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CHEERING AND APPLAUSE | 0:00:27 | 0:00:30 | |
Hello, I'm Frank Skinner and welcome to Room 101, | 0:00:33 | 0:00:37 | |
the show where three guests compete | 0:00:37 | 0:00:39 | |
to get their pet hates exiled forever | 0:00:39 | 0:00:42 | |
to the dark vault that is Room 101. | 0:00:42 | 0:00:44 | |
Our guests' choices have been sorted into categories | 0:00:44 | 0:00:47 | |
and in each round only one item can be chosen. | 0:00:47 | 0:00:50 | |
The final decision is mine. | 0:00:50 | 0:00:52 | |
So let's meet this week's guests. | 0:00:52 | 0:00:54 | |
Joining me tonight are comedian Josh Widdicombe, DJ Sara Cox | 0:00:54 | 0:00:57 | |
and singer turned broadcaster Aled Jones. | 0:00:57 | 0:00:59 | |
CHEERING AND APPLAUSE | 0:00:59 | 0:01:03 | |
Right, then. Well, let's have our first category. | 0:01:07 | 0:01:09 | |
It's the wild card. | 0:01:13 | 0:01:15 | |
So in this round there are no restraints. | 0:01:15 | 0:01:17 | |
You can pick anything at all that winds you up. | 0:01:17 | 0:01:19 | |
So, what is Sara's wild card? | 0:01:19 | 0:01:22 | |
It's the eyelashes on car headlights. | 0:01:27 | 0:01:30 | |
-APPLAUSE -Thank you. | 0:01:30 | 0:01:34 | |
Thank you. | 0:01:34 | 0:01:35 | |
Thank you for your support during this very difficult time. | 0:01:36 | 0:01:40 | |
So, I think that humans have eyebrows and eyelashes | 0:01:40 | 0:01:44 | |
to possibly stop sweat going in their eyes. | 0:01:44 | 0:01:47 | |
So, what, you think you've got a sweaty car? | 0:01:47 | 0:01:49 | |
Or are you trying to accentuate the car's "eyes"? | 0:01:49 | 0:01:54 | |
Why have you got so much time on your hands | 0:01:54 | 0:01:57 | |
that you can be bothered to stick stupid eyelashes on your car? | 0:01:57 | 0:02:00 | |
Why do you want your car to look like Amy Childs? | 0:02:00 | 0:02:03 | |
I don't get it. | 0:02:03 | 0:02:04 | |
Well, actually, my car is customised | 0:02:04 | 0:02:06 | |
in a more middle-aged man kind of a way. | 0:02:06 | 0:02:09 | |
This is my car. | 0:02:09 | 0:02:10 | |
LAUGHTER | 0:02:10 | 0:02:13 | |
It just looks like you've hit a badger. | 0:02:16 | 0:02:18 | |
Yeah, just trapped in the wheel arch. | 0:02:20 | 0:02:22 | |
I've been going up the kerb, trying to get it out. | 0:02:22 | 0:02:25 | |
Hate it when that happens. | 0:02:25 | 0:02:27 | |
I also think that maybe women drivers, you know, | 0:02:27 | 0:02:30 | |
still get a little bit of stick. Like, "Oh, women drivers." | 0:02:30 | 0:02:34 | |
And if you've put eyelashes on your car, | 0:02:34 | 0:02:36 | |
you're not really helping your cause to get respect on the road. | 0:02:36 | 0:02:39 | |
Let's have a look. In case any of you think, | 0:02:39 | 0:02:42 | |
"I've never seen eyelashes on a car," | 0:02:42 | 0:02:44 | |
this is an advert for eyelashes on cars. | 0:02:44 | 0:02:48 | |
'Has your car ever winked at you? | 0:02:48 | 0:02:50 | |
'Carlashes - the latest automotive accessory for women. | 0:02:50 | 0:02:53 | |
'Flexible plastic lashes you attach above your headlights. | 0:02:53 | 0:02:56 | |
'With Carlashes on your car, | 0:02:56 | 0:02:59 | |
'expect smiles to follow you everywhere you go. | 0:02:59 | 0:03:02 | |
'Finish off your Carlashes with a dazzling second accessory - | 0:03:02 | 0:03:05 | |
'diamond crystal eyeliner, | 0:03:05 | 0:03:08 | |
'rows of twinkling diamond crystals | 0:03:08 | 0:03:10 | |
'that throw rainbows in the sun.' | 0:03:10 | 0:03:11 | |
APPLAUSE | 0:03:11 | 0:03:14 | |
-I feel that was the perfect campaign video... -Yeah! | 0:03:16 | 0:03:19 | |
..for me to get those into Room 101, | 0:03:19 | 0:03:21 | |
especially with the voiceover. | 0:03:21 | 0:03:22 | |
Well, I felt the audience here had been quite anti-eyelashes on cars. | 0:03:22 | 0:03:26 | |
When they saw the diamante eyeliner, | 0:03:26 | 0:03:29 | |
-a few people went, "Oh, hold on." -"Ooh, yeah." | 0:03:29 | 0:03:31 | |
I'd have thought the main problem of lashes on the car | 0:03:31 | 0:03:33 | |
is you have to keep one of these in the toolkit. | 0:03:33 | 0:03:36 | |
LAUGHTER | 0:03:36 | 0:03:38 | |
Oh, that is the best prop I've ever seen in my life. | 0:03:42 | 0:03:46 | |
Are you old enough to remember | 0:03:46 | 0:03:47 | |
when they used to have those sun strips on their cars, | 0:03:47 | 0:03:50 | |
-with the bloke's name and the girl's name? -Yeah, yeah. | 0:03:50 | 0:03:52 | |
Yeah. But what'd happen when you spilt up? | 0:03:52 | 0:03:54 | |
-Were you allowed to detach her name and put on a new name? -I think... | 0:03:54 | 0:03:57 | |
-You had to take it off... -You just wound it round, like that - | 0:03:57 | 0:03:59 | |
-like a bus. -Like a bus! | 0:03:59 | 0:04:01 | |
OK, then. Well, what is Josh's wild card? | 0:04:04 | 0:04:07 | |
Yeah, this is Lord Of The Rings. | 0:04:11 | 0:04:15 | |
BOOING AND HISSING | 0:04:15 | 0:04:17 | |
-SMATTERING OF APPLAUSE -Oh! | 0:04:17 | 0:04:20 | |
-I didn't realise it was such a controversial choice. -Well, | 0:04:20 | 0:04:23 | |
I think a lot of people have a great deal of love | 0:04:23 | 0:04:25 | |
-for Lord of the Rings. -Well, firstly, | 0:04:25 | 0:04:28 | |
it's not particularly realistic. | 0:04:28 | 0:04:30 | |
LAUGHTER | 0:04:30 | 0:04:33 | |
-Yeah. -If it's a book about Russia, I struggle to identify with it. | 0:04:33 | 0:04:36 | |
If it's a book about a fictional place | 0:04:36 | 0:04:39 | |
with people with furry feet and trees that live, | 0:04:39 | 0:04:44 | |
that...that's not going to happen! | 0:04:44 | 0:04:47 | |
And if you're going to do fantasy, | 0:04:47 | 0:04:49 | |
make the story more interesting than a man finding a ring. | 0:04:49 | 0:04:51 | |
I mean, that is barely an anecdote, at best. | 0:04:53 | 0:04:55 | |
This might be a deep-seated issue with Lord Of The Rings, | 0:04:56 | 0:04:59 | |
but I, against my better judgment, | 0:04:59 | 0:05:03 | |
three years ago auditioned | 0:05:03 | 0:05:06 | |
for the lead role in The Hobbit. | 0:05:06 | 0:05:08 | |
-Ah. -So that might be why... | 0:05:08 | 0:05:11 | |
-You didn't get it, did you? -No. Cheers, Aled(!) | 0:05:11 | 0:05:14 | |
I have to ask this. Were you on the short list? | 0:05:14 | 0:05:16 | |
LAUGHTER | 0:05:16 | 0:05:18 | |
So has this made you bitter, then? | 0:05:18 | 0:05:20 | |
No, I hated it beforehand, but now it's got personal. | 0:05:20 | 0:05:23 | |
Is there any part of you, Josh, and maybe I'm owning up a bit here, | 0:05:23 | 0:05:27 | |
that thinks there could be things like elves? | 0:05:27 | 0:05:30 | |
-No, Frank. -OK. | 0:05:30 | 0:05:33 | |
I still think if I walked in the countryside | 0:05:33 | 0:05:35 | |
at three o'clock in the morning on a summer's night | 0:05:35 | 0:05:37 | |
and there was a bit of dew on the grass, | 0:05:37 | 0:05:39 | |
I might see a tiny figure moving... | 0:05:39 | 0:05:41 | |
That sounds like the kind of excuse a Tory MP would make. | 0:05:41 | 0:05:44 | |
LAUGHTER | 0:05:44 | 0:05:46 | |
"I was looking for elves, Officer." | 0:05:48 | 0:05:50 | |
So, what is Aled's wild card? | 0:05:51 | 0:05:55 | |
I know you thought it would be The Snowman, | 0:06:02 | 0:06:04 | |
but it's actually fish bones. | 0:06:04 | 0:06:07 | |
APPLAUSE | 0:06:07 | 0:06:09 | |
You faff around, don't you? | 0:06:10 | 0:06:12 | |
You know, you get a fish and you think to yourself, | 0:06:12 | 0:06:14 | |
"Oh, God, here we go." | 0:06:14 | 0:06:16 | |
And you get a tiny bit of meat at the end of it, | 0:06:16 | 0:06:19 | |
and every mouthful is... | 0:06:19 | 0:06:21 | |
well, it could be death. | 0:06:21 | 0:06:23 | |
LAUGHTER | 0:06:23 | 0:06:25 | |
Yeah, it's hard work. I mean, I'll give... | 0:06:25 | 0:06:28 | |
-What's the point? -I will give you that. | 0:06:28 | 0:06:30 | |
Well, I think they're to hold the fish together. | 0:06:30 | 0:06:32 | |
How are you with anchovies? | 0:06:35 | 0:06:38 | |
Because of course, they have - anchovies, whitebait - | 0:06:38 | 0:06:40 | |
they have the bones but you just eat the lot. | 0:06:40 | 0:06:43 | |
-How are you with that? -No, I can't stand anchovies. -Really? | 0:06:43 | 0:06:45 | |
It's the worst food in the world. What's the point? | 0:06:45 | 0:06:47 | |
Just put more salt on it. | 0:06:47 | 0:06:49 | |
I like the fact that you don't have to... | 0:06:49 | 0:06:51 | |
-you just eat the whole thing. -Yeah. | 0:06:51 | 0:06:53 | |
It's like, you know in Jurassic Park | 0:06:53 | 0:06:55 | |
-when the Tyrannosaurus Rex eats that goat? -Yeah. | 0:06:55 | 0:06:59 | |
-It just crunches the whole thing up. -Yeah. | 0:06:59 | 0:07:01 | |
It's like that. | 0:07:01 | 0:07:02 | |
-If there was a dinosaur version of Room 101... -Yeah. | 0:07:02 | 0:07:06 | |
..would they be putting in goat's bones? | 0:07:06 | 0:07:08 | |
Yeah, exactly. | 0:07:08 | 0:07:10 | |
They'd be saying, | 0:07:10 | 0:07:11 | |
"Yeah, what's the point? And the horns!" | 0:07:11 | 0:07:13 | |
-"I just want a bit of goat." -Yeah. | 0:07:13 | 0:07:15 | |
"If I hadn't have eaten that horn, I'd still be around." | 0:07:15 | 0:07:17 | |
"As it is, we're completely extinct." | 0:07:19 | 0:07:22 | |
And also the T Rex'd be saying, | 0:07:23 | 0:07:24 | |
"I can't even reach the plate." | 0:07:24 | 0:07:26 | |
"I find that annoying." | 0:07:28 | 0:07:30 | |
LAUGHTER | 0:07:30 | 0:07:34 | |
OK. Well, I tell you what I think you need. | 0:07:34 | 0:07:37 | |
-What's that? -You need a Wunder Boner. | 0:07:37 | 0:07:39 | |
Oh. | 0:07:39 | 0:07:41 | |
LAUGHTER | 0:07:41 | 0:07:43 | |
'OK, who wants to clean and debone him?' | 0:07:43 | 0:07:47 | |
I'll do it! | 0:07:47 | 0:07:48 | |
What gives?! You want to do it?! | 0:07:48 | 0:07:50 | |
Just wait till you see what I've got. | 0:07:50 | 0:07:53 | |
It's the Wunder Boner. | 0:07:53 | 0:07:55 | |
-THEY LAUGH -The Wunder Boner?! | 0:07:55 | 0:07:58 | |
Oh, you laugh now. Just watch. | 0:07:58 | 0:08:01 | |
You just assemble the Wunder Boner's stainless steel rods, like this. | 0:08:01 | 0:08:04 | |
You take the fish, you find the top of the spine | 0:08:04 | 0:08:07 | |
and you slide him through the ring on the Wunder Boner. And...! | 0:08:07 | 0:08:11 | |
THE AUDIENCE GROANS | 0:08:11 | 0:08:13 | |
..voila! | 0:08:13 | 0:08:15 | |
The Wunder Boner! | 0:08:15 | 0:08:16 | |
My wife would like that! | 0:08:16 | 0:08:18 | |
LAUGHTER AND APPLAUSE | 0:08:18 | 0:08:21 | |
So we've come to the end of that round. | 0:08:27 | 0:08:29 | |
I don't feel I can put eyelashes on cars... | 0:08:29 | 0:08:34 | |
-Oh, come on, Frank. Please. -..because I think it is fun | 0:08:34 | 0:08:36 | |
and I think there's so much road rage and unpleasantness. | 0:08:36 | 0:08:40 | |
And I'm not going to put in Lord of the Rings... | 0:08:40 | 0:08:42 | |
-Oh, why not? -..because I love a bit of fantasy. | 0:08:42 | 0:08:44 | |
-Oh! -I love dragons and wizards and all that side of stuff. | 0:08:44 | 0:08:47 | |
-I am terribly sorry. -APPLAUSE | 0:08:47 | 0:08:50 | |
But I have to say, | 0:08:50 | 0:08:52 | |
if there's one thing that makes a meal into a chore, | 0:08:52 | 0:08:56 | |
it is the bones in fish. | 0:08:56 | 0:08:57 | |
So I am going to put the bones in fish into Room 101. | 0:08:57 | 0:09:00 | |
CHEERING AND APPLAUSE | 0:09:00 | 0:09:03 | |
Next category, please. | 0:09:14 | 0:09:15 | |
Nature! | 0:09:21 | 0:09:22 | |
OK then, what winds up Sara about nature? | 0:09:22 | 0:09:26 | |
-Dill. -LAUGHTER | 0:09:31 | 0:09:34 | |
Oh, I can smell it. It's disgusting. | 0:09:34 | 0:09:36 | |
It ruins everything that its filthy little green fronds finger. | 0:09:36 | 0:09:41 | |
And I just can't bear it. | 0:09:41 | 0:09:44 | |
And it just has ruined so many meals out when... | 0:09:44 | 0:09:47 | |
It's never listed on the menu. | 0:09:47 | 0:09:49 | |
Some chefs just casually chuck it into a dish | 0:09:49 | 0:09:52 | |
and I can just sense it. | 0:09:52 | 0:09:54 | |
I'm like, sort of, a specialised bloodhound | 0:09:54 | 0:09:58 | |
who's just really good at herbs. | 0:09:58 | 0:10:00 | |
If you were to go through the gates of hell, | 0:10:00 | 0:10:03 | |
in Beelzebub's herb garden would be dill, | 0:10:03 | 0:10:07 | |
and I detest it. | 0:10:07 | 0:10:09 | |
-And please put it in Room 101. -Wow! -Wow. | 0:10:09 | 0:10:11 | |
-I've got a friend who's like this about chives. -Mm. | 0:10:11 | 0:10:15 | |
And I've been to restaurants with her | 0:10:15 | 0:10:17 | |
and she'll say things like, "I'll have beans on toast, please. | 0:10:17 | 0:10:19 | |
"No chives." | 0:10:19 | 0:10:21 | |
LAUGHTER | 0:10:21 | 0:10:23 | |
I would say this, that I appreciate that you don't like it. | 0:10:23 | 0:10:27 | |
You've made that extremely clear. | 0:10:27 | 0:10:29 | |
I used to hate olives, really hate them. | 0:10:29 | 0:10:33 | |
But what I decided to do, | 0:10:33 | 0:10:34 | |
because I don't like the idea of a food that I can't eat, | 0:10:34 | 0:10:37 | |
is every 12 months or so, I'd have another crack at olives, | 0:10:37 | 0:10:41 | |
-to see if I liked them. -Mm. | 0:10:41 | 0:10:43 | |
And after about four or five years of that, | 0:10:43 | 0:10:45 | |
I tried them one year and thought, "Actually, they're all right." | 0:10:45 | 0:10:48 | |
And now I eat them all the time. | 0:10:48 | 0:10:50 | |
So I think it's worth going back and giving it a go. | 0:10:50 | 0:10:52 | |
I don't know how many more chances I'm going to give Robert Mugabe. | 0:10:52 | 0:10:55 | |
LAUGHTER | 0:10:55 | 0:10:58 | |
No, but I mean, anything that you don't like, | 0:10:58 | 0:11:00 | |
I think it's worth having another... | 0:11:00 | 0:11:01 | |
No, it's never going to be a relationship that will form, here. | 0:11:01 | 0:11:05 | |
It's...I'm sorry, it is you. | 0:11:05 | 0:11:07 | |
It's not me. You're horrible. | 0:11:07 | 0:11:09 | |
I'm talking to it now. I hate it. | 0:11:09 | 0:11:11 | |
And actually, can I move it away from me? | 0:11:11 | 0:11:13 | |
Yeah, course. Oh, no, away! | 0:11:13 | 0:11:16 | |
I'll have it over here for this bit. Thank you, Aled. | 0:11:16 | 0:11:18 | |
You would think that this may be an issue with a show | 0:11:18 | 0:11:21 | |
where people talk about the things they hate the most, | 0:11:21 | 0:11:23 | |
-that then you've decided to put them next to them. -Yes. | 0:11:23 | 0:11:26 | |
-Is this all right, like this? -It looks nice. -Yes. | 0:11:26 | 0:11:29 | |
I don't want people switching on and thinking, | 0:11:29 | 0:11:31 | |
"Oh, Frank Skinner's doing a double act with Paloma Faith." | 0:11:31 | 0:11:34 | |
LAUGHTER | 0:11:34 | 0:11:38 | |
OK, what doesn't Aled like about nature? | 0:11:38 | 0:11:41 | |
Hold it, hold it. You'll love this. | 0:11:46 | 0:11:48 | |
Oh, Jesus! | 0:11:48 | 0:11:49 | |
I mean, after the dill incident, | 0:11:55 | 0:11:57 | |
-that was very irresponsible indeed, wasn't it? -I know. | 0:11:57 | 0:12:00 | |
-This is deep-rooted, isn't it? Can you tell? -Yes. | 0:12:00 | 0:12:03 | |
It's a scorpion. | 0:12:03 | 0:12:05 | |
Basically, when I was singing as a kid, | 0:12:05 | 0:12:07 | |
I was in Israel and I was singing On The Little Road To Bethlehem, | 0:12:07 | 0:12:10 | |
singing The Little Road To Bethlehem, | 0:12:10 | 0:12:12 | |
and the director said, | 0:12:12 | 0:12:13 | |
"Sit on that rock and we'll film you." | 0:12:13 | 0:12:16 | |
And so I went to sit on the rock | 0:12:16 | 0:12:17 | |
and the Israeli floor manager said to me, | 0:12:17 | 0:12:19 | |
"Be careful where you sit, cos there's loads of scorpions here | 0:12:19 | 0:12:22 | |
"that'll kill you". | 0:12:22 | 0:12:24 | |
So, I'm 11, supposedly singing a nice little carol | 0:12:26 | 0:12:30 | |
about Jesus and the like, | 0:12:30 | 0:12:32 | |
thinking any minute I'm going to die. | 0:12:32 | 0:12:34 | |
So if you spool forward about four years, | 0:12:35 | 0:12:38 | |
my dad thought it was really funny | 0:12:38 | 0:12:40 | |
-to hold my hand above quite a few scorpions in a zoo. -Oh. | 0:12:40 | 0:12:44 | |
If social services are watching, | 0:12:44 | 0:12:47 | |
they live in Llandegla in North Wales, by the way. | 0:12:47 | 0:12:50 | |
-They'll never find that. -No. | 0:12:50 | 0:12:52 | |
LAUGHTER AND APPLAUSE | 0:12:52 | 0:12:54 | |
-So then you spool forward again... -Yeah. | 0:12:57 | 0:13:00 | |
..and I've got two kids. | 0:13:00 | 0:13:02 | |
And we were abroad and they were at an age | 0:13:02 | 0:13:04 | |
where they have plastic toys, you know, | 0:13:04 | 0:13:06 | |
little bugs and stuff like that. | 0:13:06 | 0:13:08 | |
And I went to pick up what I thought was a black rubber scorpion | 0:13:08 | 0:13:12 | |
-and that tail went up... -Oh! | 0:13:12 | 0:13:15 | |
..and honestly, it was one of the worst moments of my life. | 0:13:15 | 0:13:18 | |
It was worse than my voice breaking. | 0:13:18 | 0:13:20 | |
-LAUGHTER -Oh, no. | 0:13:20 | 0:13:22 | |
It was. What's the point of them? | 0:13:22 | 0:13:24 | |
You can't take them for a walk. | 0:13:24 | 0:13:26 | |
-Don't do it again. -I won't! | 0:13:27 | 0:13:29 | |
I can see it in your evil eyes. | 0:13:29 | 0:13:30 | |
-I thought you were going to do it. -No, no. | 0:13:30 | 0:13:32 | |
You can't cuddle them and they can kill you. | 0:13:32 | 0:13:36 | |
Yeah. | 0:13:36 | 0:13:37 | |
Well, yes, you argue that well enough. | 0:13:37 | 0:13:40 | |
In order to empathise with the scorpion, | 0:13:40 | 0:13:42 | |
-I bought one of these. -Oh, God. | 0:13:42 | 0:13:44 | |
Living your life like this must be pretty tough. | 0:13:52 | 0:13:55 | |
You just look like a weird squirrel. | 0:13:55 | 0:13:57 | |
But the thing is, when you put it on you realise this... | 0:13:59 | 0:14:01 | |
is that you sort of... it's constantly... | 0:14:01 | 0:14:04 | |
-You're almost stinging yourself, aren't you? -Yeah, exactly. | 0:14:04 | 0:14:06 | |
You must think, "What's that?" | 0:14:06 | 0:14:08 | |
"Ow!" | 0:14:08 | 0:14:09 | |
Or, "I'll just lie back, have a bit of a... Argh!" | 0:14:10 | 0:14:13 | |
-Life must be like that. -Good. | 0:14:13 | 0:14:15 | |
I'm going to take this off now cos it's driving me crazy. | 0:14:15 | 0:14:18 | |
-I don't know how they cope. -It's why they're in bad moods, isn't it? | 0:14:18 | 0:14:20 | |
-Because they've got that sting just hanging over. -Constantly there. | 0:14:20 | 0:14:23 | |
OK. What aspect of nature winds up Josh? | 0:14:23 | 0:14:27 | |
I'm quite scared now. | 0:14:30 | 0:14:31 | |
LAUGHTER | 0:14:31 | 0:14:35 | |
It's the only thing more controversial than Lord Of The Rings. | 0:14:35 | 0:14:39 | |
This is the home of nature and the great outdoors | 0:14:39 | 0:14:43 | |
-and it is Devon. -OK. | 0:14:43 | 0:14:45 | |
-Which is where I am from, so this is OK. -Right. | 0:14:45 | 0:14:49 | |
I think Devon's all right if you're not from Devon, | 0:14:49 | 0:14:52 | |
because you don't have to have spent your childhood in Devon. | 0:14:52 | 0:14:56 | |
To give you an idea of what it's like, | 0:14:56 | 0:14:58 | |
my parents have got dial-up internet. | 0:14:58 | 0:15:00 | |
LAUGHTER | 0:15:00 | 0:15:02 | |
-What even is that? -It's like the Third World, Frank. | 0:15:02 | 0:15:05 | |
Now, I don't want to come across as a city slicker here | 0:15:07 | 0:15:10 | |
but I can make a phone call | 0:15:10 | 0:15:12 | |
and go on the internet at the same time, in my house. | 0:15:12 | 0:15:14 | |
That's amazing. It's like James Bond. | 0:15:18 | 0:15:20 | |
And do you know how many children there were | 0:15:22 | 0:15:25 | |
in my year at primary school? | 0:15:25 | 0:15:26 | |
Four. | 0:15:26 | 0:15:27 | |
Two boys, two girls. | 0:15:29 | 0:15:30 | |
Four children in your year? | 0:15:30 | 0:15:32 | |
Yeah, including me. | 0:15:32 | 0:15:34 | |
You should have done so much better in life, shouldn't you? | 0:15:35 | 0:15:37 | |
You had, like, private schooling. | 0:15:40 | 0:15:42 | |
If someone had said to me when I was 11 | 0:15:42 | 0:15:45 | |
I'd get to meet Aled Jones | 0:15:45 | 0:15:46 | |
and he'd tell me my life wasn't going very well... | 0:15:46 | 0:15:48 | |
LAUGHTER | 0:15:48 | 0:15:51 | |
..I'd have snapped their hand off! | 0:15:51 | 0:15:53 | |
There's a kind of rivalry, as well, between Devon and Cornwall. | 0:15:54 | 0:15:59 | |
over little things. Where you go... | 0:15:59 | 0:16:01 | |
For instance, I don't know, | 0:16:01 | 0:16:03 | |
if you were to have a cream tea, Frank... | 0:16:03 | 0:16:05 | |
Oh, it just so happens! | 0:16:05 | 0:16:06 | |
Now, which one of those would you choose? | 0:16:07 | 0:16:11 | |
-Cos one is cream over jam... -Oh. -..and one is jam over cream. | 0:16:11 | 0:16:15 | |
-One is a Devon scone and one... -One is Devon, | 0:16:15 | 0:16:18 | |
and the other is completely disgusting and wrong. | 0:16:18 | 0:16:21 | |
-Yeah. -I like jam first and then cream on top. | 0:16:21 | 0:16:24 | |
-Correct decision, Sara Cox. -Oh, really? | 0:16:24 | 0:16:27 | |
-No, but that's Cornwall. -That's Cornwall. | 0:16:27 | 0:16:29 | |
No! Jam on below, cream on the top - that's Devon. | 0:16:29 | 0:16:31 | |
-No. Devon is... -No, that's Cornwall. -Devon is definitely the cream on... | 0:16:31 | 0:16:34 | |
LAUGHTER | 0:16:34 | 0:16:37 | |
So the Cornish are right. | 0:16:37 | 0:16:39 | |
I was...I was.... | 0:16:39 | 0:16:42 | |
-This place! -I'm confused. Shouldn't you know? | 0:16:42 | 0:16:44 | |
-To tell you how bad this place is, it's worse than Cornwall. -Yes. | 0:16:44 | 0:16:47 | |
This gives me the shudders, I'll tell you why. | 0:16:49 | 0:16:51 | |
Something happened to me. | 0:16:51 | 0:16:53 | |
I was at a cricket match, right, | 0:16:53 | 0:16:55 | |
and I was with the wife of quite a high-ranking cricket administrator. | 0:16:55 | 0:17:01 | |
I won't say who. | 0:17:01 | 0:17:03 | |
And she was a sort of... How can I put it? | 0:17:03 | 0:17:05 | |
She was a sort of full-figured woman | 0:17:05 | 0:17:08 | |
and they started bringing out the cream teas, and I said, | 0:17:08 | 0:17:11 | |
because she was the wife of a cricket administrator, | 0:17:11 | 0:17:16 | |
-I said, "I'll bet you've had a few cream teas in your time!" -Oh! | 0:17:16 | 0:17:19 | |
Oh! | 0:17:22 | 0:17:24 | |
Oh, dear. | 0:17:24 | 0:17:26 | |
I meant because her husband was a cricket administrator. | 0:17:26 | 0:17:31 | |
And I tried to explain that in a sort of a, you know... | 0:17:31 | 0:17:34 | |
People, when they're crying, they don't listen. | 0:17:34 | 0:17:36 | |
LAUGHTER | 0:17:36 | 0:17:39 | |
Aled, I hate to ask this of you, but you wouldn't be so good | 0:17:39 | 0:17:42 | |
as to put the dill back onto Sara's platform, would you? | 0:17:42 | 0:17:45 | |
-Yeah. Of course, Frank. -Thank you so much. | 0:17:45 | 0:17:47 | |
I know, you're too big to carry dill. | 0:17:47 | 0:17:49 | |
Oh, you looked like the worst bridesmaid ever then. No offence. | 0:17:49 | 0:17:53 | |
-With the dill. -Yeah. | 0:17:53 | 0:17:54 | |
"Oh, I wonder if I'll catch the dill." | 0:17:54 | 0:17:57 | |
OK. Well, look, for a start, I can't... | 0:18:01 | 0:18:04 | |
I just can't put Devon in. | 0:18:04 | 0:18:06 | |
I've been on a walking holiday and it was a beautiful experience. | 0:18:06 | 0:18:10 | |
And you've moved away now, | 0:18:10 | 0:18:12 | |
so you don't have to put up with it every day. | 0:18:12 | 0:18:15 | |
-Fair enough. -So, no Devon. | 0:18:15 | 0:18:18 | |
Now, this is an age-old choice between dill and scorpions. | 0:18:18 | 0:18:22 | |
Rarely do we get a guest | 0:18:25 | 0:18:26 | |
who has been so vociferous in their hatred of a choice, | 0:18:26 | 0:18:29 | |
-so I am going to put dill into Room 101. -Thank you! | 0:18:29 | 0:18:33 | |
APPLAUSE | 0:18:33 | 0:18:36 | |
Next category, please. | 0:18:45 | 0:18:46 | |
Ah, modern life. | 0:18:51 | 0:18:53 | |
So, what doesn't Aled like about modern life? | 0:18:53 | 0:18:56 | |
It's the Christmas round robin. | 0:19:00 | 0:19:02 | |
It's basically the Christmas card that you receive and you think, | 0:19:04 | 0:19:07 | |
"Oh, how nice of the Evans family to remember me this Christmas." | 0:19:07 | 0:19:10 | |
And you open it up | 0:19:10 | 0:19:11 | |
and inside there's a folded piece of A4 paper | 0:19:11 | 0:19:14 | |
and it tells you about how wonderful their year has been. | 0:19:14 | 0:19:17 | |
The fact that little Jimmy, you know, | 0:19:17 | 0:19:19 | |
passed his GCSEs at the age of six. | 0:19:19 | 0:19:22 | |
They've been on six holidays, built a mud hut in Malawi. | 0:19:22 | 0:19:26 | |
They've retired, they're going to go and live in the Himalayas somewhere. | 0:19:26 | 0:19:30 | |
And you think to yourself, "God, I've had a rubbish year, haven't I? | 0:19:30 | 0:19:34 | |
"Why isn't my family like their family?" | 0:19:34 | 0:19:36 | |
I've never got one of these, so I... | 0:19:36 | 0:19:38 | |
I'm going to send you one. | 0:19:38 | 0:19:40 | |
-I would love to get a round robin from the Jones family... -OK. | 0:19:40 | 0:19:43 | |
-telling me what you've done this year. -OK. -That'd be brilliant. -I'll play it down. | 0:19:43 | 0:19:47 | |
There's a book by Simon Hoggart, | 0:19:47 | 0:19:50 | |
which is a collection of round robin letters | 0:19:50 | 0:19:53 | |
and one is written from a dead dog. | 0:19:53 | 0:19:56 | |
It says, "It probably won't come as a huge surprise | 0:19:58 | 0:20:00 | |
"when I tell you that these greetings come to you | 0:20:00 | 0:20:03 | |
"from my new home in the happy hunting ground. | 0:20:03 | 0:20:06 | |
"Now my body lies four foot down, | 0:20:06 | 0:20:08 | |
"deep in the underworld, in one of my favourite places in the garden | 0:20:08 | 0:20:12 | |
"with Michaelmas daisies and lilies on top | 0:20:12 | 0:20:15 | |
"and a shark's fin headstone to speed my night sea crossing." | 0:20:15 | 0:20:20 | |
-Happy Christmas. -LAUGHTER | 0:20:20 | 0:20:24 | |
Here's another. | 0:20:24 | 0:20:26 | |
"Holidays this year included two weeks in Turkey | 0:20:26 | 0:20:28 | |
-"on the side of a small bay..." -Here we go. | 0:20:28 | 0:20:30 | |
"..voted one of the best views in the world. | 0:20:30 | 0:20:32 | |
"Our second holiday took us to the Red Sea Riviera, | 0:20:32 | 0:20:35 | |
"where we went to see the Pyramids. | 0:20:35 | 0:20:37 | |
"(Overrated.)" | 0:20:37 | 0:20:39 | |
Do you ever rank your Christmas cards? | 0:20:40 | 0:20:43 | |
What?! | 0:20:43 | 0:20:45 | |
I put people I like best at the front. | 0:20:45 | 0:20:47 | |
Yeah. | 0:20:47 | 0:20:49 | |
And then, like, I put them in the corner of the room | 0:20:49 | 0:20:52 | |
and then as I go back, it's people I like less. | 0:20:52 | 0:20:54 | |
They don't know this. | 0:20:54 | 0:20:56 | |
There are people I put behind the one from the local curry house. | 0:20:56 | 0:21:00 | |
LAUGHTER | 0:21:00 | 0:21:02 | |
The other thing I like is Christmas cards | 0:21:03 | 0:21:05 | |
where people have had the photos taken especially. | 0:21:05 | 0:21:08 | |
-Do you ever get any of them? -Yes. -Oh, yeah. -I hate them as well. | 0:21:08 | 0:21:10 | |
-Do you? -Yeah. Not keen. | 0:21:10 | 0:21:12 | |
We have some pictures of these personalised Christmas cards. | 0:21:12 | 0:21:15 | |
See what you think. This is the first one. | 0:21:15 | 0:21:18 | |
Is that a dead one in front of the boy? | 0:21:21 | 0:21:23 | |
I'm not going to lie to you, Frank, | 0:21:27 | 0:21:29 | |
I'm not sure that the boy's alive either. | 0:21:29 | 0:21:31 | |
So that's...you might say that was a bad decision. | 0:21:32 | 0:21:35 | |
Let me tell you, THIS is a bad decision. | 0:21:35 | 0:21:37 | |
Oh, no. | 0:21:39 | 0:21:42 | |
That shouts out Christmas though, doesn't it? | 0:21:42 | 0:21:45 | |
Is she wearing a coconut bra? | 0:21:45 | 0:21:47 | |
She is. | 0:21:47 | 0:21:48 | |
-That's not Christmassy. -That's not very festive. -Yeah. | 0:21:48 | 0:21:51 | |
Not that that was my issue with it! | 0:21:51 | 0:21:53 | |
She's got a Christmas hat. That's all right, isn't it? | 0:21:54 | 0:21:57 | |
-It should be like, I don't know, a couple of, like... -Holly? -Christmas pudding. -Chocolate orange. | 0:21:57 | 0:22:01 | |
Two chocolate oranges... | 0:22:01 | 0:22:03 | |
and a Toblerone. | 0:22:03 | 0:22:04 | |
LAUGHTER AND APPLAUSE | 0:22:04 | 0:22:07 | |
I'm going to send Sara one like this of me, | 0:22:08 | 0:22:10 | |
except it's going to be dill. | 0:22:10 | 0:22:12 | |
So, what doesn't Josh like about modern life? | 0:22:15 | 0:22:19 | |
Slogan T-shirts. | 0:22:24 | 0:22:25 | |
-Oh! -You'll see these people walking down the street, | 0:22:25 | 0:22:29 | |
-or you'll meet a friend... -Mm. | 0:22:29 | 0:22:31 | |
and they're wearing something that says, like, | 0:22:31 | 0:22:33 | |
"You've got Hotmale," mail spelt like you're a man. | 0:22:33 | 0:22:37 | |
-Mm. -Like, when you say something funny, you laugh. | 0:22:37 | 0:22:41 | |
You don't go, "That was really good, Frank. | 0:22:41 | 0:22:43 | |
"I'm going to get that made into a T-shirt." | 0:22:43 | 0:22:45 | |
That's my dream. | 0:22:45 | 0:22:46 | |
What about this one? | 0:22:49 | 0:22:50 | |
Oh! | 0:22:52 | 0:22:53 | |
I mean, don't hold that up, Frank, | 0:22:53 | 0:22:55 | |
you're a recovering alcoholic. | 0:22:55 | 0:22:57 | |
LAUGHTER | 0:22:57 | 0:23:00 | |
I daren't. I daren't wear this. | 0:23:00 | 0:23:01 | |
This is a funny one. | 0:23:03 | 0:23:05 | |
Oh! | 0:23:05 | 0:23:07 | |
I mean, that's dodgy. | 0:23:07 | 0:23:08 | |
What if you walked past a school? I mean... | 0:23:08 | 0:23:11 | |
Well, it doesn't say when. It's some time in the future. | 0:23:14 | 0:23:17 | |
I just think it's the, kind of, whole level of, "I'm a bit wacky." | 0:23:17 | 0:23:20 | |
It's a bit like wearing a funny tie or funny socks. | 0:23:20 | 0:23:23 | |
What about this one? | 0:23:23 | 0:23:25 | |
"Dill with it." | 0:23:26 | 0:23:27 | |
LAUGHTER | 0:23:27 | 0:23:30 | |
Do you know, this is a genuine... We haven't made this. | 0:23:30 | 0:23:32 | |
-This is a commercially available... -Really? -..T-shirt. | 0:23:32 | 0:23:35 | |
-It's kind of good. -"Dill with it." | 0:23:35 | 0:23:37 | |
Can you believe that someone sat around and thought, | 0:23:37 | 0:23:39 | |
"What's going to be a money-spinner? | 0:23:39 | 0:23:41 | |
"What about a confrontational T-shirt for dill lovers?" | 0:23:41 | 0:23:44 | |
I mean, I'm sort of anti-T-shirts, generally. | 0:23:46 | 0:23:51 | |
You're going to go skins? | 0:23:51 | 0:23:53 | |
No, I just don't... I never wear T-shirts. | 0:23:53 | 0:23:55 | |
I'm the wrong age. | 0:23:55 | 0:23:57 | |
Also, I've got a slightly... | 0:23:57 | 0:23:59 | |
You can't tell in this lovely cut jacket. | 0:23:59 | 0:24:00 | |
I've got a slightly round shoulder on this side, | 0:24:00 | 0:24:03 | |
so if I wear a slogan T-shirt, | 0:24:03 | 0:24:05 | |
the end of it is basically lost in a crumple. | 0:24:05 | 0:24:08 | |
I had to stop wearing my "I love Dick and Dom." | 0:24:10 | 0:24:13 | |
LAUGHTER | 0:24:13 | 0:24:15 | |
OK. So what doesn't Sara like about modern life? | 0:24:16 | 0:24:19 | |
-Wow. -Death metal. | 0:24:25 | 0:24:27 | |
Death metal? | 0:24:27 | 0:24:29 | |
Now, as a DJ, it's my job to respect all genres of music. | 0:24:29 | 0:24:33 | |
-Mm. -You know, be it jazz, funk fusion, drum and bass. | 0:24:33 | 0:24:38 | |
But the kind of music | 0:24:38 | 0:24:40 | |
that makes me want to pull out my eyes and stuff them in my ears | 0:24:40 | 0:24:44 | |
is death metal. | 0:24:44 | 0:24:45 | |
That sounds like a lyric from death metal. | 0:24:45 | 0:24:47 | |
It could well be. | 0:24:47 | 0:24:49 | |
I don't mind rock, | 0:24:49 | 0:24:50 | |
I don't mind guitar music, I don't mind indie music, | 0:24:50 | 0:24:52 | |
I have no problem with that. | 0:24:52 | 0:24:54 | |
It's just when people are screaming | 0:24:54 | 0:24:57 | |
-over really heavy, hard music. -OK. | 0:24:57 | 0:25:00 | |
In case there's anyone watching | 0:25:00 | 0:25:02 | |
who doesn't know what death metal sounds like, | 0:25:02 | 0:25:05 | |
it sounds like this. | 0:25:05 | 0:25:06 | |
SONG: "Bring Me The Horizon" by Shadow Moses | 0:25:06 | 0:25:09 | |
APPLAUSE | 0:25:25 | 0:25:28 | |
Well, I love it. | 0:25:35 | 0:25:38 | |
Hold on, where's my wallet? | 0:25:38 | 0:25:40 | |
It would sort them out on X Factor, wouldn't it? | 0:25:42 | 0:25:44 | |
Can you imagine? One week they do the love week | 0:25:44 | 0:25:46 | |
and then they do the death metal week. | 0:25:46 | 0:25:48 | |
It would be brilliant. | 0:25:48 | 0:25:49 | |
Well, if they did something like that, | 0:25:49 | 0:25:51 | |
you might get something like this happen. | 0:25:51 | 0:25:54 | |
My name is Aaralyn O'Neil and I am six years old. | 0:25:54 | 0:25:58 | |
RASPING: # Everyone, listen to me | 0:26:05 | 0:26:09 | |
INDISTINCT | 0:26:09 | 0:26:13 | |
# I'm gonna eat you up right now! | 0:26:13 | 0:26:17 | |
# A-a-a-a-a-rgh! | 0:26:20 | 0:26:23 | |
# I'm gonna eat you up right now! # | 0:26:23 | 0:26:27 | |
APPLAUSE | 0:26:27 | 0:26:30 | |
-That was quite good, actually. -That was brilliant. | 0:26:30 | 0:26:34 | |
I do love music, and I get that people love all types of music | 0:26:34 | 0:26:38 | |
-but it's just really not for me, that. -No. | 0:26:38 | 0:26:41 | |
And plus, I've got a nice show like Sounds Of The '80s on Radio Two, | 0:26:41 | 0:26:45 | |
so perhaps maybe my ears are adjusting. | 0:26:45 | 0:26:49 | |
Are you using this as a plug? | 0:26:49 | 0:26:51 | |
No. Well, it is BBC and it's great. 10:00pm, Saturday night. | 0:26:51 | 0:26:54 | |
Also, I have to say, I never, ever would play that sort of music | 0:26:54 | 0:26:57 | |
on Classic FM between 9:00 and 12:00 every Sunday. | 0:26:57 | 0:27:01 | |
Never. | 0:27:01 | 0:27:02 | |
OK. Well, look, we've come to the end of that round. | 0:27:03 | 0:27:06 | |
I am so intrigued | 0:27:06 | 0:27:09 | |
by the whole world of round robins, | 0:27:09 | 0:27:11 | |
and I hope to use this as a springboard | 0:27:11 | 0:27:13 | |
to encourage my friends to send me round robin letters. | 0:27:13 | 0:27:17 | |
And death metal, I know...you know, | 0:27:17 | 0:27:19 | |
it can be a shock to the system | 0:27:19 | 0:27:20 | |
and there is a certain sameyness about it | 0:27:20 | 0:27:23 | |
but I really respect the amount of devotion and commitment | 0:27:23 | 0:27:26 | |
that the people involved with it seem to have. | 0:27:26 | 0:27:28 | |
I know I'm sounding like an old man but I don't care. | 0:27:28 | 0:27:30 | |
I, however, and although it is a branch of comedy, | 0:27:30 | 0:27:33 | |
I do worry about slogan T-shirts. | 0:27:33 | 0:27:36 | |
I think maybe people should be witty and charming verbally | 0:27:36 | 0:27:40 | |
rather than through fibre. | 0:27:40 | 0:27:42 | |
So I'm going to put slogan T-shirts into Room 101. | 0:27:44 | 0:27:47 | |
CHEERING AND APPLAUSE | 0:27:47 | 0:27:50 | |
And that brings us to the end of the show. | 0:27:59 | 0:28:01 | |
And well done, Sara, | 0:28:01 | 0:28:03 | |
you were the most persuasive guest so you are this week's winner. | 0:28:03 | 0:28:05 | |
Excellent. Thank you. | 0:28:05 | 0:28:07 | |
CHEERING | 0:28:07 | 0:28:10 | |
-Well done. -Thank you. | 0:28:10 | 0:28:12 | |
Thanks very much, Josh Widdicombe, Sara Cox and Aled Jones, | 0:28:12 | 0:28:15 | |
and thank you. Good night. | 0:28:15 | 0:28:17 |