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This programme contains adult humour and strong language. | 0:00:02 | 0:00:09 | |
CHEERING AND APPLAUSE | 0:00:21 | 0:00:24 | |
Thank you. Thank you very much! | 0:00:24 | 0:00:26 | |
Hello! | 0:00:30 | 0:00:32 | |
Hello, and welcome to Good News. So, what's been happening? | 0:00:32 | 0:00:36 | |
Here's a tip, if you're going to show off behind a reporter, | 0:00:36 | 0:00:39 | |
make sure you practise. | 0:00:39 | 0:00:40 | |
They all went, "Yeah, it's cool. It's cool, we like it." | 0:00:40 | 0:00:44 | |
And what a great... | 0:00:44 | 0:00:45 | |
LAUGHTER | 0:00:45 | 0:00:47 | |
I don't know about you, but I think Kay Burley | 0:00:47 | 0:00:49 | |
is supporting gay marriage for the wrong reasons. | 0:00:49 | 0:00:51 | |
Let gays marry. | 0:00:51 | 0:00:53 | |
Why should they be happy? | 0:00:53 | 0:00:55 | |
LAUGHTER | 0:00:55 | 0:00:56 | |
Tell you what, don't you just hate it when you're on telly | 0:00:56 | 0:00:59 | |
and you've locked yourself out? | 0:00:59 | 0:01:01 | |
LAUGHTER | 0:01:01 | 0:01:04 | |
And finally, if you're going to interrupt the news, | 0:01:05 | 0:01:08 | |
this is how you do it. | 0:01:08 | 0:01:10 | |
The scammers may have taken her life savings and possibly her life... | 0:01:10 | 0:01:15 | |
LAUGHTER | 0:01:15 | 0:01:18 | |
APPLAUSE | 0:01:24 | 0:01:26 | |
So, what has been going on? | 0:01:29 | 0:01:30 | |
Well, the secretive Bilderberg Group had a meeting. | 0:01:30 | 0:01:33 | |
Amidst heavy security, the mysterious Bilderberg Group is meeting. | 0:01:33 | 0:01:37 | |
The Bilderberg Group... | 0:01:37 | 0:01:38 | |
The most powerful people on Earth. | 0:01:38 | 0:01:40 | |
Politicians, business chiefs, royalty... | 0:01:40 | 0:01:42 | |
They're gathering for an annual summit to discuss global policy. | 0:01:42 | 0:01:45 | |
-Behind closed doors. -Secretive. -Everything is off the record. | 0:01:45 | 0:01:47 | |
-Off the record. -Total privacy. | 0:01:47 | 0:01:49 | |
HE GASPS The Bilderberg Group! | 0:01:49 | 0:01:51 | |
So where did this all-powerful group meet? New York? The Seychelles? | 0:01:53 | 0:01:57 | |
Just off an A-road in Watford. | 0:01:57 | 0:01:59 | |
Yay! | 0:01:59 | 0:02:01 | |
Watford! | 0:02:01 | 0:02:03 | |
Apparently, they've got a TK Maxx! | 0:02:03 | 0:02:05 | |
They could have gone ANYWHERE, and they went to Watford. | 0:02:07 | 0:02:11 | |
So who are the Bilderberg Group? | 0:02:11 | 0:02:13 | |
Well, my favourite conspiracy theorist has a few ideas. | 0:02:13 | 0:02:16 | |
The Bilderberg Group is a dangerous fucking phen-on-emon. | 0:02:16 | 0:02:20 | |
Phen-on-emin. | 0:02:20 | 0:02:23 | |
Phenomenon? Phenom... Phenomenon. | 0:02:23 | 0:02:27 | |
Fucking phen-on-emon! LAUGHTER | 0:02:27 | 0:02:30 | |
Phen-on-imin. They wait... Phenon... Phen-on-imin. Fucking forget it! | 0:02:30 | 0:02:34 | |
Ph... Ph... | 0:02:34 | 0:02:36 | |
-Grrrrrr! -LAUGHTER | 0:02:36 | 0:02:38 | |
So why is he so upset? | 0:02:38 | 0:02:40 | |
Well, he's part of a small minority | 0:02:40 | 0:02:42 | |
who claim that the Bilderbergs aren't just world leaders and MPs. | 0:02:42 | 0:02:45 | |
Oh, no, they've got a deeper, darker secret. | 0:02:45 | 0:02:48 | |
That's right, apparently, the world is run by giant lizards. | 0:02:54 | 0:02:59 | |
"We will destroy the world. Oh, look, a fly!" | 0:02:59 | 0:03:03 | |
It's bollocks! You show me a politician who looks like a lizard. | 0:03:03 | 0:03:06 | |
LAUGHTER | 0:03:06 | 0:03:08 | |
All right, one, but I doubt you'll find any others. | 0:03:08 | 0:03:11 | |
In royal news, this week, the Queen went to the BBC. | 0:03:19 | 0:03:23 | |
The Queen has spent the morning | 0:03:23 | 0:03:24 | |
here at New Broadcasting House in central London | 0:03:24 | 0:03:27 | |
to open officially the BBC's new headquarters. | 0:03:27 | 0:03:30 | |
It was brilliant. Did you see the moment she photobombed the news? | 0:03:30 | 0:03:33 | |
Yes, it's a view that we share with our audience every day, | 0:03:33 | 0:03:37 | |
but today, a unique moment with a very special royal guest. | 0:03:37 | 0:03:41 | |
LAUGHTER | 0:03:41 | 0:03:44 | |
How much would you have loved it if she just went...? | 0:03:44 | 0:03:47 | |
My highlight was the moment she went to Radio 1. Did you see this? | 0:03:52 | 0:03:56 | |
Did you see her listening to The Script? | 0:03:56 | 0:03:58 | |
# And I... | 0:03:58 | 0:04:01 | |
# I will be Queen | 0:04:01 | 0:04:03 | |
# And you... | 0:04:05 | 0:04:08 | |
# You will be King... # | 0:04:08 | 0:04:11 | |
Pretty catchy, pretty nice. I wonder what the Queen thought? | 0:04:11 | 0:04:15 | |
# They could be heroes | 0:04:15 | 0:04:19 | |
# Just for one day. # | 0:04:19 | 0:04:20 | |
Look at that face! | 0:04:20 | 0:04:22 | |
-Look at that! -LAUGHTER | 0:04:22 | 0:04:25 | |
"What a load of shit! | 0:04:25 | 0:04:27 | |
"I prefer will.i.am!" | 0:04:27 | 0:04:30 | |
I can't believe the Queen watched someone from The Voice | 0:04:30 | 0:04:33 | |
and didn't turn her chair around. | 0:04:33 | 0:04:35 | |
How great would that have been? | 0:04:35 | 0:04:37 | |
"Not for me! | 0:04:37 | 0:04:39 | |
"Has he gone yet? Kill him." | 0:04:39 | 0:04:43 | |
LAUGHTER | 0:04:43 | 0:04:44 | |
I bet she gave them a massive round of applause when they finished. | 0:04:44 | 0:04:48 | |
# Just for one da-a-ay... # | 0:04:48 | 0:04:54 | |
LAUGHTER | 0:04:58 | 0:05:01 | |
One clap! "Right, let's bounce." | 0:05:02 | 0:05:05 | |
"If we're lucky, we'll get back for Cash In The Attic. Absolute shit!" | 0:05:08 | 0:05:13 | |
Elsewhere this week, big drama for Simon Cowell. | 0:05:13 | 0:05:16 | |
There was added drama and excitement | 0:05:16 | 0:05:18 | |
on the live final of Britain's Got Talent tonight. | 0:05:18 | 0:05:21 | |
A young woman appeared to get up from the orchestra | 0:05:21 | 0:05:24 | |
and pelted the judges, including Simon Cowell, with eggs. | 0:05:24 | 0:05:27 | |
LAUGHTER | 0:05:31 | 0:05:34 | |
# Dream the impossible... # | 0:05:34 | 0:05:37 | |
One egg nearly hit Simon in the face, | 0:05:37 | 0:05:39 | |
but luckily, his belt protected him. | 0:05:39 | 0:05:41 | |
It's a shame we're talking about eggs. | 0:05:43 | 0:05:45 | |
We should be talking about the winners. They're called Attraction. | 0:05:45 | 0:05:48 | |
Did you see them? They're amazing. | 0:05:48 | 0:05:50 | |
# Oh-oh-oh-oh! | 0:05:50 | 0:05:52 | |
# I wanna sing | 0:05:52 | 0:05:54 | |
# I wanna shout... CHEERING AND APPLAUSE | 0:05:54 | 0:05:57 | |
# I wanna scream till the words dry out | 0:05:57 | 0:06:01 | |
# So put it in all of the papers | 0:06:01 | 0:06:05 | |
# I'm not afraid | 0:06:05 | 0:06:07 | |
# They can read all about it | 0:06:07 | 0:06:10 | |
# Read all about it... # | 0:06:10 | 0:06:13 | |
Incredible, moving images there. | 0:06:13 | 0:06:16 | |
Mind you, have you seen the outtakes? They're a bit full-on. | 0:06:16 | 0:06:19 | |
# Come on, come on | 0:06:19 | 0:06:21 | |
# You've got a heart as loud as lions... # | 0:06:21 | 0:06:24 | |
LAUGHTER | 0:06:24 | 0:06:26 | |
# Baby, we're a little different | 0:06:26 | 0:06:28 | |
# There's no need to be ashamed | 0:06:28 | 0:06:31 | |
# You've got the light to fight the shadows... # | 0:06:31 | 0:06:33 | |
LAUGHTER | 0:06:33 | 0:06:35 | |
APPLAUSE | 0:06:35 | 0:06:38 | |
I tell you what, | 0:06:42 | 0:06:44 | |
I can't wait to see them perform that at the Royal Variety! | 0:06:44 | 0:06:49 | |
I think we all know the reaction they'll get. | 0:06:49 | 0:06:51 | |
LAUGHTER | 0:06:51 | 0:06:53 | |
APPLAUSE | 0:06:53 | 0:06:55 | |
What else? Simon Cowell wasn't the only celeb who's had a tough week. | 0:06:55 | 0:06:58 | |
Did you hear about Tulisa? | 0:06:58 | 0:07:00 | |
Tulisa was arrested two days after this picture was revealed. | 0:07:00 | 0:07:04 | |
It allegedly shows her arranging for a friend | 0:07:04 | 0:07:06 | |
to supply half an ounce of cocaine to an undercover reporter. | 0:07:06 | 0:07:10 | |
To be honest, I felt a bit sorry for her. I mean, we've all been stung. | 0:07:10 | 0:07:14 | |
Yeah, mate, I can get you anyfink you want. | 0:07:14 | 0:07:18 | |
Big-time. | 0:07:18 | 0:07:19 | |
LAUGHTER | 0:07:20 | 0:07:22 | |
And if that's not enough for ya, | 0:07:22 | 0:07:25 | |
I can get you a really filthy party girl. | 0:07:25 | 0:07:28 | |
HE LAUGHS | 0:07:28 | 0:07:31 | |
I'm going to suck you dry! | 0:07:31 | 0:07:33 | |
APPLAUSE | 0:07:35 | 0:07:38 | |
Some hilarious kids stories in the news. Did you hear about this? | 0:07:41 | 0:07:45 | |
Calls for children as young as five to be taught about pornography. | 0:07:45 | 0:07:49 | |
Yeah, that makes sense, doesn't it? | 0:07:49 | 0:07:51 | |
Country is in recession, millions are unemployed. | 0:07:51 | 0:07:53 | |
"We need to teach toddlers about rimming!" | 0:07:53 | 0:07:56 | |
LAUGHTER | 0:07:56 | 0:07:57 | |
How are they going to teach that? "Hey, kids!" | 0:07:57 | 0:08:00 | |
# Old MacDonald had a gimp E-I-E-I... | 0:08:00 | 0:08:04 | |
-# Oh-h-h-h! # -LAUGHTER | 0:08:04 | 0:08:07 | |
Jack and Jill went up the hill To do a bit of snogging | 0:08:07 | 0:08:10 | |
Jill opened her eyes To her surprise | 0:08:10 | 0:08:12 | |
Jack had taken her dogging! | 0:08:12 | 0:08:14 | |
LAUGHTER | 0:08:14 | 0:08:17 | |
It's SO creepy! | 0:08:17 | 0:08:19 | |
"Look, kids, Daddy is parking his tractor in Mummy's hairy garage! | 0:08:19 | 0:08:23 | |
"Do you have any questions?" "Yeah, can I close my fuckin' eyes?!" | 0:08:25 | 0:08:30 | |
LAUGHTER | 0:08:30 | 0:08:32 | |
They'll be walking around the playground like this - | 0:08:32 | 0:08:34 | |
"I've seen things, man. | 0:08:34 | 0:08:38 | |
"There were these two girls, this cup..." | 0:08:38 | 0:08:41 | |
LAUGHTER | 0:08:41 | 0:08:43 | |
It's ridiculous. | 0:08:43 | 0:08:44 | |
Apparently they are doing it to make sure kids aren't afraid of porn. | 0:08:44 | 0:08:47 | |
You're like, what? | 0:08:47 | 0:08:49 | |
Kids aren't afraid of porn. | 0:08:49 | 0:08:51 | |
They've got bigger things to worry about, like Hoovers. | 0:08:51 | 0:08:53 | |
Atchoo! BABY GIGGLES | 0:08:53 | 0:08:56 | |
HOOVER BLASTS | 0:08:56 | 0:08:58 | |
LAUGHTER | 0:08:58 | 0:09:00 | |
They're not fussed about pornography. | 0:09:00 | 0:09:03 | |
Some of them are still baffled by food. Did you hear about this? | 0:09:03 | 0:09:06 | |
Research by the British Nutrition Foundation suggests | 0:09:06 | 0:09:09 | |
that almost a third of primary school children in the UK | 0:09:09 | 0:09:12 | |
think that cheese comes from plants. | 0:09:12 | 0:09:15 | |
One in five say fish fingers are made out of chicken. | 0:09:15 | 0:09:18 | |
LAUGHTER | 0:09:18 | 0:09:20 | |
That must have been such a beautiful moment. | 0:09:20 | 0:09:23 | |
"What are these FISH fingers made from?" | 0:09:23 | 0:09:26 | |
"Chicken." | 0:09:26 | 0:09:28 | |
"Right, let's go again, shall we?" "All right, Mum. Yeah, fine, let's go again." | 0:09:29 | 0:09:33 | |
"Where do blackberries come from?" "Erm, Carphone Warehouse?" | 0:09:33 | 0:09:36 | |
LAUGHTER | 0:09:36 | 0:09:38 | |
"Am I close?!" | 0:09:40 | 0:09:43 | |
Did you see any of the answers? They're amazing. | 0:09:43 | 0:09:45 | |
LAUGHTER | 0:09:48 | 0:09:50 | |
LAUGHTER | 0:09:53 | 0:09:55 | |
One kid even thought pasta was a hat! | 0:09:57 | 0:10:00 | |
LAUGHTER | 0:10:00 | 0:10:03 | |
Mind you, it is pretty rich of adults to mock kids about food. | 0:10:03 | 0:10:06 | |
"Silly children, don't know what they're eating." | 0:10:06 | 0:10:08 | |
We've been eating horse lasagne for years! | 0:10:08 | 0:10:11 | |
"Stupid little children! Nom-nom-nom-nom! | 0:10:11 | 0:10:14 | |
"Why have I grown hooves?" | 0:10:14 | 0:10:15 | |
I kind of feel sorry for the kids. | 0:10:17 | 0:10:19 | |
Some reporters were even trying to catch them out live on air. | 0:10:19 | 0:10:22 | |
But this little legend was having none of it. | 0:10:22 | 0:10:24 | |
-Can you tell me what fish fingers are made from? -Breadcrumbs and fish. | 0:10:24 | 0:10:28 | |
"It's pretty obvious, you dozy tart." | 0:10:29 | 0:10:31 | |
Wouldn't you have loved it if he went, | 0:10:33 | 0:10:35 | |
"Oh, yeah, one more thing. There you go." | 0:10:35 | 0:10:37 | |
"Put breadcrumbs on that." | 0:10:38 | 0:10:41 | |
But that isn't the craziest story about kids and food. | 0:10:41 | 0:10:45 | |
REPORT: This is the scene of the crime. | 0:10:45 | 0:10:47 | |
The woman who lives here called police about her Pop Tarts. | 0:10:47 | 0:10:51 | |
She didn't just call the police, look what she did next. | 0:10:51 | 0:10:54 | |
She had her 13-year-old son jailed for stealing her Pop Tarts. | 0:10:54 | 0:10:58 | |
Or, as this reporter put it... | 0:10:59 | 0:11:02 | |
She fingered her own son. | 0:11:02 | 0:11:04 | |
LAUGHTER | 0:11:04 | 0:11:07 | |
APPLAUSE | 0:11:07 | 0:11:10 | |
Christ! No wonder he nicked her Pop Tarts! That is a strict mum! | 0:11:14 | 0:11:18 | |
If I stole food when I was little, I got a telling-off. | 0:11:18 | 0:11:21 | |
I never got fisted! | 0:11:21 | 0:11:23 | |
LAUGHTER | 0:11:23 | 0:11:26 | |
Do you know the weirdest thing? | 0:11:26 | 0:11:28 | |
Apparently, the dance troupe Attraction | 0:11:28 | 0:11:30 | |
have already worked it into their new routine. | 0:11:30 | 0:11:33 | |
HE SCREAMS | 0:11:38 | 0:11:41 | |
Next up, oh, there's been some cracking stories | 0:11:48 | 0:11:50 | |
from Australia in the news. | 0:11:50 | 0:11:51 | |
First of all, a beer drinker is being treated like a king | 0:11:51 | 0:11:55 | |
after writing a letter to a company | 0:11:55 | 0:11:56 | |
complaining about their new low-alcohol brand. | 0:11:56 | 0:11:59 | |
REPORT: Brendan is a big man with a big thirst and a big complaint. | 0:11:59 | 0:12:03 | |
His favourite drop has left a bad taste in his mouth. | 0:12:03 | 0:12:06 | |
It was a top drink until they changed it. | 0:12:06 | 0:12:08 | |
And when they changed it, it tasted like crap. | 0:12:08 | 0:12:11 | |
"Tasted like a dingo's ball bag!" | 0:12:11 | 0:12:14 | |
So, did he write them a gentle letter critiquing the new taste? | 0:12:15 | 0:12:18 | |
Nope. Here's the letter he wrote. | 0:12:18 | 0:12:20 | |
The best thing - that letter actually worked. | 0:12:36 | 0:12:39 | |
We apologise, we got it wrong. | 0:12:39 | 0:12:41 | |
But we've listened to you and we're now going back | 0:12:41 | 0:12:44 | |
to the original full-strength, full flavour, at 4.9%. | 0:12:44 | 0:12:48 | |
Moral of the story, if you're not happy, swear like fuck! | 0:12:48 | 0:12:51 | |
Not that it's the craziest letter Down Under. | 0:12:52 | 0:12:55 | |
Check out the fan mail that Paul Henry read out | 0:12:55 | 0:12:58 | |
at the Kiwi version of the BAFTAs. | 0:12:58 | 0:13:00 | |
This is possibly the greatest acceptance speech | 0:13:00 | 0:13:03 | |
I've ever seen in my life. | 0:13:03 | 0:13:05 | |
These are the words of a very, very passionate fan, | 0:13:05 | 0:13:08 | |
and so you'll have to... | 0:13:08 | 0:13:10 | |
You'll have to read between the lines. | 0:13:10 | 0:13:13 | |
"Paul Henry, you're the most insulting little self-conceited | 0:13:13 | 0:13:17 | |
"little mongrel prick on TV." | 0:13:17 | 0:13:19 | |
"I would love Susan Boyle to shit on your ugly face..." | 0:13:21 | 0:13:24 | |
LAUGHTER | 0:13:24 | 0:13:26 | |
"..Pamela Anderson to give you AIDS, | 0:13:26 | 0:13:28 | |
"David Hasselhoff to punch you on the nose, | 0:13:28 | 0:13:30 | |
"preferably before Susan shits on you." | 0:13:30 | 0:13:32 | |
LAUGHTER | 0:13:32 | 0:13:36 | |
And the writer, and I can't credit him or her, | 0:13:36 | 0:13:39 | |
because they haven't put their name on this letter, | 0:13:39 | 0:13:42 | |
ends with the, I think, quite memorable line, | 0:13:42 | 0:13:45 | |
"You fucking poofter..." | 0:13:45 | 0:13:47 | |
"..pommy mongrel prick." | 0:13:49 | 0:13:51 | |
-"Die, you -(BLEEP)." | 0:13:52 | 0:13:53 | |
LAUGHTER | 0:13:53 | 0:13:55 | |
APPLAUSE | 0:13:55 | 0:13:58 | |
Now, from anger to loneliness. | 0:13:59 | 0:14:01 | |
Have a look at what this bloke did when his best friend moved away. | 0:14:01 | 0:14:04 | |
But not only that. | 0:14:07 | 0:14:08 | |
Not only did he go online, he also did an amazing interview on telly, | 0:14:08 | 0:14:12 | |
explaining the key skills he requires in a best mate. | 0:14:12 | 0:14:14 | |
One of your requirements is knowing the peacock dance. | 0:14:14 | 0:14:17 | |
What is the peacock dance? | 0:14:17 | 0:14:19 | |
It's a dance that just confuses women in the club. | 0:14:20 | 0:14:23 | |
It sort of just sedates them. | 0:14:23 | 0:14:25 | |
They don't know what happened, and then you swoop in and talk to them. | 0:14:25 | 0:14:28 | |
Pretty sure that's Rohypnol. | 0:14:32 | 0:14:33 | |
So you're probably thinking, "I doubt he did the dance on telly". | 0:14:35 | 0:14:38 | |
Guess again. | 0:14:38 | 0:14:39 | |
The peacock dance goes a little bit like this...? | 0:14:39 | 0:14:44 | |
Well, he does it like this. | 0:14:44 | 0:14:46 | |
Oh, yeah! | 0:14:46 | 0:14:48 | |
How is that dance going to impress women? | 0:14:55 | 0:14:59 | |
"Do you feel sedated?" "No, you're the one who needs sedating". | 0:15:04 | 0:15:08 | |
The only people that is going to impress are pigeons - just outside. | 0:15:09 | 0:15:13 | |
"Who's the fucking mover?" | 0:15:13 | 0:15:16 | |
"I'll tell you what, Maureen..." | 0:15:20 | 0:15:22 | |
"I'd let him give me a liquid arse." | 0:15:27 | 0:15:29 | |
To be honest, he might be better off alone. | 0:15:36 | 0:15:38 | |
Some mates can be real arseholes. | 0:15:38 | 0:15:40 | |
You can be looking on Facebook, and from nowhere, | 0:15:40 | 0:15:43 | |
someone does this to you. | 0:15:43 | 0:15:44 | |
STUDIO AUDIENCE: Oh! | 0:15:46 | 0:15:47 | |
That is the cruellest, and yet poshest prank ever. | 0:15:51 | 0:15:56 | |
"Hey, let's get Joshua in the spuds with a champagne cork!" | 0:15:57 | 0:16:01 | |
"Oh, Bunty, you are the living end!" | 0:16:01 | 0:16:04 | |
Thwop! | 0:16:04 | 0:16:07 | |
Now, while we're here, there might be lonely people in England, | 0:16:07 | 0:16:10 | |
not just Australia. | 0:16:10 | 0:16:12 | |
If there's anyone out there, | 0:16:12 | 0:16:13 | |
and you're looking for a new best mate, I've got just the person. | 0:16:13 | 0:16:17 | |
Ha-ha-ha-ha! | 0:16:17 | 0:16:19 | |
I'm going to suck you dry! | 0:16:19 | 0:16:22 | |
This is the part of the show I know nothing about. | 0:16:28 | 0:16:30 | |
There'll be a mystery guest who's been in the news, | 0:16:30 | 0:16:32 | |
and I have to figure out who that person is. So, please welcome my mystery guest. | 0:16:32 | 0:16:37 | |
APPLAUSE | 0:16:37 | 0:16:40 | |
-Hello! Nice to meet you. Hello, madam. What's your name? -Christine. | 0:16:48 | 0:16:52 | |
-I'm Mike. -Nice to meet you. So, can I sit down here? -Yes. | 0:16:52 | 0:16:57 | |
-I imagine it's got something to do with balloons. -Yes. -And parties. | 0:16:57 | 0:17:03 | |
-Yes. -Do you gatecrash kids' parties and steal their goods? | 0:17:03 | 0:17:08 | |
Oh, I'd love to. I would. | 0:17:08 | 0:17:10 | |
If you could nick anything from a child, what would you nick? | 0:17:12 | 0:17:15 | |
-Chocolate. -Nice! You didn't even think for a second. | 0:17:15 | 0:17:18 | |
"Chocolate", straight away. | 0:17:18 | 0:17:21 | |
Shall we tell you our names? | 0:17:21 | 0:17:23 | |
That might give you a little bit of a clue. | 0:17:23 | 0:17:25 | |
-Oh, your stage names? -Yes. I am Twistina. | 0:17:25 | 0:17:28 | |
-Twistina. And you, my friend? -Twistopher. -Twistopher? -Yeah. | 0:17:28 | 0:17:33 | |
Could I join your troupe as... | 0:17:33 | 0:17:35 | |
I was going to say Bender, but that seems wrong. | 0:17:35 | 0:17:38 | |
-Yes! -I could be Bender? -Yes. | 0:17:38 | 0:17:42 | |
Twistopher and Bender. | 0:17:42 | 0:17:44 | |
You have to help me out. Why have you been in the news this week? | 0:17:44 | 0:17:48 | |
We make balloon models for the rich and famous. | 0:17:48 | 0:17:50 | |
-We have something. -You've got something there? | 0:17:57 | 0:18:00 | |
As we said, it's not just children. | 0:18:00 | 0:18:03 | |
We do lots of dos for all age groups. | 0:18:03 | 0:18:04 | |
Weddings, students, university balls, dinners. | 0:18:04 | 0:18:09 | |
Alien hitchhiker. | 0:18:09 | 0:18:11 | |
That is an alien hitchhiker. Very nice. | 0:18:11 | 0:18:13 | |
If I was at a student ball and it was about three in the morning | 0:18:13 | 0:18:16 | |
and I was pissed and on many drugs, that would terrify me. | 0:18:16 | 0:18:20 | |
-This is a bow and arrow. -Oh, I see. | 0:18:22 | 0:18:24 | |
These are good at three in the morning when you've had a few beers. | 0:18:24 | 0:18:28 | |
-You said this is a bow and arrow? -Yeah. | 0:18:28 | 0:18:31 | |
That sounds like a hastily-constructed alibi, doesn't it? | 0:18:33 | 0:18:36 | |
"It's a bow and arrow! What are you talking about? | 0:18:36 | 0:18:38 | |
"I've been dressing up as Goldilocks | 0:18:38 | 0:18:41 | |
"and trying to shag myself." | 0:18:41 | 0:18:43 | |
"Too warm!" | 0:18:47 | 0:18:49 | |
"Too salty!" | 0:18:50 | 0:18:52 | |
"Just right." | 0:18:54 | 0:18:57 | |
What have we got here, then? Who's this? | 0:18:59 | 0:19:00 | |
Can you guess? | 0:19:00 | 0:19:02 | |
Who's that? Who is it? Can anyone guess? | 0:19:02 | 0:19:05 | |
AUDIENCE: You! | 0:19:05 | 0:19:06 | |
It can't be me. | 0:19:06 | 0:19:07 | |
The eyes are facing the right way. | 0:19:07 | 0:19:10 | |
Why is my hair receding? | 0:19:10 | 0:19:12 | |
Are we going to have any balloon-based fun? | 0:19:19 | 0:19:21 | |
-I think we will, yes. -I look forward to that. Great. | 0:19:21 | 0:19:24 | |
So here we are. | 0:19:27 | 0:19:28 | |
What are we going to do? | 0:19:30 | 0:19:31 | |
Right. Are you ready to blow some balloons? | 0:19:31 | 0:19:33 | |
I was born ready to blow balloons. | 0:19:33 | 0:19:35 | |
Right, so, what we're going to do is, | 0:19:36 | 0:19:38 | |
I am going to show you how to make an octopus. | 0:19:38 | 0:19:42 | |
-OK. -I'll show you how to use the pump. | 0:19:45 | 0:19:47 | |
Hold the nozzle on, because if you don't, it'll shoot off. | 0:19:47 | 0:19:51 | |
I felt like a really turned-on Smurf then. | 0:20:07 | 0:20:09 | |
Do you want to see an outtake from Shrek? | 0:20:20 | 0:20:22 | |
Oh! | 0:20:22 | 0:20:23 | |
Right, so you want four balloons. | 0:20:25 | 0:20:27 | |
-Yep. -And I'll have four as well. | 0:20:27 | 0:20:30 | |
And what you want to do is gather them all up. Then give them a twist. | 0:20:30 | 0:20:35 | |
Grab your tentacles and bring them all together. | 0:20:44 | 0:20:47 | |
And then you've got to make sort of a little bubble on the top. | 0:20:49 | 0:20:52 | |
-That's going to be the head. -Yeah. | 0:20:52 | 0:20:54 | |
And twist that around. | 0:20:58 | 0:21:01 | |
-Can you twist it for me? -I can, yeah. | 0:21:04 | 0:21:07 | |
Squeeze it in, and...twist! | 0:21:07 | 0:21:13 | |
That's it. OK. | 0:21:13 | 0:21:17 | |
I feel like one of God's crap helpers. | 0:21:17 | 0:21:19 | |
Ladies and gentlemen, check out these octopus balloons! | 0:21:22 | 0:21:26 | |
Please give it up for my mystery guests! | 0:21:29 | 0:21:31 | |
Stop whatever you're doing. | 0:21:37 | 0:21:39 | |
Apparently, scientists have discovered the reason | 0:21:39 | 0:21:42 | |
that some men get more sex than others. | 0:21:42 | 0:21:44 | |
If ever there was an excuse for getting out of housework, | 0:21:44 | 0:21:46 | |
this is it, gentlemen. | 0:21:46 | 0:21:49 | |
Researchers found that men who do traditional female chores | 0:21:49 | 0:21:53 | |
have less sex than those who stick to more masculine tasks. | 0:21:53 | 0:21:59 | |
Well, if that's true, | 0:22:00 | 0:22:01 | |
this bloke must be beating them off with a shitty stick. | 0:22:01 | 0:22:04 | |
Tell you what, how picky are women? | 0:22:07 | 0:22:09 | |
"Why don't you fancy him?" "Well, he's good-looking, | 0:22:09 | 0:22:11 | |
"clever, charming and kind, but apparently, he likes to hoover." | 0:22:11 | 0:22:16 | |
"What a nasty bastard. Why can't I have a normal bloke | 0:22:17 | 0:22:20 | |
"that slaps me about and puts up a shelf?" | 0:22:20 | 0:22:22 | |
"Why can't I have a normal bloke like that? Why not?" | 0:22:23 | 0:22:27 | |
Let's be honest, this story is bollocks. | 0:22:29 | 0:22:31 | |
Mowing the lawn does not make you look sexy. | 0:22:31 | 0:22:33 | |
Did that do anything for you, ladies? | 0:22:48 | 0:22:50 | |
Watch him mow that goddamn lawn! | 0:22:51 | 0:22:53 | |
Staying in the world of love, did you hear about this? | 0:22:55 | 0:22:58 | |
According to a police report, a man and woman were attacked | 0:22:58 | 0:23:01 | |
by a man with a large knife at Craighead Forest Park. | 0:23:01 | 0:23:04 | |
While the young woman ran off, the man, 26-year-old Tyler Siegel, | 0:23:04 | 0:23:08 | |
-stayed back to fight the attacker. -Tyler Siegel, you are a hero, | 0:23:08 | 0:23:12 | |
protecting your date from a near-death experience. | 0:23:12 | 0:23:15 | |
I take my cap off to you, sir. | 0:23:15 | 0:23:17 | |
Turns out Siegel asked his friend to attack them | 0:23:17 | 0:23:20 | |
so he could impress the girl. | 0:23:20 | 0:23:22 | |
Tyler Siegel, you are a dick! | 0:23:23 | 0:23:26 | |
Give me back my cap. | 0:23:26 | 0:23:28 | |
That must have been the most ridiculous mugging ever. | 0:23:28 | 0:23:33 | |
"Give me all your money, Tyler!" "How do you know my name?" | 0:23:33 | 0:23:37 | |
"I've known you all my life!" "He's been stalking me for ever!" | 0:23:37 | 0:23:41 | |
"What's wrong with you, Dave? We fucking rehearsed this." | 0:23:41 | 0:23:44 | |
Mind you, if you think faking a mugging is bad, | 0:23:44 | 0:23:47 | |
have a look at what happened to this bloke in Florida. | 0:23:47 | 0:23:50 | |
Who answers the door with a Taser in their hand? Poor sod. | 0:24:01 | 0:24:05 | |
-"Will you marry me?" -HE IMITATES TASER | 0:24:05 | 0:24:08 | |
Apparently, she put so much electricity through him, | 0:24:08 | 0:24:12 | |
she gave him a... | 0:24:12 | 0:24:13 | |
Liquid ass. | 0:24:13 | 0:24:14 | |
But what I don't get - and I'm sure you're the same - | 0:24:14 | 0:24:17 | |
he loves her enough to strip off, | 0:24:17 | 0:24:19 | |
but not enough to know where she lives? | 0:24:19 | 0:24:22 | |
Surely the first thing you do | 0:24:24 | 0:24:26 | |
if you're going to knock on someone's door naked - | 0:24:26 | 0:24:29 | |
check it's the right house! | 0:24:29 | 0:24:31 | |
Actually, second thing. First thing, just give it a stretch. | 0:24:31 | 0:24:34 | |
Just tease it out. Make sure it's at its fighting weight, | 0:24:35 | 0:24:39 | |
you know what I mean? Heavy, not hard. | 0:24:39 | 0:24:42 | |
This joke's mainly for the fellas. | 0:24:46 | 0:24:48 | |
I doubt ladies have that similar thing. | 0:24:48 | 0:24:50 | |
"I'm going out with Barry tonight, just give it a bit of a wiggle." | 0:24:50 | 0:24:53 | |
Mind you, I wish I'd seen it. | 0:24:56 | 0:24:58 | |
Is there anything greater than the noise someone makes | 0:24:58 | 0:25:00 | |
when they're Tasered? | 0:25:00 | 0:25:01 | |
Taser, Taser! | 0:25:01 | 0:25:03 | |
HIGH-PITCHED SCREAM | 0:25:03 | 0:25:05 | |
Aaagh! | 0:25:10 | 0:25:11 | |
Do you know the oddest thing about this story? | 0:25:11 | 0:25:14 | |
Apparently, the dance troupe Attraction... | 0:25:14 | 0:25:17 | |
..have already worked it into their routine. | 0:25:23 | 0:25:25 | |
Now an inspirational story about a woman called Claire Lomas. | 0:25:47 | 0:25:50 | |
The London Marathon last year. | 0:26:01 | 0:26:03 | |
Claire Lomas completed it in a robotic suit. It took her 17 days. | 0:26:03 | 0:26:09 | |
You know, the marathon was a great experience. | 0:26:09 | 0:26:11 | |
I actually had really good fun. | 0:26:11 | 0:26:13 | |
The walking was hard and challenging, but the people made it. | 0:26:13 | 0:26:16 | |
When you've got a good group of people and you're exercising, | 0:26:16 | 0:26:19 | |
you just feel good for it. | 0:26:19 | 0:26:20 | |
Claire was left paralysed from the waist down | 0:26:22 | 0:26:24 | |
after a riding accident five years ago. | 0:26:24 | 0:26:27 | |
After my accident, I felt like every door had been slammed in my face. | 0:26:27 | 0:26:32 | |
I certainly did feel at rock bottom. Some days... | 0:26:32 | 0:26:35 | |
I was always active. I never sat down. And suddenly I'm told, | 0:26:35 | 0:26:38 | |
"You're going to spend the rest of your life in a wheelchair." | 0:26:38 | 0:26:41 | |
I'm like, "I don't know if I can live like this." | 0:26:41 | 0:26:44 | |
It is so much to get your head around. | 0:26:44 | 0:26:46 | |
It's a feat of endurance that would get the better of most of us, | 0:26:49 | 0:26:53 | |
so for Claire Lomas, the achievement is all the more incredible. | 0:26:53 | 0:26:57 | |
Today she finished a 400 mile charity bike ride. | 0:26:57 | 0:26:59 | |
The 33-year-old is raising money for spinal research. | 0:26:59 | 0:27:03 | |
She's travelled 400 miles on arm power alone. | 0:27:04 | 0:27:07 | |
She started in Nottingham, | 0:27:09 | 0:27:11 | |
and did the equivalent of around 16 marathons. | 0:27:11 | 0:27:14 | |
She even managed to stop off at schools on the way. | 0:27:14 | 0:27:18 | |
She's an extraordinary lady, and a true inspiration to all of us, | 0:27:18 | 0:27:22 | |
or should be. | 0:27:22 | 0:27:23 | |
She wants to spread the word that whatever happens to you, | 0:27:25 | 0:27:28 | |
there is always hope. | 0:27:28 | 0:27:30 | |
How lovely is that? | 0:27:32 | 0:27:34 | |
APPLAUSE | 0:27:34 | 0:27:35 | |
Now it's time for my stand-up guest. | 0:27:38 | 0:27:40 | |
Please give a huge welcome to the wonderful Liam Williams! | 0:27:40 | 0:27:43 | |
CHEERING AND APPLAUSE | 0:27:43 | 0:27:45 | |
Thank you. OK. Here is the first joke. I hope you enjoy it. | 0:27:51 | 0:27:54 | |
So, the universe implodes. | 0:27:56 | 0:27:59 | |
No matter. Thank you. | 0:27:59 | 0:28:01 | |
Thank you. Liam Williams, at your service. It's a good joke. | 0:28:04 | 0:28:09 | |
It's a bit geeky, that's the only problem. | 0:28:09 | 0:28:11 | |
I was a bit of a geek at school. | 0:28:11 | 0:28:12 | |
I used to get bullied for that. But I dealt with it. | 0:28:12 | 0:28:15 | |
I always gave as good as I got. In fact, I gave better than I got. | 0:28:15 | 0:28:18 | |
Not to the same people, to the smaller boys. The weaker boys. | 0:28:18 | 0:28:21 | |
And my family's animals. That helps. It's nice to be here. | 0:28:23 | 0:28:27 | |
My name is Liam. Brown hair, blue eyes. Always up for a laugh. | 0:28:27 | 0:28:30 | |
I live in north London. | 0:28:30 | 0:28:31 | |
I don't really like where I live because I hate my neighbours. | 0:28:31 | 0:28:35 | |
My neighbours piss me off all day. | 0:28:35 | 0:28:37 | |
Their Wi-Fi connection is just so slow. It's... | 0:28:37 | 0:28:39 | |
..unbearable. | 0:28:41 | 0:28:42 | |
What a pleasure to be here. | 0:28:42 | 0:28:44 | |
How did I end up here with my name in lights too many times for no reason? | 0:28:44 | 0:28:49 | |
How did I, who left school at 16 | 0:28:49 | 0:28:51 | |
before going to sixth form and university, come to be... | 0:28:51 | 0:28:55 | |
..standing before you this evening? | 0:28:59 | 0:29:02 | |
I'll tell you my story. | 0:29:02 | 0:29:03 | |
And I'll tell you through the medium of storytelling. | 0:29:03 | 0:29:07 | |
Just normal stand-up. We begin in Leeds in 1974. | 0:29:09 | 0:29:13 | |
Then immediately fast-forward 14 years to 1988, the year of my birth. | 0:29:13 | 0:29:17 | |
My mother is talking to my grandfather, her father. And friend. | 0:29:21 | 0:29:25 | |
"Dad, I'm pregnant with | 0:29:28 | 0:29:30 | |
"the semi-professional comedian Liam Williams." | 0:29:30 | 0:29:33 | |
"Oh, wonderful news. | 0:29:35 | 0:29:36 | |
"You will, of course, raise him as we raised you, won't you?" | 0:29:36 | 0:29:39 | |
"You mean emotionally repressed and in relative poverty?" | 0:29:39 | 0:29:43 | |
"Aye." | 0:29:43 | 0:29:44 | |
"No, Dad." "Why not?" | 0:29:44 | 0:29:46 | |
"Well, Dad, there's this alternative lifestyle we've read about, | 0:29:46 | 0:29:49 | |
"it's called being lower middle class." | 0:29:49 | 0:29:52 | |
"You what?" | 0:29:53 | 0:29:54 | |
HE EXHALES | 0:29:54 | 0:29:55 | |
"What does that mean?" | 0:29:55 | 0:29:57 | |
HE COUGHS | 0:29:57 | 0:29:59 | |
"It means we'll encourage him | 0:29:59 | 0:30:00 | |
"to eat three or four portions of vegetables a day | 0:30:00 | 0:30:03 | |
"and strike him bi-annually at most." | 0:30:03 | 0:30:04 | |
"We really think this is for the best. | 0:30:09 | 0:30:11 | |
"Please, Dad, say you understand." | 0:30:11 | 0:30:13 | |
But grandad didn't say he understood. | 0:30:13 | 0:30:15 | |
He just turned away and muttered something about his hat. "..My hat." | 0:30:15 | 0:30:18 | |
My parents did give me a good upbringing. But they were the kind of parents who would remind me | 0:30:20 | 0:30:24 | |
I was having a good upbringing. "Liam, we've fed you. | 0:30:24 | 0:30:26 | |
"We've clothed you. Put a roof over your head." | 0:30:26 | 0:30:28 | |
"I'd say, I am grateful for those things, Mother and Father, | 0:30:28 | 0:30:31 | |
"but if you didn't do them, you would have to deal with the police at the door asking | 0:30:31 | 0:30:35 | |
"why there's a starving, naked boy on the front lawn." | 0:30:35 | 0:30:38 | |
I hated school, too. I hated the head teacher, Mr Dickhead. | 0:30:40 | 0:30:43 | |
I can still remember Mr Dickhead. "Stand up straight. | 0:30:43 | 0:30:45 | |
"Tuck your shirt in. Take that dead bird out of your mouth. | 0:30:45 | 0:30:48 | |
"People will think you have no self-respect." "What do I care?" | 0:30:48 | 0:30:51 | |
"What do I care," I'd say. "Don't you know nowt matters? | 0:30:51 | 0:30:54 | |
"We're all going to be bukakied with sadness when the banks start to collapse anyway." | 0:30:54 | 0:30:57 | |
It was only 2004 and I was only 16 but I'm very prescient, | 0:30:57 | 0:31:01 | |
so a bit more respect from some of you, I think. | 0:31:01 | 0:31:03 | |
I was a little prick, and like most little pricks | 0:31:03 | 0:31:06 | |
I began experimenting with drugs as a superficial act of teenage rebellion. | 0:31:06 | 0:31:10 | |
Not proud of that, I fear my drug use may have begun to catch up with me now. | 0:31:10 | 0:31:14 | |
I get memory loss and flashbacks. | 0:31:14 | 0:31:16 | |
Sometimes at the same time, which is just normal. | 0:31:16 | 0:31:18 | |
Just normal consciousness. | 0:31:20 | 0:31:22 | |
I was worried also for a while that I'd begun hearing voices in my head. | 0:31:22 | 0:31:26 | |
But then I thought hearing voices in your head is just thinking. | 0:31:26 | 0:31:30 | |
It's not... We all have an interior monologue. Our thoughts are made of language. | 0:31:34 | 0:31:37 | |
It just depends what the voice is saying. | 0:31:37 | 0:31:40 | |
If you walk down the street, a voice in your head says, | 0:31:40 | 0:31:42 | |
"Look at that dead bird," you're sane, I think. | 0:31:42 | 0:31:45 | |
But if you walk down the street and the voice says, | 0:31:45 | 0:31:48 | |
"Eat that dead bird." Just keep an eye on the commands. | 0:31:48 | 0:31:52 | |
That's my only advice. I know it's an unsavoury topic for some people. | 0:31:52 | 0:31:55 | |
I have taken drugs in the past. | 0:31:55 | 0:31:57 | |
I may have taken drugs in the future, I don't know, I haven't been there yet. I can't wait to find out. | 0:31:57 | 0:32:02 | |
There are some drugs I've vowed never to touch again. Cocaine, for example. | 0:32:02 | 0:32:06 | |
Awful. And pretty prevalent in the comedy industry. | 0:32:06 | 0:32:09 | |
Shrinks the penis to the size of a walnut. | 0:32:09 | 0:32:12 | |
And inflates the ego to the size of a walnut. | 0:32:12 | 0:32:16 | |
Considering the human ego is a purely abstract, metaphorical entity, | 0:32:18 | 0:32:21 | |
for it to reach walnut size is pretty worrying, I think. | 0:32:21 | 0:32:24 | |
I worry most of all that drug use has left me permanently depressed. | 0:32:24 | 0:32:29 | |
Permanently lazy. These are my main two modes, | 0:32:29 | 0:32:32 | |
my main two characteristics as a person - laziness and depression. | 0:32:32 | 0:32:35 | |
Not an ideal combination of main characteristics. | 0:32:35 | 0:32:38 | |
I have considered suicide, but only in the same way that | 0:32:38 | 0:32:41 | |
I've considered going for a jog every day | 0:32:41 | 0:32:43 | |
for the last five or six years. | 0:32:43 | 0:32:44 | |
I'm never going to get round to it. | 0:32:44 | 0:32:46 | |
I haven't got the get-up-and-go. | 0:32:46 | 0:32:49 | |
I need to get my shit together. | 0:32:50 | 0:32:52 | |
You know that phrase, that fashionable phrase? | 0:32:52 | 0:32:54 | |
Fashionable as shoulder pads and little illustrations of moustaches. | 0:32:54 | 0:32:59 | |
I need to get my shit together. I realise my shit is all asunder. | 0:32:59 | 0:33:03 | |
I need to stoop down, | 0:33:04 | 0:33:06 | |
gather it up enthusiastically like I'm scrumping fallen apples. | 0:33:06 | 0:33:09 | |
Ball it up tight and be like, "Look, world, there's my shit." | 0:33:11 | 0:33:14 | |
It's together. | 0:33:15 | 0:33:17 | |
There are a number of exciting incidents that led me | 0:33:17 | 0:33:19 | |
to these realisations. | 0:33:19 | 0:33:20 | |
I'll tell you the one of greatest narrative interest. | 0:33:20 | 0:33:24 | |
This girl came back to my flat and we made, well, not love, | 0:33:24 | 0:33:27 | |
but the requisite levels of mutual trust | 0:33:27 | 0:33:30 | |
to concede our bodies to each other | 0:33:30 | 0:33:32 | |
and escape our respective states of loneliness for a little while. | 0:33:32 | 0:33:36 | |
We made sweet...that. | 0:33:37 | 0:33:38 | |
I'm going to say, this isn't a standard fuck boast, | 0:33:41 | 0:33:44 | |
nor a cliched self-deprecating tale of sexual failure. | 0:33:44 | 0:33:49 | |
I'm fine, as lovers go. | 0:33:49 | 0:33:51 | |
Not fine as in, "Oh, what a fine lover you are." | 0:33:51 | 0:33:54 | |
Fine as in, "How was that for you?" "Fine." | 0:33:54 | 0:33:57 | |
It's fine, isn't it? It's fine. | 0:33:58 | 0:33:59 | |
I just do it for the post-coital epiphanies, really. | 0:33:59 | 0:34:02 | |
That's my thing. | 0:34:05 | 0:34:06 | |
I'll be laying a-bed, | 0:34:08 | 0:34:10 | |
the bedroom bathed in sodium light from the street lamp outside. | 0:34:10 | 0:34:15 | |
Not physically, but psychologically alone. Empty and still. | 0:34:15 | 0:34:20 | |
Until suddenly, I'll be like, "Yeah, I should make my own lemonade." | 0:34:20 | 0:34:24 | |
But I never do. | 0:34:28 | 0:34:30 | |
Anyway, this is one of those ongoing, semi-frequent things | 0:34:30 | 0:34:33 | |
that's never going to develop into love | 0:34:33 | 0:34:35 | |
because we just don't respect each other enough. | 0:34:35 | 0:34:37 | |
You can be as close with someone as two mammals could ever be | 0:34:37 | 0:34:40 | |
and I guess we just realise | 0:34:40 | 0:34:41 | |
we have roughly the same sexual market value | 0:34:41 | 0:34:44 | |
and just embarked on this unrewarding cycle. It's fine. | 0:34:44 | 0:34:47 | |
It allows a kind of detached candour, which is important to this story. | 0:34:47 | 0:34:52 | |
The other important detail is that she's stylish, this girl, | 0:34:52 | 0:34:55 | |
in a way that I don't have the critical vocabulary to describe. | 0:34:55 | 0:34:59 | |
She looks like a little sailor on this particular occasion, | 0:34:59 | 0:35:01 | |
if that gets anything across - that's the best I can do. | 0:35:01 | 0:35:04 | |
This little sailor has never been to my flat before. | 0:35:04 | 0:35:07 | |
Afterwards she's a-bed, | 0:35:07 | 0:35:09 | |
and looking round the room, I guess, just collecting data, | 0:35:09 | 0:35:11 | |
to take away with her | 0:35:11 | 0:35:12 | |
and use to assess the extent to which she's selling herself short | 0:35:12 | 0:35:15 | |
in these transactions. | 0:35:15 | 0:35:16 | |
After about a minute of looking at the room's four walls, | 0:35:18 | 0:35:21 | |
she turns to me and goes, "How long have you lived here?" | 0:35:21 | 0:35:24 | |
I'm like, about two years. Two and a half years, why?" She's like, "What? | 0:35:24 | 0:35:28 | |
"It's like you've been here a week or so." "I say, "What do you mean?" | 0:35:28 | 0:35:31 | |
She says, "You've got things here, but there's no design to it. | 0:35:31 | 0:35:35 | |
"It's like your room doesn't have a personality." | 0:35:35 | 0:35:38 | |
As a joke, to imply self-assurance, | 0:35:38 | 0:35:41 | |
I say, "That's because I don't have a personality." | 0:35:41 | 0:35:44 | |
And the contrived earnestness in her voice when she replies, | 0:35:46 | 0:35:50 | |
"That's not true, Liam," | 0:35:50 | 0:35:51 | |
has made me quite scared. | 0:35:51 | 0:35:54 | |
So now I want money and things. | 0:35:56 | 0:35:58 | |
Things on or near me to imply a personality. | 0:35:58 | 0:36:01 | |
Sometimes when I'm talking to people, | 0:36:01 | 0:36:03 | |
I'll see them realise that behind the jokes | 0:36:03 | 0:36:05 | |
and the attempts at cleverness there's not really much there. | 0:36:05 | 0:36:09 | |
I want things, not as status symbols | 0:36:09 | 0:36:11 | |
but as decoys and distractions, so that when I realise it's happening, | 0:36:11 | 0:36:14 | |
I can be like, "Look at my on-trend boat shoes." | 0:36:14 | 0:36:17 | |
"Look at my leather-bound iPad case. | 0:36:18 | 0:36:21 | |
"I'm going to get an iPad to go in there one of these days." | 0:36:21 | 0:36:23 | |
"Hand me a MasterCard and this month's GQ magazine. | 0:36:25 | 0:36:28 | |
"Darling, when the bedroom is full of sodium lights | 0:36:28 | 0:36:31 | |
"and the abyss yawns over the trees, do not stare at it, | 0:36:31 | 0:36:35 | |
"nor at the bare ceiling and presume me bare too. | 0:36:35 | 0:36:37 | |
"But look instead at this poster | 0:36:37 | 0:36:39 | |
"of skyscraper builders in the olden days eating their lunch on a beam." | 0:36:39 | 0:36:43 | |
"And my massive iPad dock | 0:36:45 | 0:36:47 | |
"and my collection of unusual beer bottles from around the world." | 0:36:47 | 0:36:52 | |
Life in the big city getting me down. | 0:36:52 | 0:36:54 | |
The endless grey, the day-to-day, the daily grind. | 0:36:54 | 0:36:58 | |
In a city of such apparently infinite variety, | 0:36:58 | 0:37:01 | |
the same faces and places re-occur | 0:37:01 | 0:37:03 | |
as if your life is just a video, a gif file. | 0:37:03 | 0:37:06 | |
It's endlessly cycling. | 0:37:06 | 0:37:07 | |
Catch a glimpse of yourself in the dark Tube glass | 0:37:07 | 0:37:10 | |
every evening on the way home. | 0:37:10 | 0:37:12 | |
You don't notice time ravaging you. | 0:37:12 | 0:37:14 | |
But you don't notice the shadow of the sundial | 0:37:14 | 0:37:17 | |
slowly crawling round either. | 0:37:17 | 0:37:19 | |
That's because there aren't many sundials around any more. | 0:37:19 | 0:37:23 | |
They're all dying, that's what I'm trying to put across. | 0:37:23 | 0:37:25 | |
It's monotonous. The same thing every day. | 0:37:28 | 0:37:30 | |
Wake up, have a cup of tea, go back to bed for a few hours. Get up again. | 0:37:30 | 0:37:35 | |
Have a slow breakfast. Another cup of tea. | 0:37:35 | 0:37:37 | |
Go on YouTube for about four hours. Try and do some work. Give up. | 0:37:37 | 0:37:41 | |
Have another cup of tea, go on YouTube again. | 0:37:41 | 0:37:44 | |
Have a bath, have another cup of tea. | 0:37:44 | 0:37:46 | |
Just basically a life mitigated by endless cups of tea. | 0:37:46 | 0:37:49 | |
And then, as another evening curls itself around the Shard, | 0:37:49 | 0:37:52 | |
you go to dinner. You go to the cinema with your friends. Go for a drink. | 0:37:52 | 0:37:55 | |
Go for another drink. Go home, watch an episode of the American Office | 0:37:55 | 0:37:58 | |
that you've illegally downloaded. | 0:37:58 | 0:38:00 | |
Watch another episode of the American Office you've illegally downloaded. | 0:38:00 | 0:38:03 | |
Get up. Do it all again. Repeat, ad infinitum. | 0:38:03 | 0:38:06 | |
But at the weekend, go to the beautiful coast. | 0:38:06 | 0:38:09 | |
Again, fucking bullshit. | 0:38:09 | 0:38:10 | |
Fucking Sisyphus, man. | 0:38:12 | 0:38:13 | |
You've got to do whatever you can to inject a bit of fun into it. | 0:38:13 | 0:38:16 | |
Even the supposedly funnest things can become ritualistic. Like dating. | 0:38:16 | 0:38:20 | |
I want to read you this article now, | 0:38:20 | 0:38:22 | |
which exemplifies what I mean about injecting fun into life. | 0:38:22 | 0:38:27 | |
I'm playing the dating game at the moment. | 0:38:27 | 0:38:29 | |
I don't know about you guys, | 0:38:29 | 0:38:31 | |
but I thought games were supposed to be fun. | 0:38:31 | 0:38:33 | |
Sometimes I think I would rather be playing Jumanji. | 0:38:33 | 0:38:36 | |
I'm joking, of course. That would be horrid. Dating is no picnic either. | 0:38:37 | 0:38:41 | |
I just want to read this article about alternative dating ideas | 0:38:41 | 0:38:45 | |
from a popular London lifestyle listings magazine. | 0:38:45 | 0:38:48 | |
"Alternative dating ideas for Londoners." | 0:38:48 | 0:38:50 | |
It's pretty London-centric, but you'll get some of this stuff | 0:38:50 | 0:38:53 | |
out in the provinces in a couple of years as well. | 0:38:53 | 0:38:55 | |
OK. I'm just going to read it. Can you play the romantic music, please? | 0:38:57 | 0:39:01 | |
ROMANTIC MUSIC PLAYS | 0:39:01 | 0:39:03 | |
OK. "Looking for innovative dating ideas this weekend? | 0:39:03 | 0:39:06 | |
"Well, you should be, you fucking little rat." | 0:39:06 | 0:39:08 | |
"Everybody your age group and socio-economic bracket is dating, | 0:39:10 | 0:39:13 | |
"so you should be too, you waste of sperm." | 0:39:13 | 0:39:17 | |
"Here are our top ten alternative dating ideas for Londoners. | 0:39:18 | 0:39:22 | |
"Number one, a salsa class. | 0:39:22 | 0:39:25 | |
"Learn how to make salsa at one of London's many salsa stores." | 0:39:25 | 0:39:28 | |
"Number two, comedy on a bus. | 0:39:30 | 0:39:32 | |
"Laughter can be a perfect icebreaker on a first date. But on a bus?! | 0:39:32 | 0:39:37 | |
"This is comedy like you've never experienced it before. | 0:39:37 | 0:39:40 | |
"Three, pebble-washing in the Thames." | 0:39:40 | 0:39:42 | |
"The Thames Museum runs free workshops, | 0:39:44 | 0:39:46 | |
"where every Sunday budding pebble-washers - | 0:39:46 | 0:39:48 | |
"or Jeffries as they used to be called, for no reason - | 0:39:48 | 0:39:51 | |
"can take to the horrible river bank | 0:39:51 | 0:39:53 | |
"and wash the pebbles in baby oil, | 0:39:53 | 0:39:55 | |
"which is like sunflower oil but extracted from babies." | 0:39:55 | 0:39:58 | |
"When the 16-hour session is finished, why not relax | 0:40:00 | 0:40:03 | |
"by a burning pile of bin bags with a steaming bowl of alive mice? | 0:40:03 | 0:40:09 | |
"Number 4, a tour of the Tube. We take the Tube for granted. | 0:40:09 | 0:40:13 | |
"We ride it to and from work each day and we get home, we cry. | 0:40:13 | 0:40:16 | |
"But the Tube is full of amazing hidden secrets. | 0:40:16 | 0:40:20 | |
"Did you know some of the stations are very old?" | 0:40:20 | 0:40:22 | |
"Ride around on the Tube together | 0:40:27 | 0:40:29 | |
"and bring a wry smile to your date's face | 0:40:29 | 0:40:31 | |
"by showing them the Nemi cartoon in that day's Metro. | 0:40:31 | 0:40:34 | |
"Number five, jazz on a roof. | 0:40:34 | 0:40:38 | |
"Tapping along to the crazy rhythms of jazz | 0:40:38 | 0:40:40 | |
"can be the perfect icebreaker on a first date, | 0:40:40 | 0:40:44 | |
"but on a roof?! | 0:40:44 | 0:40:45 | |
"This is jazz like you've never experienced it before. | 0:40:45 | 0:40:48 | |
"Six, a Kayleigh. For a taste of the Celtic, | 0:40:48 | 0:40:50 | |
"why not pay a Scottish or Irish woman called Kayleigh | 0:40:50 | 0:40:53 | |
"to let you have a bite of her body? | 0:40:53 | 0:40:56 | |
"Seven, cocktails in a tree. | 0:40:57 | 0:41:00 | |
"Zesty fruit and frontal-lobe numbing alcohol | 0:41:00 | 0:41:03 | |
"can be the perfect icebreaker on a first date | 0:41:03 | 0:41:06 | |
"but on a tree?! | 0:41:06 | 0:41:08 | |
"This is a cocktail experience like you've never had before, | 0:41:08 | 0:41:11 | |
"nor ever will want to have again. | 0:41:11 | 0:41:13 | |
"Eight, visit the National Gallery. | 0:41:13 | 0:41:15 | |
"Nine, karaoke in a bin. Blah, blah, blah... | 0:41:15 | 0:41:17 | |
"Ten, a sewer walk. Without permission or supervision, | 0:41:17 | 0:41:20 | |
"climb into London's sewer system..." | 0:41:20 | 0:41:22 | |
"and take a look around. | 0:41:24 | 0:41:25 | |
"But be warned. You'll die." | 0:41:25 | 0:41:27 | |
I hope that was illuminating. | 0:41:30 | 0:41:32 | |
I should go... | 0:41:33 | 0:41:35 | |
That's it. Thanks. Thanks for having me and have a good night. | 0:41:36 | 0:41:40 | |
Thanks. Cheers. | 0:41:40 | 0:41:42 | |
CHEERING AND APPLAUSE | 0:41:42 | 0:41:44 | |
Ladies and gentlemen, Mr Liam Williams! | 0:41:44 | 0:41:47 | |
Thank you very much for watching Good News. Good night! | 0:41:47 | 0:41:51 | |
CHEERING AND APPLAUSE | 0:41:51 | 0:41:54 | |
Subtitles by Red Bee Media Ltd | 0:42:03 | 0:42:06 |