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CHEERING AND APPLAUSE | 0:00:21 | 0:00:24 | |
Hello, I'm Frank Skinner and welcome to Room 101, | 0:00:33 | 0:00:37 | |
the show where three guests compete to have their biggest bugbears | 0:00:37 | 0:00:40 | |
banished forever to the notorious vault. | 0:00:40 | 0:00:43 | |
Our guests' choices have been sorted into categories | 0:00:43 | 0:00:46 | |
and in each round, only one item can be chosen. | 0:00:46 | 0:00:48 | |
The final decision is mine. | 0:00:48 | 0:00:50 | |
Let's meet this week's guests. | 0:00:50 | 0:00:51 | |
Joining me tonight are Radio 1 DJ Jameela Jamil, | 0:00:51 | 0:00:54 | |
TV presenter Adrian Chiles | 0:00:54 | 0:00:56 | |
and showbiz legend Des O'Connor. | 0:00:56 | 0:00:58 | |
CHEERING AND APPLAUSE | 0:00:58 | 0:01:00 | |
OK, let's have our first category. | 0:01:08 | 0:01:10 | |
It's Modern Life. | 0:01:16 | 0:01:17 | |
OK, what doesn't Adrian like about modern life? | 0:01:17 | 0:01:20 | |
People who recline the seat. | 0:01:25 | 0:01:28 | |
KNOWING GROANS AND APPLAUSE | 0:01:28 | 0:01:30 | |
This is me. | 0:01:34 | 0:01:35 | |
This is the person in front. | 0:01:35 | 0:01:37 | |
JAMEELA: Me. | 0:01:37 | 0:01:38 | |
LAUGHTER | 0:01:38 | 0:01:41 | |
I can understand... | 0:01:41 | 0:01:42 | |
I can understand, if it was her sitting behind, | 0:01:42 | 0:01:45 | |
I wouldn't mind. | 0:01:45 | 0:01:46 | |
LAUGHTER | 0:01:46 | 0:01:48 | |
Is Des O'Connor hitting on me? | 0:01:51 | 0:01:52 | |
LAUGHTER | 0:01:52 | 0:01:54 | |
It's all right, I'm between the two of you. | 0:01:54 | 0:01:56 | |
I can ensure fair play. | 0:01:56 | 0:01:57 | |
I need 48 hours' notice. | 0:01:57 | 0:01:59 | |
LAUGHTER | 0:01:59 | 0:02:02 | |
APPLAUSE | 0:02:02 | 0:02:04 | |
You're all right, Des, there's a chemist just down the road. | 0:02:07 | 0:02:09 | |
LAUGHTER | 0:02:09 | 0:02:12 | |
Look, I'll put him back up. | 0:02:12 | 0:02:13 | |
That's me, you're settling down, two, three-hour flight, | 0:02:13 | 0:02:17 | |
and the person in front of you, without checking you're all right, | 0:02:17 | 0:02:20 | |
whether you've got a drink in your hand, | 0:02:20 | 0:02:21 | |
trying to do something on a laptop, | 0:02:21 | 0:02:23 | |
or you've got a newspaper open, | 0:02:23 | 0:02:25 | |
or you're trying to eat or drink something, | 0:02:25 | 0:02:27 | |
just goes "whoomph", straight there. | 0:02:27 | 0:02:29 | |
-It ruins your flight. -Hm. | 0:02:29 | 0:02:30 | |
It's the height of selfishness. | 0:02:30 | 0:02:32 | |
I would make an exception if the said man, | 0:02:32 | 0:02:35 | |
if he just checked, if he just did a little bit of... | 0:02:35 | 0:02:39 | |
-LAUGHTER -Like I do, go, "Do you mind, mate? | 0:02:39 | 0:02:42 | |
"I need to..." | 0:02:42 | 0:02:43 | |
At least he's asked. | 0:02:43 | 0:02:45 | |
You say that thing about looking round and asking, | 0:02:45 | 0:02:48 | |
I have never known anyone to ask permission. | 0:02:48 | 0:02:50 | |
-Yeah. -Well, it's only me. | 0:02:50 | 0:02:52 | |
I'm the only one who does it. | 0:02:52 | 0:02:53 | |
I've been refused permission. They go, "No, don't do that." | 0:02:53 | 0:02:56 | |
Adrian, you want to worry when the little kid in front of you | 0:02:56 | 0:02:58 | |
on a long flight goes, "Hello." | 0:02:58 | 0:03:00 | |
LAUGHTER | 0:03:00 | 0:03:02 | |
And you stupidly go, "Hello." | 0:03:02 | 0:03:04 | |
Then you're hooked for whatever the rest of the flight is. | 0:03:04 | 0:03:07 | |
Or the kids who kick the back of your chair... | 0:03:07 | 0:03:09 | |
-Yes. -Oh. -..for the whole of the journey. | 0:03:09 | 0:03:10 | |
You hate that until you have kids yourself | 0:03:10 | 0:03:13 | |
and realise there's absolutely nothing you can do to stop it. | 0:03:13 | 0:03:16 | |
Frank, I have taken direct action on this in the past. | 0:03:16 | 0:03:18 | |
If somebody's really just gone all the way back, | 0:03:18 | 0:03:21 | |
particularly somebody tall, | 0:03:21 | 0:03:22 | |
you're actually looking at the top of their head for the whole flight. | 0:03:22 | 0:03:25 | |
So, when they do eventually come up, | 0:03:25 | 0:03:27 | |
they just get a glass of red wine to the lips, | 0:03:27 | 0:03:30 | |
and then just a little tap behind... | 0:03:30 | 0:03:32 | |
-Really? -..just to punish them. A little bit of spillage... | 0:03:32 | 0:03:35 | |
-LAUGHTER -I go... | 0:03:35 | 0:03:37 | |
-Do you spit on...? -I've only ever had one fight. | 0:03:37 | 0:03:40 | |
-I was... Not a fight, exactly. -Oh, you've only had one fight. | 0:03:40 | 0:03:43 | |
Well, that's not so bad. | 0:03:43 | 0:03:45 | |
One of the things I don't understand | 0:03:45 | 0:03:47 | |
is that there isn't actually much tilt on a seat. | 0:03:47 | 0:03:50 | |
It's like people get on and think, | 0:03:50 | 0:03:52 | |
"Well, I can't possibly relax like this. | 0:03:52 | 0:03:54 | |
"Oh, that's much better". | 0:03:54 | 0:03:55 | |
LAUGHTER | 0:03:55 | 0:03:57 | |
Well, that's another thing, | 0:03:57 | 0:03:58 | |
it doesn't make any difference anyway. | 0:03:58 | 0:04:00 | |
No, it's rubbish. | 0:04:00 | 0:04:02 | |
Mind you, this is a man, can I say, | 0:04:02 | 0:04:04 | |
Adrian Chiles once reprimanded me for laughing on an aeroplane. | 0:04:04 | 0:04:09 | |
I was watching a film and he came down and started... | 0:04:09 | 0:04:11 | |
I said, "What is it?" and he said, | 0:04:11 | 0:04:12 | |
"Do you know you're laughing out loud?" | 0:04:12 | 0:04:14 | |
I said, "It's a comedy film". | 0:04:14 | 0:04:16 | |
No, no, but it was a real belly laugh. | 0:04:17 | 0:04:19 | |
There's a kind of comedian | 0:04:19 | 0:04:21 | |
who doesn't laugh at other comics' jokes. | 0:04:21 | 0:04:23 | |
Frank, bless him, is not like that. He roars with laughter. | 0:04:23 | 0:04:25 | |
I remember the film, it was Pineapple Express, | 0:04:25 | 0:04:27 | |
and I've always wondered if... | 0:04:27 | 0:04:29 | |
Was it Pineapple Express? Is that right? | 0:04:29 | 0:04:31 | |
-No, it was Titanic. -Was it? | 0:04:31 | 0:04:32 | |
LAUGHTER | 0:04:32 | 0:04:34 | |
Here's a story. | 0:04:36 | 0:04:37 | |
There's a man called Les Price | 0:04:37 | 0:04:40 | |
and he was flying on an airline, | 0:04:40 | 0:04:42 | |
and they told him that anyone over 20st | 0:04:42 | 0:04:46 | |
has got to buy two seats. | 0:04:46 | 0:04:48 | |
That was the rule. | 0:04:48 | 0:04:50 | |
So, Les said, erm... | 0:04:50 | 0:04:52 | |
We've got a picture of Les, by the way. | 0:04:52 | 0:04:55 | |
I don't know if the photographer told him what was on that mug... | 0:04:55 | 0:04:58 | |
LAUGHTER | 0:04:58 | 0:05:00 | |
Anyway, that's Les. | 0:05:00 | 0:05:02 | |
It says, "When I got to the airport | 0:05:02 | 0:05:03 | |
"I had to explain to all the staff why I had two tickets. | 0:05:03 | 0:05:07 | |
"They didn't have a clue. | 0:05:07 | 0:05:08 | |
"When I finally got on the plane, | 0:05:08 | 0:05:10 | |
"one seat was an aisle seat | 0:05:10 | 0:05:11 | |
"and the other was by the window." | 0:05:11 | 0:05:13 | |
LAUGHTER | 0:05:13 | 0:05:15 | |
So, you don't sit next to Les Price, | 0:05:18 | 0:05:20 | |
you sit amongst him. | 0:05:20 | 0:05:22 | |
LAUGHTER | 0:05:22 | 0:05:24 | |
Frank, there's a gadget you can get, a little plastic thing, | 0:05:25 | 0:05:28 | |
I read about it in the States, and you take it on to the plane, | 0:05:28 | 0:05:31 | |
if you object to people reclining the seat. | 0:05:31 | 0:05:33 | |
It's a bit of plastic that fits between there and there, | 0:05:33 | 0:05:35 | |
so when they try and recline, it won't move at all. | 0:05:35 | 0:05:38 | |
But there's been air rage, fights, | 0:05:38 | 0:05:40 | |
people whacking each other with the thing, | 0:05:40 | 0:05:42 | |
so they're trying to ban them. I think they're a brilliant idea. | 0:05:42 | 0:05:44 | |
It's funny you should say that... | 0:05:44 | 0:05:46 | |
-Oh, no, you haven't? -..because I've got one. | 0:05:46 | 0:05:48 | |
Of course, in order to demonstrate it, | 0:05:48 | 0:05:50 | |
what I really need is a few aircraft seats. | 0:05:50 | 0:05:52 | |
Here they come. | 0:05:53 | 0:05:54 | |
THEME MUSIC PLAYS | 0:05:54 | 0:05:56 | |
APPLAUSE | 0:05:58 | 0:05:59 | |
Right, so, | 0:06:04 | 0:06:05 | |
let's say you're the offender. | 0:06:05 | 0:06:07 | |
Do you want to sit in this seat? | 0:06:07 | 0:06:08 | |
And I'll be the poor innocent. | 0:06:08 | 0:06:10 | |
And I've got... I'll show them how this works. | 0:06:10 | 0:06:12 | |
-All right. -So, if you want to put your seat back, | 0:06:12 | 0:06:16 | |
to start off with. | 0:06:16 | 0:06:17 | |
Can I just try that thing when I check if it's all right? | 0:06:17 | 0:06:20 | |
-OK. -I go... | 0:06:20 | 0:06:21 | |
"Do you mind if I put my...?" | 0:06:24 | 0:06:25 | |
You're that Adrian Chiles off the telly. | 0:06:25 | 0:06:28 | |
LAUGHTER AND APPLAUSE | 0:06:28 | 0:06:30 | |
"So, how's West Brom doing this season? | 0:06:32 | 0:06:34 | |
"Eh? Eh?" | 0:06:34 | 0:06:36 | |
"They're doing well, ain't they? Eh?" | 0:06:36 | 0:06:37 | |
"It's only nine hours, this flight. | 0:06:37 | 0:06:39 | |
"Looking forward to it." | 0:06:39 | 0:06:40 | |
LAUGHTER | 0:06:40 | 0:06:42 | |
We'll try first of all, just to make sure, | 0:06:43 | 0:06:45 | |
-can you put your seat back? -Certainly. | 0:06:45 | 0:06:47 | |
These are the... These are the actual clips you speak about. | 0:06:49 | 0:06:52 | |
-Yeah. -If you go forward now, I'll show you. | 0:06:52 | 0:06:55 | |
These are... These genuinely work. | 0:06:55 | 0:06:57 | |
So, first you have to pull the table down, | 0:06:57 | 0:06:59 | |
and then they clip on these bits here. | 0:06:59 | 0:07:02 | |
Simple as that. Now try and go back. | 0:07:02 | 0:07:04 | |
Well, I don't... OK. | 0:07:04 | 0:07:06 | |
Oh, yeah. They're good, aren't they? | 0:07:08 | 0:07:11 | |
-Yeah. -They're all right. | 0:07:11 | 0:07:12 | |
I have one method which I prefer over all these, | 0:07:12 | 0:07:15 | |
which I have used on a few occasions, | 0:07:15 | 0:07:19 | |
and that's this. | 0:07:19 | 0:07:20 | |
LAUGHTER | 0:07:20 | 0:07:23 | |
APPLAUSE | 0:07:23 | 0:07:25 | |
THEME MUSIC PLAYS | 0:07:28 | 0:07:30 | |
Frank, where do you get those brown coats from? | 0:07:40 | 0:07:42 | |
Are those from the set of Morecambe and Wise? | 0:07:42 | 0:07:45 | |
Nobody wears them in real life. It's only on TV programmes. | 0:07:45 | 0:07:47 | |
Don't mention Morecambe and Wise in front of Des. | 0:07:47 | 0:07:49 | |
-They were. -Oh... | 0:07:49 | 0:07:51 | |
LAUGHTER | 0:07:51 | 0:07:52 | |
They were very cruel to him. | 0:07:52 | 0:07:54 | |
I once told Eric, | 0:07:54 | 0:07:56 | |
"I've just done a one-man show." | 0:07:56 | 0:07:57 | |
He said, "Let's hope two turn up next time." | 0:07:57 | 0:07:59 | |
LAUGHTER | 0:07:59 | 0:08:02 | |
OK, so what doesn't Des like about modern life? | 0:08:02 | 0:08:06 | |
I don't understand horoscopes. | 0:08:12 | 0:08:15 | |
I don't know why people do it, why distinguished people, | 0:08:15 | 0:08:18 | |
clever people, intelligent people, | 0:08:18 | 0:08:20 | |
run their lives by horoscopes. | 0:08:20 | 0:08:23 | |
One of the things that fascinates me, | 0:08:23 | 0:08:24 | |
which might prove there is something in it, | 0:08:24 | 0:08:27 | |
is every racehorse has a birthday on January 1st, | 0:08:27 | 0:08:31 | |
and they are a bit samey. | 0:08:31 | 0:08:33 | |
LAUGHTER | 0:08:33 | 0:08:35 | |
No, every racehorse is a Capricorn. | 0:08:35 | 0:08:38 | |
Jesus was a Capricorn. | 0:08:38 | 0:08:39 | |
LAUGHTER | 0:08:39 | 0:08:41 | |
So, Jesus and all racehorses. | 0:08:41 | 0:08:43 | |
That explains them being born in a stable thing, doesn't it? | 0:08:43 | 0:08:46 | |
LAUGHTER | 0:08:46 | 0:08:48 | |
Now, this is interesting, | 0:08:50 | 0:08:52 | |
so we can judge whether someone is any good or not, | 0:08:52 | 0:08:55 | |
I have a list of Mystic Meg's predictions for 2006 | 0:08:55 | 0:09:00 | |
and it's quite... You'd be surprised, | 0:09:00 | 0:09:02 | |
she's got, you know, not a terrible hit rate. | 0:09:02 | 0:09:05 | |
Let me just get... This is the first one for 2006. | 0:09:05 | 0:09:08 | |
-Did that ever happen? -It didn't happen, Des. | 0:09:14 | 0:09:16 | |
Did you think you might have missed it? | 0:09:16 | 0:09:19 | |
I might have nodded off or fallen over. | 0:09:19 | 0:09:21 | |
LAUGHTER | 0:09:21 | 0:09:23 | |
I know you've been busy, but come on. | 0:09:23 | 0:09:26 | |
This is the most outrageous. | 0:09:26 | 0:09:27 | |
I mean, she's gone too far with this one. | 0:09:37 | 0:09:40 | |
We have a clip now... Now this is... | 0:09:40 | 0:09:42 | |
If you believe in stuff, | 0:09:44 | 0:09:46 | |
I want to believe in this. | 0:09:46 | 0:09:48 | |
This is a man speaking to Patrick Moore, the astronomer, | 0:09:48 | 0:09:52 | |
and this man honestly claims | 0:09:52 | 0:09:54 | |
that he can speak Venusian. | 0:09:54 | 0:09:57 | |
HE SPEAKS "VENUSIAN" | 0:09:58 | 0:10:00 | |
What does that mean, actually? | 0:10:08 | 0:10:09 | |
That means, "How are all you? | 0:10:09 | 0:10:12 | |
"I am very pleased to see you.. | 0:10:12 | 0:10:14 | |
"..this afternoon." | 0:10:15 | 0:10:17 | |
LAUGHTER | 0:10:17 | 0:10:19 | |
What do you think? | 0:10:19 | 0:10:20 | |
I think he's nuts. | 0:10:20 | 0:10:21 | |
Well, it's easy to scoff at these people. | 0:10:22 | 0:10:24 | |
What if we found out that in fact he could speak Venusian? | 0:10:24 | 0:10:27 | |
The first thing he would say is, "Where's the dentist?" | 0:10:27 | 0:10:30 | |
wouldn't he? | 0:10:30 | 0:10:31 | |
-Why? -He's got no teeth! | 0:10:31 | 0:10:33 | |
LAUGHTER | 0:10:33 | 0:10:35 | |
APPLAUSE | 0:10:36 | 0:10:38 | |
When it comes to astrology, it's so ridiculous. | 0:10:40 | 0:10:42 | |
For example, I have the same birthday as George Harrison, | 0:10:42 | 0:10:46 | |
and I just feel like there are zero parallels | 0:10:46 | 0:10:49 | |
that have been going on in our lives. | 0:10:49 | 0:10:50 | |
He would have worn that top. | 0:10:50 | 0:10:52 | |
LAUGHTER | 0:10:52 | 0:10:54 | |
-I would like to think so. -Yeah. | 0:10:56 | 0:10:58 | |
Russell Grant did my star chart once | 0:10:58 | 0:11:00 | |
and he said that my career would last seven years, | 0:11:00 | 0:11:03 | |
and I would never hold down a long-term relationship. | 0:11:03 | 0:11:07 | |
And? | 0:11:07 | 0:11:08 | |
And we didn't. We only lasted about two years, me and him. | 0:11:09 | 0:11:12 | |
LAUGHTER | 0:11:12 | 0:11:14 | |
APPLAUSE | 0:11:14 | 0:11:16 | |
OK, what doesn't Jameela like about modern life? | 0:11:18 | 0:11:21 | |
Mine is bad break-up etiquette. | 0:11:28 | 0:11:31 | |
Is there a good way to break-up? | 0:11:31 | 0:11:33 | |
Yeah, but first let me tell you the bad way to break-up... | 0:11:33 | 0:11:36 | |
-OK. -..which is purely on, like, the mobile phone or e-mail. | 0:11:36 | 0:11:39 | |
I've often wondered about this. | 0:11:39 | 0:11:41 | |
I don't see why it's better to do it face-to-face. | 0:11:41 | 0:11:44 | |
No, I agree with you. | 0:11:44 | 0:11:45 | |
I believe in a preliminary textual break-up. | 0:11:45 | 0:11:48 | |
I think it should be done always in two rounds. | 0:11:48 | 0:11:50 | |
So, round one, you let them know. | 0:11:50 | 0:11:52 | |
So when I'm doing it, I text someone, just going, | 0:11:52 | 0:11:55 | |
"We need to talk, dot-dot-dot, no kiss." | 0:11:55 | 0:11:57 | |
-Yes. -And then you know... You know something... | 0:11:57 | 0:11:59 | |
That's awful. That's torture. | 0:11:59 | 0:12:01 | |
No, but it's not torture because it gives you time. | 0:12:01 | 0:12:03 | |
If a man sends me that, I've got time. | 0:12:03 | 0:12:05 | |
I need 24 hours. | 0:12:05 | 0:12:06 | |
I've got to sort out my situation. | 0:12:06 | 0:12:08 | |
You've got to make sure that you've got a great dress. | 0:12:08 | 0:12:10 | |
You've got to look amazing. 24 hours without carbs. | 0:12:10 | 0:12:13 | |
You've got to let all the puff from all the crying, | 0:12:13 | 0:12:15 | |
like, settle down, and then you have to arrange for Ryan Gosling | 0:12:15 | 0:12:18 | |
to be outside, to propose to you on the spot as soon as you leave. | 0:12:18 | 0:12:23 | |
Do you have a set method for finishing with someone? | 0:12:23 | 0:12:25 | |
It's always, "We need to talk, dot-dot-dot, no kiss." | 0:12:25 | 0:12:28 | |
-Always? -Always. That's my standard, | 0:12:28 | 0:12:30 | |
so that they've got time to prepare themselves. | 0:12:30 | 0:12:32 | |
Maybe they'll even win me back, cos they'll come, | 0:12:32 | 0:12:35 | |
you know, ready and prepared. | 0:12:35 | 0:12:36 | |
It's interesting, the whole texting thing, cos like Des, you know, | 0:12:36 | 0:12:39 | |
when I first started going out with people, there was no texting. | 0:12:39 | 0:12:42 | |
I was once dumped by carrier pigeon. | 0:12:42 | 0:12:44 | |
LAUGHTER | 0:12:44 | 0:12:46 | |
I could tell there was something wrong from the flight path. | 0:12:46 | 0:12:49 | |
LAUGHTER | 0:12:49 | 0:12:51 | |
I dumped someone by text | 0:12:51 | 0:12:54 | |
when text was still in its infancy. | 0:12:54 | 0:12:56 | |
I dumped someone on this phone... | 0:12:56 | 0:12:59 | |
And what I thought would be clever | 0:13:00 | 0:13:02 | |
was to dump them in the style of a game show host. | 0:13:02 | 0:13:06 | |
Yes, it seemed a good idea at the time. | 0:13:07 | 0:13:09 | |
LAUGHTER | 0:13:09 | 0:13:11 | |
I'm going to change her name. | 0:13:11 | 0:13:12 | |
And it says, | 0:13:12 | 0:13:14 | |
"Unfortunately we're going to have to say goodbye to Julie... | 0:13:14 | 0:13:18 | |
"..but she doesn't leave empty-handed". | 0:13:19 | 0:13:22 | |
LAUGHTER | 0:13:22 | 0:13:24 | |
And then I list the various things that I bought her during the... | 0:13:24 | 0:13:28 | |
LAUGHTER AND GASPS | 0:13:28 | 0:13:31 | |
During the relationship. | 0:13:31 | 0:13:34 | |
I won't list them now, but I thought it was... | 0:13:34 | 0:13:36 | |
I don't feel like a bad person any more. | 0:13:36 | 0:13:38 | |
LAUGHTER | 0:13:38 | 0:13:40 | |
There is also another way online to be dumped, | 0:13:41 | 0:13:44 | |
which I think is amazing, | 0:13:44 | 0:13:46 | |
where you can pay a celebrity to dump | 0:13:46 | 0:13:48 | |
someone for you on a video message. | 0:13:48 | 0:13:50 | |
-Really? -I thought you'd be more shocked, really. I expected... | 0:13:51 | 0:13:54 | |
-I'm taking it in. -Des is thinking, | 0:13:54 | 0:13:56 | |
"There might be some money in this". | 0:13:56 | 0:13:57 | |
LAUGHTER | 0:13:57 | 0:14:00 | |
OK, we've come to the end of this round. | 0:14:00 | 0:14:03 | |
I don't know if there's such a thing as good break-up etiquette. | 0:14:03 | 0:14:07 | |
I think you're going to hurt someone however you do it. | 0:14:07 | 0:14:09 | |
You're kind of stuck with it, and people do it to make them | 0:14:09 | 0:14:12 | |
feel better, rather than the other person. | 0:14:12 | 0:14:14 | |
Being dumped is just pretty bad, generally. | 0:14:14 | 0:14:17 | |
Horoscopes, I still like to believe, Des, | 0:14:17 | 0:14:19 | |
there might be a little something in there, | 0:14:19 | 0:14:21 | |
at least for the racehorses, | 0:14:21 | 0:14:24 | |
if nothing else. | 0:14:24 | 0:14:25 | |
But those people who tilt their plane seats back, | 0:14:25 | 0:14:29 | |
don't even ask, and you have to... | 0:14:29 | 0:14:30 | |
The whole thing with their product in your face, | 0:14:30 | 0:14:34 | |
it's just not acceptable. | 0:14:34 | 0:14:36 | |
I am going to put people who tilt back their plane seats | 0:14:36 | 0:14:38 | |
into Room 101. | 0:14:38 | 0:14:40 | |
Yes! | 0:14:40 | 0:14:41 | |
CHEERING AND APPLAUSE | 0:14:41 | 0:14:42 | |
Next category, please. | 0:14:53 | 0:14:54 | |
It's Friends and Family. | 0:15:00 | 0:15:02 | |
Hoo! OK. | 0:15:02 | 0:15:04 | |
Let's see what Adrian doesn't like about his friends and family. | 0:15:04 | 0:15:08 | |
I can't bear it when people come round to my house | 0:15:15 | 0:15:18 | |
or wherever I might cook for them and they don't eat what I've cooked. | 0:15:18 | 0:15:23 | |
I don't so much mean fussy eaters, cos I will have taken the trouble | 0:15:23 | 0:15:27 | |
to find out what they do and don't want. | 0:15:27 | 0:15:29 | |
But somebody who comes and just pushes little bits | 0:15:29 | 0:15:33 | |
to the side of the plate and just leaves it. | 0:15:33 | 0:15:36 | |
I can't bear it. It ruins the night for me. | 0:15:36 | 0:15:38 | |
-Maybe you make disgusting food. -No, I don't. Do I, Frank? | 0:15:38 | 0:15:41 | |
LAUGHTER | 0:15:41 | 0:15:42 | |
I wouldn't call it disgusting exactly... | 0:15:42 | 0:15:45 | |
LAUGHTER | 0:15:45 | 0:15:47 | |
The anger, when I find it most overwhelming, | 0:15:47 | 0:15:50 | |
was one night I cooked in a... I cooked in a restaurant. | 0:15:50 | 0:15:53 | |
It was for a TV thing I did, | 0:15:53 | 0:15:54 | |
and anyone who's cooked in a restaurant will know, | 0:15:54 | 0:15:56 | |
you can be a competent home cook, but the difference between | 0:15:56 | 0:15:59 | |
that and cooking in a restaurant - two wholly different things. | 0:15:59 | 0:16:02 | |
Anyway, I plated up my dishes. | 0:16:02 | 0:16:04 | |
My mum's Croatian, so it was a Croatian-type thing. | 0:16:04 | 0:16:07 | |
And then, fantastically, some orders came in | 0:16:07 | 0:16:10 | |
and then it went out the door | 0:16:10 | 0:16:12 | |
and I was so excited and then half an hour later, | 0:16:12 | 0:16:16 | |
the waiters came back and there was... Some of it was clean plates. | 0:16:16 | 0:16:20 | |
Others had just kind of left it. | 0:16:20 | 0:16:22 | |
I became livid. In fact, I stopped cooking. | 0:16:22 | 0:16:26 | |
There was a little port hole looking out onto the diners | 0:16:26 | 0:16:29 | |
and I was just looking round... | 0:16:29 | 0:16:32 | |
I couldn't stand the thought | 0:16:32 | 0:16:33 | |
that they didn't like what I'd cooked for them. | 0:16:33 | 0:16:35 | |
In fact, one of the diners that night, | 0:16:35 | 0:16:37 | |
who was pushing my food down the plate, was Wayne Sleep | 0:16:37 | 0:16:40 | |
and it was all I could do to stop myself | 0:16:40 | 0:16:43 | |
just bowling out and just shaking him. | 0:16:43 | 0:16:45 | |
He's only about this big. | 0:16:47 | 0:16:48 | |
I know. It wouldn't have been a good look, would it? | 0:16:48 | 0:16:50 | |
-Beating up Wayne Sleep cos he didn't eat my... -No. | 0:16:50 | 0:16:53 | |
He'd have been fighting you off with a fork like this. | 0:16:53 | 0:16:56 | |
It's come down a generation, cos my mum's from the former Yugoslavia | 0:16:58 | 0:17:01 | |
and can't bear to see food wasted. | 0:17:01 | 0:17:04 | |
I'll get the train up to Manchester to work often | 0:17:04 | 0:17:07 | |
and in the morning, you get a free sausage bap. | 0:17:07 | 0:17:10 | |
And a bloke came along to me and he had a big platter of them. | 0:17:10 | 0:17:13 | |
He said, "Do you want sausage or bacon?" I went, "Dunno." | 0:17:13 | 0:17:16 | |
He said, "Have both." | 0:17:16 | 0:17:17 | |
So I had a sausage bap and a bacon bap. | 0:17:17 | 0:17:20 | |
Had all those. I'd already had breakfast before, by the way. | 0:17:20 | 0:17:24 | |
He came back later. He was a Scouser, this bloke. | 0:17:24 | 0:17:27 | |
Again, huge platter, big pile of baps. | 0:17:27 | 0:17:30 | |
And he said..."I'm about to bin these. Do you want any more?" | 0:17:30 | 0:17:34 | |
And he might as well have said, | 0:17:34 | 0:17:35 | |
he might as well have been holding a kitten, | 0:17:35 | 0:17:37 | |
saying "Nobody wants this kitten. | 0:17:37 | 0:17:39 | |
"I'm going to flush it down the toilet." It felt the same. | 0:17:39 | 0:17:42 | |
-I had four more, Frank. -LAUGHTER | 0:17:42 | 0:17:45 | |
I swear to God, I had four more. | 0:17:45 | 0:17:47 | |
I had six huge... Six huge baps. | 0:17:47 | 0:17:52 | |
My day was in tatters by the time I got to Milton Keynes. | 0:17:52 | 0:17:56 | |
Flatulent... Bloated... | 0:17:56 | 0:18:00 | |
-Awful. -Yes. | 0:18:00 | 0:18:01 | |
I should say that Adrian and I once went to, erm, I think | 0:18:01 | 0:18:04 | |
it was Leicester City - West Brom, | 0:18:04 | 0:18:06 | |
and on the way, on the motorway, we went to KFC. | 0:18:06 | 0:18:09 | |
And we had a three-piece dinner each. With coleslaw! | 0:18:09 | 0:18:13 | |
LAUGHTER | 0:18:13 | 0:18:15 | |
Yeah. And then we went to the match. I think we might have even won. | 0:18:15 | 0:18:18 | |
And on the way back, Adrian said, "Are you hungry?" | 0:18:18 | 0:18:21 | |
And I said, "Yeah, I'm quite hungry." | 0:18:21 | 0:18:22 | |
So we stopped at the same KFC and had the same again. | 0:18:22 | 0:18:25 | |
I can honestly say I've never felt closer to the Colonel. | 0:18:27 | 0:18:31 | |
OK, what doesn't Jameela like about her friends and family? | 0:18:33 | 0:18:37 | |
I don't like bad flatmates. | 0:18:43 | 0:18:45 | |
It's always a tricky one, especially when you move in with strangers, | 0:18:45 | 0:18:48 | |
which I think is a really bad idea, | 0:18:48 | 0:18:50 | |
cos you don't know if they're going to murder you in your sleep. | 0:18:50 | 0:18:52 | |
You have no idea who you're moving in with. | 0:18:52 | 0:18:54 | |
But I feel like moving in with mates can completely change | 0:18:54 | 0:18:59 | |
and destroy a friendship as has happened to me on several occasions. | 0:18:59 | 0:19:03 | |
-So have you had some bad flatmates? -Yeah. | 0:19:03 | 0:19:06 | |
God, I've had some awful flatmates! | 0:19:06 | 0:19:08 | |
Erm, and there's a long list of things you can do | 0:19:08 | 0:19:11 | |
to make someone hate you when you're living with them. | 0:19:11 | 0:19:14 | |
One of the really bad ones is I had a flatmate who used to urinate in, | 0:19:14 | 0:19:17 | |
erm... in, like, water bottles. | 0:19:17 | 0:19:21 | |
And just leave them round the house. GROANING | 0:19:21 | 0:19:23 | |
-Why? -Cos if there was someone else in the bathroom, | 0:19:23 | 0:19:26 | |
when you've got to go, you've got to go. | 0:19:26 | 0:19:27 | |
And then I find messy flatmates really awful and disgusting. | 0:19:27 | 0:19:31 | |
The point at which I had to leave my last flat was the point | 0:19:31 | 0:19:34 | |
when it started to look like an episode of Breaking Bad. | 0:19:34 | 0:19:37 | |
Erm, note leavers. | 0:19:37 | 0:19:39 | |
I hate note leavers. | 0:19:40 | 0:19:42 | |
We had one woman who wouldn't let us leave the kitchen open | 0:19:42 | 0:19:47 | |
when we were cooking because she claimed that her clothes - | 0:19:47 | 0:19:50 | |
three floors up! - would smell of the food. Even toast! | 0:19:50 | 0:19:53 | |
I've got some notes, some actual examples of notes. | 0:19:54 | 0:19:59 | |
This is a sort of "Do the washing up" note. | 0:19:59 | 0:20:02 | |
LAUGHTER | 0:20:05 | 0:20:08 | |
That's quite clever. | 0:20:08 | 0:20:10 | |
I had someone once write a note - when people leave notes | 0:20:10 | 0:20:13 | |
on their food in the fridge - and she once wrote, erm, "Don't eat this. | 0:20:13 | 0:20:17 | |
"I've spat in it." | 0:20:17 | 0:20:18 | |
So I just wrote underneath it, "So have I." | 0:20:18 | 0:20:20 | |
LAUGHTER | 0:20:20 | 0:20:22 | |
But this note, I think this, as flatmates go, is a work of art. | 0:20:22 | 0:20:26 | |
GROANING | 0:20:28 | 0:20:30 | |
That's "I unclogged the drain" done in human hair. | 0:20:30 | 0:20:33 | |
There's a very good method | 0:20:35 | 0:20:37 | |
for stopping people eating your food, flatmates. | 0:20:37 | 0:20:40 | |
If you get, say, a nice sandwich like this in the fridge | 0:20:40 | 0:20:43 | |
that you're looking forward to when you get back, | 0:20:43 | 0:20:45 | |
you take one of these sandwich bags and put it in. | 0:20:45 | 0:20:49 | |
Oh, that's amazing! | 0:20:49 | 0:20:50 | |
And it looks like a mouldy sandwich. What a fantastic idea. | 0:20:53 | 0:20:56 | |
That's incredible. | 0:20:56 | 0:20:57 | |
OK, what doesn't Des O'Connor like about friends and family? | 0:20:58 | 0:21:02 | |
Birthday cards. | 0:21:08 | 0:21:10 | |
I just... I think kids should get birthday cards, | 0:21:11 | 0:21:14 | |
but I don't think we adults need birthday cards. | 0:21:14 | 0:21:16 | |
I hate the ones with the little badge on which says how old you are. | 0:21:16 | 0:21:20 | |
LAUGHTER | 0:21:20 | 0:21:21 | |
How old do they go, Des? Those badges? | 0:21:21 | 0:21:24 | |
High enough! | 0:21:24 | 0:21:26 | |
There's too many cards. | 0:21:26 | 0:21:27 | |
Don't get me wrong, I like silly cards and fun cards, | 0:21:27 | 0:21:30 | |
but I just think... For instance, some women complain | 0:21:30 | 0:21:33 | |
because their husband forgets the anniversary. | 0:21:33 | 0:21:36 | |
There's one way you can stop that - marry him on his birthday. | 0:21:36 | 0:21:41 | |
Then they will never forget. | 0:21:41 | 0:21:42 | |
-My dad actually did that. -Really? -Yeah. | 0:21:42 | 0:21:44 | |
Married someone on their birthday? | 0:21:44 | 0:21:46 | |
Yeah. My mum. | 0:21:46 | 0:21:47 | |
LAUGHTER | 0:21:47 | 0:21:49 | |
Do you buy birthday presents? | 0:21:53 | 0:21:54 | |
Yeah. | 0:21:54 | 0:21:56 | |
-OK. -LAUGHTER | 0:21:56 | 0:21:59 | |
Me and my girlfriend, we don't. | 0:21:59 | 0:22:00 | |
We came to an agreement | 0:22:00 | 0:22:01 | |
that we wouldn't buy birthday or Christmas presents. | 0:22:01 | 0:22:04 | |
And my argument was I said to her, "The thing is, | 0:22:04 | 0:22:07 | |
"if I ever see anything I want to buy you, | 0:22:07 | 0:22:09 | |
-"I don't need a special day." -That's what I'm saying. | 0:22:09 | 0:22:12 | |
Do you know, I've never bought her a present from that day. | 0:22:12 | 0:22:16 | |
-LAUGHTER -It's true! | 0:22:16 | 0:22:19 | |
My brother used to sometimes on Christmas or on birthday morning, | 0:22:19 | 0:22:22 | |
would come through and be like, "Can I borrow 20 quid?" | 0:22:22 | 0:22:24 | |
I'd give him 20 quid and he'd give it back to me | 0:22:24 | 0:22:26 | |
in a card later for my birthday. | 0:22:26 | 0:22:29 | |
My mum's taken... | 0:22:29 | 0:22:30 | |
It's a sign of old age on my part, she's taken to buying me | 0:22:30 | 0:22:34 | |
the most, on the face of it, boring presents. | 0:22:34 | 0:22:37 | |
She bought me - no word of a lie, the birthday before last - | 0:22:37 | 0:22:40 | |
a ball of string. | 0:22:40 | 0:22:42 | |
-I can honestly say... -Does she think you're a cat? | 0:22:42 | 0:22:45 | |
No, I was delighted! | 0:22:45 | 0:22:46 | |
I thought, you know, I haven't got a ball of string! | 0:22:46 | 0:22:50 | |
No, really, it came on a little dispenser thing, | 0:22:50 | 0:22:52 | |
so you, like, pull it off. Beautiful. | 0:22:52 | 0:22:55 | |
I have to say, I like practical presents. | 0:22:55 | 0:22:57 | |
People moan about socks and pants - I like socks, pants, diesel... | 0:22:57 | 0:23:02 | |
LAUGHTER | 0:23:02 | 0:23:04 | |
You must be hard to buy for, though, Des. | 0:23:04 | 0:23:07 | |
I think you're the man who has everything. | 0:23:07 | 0:23:09 | |
Yeah, I'm OK. I'm a happy boy. | 0:23:09 | 0:23:11 | |
And like Adrian said, I can't get uptight about things. | 0:23:11 | 0:23:14 | |
I think people worry too much about things. | 0:23:14 | 0:23:15 | |
Don't worry about someone tipping their seat up. | 0:23:15 | 0:23:18 | |
Don't worry if someone doesn't eat the food. | 0:23:18 | 0:23:20 | |
Don't worry if you don't like | 0:23:20 | 0:23:21 | |
your...person that's living with you. | 0:23:21 | 0:23:23 | |
So if your partner didn't get you a birthday card | 0:23:23 | 0:23:25 | |
-for your next birthday...? -I'd be happy. | 0:23:25 | 0:23:27 | |
-Really? -I couldn't care less! | 0:23:27 | 0:23:29 | |
What is a piece of cardboard? What's that? | 0:23:29 | 0:23:31 | |
That's not love. That's not affection. | 0:23:31 | 0:23:32 | |
That's not really caring, is it? | 0:23:32 | 0:23:35 | |
APPLAUSE | 0:23:35 | 0:23:37 | |
This show is turning into Life Lessons From Des O'Connor. | 0:23:37 | 0:23:41 | |
OK. So we come to, erm, my decision. | 0:23:41 | 0:23:46 | |
Flatmates...can be very difficult to live with. | 0:23:46 | 0:23:52 | |
I think you see what human beings can be | 0:23:52 | 0:23:56 | |
when you live with them like that. | 0:23:56 | 0:23:58 | |
I think people not eating your food, | 0:23:58 | 0:23:59 | |
there could be many, many reasons for that. | 0:23:59 | 0:24:02 | |
They could have just had five bacon baps on the train... | 0:24:02 | 0:24:05 | |
LAUGHTER | 0:24:05 | 0:24:08 | |
And birthdays, I can see how they might get boring after a while... | 0:24:08 | 0:24:12 | |
Yes. | 0:24:12 | 0:24:14 | |
But I think people do like the opportunity just to say | 0:24:14 | 0:24:16 | |
"I love you," even if it's with a card. | 0:24:16 | 0:24:18 | |
Otherwise, they tend to not say anything at all. | 0:24:18 | 0:24:21 | |
-I think I am going to put bad flatmates into Room 101. -Yes! | 0:24:21 | 0:24:25 | |
APPLAUSE | 0:24:25 | 0:24:28 | |
Next category, please. | 0:24:34 | 0:24:36 | |
It's the Wildcard round. | 0:24:41 | 0:24:42 | |
The gloves are off. You can choose anything at all that you like, | 0:24:42 | 0:24:45 | |
or, indeed, don't like. | 0:24:45 | 0:24:47 | |
So, what is Jameela's wildcard? | 0:24:47 | 0:24:50 | |
It's loud eaters. | 0:24:56 | 0:24:57 | |
APPLAUSE Yeah. Yeah, you know. | 0:24:59 | 0:25:02 | |
They know. | 0:25:02 | 0:25:04 | |
It's the, like, | 0:25:04 | 0:25:06 | |
the mouth open, the... | 0:25:06 | 0:25:08 | |
SHE CHOMPS | 0:25:08 | 0:25:09 | |
Yeah, hm. | 0:25:09 | 0:25:11 | |
You know, those people where it sounds like | 0:25:11 | 0:25:13 | |
there's just sort of like a wave of just | 0:25:13 | 0:25:16 | |
half-masticated cow rolling around, | 0:25:16 | 0:25:19 | |
like a washing machine, and you can see it when they're eating it, | 0:25:19 | 0:25:23 | |
and bits of it, like, splash out, | 0:25:23 | 0:25:24 | |
either into your food or onto your face. | 0:25:24 | 0:25:27 | |
AUDIENCE GROANS I physically, like, recoil. | 0:25:27 | 0:25:29 | |
I can't be in a room with that sound. | 0:25:29 | 0:25:32 | |
I would dump someone, the love of my life, | 0:25:32 | 0:25:34 | |
over that. | 0:25:34 | 0:25:35 | |
That's how bad it is. | 0:25:35 | 0:25:37 | |
Would you be aware of this in yourself, if you were a loud chewer? | 0:25:37 | 0:25:39 | |
Yeah, and I'm always really forthright | 0:25:39 | 0:25:41 | |
with telling people that they can tell me if I'm making any noises, | 0:25:41 | 0:25:44 | |
because it's another phobia of mine, | 0:25:44 | 0:25:46 | |
that I would be loud. | 0:25:46 | 0:25:48 | |
Have you ever had a sloppy kisser? | 0:25:48 | 0:25:52 | |
Oh, yeah. Oh! | 0:25:52 | 0:25:53 | |
Oh, God, that's the worst. | 0:25:53 | 0:25:55 | |
-Hm. -Sloppy or noisy? | 0:25:55 | 0:25:56 | |
-Oh, sloppy AND noisy. -Well, it's both. | 0:25:56 | 0:25:59 | |
Just the worst, you know, | 0:25:59 | 0:26:00 | |
where you need, like, a towel afterwards. | 0:26:00 | 0:26:03 | |
Yes. Yes, well, I went out with... | 0:26:03 | 0:26:05 | |
-That's horrendous. -I went out with one woman, | 0:26:05 | 0:26:07 | |
she was lovely but she was saliva-heavy. | 0:26:07 | 0:26:10 | |
LAUGHTER | 0:26:10 | 0:26:12 | |
When she came in for the kiss, I used to put one of these on. | 0:26:12 | 0:26:15 | |
LAUGHTER | 0:26:15 | 0:26:17 | |
APPLAUSE | 0:26:18 | 0:26:20 | |
AIR WHIRS INTO THE MACHINE | 0:26:20 | 0:26:22 | |
Was she trying to run away from you? | 0:26:25 | 0:26:28 | |
Well, she was slipping away from me. | 0:26:28 | 0:26:30 | |
LAUGHTER | 0:26:30 | 0:26:31 | |
It's like trying to hold on to a large fish. | 0:26:31 | 0:26:34 | |
There's a fabulous clip. | 0:26:34 | 0:26:37 | |
This is... Two virgins married.... | 0:26:37 | 0:26:40 | |
It sounds like the beginning of one of Des's jokes. | 0:26:40 | 0:26:43 | |
LAUGHTER | 0:26:43 | 0:26:45 | |
Two virgins married, but they hadn't even kissed before. | 0:26:45 | 0:26:48 | |
They'd completely had no... | 0:26:48 | 0:26:50 | |
Apart from holding hands, that was it. | 0:26:50 | 0:26:52 | |
And they did their first ever kiss on film, | 0:26:52 | 0:26:55 | |
and this is... | 0:26:55 | 0:26:57 | |
The virgins have their first kiss. | 0:26:57 | 0:27:00 | |
APPLAUSE | 0:27:00 | 0:27:02 | |
GENTLE MUSIC FLOWS | 0:27:02 | 0:27:03 | |
I was just waiting and then all of a sudden, | 0:27:08 | 0:27:10 | |
"You may kiss the bride", and I'm like, "Oh, yeah, it's time. | 0:27:10 | 0:27:12 | |
"You've got to get ready and I've got to do this". | 0:27:12 | 0:27:16 | |
CHEERING AND APPLAUSE | 0:27:16 | 0:27:18 | |
LAUGHTER | 0:27:25 | 0:27:27 | |
She had no tongue at the end of it. | 0:27:29 | 0:27:30 | |
LAUGHTER | 0:27:30 | 0:27:32 | |
That's assault. | 0:27:32 | 0:27:33 | |
I know, it's one of the most horrible kisses I've ever seen. | 0:27:33 | 0:27:37 | |
You know what? It's also awful if they're, like, completely, | 0:27:37 | 0:27:40 | |
like, dry in the mouth as well, | 0:27:40 | 0:27:42 | |
so then it feels like you're just... Like their tongue is... | 0:27:42 | 0:27:45 | |
Everything is like the Sahara Desert in there, | 0:27:45 | 0:27:47 | |
and then it feels like you're just being poked | 0:27:47 | 0:27:49 | |
with a bit of, like, raw broccoli. | 0:27:49 | 0:27:50 | |
LAUGHTER | 0:27:50 | 0:27:52 | |
Can we ask you, | 0:27:52 | 0:27:55 | |
do you kiss a lot of cats? | 0:27:55 | 0:27:57 | |
LAUGHTER | 0:27:57 | 0:27:59 | |
Now, here's an interesting theory. | 0:27:59 | 0:28:01 | |
If you sit next to someone every day at breakfast, for example, | 0:28:01 | 0:28:05 | |
and say you are annoyed by the noise they make, | 0:28:05 | 0:28:08 | |
there's an argument that the problem is your left ear. | 0:28:08 | 0:28:11 | |
If you're hearing it from your left-hand side, | 0:28:11 | 0:28:14 | |
because your left ear feeds information to the right side | 0:28:14 | 0:28:18 | |
of your brain, and the right side of your brain is where emotion dwells. | 0:28:18 | 0:28:22 | |
But I've found a way around this. | 0:28:22 | 0:28:24 | |
So, if your lover sits to the left of you | 0:28:24 | 0:28:26 | |
and you're getting emotional about their eating, | 0:28:26 | 0:28:29 | |
this is a guy called Dominic Wilcox, invented this, | 0:28:29 | 0:28:34 | |
the Reverse Listening Device. | 0:28:34 | 0:28:36 | |
LAUGHTER | 0:28:36 | 0:28:37 | |
And, erm... | 0:28:37 | 0:28:39 | |
I can actually hear now through my left ear | 0:28:39 | 0:28:41 | |
what's happening on my right-hand side. | 0:28:41 | 0:28:43 | |
How do you know? | 0:28:43 | 0:28:44 | |
-What? -LAUGHTER | 0:28:44 | 0:28:47 | |
So, no... Hang on. So... | 0:28:47 | 0:28:48 | |
Do you want to try it on? | 0:28:48 | 0:28:49 | |
But, like, if I'm doing this... | 0:28:49 | 0:28:50 | |
-SHE CLICKS HER FINGERS -I can hear that in my left ear. | 0:28:50 | 0:28:53 | |
-Really? -Honestly, I swear. -Amazing. | 0:28:53 | 0:28:54 | |
Do you want to try it on? | 0:28:54 | 0:28:55 | |
Yeah, no, go on. Give it here. | 0:28:55 | 0:28:57 | |
Careful with it, because it's a one-off. | 0:28:57 | 0:28:59 | |
Let me... Shall I place it? | 0:28:59 | 0:29:01 | |
Oh, it's like winning Miss World... | 0:29:01 | 0:29:03 | |
on Saturn. | 0:29:03 | 0:29:05 | |
LAUGHTER | 0:29:05 | 0:29:06 | |
All right, I'm going to click it over here, ready? | 0:29:06 | 0:29:09 | |
HE CLICKS HIS FINGERS | 0:29:09 | 0:29:11 | |
Oh, that's amazing! | 0:29:11 | 0:29:12 | |
It's one of the best things that's ever... | 0:29:12 | 0:29:14 | |
I'm keeping this. This is mine. | 0:29:14 | 0:29:16 | |
-LAUGHTER -OK. | 0:29:16 | 0:29:18 | |
APPLAUSE | 0:29:21 | 0:29:22 | |
-Boo! -Argh! | 0:29:22 | 0:29:24 | |
LAUGHTER AND APPLAUSE | 0:29:24 | 0:29:25 | |
Surely you should have jumped that way? | 0:29:27 | 0:29:29 | |
It was his face, no offence. | 0:29:30 | 0:29:32 | |
You've got a lovely face. | 0:29:32 | 0:29:34 | |
OK, I'll come and get it. | 0:29:34 | 0:29:36 | |
Unfortunately, it's in the Aston Villa colours. | 0:29:38 | 0:29:40 | |
You can't have everything. | 0:29:40 | 0:29:42 | |
OK, what is Adrian's wildcard? | 0:29:44 | 0:29:47 | |
It's women's shoes where you can see the toes, | 0:29:55 | 0:29:59 | |
and the toes stray beyond the end of the shoe. | 0:29:59 | 0:30:03 | |
LAUGHTER | 0:30:03 | 0:30:05 | |
Literally, I can see that coming 100 yards away. | 0:30:05 | 0:30:10 | |
I mean, you've got to justify why you feel like this. | 0:30:10 | 0:30:13 | |
I don't know. | 0:30:13 | 0:30:14 | |
I can't bear to... I can't look at it. | 0:30:14 | 0:30:17 | |
I find it... I just find it awful. | 0:30:17 | 0:30:19 | |
I feel like... It's like I want to file them off. | 0:30:19 | 0:30:21 | |
LAUGHTER | 0:30:21 | 0:30:23 | |
Do you know, I went to some award ceremony, | 0:30:23 | 0:30:25 | |
it was the Pride of Britain Awards a couple of years ago, | 0:30:25 | 0:30:27 | |
and I was actually sitting on Piers Morgan's table, | 0:30:27 | 0:30:29 | |
and he said, "Come here. You, sit down". | 0:30:29 | 0:30:32 | |
So, I sat down next to Elle Macpherson. | 0:30:32 | 0:30:35 | |
I didn't know what to talk to her about. | 0:30:35 | 0:30:37 | |
Anyway, we had quite a nice conversation. | 0:30:37 | 0:30:39 | |
I thought, "Getting on rather well, who knows?" | 0:30:39 | 0:30:41 | |
And then she got up... | 0:30:41 | 0:30:43 | |
She got up to give an award, | 0:30:43 | 0:30:44 | |
and as she unravelled her 18-foot-long legs, | 0:30:44 | 0:30:49 | |
pulled them out, and she had high heels on. | 0:30:49 | 0:30:52 | |
It wasn't actually dissimilar to that. | 0:30:52 | 0:30:55 | |
There was that much toe-age coming off the end. | 0:30:55 | 0:30:58 | |
Well, sometimes really tall women can't get their feet in shoes! | 0:30:58 | 0:31:01 | |
Well, you've got to get bigger shoes, then. | 0:31:01 | 0:31:03 | |
There aren't bigger shoes. I don't want to have to go | 0:31:03 | 0:31:06 | |
to Long Tall Sally to get my shoes! | 0:31:06 | 0:31:08 | |
LAUGHTER | 0:31:08 | 0:31:09 | |
Shoes worry me. I worry about the pressure in your toes there. | 0:31:09 | 0:31:13 | |
They must be all scrunched up. | 0:31:13 | 0:31:14 | |
I just want to see you in trainers or something. | 0:31:14 | 0:31:17 | |
I like the fact that women wear really uncomfortable shoes. | 0:31:17 | 0:31:20 | |
That shows a sort of courage. | 0:31:20 | 0:31:22 | |
You know, when you get like a plaster on the heel | 0:31:22 | 0:31:25 | |
and then some of the toes look like pigs in a blanket... | 0:31:25 | 0:31:28 | |
LAUGHTER | 0:31:28 | 0:31:30 | |
..but they still put colourful nail varnish on. | 0:31:30 | 0:31:32 | |
It's like a wounded soldier in his dress uniform. | 0:31:32 | 0:31:35 | |
LAUGHTER | 0:31:35 | 0:31:36 | |
I think it's lovely. | 0:31:36 | 0:31:38 | |
Oh, the battered feet of a ballerina! | 0:31:38 | 0:31:41 | |
Have you seen men's feet? | 0:31:41 | 0:31:44 | |
Yeah, that's a fair point. | 0:31:44 | 0:31:46 | |
I mean, you have to cover that up. | 0:31:46 | 0:31:48 | |
But do yours stray? Would yours stray? | 0:31:48 | 0:31:50 | |
-Yes. -Does it make you uncomfortable? | 0:31:50 | 0:31:52 | |
Oh, my God, it's like they're trying to find Neverland. | 0:31:52 | 0:31:54 | |
It's awful, but I can't help it because I'm a size eight. | 0:31:54 | 0:31:58 | |
Eight is not that big. | 0:31:58 | 0:31:59 | |
That Kate Winslet is a nine. | 0:31:59 | 0:32:01 | |
-No, she's not. -She is. -She's a seven. | 0:32:01 | 0:32:03 | |
-No, she's a nine. -Selina Scott's a ten. | 0:32:03 | 0:32:06 | |
What does she wear? Actual canoes? | 0:32:06 | 0:32:08 | |
LAUGHTER | 0:32:08 | 0:32:10 | |
I like this, it's like women's feet Top Trumps. | 0:32:10 | 0:32:12 | |
LAUGHTER | 0:32:12 | 0:32:14 | |
What about this? This is Julianne Moore | 0:32:15 | 0:32:18 | |
and she looks lovely, I think you'll agree... | 0:32:18 | 0:32:21 | |
-Yeah. -..glamorous at a big red carpet do. | 0:32:21 | 0:32:23 | |
But let's close in on the feet. | 0:32:23 | 0:32:25 | |
Oh, no! | 0:32:25 | 0:32:27 | |
LAUGHTER | 0:32:27 | 0:32:29 | |
-Are you serious?! -That is quite unacceptable, to be fair. | 0:32:31 | 0:32:34 | |
Oh, God, I'll have nightmares about them. | 0:32:34 | 0:32:37 | |
Her feet seem to be paddling. | 0:32:37 | 0:32:39 | |
LAUGHTER | 0:32:39 | 0:32:41 | |
Oh, God. | 0:32:42 | 0:32:44 | |
They're just the wrong size, aren't they? | 0:32:44 | 0:32:46 | |
So, you're not with Adrian on this, Des? | 0:32:46 | 0:32:49 | |
No, no, feet never bothered me that much. | 0:32:49 | 0:32:51 | |
It wasn't the first thing I'd look for, I must be honest. | 0:32:51 | 0:32:54 | |
LAUGHTER | 0:32:54 | 0:32:55 | |
It used to be the first thing I'd look for, | 0:32:55 | 0:32:57 | |
but I was usually on the floor drunk at the time. | 0:32:57 | 0:32:59 | |
This is a woman, now... | 0:33:01 | 0:33:02 | |
Now, this is what I... | 0:33:02 | 0:33:03 | |
I admire women who will wear shoes | 0:33:03 | 0:33:06 | |
that just look impossible | 0:33:06 | 0:33:07 | |
and they battle on. | 0:33:07 | 0:33:09 | |
Look at this brave catwalk model. | 0:33:09 | 0:33:11 | |
LAUGHTER | 0:33:16 | 0:33:18 | |
AUDIENCE GASPS | 0:33:24 | 0:33:26 | |
LAUGHTER | 0:33:27 | 0:33:29 | |
But fair... Fair play. | 0:33:32 | 0:33:34 | |
"Don't worry, officer, I'll see she gets home all right." | 0:33:38 | 0:33:42 | |
But fair play to her, she battled on remarkably. | 0:33:42 | 0:33:46 | |
Is it fair to say that high heels are a sort of... | 0:33:46 | 0:33:50 | |
They're sort of fat leg converters? | 0:33:51 | 0:33:55 | |
-Yeah. -They can make fat legs look all slim and... | 0:33:55 | 0:33:57 | |
It just lengthens you, doesn't it? | 0:33:57 | 0:33:59 | |
Yeah. | 0:33:59 | 0:34:00 | |
It's wonderful. | 0:34:00 | 0:34:02 | |
Respect. | 0:34:02 | 0:34:03 | |
LAUGHTER | 0:34:03 | 0:34:04 | |
OK, what's Des's wildcard? | 0:34:04 | 0:34:07 | |
Pantomimes. | 0:34:13 | 0:34:14 | |
LAUGHTER | 0:34:14 | 0:34:16 | |
Just tell the kids a little bit | 0:34:16 | 0:34:18 | |
about what they may be going to see, | 0:34:18 | 0:34:20 | |
cos I think some kids are confused. | 0:34:20 | 0:34:22 | |
I mean, the principal boy's a girl, | 0:34:22 | 0:34:24 | |
or the principal girl is a boy. | 0:34:24 | 0:34:26 | |
The dame is a man in a dress. | 0:34:26 | 0:34:29 | |
Two men, of course, dress up as a horse. | 0:34:29 | 0:34:31 | |
And Dandini's anyone's guess. | 0:34:31 | 0:34:33 | |
LAUGHTER | 0:34:33 | 0:34:35 | |
It just... | 0:34:38 | 0:34:39 | |
And some of the plots, I just think... | 0:34:39 | 0:34:41 | |
Have you ever tried to explain panto to an American? | 0:34:41 | 0:34:43 | |
LAUGHTER | 0:34:43 | 0:34:45 | |
My little boy said, | 0:34:45 | 0:34:46 | |
"Why's that a principal boy? Why's... | 0:34:46 | 0:34:49 | |
"It's a girl, is it not?" | 0:34:49 | 0:34:50 | |
And it's very difficult to try and explain those things to a kid. | 0:34:50 | 0:34:53 | |
We've got a picture of you... | 0:34:53 | 0:34:55 | |
This is you in... | 0:34:55 | 0:34:57 | |
I think as Buttons. | 0:34:57 | 0:34:58 | |
Are you Buttons there? | 0:34:58 | 0:35:00 | |
God, that's with Billy Dainty. | 0:35:00 | 0:35:01 | |
Billy Dainty. | 0:35:01 | 0:35:03 | |
Playing the Birmingham Hippodrome. | 0:35:03 | 0:35:04 | |
I was playing Cinders there, | 0:35:04 | 0:35:06 | |
and this little boy came up with about six other kids, | 0:35:06 | 0:35:08 | |
and you try and get a laugh out of them, and I said, | 0:35:08 | 0:35:10 | |
"What's your name, son?" | 0:35:10 | 0:35:12 | |
He said, "My name's Steven." | 0:35:12 | 0:35:14 | |
So, I said, "Steven, are you from Birmingham?" | 0:35:14 | 0:35:16 | |
"No, I'm from Dudley." | 0:35:16 | 0:35:17 | |
So, I said... I was still trying to get a laugh out of the kid. | 0:35:18 | 0:35:21 | |
I said, "Steven, is that with a 'v' | 0:35:21 | 0:35:24 | |
"or with a 'ph'?" | 0:35:24 | 0:35:25 | |
He said, "With an 's', you twit." | 0:35:25 | 0:35:27 | |
LAUGHTER | 0:35:27 | 0:35:29 | |
But there's all sorts of people doing it now. | 0:35:32 | 0:35:34 | |
Who would you say, Des, | 0:35:34 | 0:35:35 | |
was the highest paid pantomime performer last year? | 0:35:35 | 0:35:40 | |
I don't know, who was the most? | 0:35:40 | 0:35:41 | |
They were getting over £60,000 a week. | 0:35:41 | 0:35:44 | |
-What?! -Was that two people? -That's like a footballer. | 0:35:44 | 0:35:46 | |
Yeah, it was sort of... It was a double act. | 0:35:46 | 0:35:49 | |
Well, one of them was a dog. | 0:35:49 | 0:35:51 | |
Ashleigh and Pudsey? | 0:35:52 | 0:35:53 | |
Ashleigh and Pudsey. | 0:35:53 | 0:35:54 | |
Here they are, look. | 0:35:54 | 0:35:56 | |
£62,000 a week. How much of that did he see? | 0:35:56 | 0:35:58 | |
Nothing. | 0:35:58 | 0:35:59 | |
LAUGHTER | 0:35:59 | 0:36:01 | |
And that, my friends, is show business. | 0:36:01 | 0:36:04 | |
Have you ever seen one, Jameela? | 0:36:04 | 0:36:06 | |
Yeah, I'm not into it. | 0:36:06 | 0:36:07 | |
OK. | 0:36:07 | 0:36:08 | |
LAUGHTER | 0:36:08 | 0:36:11 | |
I thought I could be a dame, | 0:36:11 | 0:36:13 | |
and I tell you what I based this on, | 0:36:13 | 0:36:15 | |
the Queen of Denmark is called Queen Margrethe, | 0:36:15 | 0:36:19 | |
and I wasn't familiar of her, | 0:36:19 | 0:36:21 | |
and then someone sent me a copy of a portrait, | 0:36:21 | 0:36:24 | |
and they said, "Were you ever in Denmark?" | 0:36:24 | 0:36:27 | |
This is Queen Margrethe of Denmark. | 0:36:27 | 0:36:30 | |
LAUGHTER | 0:36:30 | 0:36:32 | |
That could be me as a pantomime dame. | 0:36:35 | 0:36:38 | |
What do you mean? It IS you! Own up. | 0:36:38 | 0:36:40 | |
No, honestly, that is Queen... | 0:36:40 | 0:36:42 | |
I swear, we have not touched that. | 0:36:42 | 0:36:43 | |
LAUGHTER | 0:36:43 | 0:36:45 | |
Did you enjoy doing it, or was it...? | 0:36:45 | 0:36:47 | |
Yeah, I loved it. It's great. | 0:36:47 | 0:36:49 | |
You're kind of a... You're a prisoner, more or less, | 0:36:49 | 0:36:52 | |
because you get up, say nine o'clock, have your breakfast. | 0:36:52 | 0:36:54 | |
You're getting ready to get to the theatre, cos it was two shows a day. | 0:36:54 | 0:36:58 | |
And then you've got to drive back and get home, | 0:36:58 | 0:37:00 | |
so it's hard work but it's great fun. | 0:37:00 | 0:37:02 | |
The kids do love it. | 0:37:02 | 0:37:03 | |
Right, so we come to my decision. | 0:37:03 | 0:37:05 | |
Well, yeah, so I won't put panto in, | 0:37:05 | 0:37:08 | |
cos, God knows, I might be glad of it at some time in the future. | 0:37:08 | 0:37:13 | |
People who chew like that... | 0:37:13 | 0:37:15 | |
SHE CHOMPS LOUDLY | 0:37:15 | 0:37:16 | |
It is annoying, but I don't know if they can help it. | 0:37:16 | 0:37:20 | |
Yes, they can. Close your mouth. | 0:37:20 | 0:37:21 | |
Close your mouth. | 0:37:21 | 0:37:22 | |
I like the fact that women bravely take on shoes, | 0:37:24 | 0:37:27 | |
because I just think that's great. | 0:37:27 | 0:37:30 | |
They want to look good and they'll suffer for their art, | 0:37:30 | 0:37:32 | |
and that's beautiful. | 0:37:32 | 0:37:33 | |
You know what? I am. | 0:37:33 | 0:37:34 | |
I'm going to put people who chew loudly into Room 101. | 0:37:34 | 0:37:37 | |
CHEERING AND APPLAUSE | 0:37:37 | 0:37:39 | |
And that brings us to the end of the show. | 0:37:49 | 0:37:51 | |
Well done, Jameela, you were tonight's most persuasive guest, | 0:37:51 | 0:37:55 | |
so you are this week's winner. | 0:37:55 | 0:37:56 | |
Yeah! | 0:37:56 | 0:37:58 | |
CHEERING AND APPLAUSE | 0:37:58 | 0:37:59 | |
Thanks very much to Des O'Connor, Adrian Chiles and Jameela Jamil, | 0:38:01 | 0:38:04 | |
and thank you, goodnight. | 0:38:04 | 0:38:06 | |
APPLAUSE | 0:38:06 | 0:38:08 |