Browse content similar to Episode 6. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
CHEERING AND APPLAUSE | 0:00:26 | 0:00:32 | |
Hello, I'm Frank Skinner and welcome to Room 101, | 0:00:32 | 0:00:37 | |
the show in which three guests battle to get the things they hate | 0:00:37 | 0:00:42 | |
into the dreaded Room 101. | 0:00:42 | 0:00:44 | |
Our guest choices have been sorted into categories and in each round | 0:00:44 | 0:00:47 | |
only one item can be chosen, the final decision is mine. | 0:00:47 | 0:00:51 | |
So, let's meet the guests. | 0:00:51 | 0:00:52 | |
Joining me tonight are | 0:00:52 | 0:00:53 | |
comedian Rhod Gilbert, the Apprentice's Nick Hewer | 0:00:53 | 0:00:56 | |
and the reigning "Rear of the Year", Carol Vorderman. | 0:00:56 | 0:00:59 | |
CHEERING AND APPLAUSE | 0:00:59 | 0:01:02 | |
OK, can we have the first category, please. | 0:01:06 | 0:01:09 | |
It's Travel. | 0:01:13 | 0:01:14 | |
And, I'd like to know | 0:01:14 | 0:01:16 | |
what Carol Vorderman hates about travel. | 0:01:16 | 0:01:18 | |
Wait for it. | 0:01:23 | 0:01:26 | |
Look at that. | 0:01:26 | 0:01:28 | |
Look at that! | 0:01:28 | 0:01:29 | |
LAUGHTER AND APPLAUSE | 0:01:29 | 0:01:33 | |
That is a brilliant prop, I love that. | 0:01:33 | 0:01:36 | |
When the props are getting applause, what a night it is. | 0:01:36 | 0:01:38 | |
It's fantastic. | 0:01:38 | 0:01:40 | |
There are three things, apparently, | 0:01:40 | 0:01:42 | |
that you need to spend three quarters of your time doing | 0:01:42 | 0:01:46 | |
while you're camping. | 0:01:46 | 0:01:48 | |
One of them is keeping dry, | 0:01:48 | 0:01:50 | |
the other is keeping clean | 0:01:50 | 0:01:52 | |
and the other is going to the toilet. | 0:01:52 | 0:01:56 | |
And all three are quite difficult. | 0:01:56 | 0:01:58 | |
I went on the Internet and there is advice that says what you should do, | 0:01:58 | 0:02:02 | |
get a dustpan and brush and sweep all the bugs up | 0:02:02 | 0:02:04 | |
every morning from inside your tent and also after every meal. | 0:02:04 | 0:02:09 | |
This is meant to be a holiday. | 0:02:09 | 0:02:11 | |
-There is a special device for insects, though. -Which is what? | 0:02:11 | 0:02:15 | |
You must have seen one of these. | 0:02:15 | 0:02:18 | |
LAUGHTER | 0:02:18 | 0:02:19 | |
I can spend hours killing insects with one of these, it's fabulous. | 0:02:19 | 0:02:23 | |
But it's not just insects, Frank. | 0:02:23 | 0:02:25 | |
On this website, this woman said, "Oh, we had a hilarious time. | 0:02:25 | 0:02:28 | |
"We went camping to the New Forest," she said, | 0:02:28 | 0:02:32 | |
"and the tent smelled of fish for two weeks." | 0:02:32 | 0:02:35 | |
And she said, "Nobody knew what it was and I cleaned everything, | 0:02:35 | 0:02:39 | |
"until we picked the tent up and beneath were two squashed toads." | 0:02:39 | 0:02:45 | |
They'd been living on top of two squashed, this is camping, | 0:02:45 | 0:02:49 | |
this is a holiday, camping is wrong. | 0:02:49 | 0:02:51 | |
Never do it, it should go immediately into Room 101. | 0:02:51 | 0:02:55 | |
Do not subject any other children to going camping. | 0:02:55 | 0:02:59 | |
I camped for four days in Oxfordshire, two years ago | 0:02:59 | 0:03:02 | |
and I didn't wash, I didn't change my clothes. | 0:03:02 | 0:03:05 | |
I loved it, I felt I was released from the tyranny of hygiene. | 0:03:05 | 0:03:08 | |
It's like being on the school holidays again, | 0:03:08 | 0:03:11 | |
same pants for weeks. | 0:03:11 | 0:03:14 | |
For very young children, it must be preserved. | 0:03:14 | 0:03:17 | |
-And not... -Why? | 0:03:17 | 0:03:19 | |
Because kids love the adventure. | 0:03:19 | 0:03:21 | |
I didn't. | 0:03:21 | 0:03:22 | |
No, they don't, Nick. | 0:03:22 | 0:03:23 | |
LAUGHTER | 0:03:23 | 0:03:25 | |
It's not an adventure. | 0:03:25 | 0:03:26 | |
We used to go camping when I was a kid through | 0:03:26 | 0:03:28 | |
the south of France for six ruddy weeks | 0:03:28 | 0:03:30 | |
and me and my brother and dad in one tent, | 0:03:30 | 0:03:32 | |
and the only advice I've got is, | 0:03:32 | 0:03:34 | |
if it looks like Lucozade, it's not always Lucozade. | 0:03:34 | 0:03:37 | |
LAUGHTER | 0:03:37 | 0:03:40 | |
OK, let's see what Rhod Gilbert doesn't like about travel. | 0:03:40 | 0:03:44 | |
LAUGHTER AND APPLAUSE | 0:03:50 | 0:03:54 | |
This caravan represents all holidays, Frank. | 0:03:59 | 0:04:02 | |
Once we worked out how to do the rain | 0:04:02 | 0:04:05 | |
we thought we might as well cash-in. | 0:04:05 | 0:04:07 | |
Holidays, Rhod. | 0:04:07 | 0:04:08 | |
Holidays, well I've never had one | 0:04:08 | 0:04:11 | |
that wasn't an absolute out and out unmitigated disaster. | 0:04:11 | 0:04:15 | |
Every single holiday has gone disastrously wrong, | 0:04:15 | 0:04:19 | |
every single one. | 0:04:19 | 0:04:20 | |
You name one I've had, you probably don't know them, I'll name 'em. | 0:04:20 | 0:04:23 | |
My parents were teachers, school would break-up, next day, | 0:04:23 | 0:04:27 | |
instead of hanging around with mates, off we'd go on holiday | 0:04:27 | 0:04:30 | |
for six weeks, to the south of France | 0:04:30 | 0:04:32 | |
in a stinking Hillman Avenger estate, with plastic seats, | 0:04:32 | 0:04:35 | |
all day, terrible heat. | 0:04:35 | 0:04:37 | |
I get terrible car sickness, | 0:04:37 | 0:04:38 | |
I vomited every single inch of the way around. | 0:04:38 | 0:04:41 | |
By the time I got to the south of France, | 0:04:41 | 0:04:43 | |
I was practically inside out. | 0:04:43 | 0:04:44 | |
I had what they called a receptacle, my mother called it a receptacle, | 0:04:44 | 0:04:48 | |
which is just a Tupperware box, and that's all, for six weeks. | 0:04:48 | 0:04:51 | |
My brother had magnetic chess, | 0:04:51 | 0:04:53 | |
my sister had her Etch-a-Sketch and a book. | 0:04:53 | 0:04:55 | |
I used to be there with a Tupperware box, | 0:04:55 | 0:04:58 | |
that I threw into and the level just rose like that for the whole time. | 0:04:58 | 0:05:01 | |
And every single holiday right up to the present day. | 0:05:01 | 0:05:05 | |
This year I've had earache for five days in the Caribbean, | 0:05:05 | 0:05:08 | |
I had a nervous breakdown in the Maldives. | 0:05:08 | 0:05:10 | |
LAUGHTER | 0:05:10 | 0:05:11 | |
Thanks for laughing at that more than the earache. | 0:05:11 | 0:05:14 | |
Well, I love holidays. | 0:05:14 | 0:05:16 | |
-Do you? -I can't imagine anyone not liking them. -They're stressful. | 0:05:16 | 0:05:19 | |
Even if they don't go well, the joy of coming home. | 0:05:19 | 0:05:23 | |
That's not the holiday, is it? | 0:05:23 | 0:05:25 | |
No, but even a bad holiday has that, | 0:05:25 | 0:05:27 | |
you get in and the telly's had a chance to cool down. | 0:05:27 | 0:05:30 | |
And you get that little rainbow film on the water in the toilet. | 0:05:30 | 0:05:33 | |
This is you advocating holidays | 0:05:33 | 0:05:36 | |
as your telly's had a chance to cool down. | 0:05:36 | 0:05:38 | |
No, this is the very worst aspects. | 0:05:38 | 0:05:40 | |
It's great when you get home and the plugs are a bit cooler | 0:05:40 | 0:05:43 | |
than when you went away. Certainly changed my mind there(!) | 0:05:43 | 0:05:46 | |
You'll get no sympathy out of me, a kid off to the south of France! | 0:05:46 | 0:05:49 | |
We were going to Rhyl! | 0:05:49 | 0:05:51 | |
LAUGHTER | 0:05:51 | 0:05:52 | |
The only people I knew as a child who'd been abroad had been | 0:05:52 | 0:05:55 | |
involved in World War II. | 0:05:55 | 0:05:56 | |
That's true. Let's see what Nick Hewer doesn't like about travel. | 0:05:56 | 0:06:02 | |
Am I going to get soaked again? | 0:06:04 | 0:06:06 | |
LAUGHTER | 0:06:10 | 0:06:13 | |
Right, this is a train manager. | 0:06:13 | 0:06:15 | |
Oh, train manager. | 0:06:15 | 0:06:17 | |
-Train manager. -We thought you said "rain manager". | 0:06:17 | 0:06:19 | |
-A train manager. -Oh, what a let-down. | 0:06:19 | 0:06:22 | |
Now the point of this is, | 0:06:22 | 0:06:24 | |
that we just get too much information all over the place. | 0:06:24 | 0:06:30 | |
But I'm picking trains as a place | 0:06:30 | 0:06:32 | |
which are particularly noisome places. | 0:06:32 | 0:06:35 | |
You get on and the first thing you hear is, | 0:06:35 | 0:06:37 | |
"Good afternoon, I'm Barry, your train manager." | 0:06:37 | 0:06:42 | |
Do I need to know his name? | 0:06:42 | 0:06:44 | |
Does he know my name? I mean, think about it. | 0:06:44 | 0:06:47 | |
If there's a little problem, | 0:06:47 | 0:06:49 | |
are we going to go shuffling off down the train, saying, | 0:06:49 | 0:06:52 | |
"Anybody seen Barry?" | 0:06:52 | 0:06:53 | |
LAUGHTER | 0:06:53 | 0:06:54 | |
We're going to say, "Where's the train manager? | 0:06:54 | 0:06:57 | |
"The coach is on fire." Not, "Where's Barry?" | 0:06:57 | 0:07:00 | |
He's a manager too, what happened to the guard? | 0:07:00 | 0:07:03 | |
And from then on it's a constant stream of information, | 0:07:03 | 0:07:07 | |
most of which is absolutely unnecessary. | 0:07:07 | 0:07:10 | |
He tells us where we are, we're at Euston. | 0:07:10 | 0:07:14 | |
We know that, we've just got on his bloody train at Euston. | 0:07:14 | 0:07:18 | |
And, he tells us then where we're off to. | 0:07:18 | 0:07:20 | |
We sort of have an idea about that, because that's where we want to go. | 0:07:20 | 0:07:24 | |
He tells us where the buffet car is, who's running it, "...it's Suzie." | 0:07:24 | 0:07:30 | |
Any sort of pastry you want, Suzie's got, newspapers, coffees, | 0:07:30 | 0:07:35 | |
this that and the other thing, and all the rest. | 0:07:35 | 0:07:38 | |
By the time he's finished, we're in Watford. | 0:07:38 | 0:07:41 | |
-In Watford we're told to take our luggage with us, yeah. -Why? | 0:07:41 | 0:07:45 | |
Because if you don't, we're going to blow it up | 0:07:45 | 0:07:47 | |
and we're going to follow you and we're going to track you down | 0:07:47 | 0:07:51 | |
and we'll taser you and eventually shoot you. | 0:07:51 | 0:07:54 | |
And furthermore, "Take care". | 0:07:54 | 0:07:57 | |
What are we going to do, toss ourselves off the bloody train?! | 0:07:57 | 0:08:00 | |
LAUGHTER | 0:08:00 | 0:08:03 | |
I've had enough of it. | 0:08:03 | 0:08:04 | |
I may be intolerant, but really, on balance, too much noise. | 0:08:04 | 0:08:12 | |
I have to say, I'm always glad of an announcement on a train, | 0:08:12 | 0:08:15 | |
because if I'm on the phone to my girlfriend, it sort of proves | 0:08:15 | 0:08:18 | |
that I'm on a train and not having an affair in a hotel somewhere. | 0:08:18 | 0:08:22 | |
LAUGHTER | 0:08:22 | 0:08:24 | |
Sometimes if I am having an affair in a hotel, I'll begin by going... | 0:08:24 | 0:08:27 | |
TRAIN ANNOUNCEMENT TONE | 0:08:27 | 0:08:30 | |
And it's possible that I might leave some belongings behind | 0:08:30 | 0:08:33 | |
if I didn't have that reminder, | 0:08:33 | 0:08:35 | |
and I like being thanked for using the train, it gives it a warmth. | 0:08:35 | 0:08:39 | |
-Do you think he means it? -Yes. | 0:08:39 | 0:08:41 | |
Does he give a damn that you're going to come back? | 0:08:41 | 0:08:44 | |
No, of course he doesn't. | 0:08:44 | 0:08:45 | |
I don't know, they always seems such nice fellows. | 0:08:45 | 0:08:48 | |
They do little gags and stuff. It's cosy. | 0:08:48 | 0:08:50 | |
I know if I hadn't made it as a comic, | 0:08:50 | 0:08:53 | |
I would have to seek out a tannoy, somewhere. | 0:08:53 | 0:08:56 | |
LAUGHTER | 0:08:56 | 0:08:58 | |
It's the lowest form of showbiz, the train manager. | 0:08:58 | 0:09:01 | |
OK, well, you argue the case well. | 0:09:01 | 0:09:04 | |
Now I think camping is one of the few chances that we get | 0:09:04 | 0:09:07 | |
to get back to the soil and to the earth, | 0:09:07 | 0:09:10 | |
and you have to join in, you have to be at one with the canvas. | 0:09:10 | 0:09:13 | |
And lots of people in this audience don't have glamorous jobs like us, | 0:09:13 | 0:09:17 | |
they're slugging away in an office. | 0:09:17 | 0:09:20 | |
They dream of their holidays, that's all they've got left! | 0:09:20 | 0:09:23 | |
I actually like the train people. | 0:09:23 | 0:09:25 | |
I like the train people as well, but I know what you mean, | 0:09:25 | 0:09:28 | |
they can be a bit over the top, so it's a very close-run thing, | 0:09:28 | 0:09:31 | |
but on this occasion, I'm going to go with Nick | 0:09:31 | 0:09:34 | |
and I'm going to push train managers into Room 101. | 0:09:34 | 0:09:37 | |
-Oh! -Thank you, thank you. Very good. | 0:09:37 | 0:09:40 | |
CHEERING AND APPLAUSE | 0:09:40 | 0:09:44 | |
And so another category, please. | 0:09:51 | 0:09:54 | |
Ah, well, this is the Wildcard Round, | 0:09:59 | 0:10:01 | |
in which there is no restraints. | 0:10:01 | 0:10:02 | |
You can choose anything, anything that you really, really don't like. | 0:10:02 | 0:10:07 | |
So, what is Rhod Gilbert's wildcard? | 0:10:07 | 0:10:10 | |
LAUGHTER | 0:10:13 | 0:10:19 | |
Me. I'm putting myself in. | 0:10:21 | 0:10:24 | |
-What?! -Ahh. | 0:10:24 | 0:10:26 | |
APPLAUSE | 0:10:26 | 0:10:27 | |
I don't want sympathy. Oh, thanks for the applause, there! | 0:10:27 | 0:10:32 | |
I'm lazy, intolerant, stupid. | 0:10:32 | 0:10:36 | |
I was in my house today, | 0:10:36 | 0:10:37 | |
the place is disgusting. | 0:10:37 | 0:10:39 | |
The house is disgusting | 0:10:39 | 0:10:42 | |
because I can't be bothered to do anything, to lift a finger. | 0:10:42 | 0:10:45 | |
The ceiling is coming down where somebody stood on it | 0:10:45 | 0:10:48 | |
and went through it about three years ago. | 0:10:48 | 0:10:50 | |
Three windows are smashed. | 0:10:50 | 0:10:52 | |
The carpet is... has got so many stains on it, | 0:10:52 | 0:10:55 | |
it looks like a vet's operating table. | 0:10:55 | 0:10:57 | |
The only thing I do around the house is, I will wash up, | 0:10:57 | 0:11:01 | |
and the only reason I do that is because I had a mate in university | 0:11:01 | 0:11:04 | |
who was even lazier than I was, and he really used to wind me up. | 0:11:04 | 0:11:08 | |
Because once the bowls had gone, | 0:11:08 | 0:11:10 | |
he'd be having cornflakes out of a saucepan, out of a frying pan. | 0:11:10 | 0:11:13 | |
And I came home one day | 0:11:13 | 0:11:14 | |
and he was having a glass of squash out of six egg cups. | 0:11:14 | 0:11:17 | |
LAUGHTER | 0:11:17 | 0:11:20 | |
And, I thought, I never want to be like that, | 0:11:20 | 0:11:23 | |
so I wash up and that is the only thing that I do. | 0:11:23 | 0:11:26 | |
If I put you into Room 101, right, so then you'd be gone. | 0:11:26 | 0:11:30 | |
You'd be in there with people like Richard Madeley, twice, actually. | 0:11:30 | 0:11:34 | |
LAUGHTER | 0:11:34 | 0:11:37 | |
What would happen to this guy? | 0:11:37 | 0:11:40 | |
So on Saturday I went to the Lowry Theatre in Salford, | 0:11:40 | 0:11:44 | |
to watch Rhod Gilbert. | 0:11:44 | 0:11:45 | |
It was the best and funniest show I've ever, ever seen. | 0:11:45 | 0:11:51 | |
And then after the show I met Rhod Gilbert. | 0:11:51 | 0:11:54 | |
That's pretty cool, | 0:11:54 | 0:11:55 | |
and he signed my ticket and I am very, very happy about that. | 0:11:55 | 0:12:00 | |
I've now met the funniest guy, | 0:12:00 | 0:12:03 | |
well, I think the funniest guy in the world. | 0:12:03 | 0:12:06 | |
I've met my two favourite guitarists... | 0:12:06 | 0:12:09 | |
Oh, I've met Davina McCall once, as well. | 0:12:12 | 0:12:15 | |
LAUGHTER | 0:12:15 | 0:12:17 | |
APPLAUSE | 0:12:17 | 0:12:22 | |
Do you want to break his heart? | 0:12:22 | 0:12:24 | |
I feel a little bit bad now. | 0:12:24 | 0:12:28 | |
-Quite right. -Having seen that, yeah. | 0:12:28 | 0:12:31 | |
-But, we can't put you in Room 101. -Why not? -Well... | 0:12:31 | 0:12:33 | |
You said before that you can put in anything, no restraints. | 0:12:33 | 0:12:36 | |
OK. Yeah, but this is a comedy show, not a Swiss clinic. | 0:12:36 | 0:12:40 | |
LAUGHTER AND APPLAUSE | 0:12:40 | 0:12:42 | |
Anyway, let's see what Carol Vorderman's Wildcard is. | 0:12:48 | 0:12:50 | |
Ugh! | 0:12:54 | 0:12:56 | |
Handbags. | 0:12:58 | 0:12:59 | |
When my mum was growing up and when she was a young woman, | 0:12:59 | 0:13:03 | |
she had about three handbags. | 0:13:03 | 0:13:05 | |
I have six, which is quite a lot of handbags. They're all very old. | 0:13:05 | 0:13:10 | |
Now, when Sex in the City came along in the '90s, it kind of, | 0:13:10 | 0:13:14 | |
well, it was basically just a great big advertising drama | 0:13:14 | 0:13:18 | |
for the fashion industry. | 0:13:18 | 0:13:20 | |
And suddenly all these really expensive handbags | 0:13:20 | 0:13:23 | |
started coming out and girls would say, | 0:13:23 | 0:13:25 | |
"I've got to have that bag, I've got to have that bag." | 0:13:25 | 0:13:28 | |
Why? You don't need them, they look stupid. | 0:13:28 | 0:13:32 | |
But, they buy these bags that are about this big, | 0:13:32 | 0:13:36 | |
they're about half the size of the woman, to go to lunch. | 0:13:36 | 0:13:39 | |
Why do you need a bag that big to go to lunch? | 0:13:39 | 0:13:43 | |
There was Katie Holmes, married to Tom Cruise, | 0:13:43 | 0:13:45 | |
I really loathe all this big handbag thing. | 0:13:45 | 0:13:47 | |
It's only in the last 15 years it's started. | 0:13:47 | 0:13:50 | |
Can I say, we have a picture of Katie Holmes with that very bag. | 0:13:50 | 0:13:53 | |
Oh, you'll see what I mean. Look at the size of this. | 0:13:53 | 0:13:55 | |
Look at the size of that bag! | 0:13:55 | 0:13:57 | |
I think we know who's in there, don't we? | 0:13:57 | 0:13:59 | |
LAUGHTER AND APPLAUSE | 0:13:59 | 0:14:03 | |
Frankly, it's small wonder there were bloody riots on Oxford Street | 0:14:03 | 0:14:07 | |
when this sort of carry on was going on. | 0:14:07 | 0:14:09 | |
Wow! Because of handbags? | 0:14:09 | 0:14:13 | |
CHEERING AND APPLAUSE | 0:14:13 | 0:14:14 | |
What's going on here, there's a handbag revolution? | 0:14:14 | 0:14:18 | |
-No, it creates envy and jealousy. -It does. | 0:14:18 | 0:14:20 | |
I think it's loathsome. | 0:14:20 | 0:14:22 | |
I think handbags can actually prevent crime. Take a look at this. | 0:14:22 | 0:14:25 | |
Guys breaking into a jewellery store. | 0:14:26 | 0:14:29 | |
No one doing anything, too frightened. | 0:14:29 | 0:14:31 | |
I'd be frightened myself. | 0:14:31 | 0:14:33 | |
But what about this lady? | 0:14:33 | 0:14:35 | |
Here she comes. | 0:14:35 | 0:14:36 | |
Straight from the grotto. | 0:14:36 | 0:14:40 | |
She's got a big bag. | 0:14:40 | 0:14:41 | |
LAUGHTER | 0:14:41 | 0:14:43 | |
Quick, get on the scooter, get on the, quick, get on the scooter... | 0:14:49 | 0:14:53 | |
Oh! | 0:14:53 | 0:14:54 | |
LAUGHTER AND APPLAUSE | 0:14:54 | 0:14:57 | |
That's brilliant. | 0:14:57 | 0:14:58 | |
What do you think of this bag? | 0:15:01 | 0:15:03 | |
This is the kind of bag that my girlfriend would use. | 0:15:03 | 0:15:06 | |
-Yeah. -And, can I just give this a demonstration? | 0:15:06 | 0:15:08 | |
We can be in a public place, maybe at the theatre or the cinema, | 0:15:08 | 0:15:12 | |
and she'll say to me, "I'm going to the toilet now," | 0:15:12 | 0:15:14 | |
and she'll hand me this. | 0:15:14 | 0:15:16 | |
LAUGHTER | 0:15:16 | 0:15:17 | |
And people are looking at me, I can see them reaching | 0:15:17 | 0:15:20 | |
for their camera phones, and I do that thing that blokes always do, | 0:15:20 | 0:15:24 | |
when a woman leaves you with her handbag, | 0:15:24 | 0:15:26 | |
you don't want to hold it like this. | 0:15:26 | 0:15:28 | |
Because that suggests that you know how a handbag works. | 0:15:28 | 0:15:32 | |
So, blokes tend to hold it like that. | 0:15:32 | 0:15:35 | |
I'm not really familiar with a handbag, generally speaking. | 0:15:35 | 0:15:40 | |
I've seen that, I've seen that. | 0:15:40 | 0:15:43 | |
And the best of all, get it next to something really male. | 0:15:43 | 0:15:48 | |
LAUGHTER | 0:15:48 | 0:15:50 | |
Yeah. That's what I would go for. | 0:15:50 | 0:15:53 | |
APPLAUSE | 0:15:53 | 0:15:55 | |
I want to know what Nick Hewer's wildcard is. | 0:15:59 | 0:16:03 | |
What have I got? | 0:16:03 | 0:16:04 | |
CHEERING AND APPLAUSE | 0:16:06 | 0:16:11 | |
Um, EastEnders. | 0:16:15 | 0:16:17 | |
There is one thing that I loathe and abhor about EastEnders | 0:16:17 | 0:16:22 | |
and it's the aggression | 0:16:22 | 0:16:24 | |
and the violence that seems to be threaded through every episode. | 0:16:24 | 0:16:28 | |
And that violence over the years has drifted and leeched | 0:16:28 | 0:16:32 | |
into the British consciousness, so that today | 0:16:32 | 0:16:35 | |
I think this country is worse for it, | 0:16:35 | 0:16:38 | |
because I think there is a vein, a seam, of aggression in this country | 0:16:38 | 0:16:43 | |
that I would attribute in no small measure to this little lot here. | 0:16:43 | 0:16:47 | |
And let me tell you, as a sort of an example, | 0:16:47 | 0:16:50 | |
I'm not blaming this particularly on EastEnders, | 0:16:50 | 0:16:53 | |
but it's the sort of attitude. | 0:16:53 | 0:16:55 | |
I was queuing for the security check at an airport recently, | 0:16:55 | 0:16:59 | |
and there was a bloke in front of me, he was reading the paper | 0:16:59 | 0:17:03 | |
and the queue had moved on and created a sort of a space. | 0:17:03 | 0:17:06 | |
And the bloke behind me said, "Oi, you, doughnut!" | 0:17:06 | 0:17:10 | |
And the bloke reading the paper looked up and said, | 0:17:10 | 0:17:13 | |
"You talking to me?!" | 0:17:13 | 0:17:14 | |
And suddenly I thought, | 0:17:14 | 0:17:16 | |
"I'm going to be in the middle of an EastEnders brawl, here." | 0:17:16 | 0:17:19 | |
Why can't we be kinder to each other and more patient? | 0:17:19 | 0:17:23 | |
And I think that EastEnders, God bless them, | 0:17:23 | 0:17:26 | |
great actors, great stories, all the rest of it, | 0:17:26 | 0:17:29 | |
just less of the violence, please, you're doing us harm. | 0:17:29 | 0:17:32 | |
It's hard to have a story where somebody kills without violence. | 0:17:32 | 0:17:36 | |
But there isn't a murder every week. | 0:17:36 | 0:17:37 | |
It's hard to have a story where you blow a house up | 0:17:37 | 0:17:40 | |
without blowing it up. | 0:17:40 | 0:17:41 | |
But not every week. Frank, join me in this little message. | 0:17:41 | 0:17:44 | |
I'll be honest, I didn't know it was still on. | 0:17:44 | 0:17:48 | |
Now we have, in case anyone here has never watched EastEnders, | 0:17:48 | 0:17:51 | |
which I know that's fairly unlikely, we have a montage to sort of | 0:17:51 | 0:17:54 | |
I think point out some of the things you're talking about, Nick. | 0:17:54 | 0:17:58 | |
Oi! What do you think you're playing at? | 0:17:58 | 0:18:01 | |
-Who are you calling scrubbers?! -You are nothing but low-life scum! | 0:18:01 | 0:18:06 | |
-Oi! -Get off! -Oi, oi, oi! -Out! -Mind the baby, all right. | 0:18:06 | 0:18:10 | |
-Get off me! -Argh! Watch out! Ow! Ow! | 0:18:12 | 0:18:14 | |
-You're not that tough now, are you? -Just get off me, you cow! -Get off her! Get off! | 0:18:14 | 0:18:18 | |
Argh! You've gone too far! | 0:18:18 | 0:18:21 | |
Argh! Come on then, if you think you're hard enough. | 0:18:21 | 0:18:24 | |
Oh, oh! | 0:18:24 | 0:18:25 | |
LAUGHTER | 0:18:25 | 0:18:27 | |
You know that video was part of London's Olympic bid! | 0:18:27 | 0:18:31 | |
LAUGHTER | 0:18:31 | 0:18:34 | |
Also, it's loved by many people. | 0:18:34 | 0:18:37 | |
We have some people visiting the set of EastEnders. | 0:18:37 | 0:18:40 | |
Look, the Mayor of London. | 0:18:40 | 0:18:42 | |
Even Queen Victoria doesn't seem to like Boris Johnson. | 0:18:42 | 0:18:46 | |
LAUGHTER | 0:18:46 | 0:18:48 | |
Which one is Boris Johnson? | 0:18:48 | 0:18:49 | |
LAUGHTER AND APPLAUSE | 0:18:49 | 0:18:52 | |
OK, so that is the... that's the Wildcard Round. | 0:18:55 | 0:18:59 | |
I have to say it's a tricky one. | 0:18:59 | 0:19:00 | |
-I'm not going to put Rhod Gilbert in. -Come on. | 0:19:00 | 0:19:04 | |
Because if I put you in there, | 0:19:04 | 0:19:05 | |
this'll just be, basically, an episode of Countdown. | 0:19:05 | 0:19:08 | |
Yes. Past and present. | 0:19:08 | 0:19:11 | |
And, I don't watch EastEnders, I know it's loved by the masses | 0:19:11 | 0:19:14 | |
and a lot of people have an affection for it. | 0:19:14 | 0:19:17 | |
And, I'm OK on handbags, | 0:19:17 | 0:19:19 | |
but I suppose it can be an excessive example of capitalism, | 0:19:19 | 0:19:22 | |
so, under duress, I'm going to put handbags into Room 101. | 0:19:22 | 0:19:26 | |
Yes! Yeah! | 0:19:26 | 0:19:28 | |
CHEERING AND APPLAUSE | 0:19:28 | 0:19:31 | |
OK, let's have our next category. | 0:19:39 | 0:19:42 | |
Sport. What doesn't Carol Vorderman like about sport? | 0:19:47 | 0:19:51 | |
Yes! | 0:19:56 | 0:19:57 | |
APPLAUSE | 0:19:57 | 0:19:59 | |
I feel I don't actually need to say anything. | 0:19:59 | 0:20:03 | |
No. | 0:20:03 | 0:20:04 | |
-Golf is not a sport. -Oh! | 0:20:04 | 0:20:06 | |
That's why it has to go into Room 101. | 0:20:06 | 0:20:09 | |
A sport, I would say, has spectators who can get excited | 0:20:09 | 0:20:13 | |
about watching people doing whatever it is that they're doing | 0:20:13 | 0:20:16 | |
and you get a thrill that rushes through you, going, | 0:20:16 | 0:20:18 | |
"Yeah, that's fantastic!" | 0:20:18 | 0:20:20 | |
Whether it's football or rugby or whatever it might be. | 0:20:20 | 0:20:24 | |
That doesn't happen in golf. | 0:20:24 | 0:20:25 | |
If you're a spectator, | 0:20:25 | 0:20:27 | |
and I know because I was once taken to an event, you stand there | 0:20:27 | 0:20:30 | |
in silence, like this, | 0:20:30 | 0:20:32 | |
for 20 minutes. | 0:20:32 | 0:20:34 | |
And then somebody hits a ball over there. | 0:20:34 | 0:20:37 | |
You can't see it against the grey sky, and then it lands over there. | 0:20:37 | 0:20:42 | |
And you go... | 0:20:42 | 0:20:43 | |
Like that. | 0:20:44 | 0:20:45 | |
Then you wait another 20 minutes for the same thing. It's not a sport. | 0:20:45 | 0:20:49 | |
But, it's got... I know what you mean by it not being a sport, | 0:20:49 | 0:20:52 | |
-in that it's not desperately physical. -It's not a sport. | 0:20:52 | 0:20:55 | |
But that's good, because it means the fat, the old, | 0:20:55 | 0:20:58 | |
the alienated can play. | 0:20:58 | 0:21:00 | |
It's like Countdown in that respect. | 0:21:00 | 0:21:02 | |
LAUGHTER | 0:21:02 | 0:21:03 | |
What do you mean by the alienated can play golf, anyway? | 0:21:03 | 0:21:06 | |
What does that mean? | 0:21:06 | 0:21:07 | |
If you don't have any friends, you can play golf on your own. | 0:21:07 | 0:21:11 | |
If you haven't got friends, you can do anything on your own. | 0:21:11 | 0:21:14 | |
What about seesawing? | 0:21:14 | 0:21:16 | |
Yeah. | 0:21:16 | 0:21:18 | |
LAUGHTER AND APPLAUSE | 0:21:18 | 0:21:21 | |
Do you know what I think about golf is that every single golfer, | 0:21:21 | 0:21:25 | |
and I'm accusing every single one of them out there, | 0:21:25 | 0:21:28 | |
lies and cheats in every single game that they play. | 0:21:28 | 0:21:31 | |
Always this constant lying to yourself, | 0:21:31 | 0:21:33 | |
"I won't count that one, I won't count that shot." | 0:21:33 | 0:21:35 | |
They never play it by the rules. | 0:21:35 | 0:21:37 | |
You're only cheating yourself. | 0:21:37 | 0:21:39 | |
Give me a cheer if you do that. | 0:21:39 | 0:21:40 | |
SILENCE | 0:21:40 | 0:21:43 | |
-Oh. -But I think it's not about that, it's about being out there | 0:21:43 | 0:21:47 | |
in the open air, the course is like a living creature. | 0:21:47 | 0:21:50 | |
I think it's good for the soul. | 0:21:50 | 0:21:53 | |
Just to show how at one with nature golfers are, | 0:21:53 | 0:21:57 | |
look at this beautiful moment. | 0:21:57 | 0:21:58 | |
GASPS | 0:22:03 | 0:22:05 | |
You just killed a bird. | 0:22:05 | 0:22:07 | |
That's awful! | 0:22:08 | 0:22:10 | |
Yes, yes, she hit a birdie. | 0:22:10 | 0:22:12 | |
LAUGHTER | 0:22:12 | 0:22:13 | |
OK, what doesn't Nick Hewer like about sport? | 0:22:13 | 0:22:17 | |
LAUGHTER | 0:22:20 | 0:22:23 | |
My little two minutes really is about British sportsmanship. | 0:22:23 | 0:22:27 | |
That is the Northampton and England winger, who when he scores, | 0:22:27 | 0:22:34 | |
he sort of has a triumphant dive, because he's a show-off, basically. | 0:22:34 | 0:22:38 | |
So you're anti, sort of, flamboyance as well, in sport? | 0:22:38 | 0:22:41 | |
No, we gave the world cricket and soccer and rugby, | 0:22:41 | 0:22:45 | |
and today, I worry that British sportsmanship, right, | 0:22:45 | 0:22:50 | |
has reached a low ebb. | 0:22:50 | 0:22:52 | |
Let me just give you a couple of examples. | 0:22:52 | 0:22:54 | |
You hear commentators saying, | 0:22:54 | 0:22:57 | |
"He's won a penalty." Excuse me? | 0:22:57 | 0:23:00 | |
You're awarded a penalty for being fouled. | 0:23:00 | 0:23:03 | |
And when you actually win one, by diving or whatever it is, | 0:23:03 | 0:23:07 | |
you're then congratulated by your team-mates. | 0:23:07 | 0:23:10 | |
Another example is that whenever the ball crosses the goal line, | 0:23:10 | 0:23:14 | |
-everybody claims it's a corner or it's not a corner. -Yep. | 0:23:14 | 0:23:17 | |
When the ball goes into touch, it's everybody's ball, | 0:23:17 | 0:23:21 | |
and if somebody looks on-side, everybody claims it. | 0:23:21 | 0:23:24 | |
Why don't they just pack it in and be honest about it. | 0:23:24 | 0:23:27 | |
Sportsmanship, let's get it back, let's get it back. | 0:23:27 | 0:23:30 | |
I have to say... | 0:23:30 | 0:23:31 | |
APPLAUSE | 0:23:31 | 0:23:34 | |
I think that the England football team in the past | 0:23:35 | 0:23:40 | |
have been a little bit, they've been a bit too sporting, in a way. | 0:23:40 | 0:23:44 | |
They've been too much on the side of the opposition. Look at this. | 0:23:44 | 0:23:49 | |
LAUGHTER | 0:23:49 | 0:23:51 | |
Now I think I'd have said, | 0:23:51 | 0:23:53 | |
"No, we're not going to do the Nazi salute." | 0:23:53 | 0:23:56 | |
But, they just didn't want to offend anybody. | 0:23:56 | 0:23:59 | |
-Is that what you want to go back to, Nick? -Er, No. | 0:23:59 | 0:24:03 | |
I think it's just something happening in the stand, that's all. | 0:24:03 | 0:24:07 | |
You know what it's like when one person points, | 0:24:07 | 0:24:10 | |
everyone stops and has a look. | 0:24:10 | 0:24:11 | |
Somebody could have Photoshopped the world yo-yo championships. | 0:24:11 | 0:24:16 | |
LAUGHTER | 0:24:16 | 0:24:18 | |
Well, here's a celebration, I don't think this is triumphalist, | 0:24:18 | 0:24:21 | |
so this, I think this is a celebration you'll like. | 0:24:21 | 0:24:24 | |
This is from Iceland, right, | 0:24:24 | 0:24:26 | |
and there's a club team there called Stjarnan FC, | 0:24:26 | 0:24:29 | |
and their goal celebrations have become works of art. | 0:24:29 | 0:24:35 | |
Get a load of this. So, the guy scores a penalty. | 0:24:35 | 0:24:38 | |
So, he's ready, now he's ready now. | 0:24:40 | 0:24:42 | |
He starts with the big cast and then he's reeling it in. | 0:24:42 | 0:24:45 | |
What is he reeling in? | 0:24:45 | 0:24:47 | |
It's the big fish, here it comes. | 0:24:47 | 0:24:49 | |
LAUGHTER AND APPLAUSE | 0:24:49 | 0:24:51 | |
Photo opportunity with the big fish. | 0:24:51 | 0:24:54 | |
And... | 0:24:54 | 0:24:55 | |
LAUGHTER AND APPLAUSE | 0:24:55 | 0:25:01 | |
What doesn't Rhod Gilbert like about sport? | 0:25:04 | 0:25:07 | |
This is, well, opening or closing ceremonies, I guess. | 0:25:13 | 0:25:16 | |
It's the Olympics one I'm thinking of, primarily, coming up in 2012. | 0:25:16 | 0:25:20 | |
The TV audience is apparently going to be four billion, | 0:25:20 | 0:25:23 | |
are essentially going to watch 500 people in track suits | 0:25:23 | 0:25:27 | |
walk around the track. | 0:25:27 | 0:25:30 | |
And, I don't get it as a spectacle. | 0:25:30 | 0:25:32 | |
If I wanted to watch 500 people in track suits, | 0:25:32 | 0:25:34 | |
I'd go and hang around a job centre in Manchester. You can just... | 0:25:34 | 0:25:37 | |
LAUGHTER | 0:25:37 | 0:25:39 | |
It's a waste of money, it's a massive PR exercise. | 0:25:39 | 0:25:42 | |
It's going to be embarrassing. | 0:25:42 | 0:25:44 | |
The teams come out in alphabetical order, | 0:25:44 | 0:25:46 | |
but the Greeks always come out first, | 0:25:46 | 0:25:49 | |
because of the heritage and historical thing. | 0:25:49 | 0:25:51 | |
And then the host nation comes out last, sort of comes in last, | 0:25:51 | 0:25:55 | |
and, I thought, "That's going to be good practice." | 0:25:55 | 0:25:58 | |
Well they are, it's always a bit embarrassing. | 0:25:58 | 0:26:01 | |
I remember, was it Vancouver, the Winter Olympics, the last one? | 0:26:01 | 0:26:04 | |
I don't watch the Winters. | 0:26:04 | 0:26:05 | |
Everyone arrived, like the French, the Austrians, the Germans, | 0:26:05 | 0:26:09 | |
all of them confident, all waving, confident of winning medals. | 0:26:09 | 0:26:12 | |
Then you had the Brits at the back, coming out like this, | 0:26:12 | 0:26:15 | |
following a gritter like that. | 0:26:15 | 0:26:18 | |
Literally. | 0:26:18 | 0:26:20 | |
So how would you start the Olympics then? | 0:26:20 | 0:26:24 | |
Save 80 million quid it's going to cost. | 0:26:24 | 0:26:26 | |
100 quid, 103 quid, I reckon I could do it. | 0:26:26 | 0:26:29 | |
Scissors, a ribbon and then Bill Oddie, | 0:26:29 | 0:26:33 | |
he'll do it for 100 quid. Right. | 0:26:33 | 0:26:34 | |
He cuts the ribbon, 103 quid all in, | 0:26:34 | 0:26:36 | |
and then just to get the global viewing audience up, | 0:26:36 | 0:26:39 | |
you smash a bottle of champagne against Pippa Middleton's bottom. | 0:26:39 | 0:26:43 | |
That's it. | 0:26:43 | 0:26:45 | |
At Beijing, at the end in the closing ceremony, when they handed | 0:26:47 | 0:26:50 | |
the Olympic flag to Boris, did you not get a little tear in your eye? | 0:26:50 | 0:26:55 | |
Um, no. | 0:26:55 | 0:26:57 | |
Look at that. It's a beautiful thing. It made me all tingly. | 0:26:57 | 0:27:01 | |
It looks like | 0:27:03 | 0:27:04 | |
somebody's clumsily shaved the Honey Monster | 0:27:04 | 0:27:07 | |
and then pushed him out of a third storey window. | 0:27:07 | 0:27:09 | |
Well, look, I think that golf I'm not going to put in... | 0:27:09 | 0:27:13 | |
Ohh! | 0:27:13 | 0:27:14 | |
Because I think it's a spiritual exercise for many people. | 0:27:14 | 0:27:19 | |
Boo. | 0:27:19 | 0:27:20 | |
And, I don't want to knock the British sportsmanship, | 0:27:20 | 0:27:24 | |
because I think there's still a lot of great sportsmanship | 0:27:24 | 0:27:27 | |
going on and people highlight just the bad stuff. | 0:27:27 | 0:27:30 | |
I must admit, if I'm going to be absolutely honest, | 0:27:30 | 0:27:32 | |
I'd be happy to save 80 million quid by not having an opening ceremony | 0:27:32 | 0:27:37 | |
and just somebody blowing a whistle. | 0:27:37 | 0:27:39 | |
-Yeah, Bill Oddie. -So, I'm going to put opening and closing ceremonies | 0:27:39 | 0:27:43 | |
into Room 101. | 0:27:43 | 0:27:44 | |
CHEERING AND APPLAUSE | 0:27:44 | 0:27:47 | |
Even though it's just disappeared into Room 101, | 0:27:58 | 0:28:01 | |
there is still time to announce our own Room 101 closing ceremony. | 0:28:01 | 0:28:06 | |
Please enjoy. | 0:28:06 | 0:28:08 | |
This is the Room 101 mascot, Bolty! | 0:28:15 | 0:28:20 | |
And please welcome, from EastEnders, carrying the Olympic Flame, | 0:28:30 | 0:28:35 | |
Wellard. | 0:28:35 | 0:28:37 | |
Good night. | 0:28:49 | 0:28:50 | |
Oh please, please stop. | 0:28:54 | 0:28:56 |