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APPLAUSE | 0:00:10 | 0:00:12 | |
Hello, I'm Fred MacAulay, and welcome to | 0:00:21 | 0:00:23 | |
the start of our Hogmanay celebrations on BBC Scotland. | 0:00:23 | 0:00:26 | |
We're kicking off with Scots On The Box, | 0:00:26 | 0:00:28 | |
a quiz that celebrates 60 years of television in Scotland. | 0:00:28 | 0:00:31 | |
Let's meet my guests. | 0:00:31 | 0:00:32 | |
She's a master of mimicry, only Lulu has got more accents, | 0:00:32 | 0:00:35 | |
it's comedian and actress Ronni Ancona. | 0:00:35 | 0:00:37 | |
And on her team is a Scottish actor who has appeared in Taggart | 0:00:39 | 0:00:42 | |
and Braveheart, | 0:00:42 | 0:00:43 | |
although I've yet to meet a Scottish actor who hasn't, he's Alex Norton. | 0:00:43 | 0:00:46 | |
And with them a performer who won the Scottish comedian of the | 0:00:48 | 0:00:51 | |
year, which came as a surprise as he was only trying to get a goldfish. | 0:00:51 | 0:00:54 | |
It's Mark Nelson. | 0:00:54 | 0:00:56 | |
Our other team captain, you will recognise from Still Game, | 0:01:01 | 0:01:03 | |
but he also presented two weeks of STV's The Hour, which, | 0:01:03 | 0:01:07 | |
if you do the maths, and add it all up, comes to a life-time. | 0:01:07 | 0:01:10 | |
It's comic actor, Sanjeev Kohli. | 0:01:10 | 0:01:12 | |
With him an ex-lawyer, who was never called to the bar, | 0:01:13 | 0:01:16 | |
which is lucky, as she'd definitely have been asked for ID. | 0:01:16 | 0:01:19 | |
It's comedian, Susan Calman. | 0:01:19 | 0:01:20 | |
With them, head and shoulders above all other TV historians, | 0:01:23 | 0:01:26 | |
because he's worth it, | 0:01:26 | 0:01:28 | |
and because I'm jealous of his beautiful hair, it's Neil Oliver. | 0:01:28 | 0:01:31 | |
Tonight, I will be testing my panellists' | 0:01:36 | 0:01:38 | |
knowledge of classic Scottish telly from the comedy, | 0:01:38 | 0:01:40 | |
entertainment, drama and news archives. | 0:01:40 | 0:01:43 | |
Let's get on with the show. | 0:01:43 | 0:01:46 | |
This round is called Hit The Telly. | 0:01:48 | 0:01:51 | |
If Poundland sold televisions, this is what you'd get. | 0:01:51 | 0:01:54 | |
And change. | 0:01:54 | 0:01:56 | |
It may only have two channels, but through the magic of TV, | 0:01:56 | 0:01:59 | |
it's currently holding the entire Scottish telly archives, | 0:01:59 | 0:02:02 | |
so, when my panellists tell me, I will hit it. | 0:02:02 | 0:02:04 | |
It'll play a clip and I'll ask them a question, | 0:02:04 | 0:02:06 | |
it's as simple as that. | 0:02:06 | 0:02:08 | |
This is for Team Sanjeev. Tell me when to hit it. | 0:02:08 | 0:02:11 | |
Hit it. | 0:02:11 | 0:02:13 | |
What were you two old fishwives gossiping about? | 0:02:14 | 0:02:17 | |
-Hey, less of the old. -And less of the fish! | 0:02:17 | 0:02:19 | |
Well, natter not, for I have something special to tell you. | 0:02:19 | 0:02:21 | |
-You are a man. -No. | 0:02:21 | 0:02:23 | |
-You're a woman? -No. Oh! | 0:02:25 | 0:02:28 | |
Less of the gender jibes, you carroty little dwarf. | 0:02:28 | 0:02:32 | |
Shona, please, it's Titian. | 0:02:32 | 0:02:33 | |
No, it's African Sunset. | 0:02:33 | 0:02:35 | |
Sanjeev's team, that was The High Life, from 1995, shown | 0:02:40 | 0:02:43 | |
on the BBC, featuring Alan Cumming, Forbes Masson and Siobhan Redmond. | 0:02:43 | 0:02:47 | |
But what was the fictional Scottish airline they flew for? | 0:02:47 | 0:02:50 | |
They should have called it High Road, but they didn't, did they? | 0:02:50 | 0:02:53 | |
What did they call it? | 0:02:53 | 0:02:55 | |
McLeod Nine. | 0:02:55 | 0:02:56 | |
-Up High The Noo. -Stramash. | 0:02:58 | 0:03:00 | |
There's nae food. | 0:03:01 | 0:03:03 | |
What about instead of Chocks Away, Jocks Away? | 0:03:03 | 0:03:06 | |
That's a good name for a Scottish airline. | 0:03:06 | 0:03:09 | |
Air Scotia, I'm sure it was called. | 0:03:09 | 0:03:11 | |
Air Scotia, you reckon. | 0:03:11 | 0:03:12 | |
The airline was called Air Scotia. | 0:03:12 | 0:03:15 | |
The High Life, a great series, | 0:03:15 | 0:03:17 | |
although I've never met flight attendants that rude in real life. | 0:03:17 | 0:03:20 | |
They're usually ruder. | 0:03:20 | 0:03:21 | |
They certainly will be now. | 0:03:22 | 0:03:24 | |
Ronni, tell me when to hit the telly. | 0:03:24 | 0:03:26 | |
-Now. -Tease! | 0:03:28 | 0:03:29 | |
Now, are you into obstacles? | 0:03:31 | 0:03:33 | |
Because I wasn't until this show started, but now I would like | 0:03:33 | 0:03:36 | |
you to meet the biggest obstacle in my life at the moment, here's Rhona. | 0:03:36 | 0:03:40 | |
And here we are with the winner of the fancy dress competition, | 0:03:40 | 0:03:43 | |
the last one of the series. | 0:03:43 | 0:03:44 | |
What's your name, darling? | 0:03:44 | 0:03:45 | |
-Russell. -And where do you come from, Russell? | 0:03:45 | 0:03:47 | |
-Greave Road. -Greave Road? | 0:03:47 | 0:03:49 | |
-And how old are you? -Five. | 0:03:49 | 0:03:51 | |
-Who made your costume, Russell? -Grandpa. | 0:03:51 | 0:03:54 | |
-Did he take a long time to it? -No. | 0:03:54 | 0:03:56 | |
And you were telling me... | 0:03:58 | 0:03:59 | |
-Do you like Oxo cubes? -No. | 0:03:59 | 0:04:01 | |
Oh dear, he doesn't even like Oxo cubes. | 0:04:01 | 0:04:04 | |
That was the Untied Shoelaces Show from BBC Scotland in 1983. | 0:04:07 | 0:04:11 | |
Unfortunately, we cut before Rhona McLeod could | 0:04:11 | 0:04:14 | |
explain that there are other massive talking stock cubes available. | 0:04:14 | 0:04:18 | |
Can I just say how much of a shame it is for that kid to go back to | 0:04:18 | 0:04:21 | |
school on Monday? | 0:04:21 | 0:04:22 | |
The bullying he will have got. | 0:04:22 | 0:04:24 | |
"I saw you on telly at the weekend," and then just throw water on him, | 0:04:24 | 0:04:26 | |
"There you are, there you are, stock cube!" | 0:04:26 | 0:04:29 | |
That costume, to be fair, looked like it had been fairly well made. | 0:04:29 | 0:04:32 | |
It was fantastic! | 0:04:32 | 0:04:33 | |
That was a good costume. | 0:04:33 | 0:04:35 | |
That wasn't like, erm... | 0:04:35 | 0:04:38 | |
My mum once made me carry a plant pot with a sign on it saying, | 0:04:38 | 0:04:41 | |
"Calman's Gardening Centre," | 0:04:41 | 0:04:44 | |
and that was my Halloween costume. | 0:04:44 | 0:04:46 | |
That costume took some work! | 0:04:46 | 0:04:48 | |
You probably saw "Tiger" Tim Stevens at the beginning of the clip, | 0:04:48 | 0:04:51 | |
but do you know how he got his Tiger nickname, Ronni? | 0:04:51 | 0:04:55 | |
He only ate raw meat... | 0:04:55 | 0:04:58 | |
..from the end of a stick. | 0:04:59 | 0:05:01 | |
And also, if you turned your back on him, he'd kill you. | 0:05:02 | 0:05:07 | |
Is it because he cheated on his wife and sometimes played golf? | 0:05:07 | 0:05:11 | |
Oh, nice one! | 0:05:11 | 0:05:12 | |
I think I might know the origin of the name. | 0:05:14 | 0:05:16 | |
Well, let me give you the clues. | 0:05:16 | 0:05:17 | |
It was either a) he was named after the cartoon character | 0:05:17 | 0:05:21 | |
Tiger Tim by a man named Big John, who Tim had worked with at British | 0:05:21 | 0:05:25 | |
Rail, or b) was after Tim bravely saved a man from a tiger attack | 0:05:25 | 0:05:29 | |
in India, or c) because he turned up for a job interview | 0:05:29 | 0:05:33 | |
at Radio Clyde wearing a skin-tight tiger outfit. | 0:05:33 | 0:05:37 | |
I think it's the Radio Clyde thing. | 0:05:37 | 0:05:39 | |
I think it's the Radio Clyde thing. | 0:05:39 | 0:05:41 | |
We think it's the Radio Clyde thing. | 0:05:41 | 0:05:43 | |
Believe it or not, it is actually all three, | 0:05:43 | 0:05:46 | |
and that was confirmed by Tiger Tim himself. | 0:05:46 | 0:05:48 | |
You might have noticed the man sitting next to | 0:05:48 | 0:05:50 | |
Tiger Tim, wearing a Wee Willie Winkie outfit, | 0:05:50 | 0:05:52 | |
I don't know how he got his nickname, here he is. | 0:05:52 | 0:05:55 | |
Anybody know who that is? | 0:05:55 | 0:05:56 | |
Danny McGrain. | 0:05:56 | 0:05:58 | |
It was indeed, Danny McGrain. | 0:05:58 | 0:06:00 | |
Legendary footballer, 62 caps for Scotland, although here | 0:06:00 | 0:06:03 | |
he looks like he's contemplating a transfer to Aberdeen. | 0:06:03 | 0:06:07 | |
When the Untied Shoelaces Show was eventually taken off the air, | 0:06:07 | 0:06:10 | |
it was replaced by a more modern sounding show called Velcro - | 0:06:10 | 0:06:13 | |
The Sticky Years. | 0:06:13 | 0:06:15 | |
Sanjeev, tell me when to hit the telly. | 0:06:16 | 0:06:18 | |
Oh, hit it now, Fred. | 0:06:18 | 0:06:19 | |
# When you go for your breakfast be sure you always take | 0:06:20 | 0:06:23 | |
# A good plate of Unitas breakfast oats | 0:06:23 | 0:06:27 | |
# The value of them lies in the fact they're appetising | 0:06:27 | 0:06:30 | |
# And eating them good health in you promotes | 0:06:30 | 0:06:34 | |
# When once you taste their flavour, for ever more you'll favour | 0:06:34 | 0:06:37 | |
# Unitas, Unitas breakfast oats. # | 0:06:37 | 0:06:40 | |
APPLAUSE | 0:06:41 | 0:06:43 | |
Takes me right back to this morning. | 0:06:44 | 0:06:47 | |
These days, most Scottish families would only be that | 0:06:47 | 0:06:49 | |
happy in the morning if they found out that they had run out of | 0:06:49 | 0:06:52 | |
Unitas porridge oats, and that they could have a bacon roll instead. | 0:06:52 | 0:06:56 | |
I don't have children, just because the cats would get | 0:06:56 | 0:07:01 | |
annoyed at them, but when I was growing up, my dad never took us | 0:07:01 | 0:07:05 | |
by the arm and had a wee jolly dance before we all sat down. | 0:07:05 | 0:07:10 | |
I find that quite sinister. | 0:07:10 | 0:07:11 | |
Can we have a wee look at that again, because although it is | 0:07:11 | 0:07:15 | |
black-and-white, you can still tell the wee boy's hair is ginger. | 0:07:15 | 0:07:19 | |
That Unitas porridge advert was first broadcast in 1957. | 0:07:21 | 0:07:25 | |
Team Sanjeev, can you tell me | 0:07:25 | 0:07:26 | |
what important event happened, TV-wise, in Scotland that year? | 0:07:26 | 0:07:30 | |
Well, it's too early to go colour, isn't it? | 0:07:30 | 0:07:32 | |
Was it, erm, the first edition of Super Scots? | 0:07:32 | 0:07:36 | |
No. | 0:07:36 | 0:07:38 | |
I think I know the answer, can I come in on this? | 0:07:38 | 0:07:40 | |
I think it was when STV opened. | 0:07:40 | 0:07:41 | |
-You do, Alex? -I do. | 0:07:41 | 0:07:43 | |
I think you're absolutely right. | 0:07:43 | 0:07:45 | |
Five years after BBC Scotland started, | 0:07:45 | 0:07:48 | |
the commercial channel, Scottish TV, began broadcasting at 5.30 pm, | 0:07:48 | 0:07:53 | |
on Saturday, 31 August, 1957. | 0:07:53 | 0:07:56 | |
It was with the Variety Special, This Is Scotland, | 0:07:56 | 0:07:58 | |
live from Glasgow's Theatre Royal Studios. | 0:07:58 | 0:08:00 | |
Let's take a look. | 0:08:00 | 0:08:03 | |
-NARRATOR: -This is Scotland. And your host, James Robertson Justice. | 0:08:07 | 0:08:12 | |
Good evening, this is Scotland. | 0:08:22 | 0:08:25 | |
A land of sunshine and cloud. | 0:08:25 | 0:08:27 | |
A land, proud and ancient, as history itself. | 0:08:27 | 0:08:31 | |
Yet young, strong | 0:08:31 | 0:08:33 | |
and vital as the flowers that bejewel our Northern summer. | 0:08:33 | 0:08:37 | |
-NEIL OLIVER: -So natural! | 0:08:37 | 0:08:38 | |
Even though that was in black-and-white, I think it's | 0:08:38 | 0:08:41 | |
pretty clear that James Robertson Justice's beard was ginger! | 0:08:41 | 0:08:46 | |
In those early days, it was said STV only owned two pieces of equipment. | 0:08:46 | 0:08:49 | |
One to show Westerns, and another to show the commercials. | 0:08:49 | 0:08:52 | |
In the digital age, | 0:08:52 | 0:08:53 | |
they now have a third that plays episodes of Columbo. | 0:08:53 | 0:08:57 | |
-Ronnie's team, tell me when to hit the telly. -OK. | 0:08:57 | 0:09:00 | |
Go on. Now. | 0:09:00 | 0:09:01 | |
All right, lads, we're actually looking quite low on fuel, | 0:09:08 | 0:09:13 | |
so I suggest we stop... | 0:09:13 | 0:09:15 | |
you know, | 0:09:15 | 0:09:16 | |
for C-H-I-P-S... | 0:09:16 | 0:09:20 | |
I'm talking C-H-I-P-S. | 0:09:20 | 0:09:21 | |
-They are C - they're crispy, -H - -they're hole-some, | 0:09:23 | 0:09:28 | |
-I - -I-mazing, | 0:09:28 | 0:09:30 | |
-P - -Perfection, | 0:09:30 | 0:09:31 | |
-S - -S...ships! | 0:09:32 | 0:09:35 | |
Come on, Joe, go sing it... | 0:09:35 | 0:09:37 | |
-Nut. -I said, "Sing it!" | 0:09:37 | 0:09:40 | |
-Nut! -Come on, sing it! | 0:09:40 | 0:09:41 | |
He's no singing it! | 0:09:42 | 0:09:43 | |
ALL: Ooooo! | 0:09:43 | 0:09:45 | |
Oh, brilliant, brilliant. | 0:09:48 | 0:09:51 | |
That was the brilliant Gary Tank Commander, | 0:09:51 | 0:09:53 | |
performed and written by Greg McHugh, shown on the BBC in 2011. | 0:09:53 | 0:09:57 | |
Can you tell me, what nickname did Gary give to his tank? | 0:09:57 | 0:10:01 | |
-Widdecombe. -Widdecombe? | 0:10:01 | 0:10:03 | |
Tank Sinatra? | 0:10:06 | 0:10:08 | |
I can't believe I actually said that. | 0:10:10 | 0:10:13 | |
Actually, Ronni, you're not so far off the mark, | 0:10:13 | 0:10:15 | |
because it was kind of musical. Different era. | 0:10:15 | 0:10:18 | |
I think I know the answer. | 0:10:18 | 0:10:20 | |
Sanjeev thinks he knows the answer. | 0:10:20 | 0:10:21 | |
Was it Meatloaf? | 0:10:21 | 0:10:22 | |
You think it was Meatloaf? | 0:10:22 | 0:10:24 | |
I think it was Meatloaf. | 0:10:24 | 0:10:25 | |
Oh, he's right, I can't bear it. | 0:10:25 | 0:10:27 | |
It was indeed Meatloaf! | 0:10:27 | 0:10:29 | |
Now, in the show, | 0:10:29 | 0:10:31 | |
some of the Afghanistan scenes were actually filmed in Clydebank, which | 0:10:31 | 0:10:34 | |
led to many letters of complaint... | 0:10:34 | 0:10:37 | |
from the people of Afghanistan. | 0:10:37 | 0:10:39 | |
Sanjeev, tell me when to hit the telly, please. | 0:10:39 | 0:10:42 | |
Hit the telly. | 0:10:44 | 0:10:45 | |
This is 213. | 0:11:10 | 0:11:13 | |
I think I'd like a change of room. | 0:11:13 | 0:11:14 | |
That was, of course, | 0:11:17 | 0:11:18 | |
the glowering Iain Cuthbertson in Charles Endell Esquire. | 0:11:18 | 0:11:21 | |
Even though it's in colour, I think you can tell his hair is ginger. | 0:11:21 | 0:11:25 | |
It was made on STV in 1979, and he was famous for a catchphrase | 0:11:25 | 0:11:29 | |
during the show, let's hear it. | 0:11:29 | 0:11:31 | |
'Oh, I'm definitely back, | 0:11:31 | 0:11:34 | |
'def-i-nitely.' | 0:11:34 | 0:11:36 | |
What I want to know, then, is where is he definitely back from? | 0:11:36 | 0:11:41 | |
First, can I say, is there any chance we can run that clip again, | 0:11:41 | 0:11:44 | |
because as hard as Iain Cuthbertson plays that part, | 0:11:44 | 0:11:46 | |
watch how camp his reaction is to his bathroom exploding. | 0:11:46 | 0:11:50 | |
I think we can, let's have another look. | 0:11:50 | 0:11:52 | |
Enjoy this again, this is fantastic. | 0:11:52 | 0:11:55 | |
Here we go. | 0:11:55 | 0:11:57 | |
Oooh! Oooh! | 0:11:57 | 0:11:59 | |
He looked like a little horse, he almost pranced. | 0:11:59 | 0:12:02 | |
It's a very actory thing, isn't it, | 0:12:02 | 0:12:04 | |
"Ooh, oh, not the face, not the face!" | 0:12:04 | 0:12:06 | |
I'd love to see the Trip Advisor review for that room. | 0:12:06 | 0:12:09 | |
"The view is beautiful, | 0:12:09 | 0:12:10 | |
"but the bathroom keeps exploding for some reason. Four stars." | 0:12:10 | 0:12:15 | |
But if you were a gangster, and you were away, | 0:12:15 | 0:12:17 | |
where would you come back from? | 0:12:17 | 0:12:19 | |
Isn't he back from London, | 0:12:19 | 0:12:21 | |
hasn't he come back from being a successful gangster down south? | 0:12:21 | 0:12:26 | |
Well, I'm going to give you a point for that, Neil Oliver. | 0:12:26 | 0:12:29 | |
I would also have accepted "jail". | 0:12:29 | 0:12:32 | |
But it was Soho. | 0:12:35 | 0:12:37 | |
He is actually just back from prison. | 0:12:37 | 0:12:39 | |
There's a great tradition of Scottish actors playing | 0:12:39 | 0:12:41 | |
English hard men, can the panellists think of any that we can recall? | 0:12:41 | 0:12:46 | |
Gerard Kelly in EastEnders was tremendous, he was glowering, | 0:12:46 | 0:12:50 | |
he was brilliant in EastEnders, Gerard Kelly, he was great. | 0:12:50 | 0:12:53 | |
I think the fact that Gerard Kelly, | 0:12:53 | 0:12:55 | |
one of the campest men in Scotland went down | 0:12:55 | 0:12:57 | |
and played a hard man, just shows how hard Scottish people actually are. | 0:12:57 | 0:13:03 | |
On to Ronni's team, say when! | 0:13:03 | 0:13:04 | |
Go on, give it a tap. Now. | 0:13:04 | 0:13:06 | |
This ees your room. | 0:13:09 | 0:13:11 | |
Hallooooooo! | 0:13:11 | 0:13:13 | |
Wah-eey! | 0:13:15 | 0:13:17 | |
Grazies. | 0:13:17 | 0:13:19 | |
Oh, Rab! | 0:13:21 | 0:13:24 | |
Is this not the last word in classy sophistication?! | 0:13:24 | 0:13:27 | |
Yeah, you're not kidding, you're right there, Mary! | 0:13:27 | 0:13:29 | |
Here, get aff that bed till I get a look at the mattress. | 0:13:29 | 0:13:32 | |
Oh, never heed the mattress, we're in Spain, for God's sake! | 0:13:32 | 0:13:37 | |
Shpain! | 0:13:37 | 0:13:39 | |
I mean, who would have thought we'd live to see the day when | 0:13:39 | 0:13:41 | |
trash like us was buying stuff like flip-flops and insect repellent, eh? | 0:13:41 | 0:13:46 | |
From the first series broadcast by BBC Scotland in 1990, | 0:13:51 | 0:13:53 | |
the great Rab C Nesbitt and Mary Doll in Benidorm, | 0:13:53 | 0:13:57 | |
enjoying a well-deserved break from life-long unemployment. | 0:13:57 | 0:14:00 | |
How did Rab and Mary Doll end up in Spain, Ronni's team? | 0:14:00 | 0:14:04 | |
How did they end up in Spain? | 0:14:04 | 0:14:06 | |
I don't know, but I hope to God it wasn't a house swap. | 0:14:06 | 0:14:10 | |
Did they collect 94,000 gingie bottles? | 0:14:10 | 0:14:14 | |
Did they rent the weans out for medical experiments? | 0:14:14 | 0:14:19 | |
Did they win it on Wheel of Fortune? | 0:14:19 | 0:14:21 | |
It was prize-related. Does that help any of you? | 0:14:21 | 0:14:25 | |
Describe Spain in less than 10 words. 10 words or less? | 0:14:27 | 0:14:30 | |
That kind of thing? No. | 0:14:30 | 0:14:32 | |
-12? -No, what actually happened was that Mary Doll won a competition | 0:14:32 | 0:14:36 | |
on the back of a bag of oven chips. | 0:14:36 | 0:14:38 | |
Surely they should have gone to Greece, then! | 0:14:38 | 0:14:41 | |
GROANS | 0:14:41 | 0:14:42 | |
Very good. | 0:14:45 | 0:14:46 | |
Any experiences yourself, Mark, of being a Scot abroad? | 0:14:46 | 0:14:50 | |
I did a stand-up gig in New York last month, and the accent, | 0:14:50 | 0:14:54 | |
you really have to slow it down, as you'll know, beyond belief, to where | 0:14:54 | 0:14:59 | |
you are saying a word about every 10 hours for them to understand you. | 0:14:59 | 0:15:03 | |
My sister had a lovely experience of | 0:15:03 | 0:15:05 | |
one of the benefits of being Scottish. | 0:15:05 | 0:15:07 | |
She was on a bus from Chile to Argentina at three in the morning, | 0:15:07 | 0:15:10 | |
let's not wonder why, it was about penguins. | 0:15:10 | 0:15:13 | |
She got to the Argentinean border, and it was full of these | 0:15:13 | 0:15:16 | |
armed guards, lots of them. | 0:15:16 | 0:15:17 | |
My sister, who's even shorter than me, was slightly trepidatious, and they said, | 0:15:17 | 0:15:21 | |
"Give us your passport," and they looked at the passport, | 0:15:21 | 0:15:24 | |
and they all looked at her and shouted, "Freedom!" and let her in. | 0:15:24 | 0:15:28 | |
At that point she was like that, "Hmm, hmm, thank you very much, | 0:15:28 | 0:15:31 | |
"yes, William Wallace, Mel Gibson, ya, totally." | 0:15:31 | 0:15:35 | |
Looking at the scores, I can see that the game is | 0:15:35 | 0:15:37 | |
rather like Janette Krankie up the beanstalk | 0:15:37 | 0:15:39 | |
- delicately poised, it's neck and neck. | 0:15:39 | 0:15:42 | |
It's time for Name That Theme Tune. | 0:15:50 | 0:15:52 | |
In this round, we went out onto the streets of Scotland and asked | 0:15:52 | 0:15:54 | |
the public to sing the theme tunes from our favourite Scottish shows. | 0:15:54 | 0:15:58 | |
All you have to do is identify them. | 0:15:58 | 0:16:00 | |
Ronni, let's hear our first singers. | 0:16:00 | 0:16:03 | |
# Da-da-da-da-da | 0:16:03 | 0:16:05 | |
# Dee-dee-deedle-dee... # No, erm, oh! | 0:16:05 | 0:16:09 | |
# Dee-dee-deedle-dee-dee-dee-dee- | 0:16:09 | 0:16:11 | |
# Deedle-dee-dee... | 0:16:11 | 0:16:13 | |
# Da-da-da-da-da-da-da-dee. | 0:16:14 | 0:16:18 | |
# Da-da-da-da-da-da-da-da-da-dee. | 0:16:18 | 0:16:21 | |
#Da-ra-da-ra-da- ra-da-ra-da-ra-da-ra | 0:16:21 | 0:16:25 | |
# La-la-la-da-da! # | 0:16:25 | 0:16:29 | |
APPLAUSE | 0:16:31 | 0:16:33 | |
That was brilliant. | 0:16:35 | 0:16:36 | |
I have to say, the two girls in the fur were tremendous, well done. | 0:16:38 | 0:16:41 | |
That's the latest incarnation of the Sugababes, apparently. | 0:16:41 | 0:16:46 | |
-I know, we know what it is. -We know what it is. | 0:16:46 | 0:16:48 | |
-Tell us what you think it is. -Do you want to do the honours? | 0:16:48 | 0:16:50 | |
-No, I'll leave it to you, on you go. -It's Balamory. | 0:16:50 | 0:16:53 | |
Balamory, you reckon? Let's find out. | 0:16:53 | 0:16:55 | |
It was indeed Balamory from the BBC, a show set on a fictional | 0:16:57 | 0:17:01 | |
Scottish island, inhabited by a bizarre cast of characters, who sing | 0:17:01 | 0:17:05 | |
and dance their way through life, like the Wicker Man for toddlers. | 0:17:05 | 0:17:08 | |
Sanjeev's team, here's a different theme tune, | 0:17:12 | 0:17:14 | |
no doubt beautifully sung. | 0:17:14 | 0:17:17 | |
# Dum-dum, dum-dum-diddle-dum-dum-dum, dum-dum-diddle-dum-dum dum. | 0:17:17 | 0:17:23 | |
# Doo-doo, doo-doo, | 0:17:23 | 0:17:26 | |
# Diddle-um-dum-dum-dum-da-da-doo, doo-do-do-do-do... | 0:17:26 | 0:17:31 | |
# Da-da-da-da-da- da-di-di-da-di-dah. # | 0:17:31 | 0:17:35 | |
I would say that's simple. | 0:17:36 | 0:17:38 | |
It's clearly Newsnight Scotland. | 0:17:38 | 0:17:39 | |
Yes, simplest thing I've ever... | 0:17:39 | 0:17:42 | |
I don't think any of them were singing the same thing. | 0:17:42 | 0:17:44 | |
More keys than a janny's bunch, I've no idea what was going on. | 0:17:44 | 0:17:47 | |
Was it recorded outside a home for the bewildered? | 0:17:47 | 0:17:50 | |
It did sound a wee bit like Jimmy Shand being water-boarded, | 0:17:50 | 0:17:53 | |
but here's more clues. | 0:17:53 | 0:17:56 | |
# Diddle-uh, diddle-uh,duh-di-duh-di-duh-da-da-da, | 0:17:56 | 0:18:00 | |
# Duh-diddle-uh-diddle-uh, da-ri-duh-ri, da-diddle-uh-duh-duh. | 0:18:00 | 0:18:06 | |
# Da-di-da-di-da diddle-um-diddle-um-da-di-di | 0:18:06 | 0:18:09 | |
# Di-dah-diddle-um-diddle-um-da-da- | 0:18:09 | 0:18:12 | |
# Dum-diddle-um-da-da! | 0:18:12 | 0:18:14 | |
# Da-da-da-da-da-da-da-da-da | 0:18:14 | 0:18:16 | |
# Dum-diddle-um-diddle-da-da-da | 0:18:16 | 0:18:18 | |
# Dum-diddle-um-diddle-da-da-da | 0:18:18 | 0:18:20 | |
# Dum-diddle-um-da-da. # | 0:18:20 | 0:18:21 | |
Over... | 0:18:28 | 0:18:29 | |
thankfully. | 0:18:29 | 0:18:31 | |
Not laughing at, laughing with. | 0:18:31 | 0:18:34 | |
He was doing that lovely thing that people sometimes do when someone is | 0:18:34 | 0:18:37 | |
singing, so, if Sanjeev was singing, I'm just enjoying myself, like this. | 0:18:37 | 0:18:42 | |
Well, Susan, you think you've got it right, don't you?, | 0:18:44 | 0:18:47 | |
Yes, we think, it's Casualty! | 0:18:47 | 0:18:50 | |
-It's Dr Finlay's... -Dr Finlay's Casebook, yes. | 0:18:50 | 0:18:52 | |
Definitely was. | 0:18:52 | 0:18:54 | |
Dr Finlay's Casebook. Let's hear how it should have sounded. | 0:18:54 | 0:18:57 | |
THEME MUSIC | 0:18:57 | 0:18:58 | |
First broadcast by the BBC in 1962, however, | 0:18:59 | 0:19:03 | |
when it came to the General Medical Council's attention that | 0:19:03 | 0:19:05 | |
Dr Finlay was sharing his casebook with the nation, the show was | 0:19:05 | 0:19:08 | |
cancelled under the Data Protection Act, and he was struck off. | 0:19:08 | 0:19:12 | |
Undeterred, lead actor Bill Simpson went on to present | 0:19:12 | 0:19:14 | |
the ill-fated DIY show, Dr Finlay's Bookcase. | 0:19:14 | 0:19:17 | |
I thank you. | 0:19:19 | 0:19:21 | |
And thanks to all our singers, | 0:19:21 | 0:19:22 | |
and those who joined in with the dancing at home. | 0:19:22 | 0:19:25 | |
Which, if you have just joined us, I am testing my guests' | 0:19:29 | 0:19:31 | |
knowledge of television broadcasts in Scotland over the past 60 years. | 0:19:31 | 0:19:35 | |
It's time for What Happens Next. | 0:19:35 | 0:19:37 | |
I'll play a lesser-known clip from the archive that's seen less | 0:19:37 | 0:19:40 | |
daylight than an Aberdonian goth. | 0:19:40 | 0:19:42 | |
I'll be making liberal use of the pause button, and asking | 0:19:42 | 0:19:45 | |
our panellists to make an educated guess as to what happens next. | 0:19:45 | 0:19:48 | |
Sanjeev's team, here is a rather stunning | 0:19:48 | 0:19:51 | |
clip from Miss Scotland, broadcast by BBC Scotland in 1979. | 0:19:51 | 0:19:55 | |
Before it starts, I should point out that the first three people | 0:19:55 | 0:19:58 | |
we see at the start of the clip are not contestants. | 0:19:58 | 0:20:01 | |
# I never knew you looked so good | 0:20:04 | 0:20:06 | |
# I never knew anyone could | 0:20:06 | 0:20:10 | |
# I must have been crazy | 0:20:10 | 0:20:12 | |
# To ever have gone away. # | 0:20:12 | 0:20:15 | |
All right, then, the first of our seven finalists, | 0:20:15 | 0:20:17 | |
it's Miss Montrose, Dorothy Walker. | 0:20:17 | 0:20:19 | |
And I think you're going to do a PhD, aren't you? | 0:20:22 | 0:20:24 | |
How far into that are you? | 0:20:24 | 0:20:25 | |
Well, as soon as I get my grant, | 0:20:25 | 0:20:27 | |
I'd like to start on my PhD, | 0:20:27 | 0:20:28 | |
which is all about... | 0:20:28 | 0:20:30 | |
Well, we just saw Dorothy Walker, or, as she is better known, | 0:20:30 | 0:20:33 | |
Miss Montrose, which, incidentally, | 0:20:33 | 0:20:35 | |
is the perfect tourist slogan for that place. | 0:20:35 | 0:20:38 | |
What do you think her PhD was in? | 0:20:40 | 0:20:42 | |
And, can I also just say, | 0:20:42 | 0:20:44 | |
at the start I said that the first three people were not contestants, | 0:20:44 | 0:20:47 | |
but the bloke on the left was actually runner-up that year. | 0:20:47 | 0:20:50 | |
We should explain to our younger viewers what a grant is! | 0:20:51 | 0:20:55 | |
In a mythical time... | 0:20:59 | 0:21:00 | |
In a mythical time of dragons and unicorns it was a cheque that | 0:21:00 | 0:21:04 | |
you could just take straight to the off-licence, wasn't it? | 0:21:04 | 0:21:08 | |
No, Grant actually was the third dancer, | 0:21:08 | 0:21:11 | |
because the first two were clearly Paul Coia and Dougie Donnelly. | 0:21:11 | 0:21:14 | |
I'd love if it was. | 0:21:15 | 0:21:17 | |
If it is 1979, does she go on to become the leader | 0:21:17 | 0:21:19 | |
of the Conservative party and then the first lady Prime Minister? | 0:21:19 | 0:21:22 | |
She didn't, but her hair did. | 0:21:22 | 0:21:24 | |
I'd like to point out, at this juncture, | 0:21:26 | 0:21:29 | |
that my lady wife was Miss Falkirk 1986. | 0:21:29 | 0:21:32 | |
OOHS FROM AUDIENCE | 0:21:32 | 0:21:34 | |
And finished sixth in the Miss Scotland final of the same year. | 0:21:34 | 0:21:38 | |
Tell me this, did you have a choice between Miss Falkirk | 0:21:38 | 0:21:41 | |
and Miss Grangemouth? | 0:21:41 | 0:21:43 | |
That's not the way it works. | 0:21:44 | 0:21:46 | |
-I don't know, what was her PhD in? -What was her PhD in? | 0:21:48 | 0:21:50 | |
I think she was a molecular biologist, | 0:21:50 | 0:21:53 | |
or just a really small biologist. | 0:21:53 | 0:21:55 | |
She sounds like a historian to me. | 0:21:55 | 0:21:56 | |
-Historian? -Historian, you reckon? | 0:21:56 | 0:21:58 | |
-Let's go for history. -We'll go for history. | 0:21:58 | 0:22:00 | |
You're not that far off the mark. Let's find out. | 0:22:00 | 0:22:03 | |
I'd like to start on my PhD, | 0:22:03 | 0:22:05 | |
which is all about the domestication of the cat, | 0:22:05 | 0:22:07 | |
and I've actually got a cat cemetery in Egypt which I'm going to | 0:22:07 | 0:22:10 | |
start digging, hopefully quite soon. | 0:22:10 | 0:22:12 | |
-Archaeologist! -That's quite rude. | 0:22:14 | 0:22:16 | |
Those cats have been laid to rest, you don't go as Miss Montrose | 0:22:16 | 0:22:19 | |
and dig up someone's grave. | 0:22:19 | 0:22:21 | |
So do you go, "I'm Miss Montrose, get me a spade," | 0:22:21 | 0:22:24 | |
is that how it works? | 0:22:24 | 0:22:25 | |
I'm going to dig up these cats and find out if | 0:22:25 | 0:22:27 | |
they were domesticated. End of. | 0:22:27 | 0:22:29 | |
Neil, I have to ask, once you'd dug up a cat, domesticated or | 0:22:29 | 0:22:32 | |
otherwise, how could you determine if it was domesticated? | 0:22:32 | 0:22:36 | |
If it was like that when you dug it up, "Rrrrrr"... | 0:22:36 | 0:22:39 | |
Well, the dangerous cats tend to be like yay big, | 0:22:39 | 0:22:42 | |
and your domesticated cat tends to be this big. | 0:22:42 | 0:22:46 | |
Surely a domesticated cat would be buried holding a can opener | 0:22:46 | 0:22:49 | |
or something. | 0:22:49 | 0:22:51 | |
What did you say? | 0:22:51 | 0:22:53 | |
A domesticated cat would be buried... | 0:22:53 | 0:22:55 | |
With a can opener so it could open tins of Whiskas on the other side. | 0:22:55 | 0:22:58 | |
Oh, I see, I thought you were being, I've got three of them, | 0:22:58 | 0:23:01 | |
and... | 0:23:01 | 0:23:02 | |
-You've got three can openers? -Yes. | 0:23:02 | 0:23:05 | |
You're doing well. | 0:23:05 | 0:23:06 | |
My cats have slippers, | 0:23:06 | 0:23:07 | |
that's how you know they're domesticated, little pairs... | 0:23:07 | 0:23:10 | |
That they knitted themselves. | 0:23:10 | 0:23:12 | |
-Little slippers. -You've got your cats slippers? | 0:23:12 | 0:23:14 | |
-Yes. What's wrong with making my cats slippers? -Four each?! | 0:23:14 | 0:23:17 | |
Yes, come on, you can't have their back paws cold, Ronni. | 0:23:17 | 0:23:21 | |
Don't they walk on their hind legs? | 0:23:21 | 0:23:22 | |
Do they always walk around in their slippers? | 0:23:22 | 0:23:25 | |
Not always, if they're going out, they wear proper shoes! | 0:23:25 | 0:23:28 | |
I think we'll find that Miss Montrose is coming back | 0:23:34 | 0:23:37 | |
out of retirement to look into the over-domestication of the cat. | 0:23:37 | 0:23:40 | |
Can we have another wee look at the dancers? Let's have a look at them. | 0:23:43 | 0:23:47 | |
# I must have been crazy | 0:23:53 | 0:23:55 | |
# To ever have gone away. # | 0:23:56 | 0:23:57 | |
Actually, you might recognise some of them, | 0:23:59 | 0:24:02 | |
two of them went down to appear as hard men down south. | 0:24:02 | 0:24:06 | |
Team Ronni, this next clip is from a BBC series | 0:24:06 | 0:24:08 | |
called About Britain, from 1954. | 0:24:08 | 0:24:11 | |
Richard Dimbleby is interviewing the doughty | 0:24:11 | 0:24:13 | |
Dame Flora, the 28th chief of clan MacLeod on the Isle of Skye. | 0:24:13 | 0:24:17 | |
It doesn't matter a bit where we live, | 0:24:21 | 0:24:23 | |
wherever a McLeod is, he feels he is kin to all the other McLeods. | 0:24:23 | 0:24:28 | |
-It must be a nice, cosy family feeling... -Wonderful. | 0:24:28 | 0:24:31 | |
You say, no matter where you live, I assume, by your love | 0:24:31 | 0:24:35 | |
and understanding of all this, that you were born and brought up here? | 0:24:35 | 0:24:38 | |
Well, actually, I wasn't.... | 0:24:38 | 0:24:40 | |
So, if it wasn't Skye, where do you think Dame Flora, | 0:24:42 | 0:24:44 | |
the chief of the clan MacLeod, was born? | 0:24:44 | 0:24:46 | |
IN A POSH VOICE: "Actually, it wasn't here, | 0:24:46 | 0:24:48 | |
"it was in a small croft in Kensington." | 0:24:48 | 0:24:52 | |
I'm just trying to picture her, | 0:24:54 | 0:24:55 | |
leading the clan into the battle against the English. | 0:24:55 | 0:24:59 | |
"Come along, hurry up, | 0:24:59 | 0:25:01 | |
"some of the English are my best friends. Hello, Doreen, how are you?" | 0:25:01 | 0:25:05 | |
Well, we can actually now find out where she was born. | 0:25:07 | 0:25:10 | |
You weren't so far off saying a wee croft in Kensington. | 0:25:10 | 0:25:14 | |
I was born in 10 Downing Street. | 0:25:14 | 0:25:15 | |
-Downing Street? -You look rather surprised, Mr Dimbleby! | 0:25:17 | 0:25:20 | |
I love how she delivers that line like she is a Bond villain. | 0:25:20 | 0:25:23 | |
"You look rather surprised, Mr Dimbleby. But now you must die." | 0:25:23 | 0:25:27 | |
If you're born in 10 Downing Street now the midwife would probably | 0:25:30 | 0:25:33 | |
slap the baby and quickly move on to George Osborne and Nick Clegg. | 0:25:33 | 0:25:37 | |
Finally, for this round, a clip of First Class, made in 1984 by | 0:25:39 | 0:25:42 | |
BBC Scotland, and presented by Louise Batchelor and her earrings. | 0:25:42 | 0:25:46 | |
So, with Banchory in the lead, | 0:25:53 | 0:25:54 | |
it's time for our first visit to the sports arena. | 0:25:54 | 0:25:57 | |
Banchory have chosen Martin to play for them, | 0:25:57 | 0:26:00 | |
and Ewan is running for North Berwick. | 0:26:00 | 0:26:02 | |
Isn't it lovely how all those graphics haven't dated at all? | 0:26:03 | 0:26:07 | |
This is for everyone, | 0:26:07 | 0:26:08 | |
what do you think they are just about to do in the sports arena? | 0:26:08 | 0:26:12 | |
I think they're going to use the earrings as beacons to attract UFOs. | 0:26:12 | 0:26:15 | |
It would appear that they are large enough, I think, to do that. | 0:26:15 | 0:26:18 | |
Belters, weren't they? | 0:26:18 | 0:26:19 | |
Not fight to the death, is it? | 0:26:19 | 0:26:20 | |
They didn't fight to the death, | 0:26:20 | 0:26:22 | |
although, that would have been entertaining on television. | 0:26:22 | 0:26:24 | |
Was it that fantastically sophisticated computer | 0:26:24 | 0:26:27 | |
game of that era where you went like that to run the 100 metres? | 0:26:27 | 0:26:30 | |
-Daley Thompson's Decathlon or something? -Was it one of those ones? | 0:26:30 | 0:26:32 | |
Do you know what I like about your answer, Sanjeev, | 0:26:32 | 0:26:34 | |
is that you are smiling there, | 0:26:34 | 0:26:36 | |
-and your smile is going to be even more complete when you find out. -Oh! | 0:26:36 | 0:26:40 | |
So, Martin and Ewan, fingers on the controls. | 0:26:40 | 0:26:43 | |
APPLAUSE | 0:26:45 | 0:26:47 | |
Ooooh! | 0:26:49 | 0:26:50 | |
..were off to a better start, | 0:26:50 | 0:26:51 | |
but Banchory are streaking away there. | 0:26:51 | 0:26:55 | |
Banchory have made it easily, North Berwick High, bad luck. | 0:26:56 | 0:26:59 | |
So, Banchory are the winners with two points. Well done, Martin. | 0:26:59 | 0:27:02 | |
Well done, indeed. | 0:27:04 | 0:27:05 | |
Well, you might wonder who thought that was a good idea for a TV show?! | 0:27:05 | 0:27:08 | |
We did! | 0:27:08 | 0:27:10 | |
Ronni and Sanjeev, | 0:27:10 | 0:27:11 | |
under your desk you will find a game controller right there. | 0:27:11 | 0:27:14 | |
What?! You are kidding! | 0:27:14 | 0:27:16 | |
This is so brilliant. | 0:27:16 | 0:27:18 | |
-Oh God. -Happy days. | 0:27:18 | 0:27:20 | |
What is it? I'm quite nervous, actually. | 0:27:20 | 0:27:22 | |
You're nervous? I'm terrified! | 0:27:22 | 0:27:25 | |
Sanjeev, you are the runner on the top, Ronni, you are on the bottom. | 0:27:25 | 0:27:29 | |
Good luck! If you're all set to go, three, two, one - go! | 0:27:29 | 0:27:34 | |
SHOUTS OF ENCOURAGEMENT | 0:27:34 | 0:27:36 | |
Hold it still for me. | 0:27:36 | 0:27:37 | |
That's it, you're past the 20 metre mark. | 0:27:37 | 0:27:39 | |
Ronni is in the lead. Mark's giving her a hand there. | 0:27:39 | 0:27:42 | |
Come on, Sanjeev, you are trailing behind. | 0:27:42 | 0:27:44 | |
He is just holding it, that's them at the 70 metre mark. | 0:27:44 | 0:27:46 | |
Come on, Sanjeev, you can still do it! | 0:27:46 | 0:27:50 | |
GOOOO! | 0:27:51 | 0:27:53 | |
Ronni Ancona has won. | 0:27:53 | 0:27:54 | |
Looking back, | 0:27:56 | 0:27:58 | |
well done, Ronni. | 0:27:58 | 0:28:01 | |
So, at the end of Part One, let's see what the scoreboard says - | 0:28:01 | 0:28:04 | |
it says there's everything to play for. | 0:28:04 | 0:28:06 | |
We'll be back at 10.30 for more fantastic Scots On The Box, | 0:28:13 | 0:28:16 | |
but before we go, here's a sketch to keep you guessing. | 0:28:16 | 0:28:19 | |
It's from Chewing The Fat, broadcast by the BBC in 2004. | 0:28:19 | 0:28:23 | |
Watch closely, and count how many "Mans" are in the clip. | 0:28:23 | 0:28:25 | |
Do you dae Walkmans, man? | 0:28:27 | 0:28:28 | |
-Walkmans, man, a tenner, man. -Do you play this, man? | 0:28:28 | 0:28:30 | |
That's a Discman, man. You need a Discman, man. | 0:28:30 | 0:28:33 | |
-A Discman, man? -For playing your discs in, man! What is the disc, man? | 0:28:33 | 0:28:36 | |
Anchorman, man. Anchorman's a movie, man, you need a DVD, man. | 0:28:36 | 0:28:38 | |
Oh, man, nae Walkman, nae Discman, man. | 0:28:38 | 0:28:41 | |
-How much for the DVDman, man? -A ton, man. | 0:28:41 | 0:28:43 | |
A ton, man! You're a highwayman, man. | 0:28:43 | 0:28:45 | |
I'll tell you the answer when we return. See you soon. | 0:28:48 | 0:28:50 | |
Subtitles by Red Bee Media Ltd | 0:28:56 | 0:28:58 |