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APPLAUSE | 0:00:26 | 0:00:29 | |
Hello, I'm Frank Skinner, and welcome to Room 101, | 0:00:31 | 0:00:35 | |
the show where three guests battle to despatch their pet hates | 0:00:35 | 0:00:38 | |
to the infamous vault. | 0:00:38 | 0:00:40 | |
Let's meet this week's guests. | 0:00:40 | 0:00:41 | |
Joining me tonight are comedian Lee Mack, Hairy Biker Dave Myers, | 0:00:41 | 0:00:45 | |
and TV legend Ruby Wax. | 0:00:45 | 0:00:47 | |
CHEERING AND APPLAUSE | 0:00:47 | 0:00:49 | |
Legend? | 0:00:49 | 0:00:50 | |
How come you get "legend"? | 0:00:50 | 0:00:52 | |
Let's have our first category. | 0:00:54 | 0:00:55 | |
Television. Watch out. OK. | 0:01:00 | 0:01:03 | |
What doesn't Lee like about television? | 0:01:03 | 0:01:06 | |
LAUGHTER | 0:01:09 | 0:01:11 | |
APPLAUSE | 0:01:11 | 0:01:13 | |
FAINT BOOING | 0:01:13 | 0:01:16 | |
Top Gear. | 0:01:16 | 0:01:17 | |
Let's put this to bed straightaway. | 0:01:17 | 0:01:19 | |
I'm speaking on behalf of everyone in the world | 0:01:19 | 0:01:21 | |
when I say cars are boring. | 0:01:21 | 0:01:23 | |
Full stop. | 0:01:23 | 0:01:25 | |
They're not interesting. | 0:01:25 | 0:01:26 | |
And even the producers, I think, of the show, | 0:01:26 | 0:01:29 | |
know that that's true, because what they talk about is never | 0:01:29 | 0:01:32 | |
the reality of cars, our world of cars. | 0:01:32 | 0:01:35 | |
It's that fake reality of things like, | 0:01:35 | 0:01:37 | |
"Today, we're going to talk about off-road vehicles." | 0:01:37 | 0:01:40 | |
Am I the only person in the world that's never driven off a road? | 0:01:40 | 0:01:44 | |
I have. I've gone off, but in a normal car. | 0:01:44 | 0:01:47 | |
-Yeah. -I see those women... those women, and I just swerve. | 0:01:47 | 0:01:52 | |
I'm not talking about your heavy drinking days, Ruby. I'm talking about... Yeah. It's the language. | 0:01:52 | 0:01:56 | |
The language doesn't have anything to do | 0:01:56 | 0:01:58 | |
with my experience of driving, you know. | 0:01:58 | 0:02:00 | |
You know, you'll hear them say things like, you know, | 0:02:00 | 0:02:02 | |
"If I talked about the new suspension on the Audi 6149, | 0:02:02 | 0:02:06 | |
"you'd say, 'But what about the torque?'" | 0:02:06 | 0:02:09 | |
No, I wouldn't. | 0:02:09 | 0:02:11 | |
I'd say, "Where's the cup-holder?" | 0:02:11 | 0:02:13 | |
because that's the only thing... | 0:02:13 | 0:02:14 | |
LAUGHTER | 0:02:14 | 0:02:16 | |
If it's on the right, good design. | 0:02:16 | 0:02:18 | |
If it's on the left, it's a bad design | 0:02:18 | 0:02:19 | |
cos I'm right-handed. That's it. Anything else... | 0:02:19 | 0:02:22 | |
I know nothing about cars at all. I drive a...a grey one. | 0:02:22 | 0:02:26 | |
What do you drive, then? | 0:02:28 | 0:02:30 | |
Well, as it happens, I drive a 1966 Triumph TR4A IRS, | 0:02:30 | 0:02:34 | |
but that's not the point. | 0:02:34 | 0:02:36 | |
LAUGHTER | 0:02:36 | 0:02:37 | |
The point is... But it's not the point, is it? | 0:02:37 | 0:02:39 | |
-Hold it. That's not true, is it? -It is, yeah. | 0:02:39 | 0:02:42 | |
But I'd like to point out, because I know nothing about cars, | 0:02:42 | 0:02:45 | |
but it's an old 1960s classic car, and I love the look of it. | 0:02:45 | 0:02:48 | |
-I can definitely appreciate... -Oh, God, he's going on now. | 0:02:48 | 0:02:51 | |
I appreciate the beauty of a car without seeing a programme about it. | 0:02:51 | 0:02:54 | |
Here's a thing. This is a picture of Jeremy Clarkson in a small car. | 0:02:54 | 0:02:58 | |
Now that...that's funny, isn't it? | 0:02:58 | 0:03:03 | |
I won't have a word said against this man. | 0:03:03 | 0:03:05 | |
Once I had him on a talk show, and my husband said, | 0:03:05 | 0:03:08 | |
"Whatever you do, don't ask him for a free car." | 0:03:08 | 0:03:11 | |
Before he actually hit the leather I said, | 0:03:11 | 0:03:14 | |
"Jeremy, can you fix me up with a free car?" | 0:03:14 | 0:03:16 | |
Anyway, he did, about ten years ago, and I've still been using his name. | 0:03:16 | 0:03:19 | |
He got you a free car? | 0:03:19 | 0:03:20 | |
He got me a deal. I can't say with who. | 0:03:20 | 0:03:23 | |
-No. -But I... So I have to say "Jaguar!" as much as I can. | 0:03:23 | 0:03:26 | |
LAUGHTER | 0:03:26 | 0:03:28 | |
But would you love it more if he did more classics? | 0:03:29 | 0:03:31 | |
I would, because classics look nice. | 0:03:31 | 0:03:33 | |
All modern cars look roughly the same, don't they, roughly? | 0:03:33 | 0:03:36 | |
Oh, no, not a Jaguar. | 0:03:36 | 0:03:38 | |
LAUGHTER | 0:03:38 | 0:03:40 | |
This is starting to look like a really bad episode of Top Gear. | 0:03:40 | 0:03:44 | |
I tell you what, if he gave her the glasses with that T-shirt, | 0:03:46 | 0:03:49 | |
it would be a really bad episode of "Where's Wally?" | 0:03:49 | 0:03:51 | |
LAUGHTER | 0:03:51 | 0:03:54 | |
APPLAUSE | 0:03:55 | 0:03:57 | |
So, what doesn't Dave like about TV? | 0:03:57 | 0:04:01 | |
Deal Or No Deal. | 0:04:07 | 0:04:10 | |
Oh, Frank. Deal Or No Deal. | 0:04:16 | 0:04:19 | |
It's wrong on so many levels. | 0:04:19 | 0:04:22 | |
Starting with its core value, you know, | 0:04:23 | 0:04:26 | |
it's the product of cosmic ordering, apparently, by Noel Edmonds. | 0:04:26 | 0:04:30 | |
Apparently, he gets followed by two orbs. | 0:04:30 | 0:04:33 | |
One is the size of a cantaloupe melon, and it's his mother. | 0:04:33 | 0:04:36 | |
-Two orbs? -Yeah, yeah. Spiritual orbs. | 0:04:36 | 0:04:38 | |
The other one's like a watermelon and it's his father, | 0:04:38 | 0:04:41 | |
-and they give him positivity and... -Is this true? -Yes. | 0:04:41 | 0:04:44 | |
-Well, hold on. Not true. -No. I'll rephrase it. | 0:04:44 | 0:04:48 | |
Is it true that Noel said this? | 0:04:48 | 0:04:49 | |
Oh, yes. He's written a book on it. | 0:04:49 | 0:04:51 | |
And what it has resulted in is, like, a game show | 0:04:51 | 0:04:54 | |
that's completely and utterly pointless and devoid of skill. | 0:04:54 | 0:04:58 | |
You know what I mean? | 0:04:58 | 0:04:59 | |
Like, you watch Countdown, that's clever, but Deal Or No Deal, | 0:04:59 | 0:05:03 | |
you get somebody sweating buckets going...you know, | 0:05:03 | 0:05:06 | |
there's some poor soul there who needs a new wheelchair, | 0:05:06 | 0:05:09 | |
and they're praying for what's in that box | 0:05:09 | 0:05:11 | |
to make their dreams come true. | 0:05:11 | 0:05:12 | |
And he's going, "I'll do my best for you." | 0:05:12 | 0:05:15 | |
All you've got to do is open a box, haven't you? | 0:05:16 | 0:05:18 | |
LAUGHTER | 0:05:18 | 0:05:20 | |
You know, then they have specials, don't they? | 0:05:23 | 0:05:26 | |
They've never got the production values. | 0:05:26 | 0:05:27 | |
They did like a music festival one with a Portaloo, | 0:05:27 | 0:05:30 | |
and they made somebody sit in the Portaloo. | 0:05:30 | 0:05:32 | |
I just don't like it, Frank. | 0:05:32 | 0:05:34 | |
LAUGHTER AND APPLAUSE | 0:05:34 | 0:05:37 | |
PHONE RINGS | 0:05:42 | 0:05:44 | |
LAUGHTER | 0:05:44 | 0:05:46 | |
Yeah, he is, isn't he? Yes. OK. | 0:05:46 | 0:05:50 | |
He'll give you £10,000 to get off the show. | 0:05:50 | 0:05:53 | |
I'm off. | 0:05:55 | 0:05:56 | |
They could spice it up a bit. | 0:05:57 | 0:05:59 | |
If they had one box every... | 0:05:59 | 0:06:01 | |
every show had a box that was completely crammed with wasps. | 0:06:01 | 0:06:06 | |
LAUGHTER | 0:06:06 | 0:06:08 | |
"Argh, it's the wasp box!" That would make it more exciting. | 0:06:08 | 0:06:12 | |
How many times have you seen this show? | 0:06:12 | 0:06:14 | |
I've seen it quite a bit because I got into it. | 0:06:14 | 0:06:16 | |
That's why I hate myself, Ruby. | 0:06:16 | 0:06:18 | |
-Yeah. You're addicted. -Well, I think I've broke it now, | 0:06:18 | 0:06:20 | |
cos I'm so disillusioned with myself. | 0:06:20 | 0:06:22 | |
I'm more a Countdown kind of person, really. | 0:06:22 | 0:06:25 | |
Dictionary Corner, the sums, Rachel Riley, it's fascinating. | 0:06:25 | 0:06:28 | |
I don't watch Countdown cos I'm a Catholic. | 0:06:30 | 0:06:33 | |
We can't use a conundrum. | 0:06:34 | 0:06:36 | |
But, Dave, you've done what I suppose is | 0:06:39 | 0:06:44 | |
a sort of a reality/game show, | 0:06:44 | 0:06:46 | |
but one that definitely requires a great deal of skill, like this. | 0:06:46 | 0:06:50 | |
Bring on the wall! | 0:06:50 | 0:06:52 | |
Knees up more, knees up more...! | 0:06:57 | 0:06:59 | |
Oh! | 0:06:59 | 0:07:01 | |
APPLAUSE | 0:07:01 | 0:07:04 | |
I've never done anything like that ever again. Never. | 0:07:04 | 0:07:06 | |
For how much money wouldn't you? | 0:07:06 | 0:07:08 | |
OK. | 0:07:10 | 0:07:11 | |
PHONE RINGS | 0:07:11 | 0:07:13 | |
LAUGHTER | 0:07:13 | 0:07:14 | |
12 grand? | 0:07:17 | 0:07:18 | |
Yeah, I'm in. | 0:07:18 | 0:07:20 | |
OK. What television show winds up Ruby? | 0:07:22 | 0:07:26 | |
This is good. | 0:07:29 | 0:07:30 | |
Oh, very good. | 0:07:33 | 0:07:35 | |
What is it, Ruby? | 0:07:35 | 0:07:36 | |
I did a show called Celebrity Shark Bait. | 0:07:36 | 0:07:39 | |
LAUGHTER | 0:07:39 | 0:07:41 | |
Many of you have seen it, I'm sure. | 0:07:42 | 0:07:44 | |
But Richard E Grant and I did a double suicide, career-wise. | 0:07:44 | 0:07:48 | |
So we said, "Yeah, who's going to see it, right?" | 0:07:48 | 0:07:52 | |
And it's a free trip to Cape Town. | 0:07:52 | 0:07:54 | |
So we go, and there's a girl, I can't remember her name, | 0:07:54 | 0:07:57 | |
-but fabulous cleavage. -She's called Amy Nuttall. | 0:07:57 | 0:08:01 | |
-OK. Well, now I can't say anything. -We have a picture of Amy. | 0:08:01 | 0:08:03 | |
This will illustrate your, er, your point. | 0:08:03 | 0:08:05 | |
Oh, yeah, there she is. Not bitter at all. | 0:08:05 | 0:08:08 | |
-So Amy clearly had attributes that I don't have, OK. -Mmm. | 0:08:08 | 0:08:11 | |
So when we got to Cape Town, they never shot with Richard and I. | 0:08:11 | 0:08:15 | |
Every day they'd say, "Go away, old people." | 0:08:15 | 0:08:17 | |
Sorry to interrupt, but I must be getting really old, | 0:08:17 | 0:08:19 | |
cos I'm looking at her, and I really want some shortbread. | 0:08:19 | 0:08:22 | |
LAUGHTER | 0:08:22 | 0:08:25 | |
-That's a sign of age, that, isn't it? -Yeah. | 0:08:28 | 0:08:31 | |
OK. Enough now. Enough. | 0:08:31 | 0:08:33 | |
Can we get her off now? OK. | 0:08:33 | 0:08:35 | |
So the day came to swim with the sharks, | 0:08:35 | 0:08:38 | |
and the cleavage woman said she wouldn't go in, right? | 0:08:38 | 0:08:41 | |
After all her training, she wouldn't go in the water, | 0:08:41 | 0:08:44 | |
so they took the old people, and they put us in a wetsuit. | 0:08:44 | 0:08:47 | |
We hadn't been prepared, so "shark lady", it said, said, | 0:08:47 | 0:08:50 | |
"It's perfectly all right. | 0:08:50 | 0:08:52 | |
"We've never had an incident. | 0:08:52 | 0:08:53 | |
"It's completely safe," and she had three fingers. | 0:08:53 | 0:08:56 | |
LAUGHTER | 0:08:56 | 0:08:58 | |
Anyway, it was a horrifying thing to watch. | 0:08:58 | 0:09:01 | |
Well, we have a clip. | 0:09:01 | 0:09:02 | |
Oh, my God! Oh, my God, no! | 0:09:02 | 0:09:05 | |
This is Ruby in the cage. | 0:09:05 | 0:09:07 | |
Oh, my God. | 0:09:07 | 0:09:09 | |
'Can he stick his head in there?' | 0:09:09 | 0:09:11 | |
Ruby. Ruby, Ruby, can you hear me? | 0:09:11 | 0:09:14 | |
Ruby? | 0:09:17 | 0:09:18 | |
Oh, my God! | 0:09:20 | 0:09:21 | |
Oh, my God... | 0:09:21 | 0:09:23 | |
Oh, my God! | 0:09:23 | 0:09:26 | |
Oh, for God's sake! | 0:09:26 | 0:09:28 | |
It's huge! | 0:09:28 | 0:09:29 | |
Did you see how big that was? | 0:09:31 | 0:09:33 | |
How big was it? | 0:09:33 | 0:09:35 | |
-It's exhilarating. -That's the biggest high I've ever had... | 0:09:35 | 0:09:39 | |
-in my life. -Fantastic! | 0:09:39 | 0:09:41 | |
APPLAUSE | 0:09:42 | 0:09:44 | |
I don't... I think that might be the first time I've ever said, | 0:09:47 | 0:09:50 | |
"Oh, my God, it was so huge," and have a bad expression on... | 0:09:50 | 0:09:53 | |
But, Ruby, you say there | 0:09:53 | 0:09:55 | |
that it's the biggest high you've ever had in your life. | 0:09:55 | 0:09:58 | |
It sounds brilliant. | 0:09:58 | 0:09:59 | |
Well, after you get out, but while I was in there, I remember, | 0:09:59 | 0:10:03 | |
I went to the loo, and it came out of my collar. | 0:10:03 | 0:10:06 | |
SHOCKED LAUGHTER | 0:10:06 | 0:10:08 | |
I had a halo of gold around me. | 0:10:12 | 0:10:14 | |
Seriously. The shark was just disgusted. | 0:10:14 | 0:10:16 | |
LAUGHTER | 0:10:16 | 0:10:18 | |
Ruby also did Cirque de Celebrite. | 0:10:18 | 0:10:20 | |
-Do you have any... -Of course we have a clip! You were the ringmaster. | 0:10:20 | 0:10:24 | |
-Here is... It already looks to me like you're hating it. -Yeah. | 0:10:24 | 0:10:27 | |
And there's that other matter I promised you at the end of the show, | 0:10:27 | 0:10:31 | |
the Cirque de Celebrite human pyramid. | 0:10:31 | 0:10:34 | |
It's unwatchable. | 0:10:34 | 0:10:36 | |
Oh, I mean, unmissable. | 0:10:36 | 0:10:38 | |
LAUGHTER | 0:10:38 | 0:10:41 | |
OK. Well, look, you've all argued very well. | 0:10:46 | 0:10:48 | |
I just can't put Top Gear in because I've accidentally, | 0:10:48 | 0:10:51 | |
during the research for you hating it, have fallen in love with it. | 0:10:51 | 0:10:55 | |
Well, whatever. I'm easy-going. | 0:10:55 | 0:10:57 | |
Oh, no. Sorry. | 0:10:58 | 0:11:00 | |
LAUGHTER | 0:11:00 | 0:11:02 | |
And I think you're right. | 0:11:05 | 0:11:08 | |
There is just a total randomness about Deal Or No Deal, | 0:11:08 | 0:11:12 | |
but I've always been a great fan of gullibility | 0:11:12 | 0:11:15 | |
in all its manifestations, so I kind of like it for that. | 0:11:15 | 0:11:18 | |
But I think you argue with such fervour and personal pain... | 0:11:18 | 0:11:21 | |
-Yeah. -..that I am going to put Celebrity Shark Bait... | 0:11:21 | 0:11:26 | |
-Thank you. -..into Room 101. -Thank you. | 0:11:26 | 0:11:28 | |
APPLAUSE | 0:11:28 | 0:11:30 | |
OK. Next category, please. | 0:11:38 | 0:11:40 | |
It's modern life. So, what doesn't Dave like about modern life? | 0:11:45 | 0:11:50 | |
Chunky chips. | 0:11:55 | 0:11:57 | |
LAUGHTER | 0:11:57 | 0:11:59 | |
Chunky chips are so wrong. | 0:11:59 | 0:12:01 | |
You know, I cook for a living, but chunky chips, | 0:12:01 | 0:12:04 | |
I wouldn't cook them, I wouldn't eat them. | 0:12:04 | 0:12:07 | |
It just doesn't work. They're always raw in the middle. | 0:12:07 | 0:12:10 | |
They're kind of cooked wrong on the outside. | 0:12:10 | 0:12:12 | |
You see, when you deep-fry, what happens, Frankie... | 0:12:12 | 0:12:15 | |
RUBY PRETENDS TO SNORE | 0:12:15 | 0:12:17 | |
-If you get your temperatures right... -Yeah. | 0:12:19 | 0:12:21 | |
..like, the potato inside, the steam comes out, repels the fat, | 0:12:21 | 0:12:25 | |
hence crispness on the outside, softness on the inside. | 0:12:25 | 0:12:28 | |
But the thing is, with a chunky chip, it always remains | 0:12:28 | 0:12:31 | |
raw on the inside, it sucks the grease in, soggy on the outside. | 0:12:31 | 0:12:34 | |
I'm getting very turned on. | 0:12:34 | 0:12:36 | |
Academically, sexually, sensually, chunky chips don't work. | 0:12:38 | 0:12:42 | |
The thing is, if you want thick potatoes like that, you want | 0:12:42 | 0:12:44 | |
to have, kind of, roast potatoes, you know, with the goose fat. | 0:12:44 | 0:12:48 | |
You could always sprinkle polenta, or a little bit of... | 0:12:48 | 0:12:51 | |
Yes, all right, it's not a cookery show, Dave. | 0:12:51 | 0:12:53 | |
I just think they're horrible. | 0:12:53 | 0:12:55 | |
When it says on a menu, "Comes with chunky chips", | 0:12:55 | 0:12:57 | |
just forget it. They're just dreadful. | 0:12:57 | 0:13:00 | |
Then they come in this, like Yenga-like pile, | 0:13:00 | 0:13:02 | |
so when you get them, | 0:13:02 | 0:13:03 | |
they're flaccid, they're soft and they're cold. | 0:13:03 | 0:13:05 | |
I mean, they're like a yeti's member in a stack. | 0:13:05 | 0:13:08 | |
LAUGHTER | 0:13:08 | 0:13:10 | |
Blimey. I can see why you didn't make it as a maitre d'. | 0:13:14 | 0:13:17 | |
LAUGHTER | 0:13:17 | 0:13:19 | |
No, but...there's something offensive about the way | 0:13:20 | 0:13:24 | |
that they stack them like that, | 0:13:24 | 0:13:26 | |
like a game of Yenga, that's somehow so pretentious. | 0:13:26 | 0:13:29 | |
Well, not as pretentious as saying "Yenga". | 0:13:29 | 0:13:31 | |
Jenga! Jenga! | 0:13:33 | 0:13:34 | |
I like chunky chips, | 0:13:34 | 0:13:37 | |
and I've never noticed them being raw on the inside. | 0:13:37 | 0:13:39 | |
At least with a good French fry... I'm not talking skinny chips, | 0:13:39 | 0:13:43 | |
just a nice, regular cut chip, that's cut to that right | 0:13:43 | 0:13:45 | |
kind of diameter so the outside is crispy, preferably twice cooked... | 0:13:45 | 0:13:49 | |
Do you have a girlfriend? | 0:13:49 | 0:13:50 | |
LAUGHTER | 0:13:50 | 0:13:52 | |
Yeah, married and everything. | 0:13:52 | 0:13:53 | |
Have you not met her? She's called Yanet. | 0:13:53 | 0:13:55 | |
LAUGHTER | 0:13:55 | 0:13:56 | |
I'm with Frank on this. I love a chunky chip. | 0:14:00 | 0:14:02 | |
Yeah, but some people like Morris dancing, and that's wrong as well. | 0:14:02 | 0:14:05 | |
Do you know what? That is a fair argument. | 0:14:07 | 0:14:09 | |
To be fair, you could say that at the end of any argument | 0:14:09 | 0:14:12 | |
-and I'd go, "Yeah, fair enough." -No, not with me, you can't. | 0:14:12 | 0:14:14 | |
-I like Morris dancing. -Do you? -Yes. -And chunky chips? | 0:14:14 | 0:14:17 | |
-And chunky chips. -You're weird. | 0:14:17 | 0:14:19 | |
LAUGHTER | 0:14:19 | 0:14:20 | |
Do you like wedges? What about potato wedges? | 0:14:20 | 0:14:23 | |
-Well... -Isn't that when you pull your underwear up? | 0:14:23 | 0:14:26 | |
-With a potato? -I don't know where the potato comes in. | 0:14:26 | 0:14:28 | |
-No, it's not right. -I don't know anything about cooking, | 0:14:28 | 0:14:31 | |
but even I know, get a bit of duck fat on your finger, | 0:14:31 | 0:14:33 | |
rub it on your chunky chip, | 0:14:33 | 0:14:35 | |
and then you've got your chunky chip with a crispy outer. | 0:14:35 | 0:14:37 | |
Little tip for you. Use it if you like. | 0:14:37 | 0:14:40 | |
No. You've got a piece of potato covered in grease. | 0:14:41 | 0:14:44 | |
Well, that's what a roast potato is. | 0:14:44 | 0:14:45 | |
-No. No, it's not. -I think... | 0:14:45 | 0:14:48 | |
LAUGHTER | 0:14:48 | 0:14:50 | |
You actually swivelled then. "Right, that's it! | 0:14:50 | 0:14:52 | |
"That's fighting talk!" | 0:14:52 | 0:14:54 | |
Well, I went to a restaurant. | 0:14:56 | 0:14:58 | |
It was a very, very old-fashioned restaurant indeed. | 0:14:58 | 0:15:02 | |
I ordered chunky chips and they served them like this. | 0:15:02 | 0:15:06 | |
LAUGHTER | 0:15:06 | 0:15:07 | |
OK, so what does Lee Mack not like about modern life? | 0:15:12 | 0:15:16 | |
It's David Blaine. | 0:15:25 | 0:15:26 | |
CHEERS OF APPROVAL | 0:15:26 | 0:15:28 | |
Now, in my day, magicians, like Paul Daniels, would go on telly, | 0:15:33 | 0:15:38 | |
and it was simple. The rules were simple. | 0:15:38 | 0:15:40 | |
You knew how you were watching it, as a viewer. | 0:15:40 | 0:15:42 | |
He'd stick Debbie in a cage, chuck a silk hankie over her. | 0:15:42 | 0:15:45 | |
Whoop, she's a leopard, end of story. | 0:15:45 | 0:15:47 | |
And then about 15 years ago, something changed with magic, | 0:15:47 | 0:15:51 | |
where they decided it was un-cool, | 0:15:51 | 0:15:53 | |
so they were going to make it grungy. And more frighteningly - | 0:15:53 | 0:15:56 | |
and this is the thing I don't like - and it's not just him, | 0:15:56 | 0:15:58 | |
he just represents this modern way of doing magic, | 0:15:58 | 0:16:00 | |
now they pretend it's real. | 0:16:00 | 0:16:03 | |
So, whereas Paul Daniels used to go, "Ta-da!" | 0:16:03 | 0:16:06 | |
Them lot, now, like him, he'll end the trick with... | 0:16:07 | 0:16:10 | |
Like it was actually draining to do the real magic. | 0:16:13 | 0:16:17 | |
Yeah, but you can't do 44 days in a glass box over Tower Bridge | 0:16:17 | 0:16:21 | |
and then go, "Ta-da!" | 0:16:21 | 0:16:22 | |
I think magic is partly about the audience. | 0:16:23 | 0:16:26 | |
And here's David Blaine, and the audience just makes this for me. | 0:16:26 | 0:16:30 | |
You might feel this. Hold your hand here. Watch. Here's my idea. | 0:16:30 | 0:16:35 | |
Just wave, see? | 0:16:35 | 0:16:38 | |
Did you feel anything? Now, watch, ready? | 0:16:38 | 0:16:41 | |
Cool. | 0:16:54 | 0:16:55 | |
LAUGHTER | 0:16:55 | 0:16:56 | |
But that is good, isn't it? | 0:16:58 | 0:16:59 | |
Well, it's all right. | 0:16:59 | 0:17:01 | |
I'd still rather see Debbie McGee turn into a leopard, | 0:17:01 | 0:17:04 | |
but I'm old school. | 0:17:04 | 0:17:05 | |
So, what doesn't Ruby like about modern life? | 0:17:05 | 0:17:09 | |
New Age books. | 0:17:13 | 0:17:15 | |
In the '60s, I guess, cos they didn't trust doctors anymore, | 0:17:15 | 0:17:18 | |
for some reason, or they just wanted to not pay so much, | 0:17:18 | 0:17:22 | |
is that they invented this, er, kind of love of the self, you know. | 0:17:22 | 0:17:26 | |
So, it would be like looking for the you in you, | 0:17:26 | 0:17:29 | |
or the awakening of the goddess within, | 0:17:29 | 0:17:32 | |
but spewing and becoming a woman and dropping your seed. | 0:17:32 | 0:17:35 | |
These were the types, and it had to do... | 0:17:35 | 0:17:37 | |
You'd always see these women who were goddesses | 0:17:37 | 0:17:40 | |
with the grey hair, no bra, | 0:17:40 | 0:17:42 | |
with, like, the Himalayas on the floor. | 0:17:42 | 0:17:45 | |
And then dancing, dancing to, like, the "ding-ding" music, | 0:17:45 | 0:17:48 | |
you know, dancing with the wolves, usually with that music from whales. | 0:17:48 | 0:17:52 | |
Whales, not the country. | 0:17:52 | 0:17:53 | |
They recorded whales, and that was the whole music for the new age. | 0:17:53 | 0:17:57 | |
-Let's look at some New Age books, shall we? -Oh, I love them. | 0:17:57 | 0:18:00 | |
There you go. I like this one. | 0:18:00 | 0:18:02 | |
Wherever You Go, There You Are. | 0:18:02 | 0:18:04 | |
It's a sort of very basic... | 0:18:04 | 0:18:06 | |
LAUGHTER | 0:18:06 | 0:18:07 | |
..very basic A to Z. | 0:18:07 | 0:18:09 | |
-That is great. -I actually like that guy. He was my professor. | 0:18:10 | 0:18:14 | |
LAUGHTER | 0:18:14 | 0:18:15 | |
Really? | 0:18:17 | 0:18:18 | |
Yeah. It's an unfortunate title, but he's the real thing. | 0:18:18 | 0:18:21 | |
OK. Or, um... | 0:18:21 | 0:18:22 | |
Anybody Can Be Cool... But Awesome Takes Practice. | 0:18:24 | 0:18:28 | |
LAUGHTER | 0:18:28 | 0:18:29 | |
What about this one? | 0:18:31 | 0:18:32 | |
How To Communicate With Animals. | 0:18:33 | 0:18:36 | |
What I like about this, the deer in the background is clearly | 0:18:36 | 0:18:39 | |
looking across and saying, "Hold on, isn't that Malcolm's antler?" | 0:18:39 | 0:18:42 | |
So, it's big business, Ruby. | 0:18:44 | 0:18:46 | |
It's huge business, yeah. Well, you've done it. | 0:18:46 | 0:18:48 | |
-No, but... -He's not done it, surely. | 0:18:48 | 0:18:50 | |
Yes, he's done it. You don't look like that for nothing. | 0:18:50 | 0:18:53 | |
LAUGHTER | 0:18:53 | 0:18:55 | |
No, but you do look like a warlock. | 0:18:56 | 0:18:57 | |
There used to be a woman in Barrow-in-Furness | 0:18:57 | 0:19:00 | |
that did rebirthing, and she did... | 0:19:00 | 0:19:02 | |
And she had, like, ventilator ducts and castor oil, | 0:19:02 | 0:19:06 | |
and the idea was you popped in one end, you had to work your way out, | 0:19:06 | 0:19:10 | |
and then you got out, | 0:19:10 | 0:19:11 | |
-and she slapped you and you were born again. -See? | 0:19:11 | 0:19:14 | |
How's your mum, Frank? Is she all right? | 0:19:14 | 0:19:17 | |
Anyway, I'm not going to put in the New Age stuff, | 0:19:20 | 0:19:22 | |
cos I think there might be something in it. I like chunky chips. | 0:19:22 | 0:19:25 | |
But you know what? I've got no time for David Blaine. | 0:19:25 | 0:19:28 | |
I am going to put him into Room 101. | 0:19:28 | 0:19:30 | |
CHEERING AND APPLAUSE | 0:19:30 | 0:19:32 | |
Right, let's have our next category. | 0:19:42 | 0:19:45 | |
It's the Wildcard round. In this round there are no restrictions. | 0:19:49 | 0:19:52 | |
You can just have anything at all you don't like. | 0:19:52 | 0:19:55 | |
So, what is Dave's Wildcard? | 0:19:55 | 0:19:57 | |
-Wigs. -Thank God. I thought it was Judy Finnigan. | 0:20:03 | 0:20:08 | |
I wouldn't have let you put her in. Wigs. Why? | 0:20:08 | 0:20:11 | |
All my life has been beset with wigs since I was a little boy. | 0:20:11 | 0:20:13 | |
When I was eight, I got stricken with alopecia totalis, you know, | 0:20:13 | 0:20:16 | |
so I had no hair, no eyebrows, no eyelashes, | 0:20:16 | 0:20:20 | |
and I got sent to the hospital, | 0:20:20 | 0:20:22 | |
and I was offered a National Health Service wig, | 0:20:22 | 0:20:25 | |
and this thing, honestly, was like a crash helmet, | 0:20:25 | 0:20:28 | |
and I couldn't wear it cos I had National Health glasses as well. | 0:20:28 | 0:20:31 | |
It was a sorry sight. I had alopecia till I was about 40. | 0:20:31 | 0:20:34 | |
Now, my first job, when I left art school, | 0:20:34 | 0:20:36 | |
I worked as a make-up artist... | 0:20:36 | 0:20:38 | |
-He was my make-up artist. -I was. | 0:20:38 | 0:20:40 | |
I did, I made you up on the Secret Policeman's Third Ball. | 0:20:40 | 0:20:43 | |
-Yeah. Yeah. -Wow. | 0:20:43 | 0:20:44 | |
We have a picture of you, um, from this period, | 0:20:44 | 0:20:47 | |
when you had the alopecia. | 0:20:47 | 0:20:48 | |
So was the beard a wig? | 0:20:48 | 0:20:51 | |
No, no. My beard, my pits, my... that was always fine. | 0:20:51 | 0:20:55 | |
-It was just my head. -It must have been awful, though, Dave, wasn't it? | 0:20:55 | 0:20:58 | |
Well, I was just used to it. I was just bald, you know. | 0:20:58 | 0:21:00 | |
I was the bald kid at school. | 0:21:00 | 0:21:02 | |
You know, they used to call me Uncle Fester | 0:21:02 | 0:21:04 | |
and make me put light bulbs in my mouth, but, you know, I coped. | 0:21:04 | 0:21:08 | |
I joined the BBC, and the personnel person at the time, | 0:21:08 | 0:21:11 | |
this was in 1980, wanted me to have a wig made | 0:21:11 | 0:21:15 | |
in case I offended the artists, | 0:21:15 | 0:21:16 | |
cos, obviously, I looked more like a mugger than a make-up man. | 0:21:16 | 0:21:19 | |
But they wanted me to have the wigs made and they were going to dock | 0:21:19 | 0:21:23 | |
the cost of the wigs out of my wages on a monthly basis. | 0:21:23 | 0:21:26 | |
So, anyway, I just shaved my head and said I'm bald | 0:21:26 | 0:21:29 | |
and you can't fire me for being bald. | 0:21:29 | 0:21:31 | |
I mean, one of the most sinister people I ever met was | 0:21:31 | 0:21:34 | |
a Russian hair merchant, and he came over with bags full of human hair, | 0:21:34 | 0:21:39 | |
like a really posh wig that's got the wispy bits at the front. | 0:21:39 | 0:21:42 | |
That's point hair, and that's made from children's hair, | 0:21:42 | 0:21:45 | |
from their first cut. | 0:21:45 | 0:21:46 | |
-Oh. -Oh. -Wigs are a sinister world. | 0:21:46 | 0:21:49 | |
That's the name of your autobiography, isn't it? | 0:21:49 | 0:21:52 | |
You know, the whole thing of artificial hair, it's all wrong. | 0:21:53 | 0:21:57 | |
If you're bald, just be bald. | 0:21:57 | 0:21:59 | |
I have to say, I have watched the Hairy Bikers on several occasions | 0:21:59 | 0:22:03 | |
and thought to myself, if you worked in a restaurant, | 0:22:03 | 0:22:06 | |
-wouldn't you have to wear a hairnet with that? -No. | 0:22:06 | 0:22:08 | |
-Yes, you would. -You'd have to wear a hat or something. -Or... | 0:22:08 | 0:22:11 | |
Dave, this is day one, restaurant school. You should know this. | 0:22:11 | 0:22:14 | |
You know you have to wash your hands after you've been to the toilet? | 0:22:14 | 0:22:17 | |
LAUGHTER | 0:22:17 | 0:22:18 | |
OK, what's Ruby's Wildcard? | 0:22:18 | 0:22:21 | |
My mother. | 0:22:25 | 0:22:26 | |
-AUDIENCE: -Aw... | 0:22:26 | 0:22:27 | |
As far as eccentrics, this was the A-lister of A-listers. | 0:22:27 | 0:22:31 | |
So, I'm grateful to her for some of my comedy. | 0:22:31 | 0:22:34 | |
We have a dog that she loved, Lumby, and this is not tasteful. | 0:22:34 | 0:22:39 | |
You know, when people came over, he would sort of grab their leg, | 0:22:39 | 0:22:43 | |
you know, and you'd smear him off, but my mother would go, | 0:22:43 | 0:22:46 | |
"Look, the lover boy. He's dancing, he's dancing!" | 0:22:46 | 0:22:49 | |
And then she'd go, in Polish, | 0:22:49 | 0:22:51 | |
she'd go, "Lumby, say 'Heil Hitler,'" | 0:22:51 | 0:22:53 | |
and he'd go like this. | 0:22:53 | 0:22:55 | |
NERVOUS LAUGHTER | 0:22:55 | 0:22:57 | |
Oh, no, this was... She was way out there. | 0:22:57 | 0:22:59 | |
To be fair, he was only following orders. | 0:22:59 | 0:23:02 | |
LAUGHTER | 0:23:02 | 0:23:03 | |
She'd get fixed on things, like I do now. | 0:23:07 | 0:23:10 | |
You know, it's like a Russian missile just homing in. | 0:23:10 | 0:23:13 | |
-Yeah. -So she, um, she came to England and she said, "Buy a broom." | 0:23:13 | 0:23:18 | |
But then she doesn't stop it, right? | 0:23:18 | 0:23:20 | |
So we'd to a restaurant, and she'd go, "A broom, | 0:23:20 | 0:23:22 | |
"and with the bristles, not this... with the bristles," and every night | 0:23:22 | 0:23:27 | |
she'd draw it in the tablecloth with a knife, "With the bristles." | 0:23:27 | 0:23:30 | |
It never stopped, so finally I took her to the airport. | 0:23:30 | 0:23:33 | |
She's still going, "Buy a broom." | 0:23:33 | 0:23:35 | |
You could see her through the window, and then sits down. | 0:23:35 | 0:23:38 | |
As soon as she gets home, a few days later, she goes, | 0:23:38 | 0:23:40 | |
"Did you get the broom?" | 0:23:40 | 0:23:41 | |
And then she says, "Oh, your Aunt Hamburger died". | 0:23:41 | 0:23:44 | |
And then she said, "Now, what about the broom?" | 0:23:44 | 0:23:46 | |
and I went, "Wait, what did you just say?" And she said, "Your aunt Hamburger died. The broom! | 0:23:46 | 0:23:51 | |
"Buy the broom!" And I said, "What did you say?" | 0:23:51 | 0:23:53 | |
She went, "OK, back the clock up 24 hours. She's not dead. | 0:23:53 | 0:23:57 | |
"Now, buy the broom." | 0:23:57 | 0:23:58 | |
LAUGHTER | 0:23:58 | 0:24:00 | |
That's genius. | 0:24:00 | 0:24:02 | |
-She was fantastic. -She sounds marvellous. -Yeah. | 0:24:05 | 0:24:08 | |
My mum used to say, | 0:24:08 | 0:24:09 | |
"Don't put hot tea bags in the bin or you'll set the bin on fire." | 0:24:09 | 0:24:13 | |
LAUGHTER | 0:24:13 | 0:24:14 | |
OK. So what's Lee's Wildcard? | 0:24:14 | 0:24:17 | |
It's children's parties. | 0:24:22 | 0:24:24 | |
-Hmm. -Controversial, you might think. | 0:24:25 | 0:24:27 | |
-Well, we'll soon find out. Why? -Hate children. Hate parties. Next. | 0:24:27 | 0:24:31 | |
LAUGHTER | 0:24:31 | 0:24:32 | |
When I was a kid, and tell me if it's just me, | 0:24:36 | 0:24:38 | |
but birthday parties were not every year, to start with. | 0:24:38 | 0:24:41 | |
We wouldn't have them every year. We'd have them every two or three years, and it was like you, | 0:24:41 | 0:24:46 | |
your brother, maybe a cousin, a couple of mates from school. | 0:24:46 | 0:24:49 | |
That was it, wasn't it? | 0:24:49 | 0:24:50 | |
-AUDIENCE MEMBER: -No. -No? Oh. | 0:24:50 | 0:24:53 | |
-No. I had big parties. -Yeah, me too. | 0:24:53 | 0:24:56 | |
But not the way they are now. | 0:24:56 | 0:24:57 | |
This is not just my kids. | 0:24:57 | 0:24:59 | |
Every kid in the class is having them. These are a weekly event. | 0:24:59 | 0:25:02 | |
Sometimes it's two! Two parties in a day. | 0:25:02 | 0:25:04 | |
He went to a party of 30. | 0:25:04 | 0:25:06 | |
Two hours later, he went to another party. That is 60 people. | 0:25:06 | 0:25:08 | |
Why has a seven-year-old child got a better social life than me? I'm 45. | 0:25:08 | 0:25:13 | |
Cakes. What happened to Victoria sponges and a couple of candles? | 0:25:13 | 0:25:17 | |
-Now it's like... -Fireworks. -Aladdin on a skateboard | 0:25:17 | 0:25:20 | |
with doves coming out. What happened to just normal little cakes | 0:25:20 | 0:25:24 | |
and a bit of pass the parcel. Now it's themes and it's... | 0:25:24 | 0:25:26 | |
I've got some pictures of cakes I think you'll enjoy. | 0:25:26 | 0:25:31 | |
This is a Mickey Mouse cake. | 0:25:31 | 0:25:32 | |
LAUGHTER | 0:25:34 | 0:25:37 | |
Or Liza Minnelli. | 0:25:37 | 0:25:39 | |
LAUGHTER | 0:25:40 | 0:25:42 | |
Here's one themed on road kill. | 0:25:43 | 0:25:46 | |
LAUGHTER | 0:25:47 | 0:25:50 | |
It looks like it's been skinned, though. A flayed hedgehog. | 0:25:51 | 0:25:55 | |
Here's a fabulous children's party. | 0:25:55 | 0:25:58 | |
This is... I'm not making this up. | 0:25:58 | 0:26:00 | |
This is a bouncy castle based on the Titanic. | 0:26:00 | 0:26:05 | |
LAUGHTER | 0:26:06 | 0:26:08 | |
-That's good. That's good. -That is genuine. -Yeah. That's fantastic. | 0:26:08 | 0:26:11 | |
-That is unbelievable. -But if you arrived at a party and it had that, | 0:26:11 | 0:26:14 | |
you'd know it was going to be a really good party. | 0:26:14 | 0:26:16 | |
Well, it depends if it's 1912. | 0:26:16 | 0:26:18 | |
LAUGHTER | 0:26:18 | 0:26:21 | |
Would it be morally wrong to not tell your children | 0:26:21 | 0:26:24 | |
about birthdays at all? | 0:26:24 | 0:26:26 | |
Well, that could work. We haven't told them about Easter or Christmas, | 0:26:27 | 0:26:30 | |
so I suppose we could extend it to birthdays. | 0:26:30 | 0:26:32 | |
I feel sorry for your kids. | 0:26:32 | 0:26:34 | |
-Why? -Because, you know, the spirit of birthday parties | 0:26:35 | 0:26:39 | |
-and throwing them a good bash... -Let me tell you what my kids get | 0:26:39 | 0:26:42 | |
that your kids will never get - big, fat chips. | 0:26:42 | 0:26:45 | |
LAUGHTER AND APPLAUSE | 0:26:45 | 0:26:47 | |
They're happy with that. That's all they want. | 0:26:50 | 0:26:52 | |
It's all they're getting. | 0:26:52 | 0:26:53 | |
They wouldn't eat them cos mine have got taste. | 0:26:53 | 0:26:56 | |
-AUDIENCE: -Oooh! | 0:26:56 | 0:26:57 | |
You can't choose your parents. | 0:26:58 | 0:27:01 | |
I tell you what, | 0:27:01 | 0:27:02 | |
the catering's good in my house when you have a party. | 0:27:02 | 0:27:05 | |
Yeah, but there's lots of hair in it. | 0:27:05 | 0:27:08 | |
I bet you have to unblock your shower more than me. | 0:27:09 | 0:27:12 | |
At least I've got one. | 0:27:12 | 0:27:14 | |
This is a proper northern battle of wits. | 0:27:15 | 0:27:17 | |
"Chunky chips? At least I've got a shower." | 0:27:17 | 0:27:20 | |
LAUGHTER | 0:27:20 | 0:27:22 | |
So, I can't put your mother in, Ruby. | 0:27:23 | 0:27:27 | |
-She sounds lovely... -No, she is lovely. | 0:27:27 | 0:27:29 | |
..in a slightly mad kind of way. | 0:27:29 | 0:27:30 | |
And, um, children's parties, they're an expensive business, | 0:27:30 | 0:27:33 | |
but I don't think there's any getting round it, really. | 0:27:33 | 0:27:36 | |
They must celebrate. | 0:27:36 | 0:27:37 | |
But I find my little one is fascinating. | 0:27:37 | 0:27:39 | |
Other people's kids, not so fascinating. | 0:27:39 | 0:27:42 | |
It's like haemorrhoids. | 0:27:42 | 0:27:43 | |
LAUGHTER | 0:27:43 | 0:27:45 | |
But, wigs, I don't understand it. | 0:27:45 | 0:27:48 | |
They're all right for fun, but people who suddenly turn up in a wig | 0:27:48 | 0:27:51 | |
when you know they're bald underneath, it doesn't make any sense. | 0:27:51 | 0:27:54 | |
So I am going to put wigs into Room 101. | 0:27:54 | 0:27:57 | |
CHEERING AND APPLAUSE | 0:27:57 | 0:27:58 | |
OK, that brings us to the end of the show, and Dave, | 0:28:09 | 0:28:13 | |
you were the most persuasive guest, so you are this week's winner. | 0:28:13 | 0:28:16 | |
APPLAUSE | 0:28:19 | 0:28:21 | |
Thanks very much, Lee Mack, Dave Myers and Ruby Wax, | 0:28:24 | 0:28:28 | |
and thank you, good night. | 0:28:28 | 0:28:30 |