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CHEERING AND APPLAUSE | 0:00:26 | 0:00:30 | |
Hello, I'm Frank Skinner, and welcome to Room 101, | 0:00:30 | 0:00:35 | |
the show where three guests battle to get the things they hate | 0:00:35 | 0:00:38 | |
entombed for all eternity in the notorious vault. | 0:00:38 | 0:00:41 | |
They'll have to argue their case well, because in each round | 0:00:41 | 0:00:44 | |
only one item can be chosen - the final decision is mine. | 0:00:44 | 0:00:47 | |
Let's meet this week's guests. | 0:00:47 | 0:00:49 | |
Joining me tonight are Citizen Khan Adil Ray, | 0:00:49 | 0:00:52 | |
model citizen Katie Price, | 0:00:52 | 0:00:53 | |
and senior citizen Greg Davies. | 0:00:53 | 0:00:55 | |
APPLAUSE | 0:00:55 | 0:00:58 | |
So, time for another edition of the Great British Bellyache Off. | 0:01:05 | 0:01:09 | |
BELL DINGS OK, so what is Greg's choice? | 0:01:09 | 0:01:12 | |
Ah, that old chestnut. | 0:01:24 | 0:01:25 | |
I just think a dog... | 0:01:27 | 0:01:30 | |
A dog is of limited intelligence. | 0:01:30 | 0:01:32 | |
It's well-established. | 0:01:32 | 0:01:33 | |
There's an argument about whether they're sentient beings or not, | 0:01:33 | 0:01:36 | |
whether they have any awareness of self. | 0:01:36 | 0:01:38 | |
I can't be bothered to get into that argument. | 0:01:38 | 0:01:41 | |
They're dogs, OK? | 0:01:41 | 0:01:43 | |
There are people in my local park | 0:01:43 | 0:01:45 | |
who are having full conversations with their dogs. | 0:01:45 | 0:01:48 | |
They're going, "Oh, Coco, don't mess around in that bush", | 0:01:48 | 0:01:52 | |
and I think, "Coco doesn't know he's in a bush!" | 0:01:52 | 0:01:54 | |
Coco has no concept of what a bush is. | 0:01:56 | 0:01:59 | |
Coco is just trying to smell other dogs' wee, | 0:01:59 | 0:02:02 | |
and trying to find something to eat or have sex with. | 0:02:02 | 0:02:05 | |
There's a woman in my park who walks about five dogs, | 0:02:07 | 0:02:10 | |
and she's going, "Oh, Lulu, Lulu, don't play with Coco's stick. | 0:02:10 | 0:02:15 | |
"That's his stick". | 0:02:15 | 0:02:16 | |
Coco now has some concept of ownership? | 0:02:19 | 0:02:22 | |
It wasn't his stick anyway. I saw him. | 0:02:23 | 0:02:25 | |
He picked it up in the park! | 0:02:25 | 0:02:27 | |
And the same can be applied, while I'm on the subject, to toddlers. | 0:02:30 | 0:02:34 | |
-LAUGHTER AND APPLAUSE -I don't.... | 0:02:37 | 0:02:40 | |
I've heard mothers in West London talking to two-year-olds going, | 0:02:42 | 0:02:45 | |
"No, no, no, don't play with that bowl, | 0:02:45 | 0:02:47 | |
"because you're going to spill food on the floor | 0:02:47 | 0:02:49 | |
"and someone is going to have to come and clean that up," | 0:02:49 | 0:02:51 | |
-and the toddler is going... -GREG GIBBERS | 0:02:51 | 0:02:53 | |
..because all they've got a concept of | 0:02:53 | 0:02:55 | |
is something they can ram in their mouth. | 0:02:55 | 0:02:57 | |
They have no concept of the... | 0:02:57 | 0:03:00 | |
I'm genuinely furious. | 0:03:00 | 0:03:02 | |
One of the worst things is | 0:03:04 | 0:03:05 | |
when people want to say something to their partner, | 0:03:05 | 0:03:09 | |
-but they say it to the baby... -Yeah. -..instead. | 0:03:09 | 0:03:12 | |
So, they say things... "Daddy's a bit grumpy today. | 0:03:12 | 0:03:16 | |
"I think he might be having an affair". | 0:03:16 | 0:03:19 | |
I don't like that. | 0:03:20 | 0:03:22 | |
But at least that's got a purpose to it, Frank. | 0:03:22 | 0:03:25 | |
At least that's someone communicating | 0:03:25 | 0:03:27 | |
with an intelligent being via a non-intelligent being. | 0:03:27 | 0:03:30 | |
If I see a man in a park say to his dog - | 0:03:30 | 0:03:33 | |
which I have done in the last two weeks - | 0:03:33 | 0:03:35 | |
"Are you tired?" | 0:03:35 | 0:03:37 | |
To a dog, "Are you tired?" | 0:03:40 | 0:03:43 | |
"Are you tired?" is a hair's breadth away from saying to a dog, | 0:03:43 | 0:03:47 | |
"Will you make me an omelette?" | 0:03:47 | 0:03:49 | |
Because I live on a farm, we've got three dogs, | 0:03:51 | 0:03:53 | |
and I have to say, they are very intelligent, | 0:03:53 | 0:03:56 | |
because they herd the sheep in, they get the geese in, | 0:03:56 | 0:03:59 | |
and you could say to a dog, "Go and get this, go and get that", | 0:03:59 | 0:04:02 | |
-and they do get it. -Go and get what, though? | 0:04:02 | 0:04:04 | |
A Nando's or something? | 0:04:04 | 0:04:06 | |
But my dogs genuinely are intelligent. | 0:04:09 | 0:04:11 | |
Even if I go, "Kevin", like that, | 0:04:11 | 0:04:13 | |
he knows to get out the room and go... | 0:04:13 | 0:04:15 | |
Hold on. Hold on a minute. | 0:04:17 | 0:04:19 | |
So, one of them is called Kevin? | 0:04:20 | 0:04:23 | |
Yes. Kevin, Trevor and Vera. | 0:04:23 | 0:04:25 | |
I mean, just to be clear, these are definitely dogs? | 0:04:27 | 0:04:31 | |
Yeah. In a minute she's going to go, "Oh, no - that's my kids. Sorry". | 0:04:31 | 0:04:35 | |
You know, there are some people dye their dogs? | 0:04:35 | 0:04:38 | |
You see people who dye their poodles pink and stuff like this. | 0:04:38 | 0:04:41 | |
-Yeah. -What about this? | 0:04:41 | 0:04:43 | |
I mean, how would you explain that to the dog? | 0:04:47 | 0:04:49 | |
I mean, he's just grasped the fact that he's inside a bush. | 0:04:52 | 0:04:55 | |
My sister and I dressed our dog up in my dad's underpants once, | 0:04:56 | 0:05:00 | |
when we were kids. | 0:05:00 | 0:05:02 | |
He had massive white underpants, and we put them on the dog, | 0:05:02 | 0:05:05 | |
and then we were all laughing. | 0:05:05 | 0:05:06 | |
We called the rest of the family out and we were all laughing at the dog. | 0:05:06 | 0:05:09 | |
This sort of contradicts what I've been saying, really, | 0:05:09 | 0:05:12 | |
because the dog went outside, | 0:05:12 | 0:05:14 | |
and we were all in hysterics as he went out in the underpants, | 0:05:14 | 0:05:17 | |
and he turned back and looked at us and he just filled them full of wee. | 0:05:17 | 0:05:21 | |
I swear he looked at us afterwards and went, | 0:05:22 | 0:05:24 | |
"Yeah? Funny now, is it?" | 0:05:24 | 0:05:26 | |
Must remember that as an excuse. | 0:05:32 | 0:05:35 | |
Tell the cleaner I tried them on the dog. | 0:05:35 | 0:05:37 | |
God, I remember, we had a dog, and it died, which is a sad story, | 0:05:39 | 0:05:43 | |
and my mum and dad were really, really upset. | 0:05:43 | 0:05:46 | |
My dad phoned me at work about it, and he was really upset, | 0:05:46 | 0:05:50 | |
but he said to me, "We let him out last night to do his business | 0:05:50 | 0:05:53 | |
"and we heard this splashing sound." | 0:05:53 | 0:05:56 | |
I said, "Well, you would." | 0:05:56 | 0:05:58 | |
And he said, "No, no, he fell in the pond in the garden." | 0:05:58 | 0:06:01 | |
He said, "And I had to take him... | 0:06:01 | 0:06:03 | |
"I had to give him artificial respiration." | 0:06:03 | 0:06:06 | |
By now, I'm really struggling on the end of the phone. | 0:06:06 | 0:06:09 | |
-Yeah. -Like, I'm thinking this is getting more funny than tragic. | 0:06:09 | 0:06:13 | |
And then he said, "We found him this morning lying by the telephone." | 0:06:13 | 0:06:16 | |
And I said, "Do you think he was trying to phone an ambulance?" | 0:06:16 | 0:06:20 | |
Didn't go well. | 0:06:21 | 0:06:23 | |
And so, Katie's choice. | 0:06:24 | 0:06:26 | |
CHEERING | 0:06:30 | 0:06:32 | |
APPLAUSE | 0:06:32 | 0:06:35 | |
Parking does annoy me. | 0:06:36 | 0:06:38 | |
-Mmm. -For one, it's always hard to find a space, and now, | 0:06:38 | 0:06:41 | |
when you do find a space, say if you want to pop in somewhere | 0:06:41 | 0:06:45 | |
for literally two minutes, you know, you can't even pay money now. | 0:06:45 | 0:06:48 | |
You have to phone a number | 0:06:48 | 0:06:50 | |
and then put in the code for where you are, and you spend, like, | 0:06:50 | 0:06:52 | |
ten minutes, or whatever, doing that, then giving your credit card, | 0:06:52 | 0:06:55 | |
and then sometimes it's like, oh, it didn't work, | 0:06:55 | 0:06:57 | |
and it's all automated. | 0:06:57 | 0:06:59 | |
So, it's easier just to go in and get a parking ticket. | 0:06:59 | 0:07:02 | |
It's just like, why can't they just keep it old-fashioned, | 0:07:02 | 0:07:06 | |
where you put your money in, or make it a credit card machine? | 0:07:06 | 0:07:09 | |
APPLAUSE | 0:07:09 | 0:07:12 | |
And then some machines now, you have to put your registration in. | 0:07:12 | 0:07:15 | |
I don't know my registration off the top of my head. | 0:07:15 | 0:07:19 | |
So then, what do you do then? | 0:07:19 | 0:07:21 | |
Look at the car. | 0:07:21 | 0:07:22 | |
It's normally got it on the front and the back. | 0:07:22 | 0:07:25 | |
LAUGHTER AND APPLAUSE | 0:07:25 | 0:07:27 | |
And Dartford Tunnel. You can't just pay. | 0:07:29 | 0:07:31 | |
You now have to phone up before you go through that, | 0:07:32 | 0:07:35 | |
and if you don't, then you get a £75 fine. | 0:07:35 | 0:07:38 | |
Are you saying that you occasionally park in the Dartford Tunnel? | 0:07:38 | 0:07:41 | |
I have massive, massive problems with parking, I must say. | 0:07:44 | 0:07:47 | |
I'm not very good at it. | 0:07:47 | 0:07:50 | |
You know, people say to me, | 0:07:50 | 0:07:51 | |
"Oh, God, I forgot where I parked and I couldn't find the car". | 0:07:51 | 0:07:55 | |
For me, that doesn't happen. | 0:07:55 | 0:07:56 | |
I really know the place by the time I've parked. | 0:07:56 | 0:07:59 | |
I've made friends. | 0:08:00 | 0:08:02 | |
I've got those things. They just make me really anxious. | 0:08:03 | 0:08:06 | |
You know when you park in the car and you get that... | 0:08:06 | 0:08:08 | |
PARKING WARNING BEEPS | 0:08:08 | 0:08:11 | |
WARNING BEEPS URGENT | 0:08:12 | 0:08:15 | |
Oh, man! It is a nightmare. | 0:08:15 | 0:08:18 | |
I don't know why they couldn't make those... I've got those as well... | 0:08:21 | 0:08:24 | |
why they couldn't have made those bleeps a nice noise. | 0:08:24 | 0:08:26 | |
Why does it have to be that, "You're nearly there, you're nearly there"? | 0:08:26 | 0:08:30 | |
# La-la, la-la, la-la... # "Nearly there." | 0:08:30 | 0:08:33 | |
Why couldn't it be, "Little bit farther. Little bit... | 0:08:34 | 0:08:38 | |
-"I'd say, what, four inches?" Why couldn't it be...? -Yeah. | 0:08:38 | 0:08:42 | |
Well, let's look at some parking. I think that's always good. | 0:08:42 | 0:08:45 | |
This is a very clever way of not parking on double yellow lines. | 0:08:45 | 0:08:51 | |
I think you'd have a pretty good case, wouldn't you, with that one? | 0:08:57 | 0:09:00 | |
Also, this thing on supermarket car parks - | 0:09:00 | 0:09:03 | |
people will park in the disabled spot, | 0:09:03 | 0:09:06 | |
or they'll park in a child and adult slot. | 0:09:06 | 0:09:09 | |
It makes me really angry, | 0:09:09 | 0:09:11 | |
when there's a much more obvious solution. | 0:09:11 | 0:09:13 | |
What I wanted to talk about was you - | 0:09:17 | 0:09:20 | |
we've got a picture of you. | 0:09:20 | 0:09:22 | |
This is Katie, parked... | 0:09:22 | 0:09:23 | |
That is a good party bus. | 0:09:25 | 0:09:26 | |
Is that a horsebox? | 0:09:26 | 0:09:28 | |
Yeah, I've got two. That's the big one. | 0:09:28 | 0:09:30 | |
It's good for nights out when you're with your mates, | 0:09:30 | 0:09:33 | |
because you play all your music | 0:09:33 | 0:09:34 | |
and have a drink on the way to wherever you're going | 0:09:34 | 0:09:36 | |
and on the way back, it's got beds, so you could get in your pyjamas, | 0:09:36 | 0:09:39 | |
take your make-up off and sleep on the way home. | 0:09:39 | 0:09:41 | |
Do the horses not freak you out a bit? | 0:09:41 | 0:09:44 | |
LAUGHTER AND APPLAUSE | 0:09:44 | 0:09:47 | |
OK, so what's winding up Adil? | 0:09:48 | 0:09:51 | |
-Mine is be... Ooh! -CHEERING AND APPLAUSE | 0:09:54 | 0:09:59 | |
Um, beards. Yes. | 0:10:00 | 0:10:01 | |
And more importantly, actually, specifically, hipster beards. | 0:10:01 | 0:10:05 | |
-APPLAUSE -Yes, exactly. | 0:10:05 | 0:10:07 | |
You're talking about these trendy young men you see with the big beards. | 0:10:07 | 0:10:11 | |
But how can it be trendy, Frank, if everyone is doing it? | 0:10:11 | 0:10:13 | |
You go to parts of London, it's almost a requirement | 0:10:13 | 0:10:16 | |
to go to East London that you have to have a beard, | 0:10:16 | 0:10:18 | |
and I'm not talking about East London where all the Muslims are. | 0:10:18 | 0:10:21 | |
I'm talking about Shoreditch, you know? | 0:10:21 | 0:10:23 | |
I think there is also a requirement there to have a beard. | 0:10:23 | 0:10:25 | |
There is a requirement there! | 0:10:25 | 0:10:27 | |
I just don't see... You know, if it's supposed to be trendy, | 0:10:27 | 0:10:29 | |
how can it be trendy if everyone is doing it? | 0:10:29 | 0:10:32 | |
I just don't get it whatsoever. | 0:10:32 | 0:10:33 | |
And if it is about Muslims, | 0:10:33 | 0:10:35 | |
obviously, we've been cool for a number of years. | 0:10:35 | 0:10:37 | |
That's why we're front page all the time, I guess. | 0:10:37 | 0:10:40 | |
-Right! -Yeah. | 0:10:40 | 0:10:42 | |
In case there's anyone watching this, thinking, | 0:10:42 | 0:10:44 | |
"What on earth is he talking about? | 0:10:44 | 0:10:46 | |
"Do young men have beards?" They do. It's become incredibly fashionable. | 0:10:46 | 0:10:50 | |
Here's an example of the hipster beards. There you go. | 0:10:50 | 0:10:53 | |
The guy on the right, I think, has got Beyonce hiding under his beard. | 0:10:55 | 0:10:59 | |
Is it just laziness? Is that all it is, really? | 0:11:01 | 0:11:04 | |
Is it lazy? | 0:11:04 | 0:11:05 | |
I think it's partly because the kind of guys who do it, | 0:11:05 | 0:11:08 | |
they're very modern young men, | 0:11:08 | 0:11:10 | |
and so, most of the signs of masculinity, | 0:11:10 | 0:11:14 | |
they're not allowed to show any more. | 0:11:14 | 0:11:16 | |
You know, if you look at a woman in a short skirt - | 0:11:16 | 0:11:18 | |
just a slight glance, you're a sicko. | 0:11:18 | 0:11:21 | |
If you hospitalise somebody on a pub car park, | 0:11:21 | 0:11:26 | |
you're seen as brutish. | 0:11:26 | 0:11:28 | |
Dog fighting is almost obsolete now. | 0:11:30 | 0:11:33 | |
So, the beard is one of the last symbols of masculinity | 0:11:33 | 0:11:36 | |
for these young men, so I think that's what it's about. | 0:11:36 | 0:11:38 | |
You don't think this is just you, you know, | 0:11:38 | 0:11:41 | |
getting a bit older and grumpier? | 0:11:41 | 0:11:42 | |
You're not that old, I know, but... | 0:11:42 | 0:11:44 | |
I'm not that old! No, it's not that. | 0:11:44 | 0:11:47 | |
I just don't understand it. I don't get it. | 0:11:47 | 0:11:50 | |
How can this thing catch on? | 0:11:50 | 0:11:53 | |
It's a trend, they're supposed to look cool, | 0:11:53 | 0:11:55 | |
they're supposed to look hip, | 0:11:55 | 0:11:56 | |
but you can't be, if everyone is looking just like you. | 0:11:56 | 0:11:59 | |
-My husband has got a beard. -Oh, yes? | 0:11:59 | 0:12:01 | |
And I find the longer it is, the softer it is, | 0:12:01 | 0:12:03 | |
but there does get a point when a beard is not nice in certain areas. | 0:12:03 | 0:12:09 | |
Um... | 0:12:09 | 0:12:10 | |
I really hope you're talking about Essex. | 0:12:12 | 0:12:15 | |
One of the reasons... I think if you're going out with someone, | 0:12:17 | 0:12:20 | |
especially if you're just getting together, | 0:12:20 | 0:12:23 | |
it's quite good to have a beard. | 0:12:23 | 0:12:25 | |
I've lived with my partner now for many years, | 0:12:25 | 0:12:28 | |
and we've shared many, many personal moments, | 0:12:28 | 0:12:31 | |
but I will never let her watch me shave, | 0:12:31 | 0:12:35 | |
because I don't want her to see my shaving faces. | 0:12:35 | 0:12:38 | |
You know that... Once someone has seen you going... | 0:12:39 | 0:12:42 | |
-This is your shaving face? -Yeah. | 0:12:46 | 0:12:48 | |
They can be a sign of wisdom though, don't you think? | 0:12:49 | 0:12:52 | |
Well, I guess. | 0:12:52 | 0:12:54 | |
-You know, in the East... -Yes. | 0:12:54 | 0:12:56 | |
You know, these kind of lovely big, white beards you see on the guru. | 0:12:56 | 0:13:02 | |
You know, the guru. | 0:13:02 | 0:13:05 | |
These types. | 0:13:05 | 0:13:06 | |
You know, you see the bloke sitting there like this. | 0:13:06 | 0:13:10 | |
LAUGHTER AND APPLAUSE | 0:13:12 | 0:13:15 | |
Well, we've come to the end of that round. Now, then. | 0:13:24 | 0:13:27 | |
-Decision time. -Yes. | 0:13:27 | 0:13:28 | |
I don't feel I can put trendy beards in, | 0:13:28 | 0:13:31 | |
because I think it's important that | 0:13:31 | 0:13:33 | |
young people are allowed to make fools of themselves. | 0:13:33 | 0:13:37 | |
It's a long, time-honoured tradition. | 0:13:37 | 0:13:40 | |
People who talk to their dogs as if the dogs can understand them - | 0:13:40 | 0:13:44 | |
it's really annoying, I know, | 0:13:44 | 0:13:47 | |
but where would we be without stupid people? | 0:13:47 | 0:13:50 | |
In our line of work, | 0:13:51 | 0:13:52 | |
we'd be scratching around for things to poke fun at. | 0:13:52 | 0:13:57 | |
Parking... You're quite right. | 0:13:57 | 0:14:00 | |
There's so many things wrong with it. | 0:14:00 | 0:14:02 | |
I was parking recently in Whitstable, and I got... | 0:14:02 | 0:14:06 | |
There was one space in the whole of the town, | 0:14:06 | 0:14:08 | |
and I managed to park there, and someone came just... | 0:14:08 | 0:14:11 | |
and you know when people do that thing, and they say, | 0:14:11 | 0:14:13 | |
"Are you leaving? Are you leaving?" | 0:14:13 | 0:14:16 | |
And the joy of going, "No." | 0:14:16 | 0:14:18 | |
APPLAUSE | 0:14:22 | 0:14:24 | |
So, for all those many reasons, | 0:14:25 | 0:14:28 | |
I am going to put parking into Room 101. | 0:14:28 | 0:14:31 | |
-Yay! -CHEERING AND APPLAUSE | 0:14:31 | 0:14:34 | |
Righty-o. | 0:14:42 | 0:14:43 | |
BELL DINGS | 0:14:43 | 0:14:45 | |
So, what's upsetting Katie? | 0:14:45 | 0:14:47 | |
Now, when I watch talent shows, it really does annoy me | 0:15:01 | 0:15:04 | |
when somebody comes on the show to audition, | 0:15:04 | 0:15:07 | |
and you know already, they're going to be rubbish. | 0:15:07 | 0:15:09 | |
-Mmm. -And they've put them through rather than someone with talent, | 0:15:09 | 0:15:12 | |
-just to make it TV. -Yes. | 0:15:12 | 0:15:15 | |
Like Britain's Got Talent. | 0:15:15 | 0:15:16 | |
I love the show, but you know, you get some that come on, | 0:15:16 | 0:15:19 | |
and you know they're rubbish, but they still put them through and say, | 0:15:19 | 0:15:22 | |
"Oh, you're really good." | 0:15:22 | 0:15:24 | |
It's not their fault, though, is it? It's not the rubbish people's fault. | 0:15:24 | 0:15:27 | |
-I suppose it's the TV people. -It's the people who put them through. | 0:15:27 | 0:15:30 | |
Well, you could say it was their fault for being rubbish. | 0:15:30 | 0:15:32 | |
But they probably think they're really good. | 0:15:32 | 0:15:34 | |
It's like, just tell them the truth. | 0:15:34 | 0:15:36 | |
Jog on and just get someone on who's better. | 0:15:36 | 0:15:38 | |
One of the things they feel they have to do now is the sad story. | 0:15:38 | 0:15:42 | |
I hate sympathy. | 0:15:42 | 0:15:43 | |
As soon as the violins and bloody panpipes and that come in... | 0:15:43 | 0:15:46 | |
-Yeah. -..it's like, "Here we go". | 0:15:46 | 0:15:48 | |
I could have really done with that when I was going to | 0:15:48 | 0:15:51 | |
Smethwick supplementary benefit office in the '70s. | 0:15:51 | 0:15:56 | |
TENDER PIANO MUSIC PLAYS | 0:15:56 | 0:15:59 | |
The thing is, I am actually looking for work. | 0:15:59 | 0:16:02 | |
It's just that, you know, it's so difficult. | 0:16:02 | 0:16:04 | |
There was a job recently, and I really... | 0:16:04 | 0:16:07 | |
I really wanted it, but, um, I couldn't afford the bus fare. | 0:16:07 | 0:16:11 | |
So, I know I've been on for nearly four years, but, er... | 0:16:11 | 0:16:16 | |
..but I am definitely available for work. | 0:16:17 | 0:16:21 | |
It's a "yes" from me. | 0:16:21 | 0:16:22 | |
There you go. LAUGHTER AND APPLAUSE | 0:16:22 | 0:16:26 | |
Yeah, so sob stories don't work with me either. | 0:16:27 | 0:16:30 | |
We've all had dramas in our lives. | 0:16:30 | 0:16:31 | |
So, wouldn't it be nice for someone to get through | 0:16:31 | 0:16:34 | |
without a panpipe or a violin? | 0:16:34 | 0:16:36 | |
-Get through because of your talent... -Yeah. | 0:16:36 | 0:16:38 | |
..not to let people feel sorry for you. | 0:16:38 | 0:16:40 | |
What if your talent was the panpipes? | 0:16:40 | 0:16:42 | |
It can be absolutely marvellous, can't it? | 0:16:44 | 0:16:47 | |
There are moments on it which are great television moments. | 0:16:47 | 0:16:50 | |
-When Rylan found out... -Oh, that was a classic. | 0:16:50 | 0:16:52 | |
When he found out that he'd gone through to the live shows, | 0:16:52 | 0:16:56 | |
it's one of the best things that's ever happened on television. | 0:16:56 | 0:16:59 | |
Rylan, it's such a big risk, | 0:17:01 | 0:17:04 | |
but I have to take it. | 0:17:04 | 0:17:07 | |
RYLAN SOBS AND CRIES OUT | 0:17:07 | 0:17:10 | |
You're lying! | 0:17:29 | 0:17:31 | |
Are you serious? | 0:17:31 | 0:17:33 | |
HE SOBS | 0:17:33 | 0:17:35 | |
APPLAUSE | 0:17:38 | 0:17:41 | |
There is a moment in that where he says, "Are you serious?" | 0:17:43 | 0:17:47 | |
What if she'd gone, "No"? | 0:17:47 | 0:17:49 | |
I get cramp like that when I've had a curry. | 0:17:52 | 0:17:55 | |
I think one thing that's happened | 0:17:59 | 0:18:01 | |
that's changed quite a lot in society, you could argue, | 0:18:01 | 0:18:04 | |
is there was a time you had to be 5' 8" to be a policeman, | 0:18:04 | 0:18:07 | |
and then they felt that was discrimination against shorter people, | 0:18:07 | 0:18:11 | |
so they got rid of that. | 0:18:11 | 0:18:12 | |
And I think there was a time | 0:18:12 | 0:18:14 | |
when in order to be a celebrity you had to have talent, | 0:18:14 | 0:18:17 | |
and that was discriminating against a lot of people. | 0:18:17 | 0:18:21 | |
And now, people, I think, want people who they recognise, | 0:18:22 | 0:18:25 | |
who are like them. | 0:18:25 | 0:18:27 | |
-You, Katie... -I've got no talent, though. | 0:18:27 | 0:18:29 | |
No, and I respect you for that. | 0:18:29 | 0:18:31 | |
You, in many ways, were the trailblazer in this phenomenon. | 0:18:33 | 0:18:37 | |
I've been doing this for 30 years. | 0:18:37 | 0:18:39 | |
There's a lot of people out there sick of the sight of me, | 0:18:39 | 0:18:41 | |
but does that stop me? No. | 0:18:41 | 0:18:44 | |
LAUGHTER AND APPLAUSE | 0:18:44 | 0:18:46 | |
OK. Greg's choice. | 0:18:48 | 0:18:50 | |
APPLAUSE | 0:18:56 | 0:18:58 | |
I want to make it absolutely clear. | 0:18:58 | 0:19:00 | |
I'm not having a pop at the people | 0:19:00 | 0:19:02 | |
who check you in or check you out at hotels. | 0:19:02 | 0:19:05 | |
People who've welcomed me to hotels, and out of them, | 0:19:05 | 0:19:08 | |
have always been very lovely. | 0:19:08 | 0:19:09 | |
-Mmm. -It's the process, and it's how long it takes. | 0:19:09 | 0:19:14 | |
I don't understand why I have to stand for hours... | 0:19:14 | 0:19:20 | |
watching someone type. | 0:19:20 | 0:19:22 | |
I've booked a hotel. | 0:19:23 | 0:19:25 | |
I've given all of my details when I booked the hotel, | 0:19:25 | 0:19:28 | |
so when I arrive, this is what should happen - | 0:19:28 | 0:19:30 | |
"Hello." "Hello." | 0:19:30 | 0:19:33 | |
-"What is your name?" "It's Greg Davies." -MIMICS TYPING CLACK | 0:19:33 | 0:19:36 | |
"Ah, here's your key. It's up there." | 0:19:36 | 0:19:39 | |
CHEERING AND APPLAUSE | 0:19:39 | 0:19:43 | |
-I don't know what... -TYPING CLACKS | 0:19:44 | 0:19:46 | |
"Can you fill this form in?" "No, I've given you the details." | 0:19:46 | 0:19:49 | |
"Oh, all right, then." | 0:19:49 | 0:19:51 | |
It took me years of standing there watching | 0:19:51 | 0:19:54 | |
until I finally looked behind. | 0:19:54 | 0:19:56 | |
She didn't have a keyboard. | 0:19:56 | 0:19:58 | |
She had little castanets. | 0:19:59 | 0:20:01 | |
And checking out... | 0:20:05 | 0:20:07 | |
I've stopped checking out, and I encourage... | 0:20:07 | 0:20:10 | |
I want the nation to join me. | 0:20:10 | 0:20:12 | |
You don't have to check out. | 0:20:12 | 0:20:14 | |
-No. -What?! -I walk past now... -I agree. -I agree. | 0:20:14 | 0:20:16 | |
I walk past the desk with my card, I put it on the side, | 0:20:16 | 0:20:19 | |
and you can see them go... | 0:20:19 | 0:20:21 | |
ready with the castanets, and I go, "Bye." | 0:20:21 | 0:20:25 | |
"Are you checking out?" I go, "I just have!" | 0:20:26 | 0:20:30 | |
APPLAUSE | 0:20:30 | 0:20:33 | |
Even better, you don't even have to give them the card. | 0:20:34 | 0:20:37 | |
You can just walk straight out. | 0:20:37 | 0:20:38 | |
Oh, no. You've got to give them the card. | 0:20:38 | 0:20:40 | |
-Why have you got to give them the card? -Recycling. | 0:20:40 | 0:20:43 | |
Every time you don't hand back a hotel card, | 0:20:43 | 0:20:47 | |
a dolphin dies. | 0:20:47 | 0:20:48 | |
The worst thing is, when you do check in, | 0:20:50 | 0:20:52 | |
and you've had all that rigmarole of checking in, you get your card, | 0:20:52 | 0:20:55 | |
you're on the 17th floor, you queue up for the lift, | 0:20:55 | 0:20:57 | |
you get in the lift, you eventually get to the 17th floor, | 0:20:57 | 0:21:00 | |
you find the room - it's always very confusing which way is your room - | 0:21:00 | 0:21:03 | |
you get to the door, and the key doesn't work! | 0:21:03 | 0:21:07 | |
-Yeah. -How many times has that happened? Oh! | 0:21:07 | 0:21:10 | |
APPLAUSE | 0:21:10 | 0:21:12 | |
I fear it's going to happen a lot more for us after tonight. | 0:21:13 | 0:21:17 | |
I've got so many problems with hotels, I tell you. | 0:21:17 | 0:21:20 | |
The duvets are the thinnest duvets anyone has ever... | 0:21:20 | 0:21:25 | |
It's like sleeping under low-lying cloud. | 0:21:25 | 0:21:28 | |
Tell you what I don't like, though. | 0:21:29 | 0:21:31 | |
I don't like turning the... trying to run a bath, | 0:21:31 | 0:21:33 | |
turning the single tap and getting my arm soaked by the shower. | 0:21:33 | 0:21:37 | |
That's so true. | 0:21:38 | 0:21:39 | |
I don't like trying to plug my phone in at night to charge it, | 0:21:39 | 0:21:43 | |
-and the only socket being near the corridor. -The other side. | 0:21:43 | 0:21:47 | |
I hate that thing when there are things out - | 0:21:47 | 0:21:51 | |
chocolate and fruit - | 0:21:51 | 0:21:53 | |
and you're not quite sure whether they're free. | 0:21:53 | 0:21:56 | |
The anxiety... | 0:21:57 | 0:21:59 | |
I will say to the man, "Are these things free?" | 0:21:59 | 0:22:02 | |
and if I'm with my girlfriend, she's always going... but I need to know. | 0:22:02 | 0:22:07 | |
What I don't like is when they say, "Can I help you with your luggage?" | 0:22:07 | 0:22:11 | |
so they carry it, and then they want, like, £2 or £3 tip. | 0:22:11 | 0:22:15 | |
You're not helping me, are you? That's not help. | 0:22:15 | 0:22:18 | |
I don't call that help. | 0:22:18 | 0:22:19 | |
They're basically saying, | 0:22:19 | 0:22:21 | |
"I'll show you how to open and close your curtains if you give me £3". | 0:22:21 | 0:22:25 | |
Or £5, depending on who the person is. | 0:22:25 | 0:22:29 | |
-Yeah. -£3 is a bit mean, innit? | 0:22:29 | 0:22:31 | |
Well, I stay at quite small hotels, generally. | 0:22:31 | 0:22:34 | |
No, I do, because they're more excited to have me. | 0:22:34 | 0:22:38 | |
So, Adil's choice. | 0:22:41 | 0:22:44 | |
-AUDIENCE: -Ooh... -Ooh! | 0:22:49 | 0:22:52 | |
I knew this wasn't going to be popular, but it is ketchup. | 0:22:52 | 0:22:55 | |
I just find the thing vile. It's so overpowering. | 0:22:55 | 0:23:00 | |
I mean, it's like, you know, | 0:23:00 | 0:23:01 | |
I don't see the point of having any food at all - | 0:23:01 | 0:23:04 | |
just have the ketchup, | 0:23:04 | 0:23:05 | |
because it takes over the flavour of any chips you might get. | 0:23:05 | 0:23:09 | |
I mean, that's the reason why you go to a late night kebab joint | 0:23:09 | 0:23:12 | |
and he'll make sure he's put lots of ketchup on it, | 0:23:12 | 0:23:14 | |
because he doesn't want to let you taste | 0:23:14 | 0:23:16 | |
how badly prepared the food is. | 0:23:16 | 0:23:18 | |
I just think it's a real vile, vile thing | 0:23:18 | 0:23:20 | |
that overtakes and overpowers decent, quality food. | 0:23:20 | 0:23:23 | |
Either you should eat better or not eat ketchup. | 0:23:23 | 0:23:26 | |
Wow! FAINT APPLAUSE | 0:23:27 | 0:23:31 | |
No real enthusiasm with that applause. | 0:23:31 | 0:23:34 | |
The trouble is with this is | 0:23:34 | 0:23:36 | |
that ketchup tastes better than most food. | 0:23:36 | 0:23:40 | |
Well, eat better food! | 0:23:40 | 0:23:42 | |
No. There is no better food. | 0:23:42 | 0:23:44 | |
There is better food! Cook better. | 0:23:44 | 0:23:46 | |
I don't think, "Oh, I fancy some chips." | 0:23:46 | 0:23:49 | |
-I think, "I fancy some ketchup." -Just have the ketchup! | 0:23:49 | 0:23:52 | |
What am I going to use to transport it to my mouth? | 0:23:52 | 0:23:55 | |
I think the mistake people make is that they put it on fast food. | 0:23:57 | 0:24:01 | |
They put it on chips and burgers and stuff, and they taste great anyway. | 0:24:01 | 0:24:05 | |
What you need to do is put it on healthy food, which tastes terrible. | 0:24:05 | 0:24:09 | |
Let me give you... If you took, like, a healthy plate of stuff, | 0:24:09 | 0:24:14 | |
like lettuce and stuff, nobody likes that. | 0:24:14 | 0:24:18 | |
Nobody. | 0:24:18 | 0:24:19 | |
But, you take lettuce, you put a bit of ... | 0:24:19 | 0:24:22 | |
-Ugh. -There you go. Better. | 0:24:23 | 0:24:26 | |
Oh, dear! | 0:24:26 | 0:24:29 | |
What have you become, Mr Skinner? | 0:24:29 | 0:24:32 | |
-That's really nice. -Oh! | 0:24:32 | 0:24:33 | |
APPLAUSE | 0:24:35 | 0:24:38 | |
My mother, she's a real good cook | 0:24:40 | 0:24:41 | |
and if you know anything about Asian cooking, it takes such a long time, | 0:24:41 | 0:24:44 | |
it's delicate, and it's all the spices, all the preparation. | 0:24:44 | 0:24:48 | |
You marinate it, you leave it in the fridge for four hours. | 0:24:48 | 0:24:51 | |
She does this, and she loves doing it, | 0:24:51 | 0:24:53 | |
and she'll do this all day, and the family will come round, | 0:24:53 | 0:24:55 | |
my uncles and my cousins will come round. | 0:24:55 | 0:24:58 | |
She'll bring out this biryani and samosas | 0:24:58 | 0:25:00 | |
and these lovely, fine kebabs, | 0:25:00 | 0:25:02 | |
serve onto the table, they'll turn around and go, | 0:25:02 | 0:25:04 | |
"Oh, they're nice. Have you got any ketchup?" | 0:25:04 | 0:25:07 | |
I mean, that's horrible! My poor mother slaves, | 0:25:07 | 0:25:09 | |
and they just want to devour this thing with ketchup! | 0:25:09 | 0:25:12 | |
I don't use condiments much, because I'm a Catholic. | 0:25:12 | 0:25:15 | |
We have a clip. | 0:25:19 | 0:25:20 | |
There was a competition staged | 0:25:20 | 0:25:23 | |
to come up with an inventive way of putting ketchup on food | 0:25:23 | 0:25:26 | |
and two American guys came up with this. | 0:25:26 | 0:25:29 | |
This is pretty impressive stuff. | 0:25:29 | 0:25:31 | |
APPLAUSE | 0:25:59 | 0:26:02 | |
Fine dining at its best, isn't it? | 0:26:05 | 0:26:07 | |
When you put ketchup on chips, do you go all over the chips, | 0:26:07 | 0:26:11 | |
or are you one of those people who does a little pool at the side? | 0:26:11 | 0:26:14 | |
-On the side, a little pool. -Oh, do you? | 0:26:14 | 0:26:16 | |
-Always on the side. -You've really got sophisticated. | 0:26:16 | 0:26:19 | |
-But not on shepherd's pie and that. Then that goes over it. -No. | 0:26:19 | 0:26:22 | |
You see, I love going all over the chips, | 0:26:22 | 0:26:24 | |
and then I'll look and there's the chip that's completely covered, | 0:26:24 | 0:26:27 | |
-the one that's completely escaped it. -Yeah. | 0:26:27 | 0:26:30 | |
But the people who put it... I don't like... | 0:26:31 | 0:26:33 | |
This is the sort of thing we're talking about. | 0:26:33 | 0:26:35 | |
You put it on the side like this. | 0:26:35 | 0:26:37 | |
If I've got egg and chips and that, then I'll do that, yeah. | 0:26:37 | 0:26:40 | |
To me, this looks like an artist's palette, you know, | 0:26:40 | 0:26:43 | |
with the pool of... You could imagine, | 0:26:43 | 0:26:45 | |
if you could get your thumb through the... | 0:26:45 | 0:26:48 | |
You could paint. | 0:26:50 | 0:26:52 | |
See if I can... | 0:26:54 | 0:26:55 | |
So, you could actually... You could paint. | 0:26:58 | 0:27:01 | |
This won't take a minute. I do this quite a lot at home. | 0:27:05 | 0:27:08 | |
Hold it. Just the finishing touch. | 0:27:10 | 0:27:12 | |
What do you think? | 0:27:13 | 0:27:15 | |
APPLAUSE | 0:27:16 | 0:27:18 | |
-Not bad. -Very good. | 0:27:18 | 0:27:20 | |
And in fact, just for you, just to make it that little bit... | 0:27:20 | 0:27:25 | |
-You can have this for your home, Adil. -Oh, thank you very much. | 0:27:25 | 0:27:30 | |
Very cool. Very cool. | 0:27:30 | 0:27:32 | |
OK. | 0:27:35 | 0:27:36 | |
So, we come to the end, | 0:27:36 | 0:27:38 | |
and I can't put ketchup in. | 0:27:38 | 0:27:41 | |
I just can't put ketchup in, because it brings such joy to the people, | 0:27:41 | 0:27:45 | |
and your basic argument seemed to be that you don't like it. | 0:27:45 | 0:27:49 | |
Yeah! | 0:27:49 | 0:27:51 | |
Katie, I cannot put people without talent on talent shows in, | 0:27:53 | 0:27:58 | |
because you're such good company. | 0:27:58 | 0:28:01 | |
No, I think part of the joy of it is seeing people who are... | 0:28:05 | 0:28:08 | |
It's like a karaoke night. | 0:28:08 | 0:28:09 | |
Some people are brilliant and some people are terrible, | 0:28:09 | 0:28:11 | |
and I like that mix, I must say. | 0:28:11 | 0:28:14 | |
But, Greg, I don't see why we can't just walk in, press a button, | 0:28:14 | 0:28:18 | |
go to our rooms, walk out, press a button and leave. | 0:28:18 | 0:28:21 | |
Wouldn't life be simpler? | 0:28:21 | 0:28:22 | |
And then, the people at the desk would be able to do | 0:28:22 | 0:28:25 | |
more fun and interesting things... | 0:28:25 | 0:28:27 | |
-I agree. -..than badger us for our personal details. | 0:28:27 | 0:28:30 | |
-So, I am going to put check-ins and check-outs... -Yes! | 0:28:30 | 0:28:33 | |
..into Room 101. | 0:28:33 | 0:28:35 | |
CHEERING AND APPLAUSE | 0:28:35 | 0:28:37 | |
And that brings us to the end of the show. | 0:28:44 | 0:28:47 | |
Well done, Greg, you were the most persuasive guest, | 0:28:47 | 0:28:49 | |
-so you are this week's winner. -Thank you. -Well done. | 0:28:49 | 0:28:52 | |
CHEERING AND APPLAUSE | 0:28:52 | 0:28:54 | |
Thanks very much, Greg Davies, Katie Price and Adil Ray, | 0:28:55 | 0:28:59 | |
and thank you, goodnight. | 0:28:59 | 0:29:01 | |
CHEERING AND APPLAUSE | 0:29:01 | 0:29:04 |