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APPLAUSE | 0:00:22 | 0:00:24 | |
Hello, I'm Frank Skinner and welcome to Room 101, | 0:00:33 | 0:00:36 | |
the show where three guests compete to get their pet hates exiled for ever to the infamous vault. | 0:00:36 | 0:00:41 | |
Joining me tonight are broadcaster Janet Street Porter, explorer Ben Fogle and comedian Greg Davies. | 0:00:41 | 0:00:48 | |
APPLAUSE | 0:00:48 | 0:00:54 | |
OK, let's have our first category. | 0:00:56 | 0:00:58 | |
Film and Television. | 0:01:03 | 0:01:04 | |
So, what winds up Janet about film and television? | 0:01:04 | 0:01:08 | |
Extreme Fishing with Robson Green. | 0:01:14 | 0:01:18 | |
I'm sorry, it's already a popular choice. | 0:01:20 | 0:01:24 | |
That is your economy version of this programme. | 0:01:24 | 0:01:27 | |
Now, fishing is a quiet pastime. Men and women fish. | 0:01:27 | 0:01:33 | |
And it gives millions of people quiet, contemplative pleasure. | 0:01:33 | 0:01:38 | |
This programme is jingoistic, chauvinistic... | 0:01:38 | 0:01:43 | |
It's absolute rubbish. | 0:01:43 | 0:01:45 | |
He goes all over the world, catching loads of unnecessarily large and ugly fish, | 0:01:45 | 0:01:51 | |
which they line up on the deck, | 0:01:51 | 0:01:52 | |
and in the process he manages to be rude about whole continents, countries... | 0:01:52 | 0:01:57 | |
It's simplistic twaddle. | 0:01:57 | 0:01:59 | |
It's like Top Gear for fishermen. | 0:01:59 | 0:02:02 | |
It's one of those men's programmes. | 0:02:02 | 0:02:04 | |
I call it shed television. | 0:02:04 | 0:02:07 | |
I have to admit, I quite like it. | 0:02:07 | 0:02:09 | |
There will be people in the audience here and watching at home | 0:02:09 | 0:02:13 | |
that have never seen this programme. | 0:02:13 | 0:02:15 | |
So let's have a look at Extreme Fishing with Robson Green. | 0:02:15 | 0:02:18 | |
Please, please, stay on the line, man! | 0:02:18 | 0:02:21 | |
I beg you, stay on the line. | 0:02:21 | 0:02:23 | |
PROLONGED GRUNTING | 0:02:23 | 0:02:25 | |
PANTING AND GRUNTING | 0:02:27 | 0:02:31 | |
You did it, man! Woo-hoo-hoo! | 0:02:32 | 0:02:34 | |
Look at the size of that fish! | 0:02:34 | 0:02:37 | |
That's a 500lb fish. | 0:02:39 | 0:02:40 | |
A blue marlin. | 0:02:40 | 0:02:42 | |
The majority of the footage looked like a man having a difficult poo. | 0:02:44 | 0:02:48 | |
LAUGHTER | 0:02:48 | 0:02:50 | |
I would definitely watch Extreme Pooing with Robson Green. | 0:02:52 | 0:02:55 | |
ONLY if it was with Robson Green! | 0:02:55 | 0:02:57 | |
Of course! | 0:02:57 | 0:02:58 | |
Apparently, before Robson Green was on board they were going to have Abu Hamza present it. | 0:03:00 | 0:03:04 | |
LAUGHTER | 0:03:04 | 0:03:06 | |
They'd save quite a lot of money on tackle. | 0:03:06 | 0:03:08 | |
There's something I like about his enthusiasm, though. | 0:03:12 | 0:03:15 | |
He seems to really have a brilliant time. | 0:03:15 | 0:03:18 | |
That level of hyperbole, | 0:03:18 | 0:03:21 | |
that level of orgasmic enthusiasm, never lets up. | 0:03:21 | 0:03:25 | |
-We're allowed programmes like that. -Maybe you don't see it, Frank. | 0:03:25 | 0:03:28 | |
-Surely... -Oh, you are, by the way... -I knew it! | 0:03:28 | 0:03:32 | |
I knew we'd get there! | 0:03:32 | 0:03:34 | |
You're just the upper class version of that. | 0:03:34 | 0:03:37 | |
Oh! Oh! You've... You've played your class card rather early. | 0:03:37 | 0:03:42 | |
AUDIENCE LAUGHS | 0:03:42 | 0:03:44 | |
OK, then, what doesn't Ben Fogle like about TV and film? | 0:03:44 | 0:03:48 | |
What I absolutely can't stand... | 0:03:53 | 0:03:57 | |
Is it when the vertical hold goes on the telly? | 0:03:57 | 0:04:00 | |
Can anyone guess? | 0:04:00 | 0:04:02 | |
Multi-channel TV. | 0:04:02 | 0:04:05 | |
When you have so many channels, that you can choose from, that you can't settle on one. | 0:04:05 | 0:04:11 | |
Call me old-fashioned, but I grew up in a time when we pretty much had the four channels and that was it. | 0:04:11 | 0:04:16 | |
Now you go on and you have to go through all the terrestrial channels, | 0:04:16 | 0:04:21 | |
then you have all of the cable channels, then plus-one, | 0:04:21 | 0:04:23 | |
then you have 3-D, then you have HD, then you have minus-one, | 0:04:23 | 0:04:27 | |
and then, just as your wife's about to get in, you go into the adult channels | 0:04:27 | 0:04:31 | |
and she comes in just as you get to Essex Babes and...er... | 0:04:31 | 0:04:35 | |
and it's a complete nightmare. | 0:04:35 | 0:04:36 | |
Now what I like about it, Ben, is that there IS a channel called Essex Babes. | 0:04:36 | 0:04:41 | |
AUDIENCE LAUGHS | 0:04:41 | 0:04:43 | |
You haven't just made that up, have you? | 0:04:43 | 0:04:45 | |
534, I think. | 0:04:45 | 0:04:47 | |
I like that fact that you feel the need to go through all the channels before you get to Essex Babes. | 0:04:48 | 0:04:53 | |
You can jump straight to that, you know that? | 0:04:53 | 0:04:55 | |
But you go through them all and then half of them have adverts so you then have to jump back. | 0:04:55 | 0:05:00 | |
And the bottom line is, there's still absolutely nothing to watch. | 0:05:00 | 0:05:04 | |
But I've got the 3-D channel, and I wouldn't want to give that up. | 0:05:04 | 0:05:09 | |
-But then you have to put glasses on. -But that's brilliant! | 0:05:09 | 0:05:12 | |
And you have to go through the whole process and it makes you all dizzy... | 0:05:12 | 0:05:16 | |
But in my flat, the flats kind of look in on each other a bit. | 0:05:16 | 0:05:18 | |
And I love the fact that my neighbours think I'm living a sort of Reservoir Dogs lifestyle, | 0:05:18 | 0:05:23 | |
cos I've got about eight mates all in shades in the evenings, | 0:05:23 | 0:05:26 | |
all just sitting around in there. It must look brilliant. | 0:05:26 | 0:05:29 | |
That fact that we're watching Puss in Boots is neither here nor there. | 0:05:29 | 0:05:33 | |
AUDIENCE LAUGHS | 0:05:33 | 0:05:34 | |
But, yeah, that would go? | 0:05:34 | 0:05:36 | |
I firmly think we need to go back to a day where less is more, | 0:05:36 | 0:05:39 | |
we have fewer channels, and we just improve the quality overall. | 0:05:39 | 0:05:45 | |
People don't turn on the television for high quality. They want rubbish. | 0:05:45 | 0:05:49 | |
It's like eating a diet. You don't want to eat rich food all the time, | 0:05:51 | 0:05:54 | |
you want to eat rubbish, as well. | 0:05:54 | 0:05:56 | |
And in your world - you're being very, if you don't mind me doing the class card again... | 0:05:56 | 0:06:00 | |
Here we go again! | 0:06:00 | 0:06:02 | |
It's a bit dictatorial to say let's go back to four channels and let's not give people choice, | 0:06:02 | 0:06:06 | |
-it's their human right to have choice. -Oh, blimey! | 0:06:06 | 0:06:09 | |
You've just been saying we can't have male TV, | 0:06:09 | 0:06:12 | |
and yet you do a show where lots of women sit around whinging at each other all day. | 0:06:12 | 0:06:16 | |
You're allowed to have that! | 0:06:16 | 0:06:18 | |
APPLAUSE AND CHEERING | 0:06:18 | 0:06:21 | |
I'm not going to even retaliate. | 0:06:22 | 0:06:24 | |
But when you are going through all those multi-channels, | 0:06:24 | 0:06:28 | |
-you do get captivated, caught up, for a couple of minutes... -Yeah. | 0:06:28 | 0:06:31 | |
..then you move to the next one. But you don't watch anything. | 0:06:31 | 0:06:34 | |
But that's the joy of it. | 0:06:34 | 0:06:35 | |
You watch a bit. You can just sit at home like this. | 0:06:35 | 0:06:39 | |
# I... will... | 0:06:39 | 0:06:44 | |
All human life! | 0:06:56 | 0:06:58 | |
-APPLAUSE -But you've just... | 0:06:58 | 0:07:00 | |
Anyway, what is Greg's TV and film dislike? | 0:07:02 | 0:07:07 | |
It's unnecessary interviews with the public. | 0:07:10 | 0:07:13 | |
And I'm a big fan of the general public, | 0:07:16 | 0:07:18 | |
but, um, there are times when we don't need to talk to them. | 0:07:18 | 0:07:21 | |
AUDIENCE LAUGHS | 0:07:21 | 0:07:23 | |
I was watching some of the Jubilee footage | 0:07:23 | 0:07:26 | |
and a reporter went over to a couple who were dressed from head to foot in Union Jacks - | 0:07:26 | 0:07:32 | |
Union Jack hat and jacket and shoes - | 0:07:32 | 0:07:34 | |
I don't even know where you get those from! | 0:07:34 | 0:07:36 | |
And his opening question was, "Are you here to see the Jubilee?" | 0:07:36 | 0:07:43 | |
That's the start of the interview. | 0:07:43 | 0:07:45 | |
And OF COURSE that's what they're here for! | 0:07:45 | 0:07:47 | |
And then he went, "What are you most looking forward to?" | 0:07:47 | 0:07:50 | |
And they were obviously cross-eyed lunatics, and they were... | 0:07:50 | 0:07:53 | |
"Oh, we're looking forward to seeing the Queen." All right, brilliant, that's incisive. | 0:07:53 | 0:07:57 | |
The interview, I swear, went on for 10 minutes. | 0:07:57 | 0:08:00 | |
By the end of it he was, "What part of the Queen are you most...?" | 0:08:00 | 0:08:04 | |
LAUGHTER | 0:08:04 | 0:08:07 | |
"Are you looking forward to seeing her hands?" | 0:08:07 | 0:08:10 | |
And they were really trying... | 0:08:10 | 0:08:12 | |
"We're looking forward to seeing what sort of hat she's got on." Really?! | 0:08:12 | 0:08:17 | |
"What colour hat might the Queen have? She might have red. | 0:08:17 | 0:08:20 | |
"She might have... Maybe she'll have a yellow hat!" Shut up! | 0:08:20 | 0:08:23 | |
LAUGHTER | 0:08:23 | 0:08:25 | |
If it's dead telly time... Like if sportsperson does really well, | 0:08:27 | 0:08:31 | |
they always take a camera to the pub in that person's home town, right? | 0:08:31 | 0:08:38 | |
And they're expecting to get incisive commentary about how well this athlete's done, | 0:08:38 | 0:08:43 | |
just because these people live in their town. | 0:08:43 | 0:08:45 | |
Oh, well done, Jessica Ennis has done an amazing thing. | 0:08:45 | 0:08:48 | |
We're here talking to Barry, who is a butcher in the same town | 0:08:48 | 0:08:52 | |
that Jessica Ennis happened to grow up in. He's never met her. "Barry, what do you think of Jessica's...?" | 0:08:52 | 0:08:57 | |
"I think it's amazing!" | 0:08:57 | 0:08:59 | |
"It's amazing what Jessica's done." | 0:09:00 | 0:09:04 | |
"Have you ever met Jessica?" "No!" | 0:09:04 | 0:09:07 | |
"You seem to have been celebrating for a long time." | 0:09:07 | 0:09:10 | |
"I've drunk 30 pints." | 0:09:10 | 0:09:12 | |
"I can't see!" | 0:09:13 | 0:09:15 | |
"This eye has shut down." | 0:09:15 | 0:09:17 | |
Unfortunately, you're selling it really well. | 0:09:19 | 0:09:23 | |
I have to say though, I find it very reassuring that people don't know about stuff. | 0:09:23 | 0:09:30 | |
Because have you ever been in the pub and you're having a conversation, | 0:09:30 | 0:09:34 | |
you're all really involved and enjoying it, | 0:09:34 | 0:09:36 | |
and then there's one bloke who actually knows about the topic and it really spoils it. | 0:09:36 | 0:09:41 | |
So I sort of wrap myself in the warm blanket of ignorance, when I'm watching this. | 0:09:41 | 0:09:46 | |
And I'm glad we're all ignorant together. | 0:09:46 | 0:09:50 | |
Listening to everyone talk though | 0:09:50 | 0:09:52 | |
I want to know what the audience think about what we're talking about. | 0:09:52 | 0:09:55 | |
I want a vox pop from the audience. | 0:09:55 | 0:09:57 | |
Sorry, Ben, that's just not going to happen. | 0:09:57 | 0:09:59 | |
-LAUGHTER -I want one! | 0:09:59 | 0:10:02 | |
But my point is, that's because people don't want to hear experts, | 0:10:02 | 0:10:05 | |
they want to hear people like themselves talking about things. | 0:10:05 | 0:10:08 | |
I would say, if you didn't get random vox pops on the telly, | 0:10:08 | 0:10:13 | |
you would never have got this... | 0:10:13 | 0:10:15 | |
REPORTER: My friend, the zombie, Jonathan, you're looking good. | 0:10:15 | 0:10:18 | |
Jonathan just got an awesome face paint job. What do you think? | 0:10:18 | 0:10:21 | |
I like turtles! | 0:10:21 | 0:10:23 | |
All right, you're a great zombie! | 0:10:23 | 0:10:26 | |
Good times here at the Waterfront Village... | 0:10:26 | 0:10:29 | |
LAUGHTER AND LIGHT APPLAUSE | 0:10:29 | 0:10:33 | |
Very good. | 0:10:33 | 0:10:34 | |
I take it all back! | 0:10:34 | 0:10:35 | |
Anyway... | 0:10:37 | 0:10:38 | |
LAUGHTER | 0:10:38 | 0:10:41 | |
..we come to the end of that round. | 0:10:41 | 0:10:42 | |
First of all, I can't possibly put in multi-channel TV. | 0:10:42 | 0:10:45 | |
What would I do with my nights?! | 0:10:45 | 0:10:48 | |
And I'm glad that Robson Green has found a job that he likes and stuff. | 0:10:48 | 0:10:53 | |
I don't like the idea of him being alone and listless, | 0:10:53 | 0:10:56 | |
so I think it's good, and people do like it. | 0:10:56 | 0:10:59 | |
I think you're right that, sometimes, | 0:10:59 | 0:11:01 | |
members of the public are horribly put on the spot by vox pops, | 0:11:01 | 0:11:04 | |
and it needs to stop. | 0:11:04 | 0:11:06 | |
So, I'm going to put interviews with members of the public into Room 101. | 0:11:06 | 0:11:11 | |
CHEERING AND APPLAUSE | 0:11:11 | 0:11:13 | |
Anyway, let's have our next category. | 0:11:19 | 0:11:21 | |
What kind of people doesn't Ben like? | 0:11:28 | 0:11:30 | |
People who use suitcases on wheels. | 0:11:36 | 0:11:39 | |
LAUGHTER, CHEERING AND APPLAUSE | 0:11:39 | 0:11:41 | |
It's so annoying! | 0:11:41 | 0:11:44 | |
See, it's divided already. | 0:11:44 | 0:11:46 | |
But, just looking at this person makes my heart start pounding. | 0:11:46 | 0:11:50 | |
These are weapons! These ARE weapons. | 0:11:50 | 0:11:53 | |
They pull them around and up station platforms, through airports, | 0:11:53 | 0:11:58 | |
and they try and trip you up. You can't get past them... | 0:11:58 | 0:12:02 | |
and look how small they are! | 0:12:02 | 0:12:04 | |
Obviously, probably, most people use one slightly larger than this one. | 0:12:04 | 0:12:07 | |
But, often, they really are just about large enough for a pair of pants. | 0:12:07 | 0:12:10 | |
-They are small. -Well, what do you want us to carry our luggage in?! | 0:12:10 | 0:12:14 | |
Just carry it in a bag. Pick it up. | 0:12:14 | 0:12:16 | |
Oh, just carry it in one of your posh little weekend leather holdalls?! | 0:12:16 | 0:12:20 | |
LAUGHTER | 0:12:20 | 0:12:22 | |
Oh, Janet! | 0:12:22 | 0:12:24 | |
Well, I'm sorry! | 0:12:24 | 0:12:25 | |
I travel a lot, and if I did not have a wheelie bag, | 0:12:25 | 0:12:29 | |
I would have put my back out numerous times. | 0:12:29 | 0:12:31 | |
I just think...you're horrible. | 0:12:31 | 0:12:33 | |
LAUGHTER | 0:12:33 | 0:12:36 | |
I have to say, I'm totally with Ben on this. Totally. | 0:12:38 | 0:12:41 | |
I think civilisation began with the wheel | 0:12:41 | 0:12:43 | |
and now it's ending with it. | 0:12:43 | 0:12:45 | |
You don't need to put your pants in a little... | 0:12:47 | 0:12:49 | |
But you're talking man speak. | 0:12:49 | 0:12:52 | |
I can see you're a rugged adventurer, | 0:12:52 | 0:12:53 | |
and you probably travel for three weeks with one pair of pants | 0:12:53 | 0:12:57 | |
and, you know, bare minimum. | 0:12:57 | 0:13:00 | |
Most of us like choice. | 0:13:00 | 0:13:02 | |
You've already said you don't like choice in TV channels. | 0:13:02 | 0:13:04 | |
We like choice in clothes too, as well as television, | 0:13:04 | 0:13:07 | |
and that requires packing stuff in bags that's a little bit, sometimes, too heavy to carry. | 0:13:07 | 0:13:14 | |
And also, it's putting a lot of people out of work. | 0:13:14 | 0:13:17 | |
I'd have thought, with a surname like yours, you'd be a bit more loyal! | 0:13:17 | 0:13:20 | |
LAUGHTER AND APPLAUSE | 0:13:20 | 0:13:22 | |
Look at this! This is what I've started walking round with. | 0:13:24 | 0:13:27 | |
I mean, in the end, if you can't beat them, join them. | 0:13:27 | 0:13:29 | |
This is my wallet. | 0:13:29 | 0:13:31 | |
LAUGHTER | 0:13:31 | 0:13:33 | |
-Your wallet! -That's how it's getting. | 0:13:36 | 0:13:39 | |
I tell you, this has been my style for years, | 0:13:39 | 0:13:41 | |
and I'm going to stick with it. | 0:13:41 | 0:13:43 | |
I carry one of these, and when I'm in a queue, | 0:13:43 | 0:13:46 | |
this is what I do.... | 0:13:46 | 0:13:48 | |
-Right, so, I'm in the queue. We move along a bit. -Kick it with your foot. | 0:13:48 | 0:13:52 | |
-There you go! That is how you do it! -It's a grand tradition! | 0:13:52 | 0:13:57 | |
-Shuffle it along? -Yeah! And I love that. You don't need wheels. | 0:13:57 | 0:14:01 | |
-I agree. -And they walk right across you, don't they? | 0:14:01 | 0:14:04 | |
-They do! Exactly. -They forget they've got it. | 0:14:04 | 0:14:06 | |
Also, you know that classic moment in The Exorcist, | 0:14:06 | 0:14:09 | |
where the exorcist turns up? | 0:14:09 | 0:14:10 | |
You know that fabulous, iconic picture? | 0:14:10 | 0:14:14 | |
Just imagine how that would be now. | 0:14:14 | 0:14:16 | |
LAUGHTER | 0:14:16 | 0:14:18 | |
APPLAUSE | 0:14:18 | 0:14:20 | |
Rubbish! | 0:14:20 | 0:14:21 | |
Anyway, what kind of people wind up Janet? | 0:14:23 | 0:14:26 | |
Right, what really winds me up | 0:14:31 | 0:14:34 | |
is women who want to be treated like "ladies." | 0:14:34 | 0:14:38 | |
And by that, I mean women who want men to open doors for them, | 0:14:38 | 0:14:42 | |
women who want men to stand up when they come into the room, | 0:14:42 | 0:14:45 | |
or to show them to their seats... | 0:14:45 | 0:14:48 | |
That whole selective feminism, it really, really annoys me. | 0:14:48 | 0:14:54 | |
OK. I thought you were pro-choice? | 0:14:54 | 0:14:57 | |
I am pro-choice, but I think if you're going to be a strong female and you want equality, | 0:14:57 | 0:15:02 | |
you're not going to get too wound up about whether men open doors for you, | 0:15:02 | 0:15:06 | |
and if you go on the Underground or go on a train, | 0:15:06 | 0:15:08 | |
why should a bloke get up for you? | 0:15:08 | 0:15:10 | |
I agree. I don't stand up for women on buses and trains. | 0:15:10 | 0:15:14 | |
It's borderline for some pensioners... | 0:15:14 | 0:15:16 | |
LAUGHTER | 0:15:16 | 0:15:17 | |
I've got to see proof that they're in trouble before I get up. | 0:15:17 | 0:15:21 | |
I'm a pensioner, and I wouldn't want you to stand up, no. | 0:15:21 | 0:15:24 | |
Thank you, Janet. And I wouldn't. | 0:15:24 | 0:15:26 | |
LAUGHTER AND APPLAUSE | 0:15:26 | 0:15:28 | |
Well, what if you'd been on the Titanic, and they said, | 0:15:30 | 0:15:33 | |
"Women and children first"? | 0:15:33 | 0:15:34 | |
Would you have said, "Don't patronise me"? | 0:15:34 | 0:15:37 | |
LAUGHTER | 0:15:37 | 0:15:39 | |
Was that your attempt to be me?! | 0:15:39 | 0:15:41 | |
I don't think a career in Dead Ringers awaits you. | 0:15:41 | 0:15:45 | |
-But... -Yeah? | 0:15:45 | 0:15:46 | |
-I would hold the door open for you any time. -Oh, don't... | 0:15:46 | 0:15:49 | |
But I'd also hold the door open for Ben and for Greg. | 0:15:49 | 0:15:52 | |
Oh, that's fine, if you hold the door open for all of us. But not just me. | 0:15:52 | 0:15:55 | |
I'd hold the door open for Piers Morgan! | 0:15:55 | 0:15:58 | |
LAUGHTER | 0:15:58 | 0:15:59 | |
If it was a trap door, and he was being hanged at the time. | 0:15:59 | 0:16:03 | |
APPLAUSE | 0:16:03 | 0:16:05 | |
This is the other extreme, I would say. | 0:16:05 | 0:16:08 | |
This is an Australian guy, | 0:16:08 | 0:16:09 | |
who set up a series of street signs for his girlfriend | 0:16:09 | 0:16:13 | |
as she drove home. | 0:16:13 | 0:16:14 | |
LAUGHTER | 0:16:16 | 0:16:19 | |
GASPING | 0:16:19 | 0:16:21 | |
-That is genuine, as well! -No! | 0:16:24 | 0:16:26 | |
That is fantastic! | 0:16:26 | 0:16:27 | |
LAUGHTER | 0:16:27 | 0:16:29 | |
Oh! What kind of people wind up Greg? | 0:16:29 | 0:16:33 | |
Well, it's not people, really. It's just a man. | 0:16:38 | 0:16:40 | |
-OK. -LAUGHTER | 0:16:40 | 0:16:43 | |
I go really regularly to the same town in Spain on holiday, | 0:16:43 | 0:16:47 | |
and there's just this old bloke who really hates me there. | 0:16:47 | 0:16:50 | |
LAUGHTER | 0:16:50 | 0:16:52 | |
Yeah? | 0:16:52 | 0:16:54 | |
LAUGHTER | 0:16:54 | 0:16:56 | |
He's about 85 and he looks like the deceased actor, Ernest Borgnine. | 0:16:57 | 0:17:03 | |
How do you know that he hates you? | 0:17:03 | 0:17:06 | |
It started off quite subtly, that I would... | 0:17:06 | 0:17:08 | |
He always sits on the same corner, and the house where I stay, | 0:17:08 | 0:17:12 | |
his house is on the road for me to get to it, | 0:17:12 | 0:17:14 | |
so I have to go past his house every time I come down. | 0:17:14 | 0:17:17 | |
And it started off, I would just drive past and he would do this... | 0:17:17 | 0:17:21 | |
LAUGHTER | 0:17:21 | 0:17:23 | |
-And I thought... -You do that they drive on the right, don't you? | 0:17:23 | 0:17:27 | |
Yeah! But I thought I was being paranoid, | 0:17:27 | 0:17:30 | |
and all my family would say, "Oh, no, you're imagining it." | 0:17:30 | 0:17:33 | |
But then, it escalated, so that I would drive past, | 0:17:33 | 0:17:35 | |
and I'm not exaggerating, I've never said a word to this man, | 0:17:35 | 0:17:39 | |
I would drive past and just glance at him, and he would do this... | 0:17:39 | 0:17:43 | |
HE GROWLS | 0:17:43 | 0:17:44 | |
LAUGHTER | 0:17:44 | 0:17:46 | |
..which no normal human being does. | 0:17:46 | 0:17:49 | |
I really hate him! | 0:17:49 | 0:17:51 | |
Is it because you're the only non-Spanish person in the town? | 0:17:51 | 0:17:54 | |
He doesn't know I'm not Spanish. I've never spoken to him. | 0:17:54 | 0:17:56 | |
But you don't behave in a way that sounds very Spanish, or local. | 0:17:56 | 0:18:00 | |
You're behaving in quite an aggressive way. | 0:18:00 | 0:18:02 | |
What should I do? I should drive past him with castanets...? | 0:18:02 | 0:18:05 | |
LAUGHTER | 0:18:05 | 0:18:07 | |
..eating some meat and cheese? "Ey!" | 0:18:07 | 0:18:10 | |
And you're sure you're not just misreading his body language? | 0:18:10 | 0:18:13 | |
You can't misread this! You can't misread this, Ben! | 0:18:13 | 0:18:17 | |
HE GROWLS | 0:18:17 | 0:18:18 | |
Usually, you find that the Spanish are a very warm, friendly... | 0:18:20 | 0:18:26 | |
I mean, I'm basing this totally on the man from Del Monte, | 0:18:26 | 0:18:29 | |
-but they're a very positive... -I've done controlled tests, Frank. | 0:18:29 | 0:18:33 | |
I sent a friend down without me, right? | 0:18:33 | 0:18:36 | |
Maybe I've gone too far... | 0:18:36 | 0:18:38 | |
but I hid at the top of the street, and my friend drove past him, | 0:18:38 | 0:18:41 | |
and my friend, who is very clearly English, went, "Beep, beep!" | 0:18:41 | 0:18:45 | |
and he went, "Ey!" | 0:18:45 | 0:18:46 | |
LAUGHTER | 0:18:46 | 0:18:48 | |
I swear to God, it's awful! | 0:18:50 | 0:18:52 | |
He's generally just absolutely, totally happy with life. | 0:18:52 | 0:18:56 | |
I've observed him from distance. | 0:18:56 | 0:18:58 | |
He's, like, with his family, all the kids, "Ey!" | 0:18:58 | 0:19:01 | |
"Oh, look at Grandad, he's such a great laugh!" | 0:19:01 | 0:19:04 | |
I drive past... | 0:19:04 | 0:19:05 | |
Well, we did try to get him tonight, | 0:19:08 | 0:19:10 | |
but it turns out he's on Spanish television tonight, | 0:19:10 | 0:19:13 | |
putting Greg Davies into Room Kera Uno... | 0:19:13 | 0:19:16 | |
LAUGHTER | 0:19:16 | 0:19:19 | |
APPLAUSE | 0:19:19 | 0:19:22 | |
Well, you argue your case well, because nobody wants to be hated, | 0:19:24 | 0:19:27 | |
and I do also know exactly what Janet means, | 0:19:27 | 0:19:30 | |
and I sympathise with her argument, | 0:19:30 | 0:19:32 | |
because you do feel that people are letting the side down a bit. | 0:19:32 | 0:19:36 | |
But, I feel so passionately and strongly about suitcases on wheels | 0:19:36 | 0:19:40 | |
that I cannot go against Ben. | 0:19:40 | 0:19:42 | |
I'm going to put suitcases with wheels into Room 101! | 0:19:42 | 0:19:46 | |
CHEERING AND APPLAUSE | 0:19:46 | 0:19:50 | |
Next category, please! | 0:19:54 | 0:19:55 | |
OK. This is the wild card round, so there's no limitations now. | 0:20:01 | 0:20:04 | |
You can pick anything at all that you don't like. | 0:20:04 | 0:20:08 | |
So, what is Ben's wild card? | 0:20:08 | 0:20:09 | |
Umbrellas. | 0:20:15 | 0:20:16 | |
But it's not just the umbrella itself, | 0:20:16 | 0:20:19 | |
it's people that don't know how to drive an umbrella, | 0:20:19 | 0:20:21 | |
if that's the term I can use. | 0:20:21 | 0:20:23 | |
I personally think that when you get an umbrella, | 0:20:23 | 0:20:25 | |
you should actually have to pass a little licence | 0:20:25 | 0:20:27 | |
about how to use an umbrella. | 0:20:27 | 0:20:29 | |
Because you'll be walking down the street, | 0:20:29 | 0:20:31 | |
and shorter people with umbrellas go flying down the pavement, | 0:20:31 | 0:20:35 | |
and these pointy bits here poke you in the eyes, they... | 0:20:35 | 0:20:41 | |
they jab you in the ribs. | 0:20:41 | 0:20:42 | |
But also, if you are using an umbrella, you get caught in narrow bits... | 0:20:42 | 0:20:46 | |
especially if you're in the street in London, there's trees, | 0:20:46 | 0:20:49 | |
you have to pull it down a little bit, you get soaking wet, | 0:20:49 | 0:20:52 | |
you inevitably end up sharing it, | 0:20:52 | 0:20:53 | |
because I like to share it with the person I'm with, | 0:20:53 | 0:20:56 | |
so half of you gets soaking wet. I don't see the point. | 0:20:56 | 0:20:58 | |
Unless you're Greg's size and you can hold it | 0:20:58 | 0:21:01 | |
so you're like Jack and the Beanstalk and you can shelter everyone in London, | 0:21:01 | 0:21:05 | |
there's no point in having an umbrella. | 0:21:05 | 0:21:09 | |
-Which I could do. -LAUGHTER | 0:21:09 | 0:21:12 | |
Well, what I do, my normal method is, if I've got the umbrella, | 0:21:12 | 0:21:16 | |
as I get nearer to people, I hold it high, high, high, like that. | 0:21:16 | 0:21:19 | |
That's good umbrella driving. You'd pass your test. | 0:21:19 | 0:21:22 | |
Yes, so it doesn't touch them. But I was doing that and I got home, | 0:21:22 | 0:21:25 | |
I was being followed by 30 Japanese tourists. | 0:21:25 | 0:21:27 | |
LAUGHTER | 0:21:27 | 0:21:30 | |
Ben, 15 years ago, I saw something, and I thought, | 0:21:30 | 0:21:34 | |
"This will change the world." | 0:21:34 | 0:21:37 | |
This is, you know, it's a game-changer. | 0:21:37 | 0:21:40 | |
-I've seen these. -LAUGHTER | 0:21:40 | 0:21:43 | |
It was the umbrella hat. | 0:21:43 | 0:21:45 | |
And I'm not kidding you, but when I saw it, I thought, | 0:21:45 | 0:21:48 | |
"That's the answer, isn't it?" | 0:21:48 | 0:21:49 | |
Can I say, I actually agree with that. | 0:21:49 | 0:21:52 | |
I think that is a very useful piece of kit. | 0:21:52 | 0:21:54 | |
I don't know about you. I play a lot of outdoor accordion... | 0:21:54 | 0:21:59 | |
LAUGHTER | 0:21:59 | 0:22:01 | |
..and it's perfect for that. | 0:22:01 | 0:22:03 | |
And also, what about the deaf? | 0:22:03 | 0:22:05 | |
When the deaf are out and it's raining, | 0:22:06 | 0:22:09 | |
they have to do the first part of the sentence with one hand and then change... | 0:22:09 | 0:22:13 | |
LAUGHTER | 0:22:13 | 0:22:14 | |
With this, you can sign absolutely fluently. | 0:22:14 | 0:22:17 | |
I really approve of that. You see, I would like to keep those. | 0:22:17 | 0:22:21 | |
Yes, I'm glad we agree on that. | 0:22:21 | 0:22:23 | |
Can I have that later? | 0:22:23 | 0:22:24 | |
-Could we set up a small business together? -We could. | 0:22:24 | 0:22:27 | |
-SHE SIGHS -I think that would be excellent. | 0:22:27 | 0:22:29 | |
"Umbrellas for the deaf by Fogle and Skinner?!" | 0:22:29 | 0:22:32 | |
-LAUGHTER -Yeah! | 0:22:32 | 0:22:33 | |
Where do I sign for my investment? | 0:22:33 | 0:22:36 | |
LAUGHTER | 0:22:36 | 0:22:37 | |
Anyway, what is Greg's wild card? | 0:22:37 | 0:22:40 | |
LAUGHTER | 0:22:45 | 0:22:47 | |
It's friends who develop new interests and hobbies. | 0:22:47 | 0:22:51 | |
LAUGHTER | 0:22:51 | 0:22:53 | |
It just really winds me up when you get to a certain age that suddenly, | 0:22:54 | 0:22:58 | |
someone you've known you were a kid is suddenly "into" something. | 0:22:58 | 0:23:02 | |
I just find it...I just think there should be a cut-off point. | 0:23:02 | 0:23:06 | |
You're allowed to develop interests up until the age of about 22, | 0:23:06 | 0:23:09 | |
and from that point onwards, you just stay the same. | 0:23:09 | 0:23:13 | |
I have friends who go, "Oh, of course, I'm into cycling now." | 0:23:13 | 0:23:16 | |
Oh, are you? Are you into cycling? Fascinating(!) | 0:23:16 | 0:23:20 | |
LAUGHTER | 0:23:20 | 0:23:21 | |
I would be a terrible friend for you, in that respect, | 0:23:21 | 0:23:26 | |
because I have had lessons and done hobbies like... | 0:23:26 | 0:23:30 | |
I've done tango, ice skating, drawing, horse riding, meditation... | 0:23:30 | 0:23:36 | |
I've done taxidermy, I've done... I've done yoga, Pilates... | 0:23:36 | 0:23:40 | |
-Have you?! -I've done French, German... | 0:23:40 | 0:23:43 | |
I think, the moral of this is, you can stop drinking, but you never replace it. | 0:23:43 | 0:23:47 | |
LAUGHTER AND APPLAUSE | 0:23:47 | 0:23:50 | |
But I believe you should always be having lessons in something | 0:23:52 | 0:23:55 | |
at any stage in your life, and I've always got a hobby on the go. | 0:23:55 | 0:23:59 | |
I'm all for people having new hobbies and interests. | 0:23:59 | 0:24:01 | |
I just want them never to talk to me about them, that's all. | 0:24:01 | 0:24:05 | |
Have you got any hobbies? | 0:24:05 | 0:24:07 | |
No, I'm a fairly lonely character, actually. | 0:24:07 | 0:24:09 | |
LAUGHTER | 0:24:09 | 0:24:11 | |
We have a clip. This is, I think, arguably, | 0:24:11 | 0:24:15 | |
the most marvellous hobby anyone could have. | 0:24:15 | 0:24:18 | |
LAUGHTER | 0:24:28 | 0:24:31 | |
-Come on! -You'd want to hear about a hobby like that! | 0:24:36 | 0:24:39 | |
Let me make it perfectly clear. | 0:24:39 | 0:24:41 | |
If a friend said to me, "Greg, I've got a new hobby, | 0:24:41 | 0:24:43 | |
"it's dressing live squirrels in human clothes," | 0:24:43 | 0:24:47 | |
I'd go, "Tell me more about it!" | 0:24:47 | 0:24:49 | |
LAUGHTER | 0:24:49 | 0:24:51 | |
Exactly! | 0:24:51 | 0:24:52 | |
"And tell me about the medical treatment | 0:24:52 | 0:24:54 | |
"that you personally receive." | 0:24:54 | 0:24:56 | |
It's just finding the right hobby, it's as simple as that. | 0:24:56 | 0:24:59 | |
OK, what Janet's wild card? | 0:24:59 | 0:25:01 | |
I've chosen local news. | 0:25:06 | 0:25:09 | |
Really, I'm talking about local news bulletins on the television, | 0:25:09 | 0:25:14 | |
where the areas they cover are so big, | 0:25:14 | 0:25:19 | |
like BBC Newsroom South East | 0:25:19 | 0:25:22 | |
seems to range from Dover to Eastbourne to Chatham, | 0:25:22 | 0:25:26 | |
and it always involves one murder, one cat lost somewhere, | 0:25:26 | 0:25:30 | |
a blocked drain, and a rugby match. | 0:25:30 | 0:25:33 | |
And you've wasted ten minutes of your time | 0:25:33 | 0:25:35 | |
and you know absolutely nothing about what's happened in your area. | 0:25:35 | 0:25:40 | |
I spend quite a lot of time in Whitstable, | 0:25:40 | 0:25:42 | |
and the staple diet of the local newspapers is, | 0:25:42 | 0:25:46 | |
"Should we have one-way traffic in the High Street?" | 0:25:46 | 0:25:50 | |
And that has been the main news story now for ten years. | 0:25:50 | 0:25:53 | |
LAUGHTER It's amazing! | 0:25:53 | 0:25:56 | |
Our local newspaper, when I was a kid, | 0:25:56 | 0:25:58 | |
was called The Smethwick Telephone. | 0:25:58 | 0:26:01 | |
And I've no idea why it was called The Telephone, | 0:26:01 | 0:26:04 | |
and I remember I was on stage in Birmingham, and I said, | 0:26:04 | 0:26:08 | |
"I don't know why it was called The Smethwick Telephone," | 0:26:08 | 0:26:10 | |
and this bloke said, "Cos it was from Smethwick." | 0:26:10 | 0:26:13 | |
LAUGHTER | 0:26:13 | 0:26:15 | |
But, my favourite thing about local newspapers... | 0:26:19 | 0:26:21 | |
I don't how this started, | 0:26:21 | 0:26:23 | |
but it's the idea that every picture tells a story, | 0:26:23 | 0:26:26 | |
so every photograph has to tell the complete story, | 0:26:26 | 0:26:30 | |
like people can't read. | 0:26:30 | 0:26:32 | |
So, I'm just read you a few local news stories, | 0:26:32 | 0:26:34 | |
and we'll show the accompanying picture. | 0:26:34 | 0:26:37 | |
"A heavily pregnant woman was refused bus travel | 0:26:37 | 0:26:39 | |
"because she had too many five pence pieces." | 0:26:39 | 0:26:42 | |
LAUGHTER | 0:26:42 | 0:26:44 | |
It's the whole story there! | 0:26:44 | 0:26:46 | |
"Residents are warning that someone will be seriously injured on pot-holed road." | 0:26:46 | 0:26:50 | |
LAUGHTER | 0:26:51 | 0:26:53 | |
"Hoteliers complain about noise levels from North Pier, Blackpool." | 0:26:54 | 0:26:59 | |
LAUGHTER | 0:26:59 | 0:27:01 | |
And, "Man discovers a 21-inch, three-and-a-half pound cucumber in his greenhouse." | 0:27:01 | 0:27:05 | |
LAUGHTER AND APPLAUSE | 0:27:05 | 0:27:08 | |
Anyway, we come to the end of that round, | 0:27:12 | 0:27:15 | |
and this is a tough one for me, cos I kind of like all these things. | 0:27:15 | 0:27:20 | |
And I can't put friends' hobbies in, | 0:27:20 | 0:27:23 | |
because I love obsessives and all kinds, and I'm a big hobbies fan, | 0:27:23 | 0:27:27 | |
and umbrellas, I like the whole thing of having an umbrella | 0:27:27 | 0:27:31 | |
and having it hanging on your arm | 0:27:31 | 0:27:33 | |
and pressing buttons and all that stuff. | 0:27:33 | 0:27:35 | |
I also really like local news, | 0:27:35 | 0:27:38 | |
but I admit, TV local news can go a bit rubbish. | 0:27:38 | 0:27:41 | |
So, although I don't want to get rid of the newspapers, | 0:27:41 | 0:27:44 | |
I am going to put local TV news into Room 101. | 0:27:44 | 0:27:47 | |
Yes! | 0:27:47 | 0:27:49 | |
CHEERING AND APPLAUSE | 0:27:49 | 0:27:51 | |
So... | 0:27:54 | 0:27:55 | |
..that brings us to the end of the show, and well done, Greg, | 0:27:57 | 0:27:59 | |
you were the most persuasive guest tonight, | 0:27:59 | 0:28:02 | |
-so you are this week's winner! -Oh, thank you! | 0:28:02 | 0:28:04 | |
CHEERING AND APPLAUSE | 0:28:04 | 0:28:06 | |
You did brilliantly well, all three of you. | 0:28:08 | 0:28:10 | |
Thank you very much, Greg Davies, Ben Fogle and Janet Street-Porter. | 0:28:10 | 0:28:13 | |
And thank you, goodnight! | 0:28:13 | 0:28:15 | |
CHEERING AND APPLAUSE | 0:28:15 | 0:28:19 | |
Subtitles by Red Bee Media Ltd | 0:28:36 | 0:28:40 |