Death Stewart Lee's Comedy Vehicle


Death

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Transcript


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This programme contains some strong language.

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What I'm going to do now is talk for 28 minutes on the subject of children's attitudes

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to death, right? I know this is quite a heavy subject, you can't go straight into it,

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so I'll soften up the ground by doing a quick, light-hearted

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three-minute celebrity-based anecdote.

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So, I was on tour, and I was... LAUGHTER

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Yeah, yeah, I was. I was in Dundee,

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and it was the day of the last lunar eclipse,

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and I'd forgotten it was the lunar eclipse.

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But I woke up in the hotel room and I put the telly on,

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and I saw Professor Brian Cox and Dara O Briain

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talking about the lunar eclipse.

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I say I saw Professor Brian Cox talking about the eclipse.

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I couldn't see Professor Brian Cox talking about the eclipse

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cos Dara O Briain was standing in front of him.

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LAUGHTER AND APPLAUSE

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And I thought what an amazing cosmic coincidence it was

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that...God or nature or whatever you believe in

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had made Dara O Briain exactly the perfect size

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to completely obscure Professor Brian Cox...

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..on one day of the year only...

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..when viewed from a particular point

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on a Dundee hotel bed.

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You must never look directly at Professor Brian Cox, of course.

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Always view him through a colander.

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LAUGHTER

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So, a bit of fun. Light-hearted routine that

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just to get us into the more serious material.

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It's not been without its problems, that routine.

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A lot of the younger comics have been in criticising it.

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The...the younger comics, they're obsessed with me

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but they hate me as well.

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They go, "I hate Stewart Lee.

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"I've seen him 400 times.

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"And I speak exactly like him." But...

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Yeah, you know who you are. But I... LAUGHTER

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But, no, they've been going on about that routine on the Twitter.

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Apparently the problem with that routine

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is it's not scientifically accurate.

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Yeah, I know. Well, it isn't.

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Actually, it isn't, because the way an eclipse works,

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if you think about it, is that it's not like in that joke.

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The way an eclipse works is that

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the larger body is obscured, isn't it,

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temporarily by the smaller body,

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because the smaller body is sort of closer

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to our point of view on the earth.

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So, fair point.

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The way that routine should work,

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if it was scientifically accurate, is like this.

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So, I was in Dundee, and I woke up on the day of the eclipse,

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and I saw Professor Brian Cox and Dara O Briain

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talking about the eclipse.

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I say I saw Dara O Briain talking about the eclipse.

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I couldn't see Dara O Briain talking about the eclipse

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cos Professor Brian Cox was standing in front of him.

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Yeah, it's not as funny, is it?

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It's not as funny. LAUGHTER

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And that's why I wrote it the way round that I did.

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So...

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So, I woke up in Dundee on the day of the eclipse,

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and I walked down to the River Tay.

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And I stood on a bridge over the River Tay in Dundee

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looking at the eclipse and thinking about time...

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..and eternity and how insignificant human life is.

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Not just in Dundee.

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LAUGHTER

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Throughout Scotland and the North generally.

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LAUGHTER

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Don't write in. But, erm...

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I think the first time that most of us learnt about death

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is from the death of a pet, such as a goldfish,

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and conventional wisdom says this helps prepare us

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for the death later on of a relative,

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such as a grandmother,

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particularly if our grandmother dies

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having been scooped out of an ornamental fish pond.

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Tossed high in the air and left to expire on the lawn.

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We warned Gran about taunting that cat.

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Yeah, a bit of fun, innit, that joke? A bit of light-hearted fun.

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Easing us into the more serious body of the main routine.

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Again, not without its problems.

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A lot of the younger comics have been in criticising that routine.

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They hate me, but they're obsessed with me, the younger comics.

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And the problem with that routine, I read on Facebook,

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is they're going,

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"If Stewart Lee...if his grandmother is a goldfish, as he claims,

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"then why does he himself not display

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"any goldfish characteristics...

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"such as fins or scales?"

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And the reason for that is because I'm adopted, all right?

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Yeah.

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But I don't like to make a big deal about it, all right?

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I was adopted by goldfish,

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so I don't have the physical characteristics of goldfish.

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Although, weirdly, I have always chosen to reproduce

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by releasing my semen directly into freshwater.

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LAUGHTER

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It's the old nature-nurture argument.

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It's quite complicated, isn't it, being you?

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It is. It's difficult, and people don't appreciate it.

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I mean, if I wasn't me, I would hate me.

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And I am me and I hate me a bit.

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-If you could see yourself on television...

-I'd turn it off.

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-..what would you say?

-I'd turn it off.

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If you...if you were 22 and you had a Twitter account...

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Actually, no, probably about 30 and you had a Twitter account...

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-Yeah.

-..what would you say about yourself?

-I would hate it.

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I'd hate the conceitedness of it

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and the sort of...the kind of fact that

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it's not as good as it thinks it is, and, you know, I'd hate it.

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Do you think that's what young comics do?

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They hate it and yet, in some way, they can't resist being drawn in?

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Of course, if one of these young comics they had now

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had been adopted by goldfish,

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you'd never hear the fucking end of it, would you?

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They'd have written a depressing,

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award-winning, serious one-man show about it.

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Depressing, award-winning, meaningful stand-up shows -

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that's the new trend in stand-up.

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They're not on BBC Two.

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Obviously, by the time any comedy is on BBC Two,

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it's of no artistic value.

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But... LAUGHTER

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It's the new trend - depressing, award-winning, one-man show.

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IN WHINY VOICE: "I was adopted by a goldfish,

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"and I was really depressed and confused

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"and I lived in fear of toilets,

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"but I was able to see the funny side.

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"Can I have an award, please?"

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"Oh, I've got eczema. It's really itchy.

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"But it's taught me something about life, having eczema.

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"Can I have an award, please?"

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"Oh, my dad's dead, and he's died and it's really depressing. But..."

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Oh, fuck off. Shut up. Give your award back.

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All our dads die.

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We all die.

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What are we?

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We're just meat being shovelled into a grave.

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You don't want to hear that on a night out.

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LAUGHTER

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Sad, depressing, meaningful comedy - what a waste of time.

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"I've only got one arm!"

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Fuck off back to New Zealand and shut up.

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I could do a sad, meaningful, award-winning comedy show.

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Loads of terrible things have happened to me.

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I've...I'm deaf,

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65,000 born-again Christians tried to send me to prison.

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I've got irritable bowel syndrome.

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I could do a show about that, couldn't I?

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IN WHINY VOICE: "Oh, I've got irritable bowel syndrome,

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"but as long I avoid carbonated drinks,

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"it's not too bad, really. Oh, it's not..."

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I could do a sad, meaningful, depressing stand-up show,

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but I'm not going to

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cos I've got some dignity and some self-respect,

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and I think some things should remain private

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and are not a fit subject for comedy

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unless there's the possibility of broadsheet newspaper coverage

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and broadcaster interest.

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LAUGHTER

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I think the first time that I learned about death...

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..was from the death of my pet mouse

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which was given to me by my uncle when I was six.

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I say uncle - he was a man I met at a bus stop.

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But he said he was my uncle...

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..and his pockets were full of mice.

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At least he said they were mice.

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I mean, they squeaked.

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But, you know, I loved that mouse,

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and as a child, I sort of imagined the mouse

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had some kind of relationship with me.

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This is an extract from my childhood diary.

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1976. I was eight years old.

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"Mum and I are a single-parent family now...

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"..not that that matters...

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"..because every night, after school,

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"I tell my mouse about my day,

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"my worries and my concerns.

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"And he lies on the floor,

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"scratching and eating and making smells...

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"..and then he turns his back on me

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"and goes off and urinates in the corner.

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"It's just like before Dad left."

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LAUGHTER

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Erm...you know, looking back,

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I think that was a bit unfair of the eight-year-old me.

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My father was a very funny man, and he...

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You know, I admired him enormously. He lived for the weekend.

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And...at the weekend, he would spend the whole weekend in his flat

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wearing just a pair of leopard-skin Speedo swimming trunks

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eating only little pots of jam

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that he'd stolen from Dutch hotel rooms...

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..watching only documentaries about Hitler

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and pausing only to go out into the garden

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to throw stones at cats.

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Or to look through a crack in the curtains

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at women passing in the street outside

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through a high-powered telescope.

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As a younger man, I wondered if my father had been truly happy.

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And now, as a middle-aged man,

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I realised he was happier than I will ever be.

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LAUGHTER

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APPLAUSE

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It's those little pots of jam I remember - he loved those.

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No, he really loved these little... He loved jam.

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He loved...he loved jam.

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He did. He loved jam. He absolutely loved jam.

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He loved all the different kinds of jam.

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LAUGHTER

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Plain.

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LAUGHTER

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Plain jam. He liked plain jam.

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He liked jam, but he didn't really like the fruit element.

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The whole programme really comes across as

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a sort of desperate attempt to convince people

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that you're a genius when you're not, really.

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You're a sort of cross between

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-a reasonably intelligent person and an idiot.

-Yeah.

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It's a comedy about a man who would like to be thought of as a genius,

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but isn't, and I'm aware of that.

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I think that even applies to these interview bits.

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-I mean, they're annoying.

-Yeah.

-They're very annoying.

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They're used in the name of being interesting.

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In an actual fact, the only people who could possibly like them

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are people who have just enough brain to think they might be clever

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-but not enough brain to realise they're not.

-I know.

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You know, they serve a purpose.

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They have a flavour of cleverness about them,

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but they're not doing anything

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that a few bright colours swirling round

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against a backdrop of forestry wouldn't achieve.

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-They're much worse than Christmas lights.

-Yeah.

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But nowadays I'm a prisoner of sober parental responsibility,

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but I look back on my father and he was an outlaw.

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You know, he lived beyond the bounds of society.

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The only thing stopping my father being regarded as

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a countercultural icon

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in the vein of Charles Bukowski or Serge Gainsbourg

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is the fact that he had a Birmingham accent.

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LAUGHTER

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Which is weird cos he was from Truro.

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OK. They're laughing at that.

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Do you think that's all right, that joke? I don't know.

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Cos it's getting laughs,

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but it sort of breaks the truth of the story, doesn't it?

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Do you know what I mean?

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I think the thing is when you're doing sort of

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serious kind of confessional-based stand-up that's about something,

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I think you've got to put little light-hearted moments like that in,

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otherwise it's just theatre, isn't it?

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And no-one wants that.

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LAUGHTER

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That's why it has to be publicly subsidised.

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OK, I don't even agree with that joke. Right?

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I just did it to get in with them. Right?

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I don't even agree.

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God knows you don't need me to make the case

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that art has no inherent value other than its financial worth.

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We have John Whittingdale, the Culture Secretary for that.

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A man who, if he were to see the aurora borealis

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twinkling over a Scandinavian snowfield,

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would see only a missed opportunity

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for a public-private finance initiative.

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A lot of...a lot of non-movers in the room there.

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See that?

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Kind of...I can see along the back there sort of...

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I don't need to be regarded with suspicion

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by members of my own audience for that...for that joke

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cos I can go home and I can go on Twitter

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and I can see all the young comics.

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They hate me, but they're kind of obsessed with me.

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They've been in live and seen that,

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and they go, "Oh, he's lost it. It's really embarrassing.

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"He's virtually dead. He's fucked.

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"He's doing this joke about the public-private finance initiative.

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"It's absolutely meaningless and it's not funny

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"and it's not even a proper joke."

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And, you know, whatever you think of it, it is a proper joke, that.

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You may not find it funny, but it is a proper joke, that joke.

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It is because it has the structure and rhythm of a joke,

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so therefore it is a joke.

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It is. It goes, nah-nah nah-nah, nah-nah nah-nah, nah-nah.

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Nah-nah nah-nah nah-nah, nah-nah nah-nah,

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public-private finance initiative.

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LAUGHTER Right, that is a joke, see?

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That's how a joke works.

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APPLAUSE

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That's getting applause, right?

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What they mean when they go, "Oh, he's lost it. Oh, he's got..."

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They mean it's not about living in a flat or something like that.

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You know, it's about... I'm trying...

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As usual, right, I'm about seven years ahead of the curve, right?

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And the problem with being seven years ahead of the curve

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is by the time everyone else has caught up with you,

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they've forgotten that you did it in the first place.

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It's better to be about three years ahead of the curve.

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And I'm trying to do...I'm trying to, as usual,

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I'm trying to take the form of this and do something with it, right?

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Take it somewhere it's not been.

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I'm using the shape of jokes,

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but I'm trying to use them,

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not as an obsolete joke-dying figure,

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but as someone trying to strike at

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the very heart of the moral bankruptcy

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behind the free market philosophy, right?

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Yeah, and you're not going to see that on Comedy Central.

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And if you do, which you won't,

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it'll be coming out the mouth of

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a 30-something wannabe panel show team captain

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unconsciously plagiarising me

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as part of an unacknowledged oedipal struggle.

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LAUGHTER AND APPLAUSE

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Of which there can only be one winner -

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a 47-year-old man with irritable bowel syndrome.

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There's a joke about the Culture Secretary, John Whittingdale...

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-Yeah.

-..being such a philistine

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that if he saw the northern lights,

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he'd think, "Oh, there's a missed opportunity

0:16:450:16:47

-"for a public-private finance initiative."

-Yeah.

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-That's the joke, isn't it?

-I know, yeah.

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-However...

-Yeah.

-..it doesn't make any sense.

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No, I know. I know, I know, I know that,

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and I kept thinking, "Oh, I must change that."

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Then the next thing I knew I was on stage saying it

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and it was too late and it had been filmed...

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Well, what the hell... I mean...

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I know, it's a piece of utter, just, bullshit, the whole thing.

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And then it goes back into this other thing about...

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-It's infuriating. It's absolutely infuriating.

-I know it is.

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Don't think I'm not ashamed of it.

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I did a thing. It was rubbish. I meant to sort it out. I couldn't.

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So I instead wrote another bit

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where it gave the impression that it was supposed to be rubbish anyway.

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You know what? That's what I do, and I'm aware of it.

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I'm aware of the hypocrisy of it, the repetitive nature of it

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and the fact that it's a one-size-fits-all escape route

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for any error and failure and lack of effort, and I feel...

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-You feel proud of it.

-No, I don't feel proud of it.

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-The way you're talking now, you do.

-No, I don't.

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-Yeah, but you actually do.

-I feel like my whole life

0:17:390:17:41

I've been winging it from one chance to the next,

0:17:410:17:44

and you unravel it every now and again,

0:17:440:17:48

and I think how lucky I've been.

0:17:480:17:50

But you probably walk away

0:17:520:17:53

-sniggering about the whole thing, don't you?

-Yeah, yeah, yeah. Yeah.

0:17:530:17:56

My childhood diary again from...

0:17:570:18:00

..1978. December.

0:18:020:18:04

It was a cold December, I remember.

0:18:040:18:07

Back when we used to have weather.

0:18:070:18:09

Rather than just nothing punctuated by catastrophes.

0:18:100:18:13

LAUGHTER

0:18:130:18:16

"Today, I came home from school,

0:18:240:18:28

"let myself in with the key from under the flowerpot,

0:18:280:18:33

"and I saw that the mouse was obviously dead..."

0:18:330:18:36

AUDIENCE MEMBER LAUGHS

0:18:360:18:38

LAUGHTER

0:18:380:18:41

In the serious confessional stand-up show,

0:18:440:18:47

the laugh point is at the point

0:18:470:18:48

where the comedian processes the tragedy into comedy -

0:18:480:18:51

not at the point of the tragedy itself.

0:18:510:18:54

LAUGHTER

0:18:540:18:57

You know what your problem is? You're ahead of the curve.

0:18:570:19:00

"There was blood in the mouse's mouth

0:19:070:19:09

"and his neck had got twisted

0:19:090:19:11

"as he tried to bite his way through a bar of his cage.

0:19:110:19:14

"I assumed he had been contented enough.

0:19:160:19:18

"I mean, he had a wheel.

0:19:190:19:21

"But it appears my mouse had been so depressed

0:19:240:19:27

"that he had killed himself while trying to escape.

0:19:270:19:30

"Sometimes I wonder how well can we ever really say we know anyone?"

0:19:310:19:35

A very wise little boy.

0:19:390:19:42

LAUGHTER

0:19:420:19:44

You know, now I'm older,

0:19:450:19:47

I wonder is that what gets us all in the end, you know?

0:19:470:19:49

A slow...creeping realisation of

0:19:490:19:52

the sheer pointlessness of existence.

0:19:520:19:54

Run, run, run...

0:19:560:20:00

..on your wheel...

0:20:010:20:03

..on your treadmill...

0:20:050:20:07

..but you can never outrun death.

0:20:080:20:11

Unsurprisingly, my pitch for

0:20:150:20:16

the Fitness First advertising account was...

0:20:160:20:18

LAUGHTER

0:20:180:20:21

..was rejected out of hand,

0:20:230:20:25

as were all my other...subsequent attempts.

0:20:250:20:29

"Fitness First -

0:20:300:20:32

"run, jump,

0:20:320:20:35

"swim, cycle,

0:20:350:20:39

"die."

0:20:390:20:40

LAUGHTER

0:20:400:20:42

"Fitness First -

0:20:440:20:46

"postponing the inevitable since 1993."

0:20:460:20:49

"Fitness First -

0:20:540:20:56

"a series of increasingly futile gestures

0:20:560:20:58

"in the laughing face of mortality."

0:20:580:21:00

"Fitness First -

0:21:060:21:07

"why not book a one-to-one session

0:21:070:21:09

"with one of our fully qualified personal trainers?

0:21:090:21:12

"And then die."

0:21:120:21:14

LAUGHTER

0:21:140:21:16

All rejected. Rejected out of hand.

0:21:170:21:20

My childhood diary again. The same night, this is.

0:21:230:21:26

"Mum helped me bury the mouse in a sock in a shoebox

0:21:290:21:33

"in the back garden...

0:21:330:21:35

"..and then she went out to night school.

0:21:360:21:38

"When my mum came home,

0:21:400:21:42

"she said a woman at college had told her that mice hibernate."

0:21:420:21:45

LAUGHTER I know. They don't, do they?

0:21:450:21:48

They don't hibernate.

0:21:480:21:49

But, you know, I always admired that about her,

0:21:490:21:52

her hope, her hope in...

0:21:520:21:54

"My mum insisted we dig up the mouse's now damp and frozen body,

0:21:570:22:02

"hang the mouse in a sock in the cupboard,

0:22:020:22:06

"stick some brandy into the mouse's clearly dead, blood-filled mouth...

0:22:060:22:10

"..and blow-dry him with a hairdryer."

0:22:110:22:13

LAUGHTER

0:22:130:22:16

And I remember the mouse's fur all sort of fluffed up round his neck

0:22:160:22:20

like a weird kind of...ruff

0:22:200:22:22

or sort of long-hair kind of weird collar thing,

0:22:220:22:25

and it had the strange effect of making the mouse

0:22:250:22:27

look exactly like Dave Hill from Slade.

0:22:270:22:29

LAUGHTER

0:22:290:22:32

The dead mouse looked exactly like Dave Hill from Slade

0:22:320:22:35

if Dave Hill from Slade had been dressed up

0:22:350:22:38

in a full-size mouse costume,

0:22:380:22:40

hung up in a massive sock,

0:22:400:22:43

blow-dried with a giant blow dryer

0:22:430:22:45

and had had a weird mixture of blood and brandy pouring out of his mouth.

0:22:450:22:49

A situation which, I now learn,

0:22:500:22:52

given the now well documented excesses of the glam rock era,

0:22:520:22:55

Dave Hill from Slade enjoyed backstage on a number of occasions.

0:22:550:22:58

LAUGHTER

0:22:580:23:01

Well, I came down the next morning, and you know what?

0:23:040:23:06

Despite the so-called certainties of science...

0:23:060:23:09

..despite my cynicism, despite having been pronounced dead,

0:23:110:23:16

buried and exhumed...

0:23:160:23:18

..hung in a sock, blow-dried, fed brandy

0:23:200:23:24

until he looked like Dave Hill from Slade,

0:23:240:23:27

that little mouse, which I had cherished,

0:23:270:23:30

which had been almost like a father substitute to me,

0:23:300:23:33

was obviously fucking dead. It was obviously dead.

0:23:330:23:37

LAUGHTER

0:23:370:23:40

Maybe the alcohol killed it.

0:23:420:23:44

Maybe it was hibernating and it came round

0:23:450:23:47

and then died from alcohol poisoning.

0:23:470:23:49

We'll never know.

0:23:490:23:50

They don't do pathology reports for mice.

0:23:520:23:55

There are no pathologists small enough.

0:23:570:24:00

LAUGHTER

0:24:000:24:02

There are no nano-pathologists.

0:24:080:24:10

No-no, no-no nano...

0:24:120:24:15

LAUGHTER

0:24:150:24:18

..no-no, nano, no-no, nano-pathologists.

0:24:180:24:22

I'll tell you why I've done that, right.

0:24:260:24:28

A lot of the kids, they've been on the internet

0:24:290:24:31

and they've been going, "Oh, he's lost it, he's blown it.

0:24:310:24:34

"You know, he's so dead and old,

0:24:340:24:36

"his idea of a pop culture reference is Slade from the '70s, right?"

0:24:360:24:40

So I put that in to try and bring it up to date.

0:24:410:24:44

You know, No Limits.

0:24:440:24:45

Ebeneezer Goode, all that, you know...

0:24:500:24:52

But it was a school day.

0:24:570:24:59

We were already running late,

0:24:590:25:00

and there simply wasn't time to rebury the mouse

0:25:000:25:04

with full ceremony in the garden.

0:25:040:25:06

And so my mum took the lifeless body of my mouse,

0:25:060:25:10

my best friend, my confidant...

0:25:100:25:12

..and she just threw it in the bin.

0:25:140:25:15

Which isn't so different, I suppose, to what will happen to many of us.

0:25:170:25:21

Wheel or no wheel.

0:25:230:25:24

Fitness First or no Fitness First.

0:25:250:25:28

Tomorrow and tomorrow and tomorrow

0:25:300:25:35

creeps in this petty pace

0:25:350:25:38

to the last syllable of recorded time.

0:25:380:25:41

And all our yesterdays have lighted fools the way to dusty death.

0:25:420:25:47

Out, out, brief candle.

0:25:490:25:51

Life's but a walking shadow,

0:25:520:25:54

a poor player that struts and frets his hour upon the stage

0:25:540:25:59

and then is heard no more.

0:25:590:26:00

It is a tale told by an idiot

0:26:020:26:06

full of sound and fury signifying nothing.

0:26:060:26:11

Free water bottle...

0:26:140:26:16

LAUGHTER

0:26:160:26:19

..with every Fitness First membership...until April

0:26:190:26:23

and then this offer must end!

0:26:230:26:27

APPLAUSE

0:26:270:26:30

# ..up on his sleigh

0:26:390:26:42

# Do the fairies keep him sober for a day?

0:26:420:26:47

# So here it is, Merry Christmas

0:26:480:26:53

# Everybody's having fun

0:26:530:26:56

# Look to the future now

0:26:570:27:01

# It's only just begun... #

0:27:010:27:06

MUSIC: Hilary by The Durutti Collection

0:27:060:27:09

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