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APPLAUSE | 0:00:26 | 0:00:29 | |
Hello, I'm Frank Skinner, and welcome to Room 101, | 0:00:33 | 0:00:37 | |
the show where three guests battle to get the things they hate | 0:00:37 | 0:00:40 | |
entombed for all eternity in the dreaded vault. | 0:00:40 | 0:00:43 | |
Let's meet this week's guests. | 0:00:43 | 0:00:45 | |
He'll make you laugh, James Acaster, | 0:00:45 | 0:00:46 | |
she'll make you think, Kirsty Wark, | 0:00:46 | 0:00:48 | |
he'll make you dinner, Heston Blumenthal. | 0:00:48 | 0:00:50 | |
CHEERING AND APPLAUSE | 0:00:50 | 0:00:54 | |
BELL RINGS | 0:00:59 | 0:01:00 | |
OK, what's winding up James? | 0:01:00 | 0:01:03 | |
Don't really need to explain that, do I? | 0:01:11 | 0:01:13 | |
Probably the worst of all the animals, I'd say. | 0:01:13 | 0:01:17 | |
Lary, but unjustifiably lary. | 0:01:17 | 0:01:21 | |
I don't really believe a goose could handle itself, | 0:01:21 | 0:01:24 | |
but it fronts it all the time. | 0:01:24 | 0:01:26 | |
Like, a swan, we know, can break your arm, | 0:01:27 | 0:01:30 | |
and geese are just like the people who hang out with the bigger kids. | 0:01:30 | 0:01:33 | |
Just go up to you, going, "Naa", | 0:01:33 | 0:01:35 | |
and you know you could punch it, but it's a goose. | 0:01:35 | 0:01:37 | |
-We have a clip, actually. -Oh, God. | 0:01:39 | 0:01:41 | |
Of a man in a canoe enjoying a beautiful day's canoeing. | 0:01:41 | 0:01:44 | |
LAUGHTER | 0:01:50 | 0:01:53 | |
APPLAUSE | 0:01:57 | 0:02:00 | |
I rest my case. | 0:02:05 | 0:02:07 | |
I don't know what your antipathy to geese is. | 0:02:07 | 0:02:09 | |
I mean (foie gras)! | 0:02:09 | 0:02:11 | |
What did you just say to me? | 0:02:12 | 0:02:14 | |
-WHISPERS: -Foie gras. | 0:02:14 | 0:02:15 | |
-Huh? -Oh, foie gras! I thought you said something else then. | 0:02:15 | 0:02:18 | |
Yeah, I thought... | 0:02:18 | 0:02:19 | |
LAUGHTER | 0:02:19 | 0:02:21 | |
What time does this show go out? | 0:02:21 | 0:02:22 | |
I mean, geese are not all bad. | 0:02:24 | 0:02:25 | |
Are you talking about eating geese, in terms of, like..? | 0:02:25 | 0:02:28 | |
Oh, goose is good. | 0:02:28 | 0:02:30 | |
Yeah, but like, Heston, you could probably make something | 0:02:30 | 0:02:33 | |
that tastes like a goose that isn't a goose. | 0:02:33 | 0:02:35 | |
Put some paprika in a duck. | 0:02:35 | 0:02:37 | |
We did this Christmas show where we took a goose | 0:02:42 | 0:02:45 | |
and decided to feed it Christmas tree. | 0:02:45 | 0:02:47 | |
Not a whole Christmas tree? | 0:02:48 | 0:02:50 | |
No, it was pine essential oil. | 0:02:50 | 0:02:51 | |
Is that why they swim like that? | 0:02:51 | 0:02:53 | |
-It's the Christmas tree formation. -Yeah! | 0:02:53 | 0:02:55 | |
You fed it Christmas tree?! Wow. | 0:02:56 | 0:02:58 | |
We made this feed and we thought, if we thought it was nice, | 0:02:58 | 0:03:01 | |
and then the geese ate it, then it would be really nice to eat. | 0:03:01 | 0:03:04 | |
So we did it for about two months before they killed the goose. | 0:03:04 | 0:03:08 | |
How did you kill it? Did it choke on a bauble? | 0:03:08 | 0:03:11 | |
No, I didn't have anything to do with that, | 0:03:11 | 0:03:13 | |
but I had to go and choose the goose. | 0:03:13 | 0:03:15 | |
I had to go into this pen, and this flipping thing went for me, | 0:03:15 | 0:03:19 | |
and it hissed, and its neck went forward, and it... | 0:03:19 | 0:03:22 | |
What you need, you needed one of these. | 0:03:22 | 0:03:25 | |
DUCK QUACK | 0:03:26 | 0:03:28 | |
I can hear them hitting the window at the back of the building! | 0:03:29 | 0:03:33 | |
What's amazing about this though, is if you hear geese fly over, | 0:03:36 | 0:03:40 | |
they all have a great variety of sounds. | 0:03:40 | 0:03:43 | |
It's amazing. I've tried to recreate this for people | 0:03:43 | 0:03:46 | |
who don't live in goose country. | 0:03:46 | 0:03:48 | |
DIFFERENTLY PITCHED SQUEAKING | 0:03:50 | 0:03:54 | |
LAUGHTER | 0:03:54 | 0:03:57 | |
Anyone who switches on now, | 0:03:58 | 0:03:59 | |
they'll think this is Tubular Bells live. | 0:03:59 | 0:04:01 | |
One of my problems with geese is they nearly killed Rod Stewart. | 0:04:06 | 0:04:09 | |
-Are you aware of this? -No. | 0:04:09 | 0:04:11 | |
This was quite a big news story. Anyone? | 0:04:11 | 0:04:14 | |
-Are you thinking about Rod Hull? -No! | 0:04:14 | 0:04:16 | |
-No, not him. -No? | 0:04:20 | 0:04:22 | |
There it is, look. "Rod cheats death in jet terror." | 0:04:22 | 0:04:25 | |
So you see the headline. You think, "I wonder what happened", | 0:04:25 | 0:04:28 | |
and then it says, "Star tells of fear as goose hits engine". | 0:04:28 | 0:04:32 | |
I once went to an audience with Rod Stewart, | 0:04:34 | 0:04:37 | |
and you know they used to have all the questions set up in advance? | 0:04:37 | 0:04:40 | |
And he said, "No, no, I just want to do it spontaneously. | 0:04:40 | 0:04:43 | |
"I don't want celebrities at the front, I want them at the back. | 0:04:43 | 0:04:46 | |
"I just want the public. I want real questions". | 0:04:46 | 0:04:49 | |
So he did a couple of songs. Brilliant. | 0:04:49 | 0:04:51 | |
He said to this guy, "Got a question?" | 0:04:51 | 0:04:53 | |
The guy said, "Yeah, why don't you make good albums like you used to in the '70s?" | 0:04:53 | 0:04:56 | |
LAUGHTER | 0:04:56 | 0:04:59 | |
You know they have teeth as well. | 0:05:02 | 0:05:04 | |
Where? | 0:05:04 | 0:05:06 | |
They have teeth, not only in their beak but also on their tongue. | 0:05:06 | 0:05:10 | |
Oh, I hate them so much. | 0:05:11 | 0:05:13 | |
Ugh! | 0:05:13 | 0:05:14 | |
Oh, my God! Right. I've won the round. | 0:05:14 | 0:05:17 | |
There's no way I've not won. | 0:05:18 | 0:05:20 | |
Look at that. | 0:05:20 | 0:05:22 | |
APPLAUSE | 0:05:22 | 0:05:24 | |
Also, if you ever feed bread to ducks, | 0:05:27 | 0:05:29 | |
a goose always comes along and bullies everyone. | 0:05:29 | 0:05:32 | |
Just bullies everyone. | 0:05:32 | 0:05:33 | |
Everyone's got to step back. The goose is gobbling it all. | 0:05:33 | 0:05:36 | |
That's how it eats. | 0:05:38 | 0:05:41 | |
Like that. Who eats like that? | 0:05:41 | 0:05:43 | |
Just vibrating their whole head, all the way down the neck, | 0:05:43 | 0:05:45 | |
then walks away thinking, "Nailed that. Everyone thinks I'm cool". | 0:05:45 | 0:05:49 | |
No-one thinks you're cool, goose. | 0:05:49 | 0:05:51 | |
Anyway... | 0:05:53 | 0:05:54 | |
..onto Kirsty. | 0:05:56 | 0:05:57 | |
Men who wear too much aftershave. | 0:06:03 | 0:06:06 | |
Imagine you're on an early flight from Glasgow to London, | 0:06:08 | 0:06:11 | |
and you're beside this guy, and he is wearing overpowering aftershave. | 0:06:11 | 0:06:15 | |
And, what's more, the reason he's wearing overpowering aftershave | 0:06:15 | 0:06:18 | |
is he hasn't bothered to shower. | 0:06:18 | 0:06:20 | |
-Early morning, this is not a good look. -Mmm. | 0:06:21 | 0:06:24 | |
And it got me thinking about aftershave, | 0:06:24 | 0:06:26 | |
and I don't know if any of you remember, | 0:06:26 | 0:06:28 | |
but do you remember when Brut 33 was the thing that everybody wore, | 0:06:28 | 0:06:31 | |
men and women? | 0:06:31 | 0:06:33 | |
But it was advertised by Henry Cooper and Kevin Keegan, | 0:06:33 | 0:06:36 | |
neither of whom you could say were handsome chaps. | 0:06:36 | 0:06:39 | |
So people were obviously not wearing it because they thought | 0:06:41 | 0:06:44 | |
they could be like them - they just liked the smell. | 0:06:44 | 0:06:46 | |
But now, men put on things like, well, you know ... | 0:06:46 | 0:06:49 | |
David Beckham advertises it. | 0:06:49 | 0:06:52 | |
-Brad Pitt. -Mmm. | 0:06:52 | 0:06:53 | |
David Gandy. | 0:06:53 | 0:06:55 | |
Yes. | 0:06:56 | 0:06:57 | |
Frank Skinner. | 0:06:57 | 0:06:58 | |
No, I really ... | 0:06:58 | 0:06:59 | |
I mean, really, who possibly can think they would be like them, | 0:06:59 | 0:07:03 | |
just because they wear that aftershave? | 0:07:03 | 0:07:05 | |
-It is so horrible. -I can... | 0:07:05 | 0:07:08 | |
I have to say, Heston is wearing a tinge of something. | 0:07:08 | 0:07:11 | |
I'm not quite sure. I think it's a very upmarket one. | 0:07:11 | 0:07:15 | |
I think it's one designed for, kind of, sexual allure. | 0:07:15 | 0:07:18 | |
I thought Heston would go for, sort of, salt and vinegar. | 0:07:22 | 0:07:25 | |
LAUGHTER | 0:07:25 | 0:07:27 | |
I like to look - I've played this game with friends. | 0:07:28 | 0:07:32 | |
Celebrities. | 0:07:32 | 0:07:34 | |
Which male celebrities do you think slap on a lot of old cologne, | 0:07:34 | 0:07:38 | |
just from looking at them? | 0:07:38 | 0:07:40 | |
-Daniel Craig. -Daniel Craig, very probably. | 0:07:40 | 0:07:43 | |
-Paul Hollywood. -Yes. | 0:07:43 | 0:07:45 | |
-Ooh, yes. -I think that's a good call. Yes. | 0:07:45 | 0:07:48 | |
I've always thought Pierce Brosnan. | 0:07:48 | 0:07:50 | |
-Yeah. -Ooh. | 0:07:50 | 0:07:52 | |
That slightly squinty eyes is him thinking, "Phew!" | 0:07:52 | 0:07:57 | |
See, how many men in the audience wear aftershave? | 0:08:02 | 0:08:05 | |
None! | 0:08:05 | 0:08:07 | |
Come on. | 0:08:07 | 0:08:08 | |
I'm sorry. That's just not true, is it? | 0:08:08 | 0:08:10 | |
-How many wear cologne? -Woo! | 0:08:10 | 0:08:13 | |
That man wears cologne. Have you got it on now? | 0:08:13 | 0:08:16 | |
I'm just going to check this guy out. | 0:08:16 | 0:08:18 | |
You look like a dog greeting someone! | 0:08:22 | 0:08:25 | |
Not quite. | 0:08:28 | 0:08:29 | |
I couldn't smell a damn thing. You've been done. | 0:08:31 | 0:08:34 | |
Have you got the word "cologne" mixed up with the word "lager"? | 0:08:34 | 0:08:38 | |
I tell you what the worst ever slogan for any man's smelly thing, | 0:08:42 | 0:08:47 | |
was when they brought out the 007 brand. | 0:08:47 | 0:08:50 | |
They cashed in on, you know, James Bond being absolutely massive. | 0:08:50 | 0:08:54 | |
Watch out for their lovely slogan. | 0:08:54 | 0:08:58 | |
There's a 007 gift set for every assignment. | 0:09:00 | 0:09:03 | |
This one packs the full line, | 0:09:03 | 0:09:05 | |
including 007 aftershave, hairdressing and cologne. | 0:09:05 | 0:09:08 | |
That's 007, | 0:09:08 | 0:09:10 | |
for the licence to kill... | 0:09:10 | 0:09:12 | |
women. | 0:09:12 | 0:09:13 | |
LAUGHTER AND APPLAUSE | 0:09:13 | 0:09:15 | |
-I rest my case! -Yes! | 0:09:18 | 0:09:21 | |
-"Licence" spelt wrong. -Yes. | 0:09:22 | 0:09:25 | |
I'm glad that's your only objection! | 0:09:25 | 0:09:27 | |
OK, so let's see what Heston has gone for. | 0:09:30 | 0:09:33 | |
People that put milk in tea first. | 0:09:37 | 0:09:39 | |
-Me! -Oh, I got a "me" then. That's a good start. | 0:09:39 | 0:09:42 | |
One bloke. | 0:09:42 | 0:09:44 | |
What's the problem? | 0:09:44 | 0:09:45 | |
I have to say that I am one of these people. | 0:09:45 | 0:09:48 | |
Where do I start? | 0:09:48 | 0:09:49 | |
If someone is going to whack a teabag in a mug, | 0:09:49 | 0:09:52 | |
and you pour milk in first, | 0:09:52 | 0:09:54 | |
it doesn't pull out the flavour of the teabag as much. | 0:09:54 | 0:09:57 | |
You've had that. | 0:09:57 | 0:09:58 | |
Yeah, because it's not boiling. | 0:09:58 | 0:10:00 | |
Tea, cold milk, tea, pour the water in. | 0:10:00 | 0:10:02 | |
The water is not hot enough to start with, which is where it comes from. | 0:10:02 | 0:10:05 | |
It originates when tea was... | 0:10:05 | 0:10:08 | |
So, Cutty Sark days, that was what the Cutty Sark did. | 0:10:08 | 0:10:11 | |
It transported tea. | 0:10:11 | 0:10:13 | |
-Biggest taxes in Britain at the time were on tea. -Yes. | 0:10:13 | 0:10:16 | |
We've gone into the history of tea here, which is... | 0:10:16 | 0:10:19 | |
But what happened was it was considered... | 0:10:19 | 0:10:21 | |
They might not look like they've got homes, but many of them have. | 0:10:21 | 0:10:24 | |
APPLAUSE | 0:10:24 | 0:10:26 | |
-Because tea was a prized thing. -Yes. | 0:10:26 | 0:10:30 | |
It was drunk in china cups, pure bone china cups, | 0:10:30 | 0:10:33 | |
and they were incredibly delicate. | 0:10:33 | 0:10:35 | |
So if the water was too hot and you poured it into the cup they'd break. | 0:10:35 | 0:10:38 | |
-I see. -So what they did was pour a bit of milk in first, | 0:10:38 | 0:10:41 | |
to protect the cup from breaking, and that's where it came from. | 0:10:41 | 0:10:46 | |
But I always feel I'm giving the teabag a bit of a treat | 0:10:46 | 0:10:49 | |
to put it in milk. | 0:10:49 | 0:10:51 | |
It's a bit like, you know Cleopatra used to bathe in asses' milk? | 0:10:51 | 0:10:55 | |
I see it lying there like that. | 0:10:55 | 0:10:57 | |
I get very involved with, you know if I ever use, like, | 0:10:57 | 0:11:01 | |
soluble tablets, I always feel for them, because I think | 0:11:01 | 0:11:05 | |
they're coming out the packet and think, "Wow, this looks great. | 0:11:05 | 0:11:08 | |
"Oh, swimming. Argh!" | 0:11:08 | 0:11:10 | |
I also find, if you don't do that, if you put the milk into the tea, | 0:11:12 | 0:11:17 | |
-you get that sort of scummy stuff on the surface. -No, you don't. | 0:11:17 | 0:11:22 | |
-You really do. -If you put warm milk in... | 0:11:22 | 0:11:24 | |
I proved this today. Other people doubted me. | 0:11:24 | 0:11:26 | |
This was the surface of my tea, having put the milk in second. | 0:11:26 | 0:11:30 | |
-No, no. -That is true. That's real. | 0:11:30 | 0:11:32 | |
Every morning I make a cup of tea. | 0:11:32 | 0:11:34 | |
I drink probably 10, 15 cups a day. | 0:11:34 | 0:11:37 | |
-Do you? -Up to 20. I've never ever had that. | 0:11:37 | 0:11:40 | |
Everyone has gone quiet! | 0:11:40 | 0:11:41 | |
-You've never had that? -It's like a revelation. | 0:11:41 | 0:11:44 | |
It's like you've just said you've got a drug addiction. | 0:11:44 | 0:11:47 | |
Everyone went, "Oh, my God. Heston's on 15 a day". | 0:11:47 | 0:11:51 | |
This has become an intervention now. | 0:11:51 | 0:11:53 | |
What do you see in that? | 0:11:54 | 0:11:55 | |
I see the Very Hungry Caterpillar flying over Cyprus. | 0:11:55 | 0:12:00 | |
That's what I see. | 0:12:00 | 0:12:02 | |
How do you know - when you pour the tea out of a teapot, | 0:12:04 | 0:12:06 | |
if somebody puts the milk in first, | 0:12:06 | 0:12:08 | |
you don't know how strong the tea is. | 0:12:08 | 0:12:10 | |
-That's the excitement! -If you put it in first... | 0:12:10 | 0:12:13 | |
The whole excitement is guessing how much milk to put in. | 0:12:13 | 0:12:16 | |
You know, some people bungee jump... | 0:12:16 | 0:12:18 | |
LAUGHTER | 0:12:18 | 0:12:20 | |
Some people have a gap year in war-torn territories. | 0:12:20 | 0:12:23 | |
I put the milk in first. | 0:12:23 | 0:12:24 | |
Can I make a point as well? | 0:12:25 | 0:12:27 | |
You can walk into the cheapest, nastiest cafe in Britain | 0:12:27 | 0:12:30 | |
and get a beautiful cup of tea. | 0:12:30 | 0:12:32 | |
If you walk into a posh restaurant, | 0:12:32 | 0:12:34 | |
like what Heston Blumenthal has, it's always horrible. | 0:12:34 | 0:12:37 | |
LAUGHTER AND APPLAUSE | 0:12:37 | 0:12:41 | |
Don't get me wrong. I've been to Heston's restaurant, | 0:12:43 | 0:12:46 | |
and the food is absolutely incredible. | 0:12:46 | 0:12:48 | |
Absolutely incredible. | 0:12:48 | 0:12:50 | |
But, you know, I didn't even bother ordering the tea. | 0:12:50 | 0:12:53 | |
I knew it would be terrible. | 0:12:53 | 0:12:54 | |
You get tea in some posh restaurants. | 0:12:54 | 0:12:57 | |
They bring hot water here, teabag here. | 0:12:57 | 0:13:01 | |
It's like a kit! | 0:13:01 | 0:13:03 | |
It's not IKEA. | 0:13:04 | 0:13:06 | |
I want them to make it for me, is the idea. | 0:13:06 | 0:13:08 | |
Do you wish you had someone to do it, a flunky to do it for you? | 0:13:08 | 0:13:12 | |
Well, if I'm in a restaurant, paying, | 0:13:12 | 0:13:15 | |
I think somebody could knock it together for me before it arrives. | 0:13:15 | 0:13:18 | |
They don't bring me raw pork chops and a Calor Gas stove. | 0:13:18 | 0:13:23 | |
-That would be his place. -Ah, that's... | 0:13:24 | 0:13:26 | |
APPLAUSE | 0:13:26 | 0:13:30 | |
My mum would put two spoonfuls of sugar in every cup of tea | 0:13:30 | 0:13:35 | |
she ever made, and if anyone came round the house she'd give them | 0:13:35 | 0:13:38 | |
a cup of tea and say, "Do you take sugar?" | 0:13:38 | 0:13:40 | |
and if they said no, she'd say, "Don't stir it". | 0:13:40 | 0:13:43 | |
LAUGHTER | 0:13:43 | 0:13:45 | |
Anyway, I don't feel you argued your case as well as you could | 0:13:45 | 0:13:52 | |
about milk going in first. | 0:13:52 | 0:13:54 | |
It's something I've done for a long time, | 0:13:54 | 0:13:56 | |
and I thought you were dismissive of my surface scum. | 0:13:56 | 0:14:00 | |
That was an old cup of tea. | 0:14:00 | 0:14:01 | |
And, er, geese. | 0:14:03 | 0:14:06 | |
With geese, they are nasty little things, | 0:14:06 | 0:14:09 | |
but the fact that they have all these magical things | 0:14:09 | 0:14:12 | |
which allows them to fly in a V formation, | 0:14:12 | 0:14:14 | |
I'll forgive them almost anything for that. | 0:14:14 | 0:14:17 | |
The Nazis were organised! | 0:14:17 | 0:14:19 | |
LAUGHTER AND APPLAUSE | 0:14:19 | 0:14:22 | |
Look, it's too late to change your choice now. | 0:14:28 | 0:14:31 | |
LAUGHTER | 0:14:31 | 0:14:33 | |
But, I don't understand why men need to smell like these strange, | 0:14:35 | 0:14:41 | |
weird musk and spirulina mixtures. | 0:14:41 | 0:14:45 | |
It's just wrong. | 0:14:45 | 0:14:47 | |
I am going to put men who wear too much aftershave into Room 101. | 0:14:47 | 0:14:51 | |
APPLAUSE | 0:14:51 | 0:14:54 | |
OK. | 0:15:03 | 0:15:04 | |
BELL RINGS | 0:15:04 | 0:15:06 | |
What is up Kirsty's sleeve? | 0:15:06 | 0:15:09 | |
Plastic flowers. | 0:15:11 | 0:15:13 | |
APPLAUSE | 0:15:13 | 0:15:15 | |
Oh, please! | 0:15:15 | 0:15:17 | |
Plastic flowers are a total failure of imagination. | 0:15:18 | 0:15:23 | |
They remind me of every bad bed and breakfast I've ever been in. | 0:15:23 | 0:15:27 | |
Plastic flowers, nylon sheets, | 0:15:27 | 0:15:29 | |
and in the lavatory, over the loo roll, | 0:15:29 | 0:15:32 | |
a knitted lady with a Barbie coming out the top. | 0:15:32 | 0:15:37 | |
That's what they represent. | 0:15:37 | 0:15:38 | |
And I've been in a crematorium where there's plastic flowers. | 0:15:38 | 0:15:42 | |
A friend of mine has been at a wedding where she was a bridesmaid | 0:15:42 | 0:15:45 | |
and there were plastic flowers! | 0:15:45 | 0:15:47 | |
I mean, they're just so, so... | 0:15:47 | 0:15:51 | |
-I can't even be in a room with them. I find them offensive. -Wow. | 0:15:51 | 0:15:56 | |
I'm sure you're not... | 0:15:58 | 0:16:00 | |
You're not including these, are you? | 0:16:01 | 0:16:04 | |
But they do a dance, don't they? | 0:16:05 | 0:16:07 | |
They'll dance to me. They'll dance to me talking. | 0:16:07 | 0:16:10 | |
They'll dance to me doing the William Tell Overture | 0:16:10 | 0:16:13 | |
on my fingers and thumbs. Here we go. | 0:16:13 | 0:16:15 | |
HE CLICKS AND CLAPS RHYTHM | 0:16:15 | 0:16:19 | |
Now, come on! | 0:16:22 | 0:16:23 | |
APPLAUSE AND CHEERING | 0:16:23 | 0:16:26 | |
Loves the applause, that one. | 0:16:31 | 0:16:33 | |
I'm switching this off. It's starting to terrify me. | 0:16:37 | 0:16:40 | |
They just seem incredibly tired and forlorn and sad. | 0:16:40 | 0:16:43 | |
I think that's what I hate about plastic flowers more than anything. | 0:16:43 | 0:16:47 | |
They are just sad, and saddos have them. | 0:16:47 | 0:16:49 | |
AUDIENCE: Ooh! | 0:16:49 | 0:16:52 | |
APPLAUSE | 0:16:52 | 0:16:55 | |
What about waxed fruit? How do you feel about that? | 0:16:57 | 0:17:00 | |
I don't like waxed fruit. | 0:17:00 | 0:17:01 | |
Consistent. | 0:17:01 | 0:17:02 | |
See? | 0:17:04 | 0:17:06 | |
How do you feel... This is the key question for me, | 0:17:06 | 0:17:09 | |
because I'm kind of, you know when you go to the greengrocers, | 0:17:09 | 0:17:13 | |
and you get that synthetic grass with the vegetables on it, | 0:17:13 | 0:17:19 | |
just to make the vegetables and fruit feel at home. | 0:17:19 | 0:17:22 | |
What do you think about that, Kirsty? | 0:17:22 | 0:17:25 | |
I don't like that. | 0:17:25 | 0:17:26 | |
-You don't like this stuff? -No. I don't like that. | 0:17:26 | 0:17:30 | |
-I like this stuff so much. -Oh, no. | 0:17:30 | 0:17:33 | |
No, really. | 0:17:33 | 0:17:34 | |
I don't think you'll like this then, Kirsty. | 0:17:34 | 0:17:36 | |
LAUGHTER | 0:17:36 | 0:17:38 | |
What do you think? | 0:17:50 | 0:17:51 | |
-There's a certain je ne c'est quoi. -Feel that. Come on! | 0:17:51 | 0:17:54 | |
Yeah. Eh? | 0:17:54 | 0:17:56 | |
Imagine a couple of parsnips lying across that. | 0:17:56 | 0:17:59 | |
That's a chat-up line I haven't used before. | 0:18:01 | 0:18:03 | |
-She will not be won over, Kirsty. -I will not be won over. | 0:18:05 | 0:18:08 | |
I sense that. | 0:18:08 | 0:18:10 | |
Right. You argue your case well there. | 0:18:10 | 0:18:12 | |
So, let us go to Heston's choice. | 0:18:12 | 0:18:16 | |
-It's food that doesn't taste as good as you remember. -Oh. | 0:18:19 | 0:18:24 | |
We have foods that we used to love as kids, | 0:18:24 | 0:18:27 | |
and then sometimes you get to try them, | 0:18:27 | 0:18:30 | |
you've haven't tried them for years, and they just don't taste the same. | 0:18:30 | 0:18:34 | |
It's not necessarily about the food changing. | 0:18:34 | 0:18:37 | |
It's the fact that our memory, when we were a kid... | 0:18:37 | 0:18:40 | |
So, the excitement of an ice cream from an ice cream van, | 0:18:40 | 0:18:42 | |
-you know, we're that big, so everything seems massive. -Mmm. | 0:18:42 | 0:18:47 | |
And the same thing happens when you get older. | 0:18:47 | 0:18:49 | |
For example, you've got a long weekend and you go to | 0:18:49 | 0:18:51 | |
the Loire Valley, and you're sitting by the river with your missus | 0:18:51 | 0:18:55 | |
and you're having lunch and the sun is just shimmering on the water. | 0:18:55 | 0:18:59 | |
Grass is softly waving in the wind, in the warm breeze. | 0:18:59 | 0:19:01 | |
Paint a lovely picture. | 0:19:01 | 0:19:03 | |
And then you've got the ice bucket. The bottle goes in. | 0:19:03 | 0:19:07 | |
The chink of the ice cubes, pop of the cork, pour the wine, | 0:19:07 | 0:19:10 | |
and you taste it, and you go, | 0:19:10 | 0:19:12 | |
"My God, I've never tasted Muscadet like this before. | 0:19:12 | 0:19:15 | |
"It's fantastic". | 0:19:15 | 0:19:16 | |
So what do you do? | 0:19:16 | 0:19:18 | |
You buy 75 cases, | 0:19:18 | 0:19:19 | |
strap them to your car and then drive back. | 0:19:19 | 0:19:23 | |
And then you invite all your gastronomic friends | 0:19:23 | 0:19:26 | |
and your boss over and you think, | 0:19:26 | 0:19:28 | |
"This is going to surprise them so much", | 0:19:28 | 0:19:30 | |
and then you pour the wine and you taste it and go, "This is horrible". | 0:19:30 | 0:19:34 | |
That's like holiday romances. | 0:19:34 | 0:19:36 | |
LAUGHTER | 0:19:36 | 0:19:39 | |
Yes... | 0:19:40 | 0:19:41 | |
I don't invite the friends around, but I mean apart from that... | 0:19:41 | 0:19:46 | |
I don't drink, but I'm sure if I did drink now it wouldn't be like I... | 0:19:46 | 0:19:50 | |
Well, I don't remember it, so ... | 0:19:50 | 0:19:52 | |
It's the same with the foods that you remember as a kid | 0:19:52 | 0:19:55 | |
that were so exciting. | 0:19:55 | 0:19:57 | |
You know, we just kind of assume that they've changed the food | 0:19:57 | 0:19:59 | |
-or they've changed the recipe. -Mmm. | 0:19:59 | 0:20:01 | |
But there's such a ritualization with food. | 0:20:01 | 0:20:04 | |
So if you look at, say, a Kit Kat, | 0:20:04 | 0:20:05 | |
-a Kit Kat used to have the silver foil round it. -Yeah. | 0:20:05 | 0:20:08 | |
And then the paper wrapper, and there was a whole ritual, | 0:20:08 | 0:20:11 | |
some people would rub their fingers over to get the imprint of "Kit Kat" | 0:20:11 | 0:20:14 | |
-through the foil. -Oh, yeah. | 0:20:14 | 0:20:15 | |
Or running your nail between the two and snapping it. | 0:20:15 | 0:20:19 | |
-Some people take the chocolate off first. -Me. | 0:20:19 | 0:20:21 | |
Can I say, children, | 0:20:21 | 0:20:22 | |
this is what middle-aged people talk about after you've gone to bed. | 0:20:22 | 0:20:27 | |
LAUGHTER | 0:20:27 | 0:20:29 | |
So you can change the taste of a food by the temperature of a room, | 0:20:29 | 0:20:33 | |
by the colour of the room, by the sounds you hear. | 0:20:33 | 0:20:36 | |
You can speed people's eating by up to 15% | 0:20:36 | 0:20:38 | |
by playing loud rock music. | 0:20:38 | 0:20:40 | |
That would explain Meat Loaf. | 0:20:40 | 0:20:42 | |
LAUGHTER | 0:20:42 | 0:20:46 | |
-I find that certain things, for example, Toblerone... -Yeah. | 0:20:46 | 0:20:52 | |
Toblerone are as dangerous now | 0:20:52 | 0:20:54 | |
as they were when I was eating them as a child. | 0:20:54 | 0:20:56 | |
I have never eaten a Toblerone without some bruising. | 0:20:56 | 0:20:59 | |
I actually got a finger wedged in a Toblerone, | 0:20:59 | 0:21:04 | |
between two adjacent pyramids. | 0:21:04 | 0:21:07 | |
Actually wedged there. | 0:21:07 | 0:21:09 | |
I had to wait for it to melt to get some... | 0:21:09 | 0:21:14 | |
LAUGHTER | 0:21:14 | 0:21:15 | |
Do you know about the bear? Toblerone bear? | 0:21:15 | 0:21:18 | |
Every single bar of Toblerone, there is a shadow of a bear. | 0:21:18 | 0:21:22 | |
-What? -Every single bar of Toblerone, every single bar, | 0:21:24 | 0:21:27 | |
there is a shadow of a bear. | 0:21:27 | 0:21:29 | |
I've eaten Toblerone all my life and I've never known that. | 0:21:29 | 0:21:33 | |
That's thrown you, hasn't it? | 0:21:34 | 0:21:36 | |
It's funny you should mention that, Heston, | 0:21:36 | 0:21:39 | |
because it just so happens | 0:21:39 | 0:21:41 | |
we have a picture of that very same phenomenon. | 0:21:41 | 0:21:43 | |
AUDIENCE: Ooh! | 0:21:46 | 0:21:48 | |
Yeah. | 0:21:48 | 0:21:50 | |
JAMES MIMICS EXPLOSION | 0:21:50 | 0:21:52 | |
So, what about James' choice? | 0:21:54 | 0:21:57 | |
LAUGHTER | 0:22:03 | 0:22:06 | |
I realise now I actually misread your choice. | 0:22:08 | 0:22:11 | |
-You can't not like the shot put, can you? -Oh, I can. | 0:22:18 | 0:22:22 | |
Who here is a fan of the shot put? | 0:22:22 | 0:22:23 | |
Woo! Yay! | 0:22:23 | 0:22:24 | |
One guy... | 0:22:24 | 0:22:25 | |
and he's a liar. | 0:22:25 | 0:22:27 | |
Here's the problem. At the Olympics everyone does their stuff. | 0:22:29 | 0:22:32 | |
It's amazing - you see people doing things, you go, "I couldn't do that. | 0:22:32 | 0:22:35 | |
"That looks incredible". | 0:22:35 | 0:22:37 | |
The shot put, it just looks rubbish. | 0:22:37 | 0:22:39 | |
They throw it. | 0:22:39 | 0:22:41 | |
Literally, he's here, and he throws it, and it lands...there. | 0:22:41 | 0:22:45 | |
And I know it's heavy, but I've never held a shot put, | 0:22:46 | 0:22:49 | |
so I don't know how heavy it actually is, so I've got no context. | 0:22:49 | 0:22:52 | |
All I'm seeing on TV is someone throw a ball a little way. | 0:22:52 | 0:22:56 | |
There's a certain method, though. | 0:22:58 | 0:23:00 | |
You have to hold it tight to your chin and straighten the arm. | 0:23:00 | 0:23:03 | |
-Yeah, you've got to do that. -Yeah. | 0:23:03 | 0:23:04 | |
How's that fun? | 0:23:04 | 0:23:07 | |
The Berlin 1938 Olympics, got a big cheer every time. | 0:23:07 | 0:23:10 | |
LAUGHTER | 0:23:10 | 0:23:13 | |
Let's have a look. | 0:23:13 | 0:23:14 | |
This is a shot putter called Leila Rajabi. | 0:23:14 | 0:23:17 | |
I think she's the one on the right. | 0:23:18 | 0:23:21 | |
LAUGHTER | 0:23:21 | 0:23:24 | |
But you have to admire the amount of effort, surely, | 0:23:24 | 0:23:27 | |
that's going into that? | 0:23:27 | 0:23:29 | |
I'm sure, as an Olympian, or as a shot putter, | 0:23:29 | 0:23:32 | |
-it is very hard and you've got to train a long time for it. -Yes. | 0:23:32 | 0:23:36 | |
But as a spectator, no-one is watching that going, | 0:23:36 | 0:23:40 | |
"Oh! | 0:23:40 | 0:23:42 | |
"Nearly as good as last time that man threw the ball a little way". | 0:23:42 | 0:23:46 | |
On the subject of the weight, for a man, the shot put is 7.2kg, | 0:23:48 | 0:23:53 | |
which is...you'll like this. | 0:23:53 | 0:23:55 | |
It's the size of an average size dachshund. | 0:23:55 | 0:23:58 | |
Now that sounds much more enjoyable. | 0:24:00 | 0:24:02 | |
Yeah. Instantly a better sport! | 0:24:02 | 0:24:04 | |
Throw it into a big hotdog roll. | 0:24:04 | 0:24:07 | |
And the female one is 4kg, | 0:24:09 | 0:24:11 | |
which is the equivalent to the average weight of a domestic cat. | 0:24:11 | 0:24:17 | |
I like that. | 0:24:17 | 0:24:19 | |
-A domestic cat would work better in the hammer. -Yeah. | 0:24:19 | 0:24:21 | |
If you had the room, of course. | 0:24:21 | 0:24:23 | |
What I wish we had, of course, what would be ideal, | 0:24:26 | 0:24:29 | |
is if we had some fabulous shot putter to come on. | 0:24:29 | 0:24:33 | |
Say, the only British woman to have ever won | 0:24:33 | 0:24:35 | |
-an international shot put medal. -Oh, Jesus. | 0:24:35 | 0:24:38 | |
Someone like, er, Sophie McKinna. Here she is, Sophie McKinna! | 0:24:38 | 0:24:42 | |
APPLAUSE | 0:24:42 | 0:24:44 | |
This is James. | 0:24:53 | 0:24:55 | |
Hello, Sophie McKinna. | 0:24:55 | 0:24:56 | |
Hi, James. Nice to meet you. | 0:24:56 | 0:24:58 | |
What we thought is the best way to settle this | 0:24:58 | 0:25:01 | |
is if you and Sophie have a contest. | 0:25:01 | 0:25:05 | |
Great idea! | 0:25:05 | 0:25:07 | |
You're all right with a big lead weight flying over? | 0:25:07 | 0:25:10 | |
No, what we are going to do, we're going to use a tangerine, | 0:25:11 | 0:25:15 | |
a small tangerine. | 0:25:15 | 0:25:17 | |
Are you all right with chucking a tangerine? | 0:25:17 | 0:25:19 | |
-Of course, yeah. Give it a go. -You..! | 0:25:19 | 0:25:22 | |
Hold on. | 0:25:23 | 0:25:25 | |
I have a... I'm going to let you choose your weapons. | 0:25:25 | 0:25:29 | |
What we need is a shot circle. | 0:25:29 | 0:25:31 | |
-You know the thing that they swing...? -Yeah. | 0:25:31 | 0:25:34 | |
Here it comes. | 0:25:34 | 0:25:35 | |
I'm afraid to go anywhere near her because I feel I've made her angry. | 0:25:35 | 0:25:38 | |
So if anyone can catch the tangerine they'll get a special prize. | 0:25:40 | 0:25:45 | |
-Would you like to choose your ... -You first. | 0:25:49 | 0:25:52 | |
Choose your tangerine. | 0:25:52 | 0:25:53 | |
Oh, come on. | 0:25:54 | 0:25:55 | |
He's weighing them! | 0:25:55 | 0:25:57 | |
Yeah, straight in, Sophie. | 0:25:57 | 0:25:58 | |
-Have I got to do the..? -Yeah. | 0:26:00 | 0:26:01 | |
-Do you want a bit of advice from Sophie? -Yeah, give me a pointer. | 0:26:01 | 0:26:04 | |
-Are you right-handed? -Yeah. | 0:26:04 | 0:26:06 | |
-So put your left foot against the stop board, like that. -Yeah. | 0:26:06 | 0:26:09 | |
Then stand your right foot astride. | 0:26:09 | 0:26:11 | |
Bring it forward a little bit to mine. Yeah. | 0:26:11 | 0:26:13 | |
Then tangerine tight in your neck. | 0:26:13 | 0:26:16 | |
-There? -And then... Yeah. ..bend your right knee, | 0:26:16 | 0:26:18 | |
and bring your shoulders back to me. No, like this. | 0:26:18 | 0:26:20 | |
LAUGHTER | 0:26:20 | 0:26:23 | |
And your head this way as well. | 0:26:24 | 0:26:26 | |
-Yeah. -And then obviously turn and throw. | 0:26:26 | 0:26:29 | |
Here we go. Get ready to catch. | 0:26:29 | 0:26:32 | |
OK. | 0:26:32 | 0:26:33 | |
Ready? | 0:26:33 | 0:26:35 | |
Whoa! | 0:26:37 | 0:26:39 | |
That was pretty good. | 0:26:39 | 0:26:41 | |
APPLAUSE | 0:26:41 | 0:26:43 | |
Who did that land next to? | 0:26:46 | 0:26:48 | |
Yes. | 0:26:48 | 0:26:49 | |
This lady. So, you're the official marker. | 0:26:49 | 0:26:52 | |
Thank you so much. So it's over to Sophie. | 0:26:53 | 0:26:56 | |
Feel a bit pressured now. | 0:26:58 | 0:26:59 | |
Whoa! | 0:27:01 | 0:27:03 | |
APPLAUSE | 0:27:03 | 0:27:06 | |
Has it actually landed yet? | 0:27:16 | 0:27:18 | |
I'm hoping you two can shake hands and agree to differ on this one. | 0:27:19 | 0:27:22 | |
And a massive hand for Sophie McKinna! | 0:27:22 | 0:27:24 | |
CHEERING AND APPLAUSE | 0:27:24 | 0:27:26 | |
Cheers, Sophie. Thanks a lot. | 0:27:26 | 0:27:28 | |
Anyway, I think you'd agree after that | 0:27:38 | 0:27:40 | |
we can't possibly put the shot put in. | 0:27:40 | 0:27:42 | |
I mean, that was just a spectacular thing, | 0:27:42 | 0:27:45 | |
and it's just made me a big fan of the sport now. | 0:27:45 | 0:27:48 | |
Um, food that doesn't... Yeah, it's difficult, that, isn't it? | 0:27:49 | 0:27:53 | |
Because it is a terrible disappointment. | 0:27:53 | 0:27:55 | |
I don't think I can put plastic flowers in, | 0:27:55 | 0:27:57 | |
because I remember when they were invented, | 0:27:57 | 0:28:00 | |
or when it seemed like they got popular, | 0:28:00 | 0:28:02 | |
and, you know, they were in chip shops and things. | 0:28:02 | 0:28:04 | |
Places where normal flowers would have perished. | 0:28:04 | 0:28:07 | |
I'm going to put food that doesn't taste like we remember it tasting | 0:28:07 | 0:28:12 | |
into Room 101. | 0:28:12 | 0:28:13 | |
APPLAUSE | 0:28:13 | 0:28:16 | |
That brings us to the end of the show. | 0:28:25 | 0:28:27 | |
Well done, James, you were this week's most persuasive guest, | 0:28:27 | 0:28:30 | |
so you are the winner. | 0:28:30 | 0:28:31 | |
Thanks very much, James Acaster, Kirsty Wark | 0:28:35 | 0:28:38 | |
and Heston Blumenthal, and thank you. Good night! | 0:28:38 | 0:28:40 | |
Anyone want a tangerine? | 0:29:07 | 0:29:10 |