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Hello, I'm Frank Skinner, and welcome to Room 101, | 0:00:31 | 0:00:34 | |
the show where three guests compete to cast their greatest gripes | 0:00:34 | 0:00:38 | |
into the notorious vault that is Room 101. | 0:00:38 | 0:00:41 | |
Let's meet this week's guests. | 0:00:41 | 0:00:43 | |
Joining me tonight are comedian Henning Wehn, | 0:00:43 | 0:00:45 | |
musical star Michael Ball, and actress Caroline Quentin. | 0:00:45 | 0:00:49 | |
APPLAUSE | 0:00:49 | 0:00:52 | |
OK. Let's have our first category. | 0:00:56 | 0:00:58 | |
Modern life. So, what winds up Michael about modern life? | 0:01:03 | 0:01:09 | |
There isn't a person who won't agree with this. | 0:01:14 | 0:01:16 | |
It's the junk mail that we get. | 0:01:16 | 0:01:18 | |
That dread. You go away on holiday, and it's bad enough travelling, | 0:01:18 | 0:01:23 | |
but, you know, you come, you put the key in the door, | 0:01:23 | 0:01:25 | |
you can't open the door because it's mounded up, piles and piles. | 0:01:25 | 0:01:30 | |
You get the same... | 0:01:30 | 0:01:31 | |
How long do you go on holiday for? | 0:01:31 | 0:01:33 | |
I don't know if it's just me they pick on, | 0:01:34 | 0:01:36 | |
but you get the same thing, the same bloody pizza delivery thing. | 0:01:36 | 0:01:40 | |
Don't bother. I don't want it. | 0:01:40 | 0:01:42 | |
I don't know anybody who ever responds to this stuff. | 0:01:42 | 0:01:45 | |
No. I don't think anybody actually picks it up and goes, | 0:01:45 | 0:01:48 | |
"Ooh, that looks yum, I must go and get some of that". | 0:01:48 | 0:01:51 | |
Younger people do. | 0:01:51 | 0:01:53 | |
I mean, it's just... | 0:01:53 | 0:01:55 | |
No, it is. I mean, that's something... | 0:01:59 | 0:02:01 | |
I mean, if people have reached a certain maturity, | 0:02:01 | 0:02:05 | |
so then, they'll just say, "Oh, I'm set in my ways. | 0:02:05 | 0:02:07 | |
"I don't need to find out". | 0:02:07 | 0:02:10 | |
More dynamic people might go, "Ooh, there is a new pizza place. | 0:02:10 | 0:02:14 | |
"I must try that out". | 0:02:14 | 0:02:17 | |
One thing that puts me off a bit is the pizza, I have discovered, | 0:02:17 | 0:02:22 | |
is not pizza that's photographed at the shop. | 0:02:22 | 0:02:25 | |
-It's Google Image pizza. -Really? | 0:02:25 | 0:02:28 | |
I have this same problem with those postcards you get in phone boxes. | 0:02:28 | 0:02:31 | |
It's not them. Have you considered recycling? | 0:02:35 | 0:02:38 | |
No. In what way? | 0:02:38 | 0:02:40 | |
-Well, I had this idea. Do you own a dog? -Yeah, two. | 0:02:40 | 0:02:43 | |
You know when they get an operation and they have stitches | 0:02:43 | 0:02:46 | |
and you have to put those funnels on? | 0:02:46 | 0:02:49 | |
Look at this. | 0:02:49 | 0:02:51 | |
LAUGHTER | 0:02:51 | 0:02:53 | |
This is classic recycling. I'm thinking I could market this. | 0:02:53 | 0:02:57 | |
It would suffocate him over time. | 0:02:57 | 0:02:59 | |
There's only so many leaflets you can stick in there. | 0:02:59 | 0:03:02 | |
Yeah. I'm not going to keep adding leaflets to it. | 0:03:02 | 0:03:05 | |
Yeah, but what are you going to do with the rest of the leaflets? | 0:03:05 | 0:03:07 | |
We're going to make more. I'm not working on one dog. | 0:03:07 | 0:03:10 | |
What kind of a market is that? | 0:03:10 | 0:03:12 | |
We have a clip of someone who seems to hate junk mail as much as you do. | 0:03:12 | 0:03:17 | |
DOG BARKS MANIACALLY | 0:03:17 | 0:03:22 | |
I want to manage what comes in and out of my house. | 0:03:33 | 0:03:37 | |
It's like vampires. | 0:03:37 | 0:03:38 | |
They'll only come in... | 0:03:38 | 0:03:40 | |
Work with me. | 0:03:42 | 0:03:43 | |
Vampires can only come into the house if you invite them. | 0:03:43 | 0:03:46 | |
-Really? -Absolutely. -Is that right? -What? I didn't know that. | 0:03:46 | 0:03:50 | |
Do you watch no television? | 0:03:51 | 0:03:54 | |
If you say to a vampire, "You can't come in my house." | 0:03:54 | 0:03:56 | |
They can't come in. | 0:03:56 | 0:03:58 | |
They have to be invited into your house, in order | 0:03:58 | 0:04:00 | |
to then suck your blood. | 0:04:00 | 0:04:01 | |
Are you sure you're not thinking of the Jehovah's Witnesses? | 0:04:01 | 0:04:04 | |
What winds up Caroline about modern life? | 0:04:11 | 0:04:14 | |
Control pants. | 0:04:20 | 0:04:21 | |
Undergarments designed for women, primarily, | 0:04:25 | 0:04:30 | |
I think almost exclusively, | 0:04:30 | 0:04:33 | |
that are meant to hold in the bits of pork that want to get away. | 0:04:33 | 0:04:37 | |
I find them uncomfortable and hideous and ugly and useless, | 0:04:40 | 0:04:44 | |
and also I think what's sexy about people is how they move, | 0:04:44 | 0:04:47 | |
and if you actually make someone immobile, when they're going out, | 0:04:47 | 0:04:51 | |
I think that's not sexy. | 0:04:51 | 0:04:53 | |
I had never heard of the word, "control pants". | 0:04:53 | 0:04:56 | |
I assumed that was like a euphemism for, like, control freak. | 0:04:56 | 0:05:00 | |
Like, "Oh, yeah, he's a right old control pants, he is". | 0:05:00 | 0:05:04 | |
I have been subjected to these for years. | 0:05:07 | 0:05:11 | |
People always say to you, "Oh, is it a photo shoot? Slip those on." | 0:05:11 | 0:05:14 | |
And they hand you something that big. | 0:05:14 | 0:05:17 | |
Actually those. | 0:05:17 | 0:05:18 | |
Yeah. | 0:05:18 | 0:05:20 | |
And then you go off into a corner, | 0:05:21 | 0:05:23 | |
and then you cram yourself into some Lycra. | 0:05:23 | 0:05:26 | |
As we know in life, what goes up, must come down, | 0:05:26 | 0:05:29 | |
and in my case... | 0:05:29 | 0:05:31 | |
..everything tends to come upwards. | 0:05:32 | 0:05:34 | |
So this bit of my person rises to about here, | 0:05:34 | 0:05:39 | |
and then I can't eat or move for the rest of the day. | 0:05:39 | 0:05:42 | |
Maybe if it came out the top, you could have | 0:05:42 | 0:05:45 | |
a self-generated snood. | 0:05:45 | 0:05:46 | |
Women in this audience will know exactly what I'm talking about, | 0:05:51 | 0:05:54 | |
and I don't think you understand quite how grim they are to wear, | 0:05:54 | 0:05:58 | |
-these things. -I'm very thin, with a little potbelly. | 0:05:58 | 0:06:02 | |
I look like... | 0:06:02 | 0:06:03 | |
You know when you see those pictures of a snake that's swallowed a goat? | 0:06:03 | 0:06:07 | |
So, I really... A girdle would be perfect for me. | 0:06:09 | 0:06:11 | |
As it is, I just opted for a desk. | 0:06:11 | 0:06:14 | |
I'd rather wear a desk. | 0:06:14 | 0:06:16 | |
OK, then. So what doesn't Henning like about modern life? | 0:06:16 | 0:06:20 | |
Yeah. Well, there is nothing wrong with buckets. | 0:06:27 | 0:06:29 | |
But what they're used for is evil. | 0:06:33 | 0:06:36 | |
So what I absolutely hate is anything to do with fundraising. | 0:06:36 | 0:06:41 | |
-You know... -I thought that would get a big round of applause. | 0:06:43 | 0:06:47 | |
You know them e-mails, don't you, Frank? | 0:06:47 | 0:06:49 | |
Like them e-mails that go like, | 0:06:49 | 0:06:51 | |
"Ooh, I'm going to do a fun thing I always wanted to do. | 0:06:51 | 0:06:55 | |
"Give generously." | 0:06:55 | 0:06:57 | |
-What? -I've just done one of those, and I sent all my friends an e-mail | 0:06:57 | 0:07:01 | |
saying, "I'm doing a 30-mile... Please sponsor me." | 0:07:01 | 0:07:03 | |
Next time, I'm going to do that to you. | 0:07:03 | 0:07:06 | |
What response will I get? | 0:07:07 | 0:07:08 | |
Well, I'll send you lots of junk mail round. | 0:07:08 | 0:07:10 | |
I think it's outrageous. I mean, if you want to do something, | 0:07:12 | 0:07:15 | |
why do you bother other people about it? | 0:07:15 | 0:07:17 | |
I think it's outrageous. | 0:07:17 | 0:07:18 | |
It's like a friend of mine | 0:07:18 | 0:07:20 | |
recently went on a 100k fell walk in the Pennines, | 0:07:20 | 0:07:23 | |
and he was seriously angry with me for me not donating any money. | 0:07:23 | 0:07:27 | |
I said, "Listen, where I'm from, | 0:07:27 | 0:07:28 | |
"you going for a walk shouldn't set me back." | 0:07:28 | 0:07:32 | |
APPLAUSE | 0:07:32 | 0:07:36 | |
You know all them e-mails, don't you? | 0:07:39 | 0:07:41 | |
Like, "Oh, I'm going to go to Rio de Janeiro, | 0:07:41 | 0:07:44 | |
"sunbathe on the Copacabana and watch football at the Maracana... | 0:07:44 | 0:07:49 | |
"for charity." | 0:07:49 | 0:07:50 | |
We have a clip here. You'll like this. | 0:07:54 | 0:07:56 | |
This is students trying to raise money for their rag week. | 0:07:56 | 0:07:59 | |
The idea in this is they send balloons | 0:07:59 | 0:08:01 | |
with the names of their sponsors out into the world, | 0:08:01 | 0:08:05 | |
and if you find one of these, you send it back. | 0:08:05 | 0:08:07 | |
The first one back wins a prize. | 0:08:07 | 0:08:09 | |
So, this is the grand launch. | 0:08:09 | 0:08:11 | |
Three, two, one, launch! | 0:08:11 | 0:08:15 | |
BALLOONS POP | 0:08:20 | 0:08:24 | |
The worst month to live in the UK, without a shadow of a doubt, | 0:08:37 | 0:08:41 | |
is November... | 0:08:41 | 0:08:42 | |
and that's got nothing to do with Remembrance Sunday. | 0:08:42 | 0:08:45 | |
Or, as I like to call it, Highly-Selective Remembrance Sunday. | 0:08:45 | 0:08:49 | |
LAUGHTER | 0:08:49 | 0:08:51 | |
You're so on a winner here. | 0:08:53 | 0:08:55 | |
The thing that really drives me... | 0:08:57 | 0:08:59 | |
I suppose you're used to losing. | 0:08:59 | 0:09:01 | |
It's started. | 0:09:05 | 0:09:07 | |
Yeah, thanks for bringing that up. | 0:09:07 | 0:09:10 | |
That Hitler was a right control pants, wasn't he? | 0:09:11 | 0:09:13 | |
LAUGHTER | 0:09:13 | 0:09:16 | |
Sorry, Henning. | 0:09:18 | 0:09:20 | |
Because in November, there's people coming up to me asking me | 0:09:20 | 0:09:22 | |
for my hard-earned, because they're not shaving. | 0:09:22 | 0:09:25 | |
-Movember. -Yeah, Movember nonsense. I mean, what's the next step? | 0:09:27 | 0:09:30 | |
Getting beaten up if you maintain standards and do shave? | 0:09:30 | 0:09:34 | |
Who is behind the Movember movement? | 0:09:34 | 0:09:36 | |
Is it the Taliban? | 0:09:36 | 0:09:37 | |
Ridiculous. Start to finish, ridiculous. And everyone's at it. | 0:09:39 | 0:09:43 | |
Everyone's at it. | 0:09:43 | 0:09:44 | |
Ian Botham, he didn't get his OBE for playing cricket. | 0:09:44 | 0:09:48 | |
He got his OBE for walking all the way from Cornwall to the north tip | 0:09:48 | 0:09:52 | |
of Scotland for charity, | 0:09:52 | 0:09:54 | |
and Eddie Izzard running 50 marathons in 50 days | 0:09:54 | 0:09:58 | |
and David Walliams swimming across the Channel and down the Thames | 0:09:58 | 0:10:02 | |
for Comic Relief, or, to be more precise, his own ego. | 0:10:02 | 0:10:06 | |
LAUGHTER | 0:10:06 | 0:10:09 | |
They're all very British achievements, aren't they? | 0:10:10 | 0:10:13 | |
Walking a lot, running a lot, swimming a lot - | 0:10:13 | 0:10:15 | |
they're all very British achievements, | 0:10:15 | 0:10:17 | |
because nothing's been produced. | 0:10:17 | 0:10:19 | |
LAUGHTER AND APPLAUSE | 0:10:19 | 0:10:22 | |
Anyway, we come to the end of the Modern Life round | 0:10:25 | 0:10:28 | |
and it's been fun. | 0:10:28 | 0:10:31 | |
The control pants thing, I can understand how they are a restraint, | 0:10:32 | 0:10:39 | |
but I think that they... | 0:10:39 | 0:10:42 | |
There's something that's a little bit intriguing | 0:10:42 | 0:10:44 | |
and exciting about them. | 0:10:44 | 0:10:46 | |
That's why they should go, Frank. | 0:10:46 | 0:10:48 | |
I'm sorry, Caroline. I know what you mean, | 0:10:48 | 0:10:50 | |
but I am not going to put control pants into Room 101. | 0:10:50 | 0:10:53 | |
AUDIENCE: Aww. | 0:10:53 | 0:10:56 | |
That sounded like a lot of people taking them off. | 0:10:56 | 0:10:58 | |
LAUGHTER | 0:10:58 | 0:11:01 | |
That's exactly what it's like! | 0:11:01 | 0:11:03 | |
Junk mail. I never understand why people get so angry about junk mail. | 0:11:05 | 0:11:09 | |
I'm always interested to find out about a new takeaway | 0:11:09 | 0:11:12 | |
-or local cab firm. -You're weird. | 0:11:12 | 0:11:15 | |
I have to say, although it goes against all my inner goodness, | 0:11:15 | 0:11:20 | |
that you have argued your case so well, | 0:11:20 | 0:11:22 | |
I am going to put fundraising into Room 101. | 0:11:22 | 0:11:25 | |
APPLAUSE | 0:11:25 | 0:11:28 | |
Right. Let's have our next category. | 0:11:36 | 0:11:38 | |
People. Right. What kind of people doesn't Caroline like? | 0:11:43 | 0:11:46 | |
I don't like clairvoyants... | 0:11:55 | 0:11:57 | |
..because I don't believe in clairvoyants. | 0:11:58 | 0:12:01 | |
I don't like them for lots of reasons, but it seems that | 0:12:04 | 0:12:06 | |
everybody here, kind of, understands what I'm talking about. | 0:12:06 | 0:12:09 | |
I went to... It was a show, and I went along to see three people | 0:12:09 | 0:12:15 | |
who claimed to be able to see...beyond. | 0:12:15 | 0:12:19 | |
First of all, we were introduced to a lady who walked out and said, | 0:12:19 | 0:12:23 | |
"Oh, oh, oh, I've got... Oh, something's coming through." | 0:12:23 | 0:12:28 | |
You get to a certain age... | 0:12:30 | 0:12:31 | |
She walked around the audience, she said, "Yes, I can feel something | 0:12:33 | 0:12:36 | |
coming from this bit of the audience here, something coming through. | 0:12:36 | 0:12:39 | |
"Oh, oh! There's an old man. | 0:12:39 | 0:12:41 | |
"He's got glasses on. He's using a stick. | 0:12:41 | 0:12:43 | |
"Does anyone know an old man who uses a stick?" | 0:12:43 | 0:12:46 | |
It's like, what are the chances? | 0:12:46 | 0:12:48 | |
"And he's died. I think he's not breathing very well. | 0:12:48 | 0:12:51 | |
"I think when he died, he had trouble breathing." | 0:12:51 | 0:12:53 | |
That's what dying is! | 0:12:53 | 0:12:54 | |
It was humiliating and embarrassing and it was slightly cruel. | 0:12:56 | 0:12:59 | |
-But do you think anyone has a gift? -No. -Can sense things? | 0:12:59 | 0:13:03 | |
I'm basing it on this evening of clairvoyance at the cricket club. | 0:13:03 | 0:13:07 | |
And...you know, I wasn't convinced by anybody. | 0:13:07 | 0:13:12 | |
At one point, she said, "I've got Swansea coming through. Swansea." | 0:13:12 | 0:13:16 | |
And no-one said anything at all. | 0:13:16 | 0:13:17 | |
She went, "Anyone been to Swansea, ever?" | 0:13:17 | 0:13:21 | |
No-one, nothing at all, and she went, "DVLA? Anybody got a car?" | 0:13:21 | 0:13:25 | |
It was desperate. | 0:13:26 | 0:13:28 | |
A friend of mine went to see one in Watford. | 0:13:28 | 0:13:31 | |
He swears this is true. | 0:13:31 | 0:13:32 | |
This bloke come out and says, "I've got the letter D. The letter D. | 0:13:32 | 0:13:35 | |
"I've got a name. The letter D. Anyone? The letter... | 0:13:35 | 0:13:39 | |
"Dad". | 0:13:39 | 0:13:41 | |
LAUGHTER | 0:13:41 | 0:13:43 | |
This brings me on to Derek Acorah, | 0:13:43 | 0:13:48 | |
who doesn't only speak to humans in the world of spirits. | 0:13:48 | 0:13:54 | |
I'm going to describe, please, he's only a little guy. | 0:13:54 | 0:13:58 | |
We would call him... OK...very small legs. | 0:13:58 | 0:14:04 | |
Small body. Tail, clipped. | 0:14:04 | 0:14:08 | |
He's white and he's got brown...light brown patches and dark brown patches. | 0:14:08 | 0:14:13 | |
Would that fit with the memory of your dog? | 0:14:13 | 0:14:16 | |
Near enough, he was...black with a white... | 0:14:16 | 0:14:20 | |
Yeah. | 0:14:20 | 0:14:22 | |
That's near enough, isn't it? | 0:14:26 | 0:14:28 | |
OK. So what sort of people wind up Michael? | 0:14:28 | 0:14:32 | |
People who wear comedy pants, socks and ties. | 0:14:38 | 0:14:43 | |
They're the most pointless things going. They're never funny. | 0:14:44 | 0:14:48 | |
They, I think, are worn by people who show a lack of humour. | 0:14:48 | 0:14:52 | |
Especially the Christmas ones that have a reindeer with a flashing nose | 0:14:52 | 0:14:57 | |
on it, and you'll get three of them, at midnight mass at Christmas, | 0:14:57 | 0:15:03 | |
who'll press the nose, and it'll play Jingle Bells, | 0:15:03 | 0:15:07 | |
and it's hilarious! | 0:15:07 | 0:15:10 | |
And it's not. | 0:15:10 | 0:15:12 | |
If it's for the occasion, say it's Christmas, | 0:15:12 | 0:15:15 | |
and there's a little snowman on it, by all means. | 0:15:15 | 0:15:19 | |
Don't have to be draconian on everything. | 0:15:19 | 0:15:22 | |
At last, the voice of reason. | 0:15:24 | 0:15:26 | |
Have you never seen a tie which is, sort of, a comedy tie | 0:15:27 | 0:15:31 | |
-that you've thought, "Actually, that's quite a good tie?" -No. | 0:15:31 | 0:15:33 | |
I've got one. I think this is quite funny. | 0:15:33 | 0:15:35 | |
If we can actually read that. | 0:15:35 | 0:15:38 | |
It says, "Fat men are harder to kidnap". | 0:15:38 | 0:15:42 | |
I bought this for Terry Waite. | 0:15:46 | 0:15:48 | |
-And, you're right, he didn't laugh. -No. | 0:15:53 | 0:15:55 | |
And pants, as well. Comedy pants, comedy socks. | 0:15:57 | 0:16:01 | |
They're pointless. They're always cheap. | 0:16:01 | 0:16:04 | |
They're vulgar. | 0:16:04 | 0:16:05 | |
Well, what about these? These are for men. | 0:16:05 | 0:16:07 | |
They're for men who like Maltese Terriers, and it says, | 0:16:10 | 0:16:14 | |
-"My heart belongs to a Maltese". -They're not really for men. | 0:16:14 | 0:16:18 | |
They're not for men. They're not for men. That's never for a man. | 0:16:18 | 0:16:21 | |
They are for men. | 0:16:21 | 0:16:22 | |
Dog pants on a man looks better than human tights on a dog. | 0:16:22 | 0:16:26 | |
LAUGHTER | 0:16:29 | 0:16:34 | |
That's horrific. That's horrific! | 0:16:39 | 0:16:41 | |
-I like a comedy sock. And in fact, this evening... -Uh-oh. | 0:16:43 | 0:16:47 | |
-Oh, God. -I have... You'll like these. | 0:16:47 | 0:16:50 | |
APPLAUSE | 0:16:54 | 0:16:57 | |
Yeah, we love those. | 0:16:57 | 0:17:00 | |
-Do you know what? I love them. -I knew you would! | 0:17:01 | 0:17:05 | |
OK. Well, what sort of people... | 0:17:05 | 0:17:08 | |
LAUGHTER | 0:17:08 | 0:17:11 | |
..make Henning Wehn angry? | 0:17:11 | 0:17:13 | |
Oh, dear. | 0:17:16 | 0:17:18 | |
LAUGHTER AND APPLAUSE | 0:17:18 | 0:17:22 | |
BOOING | 0:17:24 | 0:17:27 | |
Now, come on. They're my lot. I can make fun about them. | 0:17:29 | 0:17:32 | |
I suggest we abolish the monarchy, because I feel, well, see, | 0:17:34 | 0:17:40 | |
-I feel so sorry for all the members of the royal family. -Why? | 0:17:40 | 0:17:44 | |
Well, because, you know, life is about bettering yourself, | 0:17:44 | 0:17:47 | |
but, when you're born into the royal family, | 0:17:47 | 0:17:49 | |
how are they going to better themselves? | 0:17:49 | 0:17:52 | |
"Here's everything." | 0:17:52 | 0:17:54 | |
"OK, then." | 0:17:54 | 0:17:56 | |
So, now imagine William and Harry born into a regular family. | 0:17:56 | 0:18:00 | |
I mean, you could easily see Harry getting a job at a garage, | 0:18:00 | 0:18:05 | |
and William, I mean, who is to say William couldn't make it up | 0:18:05 | 0:18:08 | |
into middle management in a recruitment company? | 0:18:08 | 0:18:11 | |
Let's abolish the monarchy and give them an opportunity | 0:18:11 | 0:18:15 | |
of upward social mobility. | 0:18:15 | 0:18:17 | |
LAUGHTER AND APPLAUSE | 0:18:17 | 0:18:21 | |
As we all know, they are essentially German, the British monarchy. | 0:18:21 | 0:18:25 | |
Well, not all Germans are good people. | 0:18:25 | 0:18:28 | |
Even the Duke of Edinburgh, his family name | 0:18:30 | 0:18:33 | |
is Schleswig Holstein Sonderburg Glucksburg. | 0:18:33 | 0:18:36 | |
Everybody's talking 'bout pop music. | 0:18:36 | 0:18:38 | |
So have you ever... Have you met them? Any of them? | 0:18:42 | 0:18:44 | |
You would think they'd invite me round for tea, | 0:18:44 | 0:18:47 | |
-but, no, never met them. -But there is... | 0:18:47 | 0:18:49 | |
-Have you, Michael? -Well, once or twice. | 0:18:49 | 0:18:52 | |
Here's a clip of Prince Charles at the Doctor Who studios in Cardiff, | 0:18:55 | 0:19:01 | |
so he must be all right. | 0:19:01 | 0:19:03 | |
DALEK: We are the masters of this planet. | 0:19:06 | 0:19:08 | |
EXTERMINATE! | 0:19:08 | 0:19:10 | |
Would you like to have a go? | 0:19:11 | 0:19:13 | |
-I don't think my voice will... -Give it a go. | 0:19:13 | 0:19:16 | |
-Do you make it...? -You have to do some serious hectoring. | 0:19:16 | 0:19:20 | |
-DALEK VOICE: -You have to! | 0:19:20 | 0:19:21 | |
-DALEK VOICE: -Exterminate! | 0:19:21 | 0:19:23 | |
Exterminate! Exterminate! | 0:19:23 | 0:19:26 | |
That's very good. | 0:19:26 | 0:19:28 | |
There's a bit later, which we couldn't show, | 0:19:28 | 0:19:30 | |
when he starts going, "Mum, abdicate! Mum, abdicate!" | 0:19:30 | 0:19:34 | |
So that is the end of the round | 0:19:40 | 0:19:42 | |
and I am not going to put the royal family in, | 0:19:42 | 0:19:46 | |
because I just love all that pomp and circumstance. | 0:19:46 | 0:19:50 | |
APPLAUSE | 0:19:50 | 0:19:52 | |
And I'm not going to put comedy socks, pants and ties in, | 0:19:52 | 0:19:55 | |
because I identify with the office joker and his wacky sense of humour. | 0:19:55 | 0:19:59 | |
I think that's marvellous. But you're right, clairvoyants, | 0:19:59 | 0:20:02 | |
although they are extremely entertaining, | 0:20:02 | 0:20:04 | |
they're also extremely exploitative, in many ways, | 0:20:04 | 0:20:07 | |
so I am going to put clairvoyants into Room 101. | 0:20:07 | 0:20:10 | |
Quite right. | 0:20:14 | 0:20:15 | |
Next category, please. | 0:20:22 | 0:20:23 | |
OK, it's the wildcard. So, the gloves are off. | 0:20:29 | 0:20:32 | |
You can choose anything at all that you don't like. | 0:20:32 | 0:20:34 | |
What is Caroline's wildcard? | 0:20:34 | 0:20:36 | |
Knick-knacks. | 0:20:42 | 0:20:43 | |
Ooh. | 0:20:44 | 0:20:46 | |
Yeah. Bibelots. Trinkets. Bits and bobs. | 0:20:46 | 0:20:51 | |
Basically, I've chosen the things that, as I'm getting older, | 0:20:51 | 0:20:56 | |
I find myself mysteriously drawn to. | 0:20:56 | 0:20:58 | |
I would not have given house room to a stone with two googly eyes | 0:21:00 | 0:21:03 | |
and a tail when I was 45, but the minute I turned 50, | 0:21:03 | 0:21:07 | |
I can't walk through a gift shop without touching cushions | 0:21:07 | 0:21:11 | |
with tapestry kittens on, | 0:21:11 | 0:21:12 | |
or bookmarks with "Darling, sister, how I love thee," on them. | 0:21:12 | 0:21:18 | |
It's something I think that happens to you when you hit the menopause, | 0:21:18 | 0:21:21 | |
and it's a biological response to crap. | 0:21:21 | 0:21:24 | |
-And whereas, before, you were perfectly rational... -Mm-hmm. | 0:21:25 | 0:21:28 | |
..when you hit the menopause, your temperature goes way up, | 0:21:28 | 0:21:31 | |
and you start buying fudge and notepads. | 0:21:31 | 0:21:34 | |
It's like you can't... | 0:21:37 | 0:21:39 | |
So why don't you put the menopause, then, into Room 101? | 0:21:39 | 0:21:43 | |
LAUGHTER | 0:21:43 | 0:21:44 | |
Because... | 0:21:44 | 0:21:46 | |
APPLAUSE | 0:21:46 | 0:21:48 | |
..the menopause is the result of having been fertile | 0:21:48 | 0:21:52 | |
and without fertility, you wouldn't be here. | 0:21:52 | 0:21:55 | |
Mum! | 0:21:55 | 0:21:57 | |
LAUGHTER AND APPLAUSE | 0:21:57 | 0:22:00 | |
You've got tat all behind you, you see. You've got all that stuff. | 0:22:03 | 0:22:05 | |
-Yeah. -I love it. I love a bit of clutter. | 0:22:05 | 0:22:07 | |
-You've got a Toby jug there. -This is absolute... | 0:22:07 | 0:22:10 | |
This is not for comedy purposes. I took a photo of this. I own this. | 0:22:10 | 0:22:13 | |
This is a vacuum cleaner cover that I bought. | 0:22:13 | 0:22:17 | |
It's a country mouse vacuum cleaner cover. | 0:22:22 | 0:22:26 | |
It's really quite grotesque. | 0:22:26 | 0:22:27 | |
It's a little bit frightening at night. | 0:22:27 | 0:22:30 | |
Where do you hold it? | 0:22:32 | 0:22:34 | |
You have to take it off the Hoover. You don't hoover with it. | 0:22:34 | 0:22:39 | |
I don't want people to come round | 0:22:39 | 0:22:40 | |
and think I'm dancing with a woodland creature. | 0:22:40 | 0:22:42 | |
The thing when I was a kid, everyone used to have those things, | 0:22:44 | 0:22:47 | |
-including us, a gift from Weymouth... -Yeah. | 0:22:47 | 0:22:51 | |
..and stuff. And I think people brought those back to prove | 0:22:51 | 0:22:53 | |
they hadn't really served a short custodial sentence. | 0:22:53 | 0:22:57 | |
It was like, "We really did go to Weymouth." | 0:22:59 | 0:23:02 | |
Let's see what Henning's wildcard is. | 0:23:02 | 0:23:06 | |
What I definitely want to outlaw is people singing Happy Birthday | 0:23:09 | 0:23:13 | |
in a restaurant. | 0:23:13 | 0:23:15 | |
APPLAUSE | 0:23:15 | 0:23:17 | |
I like singing in any context. | 0:23:20 | 0:23:23 | |
It's nice that people... A bit of community singing. | 0:23:23 | 0:23:25 | |
-But it's not, really. -There's something lovely about community singing. | 0:23:25 | 0:23:28 | |
Not really, because it's not a community feeling, is it? | 0:23:28 | 0:23:31 | |
Because it's, essentially, you separate yourself | 0:23:31 | 0:23:33 | |
from the rest of the restaurant. | 0:23:33 | 0:23:35 | |
So, like, there is a pizza place round where I live | 0:23:35 | 0:23:38 | |
and they do very good pizzas, | 0:23:38 | 0:23:40 | |
but you have to have eaten there by a quarter past six. | 0:23:40 | 0:23:42 | |
If you're not out of there by quarter past six, | 0:23:42 | 0:23:44 | |
it all starts to kick off. | 0:23:44 | 0:23:46 | |
Every half hour, on the Tannoy, they go, | 0:23:46 | 0:23:49 | |
# Da, da-da da, da, da. # | 0:23:49 | 0:23:51 | |
Then somebody bringing out a cake with some candles in, | 0:23:51 | 0:23:54 | |
then everybody's joining in. You don't even know them! | 0:23:54 | 0:23:58 | |
And then, if you really want to get involved, | 0:23:58 | 0:24:00 | |
move over to their table and say, "Ooh, who's birthday is it, then? | 0:24:00 | 0:24:03 | |
"Where is my slice of cake?" | 0:24:03 | 0:24:05 | |
Most people, they can't even sing properly. | 0:24:07 | 0:24:10 | |
That is another annoying thing. | 0:24:10 | 0:24:12 | |
I mean, if I want to hear people sing out of tune, I go to church. | 0:24:12 | 0:24:15 | |
-Can I show you my favourite ever birthday cake? -Yes. | 0:24:17 | 0:24:21 | |
This was... What happened, I'll tell you the back story of this. | 0:24:21 | 0:24:24 | |
This woman phoned up the cake company and this is what she said. | 0:24:24 | 0:24:29 | |
She said she wanted "Best wishes, Suzanne", and then underneath that, | 0:24:29 | 0:24:33 | |
"We will miss you," and this is the cake that she got delivered. | 0:24:33 | 0:24:37 | |
OK, then. Let's see what Michael's wildcard is. | 0:24:47 | 0:24:51 | |
I feel terrible doing this, | 0:24:57 | 0:24:58 | |
but it's giving grown men stuffed animals and teddy bears as presents. | 0:24:58 | 0:25:04 | |
I've had one or two. | 0:25:06 | 0:25:09 | |
I've got enough now. | 0:25:09 | 0:25:11 | |
I don't need any more. And it's not just me. | 0:25:11 | 0:25:14 | |
People do it to a lot of...a lot of blokes. | 0:25:14 | 0:25:17 | |
They'll send, you know, as a gift. | 0:25:17 | 0:25:19 | |
And I suppose when you get them, you see the little... | 0:25:19 | 0:25:22 | |
Bags and bags. | 0:25:22 | 0:25:23 | |
-Actually... -Henning can't move for teddy bears, can you? | 0:25:26 | 0:25:30 | |
It's the thought that counts. | 0:25:30 | 0:25:31 | |
I do understand that, | 0:25:31 | 0:25:33 | |
but why would you buy a teddy or a panda, | 0:25:33 | 0:25:38 | |
and think that a grown man would relish that? | 0:25:38 | 0:25:42 | |
Well, you want to toughen up your image. | 0:25:42 | 0:25:45 | |
Do you know? You're quite right. You're quite right. | 0:25:46 | 0:25:49 | |
They don't chuck any of them at rappers. | 0:25:50 | 0:25:54 | |
-I think he's onto something. -Because it's a lovely thing... -Why do they send that to you? | 0:25:54 | 0:25:57 | |
I don't know, because they're sending me a hug, and this is... | 0:25:57 | 0:26:00 | |
I don't know, and I don't want to get into the psychoanalysis of it. | 0:26:00 | 0:26:04 | |
-No. -I just don't want any more, and I mean that in a loving way. | 0:26:04 | 0:26:08 | |
Yes, I'm sure. | 0:26:08 | 0:26:10 | |
I really do. | 0:26:12 | 0:26:13 | |
But honestly, why? | 0:26:13 | 0:26:17 | |
I don't need them. | 0:26:17 | 0:26:18 | |
Have you considered recycling, Michael? | 0:26:18 | 0:26:21 | |
I do. I give them away. | 0:26:22 | 0:26:24 | |
I've been sent probably about a couple of hundred | 0:26:24 | 0:26:27 | |
-over the years, I would say. -You have? -Yeah. | 0:26:27 | 0:26:30 | |
What do you do with them? | 0:26:30 | 0:26:31 | |
Well, I'll show you what I do with them. | 0:26:31 | 0:26:34 | |
And there's no reason why you shouldn't do this yourself. | 0:26:34 | 0:26:38 | |
I had them tailored. | 0:26:38 | 0:26:39 | |
LAUGHTER AND APPLAUSE | 0:26:40 | 0:26:45 | |
That is awesome. | 0:26:51 | 0:26:53 | |
Let me just get this, get the whole outfit. | 0:26:54 | 0:26:57 | |
You have to take... | 0:26:57 | 0:26:59 | |
You have to take the... | 0:26:59 | 0:27:01 | |
APPLAUSE | 0:27:01 | 0:27:04 | |
A friend said to me, "It looks like post-nuclear Britain," | 0:27:08 | 0:27:12 | |
and I have declared myself king. | 0:27:12 | 0:27:14 | |
-Yeah. -It's proper Pearly King, isn't it? | 0:27:17 | 0:27:20 | |
Yeah, it is. | 0:27:20 | 0:27:21 | |
It's what I call the Coat Of Many Koalas. | 0:27:21 | 0:27:25 | |
LAUGHTER AND GROANING | 0:27:25 | 0:27:28 | |
So, look, I love knick-knacks so much | 0:27:28 | 0:27:31 | |
and I also love people singing in public. | 0:27:31 | 0:27:33 | |
It's difficult. | 0:27:33 | 0:27:35 | |
Just because I think Michael is such a personal victim of this attack, | 0:27:35 | 0:27:39 | |
it's people, as you say, who send teddy bears to grown men. | 0:27:39 | 0:27:41 | |
It's inappropriately to a 50-year-old man. | 0:27:41 | 0:27:43 | |
So, on those grounds, I am going to put people who send teddy bears | 0:27:43 | 0:27:47 | |
to grown men into Room 101. | 0:27:47 | 0:27:50 | |
OK, and that brings us to the end of the show | 0:28:03 | 0:28:06 | |
and it's actually a draw. | 0:28:06 | 0:28:08 | |
Now, normally, in these circumstances, | 0:28:08 | 0:28:10 | |
we have a penalty shoot-out, but just to save time, | 0:28:10 | 0:28:13 | |
I'm just going to give it straight to Henning, so... | 0:28:13 | 0:28:15 | |
-..you're this week's winner. -Thank you very much. Thank you. | 0:28:17 | 0:28:21 | |
APPLAUSE | 0:28:21 | 0:28:24 | |
So, thanks very much, Henning Wehn, Michael Ball | 0:28:26 | 0:28:29 | |
and Caroline Quentin, and thank you, good night. | 0:28:29 | 0:28:32 |