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APPLAUSE AND CHEERING | 0:00:22 | 0:00:25 | |
Hello, I'm Frank Skinner and welcome to Room 101, | 0:00:33 | 0:00:36 | |
the show where three guests explain | 0:00:36 | 0:00:38 | |
what really winds them up in the hope | 0:00:38 | 0:00:40 | |
that I'll condemn said things to the grim environs of Room 101. | 0:00:40 | 0:00:45 | |
They'll have to argue their case well, | 0:00:45 | 0:00:47 | |
because in each round only one item can be chosen. | 0:00:47 | 0:00:49 | |
The final decision is mine. | 0:00:49 | 0:00:51 | |
Let's meet this week's guests. | 0:00:51 | 0:00:53 | |
Joining me tonight are comedy gold, Diane Morgan, | 0:00:53 | 0:00:55 | |
Olympic gold, Nicola Adams, | 0:00:55 | 0:00:57 | |
and his agents promise me he'll be as good as gold, Frankie Boyle. | 0:00:57 | 0:01:01 | |
So, let us begin. | 0:01:05 | 0:01:08 | |
What is winding up Diane? | 0:01:08 | 0:01:10 | |
APPLAUSE | 0:01:15 | 0:01:17 | |
I think they're quite needy people. | 0:01:20 | 0:01:23 | |
Generally. | 0:01:23 | 0:01:24 | |
Whenever I watch them, I'm never entertained. | 0:01:24 | 0:01:28 | |
That's quite a negative review. | 0:01:30 | 0:01:32 | |
Isn't it? Really? | 0:01:32 | 0:01:34 | |
Yeah! I love it. | 0:01:34 | 0:01:36 | |
There was one... I went to a restaurant, | 0:01:36 | 0:01:38 | |
there was one that was going between the tables, between courses, | 0:01:38 | 0:01:42 | |
and showing you a card trick. | 0:01:42 | 0:01:44 | |
And then he'd finish the card trick, and he'd wait, | 0:01:44 | 0:01:47 | |
and you can't just go... | 0:01:47 | 0:01:49 | |
You've got to go, "Ooh, that was good. | 0:01:51 | 0:01:53 | |
"How did you do that?" | 0:01:53 | 0:01:54 | |
So you feel like they're getting more out of this than you are. | 0:01:54 | 0:01:58 | |
I think it starts with parents giving kids magic sets. | 0:01:58 | 0:02:03 | |
Because if you give a kid a magic set, that's like a starter kit | 0:02:03 | 0:02:07 | |
for a psychopath, isn't it? LAUGHTER | 0:02:07 | 0:02:10 | |
I never had a magic kit, I must admit. | 0:02:11 | 0:02:13 | |
Is it a common gift for children? | 0:02:13 | 0:02:15 | |
For psychopaths, yeah. OK. | 0:02:15 | 0:02:17 | |
It's so boring. | 0:02:18 | 0:02:20 | |
It's like cups and balls, who cares? | 0:02:20 | 0:02:23 | |
Pulling flags out of your sleeve. | 0:02:23 | 0:02:25 | |
I just can't find any enthusiasm for it. | 0:02:25 | 0:02:28 | |
And the Americans ones are even worse! | 0:02:28 | 0:02:30 | |
With their black polo necks and their tigers. | 0:02:30 | 0:02:34 | |
Yeah, I agree with that. | 0:02:34 | 0:02:36 | |
I... Your sort of standard British magician, | 0:02:36 | 0:02:40 | |
he could have existed anywhere between 1870 and 1970. | 0:02:40 | 0:02:45 | |
There's a sort of timelessness. | 0:02:45 | 0:02:47 | |
Yeah, there's an outfit that they wear, isn't there? | 0:02:47 | 0:02:49 | |
Yeah, well, the cloak and all that. | 0:02:49 | 0:02:51 | |
Well, the waistcoat and the, you know, downtrodden look. | 0:02:51 | 0:02:56 | |
I quite like a cloak, if I'm going to be honest. | 0:02:56 | 0:02:58 | |
How many of them wore cloaks? | 0:02:58 | 0:03:00 | |
Are you confusing them with vampires? | 0:03:00 | 0:03:02 | |
No! That's standard magician wear, isn't it, a cloak? | 0:03:02 | 0:03:05 | |
They wear waistcoats, don't they, and, er, jackets? | 0:03:05 | 0:03:09 | |
I think it varies. Oh! | 0:03:09 | 0:03:11 | |
They definitely wear cloaks. | 0:03:11 | 0:03:14 | |
I used to wear a cloak occasionally in the '70s. | 0:03:14 | 0:03:17 | |
I was drinking a great deal. | 0:03:17 | 0:03:19 | |
And I found it recently. | 0:03:19 | 0:03:21 | |
You know, it still fit! | 0:03:21 | 0:03:23 | |
You've still got your drinking cloak?! | 0:03:23 | 0:03:26 | |
Yeah! | 0:03:26 | 0:03:28 | |
But there's... Then there's these sort of sexy magicians. | 0:03:28 | 0:03:32 | |
Oh, the American ones that do that? | 0:03:32 | 0:03:34 | |
Yeah. So instead of the sparkly leotard, | 0:03:34 | 0:03:37 | |
the women sort of dress like they might work in a dungeon. | 0:03:37 | 0:03:41 | |
That's another thing, isn't it? | 0:03:41 | 0:03:42 | |
The assistants don't get any of the glory. | 0:03:42 | 0:03:45 | |
They're the ones who are just | 0:03:45 | 0:03:47 | |
crouching in boxes for the entire act. | 0:03:47 | 0:03:50 | |
Or being sawn in half? Or being sawn... | 0:03:50 | 0:03:52 | |
Well, no, they're down the bottom of the... | 0:03:52 | 0:03:54 | |
I don't want to ruin it for anyone. | 0:03:54 | 0:03:56 | |
There's two bendy women, | 0:03:58 | 0:03:59 | |
and one of them's crouched in the end of the box, | 0:03:59 | 0:04:02 | |
that's how it's done. | 0:04:02 | 0:04:03 | |
CROWD EXCLAIM | 0:04:03 | 0:04:05 | |
Ah! | 0:04:05 | 0:04:06 | |
They often marry those assistants as well, don't they? | 0:04:06 | 0:04:08 | |
That says a lot about what they want from a woman. | 0:04:08 | 0:04:11 | |
Someone who's prepared to crouch in a box for a few hours. | 0:04:11 | 0:04:15 | |
And has a twin. Yeah. LAUGHTER | 0:04:15 | 0:04:18 | |
Bendy. Yeah! | 0:04:18 | 0:04:20 | |
We're all looking for bendy women, aren't we? | 0:04:20 | 0:04:23 | |
I do like... You know the women in the sparkly leotards, | 0:04:23 | 0:04:26 | |
it takes real confidence, I think, | 0:04:26 | 0:04:28 | |
to think, "I'm going to finish this trick | 0:04:28 | 0:04:31 | |
"and that woman is going to go..." | 0:04:31 | 0:04:33 | |
You've got to really believe that it's going to work. | 0:04:33 | 0:04:35 | |
I mean, can you imagine, Frankie, as a comic, | 0:04:35 | 0:04:39 | |
say if I had a woman standing here, | 0:04:39 | 0:04:41 | |
every punch line that I do, she goes... | 0:04:41 | 0:04:44 | |
They'd be those terrible moments when I'd go into the joke, | 0:04:46 | 0:04:49 | |
and she's ready. | 0:04:49 | 0:04:51 | |
And then gets nothing from the audience and she has to go... | 0:04:51 | 0:04:54 | |
It would be that thing as well when you start to lose her | 0:04:56 | 0:04:59 | |
and you look over and she's just sitting there having a fag. | 0:04:59 | 0:05:02 | |
Completely... | 0:05:02 | 0:05:04 | |
I like it. | 0:05:05 | 0:05:07 | |
I must say, when someone comes up to me and starts doing magic, | 0:05:07 | 0:05:11 | |
I do get slightly thrilled by it. | 0:05:11 | 0:05:12 | |
Even if someone disappears in front of me, | 0:05:12 | 0:05:15 | |
I still feel dead inside. | 0:05:15 | 0:05:17 | |
I don't know what it is. | 0:05:22 | 0:05:23 | |
I think it's because I know deep down it's not really magic. | 0:05:23 | 0:05:26 | |
See, I'm never completely certain about that. | 0:05:28 | 0:05:31 | |
There's always the possibility for me that they could be magic. | 0:05:31 | 0:05:34 | |
No? | 0:05:35 | 0:05:36 | |
But surely, if you had magic powers, | 0:05:36 | 0:05:38 | |
the last place you would choose to hide them | 0:05:38 | 0:05:40 | |
would be in a magic act? | 0:05:40 | 0:05:41 | |
Unless it's a double bluff. | 0:05:42 | 0:05:44 | |
I'll tell you what I don't like, I don't like up-to-something hands. | 0:05:44 | 0:05:49 | |
Do you know what I mean by that? | 0:05:49 | 0:05:50 | |
Like, when magicians hold a card... | 0:05:50 | 0:05:53 | |
So if there's a card here like this, instead of... | 0:05:53 | 0:05:55 | |
You know, if I pick up a card, I do this with it. | 0:05:55 | 0:05:57 | |
There's a card. With magicians, there's that sort of... | 0:05:57 | 0:06:03 | |
And I think, "They're up to something." | 0:06:03 | 0:06:05 | |
I immediately think they're up to something. | 0:06:05 | 0:06:06 | |
Cos no-one ever went like that. | 0:06:06 | 0:06:08 | |
Have you ever played cards with anyone when they've said, | 0:06:08 | 0:06:10 | |
"Hold on, let me just look at my hand?" | 0:06:10 | 0:06:12 | |
I, erm.... | 0:06:15 | 0:06:16 | |
The problem is it can be... It's sort of funny when it goes wrong. | 0:06:16 | 0:06:20 | |
Like, one of my favourite clips ever | 0:06:20 | 0:06:22 | |
is a Chinese man making himself disappear. | 0:06:22 | 0:06:26 | |
I don't know if you're familiar with this. | 0:06:26 | 0:06:28 | |
This... Well, this is a Chinese man making himself disappear. | 0:06:28 | 0:06:32 | |
HE SPEAKS OWN LANGUAGE | 0:06:32 | 0:06:34 | |
LAUGHTER | 0:06:41 | 0:06:42 | |
Ah! Absolutely marvellous! | 0:06:48 | 0:06:51 | |
I think magic's great when it's children. | 0:06:51 | 0:06:54 | |
But when it's an actual... another guy going, | 0:06:54 | 0:06:57 | |
"Oh, where's the ball gone?" | 0:06:57 | 0:06:59 | |
You're just thinking, "We're both 40, | 0:06:59 | 0:07:02 | |
"and you have hidden a ball from me." | 0:07:02 | 0:07:04 | |
Do you mean children doing it, or... | 0:07:08 | 0:07:10 | |
Yeah, children doing it. | 0:07:10 | 0:07:12 | |
But I saw a kid do a funny joke on a magician, | 0:07:12 | 0:07:15 | |
it's quite cruel. | 0:07:15 | 0:07:16 | |
A magician at a kids' party was making a handkerchief disappear, | 0:07:16 | 0:07:19 | |
and he blew on it and it disappeared. | 0:07:19 | 0:07:20 | |
And the kid went, "Oh, does blowing on things | 0:07:20 | 0:07:22 | |
"make them disappear, then?" | 0:07:22 | 0:07:23 | |
And the magician goes, "Yeah." And the kid went... | 0:07:23 | 0:07:25 | |
HE BLOWS | 0:07:25 | 0:07:27 | |
Wow! | 0:07:27 | 0:07:29 | |
I have a clip of some children. | 0:07:29 | 0:07:31 | |
These are German children doing magic. | 0:07:31 | 0:07:34 | |
I actually think this is brilliant. | 0:07:34 | 0:07:35 | |
THEY SPEAK GERMAN | 0:07:35 | 0:07:38 | |
Come on, Diane, that was entertainment! | 0:07:55 | 0:07:58 | |
That wasn't magic, though. | 0:07:58 | 0:08:00 | |
I think that they set that up. | 0:08:00 | 0:08:03 | |
I think it is a magic trick. | 0:08:03 | 0:08:05 | |
What? They set it up? I think so. | 0:08:05 | 0:08:07 | |
He made the kid disappear. | 0:08:07 | 0:08:09 | |
The thing is, if they didn't set it up, | 0:08:11 | 0:08:13 | |
we're all laughing at a child being crushed by a bookcase. | 0:08:13 | 0:08:16 | |
Are you familiar with the old rabbit out the hat? | 0:08:16 | 0:08:20 | |
Yeah. OK. | 0:08:20 | 0:08:21 | |
Get off! Get under. | 0:08:23 | 0:08:25 | |
Hold on. | 0:08:25 | 0:08:26 | |
Oh, once they get their claws into the lining... | 0:08:26 | 0:08:29 | |
Oh, God. | 0:08:31 | 0:08:32 | |
CROWD GROAN AND LAUGH | 0:08:32 | 0:08:33 | |
So, what is winding up Frankie? | 0:08:49 | 0:08:51 | |
CROWD CHEER | 0:08:56 | 0:08:57 | |
Richard Branson, who... | 0:09:03 | 0:09:06 | |
I can't believe I live in a society | 0:09:06 | 0:09:08 | |
where I'm asked to admire this guy. | 0:09:08 | 0:09:10 | |
A sort of sun-dried Bee Gee | 0:09:11 | 0:09:14 | |
who probably only wants to travel into space | 0:09:14 | 0:09:17 | |
so that he can find the rest of his own species. | 0:09:17 | 0:09:20 | |
He's sort of held up as something for me to admire, | 0:09:20 | 0:09:24 | |
because he self-identifies as a good person. | 0:09:24 | 0:09:28 | |
He said he's an environmentalist and runs an airline. | 0:09:28 | 0:09:31 | |
Saying that he's an environmentalist is like saying that Josef Stalin | 0:09:31 | 0:09:34 | |
ran skiing holidays. | 0:09:34 | 0:09:36 | |
People say, "Oh, you know, you're jealous of Richard Branson, | 0:09:39 | 0:09:41 | |
"you're jealous of his money." | 0:09:41 | 0:09:43 | |
If I had all his money, what I'd do with it is | 0:09:43 | 0:09:45 | |
I'd use it to pull that island he lives on towards Syria. | 0:09:45 | 0:09:50 | |
I'd get it as close as I could to Syria | 0:09:54 | 0:09:57 | |
then I'd drop something heavy on it from space | 0:09:57 | 0:10:00 | |
so it went up like a tiddly wink | 0:10:00 | 0:10:02 | |
and he had to cling on to the surface of his own island | 0:10:02 | 0:10:05 | |
and Kate Winslet or whoever was staying with him was like that, | 0:10:05 | 0:10:09 | |
until he landed face-down on top of the screaming hordes of Islamic State. | 0:10:09 | 0:10:14 | |
Yeah, I see what you mean. | 0:10:24 | 0:10:26 | |
We've got a thing, we've got some photos of him. | 0:10:27 | 0:10:29 | |
One of his things... As you'd imagine, | 0:10:29 | 0:10:31 | |
as a billionaire, he's very good at picking up women, | 0:10:31 | 0:10:33 | |
it's what you'd assume. | 0:10:33 | 0:10:35 | |
He's one of the worst celebrities at picking up women. | 0:10:35 | 0:10:39 | |
Here he is with Dita Von Teese. | 0:10:39 | 0:10:41 | |
I accept that one. | 0:10:43 | 0:10:44 | |
That's the sort of traditional fireman's lift. | 0:10:44 | 0:10:47 | |
What about this one? This is Kate Moss. | 0:10:47 | 0:10:49 | |
That's... That looks like somebody's stocktaking at Madame Tussauds. | 0:10:52 | 0:10:56 | |
When he was 65, their website did 65 questions about Richard Branson, | 0:10:58 | 0:11:05 | |
so you can learn more about him. | 0:11:05 | 0:11:07 | |
I'll just give you a quick example. | 0:11:07 | 0:11:09 | |
This is question 12. | 0:11:09 | 0:11:11 | |
Now, I think, what this is, | 0:11:18 | 0:11:20 | |
if you're getting up for work at 5.30am, | 0:11:20 | 0:11:23 | |
it's an absolute sickener. | 0:11:23 | 0:11:25 | |
But if you're getting up to be a billionaire... | 0:11:25 | 0:11:28 | |
Get up early! | 0:11:29 | 0:11:30 | |
You don't want to waste a day. | 0:11:30 | 0:11:32 | |
Cos basically we're all the same when we're asleep. | 0:11:32 | 0:11:35 | |
The minute you wake up, you're a billionaire. | 0:11:35 | 0:11:37 | |
I think that's a great move. | 0:11:37 | 0:11:39 | |
This is the next question. | 0:11:39 | 0:11:41 | |
Who knew? | 0:11:45 | 0:11:46 | |
I thought it was a pun on Doctor No, cos he lived on an island. | 0:11:52 | 0:11:55 | |
Also, is life more interesting when you say yes? | 0:11:58 | 0:12:02 | |
What about if the question is, | 0:12:02 | 0:12:03 | |
"What band would you like to listen to for the next eight hours?" | 0:12:03 | 0:12:07 | |
LAUGHTER | 0:12:07 | 0:12:10 | |
And then this is the last example, this is question 55. | 0:12:10 | 0:12:13 | |
Any ideas? | 0:12:17 | 0:12:18 | |
It surprised me, it's this. | 0:12:18 | 0:12:21 | |
Yeah, because his broadband doesn't work! | 0:12:24 | 0:12:26 | |
Oh, marvellous. | 0:12:33 | 0:12:34 | |
We've got a picture. This is of... | 0:12:35 | 0:12:37 | |
Well, I'm not going to beat around the bush. | 0:12:37 | 0:12:39 | |
This is a dog that looks like Richard Branson. | 0:12:39 | 0:12:42 | |
Actually not bad. | 0:12:49 | 0:12:51 | |
OK, so what's upsetting Nicola? | 0:12:52 | 0:12:54 | |
Yeah. | 0:12:58 | 0:12:59 | |
Is this something you do a lot? | 0:13:00 | 0:13:02 | |
Yeah, well, it always seems to happen when I'm in a rush. | 0:13:02 | 0:13:06 | |
And I'll be packing all my stuff, I'll be quickly going to the gym. | 0:13:06 | 0:13:10 | |
And then I can't find my keys. | 0:13:10 | 0:13:12 | |
And then it makes me late | 0:13:12 | 0:13:13 | |
and it really annoys me because they're always in, | 0:13:13 | 0:13:15 | |
like, a weird place. | 0:13:15 | 0:13:17 | |
So you're sort of absent-minded? | 0:13:17 | 0:13:20 | |
Have you had any blows to the head recently? | 0:13:20 | 0:13:22 | |
It doesn't happen every time! | 0:13:24 | 0:13:26 | |
It's just, like... It seems to happen when I'm in a rush. OK. | 0:13:26 | 0:13:29 | |
They just appear. I've found them in the dog's bed. | 0:13:29 | 0:13:33 | |
How they got there, I do not know. | 0:13:33 | 0:13:35 | |
In the dog's bed? | 0:13:35 | 0:13:36 | |
Yeah. What kind of dog is it? | 0:13:36 | 0:13:39 | |
I've got a Doberman and a Pomeranian. | 0:13:39 | 0:13:42 | |
I bet the Doberman had them. | 0:13:42 | 0:13:44 | |
Yeah, the Doberman had the keys. | 0:13:44 | 0:13:45 | |
That's why they call them a Pinscher! | 0:13:45 | 0:13:47 | |
AUDIENCE GROANS | 0:13:47 | 0:13:48 | |
Tough crowd. Tough crowd. | 0:13:51 | 0:13:54 | |
It's amazing we still have keys, don't you think? | 0:13:54 | 0:13:57 | |
You could have, like, | 0:13:57 | 0:13:59 | |
voice recognition on your doors, couldn't you? | 0:13:59 | 0:14:01 | |
I suppose a lot of drunks | 0:14:02 | 0:14:03 | |
would freeze to death on their own front steps. | 0:14:03 | 0:14:06 | |
That's going to happen anyway. | 0:14:09 | 0:14:11 | |
Have you ever been in those hotels... | 0:14:11 | 0:14:14 | |
I know most hotels, they've got the little card, | 0:14:14 | 0:14:16 | |
but the ones with the proper keys where they have a key ring, | 0:14:16 | 0:14:20 | |
an enormous key ring, so you can't possibly lose it. | 0:14:20 | 0:14:23 | |
Have you ever had one of those? | 0:14:23 | 0:14:25 | |
Yeah, but you know what you do with them? | 0:14:25 | 0:14:27 | |
You always take the big part off | 0:14:27 | 0:14:28 | |
so you can get it into your pocket and then... | 0:14:28 | 0:14:30 | |
Do you? Yeah. You're really not supposed to do that. | 0:14:30 | 0:14:33 | |
I've got one that I use, which is... | 0:14:33 | 0:14:36 | |
It celebrates one of my favourite clips, it's... | 0:14:36 | 0:14:42 | |
It's the magician running into the door key ring. | 0:14:42 | 0:14:46 | |
And you just don't lose this. | 0:14:54 | 0:14:57 | |
OK. So we've come to the end of that round, I... | 0:14:59 | 0:15:02 | |
I'm worried about putting Richard Branson in, | 0:15:03 | 0:15:06 | |
partly because... | 0:15:06 | 0:15:08 | |
CROWD: Go on! | 0:15:08 | 0:15:10 | |
I'm quite a fan of the Virgin train first-class section. | 0:15:10 | 0:15:16 | |
I also love the bit when it crosses over the border in Scotland, | 0:15:16 | 0:15:20 | |
because that's the moment I know I've got first class to myself. | 0:15:20 | 0:15:24 | |
To hell with it! I'm putting Richard Branson into Room 101. | 0:15:27 | 0:15:31 | |
Right. | 0:15:41 | 0:15:43 | |
Moving on to Diane's next choice. | 0:15:43 | 0:15:47 | |
Microwaves. | 0:15:51 | 0:15:53 | |
Or microwave ovens. | 0:15:53 | 0:15:55 | |
I just don't trust them. | 0:15:55 | 0:15:57 | |
Never have. | 0:15:58 | 0:16:00 | |
They cook food from the inside out. | 0:16:00 | 0:16:02 | |
I don't know why. | 0:16:02 | 0:16:03 | |
It's not natural, is it? | 0:16:04 | 0:16:05 | |
It's a bizarre order of events. | 0:16:05 | 0:16:08 | |
It uses gamma rays, I was reading about these. | 0:16:08 | 0:16:11 | |
These use gamma rays, and I thought, | 0:16:11 | 0:16:13 | |
"Where have I heard of gamma rays before?" | 0:16:13 | 0:16:15 | |
And then I realised, it was the Hulk. | 0:16:15 | 0:16:18 | |
The Incredible Hulk. | 0:16:18 | 0:16:20 | |
Oh, yes? | 0:16:20 | 0:16:21 | |
That must be why I don't like microwaves. | 0:16:21 | 0:16:25 | |
It's one of the great inventions of the last 100 years, isn't it, | 0:16:25 | 0:16:28 | |
the microwave? I think in ten years they'll be saying, | 0:16:28 | 0:16:31 | |
"Oh, my God, I can't believe that people used to use microwave ovens." | 0:16:31 | 0:16:35 | |
I think with kids, you've got to use them, though, haven't you? | 0:16:37 | 0:16:39 | |
Because you've got to get some calories into these monsters. | 0:16:39 | 0:16:43 | |
And you can't be going, "Well, you guys chop the parsley? | 0:16:43 | 0:16:48 | |
"I'll get the mushrooms." You know, you've just got to slam some, like, | 0:16:48 | 0:16:51 | |
pasta ready-meal into a microwave | 0:16:51 | 0:16:53 | |
and then just scrape it into their faces. | 0:16:53 | 0:16:57 | |
Before they go insane. | 0:16:57 | 0:16:59 | |
But you could use a saucepan, it'll take 20 minutes. | 0:16:59 | 0:17:02 | |
I've not got 20 minutes. | 0:17:02 | 0:17:04 | |
I've got, like, two minutes, tops. | 0:17:04 | 0:17:06 | |
At certain points, you need a microwave. | 0:17:06 | 0:17:08 | |
Exactly, you can't get the slow cooker out for kids. | 0:17:08 | 0:17:11 | |
"Just sit down, do some crayoning for eight hours. | 0:17:12 | 0:17:17 | |
"And we'll all gather around." | 0:17:17 | 0:17:19 | |
Nothing tastes better having come out of a microwave. | 0:17:19 | 0:17:23 | |
I don't need it... I just want it to taste warmer. | 0:17:23 | 0:17:26 | |
You can use a hair dryer for that. | 0:17:26 | 0:17:30 | |
Funny you should say that. What about this as a method? | 0:17:30 | 0:17:33 | |
This is how to heat a slice of pizza in a hotel room. | 0:17:33 | 0:17:37 | |
Would you rather do that? | 0:17:43 | 0:17:45 | |
I'd rather do that than a microwave. | 0:17:45 | 0:17:47 | |
OK. What about these onion rings? | 0:17:47 | 0:17:49 | |
That looks safe! | 0:17:53 | 0:17:54 | |
See, I like the fact that with a microwave I can do my exercises | 0:17:56 | 0:18:00 | |
and the ding goes off and then I can just get my food. | 0:18:00 | 0:18:03 | |
I know the time's done. | 0:18:03 | 0:18:05 | |
How long do your exercises take? | 0:18:05 | 0:18:08 | |
I do, like, a two-minute thing, and I'll do my press-ups and my sit-ups, | 0:18:08 | 0:18:13 | |
and I know I've done two minutes | 0:18:13 | 0:18:15 | |
when the ding goes off and then I get my food. | 0:18:15 | 0:18:17 | |
That is perfect. It's like a workout before my meal. | 0:18:17 | 0:18:19 | |
See? Set a timer! | 0:18:19 | 0:18:21 | |
But then you don't get food at the end of it. | 0:18:22 | 0:18:24 | |
You don't get the motivation. | 0:18:24 | 0:18:25 | |
You don't get radioactive food. | 0:18:25 | 0:18:28 | |
Yeah, but if Nicola had a slow cooker, | 0:18:28 | 0:18:30 | |
she'd be absolutely wrecked by the time her food was there. | 0:18:30 | 0:18:33 | |
I st... With ordinary ovens, I stare a lot at food cooking. | 0:18:33 | 0:18:39 | |
It's one of the great thrills of my life, | 0:18:39 | 0:18:41 | |
is wa... Sausages, | 0:18:41 | 0:18:43 | |
cos you...you know they've been pricked before you put them in - | 0:18:43 | 0:18:46 | |
that was the only food preparation I knew | 0:18:46 | 0:18:48 | |
for the first 25 years of my life, | 0:18:48 | 0:18:50 | |
was that you had to do that to sausages. | 0:18:50 | 0:18:53 | |
And when you watch them cook and you see the-the fat coming through that, | 0:18:53 | 0:18:57 | |
I find that genuinely exciting. | 0:18:57 | 0:18:59 | |
Do you do your sausages in the microwave? | 0:18:59 | 0:19:01 | |
Usually not. Hm. | 0:19:01 | 0:19:03 | |
When I was a kid, we used to eat raw sausages. | 0:19:03 | 0:19:05 | |
Anyone else do that? Yeah! | 0:19:07 | 0:19:09 | |
Yeah! | 0:19:09 | 0:19:10 | |
Yeah, so we used to get 'em, and, like, squeeze them out of their skin, like... | 0:19:10 | 0:19:15 | |
But-but why? | 0:19:17 | 0:19:19 | |
You were too poor to afford fire? | 0:19:19 | 0:19:22 | |
Our mum used to give us raw sausages to keep us going | 0:19:26 | 0:19:30 | |
while she was cooking. | 0:19:30 | 0:19:31 | |
Raw meat?! | 0:19:33 | 0:19:35 | |
Yeah. It was like, you know when you get the stuff out of a toothpaste tube, you have to sort of... | 0:19:35 | 0:19:40 | |
It was like that, and the pink meat would come out like that... | 0:19:40 | 0:19:45 | |
Yeah. What did it taste like? | 0:19:45 | 0:19:47 | |
Tasted pretty much like raw sausage. | 0:19:47 | 0:19:48 | |
OK, so to Frankie. | 0:19:50 | 0:19:53 | |
Celebrity atheists. I am an atheist... | 0:19:59 | 0:20:02 | |
but I don't like celebrity atheists. I was a very bad Catholic. | 0:20:02 | 0:20:05 | |
Unless you include my attitude to condoms, | 0:20:05 | 0:20:07 | |
in which case, I was an amazing Catholic. | 0:20:07 | 0:20:09 | |
But I don't like the judgmental nature of celebrity atheists. | 0:20:11 | 0:20:16 | |
I think religions... Some religions have done good things. | 0:20:16 | 0:20:19 | |
The Quakers fought against the Vietnam War, | 0:20:19 | 0:20:22 | |
liberation theology in Central America. | 0:20:22 | 0:20:24 | |
Those people got killed standing up for poor people, | 0:20:24 | 0:20:27 | |
and what's the reward? | 0:20:27 | 0:20:29 | |
To be looked down on by Ricky Gervais. | 0:20:29 | 0:20:31 | |
LAUGHTER | 0:20:31 | 0:20:32 | |
I don't need Ricky Gervais to tell me that God doesn't exist | 0:20:32 | 0:20:35 | |
when I watched Derek get recommissioned twice. | 0:20:35 | 0:20:37 | |
LAUGHTER AND APPLAUSE | 0:20:37 | 0:20:39 | |
I just sort of think, | 0:20:44 | 0:20:45 | |
you know, we all need something to get through. | 0:20:45 | 0:20:48 | |
And why stand in judgment on what other people need? | 0:20:48 | 0:20:52 | |
So Ricky Gervais, or Richard Dawkins, or whoever, | 0:20:52 | 0:20:55 | |
they need re-tweets, or whatever they need. | 0:20:55 | 0:20:58 | |
And other people need different things. | 0:20:58 | 0:21:00 | |
I think... I hope Dawkins, when he dies, | 0:21:00 | 0:21:04 | |
goes to the pearly gates | 0:21:04 | 0:21:05 | |
and instead of St Peter, it's a talking chimp | 0:21:05 | 0:21:09 | |
who goes, "You got it all wrong, mate." | 0:21:09 | 0:21:11 | |
I just feel the whole thing sort of... | 0:21:13 | 0:21:15 | |
The whole thing's a bit religious. | 0:21:15 | 0:21:17 | |
You know, so it's the idea of certainty, to me, is very religious. | 0:21:17 | 0:21:21 | |
The idea of judgment is very religious and it's blaming God. | 0:21:21 | 0:21:24 | |
It's blaming religion. | 0:21:24 | 0:21:25 | |
They go, "Oh, religion causes violence." | 0:21:25 | 0:21:28 | |
OK, some violence is caused by religion, | 0:21:28 | 0:21:31 | |
some violence is caused by lager. | 0:21:31 | 0:21:34 | |
Some violence is caused by people cheating at pool. | 0:21:34 | 0:21:38 | |
But at the moment when you go, "I'm blaming that on God," | 0:21:38 | 0:21:41 | |
that's like you don't get any mayonnaise in your Chicken Zinger, | 0:21:41 | 0:21:45 | |
and you blame it on Colonel Sanders. | 0:21:45 | 0:21:48 | |
I can sense Nicola here thinking, | 0:21:48 | 0:21:50 | |
"What's wrong with violence all of a sudden?" | 0:21:50 | 0:21:53 | |
Well, this is a difficult one for me. | 0:21:54 | 0:21:56 | |
I am a practising Roman Catholic, | 0:21:56 | 0:21:58 | |
so I'm sort of against celebrity atheists for other reasons than you. | 0:21:58 | 0:22:02 | |
I mean, I don't mind anyone being an atheist - | 0:22:02 | 0:22:04 | |
that's sort of a little bit more elbow room in paradise for me. | 0:22:04 | 0:22:09 | |
But I think what's happened is being an atheist, | 0:22:11 | 0:22:15 | |
or a celebrity atheist, is incredibly cool. | 0:22:15 | 0:22:18 | |
And it's also sort of associated with science and all that, | 0:22:18 | 0:22:21 | |
so it's like that's all the intelligent people, you know, | 0:22:21 | 0:22:25 | |
like Stephen Fry and Dawkins, they're all atheists. | 0:22:25 | 0:22:29 | |
So it's like there's an elite gentlemen's club | 0:22:29 | 0:22:32 | |
with Dawkins and Stephen Fry sitting chatting. | 0:22:32 | 0:22:36 | |
And I'm in Julie's Pantry with Cliff Richard. | 0:22:36 | 0:22:39 | |
It's a bit like... you know when a toddler goes, | 0:22:41 | 0:22:43 | |
"Oh, I think I saw a fairy. Is that a fairy?" | 0:22:43 | 0:22:45 | |
And you go, "No, it's just a moth." | 0:22:45 | 0:22:47 | |
And then you tweet all day about how it's just a moth, | 0:22:49 | 0:22:51 | |
and you write a book about how it's just a moth. | 0:22:51 | 0:22:54 | |
It's like, nobody asked you people to do this. | 0:22:54 | 0:22:57 | |
Nobody asked Ricky Gervais to do this. | 0:22:57 | 0:22:59 | |
It's like one of those people, | 0:22:59 | 0:23:00 | |
you know those people who used to direct you | 0:23:00 | 0:23:02 | |
into a parking space without being asked? | 0:23:02 | 0:23:05 | |
Like, come on, mate! You've just taken this on yourself! | 0:23:05 | 0:23:08 | |
Here's a Stephen Fry quote which probably sums it all up. | 0:23:08 | 0:23:13 | |
He said... | 0:23:13 | 0:23:14 | |
Stephen Fry. | 0:23:24 | 0:23:25 | |
He certainly will. | 0:23:26 | 0:23:28 | |
LAUGHTER | 0:23:29 | 0:23:31 | |
OK, and so to Nicola. | 0:23:33 | 0:23:35 | |
This is exactly the reason. | 0:23:44 | 0:23:46 | |
What? Like, you can never look good. | 0:23:46 | 0:23:48 | |
I mean, you've got to wrap up. | 0:23:48 | 0:23:50 | |
It's cold. | 0:23:50 | 0:23:51 | |
It's always raining. | 0:23:51 | 0:23:53 | |
You know, it's not me. I'm a summer person. | 0:23:53 | 0:23:57 | |
Summer clothes. | 0:23:57 | 0:23:58 | |
It's hard to look good in winter. | 0:23:58 | 0:24:01 | |
I suspect the reason for this is, if you don't mind me saying, | 0:24:01 | 0:24:05 | |
that you're in great shape. | 0:24:05 | 0:24:07 | |
And you don't want to hide that away. Is that right? Exactly. | 0:24:07 | 0:24:10 | |
Yeah. OK. | 0:24:10 | 0:24:12 | |
I mean, I understand that. | 0:24:12 | 0:24:13 | |
We have a picture of you in your... | 0:24:13 | 0:24:16 | |
AUDIENCE WHOOP | 0:24:16 | 0:24:17 | |
Well, exactly. I used to have quite a flat stomach. | 0:24:17 | 0:24:21 | |
In the '90s. | 0:24:21 | 0:24:22 | |
And every picture of me that was taken, I used to get it out. | 0:24:22 | 0:24:25 | |
I was so pleased. | 0:24:25 | 0:24:26 | |
This is just a standard paparazzi shot. | 0:24:26 | 0:24:29 | |
And as soon as... Look. | 0:24:29 | 0:24:32 | |
I was so happy with that. | 0:24:32 | 0:24:35 | |
But now I look forward to it. | 0:24:35 | 0:24:38 | |
You can take it down now. | 0:24:38 | 0:24:40 | |
I look forward to winter now at my age. | 0:24:40 | 0:24:43 | |
The more multilayers, the better. | 0:24:43 | 0:24:46 | |
I think boxers are famous for their style, for their fashion. | 0:24:47 | 0:24:52 | |
So we've got a few to look at. | 0:24:52 | 0:24:54 | |
That's Mike Tyson. | 0:24:54 | 0:24:55 | |
That looks like he's leaned on something and people... | 0:24:57 | 0:25:01 | |
Yeah! It just shows you how little people can tell him the truth. | 0:25:01 | 0:25:05 | |
LAUGHTER | 0:25:05 | 0:25:07 | |
"Is this a nice jacket?" "Sure, Mike." | 0:25:07 | 0:25:10 | |
And this is...this is Chris Eubank. | 0:25:10 | 0:25:14 | |
That's pretty cool. | 0:25:14 | 0:25:15 | |
No? No. You don't like that? | 0:25:15 | 0:25:17 | |
Why is he wearing the monocle thing? | 0:25:17 | 0:25:19 | |
Like, what's that about? | 0:25:19 | 0:25:20 | |
Because I think it's fair to say he's slightly eccentric. | 0:25:20 | 0:25:23 | |
Have you met Chris Eubank? | 0:25:25 | 0:25:26 | |
Yeah. How was it? | 0:25:26 | 0:25:28 | |
How did it go? It was an experience. | 0:25:28 | 0:25:30 | |
I met Chris Eubank at a film premiere. | 0:25:31 | 0:25:35 | |
Did he shake your hand? | 0:25:35 | 0:25:37 | |
Yes. Did he squeeze it really, really hard? | 0:25:37 | 0:25:39 | |
No. No, he probably wouldn't with you. | 0:25:39 | 0:25:41 | |
I think with men, he really, really squeezes your hand, | 0:25:41 | 0:25:45 | |
very, very tight indeed, just to prove he's... | 0:25:45 | 0:25:48 | |
See, I'm funny with handshakes, | 0:25:48 | 0:25:50 | |
I don't like when people squeeze my hand really tight. | 0:25:50 | 0:25:52 | |
No. I didn't like it. | 0:25:52 | 0:25:53 | |
It's your tools, isn't it? | 0:25:53 | 0:25:55 | |
I saw him shake hands with Jeff Goldblum - | 0:25:55 | 0:25:57 | |
you know Jeff Goldblum, the actor? Yeah. | 0:25:57 | 0:25:59 | |
And he really squeezed it and Jeff Goldblum was doing... | 0:25:59 | 0:26:02 | |
And you know Jeff Goldblum speaks in a slightly... | 0:26:02 | 0:26:05 | |
And he's going, | 0:26:05 | 0:26:06 | |
AS JEFF GOLDBLUM: "That is... um...hurting me." | 0:26:06 | 0:26:09 | |
OK, so at the end of that round... | 0:26:11 | 0:26:15 | |
Microwaves, I'm completely dependent on. | 0:26:15 | 0:26:18 | |
I've almost abandoned all other forms of cooking. | 0:26:18 | 0:26:21 | |
I don't mind going blind in one eye if I get a meat pie in two minutes. | 0:26:21 | 0:26:25 | |
Well, you know what, I can talk about winter clothes for ever, | 0:26:28 | 0:26:32 | |
but I'm still putting celebrity atheists into Room 101. | 0:26:32 | 0:26:36 | |
Right. | 0:26:48 | 0:26:49 | |
What is Diane's choice? | 0:26:49 | 0:26:52 | |
CHEERING | 0:26:55 | 0:26:58 | |
BOO | 0:26:58 | 0:27:00 | |
Who booed then?! | 0:27:00 | 0:27:03 | |
Who can possibly like M's World? | 0:27:03 | 0:27:06 | |
If I was Mayor of London, I'd get a bulldozer | 0:27:06 | 0:27:10 | |
and I'd go straight through it. | 0:27:10 | 0:27:12 | |
Perhaps you should explain what it is for those who don't live in... | 0:27:12 | 0:27:15 | |
Yeah. It's a superstore that basically just sells M's. | 0:27:15 | 0:27:18 | |
And people go in there, tourists go in there, God knows why. | 0:27:22 | 0:27:26 | |
It's just blatant commercialism. | 0:27:26 | 0:27:29 | |
I-I can't... Well, it's a shop. | 0:27:29 | 0:27:32 | |
It's a shop, but it's sold as, like, Charlie's chocolate factory or something. | 0:27:32 | 0:27:37 | |
It's got nothing in it apart from M's! | 0:27:37 | 0:27:40 | |
It's M's World! | 0:27:40 | 0:27:42 | |
I know, but I refuse to go. I've never been in. | 0:27:42 | 0:27:45 | |
I refuse to go in, but I know people that've been in | 0:27:45 | 0:27:48 | |
and they all say it's appalling. | 0:27:48 | 0:27:50 | |
I mean, most tourist attractions are pretty shit, aren't they? | 0:27:53 | 0:27:58 | |
But M's World... | 0:27:58 | 0:28:02 | |
makes the Keswick Pencil Museum look like Disneyland, Florida. | 0:28:02 | 0:28:07 | |
Isn't everything in it themed round M's? | 0:28:09 | 0:28:12 | |
So you can get a leather jacket and it's got a kind of like Elvis | 0:28:12 | 0:28:15 | |
on the back, but Elvis is like an M? | 0:28:15 | 0:28:18 | |
I was in there, and there's like a big kind of painting on one of the walls, it's King Henry VIII, | 0:28:18 | 0:28:23 | |
but King Henry VIII is an M | 0:28:23 | 0:28:25 | |
Someone was standing in front of it getting their photo taken, | 0:28:25 | 0:28:29 | |
I was just thinking, "We are doomed." | 0:28:29 | 0:28:32 | |
There's no way humanity's going to survive. There's no reason that King Henry VIII would be an M | 0:28:32 | 0:28:36 | |
What's that mean? | 0:28:36 | 0:28:38 | |
This is an example of what you see wandering about in M World. | 0:28:38 | 0:28:44 | |
Yeah. It's an M, and it's... | 0:28:46 | 0:28:49 | |
I mean, I think a lot of the people | 0:28:49 | 0:28:51 | |
who go in there can identify with this as a body shape. | 0:28:51 | 0:28:54 | |
But what they've done, they've made M's into little creatures, | 0:28:57 | 0:29:01 | |
and I think the children are drawn in, they're walking round the displays... | 0:29:01 | 0:29:05 | |
Children are idiots, though. They don't know what they're doing. | 0:29:05 | 0:29:08 | |
It means that any company that had a familiar figure associated with it, | 0:29:08 | 0:29:14 | |
I think could pull this off. | 0:29:14 | 0:29:16 | |
so Liquorice Allsorts, for example, | 0:29:16 | 0:29:18 | |
have got Bertie Bassett. | 0:29:18 | 0:29:20 | |
There is no reason why there couldn't be a Liquorice Allsorts World. | 0:29:20 | 0:29:24 | |
He's got everything, Bertie Bassett. There's even the walking stick, | 0:29:24 | 0:29:28 | |
so a sort of role model for the disabled... | 0:29:28 | 0:29:32 | |
..although I once mentioned that on the radio and someone pointed out | 0:29:34 | 0:29:38 | |
that it's not a functional walking stick | 0:29:38 | 0:29:41 | |
because it's not long enough to support a creature of that height, | 0:29:41 | 0:29:46 | |
which I liked. | 0:29:46 | 0:29:48 | |
I think maybe he lost a foot to diabetes and then lost all his other body parts as well. | 0:29:48 | 0:29:53 | |
Are you aware of the fact, Diane, that at M World, they... | 0:29:57 | 0:30:01 | |
you can get personalised M's? | 0:30:01 | 0:30:04 | |
Yeah, I am aware of that. | 0:30:04 | 0:30:06 | |
Do you have any? | 0:30:06 | 0:30:07 | |
No. I do. | 0:30:07 | 0:30:09 | |
What I did, as a bit of a treat, | 0:30:10 | 0:30:12 | |
is I had some Diane Morgan M's made... | 0:30:12 | 0:30:18 | |
and I think they're quite good. Look at that. | 0:30:18 | 0:30:21 | |
All right. | 0:30:30 | 0:30:32 | |
Tastes a little bit more northern than usual. | 0:30:35 | 0:30:39 | |
There's a whole bowl there for you to share amongst your friends. | 0:30:39 | 0:30:42 | |
Oh, great. | 0:30:42 | 0:30:43 | |
OK, and so to Nicola. | 0:30:47 | 0:30:50 | |
It's just... It's just one of those annoying things. | 0:31:00 | 0:31:03 | |
It just feels like I've only been asleep for, like, five minutes | 0:31:03 | 0:31:07 | |
and then my alarm goes off | 0:31:07 | 0:31:08 | |
and it's just the worst... it's the worst feeling ever. | 0:31:08 | 0:31:13 | |
If this was your alarm clock, Nicola, | 0:31:13 | 0:31:15 | |
and it went off in the morning like this... | 0:31:15 | 0:31:18 | |
BELL LIKE IN A BOXING RING | 0:31:18 | 0:31:20 | |
..would you wake up actually... | 0:31:23 | 0:31:26 | |
I don't know. You're probably right! | 0:31:26 | 0:31:29 | |
Ready to fight! Yeah! | 0:31:29 | 0:31:31 | |
I love the idea of that. | 0:31:31 | 0:31:32 | |
I'd love to... I was going to say I'd love to try it, | 0:31:32 | 0:31:35 | |
but that's got all sorts of connotations. | 0:31:35 | 0:31:37 | |
I'd have to come to your house, be in your bedroom... | 0:31:37 | 0:31:40 | |
My son is four, and he's got one of those baby monitor things, | 0:31:40 | 0:31:45 | |
and in the mornings, he gets really close to the baby monitor in his room, and he goes, | 0:31:45 | 0:31:51 | |
"Cock a doodle doo!" | 0:31:51 | 0:31:54 | |
Which is how I imagine in prison... | 0:31:57 | 0:32:00 | |
that's how sort of...the henchman of Mr Big would wake you up in the morning, to intimidate you! | 0:32:00 | 0:32:07 | |
It's really... Very, very shocking. | 0:32:07 | 0:32:10 | |
How much sleep do you think you need? | 0:32:11 | 0:32:14 | |
Oh, at least, like, nine hours. | 0:32:14 | 0:32:16 | |
OK. | 0:32:16 | 0:32:17 | |
I'm going to ask you a question | 0:32:17 | 0:32:19 | |
and I'll give you two hours either way. | 0:32:19 | 0:32:21 | |
In a day, how long do you think on average a tiger sleeps? | 0:32:21 | 0:32:29 | |
Five hours? | 0:32:29 | 0:32:31 | |
15.8 hours, | 0:32:31 | 0:32:34 | |
a tiger sleeps on average a day. | 0:32:34 | 0:32:37 | |
What a waste of a life! | 0:32:37 | 0:32:40 | |
They've not got that much to do, though, have they? | 0:32:40 | 0:32:43 | |
I'm going to write a book about it called The Shuteye Of The Tiger. | 0:32:43 | 0:32:48 | |
What about the giraffe? | 0:32:51 | 0:32:52 | |
On average, they sleep 1.9 hours a day, the giraffe. | 0:32:52 | 0:32:57 | |
Which is a horrible image, of the giraffe, like, in pitch darkness... | 0:32:57 | 0:33:02 | |
Isn't it? It's a sad, sad image. | 0:33:10 | 0:33:13 | |
Tossing and turning... I don't know if they even lie down, giraffes. | 0:33:13 | 0:33:17 | |
Be very hard to get back up. | 0:33:17 | 0:33:19 | |
I imagine they maybe hook their heads in the sort of fork of a branch. | 0:33:19 | 0:33:25 | |
This is why the BBC needs David Attenborough, really, | 0:33:29 | 0:33:33 | |
cos I think we've given a very inaccurate picture | 0:33:33 | 0:33:36 | |
of the life of giraffes. | 0:33:36 | 0:33:39 | |
These numbers are spot on. 1.9 hours a day. | 0:33:39 | 0:33:42 | |
Imagine how much you'd get done! | 0:33:42 | 0:33:44 | |
OK, and so to Frankie. | 0:33:45 | 0:33:48 | |
I just feel life is hugely overrated. | 0:33:59 | 0:34:02 | |
I know... Actually, it's always quite weird Scotland | 0:34:03 | 0:34:06 | |
comes top of these "how happy are you with your life?" studies. | 0:34:06 | 0:34:10 | |
And I think that's because | 0:34:10 | 0:34:12 | |
researchers don't really understand sarcasm. | 0:34:12 | 0:34:16 | |
But I think, do you ever just open your eyes in the morning and go, | 0:34:16 | 0:34:22 | |
"Not this again." | 0:34:22 | 0:34:24 | |
If someone said to you, | 0:34:24 | 0:34:26 | |
"Oh, we'll go and see a movie that was, like, the day of your life," | 0:34:26 | 0:34:29 | |
you know, it's going to be 16 hours long, | 0:34:29 | 0:34:31 | |
nothing really happens, | 0:34:31 | 0:34:32 | |
and in the middle the main character has to go for a poo... | 0:34:32 | 0:34:35 | |
LAUGHTER | 0:34:35 | 0:34:37 | |
..you probably wouldn't go. | 0:34:37 | 0:34:39 | |
It peaks early. | 0:34:39 | 0:34:40 | |
Life peaks at about 12, maybe, | 0:34:40 | 0:34:43 | |
and then it just starts to get worse and worse, and I'm now, like, 44. | 0:34:43 | 0:34:47 | |
I've got a body like a dropped lasagne. | 0:34:47 | 0:34:50 | |
Women look at my naked body | 0:34:51 | 0:34:53 | |
in the same fearful way that pensioners look at snow. | 0:34:53 | 0:34:57 | |
And we've all just got to kind of... we've got to make it through. | 0:35:00 | 0:35:04 | |
Having had the high points of life already, you know, | 0:35:04 | 0:35:07 | |
by the time you reach a certain age, you've heard your favourite song, | 0:35:07 | 0:35:10 | |
you've met the person you love the most, there's nobody who's 65 sitting about going, | 0:35:10 | 0:35:15 | |
"Oh, that Angry Birds movie is the film I've waited all my life for." | 0:35:15 | 0:35:18 | |
And there's almost no consolation. | 0:35:20 | 0:35:22 | |
So we're supposed to say, "Oh, you know, life's about love, | 0:35:22 | 0:35:26 | |
"loving people and being loved in return," | 0:35:26 | 0:35:28 | |
and I think, really, | 0:35:28 | 0:35:30 | |
we're in relationships because we don't want to die alone. | 0:35:30 | 0:35:33 | |
Which is why I've always planned | 0:35:33 | 0:35:35 | |
on taking quite a lot of people with me. | 0:35:35 | 0:35:37 | |
You know, if someone gave you a drug that was love, | 0:35:39 | 0:35:42 | |
and warned you what the withdrawal was going to be like, | 0:35:42 | 0:35:45 | |
you wouldn't take it. | 0:35:45 | 0:35:46 | |
If someone said, "Take this, it's amazing, | 0:35:46 | 0:35:48 | |
"but afterwards you're going to feel like you're having | 0:35:48 | 0:35:51 | |
"open heart surgery performed by a swarm of wasps..." | 0:35:51 | 0:35:53 | |
LAUGHTER | 0:35:53 | 0:35:55 | |
..you wouldn't do it. | 0:35:55 | 0:35:57 | |
LAUGHTER AND APPLAUSE | 0:35:58 | 0:36:00 | |
You see, Nicola, you don't get this on A Question Of Sport. | 0:36:07 | 0:36:10 | |
I mean, we're having a lovely time, aren't we? | 0:36:12 | 0:36:16 | |
Professional comedians and all that. | 0:36:16 | 0:36:18 | |
This is sort of just a distraction for it, isn't it? | 0:36:18 | 0:36:21 | |
For people. What is? Life? | 0:36:21 | 0:36:24 | |
No, this show, you know. | 0:36:24 | 0:36:25 | |
Maybe it's just me, but I... | 0:36:28 | 0:36:31 | |
I'm quite chirpy about it all. | 0:36:33 | 0:36:36 | |
Like, for example, here's a thing. I'm right-handed. | 0:36:36 | 0:36:40 | |
And so cutting the nails on my right hand, with my left hand, | 0:36:40 | 0:36:45 | |
I find quite tricky. | 0:36:45 | 0:36:47 | |
So what I do, I do that hand first, | 0:36:47 | 0:36:51 | |
and then I've got the easy bit to look forward to. | 0:36:51 | 0:36:54 | |
And I think that's how you have to construct life. | 0:36:57 | 0:37:00 | |
So you're always... Deferred gratification, | 0:37:00 | 0:37:03 | |
you're always looking forward to the next peak. | 0:37:03 | 0:37:05 | |
That was like Buddha. | 0:37:05 | 0:37:07 | |
Thanks very much. | 0:37:09 | 0:37:11 | |
But, I mean, it's probably better than death? Is it? | 0:37:11 | 0:37:14 | |
Oh, a lot better. | 0:37:14 | 0:37:16 | |
To be honest, I was just having a hard week | 0:37:16 | 0:37:18 | |
when they asked me to choose the thing. | 0:37:18 | 0:37:20 | |
For some people, I think you'd agree, | 0:37:24 | 0:37:27 | |
life seems... Everything seems to go perfectly for them. | 0:37:27 | 0:37:30 | |
Wouldn't you say? You know those sort of people. | 0:37:30 | 0:37:32 | |
You take this crowd surfer. | 0:37:32 | 0:37:35 | |
I know what you're thinking, it might well be full of urine. | 0:37:46 | 0:37:50 | |
OK, so, I don't think I'm going to put life itself | 0:37:51 | 0:37:57 | |
into Room 101. | 0:37:57 | 0:37:59 | |
I mean, that has enormous implications for the rest of the series. | 0:37:59 | 0:38:02 | |
But you're right - getting woken up is horrible, | 0:38:03 | 0:38:06 | |
and I think, you know, | 0:38:06 | 0:38:07 | |
people should respect a double gold medal winner | 0:38:07 | 0:38:10 | |
and just let her sleep, build her muscles up. | 0:38:10 | 0:38:13 | |
I'm going to put getting woken up into Room 101. | 0:38:13 | 0:38:16 | |
And that brings us to the end of the show. | 0:38:27 | 0:38:29 | |
Well done, Frankie, you were the most persuasive guest, | 0:38:29 | 0:38:31 | |
so you are this week's winner. | 0:38:31 | 0:38:33 | |
APPLAUSE | 0:38:33 | 0:38:35 | |
Thanks very much, Frankie Boyle, Diane Morgan and Nicola Adams. | 0:38:39 | 0:38:44 | |
And thank you, good night. | 0:38:44 | 0:38:46 |