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APPLAUSE | 0:00:26 | 0:00:28 | |
Hello, I'm Frank Skinner and welcome to Room 101 - | 0:00:38 | 0:00:41 | |
the show where three guests battle to get the things | 0:00:41 | 0:00:44 | |
they hate entombed for all eternity in the dreaded vaults. | 0:00:44 | 0:00:49 | |
Joining me tonight are comedian Hugh Dennis, | 0:00:49 | 0:00:51 | |
presenter Mel Giedroyc and legend Cilla Black. | 0:00:51 | 0:00:55 | |
Wow! | 0:00:55 | 0:00:56 | |
CHEERING AND APPLAUSE | 0:00:56 | 0:00:58 | |
OK, let's have the first category, please. | 0:01:07 | 0:01:09 | |
People! | 0:01:14 | 0:01:15 | |
OK, so what kind of people wind up Cilla? | 0:01:15 | 0:01:18 | |
FRANK GIGGLES | 0:01:21 | 0:01:23 | |
Ooh! | 0:01:23 | 0:01:25 | |
Yeah, it's people who say, | 0:01:25 | 0:01:28 | |
"Do you know who I am?" | 0:01:28 | 0:01:30 | |
I hate that. | 0:01:30 | 0:01:32 | |
I hate reality stars that walk the red carpet | 0:01:32 | 0:01:36 | |
and expect to be there and, you know, expect the treatment, | 0:01:36 | 0:01:41 | |
the star treatment. And they're famous for five minutes! | 0:01:41 | 0:01:45 | |
I hate that, I absolutely hate that. | 0:01:45 | 0:01:49 | |
APPLAUSE | 0:01:49 | 0:01:51 | |
I do. | 0:01:51 | 0:01:53 | |
I mean, I was standing in line, erm, at an airport | 0:01:55 | 0:02:00 | |
and a very famous lady, I won't name her... | 0:02:00 | 0:02:05 | |
-Please, Cilla. -Oh, go on! -Please. | 0:02:05 | 0:02:07 | |
Just give us a clue. | 0:02:07 | 0:02:08 | |
I wouldn't dream of naming her. | 0:02:08 | 0:02:10 | |
Bigger than you, Cilla? Bigger than you? | 0:02:10 | 0:02:12 | |
No. | 0:02:12 | 0:02:14 | |
LAUGHTER | 0:02:14 | 0:02:16 | |
-Please tell us. -..and she was trying to get an upgrade | 0:02:17 | 0:02:21 | |
from business class to first-class | 0:02:21 | 0:02:24 | |
and I'm standing patiently behind her and the last thing that she mentioned | 0:02:24 | 0:02:30 | |
was, "But I need an upgrade... | 0:02:30 | 0:02:34 | |
"don't you know who I am?" | 0:02:34 | 0:02:37 | |
And I won't mention any names. | 0:02:37 | 0:02:40 | |
Is it Valerie Singleton, Cilla? | 0:02:40 | 0:02:42 | |
LAUGHTER | 0:02:42 | 0:02:43 | |
Cilla, please. | 0:02:43 | 0:02:44 | |
-Very posh. -Posh? Camilla! | 0:02:44 | 0:02:47 | |
Look, stop... Don't be a Cilla griller. | 0:02:50 | 0:02:53 | |
-Leave her alone. -You wouldn't be surprised if I mentioned the name. | 0:02:54 | 0:02:58 | |
So, why don't you see how surprised we'd be? | 0:02:58 | 0:03:00 | |
LAUGHTER | 0:03:00 | 0:03:02 | |
-No, I can't. -I always think, though, | 0:03:03 | 0:03:06 | |
it's an incredibly dangerous strategy. | 0:03:06 | 0:03:08 | |
There was one occasion when somebody stopped me in the street and went, | 0:03:08 | 0:03:13 | |
"I know you." | 0:03:13 | 0:03:15 | |
And in those instances, to put them out of their slight embarrassment, | 0:03:15 | 0:03:19 | |
I kind of go, "Yeah, well, I'm an actor. | 0:03:19 | 0:03:23 | |
"I'm in a thing called Outnumbered, "I do a thing called Mock The Week," | 0:03:23 | 0:03:27 | |
and he went, "No." | 0:03:27 | 0:03:29 | |
LAUGHTER | 0:03:29 | 0:03:32 | |
He went, "No, yesterday... | 0:03:32 | 0:03:36 | |
"Homebase Chichester." | 0:03:36 | 0:03:38 | |
LAUGHTER | 0:03:38 | 0:03:40 | |
Well, I would never say, "Do you know who I am?" | 0:03:40 | 0:03:43 | |
I have - when I've been queueing up to get into places - | 0:03:43 | 0:03:46 | |
I have used this. | 0:03:46 | 0:03:48 | |
What you see is what you get, | 0:03:51 | 0:03:54 | |
and Frankie Howard, the late and great Frankie Howard, | 0:03:54 | 0:03:57 | |
was right, and common as muck | 0:03:57 | 0:04:00 | |
and with a few bob, I have to say. | 0:04:00 | 0:04:04 | |
LAUGHTER | 0:04:04 | 0:04:05 | |
But even in restaurants, when I call up restaurants, | 0:04:07 | 0:04:10 | |
if they don't want me as Mrs Willis, they don't get my... | 0:04:10 | 0:04:15 | |
I don't ever go there again. | 0:04:15 | 0:04:17 | |
-So, you don't say "I'm Cilla Black?" -No. | 0:04:17 | 0:04:20 | |
-Oh, God no. -Really?! -No, I don't. | 0:04:20 | 0:04:23 | |
I love that. | 0:04:23 | 0:04:24 | |
Was it Carole Middleton? | 0:04:24 | 0:04:26 | |
LAUGHTER | 0:04:26 | 0:04:28 | |
I once heard Pete Doherty say, "Do you know who I am?" | 0:04:29 | 0:04:32 | |
but it was a genuine enquiry. | 0:04:32 | 0:04:34 | |
But I think you're right, people who say, "Don't you know who I am, | 0:04:38 | 0:04:42 | |
"do you know who I am?" they're bad people. | 0:04:42 | 0:04:45 | |
This is a clip I'd like to show you which has an example | 0:04:45 | 0:04:49 | |
of someone saying, "Do you know who I am?" | 0:04:49 | 0:04:52 | |
Do you know who I am? | 0:04:52 | 0:04:53 | |
LAUGHTER | 0:04:53 | 0:04:56 | |
-Do you know who I am? -Yeah, you're Cilla Black. | 0:04:56 | 0:04:59 | |
Do you know who I am? | 0:04:59 | 0:05:00 | |
Lulu? | 0:05:00 | 0:05:02 | |
CHEERING AND APPLAUSE | 0:05:02 | 0:05:04 | |
INAUDIBLE | 0:05:04 | 0:05:05 | |
Oh, well... Yeah. | 0:05:07 | 0:05:09 | |
FRANK LAUGHS | 0:05:09 | 0:05:11 | |
I hold my hands up in shame. | 0:05:11 | 0:05:13 | |
OK, so what is Hugh's people pet hate? | 0:05:15 | 0:05:19 | |
This is... | 0:05:25 | 0:05:26 | |
This is people who bring round cards... | 0:05:26 | 0:05:29 | |
..for you to sign. Before I did what I do now, I had a proper job | 0:05:31 | 0:05:35 | |
for about seven or eight years out of university. | 0:05:35 | 0:05:38 | |
The thing I always hated was this. | 0:05:38 | 0:05:40 | |
Someone will come up with a card | 0:05:40 | 0:05:42 | |
and go, "You know Emma, who you've never met, | 0:05:42 | 0:05:45 | |
"you've no idea who she is, she works in the other building? | 0:05:45 | 0:05:48 | |
"She's just nipped off to the loo, would you mind signing this... | 0:05:48 | 0:05:51 | |
"Oh, no, she's coming, hang on." | 0:05:51 | 0:05:53 | |
And then, eventually, you get the card, | 0:05:53 | 0:05:56 | |
and at that point, you realise | 0:05:56 | 0:05:59 | |
that you've never actually been told what the card is for. | 0:05:59 | 0:06:02 | |
You've got a choice, generally, between, is it their birthday, | 0:06:02 | 0:06:06 | |
or are they leaving the company? | 0:06:06 | 0:06:08 | |
So, you try and cover both bases, that's what I always try to do. | 0:06:08 | 0:06:11 | |
So you put things like, "Have fun. Enjoy yourself." | 0:06:11 | 0:06:15 | |
And then you give the card back and discover | 0:06:15 | 0:06:17 | |
the reason you're giving a card in the first place | 0:06:17 | 0:06:19 | |
is because they're having one of their kidneys removed. | 0:06:19 | 0:06:22 | |
I feel quite sorry for the people whose birthday it is | 0:06:23 | 0:06:27 | |
or who's leaving or whatever, cos they're sitting there and | 0:06:27 | 0:06:30 | |
they have to pretend that they don't know that a card is being signed. | 0:06:30 | 0:06:34 | |
-Yeah. -That's very true. | 0:06:34 | 0:06:35 | |
People come in and say, "Wendy, can you just come into the office?" | 0:06:35 | 0:06:39 | |
-And you have to work away like you haven't... It's a nightmare. -Yes. | 0:06:39 | 0:06:43 | |
-Pressure. -All that pretending. | 0:06:43 | 0:06:44 | |
Having said all that, if I ever leave anywhere, | 0:06:44 | 0:06:48 | |
-I would like one of these cards. -Yeah. | 0:06:48 | 0:06:50 | |
And you never know, you might need a new kidney. | 0:06:51 | 0:06:54 | |
I think I probably do need one. | 0:06:56 | 0:06:58 | |
I don't think they tuck them inside the card. | 0:06:58 | 0:07:00 | |
I think, sometimes, a card can do more harm than good. | 0:07:01 | 0:07:04 | |
This is a card, a genuine valentine card, available from Asda. | 0:07:04 | 0:07:09 | |
-No way. -Genuine. | 0:07:14 | 0:07:15 | |
I think the sticker with 7p, that is removable. | 0:07:15 | 0:07:20 | |
Someone wrote to me and said, | 0:07:20 | 0:07:21 | |
"Could you sign a card for my dad's birthday?" | 0:07:21 | 0:07:24 | |
and I signed it, sent it back and thought that's a lovely thing. | 0:07:24 | 0:07:26 | |
I saw it on eBay... | 0:07:26 | 0:07:28 | |
..three weeks later, and the price they were asking | 0:07:29 | 0:07:32 | |
was less than the card cost. | 0:07:32 | 0:07:35 | |
So, my signing of it had reduced its worth. | 0:07:36 | 0:07:40 | |
OK, what people wind up Mel? | 0:07:41 | 0:07:45 | |
People who over pronounce words in Italian. | 0:07:51 | 0:07:56 | |
It's a bit of a niche one, this. | 0:07:59 | 0:08:01 | |
-No, I... -It's a bit of a niche one. -OK. | 0:08:01 | 0:08:03 | |
So, I'll give you a sort of example, let's set the scene. | 0:08:03 | 0:08:07 | |
I've got a friend, a sort of friend of my brother's, | 0:08:07 | 0:08:10 | |
who, she goes into a restaurant, she's very softly spoken, | 0:08:10 | 0:08:14 | |
and she'll get the menu out. We're in an Italian restaurant, whatever, | 0:08:14 | 0:08:18 | |
and she'll say, "Yeah, that looks great, | 0:08:18 | 0:08:21 | |
"I think I'll start with the... | 0:08:21 | 0:08:23 | |
the "FUNGHI ALLA MELANZANA... | 0:08:23 | 0:08:26 | |
"..and then I'll probably go for the STRACCIATELLI ALLA FUNGHI... | 0:08:26 | 0:08:31 | |
"..and, um, I don't know, for dessert I'll probably have | 0:08:31 | 0:08:35 | |
"TIRAMISU." | 0:08:35 | 0:08:36 | |
Could you tell us what this person's name is? | 0:08:38 | 0:08:40 | |
I'll tell you what I do notice, they only seem to do it in Italian. | 0:08:42 | 0:08:48 | |
-Yes. -Who would dare go into a Chinese restaurant and say, | 0:08:48 | 0:08:50 | |
"Yes, I am ready to order. Can I have the... chicki cho..." | 0:08:50 | 0:08:53 | |
You wouldn't dare! | 0:08:53 | 0:08:55 | |
You would not... | 0:08:55 | 0:08:58 | |
It would...it would be wrong on a million levels. | 0:08:58 | 0:09:02 | |
For some reason, it's OK in an Italian restaurant, | 0:09:02 | 0:09:05 | |
-even though it's exactly the same thing. -Yes. | 0:09:05 | 0:09:08 | |
It's a show off-y thing, it's pretentious, it's unnecessary. | 0:09:08 | 0:09:13 | |
There's a name for it, it's called hyper-foreignism. | 0:09:13 | 0:09:16 | |
-Is that so? -That's honestly what it's called. -Oh, really? | 0:09:16 | 0:09:19 | |
I've got a clip of a woman here | 0:09:19 | 0:09:20 | |
who, I would say, is the hyper-foreign secretary. | 0:09:20 | 0:09:23 | |
And she's Welsh... | 0:09:24 | 0:09:26 | |
LAUGHTER | 0:09:26 | 0:09:29 | |
..but, um, she's someone who, I think, | 0:09:29 | 0:09:31 | |
-totally falls into the trap you're talking about. -Let's have a look. | 0:09:31 | 0:09:36 | |
Mix it with half a tub of RICOTTA | 0:09:36 | 0:09:38 | |
which I love to serve with PAPPARDELLE. | 0:09:38 | 0:09:41 | |
You can also use dried TAGLIATELLE or even PENNE. | 0:09:41 | 0:09:44 | |
You can also use LINGUINE, SPAGHETTI. | 0:09:44 | 0:09:46 | |
One tub of MASCARPONE, one tub of RICOTTA. | 0:09:46 | 0:09:49 | |
Your TAGLIATELLE should be just AL DENTE. | 0:09:49 | 0:09:52 | |
That is why you don't have SPAGHETTI with Bolognese. | 0:09:52 | 0:09:55 | |
I felt... | 0:09:56 | 0:09:57 | |
APPLAUSE | 0:09:57 | 0:09:59 | |
The "Bolognese" was a bit of a let down, I thought! | 0:10:04 | 0:10:07 | |
-Bolognese-ee. -It was the way she said spaghetti, | 0:10:07 | 0:10:11 | |
she said it about five times, | 0:10:11 | 0:10:12 | |
-"Spag-ay-tti, Spag-ay-tti..." -Yes. | 0:10:12 | 0:10:15 | |
-There's no need. -No, it's spaghetti, we all know that. | 0:10:15 | 0:10:18 | |
-Spaghetti, yeah. -OK, we've come to the end of the people round | 0:10:18 | 0:10:21 | |
and, erm, I... With the cards thing, | 0:10:21 | 0:10:24 | |
I think it comes from a good place, | 0:10:24 | 0:10:27 | |
and the fact that you want a card when you leave, maybe tonight, | 0:10:27 | 0:10:31 | |
I think you've slightly undermined your thing. | 0:10:31 | 0:10:35 | |
And I do think... I think it's an improvement, | 0:10:35 | 0:10:38 | |
even though it is annoying, that people who used to just | 0:10:38 | 0:10:41 | |
turn everything into brutish English impersonations, | 0:10:41 | 0:10:44 | |
they're trying to do the language a bit. | 0:10:44 | 0:10:47 | |
But I do think it is unacceptable, erm, unless you're Cilla Black | 0:10:47 | 0:10:51 | |
in 1971, or whenever it was, to say, "Do you know who I am?" | 0:10:51 | 0:10:56 | |
And so I am going to put people who say, "Do you know who I am?" | 0:10:56 | 0:11:00 | |
into Room 101! | 0:11:00 | 0:11:02 | |
CHEERING AND APPLAUSE | 0:11:02 | 0:11:04 | |
Anyway, let's have our next category. | 0:11:16 | 0:11:18 | |
Modern Life. Right, what doesn't Hugh like about modern life? | 0:11:24 | 0:11:29 | |
This is, erm, this is massive charity cheques. | 0:11:36 | 0:11:40 | |
I've had to present these things, | 0:11:40 | 0:11:43 | |
and it's kind of the impracticality of it. | 0:11:43 | 0:11:45 | |
Because the people giving the cheque are going, "That's fantastic," | 0:11:45 | 0:11:50 | |
and I'm thinking, "You're not going to be able to pay that in anywhere." | 0:11:50 | 0:11:54 | |
No bank is ever going to accept a massive charity cheque, | 0:11:54 | 0:11:58 | |
cos they haven't got massive paying in slips. | 0:11:58 | 0:12:01 | |
They're quite... I mean, they're unwieldy, they're big, | 0:12:03 | 0:12:06 | |
they've got sharp corners - | 0:12:06 | 0:12:08 | |
that's how Pudsey lost an eye, apparently. | 0:12:08 | 0:12:11 | |
Banks don't even like cheques, do they? | 0:12:12 | 0:12:14 | |
They're trying to get rid of cheques, | 0:12:14 | 0:12:16 | |
and yet we're still promoting massive cheques. | 0:12:16 | 0:12:19 | |
In China - you know when you win the lottery | 0:12:19 | 0:12:22 | |
you can ask for no publicity - | 0:12:22 | 0:12:24 | |
in China, you can have no publicity, | 0:12:24 | 0:12:26 | |
but you still have to turn up and get the cheque, | 0:12:26 | 0:12:28 | |
so this is genuine, this is what happens. | 0:12:28 | 0:12:31 | |
Oh, no! | 0:12:31 | 0:12:33 | |
It gets worse than that. | 0:12:34 | 0:12:37 | |
That's a genuine Chinese lottery winner. | 0:12:39 | 0:12:41 | |
A million years ago, I was in Liberty's, you know... | 0:12:43 | 0:12:46 | |
Posh shop? | 0:12:46 | 0:12:48 | |
Yeah. And I was asked for my autograph by several people, | 0:12:48 | 0:12:54 | |
including the shop assistant. | 0:12:54 | 0:12:57 | |
And so I signed the cheque, and then she said to me, | 0:12:57 | 0:13:01 | |
"Have you got any form of identification?" | 0:13:01 | 0:13:05 | |
I said, "I've just signed your autograph book," | 0:13:07 | 0:13:10 | |
and I still didn't say, "Do you know who I am?" | 0:13:10 | 0:13:13 | |
No, thank God. | 0:13:13 | 0:13:15 | |
Right, what is Mel's modern life gripe? | 0:13:16 | 0:13:21 | |
Parent and toddler groups. | 0:13:28 | 0:13:31 | |
You've got a small child, you're feeling exhausted, | 0:13:32 | 0:13:35 | |
you're not getting a lot of sleep, the last thing you want to do | 0:13:35 | 0:13:39 | |
is go into an overheated room which has horrible crash mats | 0:13:39 | 0:13:43 | |
which smell of foot odour, usually, | 0:13:43 | 0:13:47 | |
you get a horrible, silty beverage, no snacks, nothing to eat at all | 0:13:47 | 0:13:51 | |
for an hour, and you have to be jolly in an enforced way. | 0:13:51 | 0:13:56 | |
Why do you bother trying to make your toddler | 0:13:56 | 0:13:58 | |
make friends with other toddlers? We know now, they don't | 0:13:58 | 0:14:01 | |
make friends until they're at least eight or nine. | 0:14:01 | 0:14:04 | |
What's the point of that? I didn't make any friends when I was there. | 0:14:04 | 0:14:07 | |
I was just too grumpy and too tired and I have a terrible, | 0:14:07 | 0:14:12 | |
terrible memory of this parent-toddler "fun" club. | 0:14:12 | 0:14:16 | |
APPLAUSE | 0:14:16 | 0:14:19 | |
A friend of mine says that his daughter, who's tiny, | 0:14:20 | 0:14:24 | |
goes to a group. He said, "It's not a very interesting group, | 0:14:24 | 0:14:27 | |
"but it's good for catching all the main diseases." | 0:14:27 | 0:14:30 | |
Oh, yes. We, we... | 0:14:30 | 0:14:32 | |
I had no idea parents actually want their children to catch stuff early. | 0:14:32 | 0:14:37 | |
There was a big thing, um, pox parties, | 0:14:37 | 0:14:40 | |
where a mum whose child... | 0:14:40 | 0:14:42 | |
I've been to those, but not on purpose. | 0:14:42 | 0:14:44 | |
LAUGHTER | 0:14:44 | 0:14:46 | |
There's a whole other layer in these parent-toddler "fun" groups, | 0:14:47 | 0:14:52 | |
which is, basically, competition. | 0:14:52 | 0:14:54 | |
"Oh, so your baby hasn't got a tooth yet? Oh, dear. | 0:14:54 | 0:14:58 | |
"Well, mine got a tooth, you know, two weeks ago." | 0:14:58 | 0:15:01 | |
-Do you know what I mean? -Yeah. | 0:15:01 | 0:15:03 | |
-You know, that goes on, that goes on right through. -I know. | 0:15:03 | 0:15:06 | |
So I did my kids' sports day when my son was maybe seven. | 0:15:06 | 0:15:12 | |
I took part in my one and only father's race, | 0:15:12 | 0:15:14 | |
but I was just, sort of, dressed normally. | 0:15:14 | 0:15:17 | |
-There were people in spikes. -Yes. -And, erm... -Yes. | 0:15:17 | 0:15:21 | |
..with shorts, limbering up, and we... It was the 100m. | 0:15:21 | 0:15:26 | |
We set off, I got 10 yards, | 0:15:26 | 0:15:27 | |
and I was elbowed in the head by the man next to me. | 0:15:27 | 0:15:30 | |
Just ran along, deliberately just kind of went, boof. | 0:15:32 | 0:15:35 | |
It was crazy. | 0:15:37 | 0:15:38 | |
OK, what doesn't Cilla like about modern life? | 0:15:38 | 0:15:42 | |
Everything. | 0:15:50 | 0:15:51 | |
LAUGHTER AND APPLAUSE | 0:15:51 | 0:15:54 | |
No, modern technology. Where do I start? | 0:15:58 | 0:16:01 | |
I mean, I don't like the new technology. | 0:16:01 | 0:16:05 | |
The word technology, even, really makes my blood boil. | 0:16:05 | 0:16:09 | |
I mean, what are these things...? What do you have? Those...mobiles. | 0:16:09 | 0:16:14 | |
-Remote control? -Mobiles, yes. I can't stand them. | 0:16:14 | 0:16:19 | |
I can't stand them, because people walk along the street | 0:16:19 | 0:16:23 | |
and I think they're talking to me, but they're talking to the phone, | 0:16:23 | 0:16:28 | |
and I'm answering them! | 0:16:28 | 0:16:30 | |
You know, "What did you have for dinner?" "Well, I had so-and-so." | 0:16:30 | 0:16:34 | |
And I can't stand them and, urgh, people... | 0:16:35 | 0:16:38 | |
You don't have one? | 0:16:38 | 0:16:40 | |
-You don't have a mobile? -I do, I've got an iPhone. | 0:16:40 | 0:16:44 | |
-Oh, an iPhone? -An iPhone. | 0:16:44 | 0:16:46 | |
Oh, and don't talk to me about the iPhone. | 0:16:46 | 0:16:49 | |
I phoned a taxi by mistake and a taxi turned up outside my door | 0:16:49 | 0:16:55 | |
and I just wanted to know about the weather. | 0:16:55 | 0:16:57 | |
No, I don't like technology. | 0:16:59 | 0:17:02 | |
So, you think we should have stopped at Etch-A-Sketch? | 0:17:02 | 0:17:05 | |
What's that? | 0:17:05 | 0:17:07 | |
Oh, come on! | 0:17:07 | 0:17:09 | |
I mean, you are someone who, in the past, | 0:17:09 | 0:17:12 | |
has been known to use technology for your own ends. | 0:17:12 | 0:17:16 | |
Oh, you're not going to show film again, are you? | 0:17:16 | 0:17:19 | |
This was hi tech. | 0:17:19 | 0:17:21 | |
Oh. | 0:17:25 | 0:17:26 | |
Ooh! | 0:17:28 | 0:17:29 | |
Oo-o-o-oh! | 0:17:31 | 0:17:33 | |
APPLAUSE | 0:17:36 | 0:17:38 | |
-Naughty. -It's amazing, you seem to have lit up an Asda valentine card. | 0:17:44 | 0:17:48 | |
LAUGHTER | 0:17:48 | 0:17:50 | |
And you've got a Wii, is that right? | 0:17:51 | 0:17:54 | |
Oh, I don't understand Wii-fis. | 0:17:54 | 0:17:58 | |
LAUGHTER | 0:17:58 | 0:18:00 | |
-You get these Wii-fis that do exercises... -Yes. | 0:18:00 | 0:18:04 | |
-Wiis? They call them Wiis. -It's a Wii, OK. | 0:18:04 | 0:18:08 | |
Well, you can call it whatever you want. | 0:18:08 | 0:18:10 | |
Thank you very much. | 0:18:10 | 0:18:12 | |
-You can play golf and you can play tennis... -Brilliant. | 0:18:12 | 0:18:15 | |
..what's wrong with a doorknob? | 0:18:15 | 0:18:17 | |
It's a good... It's a good question. | 0:18:20 | 0:18:22 | |
LAUGHTER AND APPLAUSE | 0:18:22 | 0:18:24 | |
No, let me explain. | 0:18:25 | 0:18:28 | |
I've got several doorknobs in my kitchen | 0:18:28 | 0:18:32 | |
and I jive with the doorknob. | 0:18:32 | 0:18:35 | |
-Oh! -That's how I get my... Ooh, try it, Mel. | 0:18:37 | 0:18:40 | |
-That's great. -It's fabulous! | 0:18:40 | 0:18:42 | |
Grab hold of a knob... | 0:18:42 | 0:18:45 | |
LAUGHTER | 0:18:45 | 0:18:46 | |
I was rather afraid you were going to say that. | 0:18:46 | 0:18:49 | |
-And then you..? -Yeah, Steve Wright in the afternoon, | 0:18:50 | 0:18:53 | |
you're bopping away. Jiving away. | 0:18:53 | 0:18:56 | |
You don't need these Wii-fis. | 0:18:56 | 0:18:58 | |
Why don't you get out there and do it, physically? | 0:19:00 | 0:19:04 | |
You can say that about any indoor game. | 0:19:04 | 0:19:06 | |
If we were playing Hungry Hippos, you wouldn't say, "Get to Africa!" | 0:19:06 | 0:19:09 | |
Outdoor sports aren't always as much fun... | 0:19:13 | 0:19:17 | |
..as, er, as people say they are, because this is a German guy | 0:19:18 | 0:19:22 | |
-who's about to go swimming on a very cold day. -Genius. | 0:19:22 | 0:19:27 | |
Right, look at him now, he's so full of himself. | 0:19:27 | 0:19:30 | |
"Yes it's cold, but I don't care. | 0:19:30 | 0:19:32 | |
"The cold won't stop me from going for a dip." | 0:19:32 | 0:19:35 | |
GROANS AND APPLAUSE | 0:19:35 | 0:19:37 | |
Brilliant. Brilliant. | 0:19:39 | 0:19:41 | |
One thing you're right about - if that had been him playing Wii, | 0:19:44 | 0:19:49 | |
-it wouldn't have been as funny, would it? -No. | 0:19:49 | 0:19:51 | |
So, I... | 0:19:51 | 0:19:53 | |
I don't think I can put parent-toddler groups in, | 0:19:53 | 0:19:56 | |
because I think it's good that people meet and catch stuff | 0:19:56 | 0:19:59 | |
and share their problems. | 0:19:59 | 0:20:02 | |
And, erm, if we put all technology in, | 0:20:02 | 0:20:05 | |
it means that the show will close down. | 0:20:05 | 0:20:08 | |
But I do think those big charity cheques, | 0:20:08 | 0:20:10 | |
the cheque is dying out as a concept anyway, | 0:20:10 | 0:20:13 | |
it's about time they got modernised. | 0:20:13 | 0:20:15 | |
So, I am going to put big charity cheques into room 101. | 0:20:15 | 0:20:19 | |
APPLAUSE | 0:20:19 | 0:20:22 | |
Next category, please. | 0:20:33 | 0:20:35 | |
OK, it's the wildcard round, which means there is no restraint | 0:20:40 | 0:20:44 | |
at all now, it doesn't matter what the subject is, | 0:20:44 | 0:20:46 | |
you can pick anything you don't like and try and get it into Room 101. | 0:20:46 | 0:20:50 | |
So, what is Mel's wildcard? | 0:20:50 | 0:20:53 | |
People who tell you their dreams. | 0:21:00 | 0:21:04 | |
I don't mean, like, "Oh, I'd love to go into space one day," | 0:21:05 | 0:21:10 | |
or, "Oh, I'd love to win a gold medal at the Olympics," | 0:21:10 | 0:21:14 | |
or those kind of dreams. | 0:21:14 | 0:21:16 | |
I mean their nuts and bolts dreams that they've had. | 0:21:16 | 0:21:19 | |
It's so dull. | 0:21:19 | 0:21:22 | |
Do you not...? I've done this with friends, | 0:21:22 | 0:21:24 | |
when someone will tell us a dream and we all sit around and try | 0:21:24 | 0:21:27 | |
and work out what it means, work out the symbolism. | 0:21:27 | 0:21:30 | |
-It's quite a fun thing to do. -No. -No? | 0:21:30 | 0:21:33 | |
-I think it's a bit like, do you remember Catchphrase? -Catchphrase. | 0:21:33 | 0:21:37 | |
It's a bit like that, because you get a few images and they say, | 0:21:37 | 0:21:40 | |
"Yeah, I was in this big house and then suddenly a tiger appeared | 0:21:40 | 0:21:45 | |
"and then I..." | 0:21:45 | 0:21:46 | |
CATCHPHRASE BUZZER | 0:21:46 | 0:21:49 | |
Are you afraid of your wife's mother? | 0:21:49 | 0:21:51 | |
That's how I... | 0:21:51 | 0:21:52 | |
"It's good, but it's not right." And then on you go again. | 0:21:52 | 0:21:56 | |
-So, I kind of, like dream analysis. -No, amateur dream analysis. Nah. | 0:21:56 | 0:22:01 | |
One thing I am confused about is have you ever watched a dog dream? | 0:22:01 | 0:22:06 | |
The dogs do that... | 0:22:06 | 0:22:08 | |
-"Bruff! Bruff!" -That's right, yeah. | 0:22:08 | 0:22:10 | |
-"Bruff!" -They're chasing rabbits. | 0:22:10 | 0:22:13 | |
I've been told that before, | 0:22:13 | 0:22:14 | |
but my dog lived in Birmingham its whole life. | 0:22:14 | 0:22:17 | |
LAUGHTER | 0:22:17 | 0:22:19 | |
-Never seen a rabbit. -You do that. Humans do that, don't they? | 0:22:19 | 0:22:22 | |
-I get told off all the time for doing that. -Doing what? | 0:22:22 | 0:22:25 | |
-For sort of twitching. -When you dream? -Yeah. | 0:22:25 | 0:22:27 | |
But what always happens at night... | 0:22:27 | 0:22:29 | |
This is hell for me, can I just say? This is all hell. | 0:22:29 | 0:22:32 | |
So, I'll be lying in bed and I kind of... | 0:22:32 | 0:22:35 | |
I don't go "ummm" like that, but I do go... | 0:22:35 | 0:22:38 | |
And I fall off things and then I sort of wake up. Do you do that? | 0:22:38 | 0:22:43 | |
Oh, stop it, please! | 0:22:43 | 0:22:44 | |
LAUGHTER | 0:22:44 | 0:22:46 | |
-This is exactly what I'm talking about. -OK. | 0:22:46 | 0:22:49 | |
OK, so what's Hugh's wildcard? | 0:22:50 | 0:22:53 | |
I would really like to put Las Vegas in Room 101. | 0:22:58 | 0:23:01 | |
I've only been once to Las Vegas, | 0:23:01 | 0:23:03 | |
and I went last summer at the end of a... | 0:23:03 | 0:23:06 | |
Took the family on this long trip and went to Las Vegas. | 0:23:06 | 0:23:09 | |
And I think my expectations of it were slightly wrong, | 0:23:09 | 0:23:12 | |
because I thought it would be like Casino or Ocean's 11. | 0:23:12 | 0:23:15 | |
But, actually, Las Vegas is sort of to me, anyway, it's a bit like | 0:23:15 | 0:23:19 | |
a hybrid, a cross between a motorway service station, | 0:23:19 | 0:23:24 | |
Alton Towers, | 0:23:24 | 0:23:26 | |
and a cross-channel ferry. | 0:23:26 | 0:23:28 | |
LAUGHTER | 0:23:28 | 0:23:29 | |
It's just miles and miles of, kind of, fruit machines, | 0:23:29 | 0:23:34 | |
and terrible food. | 0:23:34 | 0:23:37 | |
But you have to do a bit of gambling. | 0:23:37 | 0:23:39 | |
You at least you have to go on the fruit machines and stuff like that. | 0:23:39 | 0:23:42 | |
Yeah. | 0:23:42 | 0:23:43 | |
People spend whole days, often very fat people, | 0:23:43 | 0:23:47 | |
on fruit machines with a bucket of coins and they're on it all day, | 0:23:47 | 0:23:51 | |
and this is the only fruit these people ever see. | 0:23:51 | 0:23:53 | |
I didn't realise before I went there, that you have to walk | 0:23:55 | 0:23:58 | |
through the casinos to get anywhere. But if you have kids, | 0:23:58 | 0:24:01 | |
one of the rules is that you're not allowed to loiter with kids. | 0:24:01 | 0:24:06 | |
They can't stop in the casino, cos it's against Nevada gaming law. | 0:24:06 | 0:24:10 | |
So, that basically means I spent like three days in Las Vegas, | 0:24:10 | 0:24:15 | |
walking. I could never... | 0:24:15 | 0:24:16 | |
LAUGHTER | 0:24:16 | 0:24:18 | |
I couldn't stop. | 0:24:18 | 0:24:19 | |
The hotel we stayed in...we stayed there because it had its own beach, | 0:24:19 | 0:24:23 | |
so, knackered after walking for miles and miles, | 0:24:23 | 0:24:25 | |
I would go and lie on this pretend beach in the middle of the desert | 0:24:25 | 0:24:29 | |
in Nevada, thinking, "Why aren't I on a beach?" | 0:24:29 | 0:24:34 | |
OK, then what is Cilla's wildcard? | 0:24:36 | 0:24:40 | |
Well, knickers, really. | 0:24:47 | 0:24:50 | |
Doesn't your lingerie and knickers go grey too quickly | 0:24:52 | 0:24:57 | |
after you've washed them? | 0:24:57 | 0:24:59 | |
-I think there's a conspiracy going on. -OK. | 0:24:59 | 0:25:02 | |
I think the manufacturers make them, | 0:25:02 | 0:25:05 | |
so they go grey after a certain amount of time. | 0:25:05 | 0:25:09 | |
You think it's deliberately made to do that? | 0:25:09 | 0:25:12 | |
I think the manufacturers do that, and I've bought from posh shops, | 0:25:12 | 0:25:17 | |
-right the way down to, you know... -Liberty's? | 0:25:17 | 0:25:20 | |
..everybody else goes. | 0:25:20 | 0:25:22 | |
You know, I do, I buy and they're all the same. | 0:25:24 | 0:25:28 | |
You're talking about white knickers? | 0:25:28 | 0:25:30 | |
White knickers, that go grey after a certain amount of time, | 0:25:30 | 0:25:33 | |
very... Relatively quickly. | 0:25:33 | 0:25:34 | |
-They're not just see-through, are they? -Pardon? | 0:25:34 | 0:25:37 | |
No! | 0:25:37 | 0:25:39 | |
I'm terribly sorry! | 0:25:39 | 0:25:40 | |
-You should write a book about this called 50 Shades Of Grey! -I should! | 0:25:41 | 0:25:46 | |
LAUGHTER AND APPLAUSE | 0:25:46 | 0:25:50 | |
I tell you what I love about this, is I used to watch you | 0:25:53 | 0:25:56 | |
on Top Of The Pops in the late '60s and I used to think | 0:25:56 | 0:25:59 | |
"If ever I met Cilla, I wonder what we'd talk about." | 0:25:59 | 0:26:02 | |
This never crossed my mind, I must say. We have a clip here. | 0:26:03 | 0:26:07 | |
Chris Tarrant, you may remember, | 0:26:07 | 0:26:08 | |
used to be a roving reporter before he became a big-time presenter, | 0:26:08 | 0:26:12 | |
and he's interviewing women in an underwear factory, | 0:26:12 | 0:26:16 | |
and can you imagine, in the modern-day, | 0:26:16 | 0:26:19 | |
beginning an interview like this? | 0:26:19 | 0:26:22 | |
Excuse me, can I ask you what sort of undies you're wearing? | 0:26:22 | 0:26:25 | |
-Er, frilly one. -Like these? -No, little bikini ones. | 0:26:25 | 0:26:30 | |
When you're going out somewhere special, | 0:26:30 | 0:26:32 | |
do you put a very expensive pair on? | 0:26:32 | 0:26:33 | |
-No, not really. -Same old ones? | 0:26:33 | 0:26:35 | |
-Yeah. -Do you wear any expensive ones from here? -No. | 0:26:35 | 0:26:38 | |
-Why not? -They fall to bits. | 0:26:38 | 0:26:40 | |
LAUGHTER | 0:26:40 | 0:26:42 | |
Oh my God! | 0:26:42 | 0:26:43 | |
Has anyone here ever cut a pair of pants off themselves? | 0:26:44 | 0:26:47 | |
-No. -OK. | 0:26:47 | 0:26:49 | |
-LAUGHING: -Hold it! | 0:26:49 | 0:26:52 | |
Yeah, come on, Mel, you've got to tell us. | 0:26:52 | 0:26:55 | |
-Why did you do it? -I had a bit of an accident. | 0:26:55 | 0:26:58 | |
OK, you had a bit of an accident. | 0:26:59 | 0:27:01 | |
I had a bit of an accident and I had to cut... | 0:27:01 | 0:27:04 | |
I didn't want to take the jeans off, so cut the pants out. | 0:27:04 | 0:27:07 | |
Please tell me someone else has done this. | 0:27:07 | 0:27:10 | |
What kind of an accident did you have? | 0:27:10 | 0:27:12 | |
LAUGHTER | 0:27:12 | 0:27:14 | |
-Oh, come on, Cilla. -Oh, that kind of accident! | 0:27:15 | 0:27:19 | |
Cilla, let's call it "a surprise, surprise." | 0:27:19 | 0:27:22 | |
LAUGHTER | 0:27:22 | 0:27:24 | |
Right, that comes to the end of that round, and... | 0:27:25 | 0:27:29 | |
Oh, it's a toughie. | 0:27:29 | 0:27:31 | |
I think, even though I occasionally do it myself, | 0:27:31 | 0:27:35 | |
it can be incredibly tedious to share dreams. | 0:27:35 | 0:27:39 | |
But I am slightly fascinated by dreams and what they mean, | 0:27:39 | 0:27:43 | |
so I do also like it, if it's in the right context. | 0:27:43 | 0:27:47 | |
Las Vegas, I do think it's something that you grow to love, | 0:27:47 | 0:27:52 | |
and if you went back without the kids and just embraced it, | 0:27:52 | 0:27:55 | |
I think you'd have a great time. But I cannot, I have to say, | 0:27:55 | 0:27:58 | |
resist the temptation to put knickers into Room 101. | 0:27:58 | 0:28:02 | |
APPLAUSE AND CHEERING | 0:28:03 | 0:28:05 | |
Thank you. | 0:28:09 | 0:28:10 | |
INAUDIBLE | 0:28:10 | 0:28:12 | |
And that brings us to the end of the show. Well done, Cilla. | 0:28:19 | 0:28:22 | |
You were the most persuasive guest tonight, | 0:28:22 | 0:28:24 | |
so you are this week's winner! | 0:28:24 | 0:28:26 | |
CHEERING | 0:28:26 | 0:28:28 | |
So, thanks very much, Hugh Dennis, Mel Giedroyc and Cilla Black. | 0:28:33 | 0:28:36 | |
And thank you. Good night. | 0:28:36 | 0:28:39 | |
Subtitles by Red Bee Media Ltd | 0:29:00 | 0:29:04 |