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WIND MOANS | 0:00:33 | 0:00:36 | |
Excuse me, headmaster, um... | 0:00:45 | 0:00:47 | |
I rather think - I know this may seem silly to you - | 0:00:47 | 0:00:50 | |
-but I rather think I'm having a nightmare. -What, boy? | 0:00:50 | 0:00:53 | |
Well, I'm not AT school any more. I'm 41, I earn my living. | 0:00:53 | 0:00:58 | |
I'm a librarian. | 0:00:58 | 0:00:59 | |
-Why are you wearing pyjamas? -I'm in bed! -Nonsense! | 0:00:59 | 0:01:02 | |
-See me in my study at 9am. -No, you don't understand, sir! | 0:01:02 | 0:01:05 | |
-Get back into line. -I'm sorry, I'm sorry - | 0:01:05 | 0:01:07 | |
what I'm trying to say is that I ought not to be here at all. | 0:01:07 | 0:01:10 | |
I mean, I ought to be at work. It's time to go! | 0:01:10 | 0:01:13 | |
-You should've gone before prayers. -No, not "gone", "been". | 0:01:13 | 0:01:16 | |
I've been. I mean "gone", "go". | 0:01:16 | 0:01:19 | |
-You know, this is all a terrible mistake. -We'll see about that. | 0:01:19 | 0:01:22 | |
What's the capital of Tanganyika? What happened in 1252? | 0:01:22 | 0:01:25 | |
What's the French for haircut? Oh, stop mumbling, boy! | 0:01:25 | 0:01:28 | |
This is such a mix-up! I ought not to be here! I left school 25 years ago! | 0:01:28 | 0:01:32 | |
Playing truant, eh? | 0:01:32 | 0:01:33 | |
-I am not here, I want to wake up! -I'll wake you up, lad. | 0:01:33 | 0:01:37 | |
Mr Throxley, the cane, if you please. | 0:01:37 | 0:01:40 | |
You can't cane me! I'm grown up! | 0:01:40 | 0:01:43 | |
You'll groan by the time I've finished with you. | 0:01:43 | 0:01:46 | |
Put your hand out. | 0:01:46 | 0:01:48 | |
Timothy? | 0:02:01 | 0:02:03 | |
All right then, hit me. | 0:02:09 | 0:02:10 | |
Ooh! Ow! | 0:02:10 | 0:02:11 | |
I'm going to tell my mother, I'm going to tell my mummy! | 0:02:11 | 0:02:13 | |
-Timothy! Wake up! -What...? | 0:02:13 | 0:02:15 | |
What are you doing down here? | 0:02:15 | 0:02:17 | |
What am I doing where? | 0:02:17 | 0:02:18 | |
Here, down here? | 0:02:18 | 0:02:21 | |
It's the kitchen! | 0:02:21 | 0:02:22 | |
-Where's the headmaster? -What headmaster? | 0:02:22 | 0:02:25 | |
Have you had visitors? | 0:02:25 | 0:02:27 | |
He hit me! I've been sleepwalking. | 0:02:27 | 0:02:30 | |
All this noise. | 0:02:30 | 0:02:32 | |
I thought it was the cat having one of her turns. | 0:02:32 | 0:02:35 | |
It's 5:45am, have you no consideration? | 0:02:36 | 0:02:40 | |
I'm sorry, Mother, I didn't realise it was 5:45am. | 0:02:40 | 0:02:44 | |
I'll try and sleepwalk at a more convenient time. | 0:02:44 | 0:02:47 | |
I could take the day off work and do it at lunchtime, if you like. | 0:02:47 | 0:02:50 | |
And don't try and blame that steak and kidney pie. | 0:02:50 | 0:02:54 | |
We've had that pie six days running and no harm to anyone. | 0:02:54 | 0:02:58 | |
What was this silly dream all about? | 0:03:00 | 0:03:03 | |
Well, it's the school nightmare again, Mother, you know, with the | 0:03:03 | 0:03:06 | |
headmaster asking me these questions and I don't know the answer. | 0:03:06 | 0:03:09 | |
Well, I know the answer, but I can't get them out... | 0:03:09 | 0:03:11 | |
-It's that hair on your head. -What is? -Why you get nightmares. | 0:03:11 | 0:03:15 | |
Mother, it is not the cause of the nightmares. | 0:03:15 | 0:03:18 | |
It's just, I'm so nervous, don't you see, | 0:03:18 | 0:03:20 | |
about this interview on Thursday, that's all. | 0:03:20 | 0:03:22 | |
Well, so am I, with your hair like that. | 0:03:22 | 0:03:25 | |
Mother, my hair is not all that long. | 0:03:25 | 0:03:27 | |
There are hairier people in the library service than me. | 0:03:27 | 0:03:30 | |
The county archivist looks like Demis Roussos in a force-eight gale. | 0:03:30 | 0:03:34 | |
-How disgusting. -Well, she likes it that way. | 0:03:35 | 0:03:38 | |
And before Thursday, Timothy, | 0:03:38 | 0:03:40 | |
do do something about your dreadful ears. | 0:03:40 | 0:03:44 | |
Let's not have all that again, Mother. | 0:03:44 | 0:03:46 | |
Sticking them down with Elastoplast every bedtime. | 0:03:46 | 0:03:50 | |
Just let them stick out, you know? | 0:03:50 | 0:03:52 | |
They stop my glasses from falling off. | 0:03:52 | 0:03:54 | |
Not the way the stick out, it's the fact that they're full of hairs. | 0:03:54 | 0:03:58 | |
Mother, I can't help that, I'm sorry. | 0:03:58 | 0:04:00 | |
Happens to be a sign of a virility. | 0:04:00 | 0:04:02 | |
We'll have no virility in this house, thank you. | 0:04:03 | 0:04:06 | |
I'm not surprised you fail your interview every year. | 0:04:08 | 0:04:10 | |
Mother, it has got nothing to do with hair anywhere. You understand? | 0:04:10 | 0:04:15 | |
-It's just that get I tongue-tied. -Tongue-tied? You? | 0:04:15 | 0:04:18 | |
You're never at a loss for a bit of smart-aleck cheek with me. | 0:04:18 | 0:04:21 | |
In that speech, the part of the mother | 0:04:21 | 0:04:23 | |
was played by the 29th Heavy Ack-Ack Regiment. | 0:04:23 | 0:04:26 | |
There you are, typical, as always. | 0:04:26 | 0:04:28 | |
Oh, Timothy, you're up early. | 0:04:30 | 0:04:33 | |
This is my time for a quiet smoke | 0:04:33 | 0:04:35 | |
before I'm on parade with your Mother's tea. | 0:04:35 | 0:04:38 | |
-What are you doing? -Bleurgh! | 0:04:40 | 0:04:41 | |
-Get that cigar out of here. -Cheroot, dear, cheroot. | 0:04:45 | 0:04:49 | |
I don't care what it is, get it out of my house! | 0:04:49 | 0:04:51 | |
Oh, fair enough, Phyllis. | 0:04:51 | 0:04:53 | |
-I'm going back to bed. You get your hair cut today. -Yes. | 0:04:53 | 0:04:58 | |
-Head, ears, nose, under the armpits... -Don't be disgusting. | 0:04:58 | 0:05:01 | |
-It's you that being Freudian, Mother, not me. -Language, Timothy. | 0:05:03 | 0:05:07 | |
-Sorry, Father. -Bit early for that kind of smut. -Yes, Father. | 0:05:07 | 0:05:11 | |
I said, get that thing out. Go on. | 0:05:11 | 0:05:14 | |
And if you don't get this jungle dealt with today, | 0:05:15 | 0:05:17 | |
I'll cut it myself. | 0:05:17 | 0:05:19 | |
Sidney, I'll have the Earl Grey. | 0:05:19 | 0:05:23 | |
And if you want a cup of tea, there's a perfectly good teabag | 0:05:23 | 0:05:26 | |
-on the draining board that's only been used once. -Fair enough. | 0:05:26 | 0:05:29 | |
Presto! | 0:05:33 | 0:05:35 | |
Quickness of the hand, you know, Timothy. | 0:05:35 | 0:05:38 | |
I used to drive the dog mad doing this. | 0:05:38 | 0:05:40 | |
Looking a bit pale, old chap? | 0:05:44 | 0:05:46 | |
Steak and kidney pie, is it? Spot of mother's revenge? | 0:05:46 | 0:05:50 | |
No, I've been having these nightmares again, Father. And sleepwalking. | 0:05:50 | 0:05:54 | |
Yesterday, the milkman found me out in the back garden, | 0:05:54 | 0:05:56 | |
waiting for the bird table to ask me another question. | 0:05:56 | 0:05:59 | |
If you're going to walk around in public in your pyjamas, | 0:05:59 | 0:06:02 | |
better get the fly sewn up. | 0:06:02 | 0:06:03 | |
Some problems, Father, can't be solved by sewing up the fly. | 0:06:05 | 0:06:08 | |
-True, true, yes. -I think I'm going to have to go and see one of those... | 0:06:08 | 0:06:14 | |
You know, one of those... | 0:06:14 | 0:06:15 | |
One of those? | 0:06:15 | 0:06:17 | |
You're not mixing with one of those, are you? | 0:06:17 | 0:06:20 | |
-One of those, one of those chaps... -What chaps? | 0:06:20 | 0:06:23 | |
You know... | 0:06:23 | 0:06:25 | |
You know, chaps. | 0:06:25 | 0:06:27 | |
You won't like it if I say it. | 0:06:27 | 0:06:29 | |
Oh, come on, Timothy, I'm your father, you can tell me anything. | 0:06:29 | 0:06:31 | |
Now, what chaps? | 0:06:31 | 0:06:33 | |
-Psychiatrist chaps. -Language, Timothy! | 0:06:33 | 0:06:36 | |
That's not language, Father, there's nothing wrong with psychiatrists! | 0:06:36 | 0:06:39 | |
Shh, shh, your mother might hear! | 0:06:39 | 0:06:41 | |
You know what she's like about anything up there, | 0:06:41 | 0:06:43 | |
or down there, for that matter. | 0:06:43 | 0:06:45 | |
Why is Mother so old-fashioned, Father, about medicine? | 0:06:46 | 0:06:50 | |
-What do you mean? -Well, you know. I mean, look at the bathroom cabinet. | 0:06:50 | 0:06:56 | |
She's got half a tin of Zam-Buk reduced to 11d ha'penny, | 0:06:56 | 0:06:59 | |
two jars of slightly rusty iron jelloids | 0:06:59 | 0:07:01 | |
and enough thermogene to lag a church organ. | 0:07:01 | 0:07:04 | |
I mean, she's 100 years out of date. | 0:07:05 | 0:07:08 | |
It's more a matter of not facing up to things. | 0:07:08 | 0:07:10 | |
You see, there's quite a lot of nerves in your mother's family. | 0:07:10 | 0:07:14 | |
Nerves? | 0:07:14 | 0:07:15 | |
What do you mean, what do you mean? They're barmy, or something? | 0:07:15 | 0:07:18 | |
-What do you mean? -I think you're old enough to know. | 0:07:18 | 0:07:21 | |
You see, your mother's brother, Herbert, is a bit, you know...? | 0:07:21 | 0:07:26 | |
As for Uncle Stanley, well, he's bit, ttt-ttt-ttt. | 0:07:26 | 0:07:29 | |
And there's cousin Deirdre, she's a bit... AND a bit, ttt-ttt-ttt. | 0:07:29 | 0:07:33 | |
Oh, dear, perhaps I'd better see a psychiatrist then. | 0:07:34 | 0:07:36 | |
No, I don't know, Timothy, lots of people have recurring dreams. | 0:07:36 | 0:07:40 | |
As a matter of fact, I have one meself. | 0:07:40 | 0:07:43 | |
Bit of a rum setup, on a ship. | 0:07:43 | 0:07:45 | |
And on this ship, there's harem. Now, not a word to your mother, | 0:07:45 | 0:07:49 | |
but I'm in this harem with these two girls | 0:07:49 | 0:07:51 | |
and, frankly, they're all over me! | 0:07:51 | 0:07:54 | |
-Father! -Well, I'm just telling you the facts. -Yes, of course. | 0:07:54 | 0:07:57 | |
-Anyway, it's a glorious party, and then, dammit... -What, what? | 0:07:57 | 0:08:00 | |
-All of a sudden, you come in and ruin everything. -Me?! | 0:08:00 | 0:08:03 | |
Yes, I mean, I've been trying not to hold it against you for years. | 0:08:03 | 0:08:06 | |
-Oh, I'm sorry, Father... -No, no, no, don't worry - | 0:08:06 | 0:08:08 | |
next time, I'm going to lock the door. | 0:08:08 | 0:08:10 | |
-That's what you should do, take action. -What, what do you mean? | 0:08:10 | 0:08:13 | |
Well, take action. | 0:08:13 | 0:08:14 | |
If this headmaster asks you any questions you can't answer, | 0:08:14 | 0:08:17 | |
-punch him on the nose. -What a good idea! | 0:08:17 | 0:08:19 | |
I mean, the worst that can happen is that I wake up. | 0:08:19 | 0:08:22 | |
That's it, self-help. Better than going to some trick cyclist. | 0:08:22 | 0:08:25 | |
Damn sight cheaper too. | 0:08:25 | 0:08:27 | |
Well, I'll go back to bed and I'll punch him on the nose. | 0:08:27 | 0:08:29 | |
Better still, Timothy... | 0:08:29 | 0:08:31 | |
Straight left to the breadbasket, as his head comes down, | 0:08:31 | 0:08:34 | |
give him a faceful of knee. | 0:08:34 | 0:08:35 | |
Do you think so, Father? | 0:08:35 | 0:08:37 | |
-Well, it works wonders with your mother. -What?! | 0:08:37 | 0:08:40 | |
Oh, no, different dream, different dream. | 0:08:40 | 0:08:42 | |
Oh-ho, I've had that dream quite often too, as a matter of fact. | 0:08:42 | 0:08:46 | |
Steer 0-2-0. | 0:08:50 | 0:08:52 | |
Steer course 0-2-0. Aye, aye, Sir. | 0:08:52 | 0:08:55 | |
Hello, I'm looking for the headmaster? I was wondering if...? | 0:08:58 | 0:09:02 | |
Wait a minute, this is a boat, isn't it? | 0:09:02 | 0:09:04 | |
-You look just like the headmaster. -Who the devil are you? | 0:09:06 | 0:09:09 | |
Cabin boy, sir. | 0:09:09 | 0:09:11 | |
You ARE the headmaster! | 0:09:11 | 0:09:12 | |
-I have come here to punch you on the nose. -Get off my bridge! | 0:09:12 | 0:09:15 | |
Oh, well, if you put it that way... Goodness me, my legs won't work. | 0:09:15 | 0:09:18 | |
-Ship on port bow, sir. Cruiser. -Ah, devil it is. | 0:09:18 | 0:09:21 | |
You there, cabin boy, you know your silhouettes - | 0:09:21 | 0:09:23 | |
-is that the Prince Eugen or the Graf Spee? -It's, um... It's... | 0:09:23 | 0:09:27 | |
It's the capital of Tanganyika, sir! | 0:09:27 | 0:09:29 | |
-What are you blithering? -Wait a minute, wait a minute... | 0:09:29 | 0:09:31 | |
-Another interview failed. -One last chance. | 0:09:31 | 0:09:34 | |
-Your starter for 20 lashes - what's the French for haircut? -Er... | 0:09:34 | 0:09:37 | |
I know it, but I don't know how to say it, sir. | 0:09:37 | 0:09:39 | |
-You'll walk the plank for this, into the ocean with him! -Aye, aye, sir. | 0:09:39 | 0:09:42 | |
I'm doing my best! Oh, my legs are working again. Oh, good. | 0:09:42 | 0:09:45 | |
Will you excuse me, please? | 0:09:45 | 0:09:46 | |
I've just got to go and, you know, er...splice the barnacles. | 0:09:46 | 0:09:50 | |
Oh! | 0:09:50 | 0:09:51 | |
Oh, excuse me. | 0:09:52 | 0:09:54 | |
FATHER COUGHS | 0:09:56 | 0:09:58 | |
Father? | 0:09:58 | 0:10:00 | |
-Timothy, dammit, I locked the door! -I'm sorry... | 0:10:00 | 0:10:05 | |
-I thought this was my dream! Not yours! -It's all ruined, either way. | 0:10:05 | 0:10:10 | |
Not good enough, Timothy. | 0:10:10 | 0:10:12 | |
I'll go. | 0:10:12 | 0:10:13 | |
Argh! | 0:10:13 | 0:10:14 | |
Many men come in here, only eunuchs go out. | 0:10:14 | 0:10:19 | |
Eunuchs?! | 0:10:19 | 0:10:20 | |
No, I don't count, this is all a big mix-up. I'm supposed to be at school! | 0:10:20 | 0:10:24 | |
It's time for work! I want to wake up! | 0:10:24 | 0:10:27 | |
Help! | 0:10:27 | 0:10:28 | |
Mother! | 0:10:28 | 0:10:30 | |
Argh, Mother! What are you doing?! | 0:10:30 | 0:10:32 | |
I'm cutting your hair. | 0:10:32 | 0:10:34 | |
Oh, hair! Oh! | 0:10:35 | 0:10:37 | |
Thank goodness for that, Mother, I had the most terrible nightmare. | 0:10:40 | 0:10:43 | |
Why, what did you think I was going to do, you silly-billy? | 0:10:43 | 0:10:47 | |
Well, it just crossed my mind you were going to, you know, | 0:10:47 | 0:10:51 | |
splice my barnacles, Mother, that's all. | 0:10:51 | 0:10:54 | |
-FROM OTHER ROOM: -Language, Timothy! | 0:10:54 | 0:10:56 | |
Language, ho-ho! What about you, Father, you randy old rascal! | 0:10:56 | 0:11:00 | |
Timothy. | 0:11:00 | 0:11:01 | |
I'd just like to go on with what I was saying before, | 0:11:02 | 0:11:06 | |
only I had to stop when someone came in. | 0:11:06 | 0:11:08 | |
What I wanted to tell you about was Father. | 0:11:09 | 0:11:12 | |
I don't want to seem to blame Father for my nightmares, | 0:11:13 | 0:11:17 | |
but the fact is, well, I was a little backward for my age. | 0:11:17 | 0:11:22 | |
And there was this girl, Celia, who used to live next door, | 0:11:22 | 0:11:26 | |
you know, but one, where the Morrises live now. | 0:11:26 | 0:11:29 | |
I'm sorry, that's... You don't know them. | 0:11:29 | 0:11:32 | |
Well, nor do we, actually. | 0:11:32 | 0:11:34 | |
He is in abrasives, and I think Mother rubbed him up the wrong way. | 0:11:35 | 0:11:38 | |
I'm sorry, I'm sorry - that was a joke. | 0:11:38 | 0:11:41 | |
When you play this back, don't listen to that bit. | 0:11:41 | 0:11:44 | |
Anyway, this Celia wasn't backward for her age. | 0:11:44 | 0:11:48 | |
She was, if anything, ten years forward. | 0:11:49 | 0:11:52 | |
And she said, "Let's go behind your garden shed and, you know." | 0:11:53 | 0:11:58 | |
And I didn't know. | 0:12:00 | 0:12:01 | |
So I thought it was time I did. So we did. | 0:12:04 | 0:12:08 | |
By the by, this isn't the shed we have now. It was a smaller one. | 0:12:08 | 0:12:12 | |
With more room behind, you know, | 0:12:13 | 0:12:16 | |
more room behind where two people could, you know... | 0:12:16 | 0:12:20 | |
share their sherbet. | 0:12:20 | 0:12:22 | |
It was a lovely day, and I said, "Look at the way the sun is | 0:12:22 | 0:12:25 | |
"casting myriad spangles of light off the greenhouse." | 0:12:25 | 0:12:29 | |
And she said, "So it is, let's take all our clothes off." | 0:12:29 | 0:12:32 | |
I said, "What for?" She said, "To see if we're different." | 0:12:32 | 0:12:35 | |
So we did. | 0:12:35 | 0:12:36 | |
And, as a matter of fact, we were. | 0:12:36 | 0:12:38 | |
Sorry, sorry, of course, you know that, | 0:12:38 | 0:12:40 | |
because you're professional person, after all. | 0:12:40 | 0:12:42 | |
Well, at that moment, | 0:12:42 | 0:12:43 | |
who should burst into this little space behind the shed but Father, | 0:12:43 | 0:12:47 | |
because he's not allowed to smoke, cough, blow his nose or cut his nails | 0:12:47 | 0:12:50 | |
in the house, you see? | 0:12:50 | 0:12:52 | |
And the upshot of it was that I never saw Celia again. | 0:12:52 | 0:12:57 | |
And I was given six of the best by Father with a ping-pong bat. | 0:12:57 | 0:13:00 | |
And here's what I'm getting at - it wasn't the rubber side. | 0:13:01 | 0:13:05 | |
No, it was the sandpaper. | 0:13:07 | 0:13:09 | |
So, obviously, I've got this thing about women dressed in sandpaper. | 0:13:10 | 0:13:14 | |
-Steady on, steady on! -What? | 0:13:14 | 0:13:17 | |
I never gave you six of the best with a ping-pong bat. | 0:13:17 | 0:13:21 | |
That was your mother. | 0:13:21 | 0:13:22 | |
Well, I know it was, I know it was, but if I tell the psychiatrist | 0:13:22 | 0:13:27 | |
it was Mother, he'll think there's something wrong with me. | 0:13:27 | 0:13:29 | |
Well, there is, isn't there? | 0:13:29 | 0:13:31 | |
Well, yes, I know that, but there's no need to tell him, is there? | 0:13:31 | 0:13:34 | |
It wasn't six of the best, it was only one. | 0:13:34 | 0:13:36 | |
Well, I have to make it sound exciting, don't I? | 0:13:36 | 0:13:39 | |
I mean, he listens to so many stories like that. | 0:13:39 | 0:13:41 | |
KETTLE WHISTLES The kettle. | 0:13:41 | 0:13:42 | |
If you've got to blame me for everything, | 0:13:44 | 0:13:47 | |
-don't forget that my childhood was no picnic. -No, I won't. | 0:13:47 | 0:13:51 | |
Every time I wet the bed, my Father made me sing | 0:13:51 | 0:13:54 | |
Onward Christian Soldiers right through. | 0:13:54 | 0:13:56 | |
I can tell them all about that, you see, | 0:13:56 | 0:13:58 | |
I'm telling all about my problem on his recording machine, you see. | 0:13:58 | 0:14:01 | |
I see. | 0:14:01 | 0:14:03 | |
Mind you, I think you're barmy going to a shrink. | 0:14:03 | 0:14:06 | |
You think I'm dressed properly for a psychiatrist? | 0:14:06 | 0:14:09 | |
It's a bit boring and ordinary, isn't it? | 0:14:09 | 0:14:13 | |
I could... Ah! | 0:14:13 | 0:14:15 | |
Bit of parsley for the buttonhole, that might... | 0:14:15 | 0:14:18 | |
That makes it look a little bit - when I get it in - | 0:14:18 | 0:14:21 | |
that'll make it look a little bit sophisticated? | 0:14:21 | 0:14:24 | |
-Smart, but still a bit... -Neat. -Neat, neat! | 0:14:24 | 0:14:27 | |
Who turned that kettle off? | 0:14:27 | 0:14:29 | |
What's going on? | 0:14:29 | 0:14:31 | |
You're wearing a suit! | 0:14:31 | 0:14:33 | |
Why's it got parsley in the buttonhole? | 0:14:33 | 0:14:35 | |
It's a herringbone suit, Mother. | 0:14:35 | 0:14:37 | |
Ow! | 0:14:37 | 0:14:39 | |
Don't be cheeky. | 0:14:39 | 0:14:40 | |
-Steady on, Phyllis, the young fella doesn't deserve that. -You be quiet. | 0:14:40 | 0:14:44 | |
I sometimes think I'm the only sane person in this house. | 0:14:44 | 0:14:48 | |
I'm glad you're feeling better. | 0:14:49 | 0:14:52 | |
Anyway, I'll see you on Tuesday. | 0:14:52 | 0:14:53 | |
Yes, yes, the same time. Goodbye. | 0:14:53 | 0:14:56 | |
-Is this the psychiatrist's? -Yes, yes. | 0:15:11 | 0:15:13 | |
Your first visit? Certainly mine. | 0:15:13 | 0:15:15 | |
-Has he got somebody in there? -In where? | 0:15:19 | 0:15:22 | |
-I'll have a peep. -At what? | 0:15:22 | 0:15:23 | |
Ooh, very dark, isn't it? | 0:15:24 | 0:15:27 | |
Does he do hypnotism? | 0:15:27 | 0:15:29 | |
It's the broom cupboard. | 0:15:29 | 0:15:31 | |
Oh, so it is! | 0:15:34 | 0:15:36 | |
Ha-ha, by Jove, you certainly know your way around, anyway! | 0:15:36 | 0:15:41 | |
-Do you come here often? -Every day. | 0:15:41 | 0:15:43 | |
I'm the psychiatrist. | 0:15:43 | 0:15:44 | |
Oh, the psychiaTRESS? Ha-ha! | 0:15:46 | 0:15:49 | |
I had a bit of parsley in my buttonhole... | 0:15:49 | 0:15:51 | |
-Do sit down, Mr Lumsden. -Yes, all right then. | 0:15:51 | 0:15:54 | |
I'm not really that bad, to be honest. | 0:15:54 | 0:15:55 | |
-Perhaps I can come back another day... -Sit down. | 0:15:55 | 0:15:58 | |
Where would you like me to sit? | 0:16:00 | 0:16:02 | |
On a chair. | 0:16:02 | 0:16:03 | |
Excellent, excellent. | 0:16:03 | 0:16:05 | |
Now, Mr Lumsden, | 0:16:08 | 0:16:10 | |
thank you for the messages you left on my answering machine. | 0:16:10 | 0:16:13 | |
I've only had time to transcribe about half of them. | 0:16:13 | 0:16:16 | |
-There seemed to be such a lot to tell, really. -Hmm. -Yes. | 0:16:16 | 0:16:20 | |
Well, I think I ought to ask you some questions. | 0:16:20 | 0:16:22 | |
Certainly, by all means, fire away. | 0:16:22 | 0:16:24 | |
You know, give it to me hot and strong, no holds barred. | 0:16:24 | 0:16:28 | |
-Thank you. -Thank you. | 0:16:28 | 0:16:30 | |
-What is your name? -Lumsden. | 0:16:30 | 0:16:33 | |
The thing is, it's this interview, you see? | 0:16:33 | 0:16:35 | |
Now, I'm not the psychiatrist, obviously, | 0:16:35 | 0:16:37 | |
-otherwise I'd be sitting here talking to myself... -First names? -Timothy. | 0:16:37 | 0:16:41 | |
But I think the dream is symptomatic, in a funny sort of way... | 0:16:41 | 0:16:44 | |
-Just Timothy? -Timothy CR. | 0:16:44 | 0:16:47 | |
Symptomatic of the very fear of the interview itself, | 0:16:47 | 0:16:49 | |
do you know what I mean? | 0:16:49 | 0:16:50 | |
Is that something Jung or Freud would have said? | 0:16:50 | 0:16:53 | |
-What does the CR stand for? -CR? | 0:16:53 | 0:16:55 | |
-Your middle names? -Christopher. | 0:16:55 | 0:16:58 | |
Only, what will happen... | 0:16:58 | 0:16:59 | |
What will happen at the interview will be that I will simply, | 0:17:01 | 0:17:05 | |
I simply sort of dry up. Just absolutely, you know, dry up. | 0:17:05 | 0:17:10 | |
And I wondered, could it possibly be, um, you know... | 0:17:10 | 0:17:14 | |
bad potty training? | 0:17:14 | 0:17:15 | |
-Christopher what? -R. | 0:17:17 | 0:17:19 | |
And what does the R stand for? | 0:17:19 | 0:17:21 | |
Robin. | 0:17:21 | 0:17:23 | |
Now, I was wondering... | 0:17:23 | 0:17:24 | |
Christopher Robin?! | 0:17:24 | 0:17:27 | |
Your parents called you Christopher Robin? | 0:17:27 | 0:17:30 | |
Well, you know... | 0:17:30 | 0:17:31 | |
Tell me, aren't you going to give me tests or something like that? | 0:17:33 | 0:17:36 | |
-Like what? -Well, I thought perhaps the inkblot test? | 0:17:36 | 0:17:39 | |
Oh, we don't do that any more. | 0:17:39 | 0:17:41 | |
Not since ballpoints came in. | 0:17:41 | 0:17:43 | |
Well, what about, for example, that mark on the wall over there now? | 0:17:45 | 0:17:48 | |
-What about it? -Aren't you going to ask me what that reminds me of? | 0:17:48 | 0:17:52 | |
And what does it remind you of? | 0:17:52 | 0:17:53 | |
Of that mark on the wall over there, do you see? | 0:17:53 | 0:17:57 | |
-And what does that tell us? -Well, I'm not the psychiatrist, of course! | 0:17:57 | 0:18:01 | |
-I'm a psychotherapist, in fact. -Oh, I'm sorry, I'm sorry. | 0:18:01 | 0:18:04 | |
-Word associations. -What? | 0:18:04 | 0:18:06 | |
Wat? Tyler. | 0:18:06 | 0:18:08 | |
-Pardon? -Burp. -Please. -Thank you. | 0:18:08 | 0:18:10 | |
-That's enough! -Sorry, Mother. Ooh! | 0:18:10 | 0:18:13 | |
-Mother, hmm. -Oh, yes. | 0:18:15 | 0:18:18 | |
To go back to this Christopher Robin business... | 0:18:18 | 0:18:20 | |
Yes, I don't think you'll find that has anything to do with it. | 0:18:20 | 0:18:23 | |
Have you ever had any frightening sexual experiences? | 0:18:23 | 0:18:26 | |
I'm sorry, what was that? | 0:18:31 | 0:18:33 | |
Have you had any frightening sexual experiences? | 0:18:33 | 0:18:36 | |
Well, they've all been fairly frightening! | 0:18:38 | 0:18:40 | |
-Do you love your mother? -Well, um... | 0:18:40 | 0:18:43 | |
Do you love your mother, yes or no? | 0:18:43 | 0:18:45 | |
Good heavens, look at that out of the window! | 0:18:45 | 0:18:47 | |
These pigeons, these two pigeons, what are they doing? | 0:18:47 | 0:18:51 | |
Oh, that was very quick! | 0:18:51 | 0:18:53 | |
I'm sorry, I'm sorry, what was the question? | 0:18:56 | 0:18:58 | |
I think we may be able to help you, Mr Lumsden. | 0:18:58 | 0:19:01 | |
Oh, wonderful, wonderful! | 0:19:01 | 0:19:02 | |
I'm thinking initially of 24 sessions. | 0:19:02 | 0:19:05 | |
24? But the interview's this afternoon, you see? | 0:19:05 | 0:19:07 | |
I did squeeze you in, and I do have another patient. | 0:19:07 | 0:19:09 | |
Yes, I mean, if I don't get this interview, | 0:19:09 | 0:19:11 | |
you see, the dreams will go on and on... | 0:19:11 | 0:19:13 | |
Relax, enjoy the interview. | 0:19:13 | 0:19:16 | |
-Accept it as an experience. -That's rather like saying, "Don't be shy!" | 0:19:16 | 0:19:20 | |
Well, as a simple, practical first step... | 0:19:20 | 0:19:23 | |
I'm not having my hair cut. | 0:19:23 | 0:19:25 | |
..change out of that dreadful suit. | 0:19:26 | 0:19:28 | |
Dreadful? It's not dreadful. | 0:19:28 | 0:19:30 | |
-Mother bought this. -Quite. | 0:19:30 | 0:19:32 | |
Yes, it is a bit dreadful, isn't it? | 0:19:34 | 0:19:36 | |
Wear something casual, don't try too hard. | 0:19:36 | 0:19:38 | |
No, I try not to. | 0:19:38 | 0:19:40 | |
Well, I won't try at all. | 0:19:40 | 0:19:42 | |
-That way if I don't get the job, I'll have succeeded. -More or less, yes. | 0:19:42 | 0:19:46 | |
Well, brilliant. I feel so good about this now. I feel, you know, I feel... | 0:19:46 | 0:19:51 | |
So... | 0:19:51 | 0:19:53 | |
-I COULD be suave. -Don't be suave. -No, no... | 0:19:53 | 0:19:56 | |
-Don't try to be anything! -No, no, right. Well, I could be laid-back. | 0:19:56 | 0:20:00 | |
-Yes. -That I can be. Laid-back, spaced out, upfront, hopefully. | 0:20:00 | 0:20:04 | |
Well, ciao. | 0:20:05 | 0:20:08 | |
That's the Italian for toodle-oo. | 0:20:08 | 0:20:10 | |
And that's still the broom cupboard. | 0:20:10 | 0:20:12 | |
Yes, but now I don't care, ha-ha! | 0:20:13 | 0:20:16 | |
MUSIC ON THE RADIO | 0:20:17 | 0:20:20 | |
Timothy, what are you doing here? It's your interview, isn't it? | 0:20:20 | 0:20:23 | |
I know, I'm going to take this suit off, you see. I'm going casual. | 0:20:23 | 0:20:26 | |
-Your mother'll murder you! -Where is Mother? -Upstairs. | 0:20:26 | 0:20:29 | |
HE SNIFFS | 0:20:29 | 0:20:31 | |
-What is that, burnt socks? -No, no, it's her latest stew. | 0:20:31 | 0:20:34 | |
-There's enough here for a month. -DISTANT: -Timothy, is that you? | 0:20:34 | 0:20:37 | |
I'm down here, Mother. | 0:20:42 | 0:20:44 | |
What're you doing in the living room? | 0:20:44 | 0:20:47 | |
What are you doing in the HOUSE, it's your interview, isn't it? | 0:20:47 | 0:20:50 | |
Timothy? | 0:20:50 | 0:20:52 | |
-Have you seen him, Sidney? -No, dear. | 0:20:52 | 0:20:55 | |
He's gone out. | 0:20:55 | 0:20:56 | |
-Sidney! Sidney! -SHE POUNDS THE DOOR | 0:21:03 | 0:21:05 | |
What's going on? | 0:21:12 | 0:21:14 | |
Don't stir it with your fingers! | 0:21:14 | 0:21:16 | |
-I'm not stirring it, I dropped something in it. -What? | 0:21:16 | 0:21:19 | |
I forget. | 0:21:19 | 0:21:20 | |
Are you in your room? | 0:21:21 | 0:21:22 | |
Timothy, are you upstairs? | 0:21:27 | 0:21:29 | |
SHE SNIFFS | 0:21:40 | 0:21:41 | |
That stew's burning. | 0:21:41 | 0:21:43 | |
Sidney! | 0:21:43 | 0:21:44 | |
You're not stirring the stew! | 0:21:50 | 0:21:53 | |
Ashes? | 0:21:55 | 0:21:56 | |
-What...? -RADIO STOPS | 0:21:56 | 0:21:58 | |
What's happened? | 0:21:58 | 0:22:00 | |
The power's gone! | 0:22:03 | 0:22:05 | |
The fuse has gone. | 0:22:10 | 0:22:12 | |
He's blown the fuse with that razor of his. | 0:22:12 | 0:22:15 | |
Timothy! | 0:22:15 | 0:22:17 | |
Where are you? | 0:22:17 | 0:22:18 | |
Timothy. Are you upstairs? | 0:22:18 | 0:22:20 | |
I know you're hiding from me. | 0:22:22 | 0:22:23 | |
-Where are you? -RADIO STARTS AGAIN | 0:22:26 | 0:22:28 | |
Good Lord, Timothy, you can't go to an interview dressed like that. | 0:22:30 | 0:22:33 | |
That's what I came to say - don't tell Mother I've changed. | 0:22:33 | 0:22:36 | |
-Even if she twists your arm. -She usually twists my nose. | 0:22:36 | 0:22:39 | |
-Don't say anything, whatever she twists. -Good luck! | 0:22:39 | 0:22:43 | |
-Cry God for Harry, England and St... -Timothy! | 0:22:43 | 0:22:46 | |
-Good afternoon. -Afternoon. -Good afternoon. | 0:22:51 | 0:22:55 | |
3pm? | 0:22:55 | 0:22:56 | |
Yes, some chap named Mills is in there at the moment. | 0:22:56 | 0:22:59 | |
DOOR KNOCKS | 0:22:59 | 0:23:01 | |
Come in? | 0:23:01 | 0:23:02 | |
What-ho? | 0:23:08 | 0:23:10 | |
-Lumsden's the name. -Hello. -Hello. -Hello. Hello. | 0:23:10 | 0:23:14 | |
-Hello. -Hello. | 0:23:14 | 0:23:16 | |
Hello. | 0:23:18 | 0:23:19 | |
Well, I expect you'd like me to tell you a little bit about myself, eh? | 0:23:28 | 0:23:32 | |
Basically, I'm pretty laid-back. | 0:23:32 | 0:23:35 | |
Spaced out. | 0:23:35 | 0:23:36 | |
And, funnily enough, I don't want the job, in fact. | 0:23:36 | 0:23:40 | |
Now, last year I did, | 0:23:40 | 0:23:41 | |
but curious enough, this year, in a kind of strange way... | 0:23:41 | 0:23:44 | |
Are there any questions you'd like to ask me at all? | 0:23:44 | 0:23:46 | |
Not really. | 0:23:46 | 0:23:47 | |
Oh, excellent, wonderful. Pushover, absolutely. | 0:23:47 | 0:23:49 | |
Short-circuits the whole thing, doesn't it? | 0:23:49 | 0:23:51 | |
-Well, I'll tell you a little bit about myself... -Do you have to? | 0:23:51 | 0:23:55 | |
No, I don't HAVE to. | 0:23:55 | 0:23:56 | |
I don't have to, no. | 0:23:56 | 0:23:57 | |
No, it's just that I thought, since we were here and talking... | 0:23:59 | 0:24:02 | |
No, I don't have to. There's no question of having to, no. | 0:24:02 | 0:24:06 | |
But I thought you might like to know | 0:24:06 | 0:24:08 | |
that I was basically born at my place of birth, | 0:24:08 | 0:24:10 | |
and I was educated at school, where I gained six passes, | 0:24:10 | 0:24:16 | |
three O-levels, two A-levels, and one at Phoebe Tugwell. | 0:24:16 | 0:24:20 | |
Now, if that isn't laid-back, I don't know what is. And I was going to... | 0:24:20 | 0:24:23 | |
-A Mr Bone? -No, no, not Bone, dear, no, no. | 0:24:23 | 0:24:26 | |
Lumsden. Lumsden, Timothy CR. | 0:24:26 | 0:24:29 | |
-Lumsden. Who'd have a funny name like Bone? -I would. -Oh, I'm sorry. | 0:24:29 | 0:24:33 | |
-It is a funny name. Funny bone, I suppose! -This way, Mr Bone. | 0:24:35 | 0:24:38 | |
Oh, it's all over, is it? Have I passed? | 0:24:39 | 0:24:41 | |
Well, that's an absolute doddle, isn't it? | 0:24:41 | 0:24:44 | |
Very laid-back, very spaced out. | 0:24:44 | 0:24:46 | |
Shall we have a cup of Earl Grey by way of celebration, shall we? | 0:24:46 | 0:24:48 | |
Oh, my God! Oh, dear! Oh, I've dropped a clanger! | 0:24:48 | 0:24:52 | |
Still, it doesn't matter now, once you're in, you're in! | 0:24:52 | 0:24:54 | |
Now, are you going to have...? | 0:24:54 | 0:24:56 | |
Could we keep it a little quieter, please? | 0:24:56 | 0:24:59 | |
Oh, er... | 0:24:59 | 0:25:01 | |
Mr Chairman? | 0:25:01 | 0:25:02 | |
-Shouldn't you be in here? -In the waiting room? | 0:25:02 | 0:25:05 | |
-The waiting room? It's the waiting room! -What?! -Wh-wh... | 0:25:05 | 0:25:08 | |
What's your name? | 0:25:08 | 0:25:10 | |
Um, wait a minute, wait a minute... | 0:25:10 | 0:25:12 | |
I know it, it's on the tip of my tongue... | 0:25:12 | 0:25:16 | |
I told you it a minute ago! | 0:25:16 | 0:25:18 | |
It would be on the back of my tie if I was wearing one! Silly, isn't it? | 0:25:18 | 0:25:20 | |
We saw you last year, didn't we? Properly attired, wearing a suit? | 0:25:20 | 0:25:24 | |
Yes, I'm afraid that's at the psychiatrist's... | 0:25:24 | 0:25:27 | |
The cleaner's! I'm sorry! | 0:25:27 | 0:25:28 | |
Look, sit down and pull yourself together, | 0:25:28 | 0:25:30 | |
and try to remember your name - it could be useful. | 0:25:30 | 0:25:32 | |
Yes, you've been more than kind. Perhaps next year? | 0:25:32 | 0:25:34 | |
I don't know what you expect to find in the cupboard. | 0:25:34 | 0:25:37 | |
Certainly got him going there, didn't I? | 0:25:38 | 0:25:40 | |
Had him eating out of the palm of my hand. | 0:25:40 | 0:25:42 | |
Not that I care, to be absolutely honest, one way or another... | 0:25:42 | 0:25:44 | |
-A sweatshirt? -Mother, what are you doing here? -And those trousers? | 0:25:44 | 0:25:48 | |
-Just as your father said, get them off! -Mother... | 0:25:48 | 0:25:50 | |
-You thank your lucky stars I brought your suit. -Mother, please... | 0:25:50 | 0:25:53 | |
-And I'm go to trim that hair. -Mother, there are people here! | 0:25:53 | 0:25:56 | |
Yes, well-dressed people! | 0:25:56 | 0:25:58 | |
They know what a silly little boy you are. | 0:25:58 | 0:26:00 | |
Look at them, they're sniggering! | 0:26:00 | 0:26:02 | |
-Come on, skin the rabbit! -Mother, Mother, please! | 0:26:02 | 0:26:06 | |
Every time I try and do something on my own, you come barging in! | 0:26:06 | 0:26:09 | |
-Mother, go away, please! -Come along! | 0:26:09 | 0:26:11 | |
Mr Lumsden! | 0:26:11 | 0:26:12 | |
-What the hell do you want now? -I beg your pardon? | 0:26:12 | 0:26:15 | |
Haven't I got enough on my plate, | 0:26:15 | 0:26:17 | |
my Mother giving me lick washes and wiping my nose? | 0:26:17 | 0:26:19 | |
Good heavens, don't stand gaping there, man! | 0:26:19 | 0:26:21 | |
Let's get in here and get this whole thing settled. | 0:26:21 | 0:26:24 | |
Let's have some positive action! | 0:26:24 | 0:26:25 | |
It's the ping-pong bat for him when he gets home. | 0:26:28 | 0:26:31 | |
Well, congratulations, Timothy. | 0:26:33 | 0:26:36 | |
-Thank you, Father. -How did you do it? | 0:26:36 | 0:26:39 | |
Well, I just went in there and shouted at them | 0:26:39 | 0:26:41 | |
for four or five minutes - | 0:26:41 | 0:26:42 | |
they said it was the best interview they'd ever had, | 0:26:42 | 0:26:44 | |
the most forceful, and I was just the man for the job. | 0:26:44 | 0:26:47 | |
Who's a clever boy? | 0:26:47 | 0:26:49 | |
Who gets his supper in bed? | 0:26:49 | 0:26:51 | |
Thank you, Mother. | 0:26:51 | 0:26:53 | |
Get out of here with that filthy thing. | 0:26:53 | 0:26:55 | |
Just celebrating with the young fellow. | 0:26:55 | 0:26:57 | |
You know the rules - anywhere beyond the compost heap. | 0:26:57 | 0:27:00 | |
Fair enough. | 0:27:02 | 0:27:03 | |
Who's mother's best boy? | 0:27:07 | 0:27:10 | |
And what do we get now we're promoted? | 0:27:10 | 0:27:12 | |
Key to the dirty books cupboard? | 0:27:14 | 0:27:16 | |
No, we get a haircut. | 0:27:16 | 0:27:20 | |
Now we're in a higher echelon. | 0:27:20 | 0:27:22 | |
Higher echelon, powers that be! | 0:27:22 | 0:27:25 | |
No more bad dreams for me, Mother. | 0:27:25 | 0:27:28 | |
And here's your treat. | 0:27:28 | 0:27:30 | |
A lovely plate of stew. | 0:27:30 | 0:27:33 | |
You can pick out the burnt bits. | 0:27:33 | 0:27:35 | |
And the very, very last of the steak and kidney pie. Well? | 0:27:35 | 0:27:40 | |
What do you say? | 0:27:40 | 0:27:41 | |
Good night, Mother. | 0:27:42 | 0:27:43 | |
Nevermind. | 0:27:45 | 0:27:46 | |
You can have it for breakfast. | 0:27:47 | 0:27:49 | |
Wait a minute, wait a minute! This is all wrong! I shouldn't be here! | 0:28:03 | 0:28:07 | |
Throxley, the cane, if you please. | 0:28:07 | 0:28:09 | |
Wait a minute, the psychiatrist said I wouldn't be having... | 0:28:09 | 0:28:12 | |
Been having powwows with trick cyclists, have we, Lumsden? | 0:28:12 | 0:28:14 | |
I'll tell you this, | 0:28:14 | 0:28:15 | |
psycho-bloody-whatsits doesn't cut any ice in this establishment! | 0:28:15 | 0:28:18 | |
Put your hand out. | 0:28:18 | 0:28:20 | |
Mother? | 0:28:28 | 0:28:29 | |
It's you, isn't it? | 0:28:29 | 0:28:31 | |
It's you! | 0:28:31 | 0:28:32 | |
Of course it's me! | 0:28:32 | 0:28:34 | |
Argh! | 0:28:34 | 0:28:36 |