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The graphics are very, very good. | 0:00:00 | 0:00:01 | |
Coming up - testing the testers... | 0:00:03 | 0:00:05 | |
Blow as hard as you can. | 0:00:05 | 0:00:07 | |
..gaming the gamers... | 0:00:07 | 0:00:10 | |
Wheesht! Just get out of the BLEEP way. | 0:00:10 | 0:00:12 | |
..and pushing out the pushers. | 0:00:12 | 0:00:15 | |
I have just witnessed a drug deal. | 0:00:15 | 0:00:17 | |
When criminality runs wild, | 0:00:17 | 0:00:20 | |
it's time to lay down the law of the jungle. | 0:00:20 | 0:00:25 | |
You've taken a sheep hostage. | 0:00:25 | 0:00:27 | |
This is Scot Squad. | 0:00:27 | 0:00:29 | |
When policing a mass area the size of Scotland, | 0:00:41 | 0:00:44 | |
a crucial consideration is manpower. | 0:00:44 | 0:00:47 | |
And the man with all the power | 0:00:47 | 0:00:50 | |
is Chief Commissioner Cameron Miekelson... | 0:00:50 | 0:00:53 | |
If that means that I'm very well dressed and a supporter | 0:00:54 | 0:00:57 | |
of the monarchy, then, yes, I'm happy to be called cavalier. | 0:00:57 | 0:01:00 | |
..the marshal with the brainpower to marshal that manpower. | 0:01:00 | 0:01:05 | |
Staffing levels is a concern. | 0:01:05 | 0:01:06 | |
I'm particularly worried about the riot police. | 0:01:06 | 0:01:09 | |
You'll all have seen it. | 0:01:09 | 0:01:11 | |
A wall of police linked together, | 0:01:11 | 0:01:13 | |
forming an impenetrable wall against...against the rioters. | 0:01:13 | 0:01:17 | |
But...but cutbacks have meant that gaps are appearing | 0:01:17 | 0:01:22 | |
in that impenetrable line. So, what do we do about it? | 0:01:22 | 0:01:25 | |
Well, we're looking into an inflatable riot gear suit. | 0:01:25 | 0:01:30 | |
So you're...you're there, and then as the riot kicks off... | 0:01:30 | 0:01:34 | |
up you go. About maybe the width of the three, we think, maximum, | 0:01:34 | 0:01:38 | |
maybe four policeman. All the way. | 0:01:38 | 0:01:41 | |
And then that's how you fill the gaps all the way along the line. | 0:01:41 | 0:01:45 | |
Now, obviously, your Molotov cocktail bounces off, straight back. | 0:01:45 | 0:01:49 | |
If they do get you, you bounce back up like that. | 0:01:49 | 0:01:53 | |
My only concern is... | 0:01:53 | 0:01:56 | |
..if any rioters have a pin. | 0:01:57 | 0:02:00 | |
To properly serve the public, | 0:02:00 | 0:02:03 | |
officers like Desk Sergeant Karen Ann Miller | 0:02:03 | 0:02:06 | |
have to run an open door policy. | 0:02:06 | 0:02:09 | |
Bobby! You can't really... You can't bring that in here. | 0:02:09 | 0:02:13 | |
Bobby. The thing is... | 0:02:13 | 0:02:15 | |
Complete accessibility... | 0:02:15 | 0:02:18 | |
Bobby, please take it away before I arrest you for stealing it. | 0:02:18 | 0:02:21 | |
..no matter who or what comes in that door. | 0:02:21 | 0:02:24 | |
All right, Officer Karen? What can I do for you? | 0:02:24 | 0:02:27 | |
Right, see, the thing is, see my next-door neighbour? | 0:02:27 | 0:02:29 | |
He's been hovering about in a van, | 0:02:29 | 0:02:31 | |
and I've seen him put a couch in the back of the van, and he's dodgy. | 0:02:31 | 0:02:34 | |
He looks dead sneaky, and I was wondering, do you know what? | 0:02:34 | 0:02:37 | |
I'm going to come down and say that to Officer Karen. | 0:02:37 | 0:02:40 | |
Bobby, I would expect that that's just someone moving a couch. | 0:02:40 | 0:02:43 | |
Maybe getting rid of an old couch, or buying a new one. | 0:02:43 | 0:02:47 | |
Do you know the best thing you could do, actually, Bobby? | 0:02:47 | 0:02:50 | |
See if you see anything like that? Dial 101, and let them know, | 0:02:50 | 0:02:54 | |
and then they can investigate it in due course. | 0:02:54 | 0:02:56 | |
Cos I feel bad for you, because I know you're public spirited, | 0:02:56 | 0:02:59 | |
and then you're coming... You're coming all the way down here | 0:02:59 | 0:03:01 | |
every day almost. OK. | 0:03:01 | 0:03:04 | |
So you dial 101. | 0:03:04 | 0:03:05 | |
101. OK, 101? 101. | 0:03:05 | 0:03:07 | |
101. | 0:03:07 | 0:03:09 | |
So that's 101, and then it comes through to the station phone, | 0:03:09 | 0:03:13 | |
and then it goes on to Officer Karen, and I'll deal with you, | 0:03:13 | 0:03:16 | |
and then you try and put me through to an officer, or something? | 0:03:16 | 0:03:19 | |
101 will put you through to a better officer, Bobby. | 0:03:19 | 0:03:21 | |
101? Just 101. | 0:03:21 | 0:03:23 | |
999101? | 0:03:24 | 0:03:26 | |
Just 101. Right, I'll tell you what, right? | 0:03:26 | 0:03:28 | |
I'll go home, and I'll see if the guy is driving about in the van, | 0:03:28 | 0:03:31 | |
or if he's looking weird or anything, right? | 0:03:31 | 0:03:34 | |
OK. I'll take notes, come back down, you'll let me use the station phone, | 0:03:34 | 0:03:37 | |
right? 101. Do you know the best place to phone 101 from, | 0:03:37 | 0:03:40 | |
is from your house, Bobby. My phone's dead old. | 0:03:40 | 0:03:42 | |
It's like one of those ones that are, like...K-K-K-K-K. | 0:03:42 | 0:03:45 | |
You know that one? Yeah. It's like from the '70s, or something. | 0:03:45 | 0:03:48 | |
K-K-K-K-K. Yeah. It's dead dusty. | 0:03:48 | 0:03:50 | |
I mean, obviously, it disnae K-K-K-K-K, | 0:03:50 | 0:03:52 | |
It's like more...ssshhhh. | 0:03:52 | 0:03:54 | |
Sssshhhh. | 0:03:54 | 0:03:56 | |
Sh-sh-sh-sh-sh. | 0:03:56 | 0:03:57 | |
That's it going back. Yeah. | 0:03:57 | 0:03:59 | |
See if you head up the road | 0:04:00 | 0:04:02 | |
and you go and use Uncle Geoffrey's mobile, | 0:04:02 | 0:04:04 | |
and you can dial 101 from his phone. | 0:04:04 | 0:04:06 | |
OK. Right, all right, Officer Karen. | 0:04:06 | 0:04:09 | |
I'll go, I'll get Uncle Geoffrey's mobile phone. | 0:04:09 | 0:04:12 | |
Right? | 0:04:12 | 0:04:13 | |
I'll bring it down to the station. | 0:04:13 | 0:04:16 | |
You tell me to dial 101...999. | 0:04:16 | 0:04:18 | |
No, just 101. Right, 101. | 0:04:18 | 0:04:21 | |
From your house. Right. | 0:04:21 | 0:04:22 | |
0141 1... | 0:04:22 | 0:04:24 | |
No, just 101. | 0:04:24 | 0:04:26 | |
Three digits. Like that. | 0:04:26 | 0:04:28 | |
One, two, three. Right, I'll just... | 0:04:28 | 0:04:30 | |
See because you're good at all that? I'll just gie you the phone, | 0:04:30 | 0:04:33 | |
and you phone it, and then you can hand it to us. | 0:04:33 | 0:04:35 | |
Maybe Uncle Geoffrey could dial it for you, eh? 101. 101. | 0:04:35 | 0:04:38 | |
Officer Karen. See you later. See you later. | 0:04:38 | 0:04:41 | |
Scotland's highways can be a sizzling hotbed of hot-headed anger. | 0:04:43 | 0:04:49 | |
Traffic officers Surjit Singh and Hugh McKirdy | 0:04:49 | 0:04:52 | |
are cool enough to keep chilled... | 0:04:52 | 0:04:53 | |
HE LAUGHS | 0:04:53 | 0:04:55 | |
Nae bother! | 0:04:55 | 0:04:57 | |
..even when faced with the fieriest of furies. | 0:04:57 | 0:05:00 | |
So we were driving along the road, | 0:05:00 | 0:05:03 | |
taking due care, as I always do, | 0:05:03 | 0:05:05 | |
'and a cyclist pulled up beside us, | 0:05:05 | 0:05:07 | |
'started knocking on the window, shouting and screaming.' | 0:05:07 | 0:05:10 | |
Whoa, whoa, whoa. | 0:05:10 | 0:05:12 | |
You just cut me up there. | 0:05:12 | 0:05:13 | |
Who cut you up? You. | 0:05:13 | 0:05:15 | |
Did I? | 0:05:15 | 0:05:16 | |
I'm phoning the police on yous, I'm telling you. | 0:05:16 | 0:05:19 | |
That's not right. We are the polis, hen. | 0:05:19 | 0:05:21 | |
Well, you should know bloody better, then, shouldn't you? | 0:05:21 | 0:05:23 | |
We asked the lady to go onto the pavement. We parked up. | 0:05:23 | 0:05:26 | |
Pretty sure I didn't cut you up. | 0:05:26 | 0:05:28 | |
You did, I was there. You nearly knocked me off my bike. | 0:05:28 | 0:05:31 | |
I got the fright of my life. Three times this week that's happened. | 0:05:31 | 0:05:34 | |
What are you laughing at? I was just... No, come on, tell me. | 0:05:34 | 0:05:37 | |
Well, for a start, I don't think he's cut you up. Thank you. | 0:05:37 | 0:05:40 | |
Listen, you wouldn't understand, | 0:05:40 | 0:05:41 | |
you've clearly never been on a bike. Hey, don't question | 0:05:41 | 0:05:44 | |
my fitness regime, you don't know what it is, right? | 0:05:44 | 0:05:46 | |
Well, tell me, I'm dying to know. I've lost weight, haven't I? | 0:05:46 | 0:05:49 | |
Aye, you're looking good. The point is, you cut me off my bike. | 0:05:49 | 0:05:52 | |
I'm his witness, I was in the passenger seat. | 0:05:52 | 0:05:54 | |
He did not cut you up. He nearly went up on the pavement. | 0:05:54 | 0:05:56 | |
Who are you actually looking at? | 0:05:56 | 0:05:58 | |
What? You. | 0:06:00 | 0:06:01 | |
Right, see that sign over there? Read that sign. | 0:06:01 | 0:06:03 | |
Denmark. No, it does not say that at all. | 0:06:04 | 0:06:07 | |
D-D-D... | 0:06:07 | 0:06:09 | |
Decaffeinated. When was the last time you were at the optician's? | 0:06:09 | 0:06:12 | |
Have you been prescribed glasses before? | 0:06:12 | 0:06:14 | |
Aye. And why are you not wearing them? | 0:06:14 | 0:06:17 | |
Cos they didn't go with my outfit. | 0:06:17 | 0:06:20 | |
What's that? What kind of excuse is that? It seems like you've got | 0:06:20 | 0:06:22 | |
some seeing problems. You've got driving problems. | 0:06:22 | 0:06:25 | |
What are you accusing him of here? Of being drunk and disorderly | 0:06:25 | 0:06:28 | |
on the road. Drunk? I do not drink. | 0:06:28 | 0:06:30 | |
Prove it. You want me to prove it? Aye, you go and prove it. | 0:06:30 | 0:06:32 | |
We've got a breathalyser in the car. Prove it. | 0:06:32 | 0:06:35 | |
Right, sir, blow as hard as you can. | 0:06:35 | 0:06:37 | |
Keep blowing, keep blowing, | 0:06:37 | 0:06:40 | |
keep blowing, keep blowing, keep blowing... | 0:06:40 | 0:06:42 | |
Right. There we go. Is that it? | 0:06:42 | 0:06:45 | |
Zero! | 0:06:45 | 0:06:46 | |
What does it say? It says zero. | 0:06:46 | 0:06:48 | |
Zero. You see, I don't drink. | 0:06:48 | 0:06:50 | |
Aye, well, I can't be sure, cos I've not got my glasses on. | 0:06:50 | 0:06:53 | |
I cannae read that. Exactly. | 0:06:53 | 0:06:54 | |
You need your glasses. | 0:06:54 | 0:06:56 | |
You cannae go on your bike, you'll need to walk to your spin class. | 0:06:56 | 0:06:58 | |
We cannae let you... I'll just push it, it's fine. | 0:06:58 | 0:07:00 | |
Just push your bike. | 0:07:00 | 0:07:01 | |
Where's my bike? | 0:07:01 | 0:07:04 | |
My bike was there. When I pulled over, I put my bike there. | 0:07:04 | 0:07:07 | |
Right, I'll tell you what... You're meant to be police. Where's my bike? | 0:07:07 | 0:07:10 | |
Her bike got stolen... | 0:07:10 | 0:07:11 | |
while we were at the scene. | 0:07:11 | 0:07:13 | |
See, this is what happens when people distract us | 0:07:13 | 0:07:16 | |
from our proper job. | 0:07:16 | 0:07:17 | |
No, you're leaving things at your backside. Your glasses, your bike. | 0:07:17 | 0:07:20 | |
The positive with that bike being stolen was that our response time | 0:07:20 | 0:07:23 | |
in dealing with that bike being stolen was... | 0:07:23 | 0:07:26 | |
We were there right away. Right, well, we'll need | 0:07:26 | 0:07:28 | |
to take you down the station, then, and get the details, right? | 0:07:28 | 0:07:30 | |
I have to put a report in? Aye. Uh-huh. Yes. | 0:07:30 | 0:07:33 | |
Our message to the public is as simple and as pure as this. | 0:07:33 | 0:07:36 | |
If you've been prescribed glasses, wear them, | 0:07:36 | 0:07:40 | |
cos not only will you drive better, you'll look better. | 0:07:40 | 0:07:43 | |
Yeah. | 0:07:45 | 0:07:46 | |
Let me stop you right there. | 0:07:47 | 0:07:49 | |
It's not a snooper's charter. Where does the snooper's charter come from? | 0:07:49 | 0:07:52 | |
We're just...we're doing our job. | 0:07:52 | 0:07:55 | |
We've got to find out what's going on so we can stop the bad guys. | 0:07:55 | 0:07:58 | |
Somebody's having a party next door, you're going to peek over the hedge, | 0:07:58 | 0:08:02 | |
see what's going on, make sure that they are not up to any nonsense. | 0:08:02 | 0:08:05 | |
That's all we're doing. | 0:08:05 | 0:08:07 | |
We are just having a peek over the hedge to see what's what. | 0:08:07 | 0:08:10 | |
Now, we happen to use drones, and we tap your phone, | 0:08:10 | 0:08:13 | |
we monitor your e-mails and, occasionally, | 0:08:13 | 0:08:15 | |
we might follow you around town. | 0:08:15 | 0:08:17 | |
Whatever we do... | 0:08:17 | 0:08:19 | |
..is not as bad as whatever they're doing. | 0:08:20 | 0:08:24 | |
That's the essence of policing. | 0:08:24 | 0:08:26 | |
That's not a snooper's chapter - that's scum watch. | 0:08:26 | 0:08:30 | |
From scum watch to nature watch and back to scum watch, | 0:08:33 | 0:08:38 | |
as rural cops Charlie McIntosh and Jane Mackay get set | 0:08:38 | 0:08:43 | |
to crack down on one of the biggest crimes in the country - | 0:08:43 | 0:08:47 | |
countryside counterfeiting. | 0:08:47 | 0:08:51 | |
Illegal sales in small rural pubs is quite common. | 0:08:51 | 0:08:55 | |
It's difficult to catch them in the act when we're so visible, | 0:08:55 | 0:08:58 | |
so we decided to go undercover into this small pub | 0:08:58 | 0:09:01 | |
disguised as two separate patrons. | 0:09:01 | 0:09:03 | |
I, the accordion-playing band for the evening, | 0:09:03 | 0:09:06 | |
and Jane as the lovely... | 0:09:06 | 0:09:09 | |
Single woman. Single woman. | 0:09:09 | 0:09:11 | |
At the bar. At the bar. | 0:09:11 | 0:09:13 | |
HE PLAYS A TRADITIONAL TUNE | 0:09:13 | 0:09:16 | |
Trap set, hunters poised... | 0:09:18 | 0:09:21 | |
It ain't long before a dodgy-looking geezer walks into their crosshairs. | 0:09:24 | 0:09:28 | |
Aye, I'm not doing too bad. | 0:09:28 | 0:09:31 | |
I brought you a wee... | 0:09:31 | 0:09:32 | |
A wee CD. | 0:09:32 | 0:09:34 | |
A suspect package is clocked at the bar. | 0:09:34 | 0:09:37 | |
Mackay's on it. | 0:09:37 | 0:09:39 | |
That's it, caught you. | 0:09:39 | 0:09:41 | |
Selling counterfeit CDs, are you? Oh, my God, it's Phil Cunningham. | 0:09:41 | 0:09:44 | |
Phil Cunningham's Christmas Songbook. How did you know, Charlie? | 0:09:44 | 0:09:47 | |
Have you got this CD? No, it's Phil Cunningham. | 0:09:47 | 0:09:49 | |
I just brought this in for the raffle. | 0:09:49 | 0:09:51 | |
I noticed the ceilidh was on, they were looking for raffle prizes. | 0:09:51 | 0:09:53 | |
Oh, my goodness. What, you... You're Phil Cunningham? | 0:09:53 | 0:09:56 | |
I'm sorry, there's been a big misunderstanding here, Phil, | 0:09:56 | 0:09:59 | |
we're police officers. | 0:09:59 | 0:10:00 | |
We're undercover. Someone else is coming in selling dodgy gear. | 0:10:00 | 0:10:04 | |
We've seen you with the bag and the CDs, and I'm so sorry about this. | 0:10:04 | 0:10:07 | |
Well, I've played on a couple of criminal records, | 0:10:07 | 0:10:10 | |
but I don't think I actually have one. | 0:10:10 | 0:10:11 | |
So sorry, Mr Cunningham. I'm really sorry. It's fine. | 0:10:11 | 0:10:13 | |
I'm just trying to do my job. | 0:10:13 | 0:10:15 | |
It's fine, honestly. You're a hero of mine. | 0:10:15 | 0:10:17 | |
Do you know the you're my second favourite musician of all time? | 0:10:17 | 0:10:20 | |
I mean, obviously, Enya, and then yourself. | 0:10:20 | 0:10:22 | |
Perhaps, if you've got the accordion there, you could | 0:10:22 | 0:10:24 | |
come over and sit with me and play. And it would be a personal... | 0:10:24 | 0:10:27 | |
I mean, absolute dream come true for me. | 0:10:27 | 0:10:29 | |
And it would also... It would really help the investigation. | 0:10:29 | 0:10:32 | |
You know, a big whisky might swing it. | 0:10:32 | 0:10:33 | |
A big... The largest whisky you can pour, please, for my good friend. | 0:10:33 | 0:10:38 | |
They double down on their disguise, | 0:10:40 | 0:10:43 | |
and the accordion ambush is back in play. | 0:10:43 | 0:10:46 | |
The contraband comes out. | 0:10:56 | 0:10:58 | |
Oi. | 0:11:01 | 0:11:03 | |
Jane pounces. He gives it legs. | 0:11:03 | 0:11:05 | |
Hold it there. Bang! | 0:11:05 | 0:11:07 | |
Cunningham nails it. | 0:11:07 | 0:11:09 | |
You're under arrest. | 0:11:09 | 0:11:10 | |
Courtesy of Phil Cunningham. | 0:11:10 | 0:11:12 | |
How do you feel about that? | 0:11:12 | 0:11:14 | |
Busted. Thank you, Phil. Take him away, partner. | 0:11:14 | 0:11:17 | |
The number's up for this rogue trader. | 0:11:17 | 0:11:20 | |
Take it away. | 0:11:20 | 0:11:22 | |
Another symphony of success for the Scot Squad. | 0:11:22 | 0:11:25 | |
Slainte! | 0:11:33 | 0:11:35 | |
Three PCs in the pub that night. | 0:11:36 | 0:11:38 | |
PC McIntosh, PC Mackay, | 0:11:38 | 0:11:40 | |
and the best PC of all, Phil Cunningham. | 0:11:40 | 0:11:44 | |
Over in the big city, | 0:11:45 | 0:11:47 | |
a typical shift for Jack McLaren and Sarah Fletcher involves hands-on policing. | 0:11:47 | 0:11:53 | |
You had a shower today? | 0:11:53 | 0:11:54 | |
Right, thank you very much for consenting to that stop and search, there, mate. | 0:11:54 | 0:11:58 | |
The public appreciate the strategy, | 0:11:58 | 0:12:00 | |
now served with added double-extra reassurance. | 0:12:00 | 0:12:04 | |
You have a good night. Oh, wait. | 0:12:04 | 0:12:06 | |
We've got a questionnaire. Excuse me? | 0:12:06 | 0:12:08 | |
We've got these new questionnaires that we've got to fill out. | 0:12:08 | 0:12:10 | |
It's kind of customer service. Customer feedback thing. | 0:12:10 | 0:12:13 | |
Yeah. Without the prize. It won't take long. | 0:12:13 | 0:12:16 | |
You'll no' get vouchers or anything. It's just a few questions. | 0:12:16 | 0:12:18 | |
What's your name? Pickle. Pickle. Mr Pickle? | 0:12:18 | 0:12:21 | |
Pickle P. Your name's Pickle P? | 0:12:21 | 0:12:24 | |
Well, my name's Peter. | 0:12:24 | 0:12:26 | |
Then you should just have said that. Exactly. | 0:12:26 | 0:12:29 | |
I'll put Peter. | 0:12:29 | 0:12:30 | |
Do you live in close proximity to where you are standing now? | 0:12:30 | 0:12:34 | |
No. Why not? What do you mean, why not? | 0:12:34 | 0:12:37 | |
Because it's probably like a car park or something. | 0:12:37 | 0:12:40 | |
Do we have to answer any of these questions? | 0:12:40 | 0:12:42 | |
Well, that would be great, yeah. | 0:12:42 | 0:12:44 | |
Good if you could. No, listen, don't worry. | 0:12:44 | 0:12:46 | |
We're happy to help. This bit's fun. This bit's fun. | 0:12:46 | 0:12:48 | |
So it's kind of multiple choice, and they come with faces. | 0:12:48 | 0:12:52 | |
Agree would be a smiley face. | 0:12:52 | 0:12:55 | |
Disagree would be... | 0:12:55 | 0:12:57 | |
"Scottish Police Force do a good job." | 0:12:57 | 0:13:00 | |
Agree? Say so, eh? Or disagree. | 0:13:00 | 0:13:03 | |
I'd put a sad face. You shush. | 0:13:03 | 0:13:06 | |
Probably... It's his form. | 0:13:06 | 0:13:08 | |
Like that, huh? Yeah, that's that one. | 0:13:08 | 0:13:10 | |
That's a confused one, innit? | 0:13:10 | 0:13:12 | |
"This stop-and-search procedure happening to me | 0:13:12 | 0:13:15 | |
"is actually reassuring." | 0:13:15 | 0:13:17 | |
No. I don't know. | 0:13:17 | 0:13:19 | |
You're smiling. I don't think so. | 0:13:19 | 0:13:21 | |
Listen, it's Pickle's, all right? It's not yours. | 0:13:21 | 0:13:23 | |
Would you mind not speaking to her the way you're speaking to her? | 0:13:23 | 0:13:26 | |
At all? I've got to talk to her, cos she's like that. Right. | 0:13:26 | 0:13:28 | |
We want to get this done, though, Jack. Agree? I don't know. | 0:13:28 | 0:13:32 | |
Just, I don't know. "What is your gender?" | 0:13:32 | 0:13:34 | |
Are you kidding me on? | 0:13:34 | 0:13:36 | |
No. Do you want the answers? Well, you searched me. | 0:13:36 | 0:13:39 | |
Inconclusive. Do you want me to go through the answers? | 0:13:39 | 0:13:42 | |
Are you going to let him talk to you like that? We've got a funny guy here. Male. | 0:13:42 | 0:13:46 | |
Right. I'll tick male. Just... We'll... | 0:13:46 | 0:13:48 | |
"What is your sexual orientation?" | 0:13:48 | 0:13:51 | |
What? Are you kidding me on? | 0:13:51 | 0:13:53 | |
Don't you dare ask me a question like that about my sex life. | 0:13:53 | 0:13:56 | |
It doesn't matter what you are. So straight, gay... Outrageous. | 0:13:56 | 0:13:59 | |
..bisexual, whatever... Straight. Outrageous. Straight. | 0:13:59 | 0:14:01 | |
Very clear about that. | 0:14:01 | 0:14:03 | |
I can't believe you're letting them talk to you like that. | 0:14:03 | 0:14:05 | |
Just a couple more questions. Keep going? Gobby one, you, eh? | 0:14:05 | 0:14:08 | |
We'll keep going. Would you mind stopping speaking to her like that, please? | 0:14:08 | 0:14:11 | |
Like what? Can we keep going? | 0:14:11 | 0:14:13 | |
"What is your religious preference?" | 0:14:13 | 0:14:15 | |
Scientology. Scientology. | 0:14:15 | 0:14:17 | |
Shut up. Scientology. What? Tom Cruise and aliens? | 0:14:17 | 0:14:19 | |
How do you work with him? That's his belief. | 0:14:19 | 0:14:22 | |
"What would you vote today in the event of an election?" | 0:14:22 | 0:14:25 | |
Are you serious? Now you're canvassing for voters? | 0:14:25 | 0:14:28 | |
No, we're not canvassing. You want to know what I'm going to vote? | 0:14:28 | 0:14:31 | |
Asking me what my sexual position is. | 0:14:31 | 0:14:33 | |
Do you know what, mate? What's that? | 0:14:33 | 0:14:34 | |
I'll tell you. I'll tell you a sexual orientation. | 0:14:34 | 0:14:37 | |
Uh-huh. Shagging your maw! | 0:14:37 | 0:14:38 | |
Is that right, aye? Aye. Is that right? I'm going to... | 0:14:38 | 0:14:41 | |
Don't you touch me. | 0:14:41 | 0:14:43 | |
The police have no option but to pick up Pickle. | 0:14:43 | 0:14:46 | |
Questionnaire... | 0:14:46 | 0:14:48 | |
My maw widnae touch him. | 0:14:48 | 0:14:50 | |
"So, how do you feel about your arrest?" | 0:14:52 | 0:14:56 | |
Happy face? Sad face? | 0:14:56 | 0:14:59 | |
Kind of disgruntled... | 0:14:59 | 0:15:01 | |
Shite face. Put that down. Right. | 0:15:01 | 0:15:04 | |
Ready to face up to any crime or conflict on his beat | 0:15:05 | 0:15:08 | |
is volunteer officer Ken Beattie. | 0:15:08 | 0:15:11 | |
What is happening? This is so confusing. | 0:15:12 | 0:15:15 | |
Beattie's a one-man band with an army of collaborators. | 0:15:15 | 0:15:20 | |
I've got a vast network of allies and associates who I use | 0:15:20 | 0:15:24 | |
to help me with my police work. You know, I've got the prostitutes, | 0:15:24 | 0:15:26 | |
I've got the homeless people, | 0:15:26 | 0:15:29 | |
and my closest and best associate | 0:15:29 | 0:15:31 | |
is a woman named Cilla who runs a soup van. | 0:15:31 | 0:15:34 | |
Cilla. Hello, darling. | 0:15:34 | 0:15:35 | |
How's my favourite lady of the night? | 0:15:35 | 0:15:38 | |
Och, I'm fine, I'm fine. How are you? Oh, I'm OK. | 0:15:38 | 0:15:40 | |
Do you want a wee soup? Oh, I'd love one. | 0:15:40 | 0:15:42 | |
Just the normal three pence, is it? | 0:15:42 | 0:15:44 | |
Yes, just put it in there. | 0:15:44 | 0:15:47 | |
There's an extra pound as well. | 0:15:48 | 0:15:50 | |
Oh, what are you like? | 0:15:50 | 0:15:52 | |
I found it in the street, so there we go. Oh, that's lovely, Ken. | 0:15:52 | 0:15:55 | |
Always pass it on. | 0:15:55 | 0:15:56 | |
We help each other, and we help other people, most importantly. | 0:15:56 | 0:16:00 | |
You know, she provides nutrients and food to the homeless people | 0:16:00 | 0:16:04 | |
and I provide them security. | 0:16:04 | 0:16:06 | |
We really are a good team, you know, like Batman and Robin, | 0:16:06 | 0:16:10 | |
if they fought against the abuse of homeless people. | 0:16:10 | 0:16:13 | |
I mean, I just help people. I really... | 0:16:13 | 0:16:16 | |
No, but I really appreciate it because no-one else does | 0:16:16 | 0:16:18 | |
around here. Honestly, you've got no idea how much I appreciate | 0:16:18 | 0:16:21 | |
everything you do for this community. | 0:16:21 | 0:16:23 | |
Cos you're like me, you just want to clean it up. I do, I really do. | 0:16:23 | 0:16:25 | |
And then people come along and ruin it. Like urinating on dead pigeons. | 0:16:25 | 0:16:29 | |
Talking about ruining it, Ken, I hope you don't mind. | 0:16:29 | 0:16:32 | |
I don't like snitching on people, I really don't. | 0:16:33 | 0:16:36 | |
You know? Oh, but you're going to? | 0:16:36 | 0:16:39 | |
Well, I don't like to say, but I think there might be | 0:16:39 | 0:16:41 | |
drugs being sold. | 0:16:41 | 0:16:43 | |
Where? | 0:16:44 | 0:16:46 | |
Round the corner. | 0:16:46 | 0:16:47 | |
I saw them...I saw them earlier on | 0:16:52 | 0:16:55 | |
and I just feel I had to say something. Aye, you do, you do. | 0:16:55 | 0:16:58 | |
I think...I think it's drugs. | 0:16:58 | 0:17:00 | |
If this comes off, I mean... | 0:17:00 | 0:17:02 | |
Would it help you? I'll get promoted! | 0:17:02 | 0:17:05 | |
Thank you for this. I'm off to catch some drug dealers. | 0:17:06 | 0:17:09 | |
Good for you. | 0:17:09 | 0:17:11 | |
All souped up and ready to go, | 0:17:11 | 0:17:14 | |
Ken's down on the re-up. | 0:17:14 | 0:17:16 | |
Oh, my God. It's happening, it's happening. | 0:17:16 | 0:17:18 | |
That's a drug deal. That is a drug deal. Oh, my God. | 0:17:21 | 0:17:23 | |
Officer Ken Beattie requesting backup on Carson Street. | 0:17:24 | 0:17:29 | |
There is a drug deal. I have just witnessed a drug deal. | 0:17:29 | 0:17:32 | |
The chicken is in the oven. | 0:17:32 | 0:17:34 | |
There they are. | 0:17:34 | 0:17:36 | |
Yes, get 'em. | 0:17:36 | 0:17:37 | |
Get 'em. Get 'em. Get 'em. | 0:17:37 | 0:17:40 | |
Yes! | 0:17:40 | 0:17:41 | |
Get in. | 0:17:41 | 0:17:43 | |
I've literally arrested a drug dealer. | 0:17:43 | 0:17:46 | |
Oh, my God, I need to tell Mandy. | 0:17:46 | 0:17:48 | |
Maybe I should phone her just now. | 0:17:48 | 0:17:51 | |
No, no. | 0:17:51 | 0:17:53 | |
Oh, God, I'm so excited. | 0:17:56 | 0:17:58 | |
Oh, my God, my knees. | 0:17:58 | 0:18:00 | |
Oh, Jesus. My legs are asleep. | 0:18:01 | 0:18:03 | |
Maggie LeBeau is well up on the ABC of police work. | 0:18:05 | 0:18:09 | |
She knows how to talk to the callers and is fluent in legalese. | 0:18:09 | 0:18:14 | |
I really am sorry that your birthday party was a disappointment, | 0:18:15 | 0:18:18 | |
but that legally wouldn't be considered grounds for provocation. | 0:18:18 | 0:18:23 | |
It's never quiet on the call front, even when it IS quiet on the call. | 0:18:23 | 0:18:28 | |
Police emergency, how can I be of assistance? | 0:18:28 | 0:18:31 | |
Police emergency, how can I be of assistance? | 0:18:31 | 0:18:34 | |
Sometimes we do get callers who've called 999 from their pocket. | 0:18:34 | 0:18:38 | |
Hello. Hello, is anyone there? | 0:18:38 | 0:18:41 | |
They can't hear you saying, "Get off the line." | 0:18:41 | 0:18:44 | |
So what we've developed instead is the arse caller whistle. | 0:18:44 | 0:18:49 | |
Basically, if somebody does pocket dial, | 0:18:49 | 0:18:52 | |
we get the whistle out... | 0:18:52 | 0:18:53 | |
SHRILL BLAST | 0:18:53 | 0:18:55 | |
..and then the person hears the whistle, | 0:18:55 | 0:18:58 | |
realises they've mistakenly | 0:18:58 | 0:18:59 | |
called the police and then the line's clear again. | 0:18:59 | 0:19:02 | |
No problem, sir, pocket dials happen all the time. | 0:19:02 | 0:19:05 | |
You have a good day. | 0:19:05 | 0:19:07 | |
And hopefully the next caller isn't an arse caller. | 0:19:07 | 0:19:10 | |
But if they are, I've got the whistle. | 0:19:10 | 0:19:13 | |
We've had a great increase in complaints about cyber bullying. | 0:19:13 | 0:19:17 | |
You know, people receiving abuse whilst gaming online. | 0:19:17 | 0:19:20 | |
You'll be not surprised to hear it's not a world | 0:19:20 | 0:19:23 | |
I know a great deal about. | 0:19:23 | 0:19:25 | |
Er, so, what I'm going to do this afternoon, | 0:19:25 | 0:19:28 | |
some of the boys have got in one of the arcade machines that the young | 0:19:28 | 0:19:30 | |
people use and I'm going to immerse myself in the online world of gaming | 0:19:30 | 0:19:35 | |
just to see if I can experience what that abuse feels like. | 0:19:35 | 0:19:39 | |
This is Chief Commissioner Cameron Miekelson entering the game. | 0:19:39 | 0:19:43 | |
MUFFLED SPEECH | 0:19:43 | 0:19:46 | |
Right, well, the abuse is quite instantaneous, I have to say. | 0:19:46 | 0:19:50 | |
I don't think there's any reason to talk to me like that. | 0:19:50 | 0:19:53 | |
I think we should just commence the game. | 0:19:53 | 0:19:55 | |
Ah, right, so that's moving. | 0:19:55 | 0:19:57 | |
No, listen... | 0:19:57 | 0:19:58 | |
That was a criminal offence, what he just said to me, | 0:20:00 | 0:20:03 | |
so I'm beginning to understand the issues at large here. | 0:20:03 | 0:20:06 | |
Right, and that is shooting. | 0:20:06 | 0:20:08 | |
That's good. There's me. Oh, that's a replay. | 0:20:08 | 0:20:11 | |
Sorry, I beg your pardon. | 0:20:11 | 0:20:13 | |
No, I think you'll find I have children | 0:20:13 | 0:20:15 | |
so that, no, that would be impossible. | 0:20:15 | 0:20:17 | |
I am most certainly not a virgin but that was certainly a good shot. | 0:20:17 | 0:20:22 | |
The graphics are very, very good. | 0:20:25 | 0:20:27 | |
The abuse is consistent | 0:20:27 | 0:20:28 | |
at a level that is really quite alarming but I'm impervious to it. | 0:20:28 | 0:20:32 | |
Don't you worry about that. | 0:20:32 | 0:20:34 | |
BLEEP move, just get the out BLEEP away, I'm going to BLEEP you. | 0:20:34 | 0:20:37 | |
You're going to eat BLEEP BLEEP. You little BLEEP | 0:20:37 | 0:20:40 | |
Stay there, you little BLEEP. | 0:20:40 | 0:20:41 | |
Right in the BLEEP face, man! | 0:20:41 | 0:20:43 | |
And I'm going to shoot your little BLEEP head right off | 0:20:43 | 0:20:46 | |
and then I'm going to BLEEP BLEEP. | 0:20:46 | 0:20:49 | |
Down the stump, you little Brazilian BLEEP. | 0:20:49 | 0:20:52 | |
I was bullied and I did some bullying myself. | 0:20:52 | 0:20:55 | |
There was a glimpse, you know, into the dark recesses of my soul. | 0:20:55 | 0:21:00 | |
But it...it helped me understand the problem more | 0:21:00 | 0:21:04 | |
so it was definitely...it was definitely worth doing. | 0:21:04 | 0:21:07 | |
I think I learned, you know, that | 0:21:07 | 0:21:09 | |
virtual words can hurt real feelings. | 0:21:09 | 0:21:12 | |
Anyway, if you'd excuse me, it's about 10.30 on the west coast | 0:21:13 | 0:21:17 | |
of America and I've got some teenagers to shoot in the face. | 0:21:17 | 0:21:20 | |
All right, Officer Karen. | 0:21:23 | 0:21:24 | |
Hello, Bobby. How are you doing? | 0:21:24 | 0:21:26 | |
I'm all right. What can I do for you? | 0:21:26 | 0:21:28 | |
I need some help. I need a helping hand. | 0:21:28 | 0:21:31 | |
What's up? I'm busy today, right? I'm going for a job interview. | 0:21:31 | 0:21:34 | |
Oh! And I was wondering if you could fill in, like, | 0:21:34 | 0:21:37 | |
a character reference and all that kind of stuff. | 0:21:37 | 0:21:40 | |
Right, OK. Leave it with me and I'll try and put something together | 0:21:40 | 0:21:44 | |
and you can pop back in tomorrow and pick it up. | 0:21:44 | 0:21:46 | |
No, that's the thing, it's in, like, an hour. | 0:21:46 | 0:21:48 | |
So if you could do it just now. OK. OK, then. Right, | 0:21:48 | 0:21:51 | |
just give me a couple of minutes and I'll fill it out for you. | 0:21:51 | 0:21:54 | |
You OK with that? So, what kind of job is it you're applying for? | 0:21:54 | 0:21:56 | |
It's the burger place down the road. Oh, right. | 0:21:56 | 0:21:59 | |
What sort of role is it? | 0:21:59 | 0:22:00 | |
It's in the kitchen as a kitchen porter. I don't make burgers. | 0:22:00 | 0:22:04 | |
Oh, right. But I still get free food. | 0:22:04 | 0:22:06 | |
You don't want to eat too many burgers, do you? | 0:22:06 | 0:22:08 | |
That's the only reason I'm applying for the place, to be honest, | 0:22:08 | 0:22:10 | |
Officer Karen. That... Well... | 0:22:10 | 0:22:12 | |
OK, but I just need a couple of minutes and I'll just fill this out. | 0:22:12 | 0:22:16 | |
OK, what are you putting down? | 0:22:16 | 0:22:18 | |
Just some general reference-y stuff, you know? | 0:22:18 | 0:22:20 | |
Yeah, good person? | 0:22:21 | 0:22:23 | |
Er, yeah, that kind of thing. | 0:22:23 | 0:22:25 | |
Sort of conscientious and, er, | 0:22:25 | 0:22:28 | |
persistent and time use and... | 0:22:28 | 0:22:30 | |
Timeunous? | 0:22:30 | 0:22:33 | |
Like, your timekeeping's good, that you're... | 0:22:33 | 0:22:35 | |
Oh, right, OK. That's good. Cos, I mean, you're always really good | 0:22:35 | 0:22:38 | |
at getting here exactly when I start my shift, aren't you? Exactly. | 0:22:38 | 0:22:40 | |
Yeah. Attention to detail and things. | 0:22:40 | 0:22:43 | |
Owns an Xbox. | 0:22:43 | 0:22:45 | |
I'm not sure if that's what | 0:22:47 | 0:22:49 | |
they'd be looking for me to back up for them. | 0:22:49 | 0:22:52 | |
Right, they're asking about your skills. | 0:22:52 | 0:22:55 | |
Like, erm... I'm a yellow belt. | 0:22:55 | 0:22:58 | |
Right. I don't think I've got a tick box for that | 0:22:58 | 0:23:01 | |
so I'll probably have to skip that one. | 0:23:01 | 0:23:03 | |
OK. See for swimming as well? Put it this way. | 0:23:03 | 0:23:05 | |
I cannae swim a length, but see if you were to throw me in the pool? | 0:23:05 | 0:23:09 | |
Mm-hm. I widnae drown. | 0:23:09 | 0:23:11 | |
OK. | 0:23:11 | 0:23:13 | |
Erm, it's asking about whether or not you can speak any languages. | 0:23:14 | 0:23:19 | |
So obviously you read, write, speak English. | 0:23:19 | 0:23:21 | |
Well, I can speak English. | 0:23:21 | 0:23:24 | |
Right. | 0:23:26 | 0:23:27 | |
OK. | 0:23:27 | 0:23:29 | |
So, can you... | 0:23:29 | 0:23:30 | |
What about any other languages? Do you... | 0:23:32 | 0:23:34 | |
No. I've got... I done French in school. | 0:23:34 | 0:23:38 | |
Right. Erm, Je adore fromage. | 0:23:38 | 0:23:41 | |
Je m'appelle Bobby. | 0:23:41 | 0:23:44 | |
Right. That's about all I've got. | 0:23:44 | 0:23:45 | |
OK. I do love cheese but, like, in real life. | 0:23:45 | 0:23:48 | |
Yeah. Like in French as well. | 0:23:48 | 0:23:50 | |
But in real life I love cheese. | 0:23:50 | 0:23:53 | |
Right. Can you... | 0:23:53 | 0:23:55 | |
Can you drive? Have you got a driving licence? | 0:23:55 | 0:23:57 | |
Can you drive? I'll give it a go. | 0:23:57 | 0:23:59 | |
I'll maybe just put "willing to learn". Willing to learn. | 0:23:59 | 0:24:02 | |
Yeah. | 0:24:02 | 0:24:04 | |
OK. Right, there we go. | 0:24:04 | 0:24:05 | |
Well, all the best with it. I hope you get it. | 0:24:05 | 0:24:07 | |
Thanks very much, Officer Karen. | 0:24:07 | 0:24:09 | |
Look, I know you're busy and stuff and I'm in here all the time, | 0:24:09 | 0:24:12 | |
but that means a lot. All right, Officer Karen. | 0:24:12 | 0:24:14 | |
All the best. Right, have a good day. Right, see you later. Bye, Officer Karen. | 0:24:14 | 0:24:18 | |
Back at Beattie's big dope bust, | 0:24:22 | 0:24:25 | |
the valiant volunteer is keen to share the glory | 0:24:25 | 0:24:28 | |
with the soup angel who blessed him with the incriminating info. | 0:24:28 | 0:24:32 | |
I just took down a drug deal. | 0:24:32 | 0:24:33 | |
No way. | 0:24:33 | 0:24:35 | |
Honestly! Oh! I've never been so excited in all my life. | 0:24:35 | 0:24:37 | |
Oh, Ken. Honestly. | 0:24:37 | 0:24:39 | |
Cilla, thank you so, so much. | 0:24:39 | 0:24:41 | |
I owe it all to you. | 0:24:41 | 0:24:43 | |
That's fantastic. This is going to mean the world to me. | 0:24:43 | 0:24:46 | |
Like, when they see I can do real police work, it means | 0:24:46 | 0:24:48 | |
I'll get a promotion. I'll finally become a real policeman. | 0:24:48 | 0:24:52 | |
That's them here. | 0:24:52 | 0:24:53 | |
Must be here to congratulate the one and only Ken Beattie. | 0:24:53 | 0:24:57 | |
Oh, Ken. Hello, boys. I was the one that phoned in the... | 0:24:57 | 0:25:00 | |
Ken Beattie. You want some soup? | 0:25:00 | 0:25:02 | |
Come with us, please. | 0:25:02 | 0:25:05 | |
What's going on? What are you doing? What are you doing? | 0:25:05 | 0:25:07 | |
What are you doing? | 0:25:07 | 0:25:09 | |
So, it turns out that Cilla was not what she seemed. | 0:25:09 | 0:25:11 | |
She was a drug dealer. | 0:25:11 | 0:25:13 | |
I'm going to kill you and cut your balls off! | 0:25:15 | 0:25:17 | |
Leave me! | 0:25:17 | 0:25:19 | |
Cilla! Do you realise who I am? | 0:25:19 | 0:25:22 | |
To make matters worse, when she was telling me | 0:25:22 | 0:25:24 | |
about drug dealers she was just wanting rid of her rivals. | 0:25:24 | 0:25:27 | |
She wasn't wanting to clean up the streets at all. | 0:25:27 | 0:25:30 | |
You're dead! Cilla! | 0:25:30 | 0:25:32 | |
I'll have you chopped up, you fanny! | 0:25:32 | 0:25:34 | |
I felt used and abused. | 0:25:36 | 0:25:37 | |
Your soup is too salty anyway! | 0:25:37 | 0:25:40 | |
I might volunteer to be a policeman | 0:25:40 | 0:25:43 | |
but I certainly don't volunteer to help drug... | 0:25:43 | 0:25:47 | |
queenpins...like Cilla. | 0:25:47 | 0:25:52 | |
Where's my money? | 0:25:52 | 0:25:54 | |
She's taken my money as well. | 0:25:54 | 0:25:56 | |
Well! | 0:25:56 | 0:25:57 | |
SIZZLING Agh! | 0:25:57 | 0:26:00 | |
Goodbye, soup van. | 0:26:02 | 0:26:03 | |
A new role in crime-busting for Beattie, | 0:26:03 | 0:26:07 | |
and all over the force, the cops find new ways to test themselves. | 0:26:07 | 0:26:12 | |
Right, phonetic alphabet, alcoholic drinks, right? | 0:26:12 | 0:26:15 | |
A. | 0:26:15 | 0:26:16 | |
Er, Archers. Beer. | 0:26:16 | 0:26:19 | |
Cognac. | 0:26:19 | 0:26:20 | |
Drambuie. Eggnog. | 0:26:20 | 0:26:23 | |
Right, phonetic alphabet, dinners, A. | 0:26:24 | 0:26:26 | |
An Indian dish, aloo matar. | 0:26:28 | 0:26:30 | |
Beef curry. Mm. Chicken and rice. | 0:26:30 | 0:26:32 | |
D... | 0:26:32 | 0:26:34 | |
Domino's Pizza. | 0:26:34 | 0:26:35 | |
Well, OK, I'll let you off with that. | 0:26:37 | 0:26:39 | |
I'll have Domino's Pizza for another time. | 0:26:39 | 0:26:42 | |
Phonetic alphabet, women's names. | 0:26:42 | 0:26:44 | |
Isabel. | 0:26:44 | 0:26:46 | |
Jean. Kirsty. Lisa. | 0:26:46 | 0:26:49 | |
Mon... Monica. | 0:26:49 | 0:26:50 | |
Er, Naomi. | 0:26:52 | 0:26:54 | |
Roger that, Control. Can we get a quick registration check? | 0:26:54 | 0:26:58 | |
Registration number | 0:26:58 | 0:27:00 | |
Spaghetti Lasagne five-three Pizza Bolognese Ravioli. | 0:27:00 | 0:27:04 | |
RADIO: 'Er, could you repeat that, please?' | 0:27:04 | 0:27:07 | |
What's the matter, mate? | 0:27:07 | 0:27:08 | |
Wrong phonetics. | 0:27:10 | 0:27:12 | |
Cancel that. Can we get a quick registration on | 0:27:12 | 0:27:14 | |
Sierra Lima five-three Papa Bravo Romeo? | 0:27:14 | 0:27:18 | |
'Check.' | 0:27:18 | 0:27:19 | |
That's why we shouldn't play that game. | 0:27:19 | 0:27:22 | |
You get them mixed up. It gets confusing, doesn't it? | 0:27:22 | 0:27:24 | |
I tell you what, I could fair go an Italian now, right enough. | 0:27:24 | 0:27:27 | |
One of the biggest frustrations of my job is the lag time, | 0:27:27 | 0:27:30 | |
the delay between the committing of the crime | 0:27:30 | 0:27:33 | |
and the appearance in court. | 0:27:33 | 0:27:34 | |
It can be months. You need to have immediate justice. | 0:27:34 | 0:27:38 | |
My idea is that you have judges on call. | 0:27:38 | 0:27:43 | |
A crime is committed, you've caught the boy, there's CCTV, | 0:27:43 | 0:27:47 | |
there's witnesses. Call up the judge. | 0:27:47 | 0:27:49 | |
He roars up on a motorbike. | 0:27:49 | 0:27:53 | |
"What's happening here?" Bang. | 0:27:53 | 0:27:55 | |
Dispenses justice. | 0:27:55 | 0:27:57 | |
That wee radge is up in the community centre painting the wall, | 0:27:57 | 0:28:01 | |
doing his 20 hours of community service. | 0:28:01 | 0:28:04 | |
Like anything, there's problems that immediately... | 0:28:04 | 0:28:08 | |
I'm just talking about it there, and I'm thinking, well, | 0:28:08 | 0:28:10 | |
what about the wig? How do you fit the crash helmet over the wig? | 0:28:10 | 0:28:13 | |
There's a problem right there. But there'll be solutions, you know? | 0:28:13 | 0:28:16 | |
If you think about it long enough, there'll be a solution. | 0:28:16 | 0:28:18 | |
It'll either be bigger helmets or smaller wigs. | 0:28:18 | 0:28:20 | |
I'm pretty certain of that. Or a hybrid. | 0:28:20 | 0:28:23 | |
It might be, like, one of the "See You, Jimmy" wigs | 0:28:23 | 0:28:25 | |
with the wee orange bits. It'll be the helmet, | 0:28:25 | 0:28:28 | |
a wee bit of the judge's wig there. But, look, I'm big ideas. | 0:28:28 | 0:28:31 | |
I'll leave the details to others. | 0:28:31 | 0:28:33 | |
What have you been up to? Something grubby? | 0:29:01 | 0:29:03 | |
I'm Dame Judi Dench, I'm a national treasure! | 0:29:04 | 0:29:07 | |
Why settle for a German Europe when you could have a Scottish world? | 0:29:07 | 0:29:11 |