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CHEERING AND APPLAUSE | 0:00:27 | 0:00:30 | |
Hello, I'm Frank Skinner, and welcome to Room 101, | 0:00:31 | 0:00:35 | |
the show where three guests compete to cast their biggest gripes | 0:00:35 | 0:00:38 | |
deep into the gloomy vault. | 0:00:38 | 0:00:40 | |
They'll have to argue their case well, because in each round | 0:00:40 | 0:00:43 | |
only one item can be chosen - the final decision is mine. | 0:00:43 | 0:00:46 | |
Let's meet this week's guests. | 0:00:46 | 0:00:48 | |
Joining me tonight are Happy Mondays' Shaun Ryder, | 0:00:48 | 0:00:51 | |
took her for a drink on Tuesday Meera Syal, | 0:00:51 | 0:00:53 | |
and we were making love by Wednesday Sam Simmons. | 0:00:53 | 0:00:56 | |
LAUGHTER AND APPLAUSE | 0:00:56 | 0:00:59 | |
All right, then. So, may the best moan win. | 0:01:03 | 0:01:07 | |
BELL DINGS | 0:01:07 | 0:01:08 | |
OK. So, what is Shaun's choice? | 0:01:08 | 0:01:11 | |
-LAUGHTER AND APPLAUSE -Meeting new people. | 0:01:16 | 0:01:19 | |
Do you know what, Frank? It's not even new people, it's people. | 0:01:22 | 0:01:25 | |
It's anyone, even my family. | 0:01:25 | 0:01:27 | |
Even my best mates, my next-door neighbours, people in Tesco. | 0:01:27 | 0:01:30 | |
Anyone. Can do without it. | 0:01:30 | 0:01:31 | |
I could live on an island really easily, on my own. | 0:01:31 | 0:01:34 | |
-Wow. -Just with a television to argue with. | 0:01:34 | 0:01:37 | |
But you must meet loads of new... | 0:01:39 | 0:01:41 | |
I mean, tonight, I'd never met you before. | 0:01:41 | 0:01:43 | |
-I don't know if you guys... -No, we have met before. | 0:01:43 | 0:01:46 | |
-Have we? -Yeah. | 0:01:46 | 0:01:47 | |
That's how interesting it was. | 0:01:47 | 0:01:49 | |
LAUGHTER | 0:01:49 | 0:01:50 | |
Oh, I forgot that, Shaun. Sorry. | 0:01:50 | 0:01:52 | |
Because I was quite excited about meeting you tonight. | 0:01:52 | 0:01:54 | |
-Was I drinking at the time? -Er... Can't remember. I was. | 0:01:54 | 0:01:58 | |
Was it you, or Trevor McDonald? Can't remember. | 0:02:00 | 0:02:03 | |
Didn't recognise me without the spectacles. | 0:02:06 | 0:02:09 | |
-Do you drink now? -Not really. Not any more. | 0:02:10 | 0:02:13 | |
I sort of went out when I was 20, didn't come home till I was 40, | 0:02:13 | 0:02:18 | |
and then stopped drinking, and never really spoke to anyone since. | 0:02:18 | 0:02:22 | |
-MAN IN AUDIENCE: -Legend! | 0:02:22 | 0:02:24 | |
-What was that? -He's a legend! | 0:02:24 | 0:02:26 | |
You're a legend, apparently. | 0:02:27 | 0:02:30 | |
Well, he loves you... | 0:02:30 | 0:02:31 | |
but you wouldn't want to meet him, am I right? | 0:02:31 | 0:02:34 | |
LAUGHTER AND APPLAUSE | 0:02:34 | 0:02:38 | |
How are you with fans? Because obviously, you... | 0:02:40 | 0:02:43 | |
Well, that's part of the job. | 0:02:43 | 0:02:44 | |
You just go, "All right, mate? Yeah, nice one," | 0:02:44 | 0:02:47 | |
and then sign something, have a selfie and move on. | 0:02:47 | 0:02:49 | |
You don't have to have a huge conversation with them, do you? | 0:02:49 | 0:02:52 | |
-No. -If they do, just... "See you." | 0:02:52 | 0:02:54 | |
Yeah. | 0:02:56 | 0:02:57 | |
We have a clip. | 0:02:57 | 0:02:59 | |
Do you know who Liam Payne is? He's in One Direction. | 0:02:59 | 0:03:03 | |
Oh, right. OK. | 0:03:03 | 0:03:05 | |
This was shot on a fan's phone, | 0:03:05 | 0:03:07 | |
and it's this thing where he smiles for the pictures, | 0:03:07 | 0:03:10 | |
but it's the way the smile disappears, is dramatic. | 0:03:10 | 0:03:13 | |
Yeah, most people in television are like that... | 0:03:23 | 0:03:26 | |
-Yes... -..Frank. | 0:03:26 | 0:03:27 | |
On the thing of people with their fans, this is Olly Murs. | 0:03:31 | 0:03:35 | |
Do you know, I remember doing that once - signing someone's breast - | 0:03:39 | 0:03:43 | |
and the woman said to me, "It's not for me, it's for my dad." | 0:03:43 | 0:03:46 | |
LAUGHTER | 0:03:46 | 0:03:49 | |
I'll never know if it was a joke or not. | 0:03:51 | 0:03:53 | |
-I hope so. -Hope so. | 0:03:53 | 0:03:55 | |
I've been watching for it on Jeremy Kyle ever since. | 0:03:55 | 0:03:59 | |
How is this going to carry on, Shaun? | 0:03:59 | 0:04:01 | |
You don't want to be lonely in later life. | 0:04:01 | 0:04:03 | |
I'm not lonely. I love myself. | 0:04:03 | 0:04:05 | |
I love my own company, and my shrink. Talk to him. | 0:04:06 | 0:04:11 | |
-OK. -That's all I need. | 0:04:11 | 0:04:13 | |
Television to shout at, psychiatrist and me. | 0:04:13 | 0:04:17 | |
Let's role-play. Let's say we've just met. You ready? | 0:04:18 | 0:04:22 | |
-Hey, Shaun. -All right, mate. | 0:04:23 | 0:04:25 | |
You, er... | 0:04:26 | 0:04:28 | |
..up to much? | 0:04:30 | 0:04:32 | |
Not really. | 0:04:32 | 0:04:33 | |
See you. | 0:04:35 | 0:04:36 | |
Now, that's how I like it. | 0:04:37 | 0:04:40 | |
People who turn on now will think it's Coronation Street. | 0:04:40 | 0:04:43 | |
I must admit, I can sympathise. | 0:04:45 | 0:04:48 | |
I've started to get a bit like that as I've got older. | 0:04:48 | 0:04:51 | |
-Maybe it's a sort of grumpy old man... -Yeah. | 0:04:51 | 0:04:53 | |
-Do you have a smartphone? -Yeah. | 0:04:53 | 0:04:56 | |
-See, I don't even like... You know Siri? -Yeah. | 0:04:56 | 0:04:58 | |
You know that voice that comes on? | 0:04:58 | 0:05:00 | |
And it says, "Hello, Frank," and I always think, "You don't know me." | 0:05:00 | 0:05:04 | |
I like her. I've had a lot of chats with Siri. | 0:05:05 | 0:05:08 | |
Did you say "her"? | 0:05:08 | 0:05:10 | |
-Siri is a girl. -Oh, no, I've got the male Siri. | 0:05:10 | 0:05:12 | |
I've got a female Siri. | 0:05:12 | 0:05:14 | |
Oh, no, I couldn't have a female Siri. | 0:05:14 | 0:05:16 | |
-Don't think that would work. -Oh, right. | 0:05:16 | 0:05:18 | |
I'd be saying, "Where's the nearest Chinese restaurant?" | 0:05:18 | 0:05:20 | |
She'd say, "What, you're going out again?!" | 0:05:20 | 0:05:23 | |
LAUGHTER AND APPLAUSE | 0:05:23 | 0:05:26 | |
The master of this is the Queen, isn't it? | 0:05:30 | 0:05:32 | |
Imagine being the Queen, who meets, like, 30,000 new people every year. | 0:05:32 | 0:05:38 | |
Here she is, meeting people. | 0:05:38 | 0:05:40 | |
It's me! | 0:05:41 | 0:05:42 | |
AUDIENCE GROANS | 0:05:42 | 0:05:44 | |
I know, my hair... I was going through a midlife crisis. | 0:05:44 | 0:05:47 | |
-That is you? -Wow. | 0:05:47 | 0:05:48 | |
Yes. Those gloves were white before she shook hands with me. | 0:05:48 | 0:05:52 | |
Oh, look, and there's Mike Baldwin in the background. | 0:05:53 | 0:05:55 | |
Yeah, Mike Baldwin. Well spotted. | 0:05:55 | 0:05:57 | |
There, you have someone from Salford. | 0:06:03 | 0:06:06 | |
The Queen... The QUEEN is at the front and he's saying, | 0:06:07 | 0:06:09 | |
"Oh, there's Mike Baldwin, look." | 0:06:09 | 0:06:12 | |
OK. So what is Meera's choice? | 0:06:17 | 0:06:19 | |
CHEERING AND APPLAUSE | 0:06:26 | 0:06:29 | |
They like that. | 0:06:33 | 0:06:35 | |
It drives me nuts. | 0:06:36 | 0:06:38 | |
I was sitting behind a couple of young people - | 0:06:38 | 0:06:41 | |
I suppose my definition would be anybody under 25 - | 0:06:41 | 0:06:44 | |
and the conversation went something like, | 0:06:44 | 0:06:47 | |
"So I was, like, no, and he was, like, yeah, and I was, like, | 0:06:47 | 0:06:50 | |
"whatever, and I was, like, no, and he was, like, yeah." | 0:06:50 | 0:06:54 | |
I'm sat there thinking, | 0:06:54 | 0:06:55 | |
I don't actually know what any of that was about. | 0:06:55 | 0:06:57 | |
There wasn't any nouns in it. | 0:06:57 | 0:07:00 | |
Wasn't any verbs in it, I don't think. | 0:07:00 | 0:07:02 | |
It's become this all-purpose filler word which means nothing. | 0:07:02 | 0:07:06 | |
It's robbing us of all our descriptive uses of this beautiful language, which it is, | 0:07:06 | 0:07:11 | |
and it makes people sound really thick, when they're not. | 0:07:11 | 0:07:15 | |
CHEERING AND APPLAUSE | 0:07:16 | 0:07:19 | |
You've got the crowd on your side. | 0:07:22 | 0:07:24 | |
It's a sort of cue for acting, isn't it? | 0:07:24 | 0:07:28 | |
It's sort of saying, "I'm about to... | 0:07:28 | 0:07:31 | |
"So, yeah, so she told me, and I was, like..." | 0:07:31 | 0:07:34 | |
So it's a bit of a... They're saying, | 0:07:36 | 0:07:38 | |
"I can't exactly represent what I did, but I was LIKE this..." | 0:07:38 | 0:07:42 | |
So I think you could say they're | 0:07:44 | 0:07:45 | |
trying to make the scene that they're describing more vivid. | 0:07:45 | 0:07:49 | |
-How does that sound? -Except, most people are very bad actors. -Yes. | 0:07:49 | 0:07:53 | |
-So that doesn't really work. -Most actors, even. | 0:07:53 | 0:07:55 | |
Indeed. I absolutely agree. | 0:07:55 | 0:07:57 | |
So, let's hear an example of this phenomenon. | 0:07:57 | 0:08:00 | |
This is a young woman in a car | 0:08:00 | 0:08:02 | |
talking to a sort of boyfriend/friend. | 0:08:02 | 0:08:06 | |
Yeah, so, like, I was never, like, really too, like, | 0:08:07 | 0:08:10 | |
concerned with, like, you know, dating you. | 0:08:10 | 0:08:13 | |
I was just, like, you know, we're friends, whatever, | 0:08:13 | 0:08:16 | |
like, whatever happens, happens, and, like, I obviously have, like, | 0:08:16 | 0:08:19 | |
strong feelings for you as my, like, best friend. | 0:08:19 | 0:08:21 | |
Like, I definitely, like, want to, like, try it out, | 0:08:21 | 0:08:25 | |
like, you know, see, like, how it can go, cos, like, | 0:08:25 | 0:08:28 | |
if we can make a relationship happen, like, that would be awesome. | 0:08:28 | 0:08:32 | |
I'm sure that cleared the air. Good communication going on. | 0:08:34 | 0:08:37 | |
Well, yeah. | 0:08:37 | 0:08:38 | |
He's just thinking, "Like, I want to get in your kecks, like. | 0:08:38 | 0:08:42 | |
"I'm not really bothered what you're saying." | 0:08:44 | 0:08:46 | |
I bet you he's not thinking "kecks". | 0:08:46 | 0:08:48 | |
But that thing about comparison - | 0:08:50 | 0:08:52 | |
in football commentary they'll say this thing, like, | 0:08:52 | 0:08:55 | |
"Of course England up front, they've got people like Wayne Rooney, | 0:08:55 | 0:08:58 | |
"and, er, people like Raheem Sterling," | 0:08:58 | 0:09:00 | |
and I thought, they haven't got people LIKE them. | 0:09:00 | 0:09:03 | |
-That's them! -Yeah. | 0:09:05 | 0:09:07 | |
You would never use that in any other context. | 0:09:07 | 0:09:09 | |
You'd say, you know, | 0:09:09 | 0:09:11 | |
"I've been on a couple of holidays with people like my wife." | 0:09:11 | 0:09:14 | |
LAUGHTER AND APPLAUSE | 0:09:14 | 0:09:17 | |
OK. Let's have a look at Sam's choice. | 0:09:22 | 0:09:26 | |
Holding hands. | 0:09:29 | 0:09:31 | |
-AUDIENCE: -Aww... -What? -Oh... | 0:09:31 | 0:09:33 | |
No, I'll give you an example. I'll give you an example, OK? | 0:09:33 | 0:09:36 | |
No, wait, wait. Just wait. This is good. OK. | 0:09:36 | 0:09:39 | |
The example is, you know when you're walking down a very narrow footpath | 0:09:39 | 0:09:42 | |
and you see a loved-up couple walking towards you holding hands? | 0:09:42 | 0:09:46 | |
Now, a decision has to be made as to who is going to stand | 0:09:46 | 0:09:49 | |
in the gutter of despair and loneliness, OK? | 0:09:49 | 0:09:52 | |
Why should I be standing in the gutter of despair and loneliness | 0:09:52 | 0:09:54 | |
whilst you're walking past me with your bloody love? Yeah? | 0:09:54 | 0:09:57 | |
And if I was a single man of one, you look at them | 0:09:57 | 0:09:59 | |
and you're thinking, you know what? | 0:09:59 | 0:10:01 | |
They've got a double disposable income, | 0:10:01 | 0:10:03 | |
so they're making more money than me as well. | 0:10:03 | 0:10:05 | |
My wife has just gone back to Australia. | 0:10:05 | 0:10:07 | |
I went to Tesco the other day to buy myself | 0:10:07 | 0:10:09 | |
all the ingredients for Amatriciana pasta. Cost me £42. | 0:10:09 | 0:10:12 | |
You could at least give me a little bit of concrete! | 0:10:12 | 0:10:15 | |
LAUGHTER AND APPLAUSE | 0:10:17 | 0:10:20 | |
No? | 0:10:20 | 0:10:22 | |
The only thing about holding hands for me is, | 0:10:23 | 0:10:25 | |
if you're a little boy and you need to cross a street, you hold hands. | 0:10:25 | 0:10:28 | |
If you're a little old lady, you need help across the street, you hold hands. | 0:10:28 | 0:10:32 | |
So you do it on the way in and you do it on the way out. | 0:10:32 | 0:10:35 | |
It's interesting you say that, | 0:10:35 | 0:10:36 | |
because I used to hold hands with my partner quite regularly, | 0:10:36 | 0:10:42 | |
and I've noticed since I've gone grey, we don't hold hands any more. | 0:10:42 | 0:10:47 | |
Because it does, it looks like I'm being helped. | 0:10:47 | 0:10:50 | |
See, I love seeing an older couple holding hands. | 0:10:51 | 0:10:54 | |
There's nothing sweeter than this little old grey-haired couple sort of tottering... | 0:10:54 | 0:10:58 | |
Yeah, they're on their way out. It's fine. | 0:10:58 | 0:11:00 | |
One of my pet hates is, | 0:11:02 | 0:11:04 | |
sometimes you'll see a couple holding hands across a table... | 0:11:04 | 0:11:07 | |
-No. -..like that. Sitting, just looking at each other. | 0:11:07 | 0:11:10 | |
That, I struggle with. | 0:11:10 | 0:11:11 | |
Unless you're both on the back legs of your chair | 0:11:11 | 0:11:14 | |
and leaning right back and doing that... | 0:11:14 | 0:11:17 | |
I have a picture of a couple. | 0:11:19 | 0:11:21 | |
This is not exactly holding hands, | 0:11:21 | 0:11:23 | |
but it's a kind of intimacy, which I find strangely rewarding. | 0:11:23 | 0:11:29 | |
That's usually me, but with my hands down my own kecks. | 0:11:39 | 0:11:42 | |
To be fair, that's actually a ventriloquist act | 0:11:45 | 0:11:48 | |
I worked with in the '80s. | 0:11:48 | 0:11:49 | |
This is a couple that were buried 700 years ago, | 0:11:51 | 0:11:55 | |
and they found the skeletons of this couple, and they were holding hands. | 0:11:55 | 0:11:59 | |
The interesting thing is, the woman is yawning. | 0:12:01 | 0:12:04 | |
But, yeah, they were holding hands. | 0:12:08 | 0:12:10 | |
-There's something beautiful about that, Sam, is there not? -Yeah. | 0:12:10 | 0:12:13 | |
That? There's nothing beautiful about that at all. Look at it! | 0:12:13 | 0:12:18 | |
The idea of continuing love, is what I meant. | 0:12:18 | 0:12:21 | |
OK. No. | 0:12:21 | 0:12:23 | |
I'll tell you what. I have a three-year-old now, and now, | 0:12:25 | 0:12:30 | |
instead of holding hands with my girlfriend, he's in the middle. | 0:12:30 | 0:12:34 | |
So, we hold hands with... | 0:12:34 | 0:12:35 | |
you know, I hold one of his hands and she holds the other hand. | 0:12:35 | 0:12:38 | |
And that is just the sort of distance you need | 0:12:38 | 0:12:41 | |
when you've been in a long-term relationship. | 0:12:41 | 0:12:44 | |
A bit of space. | 0:12:44 | 0:12:45 | |
But something that's never mentioned is that single parents, | 0:12:45 | 0:12:49 | |
that swinging thing you do with kids... | 0:12:49 | 0:12:51 | |
How are you going to do that? | 0:12:51 | 0:12:52 | |
If you're a single parent - I've seen single parents falling over | 0:12:52 | 0:12:55 | |
trying to do them between their legs. | 0:12:55 | 0:12:57 | |
And I came up with a gadget. | 0:12:58 | 0:13:00 | |
It's a shopping trolley for single parents. | 0:13:00 | 0:13:03 | |
APPLAUSE | 0:13:15 | 0:13:18 | |
My kids won't hold hands with me. | 0:13:21 | 0:13:23 | |
No. They just run off. | 0:13:23 | 0:13:26 | |
How old are they? | 0:13:26 | 0:13:27 | |
Er, the ones at home are six and seven. | 0:13:27 | 0:13:30 | |
-And they won't hold your hand? -No. | 0:13:30 | 0:13:32 | |
Too busy running in and out of the road. | 0:13:32 | 0:13:34 | |
OK. So, I don't think I can put holding hands in, Sam. | 0:13:38 | 0:13:42 | |
-OK. -I mean, it can make me nauseous, | 0:13:42 | 0:13:45 | |
especially when they won't separate, as you say, | 0:13:45 | 0:13:47 | |
and you have to go round. | 0:13:47 | 0:13:49 | |
But in the early days of a relationship, | 0:13:49 | 0:13:51 | |
-it can be a very lovely thing. -OK. | 0:13:51 | 0:13:54 | |
Meeting new people, I'm very tempted by this one. | 0:13:54 | 0:13:57 | |
-Go on, stick it in. -But, um ... | 0:13:57 | 0:14:00 | |
That's what I used to say when I met new people, in the old days. | 0:14:03 | 0:14:07 | |
But people who overuse the word "like" - | 0:14:08 | 0:14:11 | |
at first I wasn't certain, but then the people have spoken. | 0:14:11 | 0:14:14 | |
You got such a response when you said that. | 0:14:14 | 0:14:17 | |
-Clearly, there is a... -There's a movement. | 0:14:17 | 0:14:19 | |
Yeah, there is. There's a bubbling under. | 0:14:19 | 0:14:21 | |
So, I am going to put people who overuse the word "like" | 0:14:21 | 0:14:24 | |
-into Room 101. -Well done. -CHEERING AND APPLAUSE | 0:14:24 | 0:14:28 | |
Well done, Meera. | 0:14:28 | 0:14:29 | |
OK. | 0:14:37 | 0:14:39 | |
BELL DINGS | 0:14:39 | 0:14:41 | |
So, off we go. Let's see what's winding up Meera. | 0:14:41 | 0:14:45 | |
-CHEERING AND APPLAUSE -Oh, good. | 0:14:51 | 0:14:53 | |
You're on a roll. Tell me more. | 0:14:56 | 0:14:57 | |
These are makeover programmes. | 0:14:57 | 0:15:00 | |
It's usually a woman, and they take her away | 0:15:00 | 0:15:03 | |
and they transform her into the swan that she apparently wants to be. | 0:15:03 | 0:15:09 | |
-Yes. -And we're not talking about a little nip and tuck here. | 0:15:09 | 0:15:12 | |
This is extreme - months of surgery, facial reconstruction, | 0:15:12 | 0:15:16 | |
getting all your teeth taken out and put back in... | 0:15:16 | 0:15:19 | |
-Had that done. -..extreme dieting. | 0:15:19 | 0:15:21 | |
And at the end of it, these women, that had issues of all kinds, | 0:15:21 | 0:15:27 | |
come out at the end apparently happier, | 0:15:27 | 0:15:30 | |
but looking basically like '70s porn stars. | 0:15:30 | 0:15:33 | |
Well, let's not knock that. | 0:15:35 | 0:15:36 | |
-I mean, The Swan is the classic example of this. -Right. | 0:15:39 | 0:15:42 | |
We've got a bit of a before-and-after thing. | 0:15:42 | 0:15:45 | |
This is Christina before she went on The Swan. | 0:15:45 | 0:15:49 | |
OK? And this is Christina after. | 0:15:49 | 0:15:52 | |
-Wow. -You say, "Wow," | 0:15:53 | 0:15:55 | |
but hasn't she taken her glasses off... | 0:15:55 | 0:15:58 | |
LAUGHTER | 0:15:58 | 0:16:00 | |
..and then let her hair down? | 0:16:02 | 0:16:03 | |
That's basically what's occurred there, hasn't it? | 0:16:03 | 0:16:06 | |
I'm going to do a makeover show called Here's A Comb, Now Get Out. | 0:16:06 | 0:16:10 | |
My issue with these programmes is that actually, not only... | 0:16:13 | 0:16:17 | |
Firstly, it's a standard | 0:16:17 | 0:16:19 | |
and a vision of what women should look like, | 0:16:19 | 0:16:22 | |
which just isn't anywhere near achievable | 0:16:22 | 0:16:25 | |
without loads and loads of money and intense grooming, | 0:16:25 | 0:16:28 | |
which most people can't achieve. | 0:16:28 | 0:16:31 | |
So, are you saying that unless you look like this idealised version, | 0:16:31 | 0:16:36 | |
we're all ugly and we're never going to have a happy life? | 0:16:36 | 0:16:38 | |
And the other issue is that for a lot of these women, | 0:16:38 | 0:16:41 | |
they don't actually need the surgery. | 0:16:41 | 0:16:43 | |
What most of them need is a therapist, | 0:16:43 | 0:16:45 | |
because all the issues they've got | 0:16:45 | 0:16:46 | |
are actually much more about their self-esteem than the nose job. | 0:16:46 | 0:16:51 | |
APPLAUSE | 0:16:51 | 0:16:53 | |
I had Botox. I went to the dentist... | 0:16:54 | 0:16:56 | |
-Oh, did you? -..to get some nerves sorted out, | 0:16:56 | 0:16:58 | |
and while I was there I went, "Give me some of that Botox." | 0:16:58 | 0:17:01 | |
So, he did. Stuck a load of pins in me. | 0:17:01 | 0:17:03 | |
I went home, no-one could tell the sodding difference! | 0:17:03 | 0:17:07 | |
Well, you've never been a man who was afraid of experimentation. | 0:17:07 | 0:17:11 | |
You, if you don't mind me saying, your teeth weren't... | 0:17:11 | 0:17:14 | |
They weren't so good as they are now. | 0:17:14 | 0:17:16 | |
Well, it was fantastic at one time, | 0:17:16 | 0:17:18 | |
then about ten years ago, they all fell out, so I got some new ones. | 0:17:18 | 0:17:23 | |
We've got a shot of your old teeth. | 0:17:23 | 0:17:24 | |
-Oh, yeah. -Just for old time's sake. | 0:17:24 | 0:17:27 | |
-Yeah. -They look better now, I must say. | 0:17:28 | 0:17:30 | |
-Well, they will do. -Yeah. | 0:17:30 | 0:17:32 | |
I'd like to know how it felt, because I went... I've got... | 0:17:35 | 0:17:38 | |
-I was heavily sedated, Frank. -Yes. | 0:17:38 | 0:17:41 | |
But that's enough about the '90s. | 0:17:41 | 0:17:43 | |
I just worry you might... | 0:17:50 | 0:17:52 | |
Because those teeth that you had before | 0:17:52 | 0:17:54 | |
were sort of part of the Shaun Ryder character. | 0:17:54 | 0:17:56 | |
Well, they only were there for, like, you know... | 0:17:56 | 0:17:58 | |
I made sure I got them done pretty quick. | 0:17:58 | 0:18:00 | |
They sort of literally fell out overnight, | 0:18:00 | 0:18:03 | |
after spending a while in Australia. | 0:18:03 | 0:18:06 | |
Yeah. Do you think it was being upside down? | 0:18:06 | 0:18:09 | |
It was either that or the crystal meth. | 0:18:11 | 0:18:14 | |
LAUGHTER AND APPLAUSE | 0:18:14 | 0:18:18 | |
One thing you've never heard said about crystal meth | 0:18:18 | 0:18:20 | |
is that it's bad for your teeth. | 0:18:20 | 0:18:22 | |
What about this guy? | 0:18:23 | 0:18:25 | |
This guy, he had the pec implants and he had the muscles done, | 0:18:25 | 0:18:29 | |
and I think he looks fantastic. | 0:18:29 | 0:18:31 | |
MEERA GASPS, AUDIENCE GROANS | 0:18:31 | 0:18:34 | |
No! | 0:18:36 | 0:18:38 | |
-Oh... -Wow. | 0:18:39 | 0:18:41 | |
But what's that thing up there? What are they? | 0:18:41 | 0:18:43 | |
I think that's the cigarettes he got at duty free. | 0:18:43 | 0:18:46 | |
If he went through customs, you'd be very, very suspicious. | 0:18:48 | 0:18:51 | |
It actually looks like | 0:18:51 | 0:18:53 | |
someone has put Homer Simpson's face on his torso. | 0:18:53 | 0:18:56 | |
I don't know if you've seen this. | 0:19:05 | 0:19:07 | |
You don't have to go to the surgeon to get more youthful. | 0:19:07 | 0:19:10 | |
This is a Japanese face-slimming exercise mouthpiece. | 0:19:10 | 0:19:15 | |
-What? -And... | 0:19:15 | 0:19:17 | |
I'm glad you told us what it was, | 0:19:17 | 0:19:19 | |
because my mind was going through all kinds of... | 0:19:19 | 0:19:21 | |
Well, it is tonight! | 0:19:21 | 0:19:22 | |
What you have to do, it fights wrinkles around your eyes | 0:19:25 | 0:19:28 | |
and helps shape the overall look of your face. | 0:19:28 | 0:19:31 | |
And so, it keeps you more youthful and vibrant, | 0:19:31 | 0:19:34 | |
and when you do it, you're supposed to make vowel sounds. | 0:19:34 | 0:19:37 | |
That's the idea. So you put it in. | 0:19:37 | 0:19:39 | |
Ah, ah, ah, eh, eh, eh, ah, ah, | 0:19:43 | 0:19:47 | |
ah, oh, oh, oh, oh... | 0:19:47 | 0:19:50 | |
LAUGHTER AND APPLAUSE | 0:19:50 | 0:19:53 | |
OK. What's Sam's choice? | 0:19:55 | 0:19:57 | |
I've got no time for boisterous whistling whatsoever. OK? | 0:20:03 | 0:20:07 | |
If you're boisterously whistling, it sounds like you're hiding a secret. | 0:20:07 | 0:20:11 | |
It's kind of sinister. Do you know what I mean? | 0:20:11 | 0:20:13 | |
You know who holds secrets? The milkman. | 0:20:13 | 0:20:15 | |
What does the milkman do? He whistles. He's got secrets. | 0:20:15 | 0:20:18 | |
What whistles? Kettles whistle, | 0:20:18 | 0:20:20 | |
birds whistle, cartoon dwarfs... | 0:20:20 | 0:20:23 | |
What else whistles? | 0:20:23 | 0:20:25 | |
Overconfident men and the Dutch. The Dutch love a whistle. | 0:20:25 | 0:20:29 | |
-Do they? -They do. They whistle all the time. | 0:20:29 | 0:20:32 | |
You've been over there quite a bit, I can imagine. | 0:20:32 | 0:20:34 | |
They whistle a lot, and it's always a non-descript tune as well, like... | 0:20:34 | 0:20:38 | |
HE WHISTLES TUNELESSLY | 0:20:38 | 0:20:41 | |
It's not even any song. | 0:20:42 | 0:20:43 | |
It's just really annoying whistling on their weird bikes. | 0:20:43 | 0:20:46 | |
That's why joined the Nazis. | 0:20:46 | 0:20:48 | |
They weren't concentrating, because they were whistling. | 0:20:48 | 0:20:52 | |
I've just got no time for it. | 0:20:52 | 0:20:53 | |
I don't know whether something weird happened to me as a young boy | 0:20:53 | 0:20:56 | |
with a loud whistle, but there's just something about it. | 0:20:56 | 0:20:58 | |
Can anyone do a big man whistle in here? | 0:20:58 | 0:21:00 | |
It always really intimidates me. | 0:21:00 | 0:21:02 | |
-BIG WHISTLE -There you go. -Whoa! | 0:21:02 | 0:21:05 | |
-WHISTLING CONTINUES -All right, that's enough. | 0:21:05 | 0:21:07 | |
No, that's actually R2-D2 drunk. | 0:21:07 | 0:21:09 | |
-Can you do it, Shaun? -Me? No. | 0:21:11 | 0:21:14 | |
Don't want you to blow your teeth out. | 0:21:14 | 0:21:16 | |
I remember people on talent shows whistling. Wasn't that a thing? | 0:21:18 | 0:21:21 | |
-Yes! Do you remember Ronnie Ronalde? -Was that him? | 0:21:21 | 0:21:23 | |
-What was he, a champion whistler? -He was a stage whistler. | 0:21:23 | 0:21:26 | |
I was so impressed by him I used to buy Ronnie Ronalde records | 0:21:26 | 0:21:30 | |
and I used to... You know people play air guitar? | 0:21:30 | 0:21:32 | |
I used to do air whistling. | 0:21:32 | 0:21:34 | |
Look, I'll give you a... | 0:21:35 | 0:21:37 | |
WHISTLING RECORD PLAYS | 0:21:37 | 0:21:41 | |
That was him. | 0:21:49 | 0:21:51 | |
LAUGHTER AND APPLAUSE | 0:21:51 | 0:21:54 | |
-One of the problems with it is you have to do that. -Mmm. | 0:21:57 | 0:22:00 | |
Which looks a bit rubbish, but there is a way round this. | 0:22:00 | 0:22:04 | |
This is a guy from the '80s. | 0:22:04 | 0:22:07 | |
He was on a show called Kelly and Company, | 0:22:07 | 0:22:09 | |
and he kind of developed his own whistling style. | 0:22:09 | 0:22:12 | |
-This is remarkable. -Is this a whistling anus? | 0:22:12 | 0:22:15 | |
No! | 0:22:15 | 0:22:17 | |
WHISTLING | 0:22:26 | 0:22:29 | |
LAUGHTER AND APPLAUSE | 0:22:46 | 0:22:49 | |
Right. Well, I know Shaun has been looking forward to this one. | 0:22:50 | 0:22:53 | |
Oh, yeah! | 0:22:53 | 0:22:54 | |
Well, I'm definitely not going to win this, am I? | 0:22:54 | 0:22:57 | |
CHEERING AND APPLAUSE | 0:22:59 | 0:23:02 | |
Football talk... | 0:23:05 | 0:23:07 | |
and all the fools that write songs about it. | 0:23:07 | 0:23:11 | |
LAUGHTER | 0:23:11 | 0:23:13 | |
What don't you like about football talk? | 0:23:15 | 0:23:17 | |
Oh, come on! It's broken biscuits. It's gaga. | 0:23:17 | 0:23:20 | |
It's just... It's just... It doesn't even make sense. | 0:23:20 | 0:23:23 | |
"Down the middle, down the middle, Rooney." What? Oh. | 0:23:23 | 0:23:28 | |
"Van Gaal, Van Gaal, bluh, bluh!" | 0:23:28 | 0:23:31 | |
"Did you watch the game?" "I listened to it. Listened to it. | 0:23:31 | 0:23:34 | |
"They went down. They scored, they scored, they scored, | 0:23:34 | 0:23:36 | |
"and I turned it off." It's just... | 0:23:36 | 0:23:39 | |
No, don't. | 0:23:39 | 0:23:42 | |
Do you know what? I walk away from them. | 0:23:42 | 0:23:44 | |
I walk away from anything like that. I got in the taxi, right, in Camden. | 0:23:44 | 0:23:47 | |
I jumped in. The geezer goes, | 0:23:47 | 0:23:50 | |
"So, where are we?" | 0:23:50 | 0:23:52 | |
I went, "Where are we? You're a taxi driver! In Camden!" | 0:23:52 | 0:23:54 | |
He went, "No, in the league, in the league! Come on, you reds!" | 0:23:54 | 0:23:58 | |
How the bleeding hell should I know? Do I look like a football fan? | 0:23:58 | 0:24:01 | |
Well, hold on a minute... LAUGHTER | 0:24:02 | 0:24:05 | |
Why don't we talk about science-fiction movies or something, | 0:24:06 | 0:24:10 | |
or Clint Eastwood films, you know? | 0:24:10 | 0:24:12 | |
-Mmm. -Something right-on. | 0:24:12 | 0:24:14 | |
I must admit, I talk about both of those as well. | 0:24:16 | 0:24:19 | |
-And you write songs about it. -Yeah, yeah. I know. | 0:24:19 | 0:24:22 | |
You never shut up about it, Frank. | 0:24:22 | 0:24:24 | |
All right! | 0:24:24 | 0:24:26 | |
You're going on a bit yourself! | 0:24:26 | 0:24:27 | |
When my son was born, my girlfriend went into labour, | 0:24:29 | 0:24:33 | |
I had to drive her across town at, like, three o'clock in the morning. | 0:24:33 | 0:24:36 | |
Her waters had broke and stuff, and she was in the car going, | 0:24:36 | 0:24:40 | |
"Argh! Argh!" Like, really... | 0:24:40 | 0:24:42 | |
And we got into the hospital, and we went into a lift, | 0:24:42 | 0:24:46 | |
and she was on the floor, I mean, "Argh!" | 0:24:46 | 0:24:50 | |
And this porter got in the lift. She's there screaming, and he said, | 0:24:50 | 0:24:53 | |
"So, what do you think about the new England manager?" | 0:24:53 | 0:24:56 | |
-LAUGHTER -Yeah. | 0:24:56 | 0:24:58 | |
And the thing was, I had some really good opinions. | 0:24:58 | 0:25:03 | |
I really wanted to talk about it, | 0:25:03 | 0:25:05 | |
but I thought, "Maybe this is a mistake." | 0:25:05 | 0:25:08 | |
So I do know what you mean. | 0:25:08 | 0:25:10 | |
I think you might like this clip. | 0:25:12 | 0:25:14 | |
This is non-league football. | 0:25:14 | 0:25:16 | |
This is Wealdstone versus White Hawks, and this is a guy - | 0:25:16 | 0:25:20 | |
he's become slightly legendary - known as the Wealdstone Raider. | 0:25:20 | 0:25:25 | |
-Right. -Do you know him? | 0:25:25 | 0:25:27 | |
-Yeah. -I think this is the sort of thing that might draw you... | 0:25:27 | 0:25:30 | |
-Has he got a baseball bat with him? -..draw you into it. He may have. | 0:25:30 | 0:25:35 | |
Have a look at this. | 0:25:35 | 0:25:37 | |
You've got no fans. You've got no ground. | 0:25:37 | 0:25:40 | |
The Hawks are playing well, I'm telling you. | 0:25:40 | 0:25:43 | |
-You want some? -Eh? | 0:25:43 | 0:25:44 | |
-You want some? -Well, the Hawks are playing well. | 0:25:44 | 0:25:47 | |
You want some, or what? | 0:25:47 | 0:25:48 | |
They're fantastic. They're fantastic. | 0:25:48 | 0:25:51 | |
If you want some, I'll give it you. | 0:25:51 | 0:25:53 | |
Now, I would talk to him. | 0:25:57 | 0:25:59 | |
You lived in Australia for a little bit. You were in Perth. | 0:26:01 | 0:26:04 | |
Did you check out any Australian rules football? | 0:26:04 | 0:26:06 | |
-No. -Because that vernacular is fun. | 0:26:06 | 0:26:07 | |
-No, I went and got off my face with the Aborigines. -Did you? | 0:26:07 | 0:26:11 | |
-Did you really? -Yeah, for about six months. | 0:26:11 | 0:26:14 | |
-With the Aborigines? Whereabouts? -Everywhere. -Wow. | 0:26:14 | 0:26:17 | |
That's how he lost his teeth - boomerang. | 0:26:19 | 0:26:21 | |
I was watching Sky Soccer Saturday, | 0:26:24 | 0:26:28 | |
and one of my favourite reporters is ex-manager Chris Kamara. | 0:26:28 | 0:26:32 | |
And I love him and he's brilliant, but sometimes you think, | 0:26:32 | 0:26:35 | |
"Maybe I could do that." | 0:26:35 | 0:26:37 | |
Unbelievable, Jeff! | 0:26:39 | 0:26:40 | |
We've just seen a marvellous, fantastic goal, a brilliant goal, | 0:26:40 | 0:26:44 | |
a wonderful overhead kick goal that has put them in front. | 0:26:44 | 0:26:48 | |
The only problem is, because I'm at the far end of the ground, | 0:26:48 | 0:26:51 | |
I don't know who scored it. | 0:26:51 | 0:26:53 | |
I think, Jeff, it was... | 0:26:53 | 0:26:56 | |
Well, I don't know, to be fair. | 0:26:56 | 0:26:58 | |
LAUGHTER AND APPLAUSE | 0:26:58 | 0:27:01 | |
OK. I sense I haven't won Shaun over on this one. | 0:27:05 | 0:27:10 | |
Right. Well, um... | 0:27:10 | 0:27:13 | |
Boisterous whistling? | 0:27:14 | 0:27:17 | |
I'm sorry, Sam. I like whistling. | 0:27:17 | 0:27:20 | |
It's got a sort of traditional thing from a world that's nearly gone. | 0:27:20 | 0:27:23 | |
And extreme makeover shows, although they are entertaining, | 0:27:23 | 0:27:28 | |
I hate myself for even watching these programmes. | 0:27:28 | 0:27:32 | |
And although I absolutely love football talk, | 0:27:32 | 0:27:35 | |
I do sympathise with you. | 0:27:35 | 0:27:37 | |
The amount of people who come up to me | 0:27:37 | 0:27:40 | |
and tell me what's wrong with West Bromwich Albion, | 0:27:40 | 0:27:42 | |
based on 34 seconds on Match Of The Day, it is annoying. | 0:27:42 | 0:27:47 | |
So I think you've got a point. | 0:27:47 | 0:27:49 | |
I know this sounds incredible, | 0:27:49 | 0:27:50 | |
but I am going to put football talk into Room 101. | 0:27:50 | 0:27:53 | |
CHEERING AND APPLAUSE | 0:27:53 | 0:27:57 | |
What have I done? | 0:28:06 | 0:28:07 | |
And that brings us to the end of the show. | 0:28:07 | 0:28:10 | |
Well done, Meera - you were the most persuasive guest, | 0:28:10 | 0:28:12 | |
-so you are this week's winner. -Thank you. | 0:28:12 | 0:28:15 | |
CHEERING AND APPLAUSE | 0:28:15 | 0:28:18 | |
Thanks very much to Sam Simmons, Meera Syal and Shaun Ryder, | 0:28:19 | 0:28:23 | |
and thank you, goodnight! | 0:28:23 | 0:28:25 |