Browse content similar to Episode 3. Check below for episodes and series from the same categories and more!
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This programme contains strong language and adult humour. | 0:00:02 | 0:00:09 | |
CHEERING AND APPLAUSE | 0:00:22 | 0:00:24 | |
Thank you! | 0:00:26 | 0:00:27 | |
Thank you, thank you, thank you. | 0:00:28 | 0:00:30 | |
Hello, and welcome to Good News. So, what's been happening? | 0:00:33 | 0:00:36 | |
Boris Johnson revealed what he saw when he took mushrooms. | 0:00:36 | 0:00:38 | |
Shiny, happy people. | 0:00:38 | 0:00:40 | |
LAUGHTER | 0:00:40 | 0:00:41 | |
Over on BBC Breakfast, | 0:00:42 | 0:00:44 | |
they were asking the big political question on everyone's mind. | 0:00:44 | 0:00:47 | |
How high can Ed Miliband bounce? | 0:00:47 | 0:00:49 | |
And finally, did you see the moment | 0:00:51 | 0:00:53 | |
this reporter had an orgasm live on air? | 0:00:53 | 0:00:55 | |
..By the troubles of a Japanese car-maker. | 0:00:55 | 0:00:58 | |
Dave Harvey, | 0:00:58 | 0:00:59 | |
(VERY QUICKLY) BBC Points West, in Swindon. | 0:00:59 | 0:01:01 | |
"BBC Points West"! | 0:01:01 | 0:01:03 | |
The big political news | 0:01:07 | 0:01:08 | |
was all about UKIP's success in the local elections. | 0:01:08 | 0:01:11 | |
The political party once dismissed by the Conservatives | 0:01:11 | 0:01:15 | |
as loonies and clowns has tonight sent a shockwave | 0:01:15 | 0:01:17 | |
through the Westminster establishment. | 0:01:17 | 0:01:20 | |
The man celebrating tonight, Nigel Farage, | 0:01:20 | 0:01:22 | |
claims a sea change in British politics, | 0:01:22 | 0:01:25 | |
as UKIP take one in four votes and nearly 140 council seats. | 0:01:25 | 0:01:29 | |
Fair to say, not everyone was that happy. | 0:01:31 | 0:01:33 | |
(TV) 'UKIP on the march, making major gains in the local elections.' | 0:01:35 | 0:01:38 | |
Oh, no! | 0:01:38 | 0:01:40 | |
HE CRIES | 0:01:40 | 0:01:42 | |
Oh, no! | 0:01:42 | 0:01:44 | |
"No!" I think I know why the kid's upset. | 0:01:44 | 0:01:48 | |
It's because people who support UKIP tend to say things like this. | 0:01:48 | 0:01:52 | |
When I was brought up, you did not see a brown face | 0:01:52 | 0:01:54 | |
or a black face or a yellow face or whatever. | 0:01:54 | 0:01:57 | |
And now you see them everywhere. | 0:01:57 | 0:02:00 | |
"They're everywhere. | 0:02:00 | 0:02:02 | |
"One looked after me in hospital. One teaches my kids. | 0:02:02 | 0:02:06 | |
"One owns my favourite restaurant. The country has gone to shit. | 0:02:06 | 0:02:10 | |
"When I was a kid, the country was full of honest, | 0:02:10 | 0:02:13 | |
"law-abiding white people like Jimmy Savile..." | 0:02:13 | 0:02:16 | |
LAUGHTER | 0:02:16 | 0:02:18 | |
"..Stuart Hall, Gary Glitter, people you could trust!" | 0:02:18 | 0:02:21 | |
If you think the kid was upset, | 0:02:23 | 0:02:25 | |
look what this guy thought of UKIP voters. | 0:02:25 | 0:02:27 | |
They jumped into a fucking... | 0:02:27 | 0:02:30 | |
into a gorilla pit, stripped themselves naked, | 0:02:30 | 0:02:35 | |
greased their genitals and started screaming for UKIP, UKIP, UKIP! | 0:02:35 | 0:02:41 | |
Come and get me! Come and get me! Come and get me! Come and get me! | 0:02:41 | 0:02:47 | |
What the fuck is going on? | 0:02:47 | 0:02:49 | |
I have no idea. | 0:02:49 | 0:02:51 | |
He needs to go easy on the Red Bull. Look what he said next. | 0:02:53 | 0:02:57 | |
We are British! We have the fucking Queen. | 0:02:57 | 0:03:01 | |
She's got hairy fucking goat legs. | 0:03:01 | 0:03:04 | |
The Queen's got goat legs? | 0:03:07 | 0:03:10 | |
"Shit, Philip! | 0:03:10 | 0:03:13 | |
"Philip! | 0:03:13 | 0:03:14 | |
"Philip, they're on to us." | 0:03:23 | 0:03:25 | |
"What are we going to do, Liz?" | 0:03:26 | 0:03:28 | |
The Queen has goat legs. | 0:03:31 | 0:03:33 | |
To be honest, I was pretty surprised that UKIP did so well. | 0:03:34 | 0:03:37 | |
Farage has been on the defensive all week. | 0:03:37 | 0:03:39 | |
There is nothing in UKIP that is racist in any way at all. | 0:03:39 | 0:03:43 | |
I don't know. This photo of one of their candidates doesn't look great. | 0:03:46 | 0:03:50 | |
A smiling Alex Wood with a beaming Nigel Farage, | 0:03:50 | 0:03:53 | |
the perfect image for a UKIP candidate. | 0:03:53 | 0:03:56 | |
But then this emerged of the 22-year-old, | 0:03:56 | 0:03:58 | |
-showing what some claimed was a Nazi salute. -Did you see his excuse? | 0:03:58 | 0:04:03 | |
He told the BBC it's a photo of him reaching for a friend's phone. | 0:04:03 | 0:04:08 | |
"I was getting my phone. Then I said to my mates, "Leave the pub! | 0:04:08 | 0:04:12 | |
"Leave the pub." Then I got an itchy nose. "Leave the pub! | 0:04:12 | 0:04:16 | |
"Leave the pub! | 0:04:16 | 0:04:20 | |
"I didn't say Sieg Heil, I was telling my mates it's cold out. | 0:04:20 | 0:04:23 | |
"It's hail! | 0:04:23 | 0:04:25 | |
"It's hail! Take an umbrella. Take two of them! Two of them! | 0:04:25 | 0:04:30 | |
"It's windy out, windy! Windy! | 0:04:30 | 0:04:34 | |
"When you get in, you need to brush your teeth. Brush your teeth! | 0:04:34 | 0:04:37 | |
"Brush 'em!" | 0:04:39 | 0:04:42 | |
So you probably think the whole Nazi thing was a one-off. | 0:04:44 | 0:04:46 | |
Oh, no. Look what happened the next day. | 0:04:46 | 0:04:48 | |
What an idiot! That's like me appearing on a national chat show | 0:04:55 | 0:05:00 | |
next to one of the most evil men on telly. | 0:05:00 | 0:05:02 | |
One of Britain's finest stand-up comedians, Russell Howard! | 0:05:02 | 0:05:05 | |
That doesn't look good. It wasn't just the UKIP candidates in trouble. | 0:05:14 | 0:05:18 | |
Farage was getting heckled in the street. | 0:05:18 | 0:05:21 | |
-Are you thinking of voting for this man tonight? -Yeah, why not? | 0:05:21 | 0:05:24 | |
-Racist homophobes. -That man says racist and homophobes. -Does he? | 0:05:24 | 0:05:29 | |
Well, there we are. I don't think we're homophobes. | 0:05:29 | 0:05:31 | |
LAUGHTER | 0:05:31 | 0:05:32 | |
"I mean, sure I'm a racist, but I'm not homophobic. I love bummers! | 0:05:36 | 0:05:40 | |
"In fact, it's the one type of Browntown I don't mind." | 0:05:41 | 0:05:44 | |
Bizarrely, Farage doesn't mind being heckled. | 0:05:50 | 0:05:52 | |
In fact, he seems to enjoy being slammed. | 0:05:52 | 0:05:55 | |
-Keep the abuse coming, boys. Keep it coming. -OK. | 0:05:55 | 0:05:58 | |
You look like the eagle from the Muppets. | 0:05:59 | 0:06:01 | |
Mind you, for all his faults, | 0:06:09 | 0:06:10 | |
the one thing I will say about Farage - he does speak his mind. | 0:06:10 | 0:06:13 | |
Seems like you had a lot of fun at the press gallery lunch yesterday | 0:06:13 | 0:06:16 | |
with all the Westminster journalists. | 0:06:16 | 0:06:18 | |
You admitted you had been to a lap-dancing club in Strasbourg | 0:06:18 | 0:06:21 | |
whilst you have been an MEP. | 0:06:21 | 0:06:23 | |
-Is that something you do on all your trips? -Yep. | 0:06:23 | 0:06:25 | |
"Yep. In fact, I think MP stands for Mmm, Pussy! | 0:06:28 | 0:06:34 | |
"I love pole dancers. | 0:06:34 | 0:06:37 | |
"Not Polish dancers, they should stay in Poland. | 0:06:37 | 0:06:40 | |
"But pole dancers, mmm." | 0:06:40 | 0:06:42 | |
Now, from politics to yet another famous broadcaster | 0:06:42 | 0:06:45 | |
falling from grace. | 0:06:45 | 0:06:47 | |
The broadcaster Stuart Hall | 0:06:47 | 0:06:49 | |
has been described as an opportunistic predator | 0:06:49 | 0:06:52 | |
after admitting 14 indecent assaults on children as young as nine. | 0:06:52 | 0:06:56 | |
In the 1970s, Stuart Hall was the face of the hugely popular game show | 0:07:00 | 0:07:04 | |
It's A Knockout, but on the same day that this episode was filmed in Ely, | 0:07:04 | 0:07:08 | |
he indecently assaulted a teenage girl. | 0:07:08 | 0:07:11 | |
What an arsehole. | 0:07:11 | 0:07:13 | |
I hope when he takes his first shower in prison, | 0:07:13 | 0:07:15 | |
some huge bloke bends him over and plays this. | 0:07:15 | 0:07:19 | |
"IT'S A KNOCKOUT" THEME TUNE | 0:07:19 | 0:07:21 | |
In fact, I hope someone commentates over it | 0:07:23 | 0:07:25 | |
like he used to do in football. | 0:07:25 | 0:07:27 | |
"Big Terry slams into Stuart Hall like the Greek God Achilles. | 0:07:27 | 0:07:30 | |
"He screams in pain like a lovesick whale. | 0:07:30 | 0:07:34 | |
"It's a knockout. No. It's a cock-out." | 0:07:34 | 0:07:37 | |
APPLAUSE | 0:07:37 | 0:07:38 | |
Just my opinion. | 0:07:43 | 0:07:45 | |
Although not everyone thinks we should be so harsh on Stuart. | 0:07:45 | 0:07:48 | |
Did you see what Helen Flanagan said? | 0:07:48 | 0:07:50 | |
What?! Helen, he's a paedo! | 0:07:56 | 0:08:01 | |
"What? He's a boat that you move with your legs?" | 0:08:01 | 0:08:06 | |
No, Helen. That's a pedalo. | 0:08:06 | 0:08:08 | |
They're very different things. He's a kiddie fiddler. | 0:08:11 | 0:08:15 | |
"Oh, he's a really small violinist?" | 0:08:15 | 0:08:19 | |
No. No. | 0:08:19 | 0:08:21 | |
It's such a depressing story, isn't it? Jimmy Savile, Stuart Hall. | 0:08:21 | 0:08:25 | |
It's like my childhood's falling apart. | 0:08:25 | 0:08:27 | |
Who are we going to see accused next, this guy? | 0:08:27 | 0:08:30 | |
Let's be honest, it doesn't look good for Pat. | 0:08:31 | 0:08:34 | |
He likes putting packages into small slots | 0:08:34 | 0:08:36 | |
and he hangs out with young pussy. It doesn't look good. | 0:08:36 | 0:08:40 | |
What a week, though. Stuart Hall, UKIP growing in power. | 0:08:46 | 0:08:49 | |
It's so depressing, man. | 0:08:49 | 0:08:50 | |
It almost feels like at the end of the news, they should show us | 0:08:50 | 0:08:53 | |
one thing just to cheer us up, and I may have found just the thing. | 0:08:53 | 0:08:57 | |
Whenever the news is particularly soul-crushing, | 0:08:57 | 0:08:59 | |
I say they end it with this. | 0:08:59 | 0:09:01 | |
MONKEY CHUCKLES | 0:09:07 | 0:09:09 | |
Come on. It would work. Would that not work? | 0:09:10 | 0:09:13 | |
Imagine. Imagine that on the news. | 0:09:16 | 0:09:18 | |
Next up, did you see the man who built the world's largest jigsaw? | 0:09:22 | 0:09:27 | |
It took 35 days of cutting | 0:09:27 | 0:09:29 | |
for Dave to create his 40,000 piece tribute to the Queen's Jubilee. | 0:09:29 | 0:09:33 | |
I was going non-stop every day for about... | 0:09:35 | 0:09:37 | |
between eight and ten hours a day. | 0:09:38 | 0:09:40 | |
Finally, his life's work was complete | 0:09:41 | 0:09:44 | |
and ready to exhibit at Sandringham, the Queen's country retreat. | 0:09:44 | 0:09:47 | |
What happened next? | 0:09:47 | 0:09:49 | |
Dave was just pressing down a few uneven pieces | 0:09:49 | 0:09:52 | |
when he pushed a little too hard. | 0:09:52 | 0:09:54 | |
Poor sod! | 0:10:02 | 0:10:04 | |
"There you go, 40,000 pieces, my life's work... | 0:10:05 | 0:10:08 | |
"Oh, there's a bit sticking out. | 0:10:08 | 0:10:10 | |
"I'll just put that back, I am a bit of a perfectionist, | 0:10:10 | 0:10:12 | |
"I want to get it right. I love the Queen. | 0:10:12 | 0:10:14 | |
"Some people say she's got goat legs, those people are wrong." | 0:10:14 | 0:10:17 | |
"I'll just put this last bit in..." | 0:10:18 | 0:10:20 | |
-CRRRRRR! -"I've wasted my life!" | 0:10:20 | 0:10:24 | |
Did you see his wife's reaction? I bet she was gutted. | 0:10:24 | 0:10:27 | |
SHE LAUGHS | 0:10:27 | 0:10:30 | |
"It were the funniest thing I've ever seen! | 0:10:30 | 0:10:35 | |
"He was in pieces, like his fucking jigsaw!" | 0:10:35 | 0:10:38 | |
Poor bloke! Have a look at it again. | 0:10:40 | 0:10:42 | |
Look at the little walk he does when it falls. | 0:10:42 | 0:10:45 | |
AUDIENCE: Aww! | 0:10:53 | 0:10:54 | |
HE WHIMPERS | 0:10:54 | 0:10:57 | |
He's so calm. "Oh, well. Never mind. | 0:10:57 | 0:11:00 | |
"Start again, pick up a corner, no problem." | 0:11:00 | 0:11:02 | |
-I'd have been, -"BLEEP BLEEP! -Suck my -BLEEP, -you -BLEEP, -you -BLEEP, | 0:11:03 | 0:11:09 | |
-"BLEEPing -hoverpig!" | 0:11:09 | 0:11:11 | |
It would kill me. Christ, I lose my shit over tiny things. | 0:11:13 | 0:11:16 | |
I once stubbed my toe and actually turned to the wall | 0:11:16 | 0:11:19 | |
and said, "What the fuck are you laughing at?" | 0:11:19 | 0:11:22 | |
In fact, the only thing that would have calmed me down | 0:11:24 | 0:11:27 | |
in that moment would've been this. | 0:11:27 | 0:11:29 | |
MONKEY CHUCKLES | 0:11:29 | 0:11:31 | |
But it wasn't just his wife laughing at him. | 0:11:33 | 0:11:35 | |
Even the news started taunting him. | 0:11:35 | 0:11:37 | |
He'd love to go back and undo his little error | 0:11:37 | 0:11:40 | |
but sadly, life doesn't come with a rewind button. | 0:11:40 | 0:11:44 | |
AUDIENCE GROANS | 0:11:44 | 0:11:45 | |
"Life doesn't come with a rewind button. | 0:11:45 | 0:11:48 | |
HE PANTS | 0:11:48 | 0:11:50 | |
If only it did, I'd travel back to 1992 and simply say, | 0:11:50 | 0:11:53 | |
"Mum, don't cut my hair." | 0:11:53 | 0:11:55 | |
AUDIENCE LAUGHS | 0:11:55 | 0:11:57 | |
Talking of people who wish they could rewind life, | 0:11:59 | 0:12:01 | |
did you hear about this prank in America that went wrong? | 0:12:01 | 0:12:04 | |
A dad is facing jail | 0:12:04 | 0:12:06 | |
for letting off a stink spray in his son's school. | 0:12:06 | 0:12:10 | |
He's going to jail for letting off a stink bomb. | 0:12:10 | 0:12:13 | |
I love this story for two reasons. | 0:12:13 | 0:12:15 | |
One, the name of the spray he used and two, | 0:12:15 | 0:12:18 | |
the way his wife pronounces it. | 0:12:18 | 0:12:20 | |
NEWSREADER: This is a bottle of... | 0:12:20 | 0:12:22 | |
Liquid Ay-ass. | 0:12:22 | 0:12:23 | |
-What's it called? -Liquid Ay-ass. -I cannot stop saying it. | 0:12:25 | 0:12:29 | |
Just saying it makes you feel happy. On three, one, two, three... | 0:12:29 | 0:12:33 | |
-AUDIENCE: Liquid Ay-ass! -It feels good, doesn't it? | 0:12:33 | 0:12:35 | |
See, you're probably thinking, | 0:12:35 | 0:12:37 | |
"I bet he's only going to jail for a couple of days." | 0:12:37 | 0:12:40 | |
Oh, no, here he is. Look how long he's going for. | 0:12:40 | 0:12:42 | |
It was just a harmless prank. | 0:12:42 | 0:12:44 | |
Now, I'm looking at 90 days in jail. | 0:12:44 | 0:12:47 | |
90 days in jail for letting off a stink bomb?! | 0:12:47 | 0:12:51 | |
I think we all know what he'll get if he goes in the showers. | 0:12:51 | 0:12:54 | |
Liquid Ay-ass. | 0:12:54 | 0:12:55 | |
Now, from Liquid Ay-ass to an amazing story about fancy dress. | 0:12:58 | 0:13:02 | |
Members of the Women's Institute got a bit of a shock when they dressed up | 0:13:02 | 0:13:05 | |
as pirates to hear a speech from a retired sea captain about piracy. | 0:13:05 | 0:13:09 | |
Here they are, dressed up. | 0:13:09 | 0:13:10 | |
Aw, lovely, they're dressed as pirates. | 0:13:10 | 0:13:13 | |
I wonder what happened next? | 0:13:13 | 0:13:14 | |
The light-hearted gesture went wrong | 0:13:14 | 0:13:16 | |
when they realised their speaker, Colin Darch, | 0:13:16 | 0:13:18 | |
seen here in the middle, had actually been kidnapped by Somali pirates | 0:13:18 | 0:13:22 | |
and held hostage for 47 days. | 0:13:22 | 0:13:25 | |
"Hiya! | 0:13:25 | 0:13:27 | |
"Shiver me timbers! Walk the plank! | 0:13:27 | 0:13:32 | |
"Why is he crying?" | 0:13:32 | 0:13:34 | |
"What? He was savagely beaten and held at gunpoint? | 0:13:35 | 0:13:39 | |
"Lose the parrot." | 0:13:39 | 0:13:41 | |
Science news now. Have you heard who's going to Mars? | 0:13:46 | 0:13:49 | |
This is a trip that could test the very best of marriages. | 0:13:49 | 0:13:52 | |
A multi-millionaire tycoon is searching for an older couple | 0:13:52 | 0:13:55 | |
-to travel to Mars. -They're going to put pensioners in space. | 0:13:55 | 0:13:59 | |
I can't wait to see the launch. | 0:14:00 | 0:14:03 | |
Apollo 15, commencing countdown. | 0:14:03 | 0:14:05 | |
"Ooh, Countdown, I bloody love that programme. | 0:14:05 | 0:14:07 | |
"Do you know what I like? The music." | 0:14:07 | 0:14:09 | |
IMITATES COUNTDOWN THEME TUNE | 0:14:09 | 0:14:10 | |
-ENGINES ROAR -"Fucking heeeell!" | 0:14:10 | 0:14:15 | |
They'll be brilliant. | 0:14:15 | 0:14:16 | |
"This is Mission Control, what's your position?" | 0:14:16 | 0:14:18 | |
"Well, I'm sat down and Roger's having a nap." | 0:14:18 | 0:14:21 | |
HE STIFLES A LAUGH | 0:14:23 | 0:14:25 | |
Mind you, it's not all fun. | 0:14:25 | 0:14:26 | |
Have you seen their living conditions? | 0:14:26 | 0:14:29 | |
The pair will spend 16 months together in a capsule no bigger | 0:14:29 | 0:14:32 | |
than a garden shed with no showers | 0:14:32 | 0:14:35 | |
and drinking water made from recycled sweat. | 0:14:35 | 0:14:39 | |
HE WHISTLES, AUDIENCE GROANS | 0:14:39 | 0:14:40 | |
I think we all know what that room's going to smell like. | 0:14:40 | 0:14:43 | |
Liquid Ay-ass! | 0:14:43 | 0:14:44 | |
Thank God they haven't got showers. | 0:14:47 | 0:14:50 | |
No-one wants to see an old man's bollocks in zero gravity. | 0:14:50 | 0:14:53 | |
Just...whoa! Just floating around, like a fleshy lava lamp. | 0:14:53 | 0:14:59 | |
Whaaa! | 0:14:59 | 0:15:00 | |
Eurgh, sorry, I can taste that joke! | 0:15:03 | 0:15:05 | |
To be honest, it isn't the pensioners I feel sorry for, | 0:15:06 | 0:15:09 | |
it's the poor bastard at Mission Control who has to listen | 0:15:09 | 0:15:12 | |
to them rambling on. | 0:15:12 | 0:15:14 | |
OK, Shuttle Tiberius, you are clear for comms, over. | 0:15:14 | 0:15:17 | |
Oh, Mission Control, I remember the first time I saw Alan Titchmarsh. | 0:15:17 | 0:15:22 | |
I went weak at the knees! | 0:15:22 | 0:15:24 | |
I thought, "You can trim my rosebush any day!" | 0:15:24 | 0:15:26 | |
Nick Knowles, I don't like... | 0:15:26 | 0:15:28 | |
Listen, I like prunes but prunes do not like me. Oh! | 0:15:28 | 0:15:34 | |
Man flu? Bloody pathetic. I've had five children, Mission Control. | 0:15:34 | 0:15:39 | |
I'd rather have a runny nose | 0:15:39 | 0:15:40 | |
than squeeze a kid out of my bloody noo-nar! | 0:15:40 | 0:15:43 | |
Oh, fuck this! | 0:15:44 | 0:15:47 | |
-BANG! -Arggghhhh! | 0:15:47 | 0:15:50 | |
APPLAUSE | 0:15:50 | 0:15:52 | |
Next up, did you see what a robot on Mars did? | 0:15:54 | 0:15:57 | |
This is true. Did you see it? Look at that. | 0:16:03 | 0:16:06 | |
AUDIENCE LAUGHS | 0:16:06 | 0:16:08 | |
A robot did that! Mind you, that's nothing. | 0:16:08 | 0:16:11 | |
They drew an even bigger dick on the other side. | 0:16:11 | 0:16:14 | |
This is the part of the show I don't know anything about, | 0:16:22 | 0:16:24 | |
a mystery guest who's been in the news, | 0:16:24 | 0:16:26 | |
I have to figure out who that person is | 0:16:26 | 0:16:28 | |
so please welcome my mystery guest. | 0:16:28 | 0:16:30 | |
CHEERING AND APPLAUSE | 0:16:30 | 0:16:31 | |
-Hello. -Hello. -There's a lot going on here, isn't there? -There is. | 0:16:41 | 0:16:44 | |
-Nice to meet you, I'm Russell. -Hi, Russell. I'm Jo. -Hey, Jo. | 0:16:44 | 0:16:47 | |
-Thanks for coming on the show. -Pleasure. | 0:16:47 | 0:16:49 | |
You appear to have a lot of decapitated mannequins. | 0:16:49 | 0:16:54 | |
-It looks that way, doesn't it? -It very much does. | 0:16:54 | 0:16:56 | |
Presumably it's got something to do with kind of first aid? | 0:16:56 | 0:16:59 | |
-Am I close? -Kind of. -OK. -Go a bit further than first aid. | 0:16:59 | 0:17:04 | |
Bit further...second aid? | 0:17:04 | 0:17:06 | |
-OK, so I'm fairly close with first aid. -Yeah. | 0:17:08 | 0:17:11 | |
Um...I know exactly what it is. | 0:17:11 | 0:17:13 | |
-Do you work for the St John's Ambulance? -No. -Damn! | 0:17:13 | 0:17:16 | |
-I was so confident then. -You're not too far off. -OK. Paramedic? -You are. | 0:17:16 | 0:17:21 | |
-Yes! He gets it! -CHEERING | 0:17:21 | 0:17:24 | |
Lovely. Thank you very much. | 0:17:25 | 0:17:29 | |
Why have you been in the news specifically? | 0:17:29 | 0:17:31 | |
That's for my work as an advanced paramedic. | 0:17:31 | 0:17:33 | |
Excellent, that's worth a round of applause. | 0:17:33 | 0:17:36 | |
CHEERING AND APPLAUSE | 0:17:36 | 0:17:38 | |
So, what have you done? | 0:17:40 | 0:17:43 | |
Well, I set up a unit to do response care out in the community | 0:17:43 | 0:17:48 | |
-instead of sending them to hospital so it frees up hospital beds. -OK. | 0:17:48 | 0:17:51 | |
The only thing you don't have at hospital is the alcohol gel | 0:17:51 | 0:17:53 | |
-which is quite nice. -Oh, you like that? -I quite like it. | 0:17:53 | 0:17:56 | |
I spent a week in hospital and I'll mention this, | 0:17:56 | 0:17:58 | |
this is how I could've done with being looked after by you | 0:17:58 | 0:18:01 | |
where I had no access to stuff like this. | 0:18:01 | 0:18:03 | |
-I smeared it on my balls. -Ooh! | 0:18:03 | 0:18:04 | |
Because I was so bored. Honestly, I wanted to... I had... | 0:18:06 | 0:18:12 | |
I don't know why I did it. I had a week of utter boredom | 0:18:12 | 0:18:16 | |
and I'm talking instant regret. Literally, my brain went, | 0:18:16 | 0:18:20 | |
"I wonder what it'll be like to put it on my balls?" | 0:18:20 | 0:18:22 | |
-And I put it on and the yelp I made... -Cool? -And then I... | 0:18:22 | 0:18:26 | |
-Cold? -No, it's the, "Owww!" | 0:18:26 | 0:18:28 | |
And then a nurse came, "Are you all right?" | 0:18:28 | 0:18:31 | |
You're like, "Oh, I'm in the toilet." | 0:18:31 | 0:18:33 | |
If there's any mums at home that struggle waking up their teenage... | 0:18:33 | 0:18:37 | |
Actually, DON'T do that. Don't go there! | 0:18:37 | 0:18:38 | |
-LAUGHTER AND APPLAUSE -"Mum, what's wrong with you?" | 0:18:38 | 0:18:42 | |
No, let them sleep! Let 'em sleep. | 0:18:44 | 0:18:47 | |
So, talking of that, what's the most compromising situation | 0:18:47 | 0:18:51 | |
you've ever found someone in? I bet it doesn't get weirder than... | 0:18:51 | 0:18:54 | |
-Well, we got a call once to somebody that had a penis injury. -Right. | 0:18:54 | 0:19:00 | |
And it was obviously... | 0:19:00 | 0:19:02 | |
We'd got it as a penis injury after a compromising position. | 0:19:02 | 0:19:05 | |
-Did you just help him or just laugh? -No, I didn't look. | 0:19:05 | 0:19:08 | |
-You didn't look? -No. -What had he done? | 0:19:08 | 0:19:10 | |
Um...I think he'd just torn it a little bit. | 0:19:10 | 0:19:12 | |
AUDIENCE GROANS | 0:19:12 | 0:19:15 | |
-Well, Natalie Imbruglia did warn us. -Yep! | 0:19:15 | 0:19:20 | |
I'm pretty sure that's what | 0:19:21 | 0:19:23 | |
-that song was about, wasn't it? -Could well be. | 0:19:23 | 0:19:25 | |
What I love now, there's a settling over the audience where girls | 0:19:25 | 0:19:28 | |
are going, "I dunno," and men have gone to a very deep, calm place. | 0:19:28 | 0:19:31 | |
-It's sore. -I imagine it is, yeah. Yeah. | 0:19:36 | 0:19:40 | |
So are we going to do anything else? | 0:19:40 | 0:19:42 | |
We are, we'll see if you scrub up well as a paramedic. | 0:19:42 | 0:19:45 | |
-I look forward to that. -Yes. | 0:19:45 | 0:19:46 | |
AMBULANCE SIREN BLARES | 0:19:46 | 0:19:49 | |
CHEERING AND APPLAUSE | 0:19:49 | 0:19:50 | |
We would appear to be outside an ambulance. | 0:19:52 | 0:19:55 | |
What are we going to do, Jo? | 0:19:55 | 0:19:56 | |
Well, we've been told by our control it's an accident | 0:19:56 | 0:19:58 | |
-and you're going to show me what a good paramedic you are. -OK. | 0:19:58 | 0:20:01 | |
-Right. -Are you ready? -Yep, born ready. Here we go. | 0:20:01 | 0:20:04 | |
LAUGHTER | 0:20:06 | 0:20:08 | |
Help! Help! Help! Help! Help! | 0:20:08 | 0:20:15 | |
Help! Help! | 0:20:15 | 0:20:19 | |
-What do you think has gone on? -What do I think has gone on? -Yeah. | 0:20:19 | 0:20:22 | |
Well... | 0:20:22 | 0:20:23 | |
LAUGHTER | 0:20:23 | 0:20:24 | |
I don't know. What do you think has happened? | 0:20:24 | 0:20:26 | |
I think there might be a little accident there. | 0:20:26 | 0:20:28 | |
-Yeah, I think you're right. -I think they're going to need our help. | 0:20:28 | 0:20:32 | |
-Yeah, I'll help you. -Hold on a second. Always look for dangers. | 0:20:32 | 0:20:35 | |
-So, you have got to take that dog off first. -Right, take the dog off first. | 0:20:35 | 0:20:38 | |
-Yeah. -Hello, sir. I hadn't noticed your leg there. | 0:20:38 | 0:20:40 | |
-My leg hurts a little bit. -Yeah, it looks pretty bad. | 0:20:40 | 0:20:42 | |
-I've got a javelin through my head. I'm halfway up a dog. -I know. | 0:20:42 | 0:20:47 | |
And I've got a liquid arse. | 0:20:47 | 0:20:48 | |
LAUGHTER | 0:20:48 | 0:20:51 | |
APPLAUSE | 0:20:51 | 0:20:52 | |
I mean, it's the last one that's the most embarrassing. | 0:20:54 | 0:20:57 | |
What would you like to do first? | 0:20:57 | 0:20:59 | |
Pull my dog off. | 0:20:59 | 0:21:00 | |
AUDIENCE: Wahey! | 0:21:00 | 0:21:02 | |
LAUGHTER | 0:21:02 | 0:21:03 | |
Oh, that's it. Oh, it really... Oh! Ah! Ah! | 0:21:06 | 0:21:09 | |
Oh, my God! | 0:21:09 | 0:21:11 | |
Ah, you fucker! | 0:21:12 | 0:21:15 | |
Let him die. Let him die. | 0:21:15 | 0:21:18 | |
-Bandage. -What? Yeah, bandage. | 0:21:20 | 0:21:22 | |
Arm injury. Bandage. Get it on there, quick. | 0:21:22 | 0:21:26 | |
-You're going to be all right. Let's get you... -Nice and tight. | 0:21:26 | 0:21:30 | |
Let's get you through. | 0:21:30 | 0:21:32 | |
LAUGHTER | 0:21:32 | 0:21:33 | |
-Oh, God. -Well, there's more of that than I was expecting. | 0:21:36 | 0:21:41 | |
He has gone full Carrie. | 0:21:41 | 0:21:43 | |
Get the bandage round there as well. | 0:21:43 | 0:21:45 | |
-Yeah, I will. -Come on. | 0:21:45 | 0:21:49 | |
Bandage my javelin. | 0:21:49 | 0:21:50 | |
Right, that's you sorted. That's perfect. | 0:21:52 | 0:21:54 | |
Hold that in your mouth. | 0:21:55 | 0:21:57 | |
-Right, he's good to go. Right, what's next? -Next. | 0:21:58 | 0:22:01 | |
This might smart. | 0:22:01 | 0:22:03 | |
Amazing. | 0:22:06 | 0:22:07 | |
APPLAUSE | 0:22:07 | 0:22:09 | |
-It's a miracle. -It is a miracle. | 0:22:10 | 0:22:13 | |
LAUGHTER | 0:22:15 | 0:22:16 | |
-Are you ready? -No! No! | 0:22:18 | 0:22:20 | |
-No? -No. Never pull it out. -I think he needs that out. | 0:22:20 | 0:22:23 | |
-Neck brace. -Leg brace? -Neck brace. -Neck brace. Which is that? | 0:22:25 | 0:22:29 | |
-Neck brace. That's the one. -That one? Yeah, let's put him in that. | 0:22:29 | 0:22:33 | |
LAUGHTER | 0:22:36 | 0:22:39 | |
No. | 0:22:39 | 0:22:40 | |
That'll do. Perfect. | 0:22:43 | 0:22:46 | |
It's going to be all right. It's going to be all right. | 0:22:48 | 0:22:51 | |
That's not going to help him at all. No, it's got to go round his neck. | 0:22:51 | 0:22:54 | |
He just said he wants to go to Switzerland. | 0:22:57 | 0:23:00 | |
I'll tell you what, let's just get him off to hospital, | 0:23:00 | 0:23:02 | |
get him in the wheelchair, yeah? | 0:23:02 | 0:23:04 | |
There he is. Let's just sort his neck out first. | 0:23:04 | 0:23:06 | |
-Dignitas? You want to go to Dignitas? -Yeah. | 0:23:09 | 0:23:12 | |
-Excellent. Wonderful. Here we go. -Right, let's get him on this. | 0:23:12 | 0:23:16 | |
Get him in the chair. Do you want me to hold the chair? | 0:23:16 | 0:23:19 | |
He's going to be all right. | 0:23:19 | 0:23:21 | |
LAUGHTER | 0:23:21 | 0:23:23 | |
CHEERING AND APPLAUSE | 0:23:26 | 0:23:28 | |
I don't need that. I don't need it. He's going to be fine. | 0:23:29 | 0:23:33 | |
LAUGHTER | 0:23:35 | 0:23:37 | |
CHEERING | 0:23:42 | 0:23:43 | |
Ladies and gentlemen, please give it up... | 0:23:43 | 0:23:50 | |
Right, let's get him to hospital. | 0:23:50 | 0:23:52 | |
Please give it up for my mystery guest | 0:23:52 | 0:23:54 | |
and the wonderful Steve Hall. | 0:23:54 | 0:23:56 | |
APPLAUSE AND CHEERING | 0:23:56 | 0:23:57 | |
So, what else has been happening? | 0:24:03 | 0:24:05 | |
Did you hear about this? | 0:24:05 | 0:24:07 | |
So, did people offer useful names? Not really. | 0:24:13 | 0:24:16 | |
And my personal favourite... | 0:24:21 | 0:24:24 | |
I think we all know what she should go with. | 0:24:26 | 0:24:28 | |
Liquid Ay-ass. | 0:24:28 | 0:24:29 | |
Over in New Zealand, check out what this bloke wants to do to cats. | 0:24:31 | 0:24:35 | |
Economist Gareth Morgan has initiated a website called Cats To Go. | 0:24:35 | 0:24:39 | |
He wants people to consider making their current cat their last one. | 0:24:39 | 0:24:43 | |
Morgan states, "That little ball of fluff you own | 0:24:43 | 0:24:46 | |
"is a natural born killer." | 0:24:46 | 0:24:48 | |
He wants to rid the world of cats. | 0:24:48 | 0:24:50 | |
Some people have started already. | 0:24:50 | 0:24:52 | |
LAUGHTER | 0:24:54 | 0:24:57 | |
It's insane. Imagine a world without cats. | 0:24:57 | 0:25:00 | |
It doesn't bear thinking about. | 0:25:00 | 0:25:02 | |
AUDIENCE: Oh. | 0:25:09 | 0:25:11 | |
No! | 0:25:11 | 0:25:14 | |
MUSIC: "Adagio For Strings" by Samuel Barber | 0:25:14 | 0:25:17 | |
Why?! | 0:25:17 | 0:25:20 | |
Son of a bitch! | 0:25:20 | 0:25:23 | |
Aaargh! | 0:25:23 | 0:25:26 | |
LAUGHTER | 0:25:31 | 0:25:32 | |
HE ROARS | 0:25:32 | 0:25:35 | |
Oh, no! | 0:25:35 | 0:25:37 | |
LAUGHTER | 0:25:37 | 0:25:39 | |
Why?! | 0:25:39 | 0:25:42 | |
LAUGHTER | 0:25:43 | 0:25:45 | |
APPLAUSE | 0:25:45 | 0:25:47 | |
Fuck cats. | 0:25:47 | 0:25:50 | |
Right, Rover? | 0:25:50 | 0:25:51 | |
Damn straight. | 0:25:51 | 0:25:53 | |
LAUGHTER AND APPLAUSE | 0:25:53 | 0:25:55 | |
Next up, a wonderful story about a family from Virginia. | 0:25:59 | 0:26:03 | |
My favourite quote of all time was our furnace repair man. | 0:26:06 | 0:26:10 | |
He comes into the house, stops dead in his tracks and says, | 0:26:10 | 0:26:13 | |
"This looks like some kind of United Nations meeting." | 0:26:13 | 0:26:18 | |
I was born in Bangkok. | 0:26:18 | 0:26:20 | |
-Bangalore, India. -Connecticut. | 0:26:20 | 0:26:23 | |
I was born in Romania. | 0:26:23 | 0:26:25 | |
-Ethiopia. -In China. | 0:26:25 | 0:26:27 | |
'Sharon is the gas pedal and I am the brakes. | 0:26:29 | 0:26:33 | |
'Over and over, she will say, | 0:26:33 | 0:26:34 | |
'"I found this child who needs X and Y and Z' | 0:26:34 | 0:26:37 | |
"and all we have to do is fly over the ocean, get funding, | 0:26:37 | 0:26:42 | |
"connect this dot to here and it would be done." | 0:26:42 | 0:26:44 | |
People discouraged us. They thought we were going to ruin our lives by | 0:26:44 | 0:26:47 | |
taking all these special kids. They said, "You don't know what to do." | 0:26:47 | 0:26:51 | |
And it is true that we had no experience and we didn't really know | 0:26:51 | 0:26:54 | |
how to raise them but you see what happens with unconditional love. | 0:26:54 | 0:26:57 | |
'You give a person unconditional love and they blossom.' | 0:26:57 | 0:27:00 | |
It took me decades to figure this out. | 0:27:03 | 0:27:06 | |
There is no physical thing that you can buy that is actually going | 0:27:06 | 0:27:10 | |
to give you true peace and happiness. | 0:27:10 | 0:27:13 | |
And the pure joy that will come from | 0:27:13 | 0:27:15 | |
a rescue and a ransom of a child's life | 0:27:15 | 0:27:18 | |
is probably the most satisfying thing you can imagine. | 0:27:18 | 0:27:22 | |
You think that they don't really know the gravity of them | 0:27:22 | 0:27:26 | |
being rescued or saved. | 0:27:26 | 0:27:28 | |
Then you will see them in an external setting like one of them | 0:27:29 | 0:27:32 | |
is in front of 300 people last Friday night and he tells people that he | 0:27:32 | 0:27:37 | |
probably wouldn't be alive if he hadn't been adopted by this family. | 0:27:37 | 0:27:40 | |
I feel like having these kids has really helped us | 0:27:42 | 0:27:45 | |
find our life, find our meaning, find our purpose. | 0:27:45 | 0:27:48 | |
APPLAUSE | 0:27:48 | 0:27:49 | |
They're beautiful. | 0:27:49 | 0:27:50 | |
Now it's time for my stand-up guest. | 0:27:55 | 0:27:57 | |
It's the wonderfully silly Lou Sanders! | 0:27:57 | 0:27:59 | |
CHEERING AND APPLAUSE | 0:27:59 | 0:28:02 | |
Hello! All right? | 0:28:05 | 0:28:08 | |
Lovely! Mmm! Looks very nice. | 0:28:08 | 0:28:12 | |
I'm sort of... I'm used to doing gigs, | 0:28:12 | 0:28:14 | |
I've done a few gigs recently, quite macho gigs. | 0:28:14 | 0:28:17 | |
I'll explain what a macho gig is. Basically when a woman walks on, | 0:28:17 | 0:28:22 | |
you can see them sort of thinking, "Mmm... | 0:28:22 | 0:28:26 | |
"There's a woman. This might be shit." | 0:28:26 | 0:28:29 | |
Sexist, I call them. But I kind of want to cater for everyone. | 0:28:29 | 0:28:32 | |
I want to make sure they're happy as well. | 0:28:32 | 0:28:35 | |
So I've just catered for that | 0:28:35 | 0:28:36 | |
and I've just got a cock and balls. | 0:28:36 | 0:28:39 | |
So... | 0:28:39 | 0:28:41 | |
I think we all feel a lot more comfortable now. | 0:28:46 | 0:28:50 | |
What I've done is I've wetted the end there for realism. | 0:28:50 | 0:28:53 | |
AUDIENCE GROANS | 0:28:53 | 0:28:55 | |
And, I don't know why, but on the other side of written "party time". | 0:28:55 | 0:29:02 | |
Because I'm an optimist. | 0:29:02 | 0:29:04 | |
So, this is nice. I've given up drinking recently. | 0:29:04 | 0:29:08 | |
And I'm not happy about it. | 0:29:08 | 0:29:10 | |
But what's happened is I formed an allergic reaction to alcohol, | 0:29:10 | 0:29:14 | |
which is as awful as it sounds. | 0:29:14 | 0:29:17 | |
And what happens is one eye swells up, it's usually this guy. | 0:29:17 | 0:29:22 | |
And it lasts for about a week. It goes really purple and swells up. | 0:29:22 | 0:29:26 | |
And I had it for whole week after my birthday, | 0:29:26 | 0:29:29 | |
and every shop that I went into, | 0:29:29 | 0:29:31 | |
like, especially if it was a female cashier, | 0:29:31 | 0:29:33 | |
they just look at me like this. | 0:29:33 | 0:29:36 | |
And you knew she was thinking, "Just leave him!" | 0:29:38 | 0:29:44 | |
And it happened so many times in this week, right, | 0:29:44 | 0:29:47 | |
it was great to get a T-shirt made saying, "But I love him!" | 0:29:47 | 0:29:52 | |
Before this, I used to be a business lady and I quit | 0:29:52 | 0:29:56 | |
because of the glass ceiling effect. | 0:29:56 | 0:29:59 | |
Which is the same reason I left the British Museum. | 0:29:59 | 0:30:02 | |
Oh! | 0:30:04 | 0:30:07 | |
For that joke to work, you have to know what a metaphorical glass ceiling is, | 0:30:07 | 0:30:11 | |
then you've got to know that the British Museum have got, like, the biggest ever glass ceiling | 0:30:11 | 0:30:16 | |
and then you've got to think it's funny. | 0:30:16 | 0:30:19 | |
So... It's a bit of a tall order. | 0:30:19 | 0:30:22 | |
But I like this job, because you get to work from home quite a lot. | 0:30:22 | 0:30:25 | |
And I like working from home, because you can investigate different things. | 0:30:25 | 0:30:29 | |
Like if you run out of milk - this is quite a good tip, right - | 0:30:29 | 0:30:34 | |
if you run out of milk, you can put yoghurt in your coffee, | 0:30:34 | 0:30:38 | |
and it totally ruins it. | 0:30:38 | 0:30:41 | |
I've always liked older men and I used to do this thing, | 0:30:45 | 0:30:48 | |
like, I think all girls do it when they're about 15, 16, | 0:30:48 | 0:30:51 | |
you go to the pub and you sort of want to get chatted up by 19-, 20-year-olds. | 0:30:51 | 0:30:55 | |
And they like 16-year-olds, so it all works out perfectly. | 0:30:55 | 0:30:59 | |
But I never really knew what to say if they'd say, "How old are you?" | 0:30:59 | 0:31:04 | |
Because I used to hate that question, | 0:31:04 | 0:31:06 | |
because you can't say 15 in case they're not a nonce. | 0:31:06 | 0:31:10 | |
I really hated this question, I dreaded it, right, | 0:31:10 | 0:31:13 | |
until I came up with this saying that I thought was so profound that | 0:31:13 | 0:31:17 | |
when I said it - it wasn't even mine, I got it from somewhere - and I thought it was so profound | 0:31:17 | 0:31:21 | |
when I said this, they're going to think, "She's so mature! | 0:31:21 | 0:31:25 | |
"She's at least 27." | 0:31:25 | 0:31:27 | |
And we'll do a role-play, right? | 0:31:27 | 0:31:30 | |
I'll give the answer I gave every time when I was 15. | 0:31:30 | 0:31:32 | |
So we'll pretend we're in Louisa Bay in Broadstairs. | 0:31:32 | 0:31:34 | |
I'm 15, you're 19, you say to me, "How old are you?" | 0:31:34 | 0:31:37 | |
and I'll give the answer verbatim that I gave. OK? | 0:31:37 | 0:31:41 | |
How old are you? | 0:31:41 | 0:31:42 | |
Er, age is not a time or place, it is a state of mind. | 0:31:42 | 0:31:47 | |
Every time. Age is not a time or place, it is a state of mind. | 0:31:50 | 0:31:55 | |
No-one thought age was a time or place. | 0:31:55 | 0:31:59 | |
You don't be like, "Just off on holiday." "Where you going?" "Eight years old." | 0:31:59 | 0:32:05 | |
"What time are you going?" "21 today." Ridiculous! | 0:32:05 | 0:32:09 | |
The guy that I went out with before my boyfriend, he was a lot older. | 0:32:09 | 0:32:12 | |
He was, like, 45, but one of the cool ones. | 0:32:12 | 0:32:16 | |
He wore trainers and everything, so don't worry. | 0:32:16 | 0:32:19 | |
And he was nice, a nice guy, | 0:32:19 | 0:32:20 | |
but we realised we were totally incompatible | 0:32:20 | 0:32:23 | |
when we were on a mini-break. And it's nice doing that, | 0:32:23 | 0:32:27 | |
because then we spent the last two days just as friends, | 0:32:27 | 0:32:30 | |
and there's such a level of refreshing honesty that you get | 0:32:30 | 0:32:33 | |
in that situation, because you don't want anything from each other. | 0:32:33 | 0:32:36 | |
And we were so honest and having nice chats to the point that | 0:32:36 | 0:32:40 | |
when we drove back to the airport the radio was on and I said to him, | 0:32:40 | 0:32:45 | |
"What's your favourite song?" It's the sort of level of banter you can expect if you're my friend. | 0:32:45 | 0:32:49 | |
He said... That is a hard question, "What's your favourite song?" | 0:32:49 | 0:32:53 | |
I would come up with 20 songs and then I'd e-mail them a week later going, | 0:32:53 | 0:32:56 | |
"I forgot about Taj Mahal and Blind Melon!" | 0:32:56 | 0:33:00 | |
But he knew his mind, perhaps because he was 45. | 0:33:00 | 0:33:03 | |
I said to him, "What's your favourite song?" | 0:33:03 | 0:33:05 | |
And straightaway he said, "Robbie Williams... | 0:33:05 | 0:33:12 | |
"Angels." AUDIENCE GROANS | 0:33:12 | 0:33:15 | |
Yes! Robbie Williams. | 0:33:15 | 0:33:19 | |
Some people are not bothered. | 0:33:19 | 0:33:21 | |
He'd been inside me. | 0:33:21 | 0:33:24 | |
I couldn't believe it. So then I thought, "Who is this guy?" | 0:33:28 | 0:33:32 | |
Like, we were dating for three months before that, you know. | 0:33:32 | 0:33:36 | |
Who is this guy? You know, and so I said to him, "Who's your ideal woman?" | 0:33:36 | 0:33:40 | |
Thinking it's definitely not me. | 0:33:40 | 0:33:42 | |
And I thought maybe he'd say Britney Spears, perfectly reasonable, | 0:33:42 | 0:33:46 | |
probably a nice girl. | 0:33:46 | 0:33:48 | |
And he said - this is verbatim - he said, "Well, | 0:33:48 | 0:33:53 | |
"I've got a blue DVD at home." | 0:33:53 | 0:33:57 | |
It's not a great start, is it? | 0:33:57 | 0:33:59 | |
Also who uses the word "blue"? A 45-year-old. | 0:33:59 | 0:34:03 | |
"I've got a blue DVD at home, and there's a 17-year-old girl in that, | 0:34:03 | 0:34:08 | |
"and I'd quite like to spunk in her face." | 0:34:08 | 0:34:11 | |
Now, gentlemen, what is wrong with you? | 0:34:14 | 0:34:19 | |
You can have a full stop after that, but what is wrong with you that | 0:34:19 | 0:34:23 | |
when you see something of aesthetic beauty, you think to yourself... | 0:34:23 | 0:34:28 | |
.."Well, I can't fully appreciate that without redecorating it"? | 0:34:30 | 0:34:34 | |
It is weird. | 0:34:42 | 0:34:43 | |
I mean, do you go to a museum and be like, | 0:34:43 | 0:34:45 | |
"Oh, what a lovely ancient relic from another civilisation. | 0:34:45 | 0:34:48 | |
"I'm going to have to spaff all over that." | 0:34:48 | 0:34:51 | |
"Oh, Auntie Pauline. What a lovely floral dress..." | 0:34:51 | 0:34:55 | |
AUDIENCE GROANS | 0:34:55 | 0:34:57 | |
Etc etc. | 0:34:57 | 0:34:58 | |
I should have used any other name apart from Pauline, | 0:34:58 | 0:35:01 | |
because I have got an Auntie Pauline. | 0:35:01 | 0:35:04 | |
My mum and dad are quite bright, well, they're really bright. | 0:35:04 | 0:35:09 | |
And my stepdad, especially - really, really intelligent. | 0:35:09 | 0:35:12 | |
And I always wonder why I'm not more intelligent. | 0:35:12 | 0:35:16 | |
I mean, I'm not that thick that I think, | 0:35:16 | 0:35:18 | |
"Hang on, my stepdad's really clever. Why haven't I inherited any of those genes?" | 0:35:18 | 0:35:23 | |
I always think I'm not intelligent enough | 0:35:23 | 0:35:26 | |
and then instead of doing something about it, | 0:35:26 | 0:35:28 | |
I moan about it to my friends. | 0:35:28 | 0:35:29 | |
So I'll be like, "Oh, I'm not intelligent enough!" | 0:35:29 | 0:35:32 | |
Because they're nice people, they're like, "Don't worry, Lou. | 0:35:32 | 0:35:35 | |
"You've got good emotional intelligence." | 0:35:35 | 0:35:39 | |
I'll be on your quiz team, shall I? This is me on a quiz team. | 0:35:39 | 0:35:43 | |
Why did Mussolini invade... wherever he invaded? | 0:35:43 | 0:35:48 | |
I've done all the research. Why did Mussolini invade... | 0:35:48 | 0:35:54 | |
I've got this, team. Is it because he was a middle child? | 0:35:54 | 0:35:58 | |
Something to do with breastfeeding? | 0:35:58 | 0:36:01 | |
But I think, generally, like, dumb people are more entertaining. | 0:36:01 | 0:36:06 | |
They are. Because I got on a train, I was coming back from Wales. | 0:36:06 | 0:36:10 | |
I know - how the other half live. | 0:36:10 | 0:36:13 | |
And there was this guy, and he was so... I did really like him. | 0:36:13 | 0:36:17 | |
He was probably having a bit of a day, a bit of a to-do. | 0:36:17 | 0:36:21 | |
Right, we'll do an impression of him, because I went to City Lit acting class for the weekend. | 0:36:21 | 0:36:25 | |
Guys, this is going to be £50 well spent. | 0:36:25 | 0:36:28 | |
So I'm just going to go into it. | 0:36:28 | 0:36:30 | |
-OK, if you shout "action", and then... -Action! | 0:36:30 | 0:36:35 | |
Have you spent any time in the performing arts? | 0:36:35 | 0:36:38 | |
I've got to get into character. | 0:36:38 | 0:36:40 | |
I know I'm a great actor, but I've got to get into character, for God's sake. | 0:36:40 | 0:36:44 | |
Well, I like your commitment, but let me just get into it. | 0:36:44 | 0:36:47 | |
-I mean, we can't all be professionals. -And...action! | 0:36:47 | 0:36:52 | |
That was lovely! Wasn't that lovely? APPLAUSE | 0:36:52 | 0:36:56 | |
Yes, I think so! That was so lovely. | 0:36:56 | 0:36:59 | |
Because what you did there is you prepped me up with an "and". | 0:37:01 | 0:37:05 | |
I mean, it was a dream come true, in terms of directing. | 0:37:05 | 0:37:10 | |
Watch out, the crew! | 0:37:10 | 0:37:13 | |
But then I interrupted myself, so not your fault. OK... | 0:37:13 | 0:37:16 | |
By the way, we're on a train. Yeah. | 0:37:16 | 0:37:19 | |
Oh, and by the way, this isn't homophobic, | 0:37:19 | 0:37:22 | |
it's just the way that he spoke. So it's important to remember that. | 0:37:22 | 0:37:27 | |
Action. | 0:37:28 | 0:37:30 | |
"Hello, everybody! This is Barry speaking. | 0:37:30 | 0:37:35 | |
"Your cabin crew member for today." We're on a train. | 0:37:35 | 0:37:39 | |
"I regret to inform you that the boiler has broken. OK? | 0:37:42 | 0:37:47 | |
"So there will be no tea, no coffee and no hot chocolate. | 0:37:50 | 0:37:54 | |
"I've got to phone my manager in Swindon and sort this out." | 0:37:57 | 0:38:01 | |
Off you pop then, Baz, because I'm a bit parched. | 0:38:01 | 0:38:04 | |
But a minute later, he was back to the Tannoy. | 0:38:04 | 0:38:07 | |
And no-one had even got on and off the train. | 0:38:07 | 0:38:09 | |
Good for him, committed, you know. | 0:38:09 | 0:38:12 | |
But he had the exact same message. | 0:38:12 | 0:38:14 | |
Two minutes later, he's back again. | 0:38:14 | 0:38:17 | |
This time he goes, "I'm sorry, people. | 0:38:17 | 0:38:23 | |
"Things have gone from bad to worse. | 0:38:23 | 0:38:27 | |
"We are now totally out of Fanta. | 0:38:27 | 0:38:32 | |
"So, if you did want a tea, a coffee, a hot chocolate or a Fanta, | 0:38:36 | 0:38:40 | |
"this is now not possible. | 0:38:40 | 0:38:42 | |
"Oh. Well, Beverley has just found two bottles of Fanta." | 0:38:47 | 0:38:52 | |
Women and children first. | 0:38:54 | 0:38:57 | |
OK, you've been really nice. I'm going to come to the end of my set now. | 0:38:57 | 0:39:01 | |
You've been lovely. And it's weird with stand-up, | 0:39:01 | 0:39:03 | |
because people talk about themselves a lot. | 0:39:03 | 0:39:07 | |
I always think that's a bit... | 0:39:07 | 0:39:08 | |
You know, comics go, "Another thing about me." | 0:39:08 | 0:39:11 | |
And it's sort of, "God, really?" | 0:39:11 | 0:39:13 | |
But it's a weird one because people say, "Oh, talk about what you know." | 0:39:13 | 0:39:17 | |
And I know myself so well, sometimes I finish my own sentences. | 0:39:17 | 0:39:21 | |
AUDIENCE GROANS | 0:39:21 | 0:39:23 | |
Piss off! | 0:39:23 | 0:39:26 | |
OK, so this is... Basically what I'm saying is you've been very kind, | 0:39:26 | 0:39:30 | |
and this is now, to give back, this is to you. | 0:39:30 | 0:39:33 | |
# Fishing for compliments Hey, that's a nice jumper | 0:39:33 | 0:39:38 | |
# Fishing for compliments That's a nice sentiment | 0:39:38 | 0:39:41 | |
# La la la la, la la la | 0:39:41 | 0:39:45 | |
# Fishing for compliments Hey, that's a nice jumper | 0:39:45 | 0:39:49 | |
# Fishing for compliments That's a nice sentiment | 0:39:49 | 0:39:54 | |
# La la la la, la la la. # | 0:39:54 | 0:39:57 | |
-OK! What's your name? -Jordan. -Jordan! | 0:39:57 | 0:40:01 | |
Jordan. He must be very excited about his compliment. | 0:40:02 | 0:40:06 | |
OK, Jordan... | 0:40:08 | 0:40:10 | |
If your face was on currency, I would have a very sticky purse. | 0:40:10 | 0:40:16 | |
# Fishing for compliments Hey, that's a nice jumper | 0:40:22 | 0:40:26 | |
# Fishing for compliments That's a nice sentiment | 0:40:26 | 0:40:30 | |
# La la la la, la la la | 0:40:30 | 0:40:33 | |
# Fishing for compliments Hey, that's a nice jumper | 0:40:33 | 0:40:38 | |
# Fishing for compliments That's a nice sentiment... # | 0:40:38 | 0:40:42 | |
-OK, what's your name? -Chantelle. | 0:40:42 | 0:40:45 | |
Chantelle, you must be very excited as well about... OK! | 0:40:45 | 0:40:50 | |
Very slick, Lou. How do you do it? I don't know. | 0:40:50 | 0:40:54 | |
SHE CLEARS HER THROAT | 0:40:54 | 0:40:56 | |
Chantelle, you're like a fine expensive bottle of wine. | 0:40:56 | 0:41:02 | |
You just keep getting left on the shelf. | 0:41:02 | 0:41:04 | |
AUDIENCE GROANS | 0:41:04 | 0:41:06 | |
It's OK. I chose a very pretty girl with a high self-esteem. | 0:41:06 | 0:41:13 | |
# Fishing for compliments Hey, that's a nice jumper | 0:41:13 | 0:41:21 | |
# Fishing for compliments That's a nice sentiment | 0:41:21 | 0:41:26 | |
# Fishing for compliments Hey, that's a nice jumper | 0:41:26 | 0:41:28 | |
# Fishing for compliments That's a nice sentiment | 0:41:28 | 0:41:31 | |
# La la la la, la la la. # | 0:41:31 | 0:41:35 | |
Basically, just hitting someone with a stick. | 0:41:36 | 0:41:39 | |
Passing it off as comedy. | 0:41:39 | 0:41:42 | |
-OK, what's your name? -Simon. | 0:41:42 | 0:41:45 | |
Simon, you'd be perfect if you just washed your cock once in a while. | 0:41:45 | 0:41:49 | |
OK, you've been really nice. And thanks in advance | 0:41:58 | 0:42:00 | |
for all the positive Tweets about how much you've enjoyed my set. Goodbye! | 0:42:00 | 0:42:04 | |
CHEERING AND APPLAUSE | 0:42:04 | 0:42:06 | |
Ladies and gentlemen, Lou Sanders! | 0:42:06 | 0:42:09 | |
Urgh! Someone needs to wash their dick! | 0:42:14 | 0:42:18 | |
Thanks very much for watching Good News. Good night, my friends. Good night! | 0:42:18 | 0:42:21 | |
CHEERING AND APPLAUSE | 0:42:21 | 0:42:23 | |
Subtitles by Red Bee Media Ltd | 0:42:46 | 0:42:49 |