am definitely, definitely going to | 0:27:33 | 0:27:35 | |
put Elvis impersonators into Room 101. | 0:27:35 | 0:27:37 | |
CHEERING AND APPLAUSE | 0:27:37 | 0:27:39 | |
Right, then, let's have our next category. | 0:27:46 | 0:27:49 | |
It's the Wildcard round. | 0:27:54 | 0:27:56 | |
Now, this means that you don't have any restraints of category, | 0:27:56 | 0:27:59 | |
you can just choose anything at all | 0:27:59 | 0:28:01 | |
that you don't like, so what is Bob's wildcard? | 0:28:01 | 0:28:05 | |
It's unripe fruit in supermarkets. | 0:28:10 | 0:28:13 | |
-I find myself... Thank you. -APPLAUSE | 0:28:13 | 0:28:17 | |
I just find myself... I mean, particularly the melon, | 0:28:18 | 0:28:22 | |
the nectarine, the peach, the pear | 0:28:22 | 0:28:25 | |
and the apricot - it's impossible to get one ready to eat, | 0:28:25 | 0:28:30 | |
and on the odd occasion you can, it's packaged as | 0:28:30 | 0:28:34 | |
actually "ready to eat", and they charge you more for it. | 0:28:34 | 0:28:37 | |
It's very frustrating, and it just adds to the nation's fruit bowls | 0:28:37 | 0:28:42 | |
just rotting away, attracting fruit flies and then being disposed of, | 0:28:42 | 0:28:48 | |
-because it's long past your desire to have a slice of melon. -Yeah. | 0:28:48 | 0:28:52 | |
The other thing is, I remember when I was younger it was a Friday treat | 0:28:52 | 0:28:56 | |
to get a yellow honeydew melon, and we'd gather round it, | 0:28:56 | 0:29:00 | |
this beautiful yellow orb, ready to enjoy it, | 0:29:00 | 0:29:03 | |
but now these unripe melons that you buy from supermarkets, | 0:29:03 | 0:29:07 | |
they taste like turnips. | 0:29:07 | 0:29:09 | |
I imagine a whole generation, you know, being put off melons by it. | 0:29:09 | 0:29:14 | |
It's probably one of the biggest impulse buys, as well. | 0:29:14 | 0:29:17 | |
I mean, you buy a banana when you fancy a banana. | 0:29:17 | 0:29:20 | |
Not you buy a banana two weeks before you fancy it - | 0:29:20 | 0:29:22 | |
in case you fancy a banana. | 0:29:22 | 0:29:25 | |
Bananas are quite speedy, aren't they? They can ripen up. | 0:29:25 | 0:29:28 | |
-They can. -As can a tomato, Brendan. | 0:29:28 | 0:29:30 | |
-But unfortunately not a lemon. -No. | 0:29:30 | 0:29:31 | |
There's a fruit stall at the bottom of my road, | 0:29:34 | 0:29:37 | |
and I see them throw away overripe fruit. | 0:29:37 | 0:29:40 | |
So there's only a very short window of edibility | 0:29:40 | 0:29:44 | |
before they become overripe. | 0:29:44 | 0:29:45 | |
Yeah, but we used to be able to cope with that. | 0:29:45 | 0:29:48 | |
What used to happen, of course, is we had stocks, | 0:29:48 | 0:29:51 | |
where people used to get put in... | 0:29:51 | 0:29:53 | |
You'd think, in the age of recycling - bring those back. | 0:29:55 | 0:29:58 | |
I feel a bit sorry for greengrocers, because they lose | 0:30:00 | 0:30:03 | |
probably 40% of their stock every week in car chases. | 0:30:03 | 0:30:06 | |
The odd thing about this is they do very different stuff with, | 0:30:09 | 0:30:13 | |
let's say, bread, in supermarkets, | 0:30:13 | 0:30:15 | |
where they put the freshest bread at the back of the tray | 0:30:15 | 0:30:19 | |
and the old stuff at the front, to make you buy the old stuff. | 0:30:19 | 0:30:23 | |
Luckily they had a similar policy at the dating agency | 0:30:23 | 0:30:26 | |
my girlfriend went to. | 0:30:26 | 0:30:27 | |
In Nanjing in China there's a greengrocer | 0:30:31 | 0:30:34 | |
who decided that he had a good gimmick | 0:30:34 | 0:30:36 | |
for selling peaches. | 0:30:36 | 0:30:39 | |
So what he did was, he put little examples of ladies' lingerie | 0:30:39 | 0:30:43 | |
on them, and there's a great from this bloke, | 0:30:43 | 0:30:46 | |
translated, obviously. | 0:30:46 | 0:30:48 | |
It's a great quote. | 0:30:48 | 0:30:49 | |
-HE IMPERSONATES STEREOTYPE -No. | 0:30:49 | 0:30:52 | |
No. | 0:30:52 | 0:30:54 | |
He said, "The people who supply our pants make lingerie | 0:30:54 | 0:30:57 | |
"for some of the most exclusive designer labels in the world. | 0:30:57 | 0:31:00 | |
"There's nothing tacky about them at all." | 0:31:00 | 0:31:04 | |
Here they are. | 0:31:04 | 0:31:05 | |
LAUGHTER | 0:31:05 | 0:31:07 | |
Not at all tacky! | 0:31:10 | 0:31:12 | |
-I love it. -I quite like it. | 0:31:12 | 0:31:13 | |
Would you like one? | 0:31:13 | 0:31:15 | |
-No thanks. -There they are. | 0:31:16 | 0:31:17 | |
I couldn't, I just wouldn't feel right. | 0:31:17 | 0:31:20 | |
OK. What is Rachel's wildcard? | 0:31:23 | 0:31:26 | |
Yeah, my wildcard is the Essex girl stereotype. | 0:31:31 | 0:31:34 | |
I'm from Essex. I'm from Southend. Born and bred Essex girl... | 0:31:34 | 0:31:36 | |
-MURMURING -Thank you. | 0:31:36 | 0:31:38 | |
And I remember as, like, a young girl, | 0:31:38 | 0:31:41 | |
going on holiday to somewhere like Cuba | 0:31:41 | 0:31:43 | |
I met a Canadian group of guys, | 0:31:43 | 0:31:45 | |
and even they'd heard of the Essex girl stereotype. | 0:31:45 | 0:31:48 | |
-Wow. -So they were kind of, "Oh, yeah, Essex. We've heard about you." | 0:31:48 | 0:31:51 | |
And it kind of died off for a while, and then obviously with things | 0:31:51 | 0:31:54 | |
like The Only Way Is Essex it's kind of back with a vengeance. | 0:31:54 | 0:31:57 | |
And I know especially it annoys my friends, | 0:31:57 | 0:32:00 | |
cos Essex has got some of the best schools in the country, | 0:32:00 | 0:32:02 | |
but they think that we all talk like The Only Way Is Essex, | 0:32:02 | 0:32:06 | |
and people say to me, "Oh, you've lost your accent." | 0:32:06 | 0:32:08 | |
I haven't lost my accent at all - | 0:32:08 | 0:32:10 | |
this is what normal people from Essex sound like, | 0:32:10 | 0:32:12 | |
and we're not all covered in fake tan and peroxide blonde | 0:32:12 | 0:32:16 | |
and obsessed with that, and shopping and nails, | 0:32:16 | 0:32:18 | |
and that's the only thing we do. | 0:32:18 | 0:32:20 | |
I worked with Brian Belo, who's from Essex. | 0:32:20 | 0:32:23 | |
-Do you know him? I think he won Big Brother 8. -OK. | 0:32:23 | 0:32:26 | |
And I was on a show where we were playing that game | 0:32:26 | 0:32:29 | |
where you have to... You have a thing on a card | 0:32:29 | 0:32:32 | |
and you have to communicate what's on the card. | 0:32:32 | 0:32:34 | |
And some people think he's a bit, you know, he's a bit thick because | 0:32:34 | 0:32:37 | |
he didn't know who Shakespeare was when he was on Big Brother. | 0:32:37 | 0:32:40 | |
And it was British icons. | 0:32:40 | 0:32:42 | |
He had to communicate it, and he said, "Right," | 0:32:42 | 0:32:44 | |
and he got his card and he said, "Right, it's surfing... | 0:32:44 | 0:32:49 | |
"and little guitars and sort of like, you know, | 0:32:49 | 0:32:52 | |
"straw sort of frock things." | 0:32:52 | 0:32:54 | |
And I said, "This is Britain? Newquay?" | 0:32:54 | 0:32:56 | |
He said, "No, no, dancing, and stuff like that." | 0:32:56 | 0:32:59 | |
It turned out it was The Hay Wain by John Constable, | 0:32:59 | 0:33:03 | |
and he'd read it as Hawaii. | 0:33:03 | 0:33:06 | |
Ah. | 0:33:08 | 0:33:10 | |
So he's a lovely bloke, Brian, but he's not helping. | 0:33:10 | 0:33:12 | |
I've met a few of the people on The Only Way Is Essex | 0:33:12 | 0:33:15 | |
and they're all really genuine - | 0:33:15 | 0:33:16 | |
that's what they are, and they're not ashamed. | 0:33:16 | 0:33:18 | |
I like a lot of them. And Joey Essex, I met him, | 0:33:18 | 0:33:20 | |
and he thought that Richard and Judy created the world. | 0:33:20 | 0:33:24 | |
No, he didn't. | 0:33:24 | 0:33:26 | |
Yeah, he got confused with Adam and Eve. | 0:33:26 | 0:33:29 | |
Don't even go there! Don't even go there! | 0:33:31 | 0:33:34 | |
No. But they didn't create the world, either. | 0:33:34 | 0:33:36 | |
Well, that's a whole other kettle of fish. | 0:33:36 | 0:33:39 | |
OK, what's Brendan's wildcard? | 0:33:39 | 0:33:41 | |
It speaks for itself. Bad toilet etiquette. | 0:33:46 | 0:33:50 | |
Hmm. | 0:33:50 | 0:33:51 | |
I can only speak for males because it's only half the time I'm a woman. | 0:33:51 | 0:33:54 | |
There are certain rules and regulations, | 0:33:56 | 0:33:58 | |
unspoken, unwritten, that happen in a toilet. | 0:33:58 | 0:34:02 | |
-Mm. -When you walk into a toilet, you see other people, | 0:34:02 | 0:34:05 | |
you go to the furthest bowl from other people. It's as simple as that. | 0:34:05 | 0:34:09 | |
Yeah, well, he's breaking the rule there. | 0:34:09 | 0:34:11 | |
Because if there's three, you go to one end, not the middle one. | 0:34:11 | 0:34:14 | |
Yeah, the far end, and you always go to the furthest down from the door. | 0:34:14 | 0:34:18 | |
If it's empty I'll stand at one end and aim at the other. | 0:34:18 | 0:34:21 | |
You show-off! | 0:34:23 | 0:34:25 | |
But if someone comes in I just... | 0:34:25 | 0:34:26 | |
If I want to intimidate them, | 0:34:28 | 0:34:30 | |
I always come in and go, "Floor's cold." | 0:34:30 | 0:34:33 | |
Another thing they do, too, is they stare at me. | 0:34:35 | 0:34:38 | |
So I'm trying to go, | 0:34:40 | 0:34:41 | |
and I turn around and there's a guy standing beside me going... | 0:34:41 | 0:34:44 | |
Hold on. Are you dressed as Mrs Brown at the time? | 0:34:47 | 0:34:50 | |
Could be! | 0:34:52 | 0:34:54 | |
I just do this. | 0:34:54 | 0:34:55 | |
I'll tell you what you don't see so much of now - graffiti in toilets. | 0:34:57 | 0:35:01 | |
A friend of mine took this photo of some graffiti he saw in a toilet. | 0:35:01 | 0:35:05 | |
Occasionally you get some graffiti which is so random it's just joyous. | 0:35:05 | 0:35:10 | |
Look at this. | 0:35:10 | 0:35:12 | |
LAUGHTER | 0:35:12 | 0:35:15 | |
There's a lot of the unisex ones now. | 0:35:21 | 0:35:23 | |
Outside where you want to do your hair and make-up, | 0:35:23 | 0:35:26 | |
-but there's a man there. -Yeah. I followed a man in there and then... | 0:35:26 | 0:35:29 | |
RACHEL LAUGHS | 0:35:29 | 0:35:30 | |
No, cos that's the toilets, | 0:35:30 | 0:35:32 | |
and I heard what appeared to be an elephant having a wee next door. | 0:35:32 | 0:35:36 | |
And a little lady came out afterwards. | 0:35:36 | 0:35:41 | |
Do you know, she was 17st when she went in. | 0:35:41 | 0:35:43 | |
You know, it's so difficult. There's no seat in the toilet bowl, | 0:35:45 | 0:35:48 | |
usually, when you get in, so you've got to hover. | 0:35:48 | 0:35:51 | |
It's got to be the right height because you don't want splashback, | 0:35:51 | 0:35:55 | |
so you've got to do that. | 0:35:55 | 0:35:56 | |
Then you've got to wedge your elbows because there's no lock on the door. | 0:35:56 | 0:35:59 | |
This is how they got the idea for the Chicken Tonight advert. | 0:36:02 | 0:36:06 | |
OK, so we come to the end. | 0:36:07 | 0:36:10 | |
And I know what you mean about the Essex stereotype, but it seems to me | 0:36:10 | 0:36:15 | |
that so many people from Essex seem to have made a lot of money | 0:36:15 | 0:36:17 | |
out of that stereotype, and careers out of it | 0:36:17 | 0:36:20 | |
that I can't really condemn it. | 0:36:20 | 0:36:22 | |
The unripe fruit is a very good argument indeed, I must say, | 0:36:22 | 0:36:26 | |
and fruit is so hard and unwelcoming, | 0:36:26 | 0:36:29 | |
and then later on it gets squidgy and lovely. | 0:36:29 | 0:36:32 | |
Again, like Carol Vorderman. | 0:36:32 | 0:36:33 | |
I wish now I'd bought early and left her in a bag... | 0:36:36 | 0:36:40 | |
LAUGHTER | 0:36:40 | 0:36:42 | |
And the whole thing of going to public toilets is a traumatic | 0:36:43 | 0:36:47 | |
and difficult experience - | 0:36:47 | 0:36:49 | |
and for that reason, this is very close, | 0:36:49 | 0:36:52 | |
but I am going to put bad urinal etiquette into Room 101. | 0:36:52 | 0:36:55 | |
APPLAUSE | 0:36:55 | 0:36:58 | |
CHEERING | 0:37:00 | 0:37:03 | |
And that brings us to the end of the show. | 0:37:07 | 0:37:09 | |
Well done, Brendan, you were the most persuasive guest tonight, | 0:37:09 | 0:37:12 | |
so you are this week's winner. | 0:37:12 | 0:37:13 | |
APPLAUSE AND CHEERING | 0:37:13 | 0:37:16 | |
-Well done, Brendan. -Well done. | 0:37:16 | 0:37:18 | |
So, thanks very much to Brendan O'Carroll, Bob Mortimer | 0:37:21 | 0:37:24 | |
and Rachel Riley, and thank you, good night. | 0:37:24 | 0:37:27 | |
APPLAUSE AND CHEERING | 0:37:27 | 0:37:30 |