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APPLAUSE AND CHEERING | 0:00:14 | 0:00:17 | |
Hello. I'm Fred MacAulay and welcome back to Scots On The Box, | 0:00:23 | 0:00:26 | |
the quiz that celebrates 60 years of TV in Scotland. | 0:00:26 | 0:00:30 | |
Earlier this evening, in the first part of the show, | 0:00:30 | 0:00:32 | |
I asked how many "mans" were in this Chewing The Fat sketch. | 0:00:32 | 0:00:36 | |
-Do you do walkmans, man? -Walkmans, man. Tenner, man. | 0:00:36 | 0:00:39 | |
-Does it play this, man? -That's a disc, man. You need a discman, man. | 0:00:39 | 0:00:42 | |
-A discman, man? -Aye, for playing your discs in, man. | 0:00:42 | 0:00:44 | |
-What is the disc, man? -Anchorman, man. -Anchorman's a film, man. | 0:00:44 | 0:00:47 | |
-You need a DVD, man. -Oh, man, nae walkman, nae discman, man. | 0:00:47 | 0:00:50 | |
-How much for a DVD man, man? -Ton, man. | 0:00:50 | 0:00:53 | |
Ton, man! You're a highwayman, man! | 0:00:53 | 0:00:55 | |
If you're playing along at home and got 29, you'd still be wrong, | 0:00:57 | 0:01:01 | |
as there were two more mans than you probably thought. | 0:01:01 | 0:01:04 | |
Greg Hemphill and Ford Kiernan, of course. | 0:01:04 | 0:01:06 | |
In this show, I'll be unearthing lots more great | 0:01:06 | 0:01:09 | |
moments from our nation's TV archives and using them | 0:01:09 | 0:01:12 | |
to test my panellists' knowledge of all things Scottish on the box. | 0:01:12 | 0:01:15 | |
So let's meet the teams. | 0:01:15 | 0:01:17 | |
Our first team captain is an actress with a gift for mimicry. | 0:01:17 | 0:01:20 | |
Her Ronni Ancona is very convincing. | 0:01:20 | 0:01:23 | |
With her, actor Alex Norton and comedian Mark Nelson. | 0:01:23 | 0:01:27 | |
APPLAUSE | 0:01:27 | 0:01:30 | |
Our other team captain has a first class honours degree | 0:01:30 | 0:01:34 | |
in mathematics, which must come in handy | 0:01:34 | 0:01:36 | |
when working behind the counter in Still Game. | 0:01:36 | 0:01:39 | |
He can accurately count the wasted years. | 0:01:39 | 0:01:41 | |
It's comic actor Sanjeev Kohli. | 0:01:41 | 0:01:43 | |
With him, comedian Susan Calman and archaeologist and historian Neil Oliver. | 0:01:43 | 0:01:47 | |
APPLAUSE | 0:01:47 | 0:01:49 | |
It's time to find out which team deserve to be monarch of the glen | 0:01:53 | 0:01:57 | |
and which deserves to be humanely culled and made into sausages. | 0:01:57 | 0:02:01 | |
Let's play a round called Hit The Telly. | 0:02:01 | 0:02:04 | |
This may look like an old broken down TV, | 0:02:05 | 0:02:08 | |
but our BBC engineers have worked their magic | 0:02:08 | 0:02:10 | |
and it now holds the entire 60 years of archived Scottish broadcasting. | 0:02:10 | 0:02:15 | |
I'll hit the telly, and it'll play a random snippet from a show | 0:02:15 | 0:02:19 | |
from the last six decades which I'll then quiz my guests on. | 0:02:19 | 0:02:22 | |
Ronni's team, you're going first. Tell me when to hit it. | 0:02:22 | 0:02:25 | |
Go on, now. | 0:02:25 | 0:02:27 | |
Do you have a name, by the way? Or don't angels have names? | 0:02:27 | 0:02:31 | |
Of course we've got names. | 0:02:31 | 0:02:33 | |
Seraphim. | 0:02:33 | 0:02:35 | |
Cherubim. | 0:02:35 | 0:02:37 | |
Gabriel. | 0:02:37 | 0:02:40 | |
Aw! | 0:02:40 | 0:02:42 | |
What's yours? | 0:02:42 | 0:02:44 | |
Boabie. | 0:02:47 | 0:02:50 | |
APPLAUSE | 0:02:50 | 0:02:52 | |
That was the late great Gerard Kelly, with his pal Billy Connolly, | 0:02:52 | 0:02:56 | |
from the 1988 Christmas special of BBC Scotland series City Lights. | 0:02:56 | 0:03:00 | |
Boabie, of course, | 0:03:00 | 0:03:01 | |
one of the funniest words in the Scottish vocabulary. | 0:03:01 | 0:03:05 | |
Gerard Kelly played Willie Melvin, | 0:03:05 | 0:03:07 | |
a bank clerk at the Strathclyde Savings Bank. | 0:03:07 | 0:03:09 | |
But what was his dream job? | 0:03:09 | 0:03:11 | |
Was he not aspiring to have a really respectable vocation like... | 0:03:11 | 0:03:17 | |
a journalist. | 0:03:17 | 0:03:19 | |
-He wanted to be a writer, didn't he? -He wanted to be a writer. | 0:03:19 | 0:03:23 | |
He wanted to be a novelist. | 0:03:23 | 0:03:24 | |
-He wanted to do a novel about... -Oh! I know what it was. | 0:03:24 | 0:03:28 | |
It was called something like My Life Up A Close, or something. | 0:03:28 | 0:03:32 | |
Ronni and Alex, well done. He had dreams of being a novelist | 0:03:32 | 0:03:35 | |
and most of the episodes revolved around him trying to | 0:03:35 | 0:03:38 | |
get his autobiographical book My Childhood Up A Close published. | 0:03:38 | 0:03:41 | |
Bang on the money, Alex Norton. | 0:03:41 | 0:03:43 | |
APPLAUSE | 0:03:43 | 0:03:45 | |
Sanjeev's team, tell me when to hit the telly. | 0:03:46 | 0:03:49 | |
Erm...chib it with your hand...now. | 0:03:49 | 0:03:52 | |
Furtive! That's the word I'd use! Furtive! | 0:04:09 | 0:04:13 | |
Para's been furtive since we left Inveraray. | 0:04:14 | 0:04:17 | |
Aye, furtive. That's the word! Furtive. | 0:04:17 | 0:04:20 | |
APPLAUSE | 0:04:20 | 0:04:22 | |
Team Sanjeev, that was The Vital Spark, written by Neil Munro | 0:04:22 | 0:04:26 | |
and broadcast by the BBC in 1966. | 0:04:26 | 0:04:28 | |
You saw the wonderful John Grieve playing Dan MacPhail, | 0:04:28 | 0:04:31 | |
the book-loving engineer on the Clyde puffer, the Vital Spark. | 0:04:31 | 0:04:35 | |
You would also have noticed that we pixelated the book he was holding. | 0:04:35 | 0:04:38 | |
Can you take a guess what he was reading? | 0:04:38 | 0:04:41 | |
Clearly an adult publication. And he's saying the word "furtive" over and over again. | 0:04:41 | 0:04:45 | |
-I think it's a sexy thesaurus. -That's easy for you to say! | 0:04:45 | 0:04:50 | |
Featuring lovelies in states of undress, saying posh words. | 0:04:50 | 0:04:55 | |
50 Shades Of Battleship Grey. | 0:04:55 | 0:04:58 | |
Oh! | 0:04:58 | 0:05:00 | |
It was always something seamy. | 0:05:00 | 0:05:02 | |
Something like I Was Held Hostage By Sex-starved Vixens, | 0:05:02 | 0:05:07 | |
-A True Story. -Well, I'm surprised none of you got it. | 0:05:07 | 0:05:10 | |
Let's have a look. | 0:05:10 | 0:05:13 | |
It was Lady Cynthia Sins Again. | 0:05:13 | 0:05:15 | |
Of course it was. Who hasn't read that?! | 0:05:15 | 0:05:18 | |
Not nearly as racy as it sounds. | 0:05:18 | 0:05:20 | |
It's about a member of the House of Lords who falsifies her expenses. | 0:05:20 | 0:05:24 | |
-On to Ronni's team. Say when. -Oh, right. OK, now. | 0:05:24 | 0:05:28 | |
Did you really feel at the time that you had what it takes? | 0:05:30 | 0:05:34 | |
I thought I was terrific, I really did! I thought I was great! | 0:05:34 | 0:05:38 | |
'Everybody knows Marie McDonald McLaughlin Lawrie. | 0:05:38 | 0:05:42 | |
'She's been called variously gravel-throated, raucous, cheeky, | 0:05:42 | 0:05:46 | |
'shattering and vivacious, bouncy, a bundle of talent, a great star. | 0:05:46 | 0:05:50 | |
'The butcher's daughter from Dennistoun is now 22, | 0:05:50 | 0:05:53 | |
'one of the richest girls in Britain, | 0:05:53 | 0:05:55 | |
'and for the last eight years she's been in every sense a Lulu.' | 0:05:55 | 0:05:59 | |
APPLAUSE | 0:05:59 | 0:06:01 | |
-"A Lulu!" -Does anybody know exactly what a Lulu is? | 0:06:01 | 0:06:05 | |
Is it not a term that somebody from Morningside, a lady, | 0:06:05 | 0:06:10 | |
would call her private parts? | 0:06:10 | 0:06:13 | |
Cameron, if you take it with that attitude, | 0:06:14 | 0:06:16 | |
you'll be going nowhere near my lulu tonight! | 0:06:16 | 0:06:20 | |
I think it comes... | 0:06:22 | 0:06:25 | |
There was a popular song in the 1920s called | 0:06:25 | 0:06:27 | |
Hullabaloo Loo Don't Bring Lulu. | 0:06:27 | 0:06:30 | |
So I think she might have taken it from that. | 0:06:30 | 0:06:32 | |
The idea being that Lulu is a kind of a fizzy...all about town | 0:06:32 | 0:06:37 | |
sort of girl. | 0:06:37 | 0:06:39 | |
Logically, a Lulu should be a double toilet. A tandem toilet. | 0:06:39 | 0:06:43 | |
You know like women go into the toilet in pairs. | 0:06:43 | 0:06:46 | |
I don't really know what they're doing. | 0:06:46 | 0:06:48 | |
Just talking about boys and stuff. | 0:06:48 | 0:06:51 | |
-Is that it? -Just talking about boys and stuff. -You have the partition. | 0:06:51 | 0:06:54 | |
No, we take that away. That's just there when men go in. | 0:06:54 | 0:06:58 | |
That's when it become a lulu. | 0:06:58 | 0:07:00 | |
If you go into the ladies, there's no walls. There's no toilets. | 0:07:00 | 0:07:04 | |
It's just a sofa. | 0:07:04 | 0:07:06 | |
According to the Cambridge Dictionary, | 0:07:06 | 0:07:09 | |
it is now something extremely good or extremely bad. | 0:07:09 | 0:07:12 | |
And you can't criticise that. | 0:07:12 | 0:07:13 | |
The next clip is for Sanjeev's team. Tell me when to hit the telly. | 0:07:13 | 0:07:17 | |
Now. | 0:07:17 | 0:07:20 | |
Let's find out what the weather's up to over the next few days. | 0:07:20 | 0:07:24 | |
This afternoon, it'll be cold, wet and windy across most of Scotland. | 0:07:24 | 0:07:29 | |
We're under the influence of low pressure and this weather | 0:07:29 | 0:07:33 | |
front pushing northwards is bringing cloud and outbreaks of rain. | 0:07:33 | 0:07:37 | |
APPLAUSE | 0:07:37 | 0:07:39 | |
So, simple question, who was that man? | 0:07:39 | 0:07:43 | |
I have actually spoken to Sally Magnusson about that, | 0:07:43 | 0:07:46 | |
and she said he was genuinely nervous about addressing | 0:07:46 | 0:07:49 | |
the nation, doing the weather. Her advice to him was - | 0:07:49 | 0:07:52 | |
don't think of the whole nation watching you, just one plant. | 0:07:52 | 0:07:56 | |
It was Prince Charles in May 2012, presenting the weather from Glasgow. | 0:07:56 | 0:08:01 | |
He was introduced by Sally Magnusson, who has recently | 0:08:01 | 0:08:04 | |
written a book which may have raised a few eyebrows. | 0:08:04 | 0:08:07 | |
What was it about? | 0:08:07 | 0:08:09 | |
I'm not sure. Was it racy? | 0:08:09 | 0:08:12 | |
-Was it controversial? -Not particularly. | 0:08:12 | 0:08:15 | |
Well, let's look at this logically. | 0:08:15 | 0:08:17 | |
If it's a book that raises eyebrows and it's not racy, | 0:08:17 | 0:08:21 | |
what else could it be? Controversial politically? | 0:08:21 | 0:08:24 | |
-Did she reveal herself to be a Communist? -No. -Right. | 0:08:24 | 0:08:29 | |
That's public knowledge. | 0:08:29 | 0:08:31 | |
Next one. She has been reading out the wrong news now for 15 years. | 0:08:31 | 0:08:36 | |
I'm sorry, Susan, you're very close. That was Sally McNair. | 0:08:36 | 0:08:40 | |
Sally's book is The Life Of Pee, | 0:08:40 | 0:08:43 | |
the story of how urine got everywhere. | 0:08:43 | 0:08:46 | |
What?! | 0:08:46 | 0:08:48 | |
I thought only men knew that. | 0:08:48 | 0:08:50 | |
Prince Charles did a reasonable job presenting the weather as an | 0:08:50 | 0:08:54 | |
amateur, but let's have a look at how a real pro might have done it. | 0:08:54 | 0:08:57 | |
DROWNED OUT BY LAUGHTER | 0:08:57 | 0:09:00 | |
It's been a funny kind of a day today. | 0:09:05 | 0:09:09 | |
LAUGHTER | 0:09:09 | 0:09:12 | |
As you can see, there's been absolutely no weather at all. | 0:09:17 | 0:09:21 | |
APPLAUSE | 0:09:21 | 0:09:24 | |
It's never quite Hogmanay without Rikki Fulton in Scotch & Wry. | 0:09:26 | 0:09:30 | |
So now, it's Hogmanay. | 0:09:30 | 0:09:32 | |
Checking the scores, I see it's a close call but Sanjeev's team, | 0:09:32 | 0:09:35 | |
are just like Dougie Donnelly's hair, perfectly placed. | 0:09:35 | 0:09:38 | |
APPLAUSE | 0:09:38 | 0:09:42 | |
This next round is called Who Is It? | 0:09:44 | 0:09:46 | |
In this round, we ask some, let's just say more mature viewers, | 0:09:46 | 0:09:50 | |
to comment on their favourite Scottish TV icons. | 0:09:50 | 0:09:53 | |
Sanjeev, all you and your team have to do is work out who they're | 0:09:53 | 0:09:56 | |
talking about and it's not as easy as you think. | 0:09:56 | 0:09:58 | |
I like yer voice. Your body's nae bad. The clothes, I could work wi'. | 0:09:58 | 0:10:03 | |
It's just yodelly, you know? "Woo-oo"! | 0:10:03 | 0:10:08 | |
A gallus Glasgow boy. He's wearing a white rhinestone cowboy outfit. | 0:10:08 | 0:10:15 | |
He would be nicer if he didnae wear white. | 0:10:15 | 0:10:17 | |
Because white is a disgusting colour | 0:10:17 | 0:10:19 | |
for men to wear at the best of times. | 0:10:19 | 0:10:22 | |
I don't know why he was called that. | 0:10:22 | 0:10:23 | |
-Except, you know, because it was rhyming slang. -Aye. Mm-hm. | 0:10:23 | 0:10:28 | |
Well, it's quite obvious. Yodelling, women swooning. Iggy Pop. | 0:10:28 | 0:10:33 | |
It's clearly one of our native musical heroes. It is Sydney Devine! | 0:10:35 | 0:10:43 | |
Sydney Devine, you reckon? Let's have a look. | 0:10:43 | 0:10:45 | |
-# You know just where you are... -Come and dance, come and dance | 0:10:45 | 0:10:51 | |
# Through the eyes of love You see a thousand stars | 0:10:51 | 0:10:56 | |
# Oh, when you dance, dance Dance to my ten guitars... # | 0:10:56 | 0:11:00 | |
APPLAUSE | 0:11:00 | 0:11:02 | |
A round of applause indeed. | 0:11:02 | 0:11:04 | |
That was from Devine Country, broadcast by STV in 1979. | 0:11:04 | 0:11:08 | |
He's known as Steak and Kidney, but can anyone come up with | 0:11:08 | 0:11:11 | |
any other celebrity television food nicknames? | 0:11:11 | 0:11:14 | |
-Fred McCauliflower Cheese! -Wa-ay! I'll take that. | 0:11:14 | 0:11:19 | |
Sanjeev Coca-Kohli! | 0:11:19 | 0:11:23 | |
Sausage and Mashley Jensen. David Tennant's Lager! | 0:11:23 | 0:11:30 | |
-You're on fire! -Tikka-la Benedetti! Scone Connery! | 0:11:30 | 0:11:35 | |
Or, Billy Scone-olly! | 0:11:37 | 0:11:39 | |
Flan and Anna! | 0:11:39 | 0:11:42 | |
LAUGHTER AND APPLAUSE | 0:11:42 | 0:11:48 | |
It's no wonder Miss Falkirk fell for you, by the way! | 0:11:48 | 0:11:51 | |
You see, I've got all the patter. | 0:11:51 | 0:11:53 | |
I've only got one. Anita Dob-scone. Scone. Oh, come on! | 0:11:53 | 0:11:59 | |
-Shandy Murray! -Stop it! Stop it! | 0:11:59 | 0:12:03 | |
The Brandy Alexander Brothers! | 0:12:03 | 0:12:07 | |
Andy Murray-Mints! It's so easy! | 0:12:07 | 0:12:11 | |
That's brilliant. You're watching Neil Oh-love-a-pun! | 0:12:11 | 0:12:15 | |
-Neil O-liver and onions! -See if there's a switch. | 0:12:16 | 0:12:21 | |
Maca-Ronni Ancona! | 0:12:21 | 0:12:24 | |
Love that! | 0:12:24 | 0:12:26 | |
Man's a genius! There's got to be more coming, we just know it. | 0:12:26 | 0:12:31 | |
Sanjeev Kohli-flower cheese! | 0:12:31 | 0:12:33 | |
-You've overdone the cauliflower cheese! -It's easily done. | 0:12:33 | 0:12:37 | |
Frankie Boyle-d potatoes! Frankie Boyle-d rice! | 0:12:37 | 0:12:41 | |
None of us know what's just happened in the studio, OK? | 0:12:42 | 0:12:46 | |
Something just happened to Neil, he's going to be OK. | 0:12:46 | 0:12:49 | |
We're going to get help. And if you've been affected by any of the issues... | 0:12:49 | 0:12:53 | |
please phone the BBC for help. | 0:12:53 | 0:12:56 | |
Ronni's team, we've got more of our mature viewers for you. | 0:12:56 | 0:12:59 | |
Can you work out which Scottish telly icon they're talking about? | 0:12:59 | 0:13:02 | |
He has that kind of a broad, Scottish pie face! | 0:13:02 | 0:13:08 | |
Honestly, someone you'd love to say, | 0:13:08 | 0:13:10 | |
I wouldnae mind staying the night with him! | 0:13:10 | 0:13:14 | |
When he sang, it was his movement when he sang. You know. Yes. | 0:13:14 | 0:13:18 | |
BOTH: # I've just flew doon from the Isle of Skye | 0:13:18 | 0:13:21 | |
# I'm no' very big and I'm awful shy Dum-dum-dum-dum-dum-dum-dum | 0:13:21 | 0:13:26 | |
# Donald, where's yer troosers? # | 0:13:26 | 0:13:29 | |
I can see all the tumblers falling into place there, Alex. | 0:13:29 | 0:13:33 | |
-Go on, Alex. -It's the great Andy Stewart! | 0:13:33 | 0:13:37 | |
It was. Can I just acknowledge that some of the ladies that were in the clip are in the audience? | 0:13:37 | 0:13:42 | |
Thank you very much indeed, ladies, in the third row. Lovely to see you. | 0:13:42 | 0:13:46 | |
APPLAUSE | 0:13:46 | 0:13:50 | |
A lot of people's favourite, Andy Stewart. Here's a wee look at him in action. | 0:13:50 | 0:13:54 | |
# Just come down from the Isle of Skye | 0:13:54 | 0:13:56 | |
# I'm no' very big and I'm awful shy | 0:13:56 | 0:13:58 | |
# And the lassies shout when I go by Donald, where's yer troosers? | 0:13:58 | 0:14:02 | |
# Let the wind blow high Let the wind blow low | 0:14:02 | 0:14:04 | |
# Through the streets in my kilt I'll go | 0:14:04 | 0:14:07 | |
# All the lassies say hello Donald, where's yer troosers? # | 0:14:07 | 0:14:11 | |
APPLAUSE | 0:14:11 | 0:14:14 | |
That was indeed Andy Stewart singing the self-same, Donald, Where's Yer Troosers? | 0:14:14 | 0:14:20 | |
From the White Heather Club in 1960. | 0:14:20 | 0:14:22 | |
Apparently only took Andy ten minutes to write the song, | 0:14:22 | 0:14:25 | |
but can you tell me, anyone, exactly where he wrote it? | 0:14:25 | 0:14:28 | |
We can't talk about the White Heather Club. | 0:14:28 | 0:14:30 | |
First rule of White Heather Club, you don't talk about White Heather Club. | 0:14:30 | 0:14:34 | |
-I know. He wrote it in London. -No, it was more specific than that. | 0:14:34 | 0:14:37 | |
He wrote it with his trousers round his ankles on a toilet. | 0:14:37 | 0:14:40 | |
An interesting songwriting technique that also saw him pen | 0:14:40 | 0:14:44 | |
the less well-known Donald, I'd Give It Five Minutes, If I Were You. | 0:14:44 | 0:14:47 | |
And Donald, That's A Hire Kilt, You'll Not Get Your Deposit Back Now. | 0:14:47 | 0:14:51 | |
At the end of that round, our two teams are as difficult to separate | 0:14:51 | 0:14:55 | |
as Rab C Nesbitt is from his string vest. | 0:14:55 | 0:14:57 | |
APPLAUSE | 0:14:57 | 0:15:00 | |
Now it's time for What Happens Next? | 0:15:04 | 0:15:06 | |
I'll play a clip from the archive that's dustier than STV's | 0:15:06 | 0:15:09 | |
award cabinet these days. | 0:15:09 | 0:15:11 | |
I'll press pause and I want our teams to tell me what happened next. | 0:15:11 | 0:15:14 | |
Sanjeev's team, have a look at this. | 0:15:14 | 0:15:17 | |
What's this? | 0:15:19 | 0:15:21 | |
A Boy Scout jamboree? | 0:15:21 | 0:15:23 | |
The last person that did that near me... | 0:15:27 | 0:15:29 | |
Was the Moderator of the Church of Scotland. | 0:15:29 | 0:15:31 | |
LAUGHTER | 0:15:31 | 0:15:34 | |
Very good. | 0:15:34 | 0:15:36 | |
I'm going to ask you what happened to the last person who | 0:15:36 | 0:15:38 | |
spat at Taggart and no clues from you, Alex. | 0:15:38 | 0:15:41 | |
He was a no-nonsense fellow, Taggart, wasn't he? | 0:15:41 | 0:15:43 | |
Very little nonsense. | 0:15:43 | 0:15:45 | |
The last person who did that is now playing Abu Nazir at the King's. | 0:15:45 | 0:15:50 | |
Or is eating soup through a straw. It's one of those ones, isn't it? | 0:15:50 | 0:15:53 | |
The latter is closer. Let's find out. | 0:15:53 | 0:15:56 | |
The last person that did that near me | 0:15:56 | 0:15:59 | |
wore his baws hame for earrings. | 0:15:59 | 0:16:02 | |
LAUGHTER | 0:16:02 | 0:16:04 | |
APPLAUSE | 0:16:04 | 0:16:06 | |
That was, of course, Chief Inspector Jim Taggart | 0:16:11 | 0:16:13 | |
in 1986 from STV's long-running drama, | 0:16:13 | 0:16:16 | |
played by the much-missed Mark McManus. | 0:16:16 | 0:16:18 | |
In the 11 years that Mark McManus played the character, | 0:16:18 | 0:16:21 | |
he never once said, "There's been a murder." | 0:16:21 | 0:16:23 | |
Do you not think, though, I mean, if he did put your baws on your ears | 0:16:23 | 0:16:28 | |
that, once you were on your way home, you'd probably take them off? | 0:16:28 | 0:16:31 | |
I don't think you'd go all the way home with baws for earrings. | 0:16:31 | 0:16:34 | |
I think what you're trying to say is you wouldn't meander | 0:16:34 | 0:16:36 | |
back in home and go, "Do you like these? I'm not sure." | 0:16:36 | 0:16:39 | |
Oh, never mind, there we are. | 0:16:39 | 0:16:42 | |
Sanjeev's team, on which popular children's show did | 0:16:42 | 0:16:44 | |
Mark McManus begin his television career? | 0:16:44 | 0:16:47 | |
We know this one. We'll just, we'll just... Skippy... No? | 0:16:47 | 0:16:50 | |
-Oh, of course, yes. -Skippy The Bush Kangaroo. | 0:16:50 | 0:16:52 | |
Absolutely right. | 0:16:52 | 0:16:53 | |
When living in Australia, Mark played Ted, a shearer, in the 1968 | 0:16:53 | 0:16:56 | |
episode of Skippy The Bush Kangaroo, and we can have a wee look. | 0:16:56 | 0:17:00 | |
I thought you said nobody could find us here. | 0:17:00 | 0:17:04 | |
A kid and a kangaroo. That's all we need. | 0:17:04 | 0:17:07 | |
APPLAUSE | 0:17:08 | 0:17:11 | |
What would an Australian Taggart have sounded like? | 0:17:11 | 0:17:14 | |
-(AUSTRALIAN ACCENT) -There's been a murder. | 0:17:14 | 0:17:16 | |
-That's New Zealand. -No. Oh, sorry. -(SAME ACCENT) -There's been a murder. | 0:17:16 | 0:17:19 | |
-That's better. -Yeah, OK. | 0:17:19 | 0:17:21 | |
Am I right in thinking that Mark McManus's brother | 0:17:21 | 0:17:24 | |
-was the lead singer of The Sweet? -Half brother. | 0:17:24 | 0:17:26 | |
-Absolutely right. -Of the who? | 0:17:26 | 0:17:27 | |
No, The Sweet. | 0:17:27 | 0:17:29 | |
LAUGHTER | 0:17:29 | 0:17:31 | |
-SUSAN: -That was great. | 0:17:31 | 0:17:33 | |
There was once a terrible incident on the set of the | 0:17:33 | 0:17:36 | |
Australian Broadcasting Corporation when Skippy spat at Mark McManus. | 0:17:36 | 0:17:40 | |
LAUGHTER | 0:17:41 | 0:17:44 | |
APPLAUSE | 0:17:44 | 0:17:46 | |
Who knew Skippy's baws were so shiny. Ronni's team next. | 0:17:48 | 0:17:51 | |
Here are the inseparable Alexander Brothers from the 1960s | 0:17:51 | 0:17:55 | |
advert for the late, lamented Scottish off-licence, Agnew's. | 0:17:55 | 0:17:59 | |
-It must have cost you a fortune. -No. -Where did you buy it all? | 0:17:59 | 0:18:01 | |
Agnew's - much cheaper. | 0:18:01 | 0:18:03 | |
-Most of Agnew's whiskies are still at last year's prices. -Help yourselves. | 0:18:03 | 0:18:07 | |
Don't play the piano. | 0:18:10 | 0:18:12 | |
So, why is Jack asking Tom not to play the piano? | 0:18:14 | 0:18:17 | |
Or maybe it's Tom asking Jack. | 0:18:17 | 0:18:19 | |
I don't think even their wives know which is which. | 0:18:19 | 0:18:21 | |
It's good to see what Jedward will look like in 40 years, isn't it? | 0:18:21 | 0:18:25 | |
I thought he was just saying, "Don't play the piano." | 0:18:25 | 0:18:28 | |
The other one says, "Why?" He says, "Just don't." | 0:18:28 | 0:18:32 | |
Cos you're not good at it. | 0:18:32 | 0:18:33 | |
Have you heard yourself playing the piano? | 0:18:33 | 0:18:35 | |
No, because I think, I think they hid the whisky in the piano. | 0:18:35 | 0:18:41 | |
In the piano. Well, let's have a look and see why. | 0:18:41 | 0:18:43 | |
Don't play the piano, I'm hiding my whisky in there. | 0:18:43 | 0:18:46 | |
Yes, it's far cheaper at Agnew's. | 0:18:46 | 0:18:48 | |
This is almost like a commercial for Agnew's stores. | 0:18:49 | 0:18:53 | |
LAUGHTER | 0:18:53 | 0:18:54 | |
APPLAUSE | 0:18:54 | 0:18:56 | |
The Alexander Brothers there, right enough, | 0:18:58 | 0:19:00 | |
doing nothing for the Scottish stereotype. | 0:19:00 | 0:19:02 | |
The only ones at a party wearing kilts, | 0:19:02 | 0:19:04 | |
boasting about buying cheap booze | 0:19:04 | 0:19:06 | |
and being so tight they hide it from their guests in a piano. | 0:19:06 | 0:19:09 | |
LAUGHTER | 0:19:09 | 0:19:10 | |
This next clip is for Team Sanjeev. | 0:19:10 | 0:19:12 | |
It's an extract from Reporting Scotland with Ken Bryson | 0:19:12 | 0:19:15 | |
telling us about one of the most important | 0:19:15 | 0:19:17 | |
moments in Scotland's very proud history. | 0:19:17 | 0:19:19 | |
It's just a few minutes after half past 12, | 0:19:20 | 0:19:23 | |
and business is brisk in this pub in Bannockburn near Stirling. | 0:19:23 | 0:19:26 | |
Nothing unusual, you may think, but this is history in the making. Why? | 0:19:26 | 0:19:32 | |
And, no, I wasn't just about to buy a round. | 0:19:32 | 0:19:35 | |
Why do you think this was history in the making? | 0:19:35 | 0:19:37 | |
I think one of the most significant things | 0:19:37 | 0:19:39 | |
that could have happened in that pub was a woman being allowed in, | 0:19:39 | 0:19:42 | |
because there is some guys with perms, but there's no women. | 0:19:42 | 0:19:45 | |
It looks like a Jocky Wilson lookalike contest. | 0:19:45 | 0:19:49 | |
Let's find out. | 0:19:49 | 0:19:51 | |
Because it's Sunday, and up until now, pubs in Scotland | 0:19:51 | 0:19:54 | |
have not been allowed to open on Sundays. | 0:19:54 | 0:19:57 | |
That's right, after the Licensing Scotland Act of 1976 was introduced, | 0:19:57 | 0:20:01 | |
it wasn't until 1977 that we could have a drink on a Sunday. | 0:20:01 | 0:20:05 | |
And, Susan, you were very close, | 0:20:05 | 0:20:07 | |
men-only bars were also abolished that year. | 0:20:07 | 0:20:10 | |
Sunday viewing on television, do you remember Scotspraise, any of you? | 0:20:10 | 0:20:15 | |
-Scots Praise? -Yeah, Scotspraise. | 0:20:15 | 0:20:17 | |
There's no such thing as praise in Scotland. | 0:20:17 | 0:20:19 | |
Let's have a look at a clip from Scotspraise, | 0:20:19 | 0:20:21 | |
broadcast by BBC Scotland in 1977. | 0:20:21 | 0:20:23 | |
In particular, I want you to listen carefully | 0:20:23 | 0:20:26 | |
to what the minister says to the wee boy. | 0:20:26 | 0:20:28 | |
-Hello. Happy new year to you. -Thank you. -And a happy new year. | 0:20:28 | 0:20:31 | |
And to you too, and how's your hangover? | 0:20:31 | 0:20:34 | |
LAUGHTER | 0:20:34 | 0:20:36 | |
LAUGHTER AND APPLAUSE | 0:20:38 | 0:20:41 | |
That was the splendidly named, very reverent | 0:20:41 | 0:20:44 | |
Dr William B Johnston inquiring of the young boy's hangover. | 0:20:44 | 0:20:48 | |
Perhaps the Communion wine should have been kept on a higher shelf. | 0:20:48 | 0:20:51 | |
Ronni's team, it's time for the next clip, | 0:20:53 | 0:20:55 | |
and we're about to see some very excitable young ladies | 0:20:55 | 0:20:58 | |
who are going to be looking for their heroes in the flesh. | 0:20:58 | 0:21:01 | |
'They began queuing first thing this morning. | 0:21:01 | 0:21:04 | |
'By midday, the police estimated well over 1,000 teenagers | 0:21:04 | 0:21:06 | |
'spilling outside the barriers along Glasgow's Union Street.' | 0:21:06 | 0:21:09 | |
-The lead singer. -All of them. -A few of them. | 0:21:09 | 0:21:12 | |
He's got a lovely smile. | 0:21:12 | 0:21:13 | |
-He's got a lovely smile and he's... -And he's beautiful! | 0:21:13 | 0:21:17 | |
-(IMPERSONATES GIRL) -He's beautiful! | 0:21:17 | 0:21:19 | |
Who do we think they were getting excited about? | 0:21:20 | 0:21:23 | |
Greggs the bakery opening? | 0:21:23 | 0:21:25 | |
Yeah, Gregg was going to be there in person. | 0:21:27 | 0:21:29 | |
They were queuing up to meet him, get his autograph. No, I think... | 0:21:29 | 0:21:32 | |
was it Jimmy Shand's final farewell concert at the Apollo? | 0:21:32 | 0:21:37 | |
Was that the queue to get into an Alexander Brothers party? | 0:21:37 | 0:21:41 | |
In their dreams, yeah. | 0:21:41 | 0:21:42 | |
There's only one person I think is that beautiful, | 0:21:42 | 0:21:45 | |
and that's Marti Pellow from Wet Wet Wet. | 0:21:45 | 0:21:47 | |
-Marti Pellow, you reckon. Let's find out. -It can't be Marti Pellow! | 0:21:47 | 0:21:51 | |
'At the record store, fever pitch was reached as the Wets, | 0:21:51 | 0:21:53 | |
'as they're known to their fans, made their first appearance of the day. | 0:21:53 | 0:21:56 | |
'In a quieter moment below stairs, the band told me | 0:21:56 | 0:21:58 | |
'how they felt about their new-found success.' | 0:21:58 | 0:22:01 | |
Basically, when your clothes start getting stole off the washing line, | 0:22:01 | 0:22:04 | |
you know there's something strange happening. | 0:22:04 | 0:22:07 | |
I hate to tell you, Marti, but you don't need to be famous | 0:22:08 | 0:22:11 | |
to have your clothes stole off the line in Clydebank, or stolen. | 0:22:11 | 0:22:14 | |
That's right, it was Wet Wet Wet from a report by Louise Bachelor | 0:22:14 | 0:22:17 | |
on Reporting Scotland in 1987. | 0:22:17 | 0:22:19 | |
Original member Tommy Cunningham said, | 0:22:19 | 0:22:21 | |
"It was either crime, the dole or music," | 0:22:21 | 0:22:23 | |
and the jury is still out on which they chose. | 0:22:23 | 0:22:25 | |
APPLAUSE | 0:22:28 | 0:22:31 | |
As the bells draw nearer, fittingly our last round is called | 0:22:31 | 0:22:34 | |
First Footing, where we raid the archive to find the earliest | 0:22:34 | 0:22:37 | |
television appearances of some of our biggest TV stars. | 0:22:37 | 0:22:40 | |
Team Ronni, here's a young David Tennant on Dramarama | 0:22:40 | 0:22:44 | |
called The Secret Of Croftmore, made by STV in 1988. | 0:22:44 | 0:22:48 | |
Still waiting for the council to tarmac the road, eh? | 0:22:48 | 0:22:51 | |
-You remember these two? -I do, of course. How are you both? | 0:22:52 | 0:22:56 | |
-Very well, thank you, Aunt Jean. -BLEEP | 0:22:56 | 0:22:59 | |
Any suggestions on David's first line? | 0:23:00 | 0:23:02 | |
He's definitely saying, | 0:23:02 | 0:23:04 | |
"Very soon I'm going to be too famous to talk to any of you." | 0:23:04 | 0:23:07 | |
Is he saying, "I haven't decided | 0:23:07 | 0:23:10 | |
"whether to become David Tennant or Tilda Swinton"? | 0:23:10 | 0:23:13 | |
It could have gone either way at that point! | 0:23:13 | 0:23:15 | |
At that point, I think he was at a crossroads. | 0:23:15 | 0:23:17 | |
Let's find out what he said. | 0:23:17 | 0:23:19 | |
I'm fine, thank you. | 0:23:19 | 0:23:20 | |
Oh! And the Scottish BAFTA goes to David Tennant, | 0:23:20 | 0:23:25 | |
proving there the old acting adage, "Less is less." | 0:23:25 | 0:23:29 | |
For Sanjeev's team, slightly different. | 0:23:31 | 0:23:33 | |
This is The Big Break on STV, a talent show from 1988. | 0:23:33 | 0:23:36 | |
Who do you think is about to perform? | 0:23:36 | 0:23:40 | |
Let's now meet our first contestant. | 0:23:40 | 0:23:42 | |
She's only 14 years of age and she comes from Anstruther in Fife. | 0:23:42 | 0:23:45 | |
BACKING TRACK PLAYS "VENUS" BY SHOCKING BLUE | 0:23:45 | 0:23:48 | |
So, who might that be? | 0:23:57 | 0:23:58 | |
Well, see the give-away is, it's...there's only ever been | 0:23:58 | 0:24:01 | |
one famous person from Anstruther, so the answer is Robert Mugabe. | 0:24:01 | 0:24:04 | |
I genuinely know the answer, | 0:24:06 | 0:24:08 | |
so I'm not going to beat around the bush, cos I'm proud that I know this, | 0:24:08 | 0:24:11 | |
because this is a woman I admire deeply, and it's Edith Bowman. | 0:24:11 | 0:24:13 | |
-It's Edith Bowman. -Edith Bowman, you reckon. Let's find out, Susan. | 0:24:13 | 0:24:17 | |
# A goddess on a mountain top | 0:24:17 | 0:24:20 | |
# Was burning like a silver flame | 0:24:20 | 0:24:24 | |
# The summit of beauty and love | 0:24:24 | 0:24:27 | |
# And Venus was her name | 0:24:27 | 0:24:29 | |
# She's got it | 0:24:31 | 0:24:33 | |
# Yeah, baby, she's got it. # | 0:24:33 | 0:24:36 | |
APPLAUSE | 0:24:36 | 0:24:38 | |
It is indeed Edith Bowman. | 0:24:41 | 0:24:43 | |
Not only has she got it, there seems to be no known cure, | 0:24:43 | 0:24:45 | |
and it's attacking her central nervous system. | 0:24:45 | 0:24:49 | |
Susan, how did you first come across that? | 0:24:49 | 0:24:51 | |
I remember someone sent me the link once, because she is... | 0:24:51 | 0:24:54 | |
she's a wonderful and quite glamorous lady, I would say, | 0:24:54 | 0:24:57 | |
and very cool. And the fact that she, like most of us, | 0:24:57 | 0:24:59 | |
has an embarrassing past in the 1980s | 0:24:59 | 0:25:02 | |
where we dressed like that in puffball skirts | 0:25:02 | 0:25:04 | |
and tried to be in a talent show, I thought it was lovely. | 0:25:04 | 0:25:08 | |
I've never worn a puffball skirt in my life! | 0:25:08 | 0:25:11 | |
Yet. | 0:25:11 | 0:25:13 | |
Semolina Zavaroni. | 0:25:13 | 0:25:15 | |
LAUGHTER AND APPLAUSE | 0:25:17 | 0:25:20 | |
Ronni's team, another Dramarama here, | 0:25:23 | 0:25:25 | |
this time called The Macrame Man, made in 1988 by STV. | 0:25:25 | 0:25:29 | |
Unfortunately, it wasn't the largest of roles, | 0:25:29 | 0:25:31 | |
and the appearance is a bit fleeting, | 0:25:31 | 0:25:33 | |
but I want to know if you can tell me who plays the lad running away. | 0:25:33 | 0:25:37 | |
GLASS SHATTERS | 0:25:39 | 0:25:41 | |
Right, I've caught you at it now, | 0:25:41 | 0:25:43 | |
I'm phoning the paper shop to report you! | 0:25:43 | 0:25:45 | |
-You wouldnae dare! -You just see if I will, ya cheeky midden! | 0:25:45 | 0:25:48 | |
Is he running away from fear of that perm? | 0:25:50 | 0:25:54 | |
Is it Stephen Hawking? | 0:25:57 | 0:26:00 | |
There is the still, from 1988. | 0:26:00 | 0:26:04 | |
Is it a Proclaimer? | 0:26:04 | 0:26:06 | |
-Often mistaken for one. -Frankie Boyle! | 0:26:06 | 0:26:08 | |
-It's not Frankie, is it? -Shut up! | 0:26:08 | 0:26:10 | |
Frankie Boyle, it is indeed! | 0:26:10 | 0:26:12 | |
It was, of course, Frankie Boyle, whose first words on TV were, | 0:26:14 | 0:26:17 | |
"You wouldnae dare!" | 0:26:17 | 0:26:19 | |
A line he's used many times in comedy clubs ever since. | 0:26:19 | 0:26:22 | |
Sanjeev's team, we've got a beautiful tune | 0:26:24 | 0:26:26 | |
from STV's A Touch Of Music for you, | 0:26:26 | 0:26:28 | |
a showcase for young musical talent in Scotland. | 0:26:28 | 0:26:31 | |
From 1987, this is presented by Kay Duncan. | 0:26:31 | 0:26:34 | |
Ewan's been playing the horn since he was nine. | 0:26:34 | 0:26:37 | |
He also plays the drums in the school pipe band | 0:26:37 | 0:26:40 | |
and the electric and acoustic guitar. | 0:26:40 | 0:26:42 | |
If I may... | 0:27:00 | 0:27:01 | |
-You may. -If I may, Ewan "Big Mac" Gregor. | 0:27:01 | 0:27:04 | |
LAUGHTER AND APPLAUSE | 0:27:04 | 0:27:06 | |
You're absolutely right, it was indeed Ewan McGregor. | 0:27:09 | 0:27:12 | |
What I want to know, though, is what was the tune? | 0:27:12 | 0:27:15 | |
I would say Mozart or Beethoven or... | 0:27:15 | 0:27:17 | |
-Strawberry Switchblade. -..Strawberry Switchblade | 0:27:17 | 0:27:20 | |
or one of the above or someone German or Austrian or French. | 0:27:20 | 0:27:23 | |
-Am I nearly there, Fred? -You're getting warmer all the time. | 0:27:23 | 0:27:26 | |
-Italian. British. Irish. -No, it's European. -I think it was Mozart. | 0:27:26 | 0:27:31 | |
You think it was Mozart? | 0:27:31 | 0:27:32 | |
It was indeed Mozart's Horn Concerto No 4 in E Flat Major. | 0:27:32 | 0:27:36 | |
Not that Ewan knew. | 0:27:36 | 0:27:39 | |
In the film Brassed Off, Ewan plays the horn note-perfectly which, | 0:27:39 | 0:27:43 | |
after watching that performance, proves what a brilliant actor he is. | 0:27:43 | 0:27:47 | |
And on that note, we find ourselves at the end of our celebrations | 0:27:48 | 0:27:51 | |
of Scots On The Box. | 0:27:51 | 0:27:53 | |
Our two teams have both demonstrated outstanding knowledge | 0:27:53 | 0:27:55 | |
of their TV heritage, but, like an episode of Still Game, | 0:27:55 | 0:27:59 | |
there can only be one victor, and tonight's winners are... | 0:27:59 | 0:28:02 | |
Team Sanjeev! | 0:28:02 | 0:28:03 | |
CHEERING AND APPLAUSE | 0:28:03 | 0:28:05 | |
Sanjeev, there is your magnificent Scots On The Box trophy. | 0:28:11 | 0:28:15 | |
A huge thank you to all my guests, Ronni, Alex and Mark, | 0:28:15 | 0:28:18 | |
and Sanjeev, Susan and Neil Oliver Oil. | 0:28:18 | 0:28:21 | |
Thank you at home for watching. | 0:28:21 | 0:28:23 | |
Do stay tuned to BBC Scotland | 0:28:23 | 0:28:25 | |
all the way through to the bells and beyond. | 0:28:25 | 0:28:28 | |
On behalf of everyone here in the studio, | 0:28:28 | 0:28:29 | |
I'll take this opportunity to wish you all a very happy new year. | 0:28:29 | 0:28:33 | |
Good night. | 0:28:33 | 0:28:34 | |
CHEERING AND APPLAUSE | 0:28:34 | 0:28:36 | |
Subtitles by Red Bee Media Ltd | 0:28:46 | 0:28:48 | |
Jackie Bird's Custard. | 0:28:57 | 0:28:58 |