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This programme contains some strong language. | 0:00:02 | 0:00:07 | |
What I'm going to do now is talk for 28 minutes on the subject of children's attitudes | 0:00:07 | 0:00:10 | |
to death, right? I know this is quite a heavy subject, you can't go straight into it, | 0:00:10 | 0:00:14 | |
so I'll soften up the ground by doing a quick, light-hearted | 0:00:14 | 0:00:16 | |
three-minute celebrity-based anecdote. | 0:00:16 | 0:00:18 | |
So, I was on tour, and I was... LAUGHTER | 0:00:18 | 0:00:20 | |
Yeah, yeah, I was. I was in Dundee, | 0:00:20 | 0:00:23 | |
and it was the day of the last lunar eclipse, | 0:00:23 | 0:00:25 | |
and I'd forgotten it was the lunar eclipse. | 0:00:25 | 0:00:27 | |
But I woke up in the hotel room and I put the telly on, | 0:00:27 | 0:00:30 | |
and I saw Professor Brian Cox and Dara O Briain | 0:00:30 | 0:00:34 | |
talking about the lunar eclipse. | 0:00:34 | 0:00:36 | |
I say I saw Professor Brian Cox talking about the eclipse. | 0:00:36 | 0:00:39 | |
I couldn't see Professor Brian Cox talking about the eclipse | 0:00:39 | 0:00:42 | |
cos Dara O Briain was standing in front of him. | 0:00:42 | 0:00:44 | |
LAUGHTER AND APPLAUSE | 0:00:44 | 0:00:46 | |
And I thought what an amazing cosmic coincidence it was | 0:00:49 | 0:00:53 | |
that...God or nature or whatever you believe in | 0:00:53 | 0:00:57 | |
had made Dara O Briain exactly the perfect size | 0:00:57 | 0:01:02 | |
to completely obscure Professor Brian Cox... | 0:01:02 | 0:01:06 | |
..on one day of the year only... | 0:01:07 | 0:01:09 | |
..when viewed from a particular point | 0:01:11 | 0:01:13 | |
on a Dundee hotel bed. | 0:01:13 | 0:01:15 | |
You must never look directly at Professor Brian Cox, of course. | 0:01:15 | 0:01:19 | |
Always view him through a colander. | 0:01:19 | 0:01:21 | |
LAUGHTER | 0:01:21 | 0:01:24 | |
So, a bit of fun. Light-hearted routine that | 0:01:24 | 0:01:27 | |
just to get us into the more serious material. | 0:01:27 | 0:01:31 | |
It's not been without its problems, that routine. | 0:01:31 | 0:01:33 | |
A lot of the younger comics have been in criticising it. | 0:01:33 | 0:01:35 | |
The...the younger comics, they're obsessed with me | 0:01:35 | 0:01:38 | |
but they hate me as well. | 0:01:38 | 0:01:39 | |
They go, "I hate Stewart Lee. | 0:01:39 | 0:01:41 | |
"I've seen him 400 times. | 0:01:41 | 0:01:43 | |
"And I speak exactly like him." But... | 0:01:43 | 0:01:47 | |
Yeah, you know who you are. But I... LAUGHTER | 0:01:48 | 0:01:51 | |
But, no, they've been going on about that routine on the Twitter. | 0:01:51 | 0:01:54 | |
Apparently the problem with that routine | 0:01:54 | 0:01:56 | |
is it's not scientifically accurate. | 0:01:56 | 0:01:58 | |
Yeah, I know. Well, it isn't. | 0:01:58 | 0:02:00 | |
Actually, it isn't, because the way an eclipse works, | 0:02:00 | 0:02:02 | |
if you think about it, is that it's not like in that joke. | 0:02:02 | 0:02:05 | |
The way an eclipse works is that | 0:02:05 | 0:02:07 | |
the larger body is obscured, isn't it, | 0:02:07 | 0:02:10 | |
temporarily by the smaller body, | 0:02:10 | 0:02:13 | |
because the smaller body is sort of closer | 0:02:13 | 0:02:15 | |
to our point of view on the earth. | 0:02:15 | 0:02:18 | |
So, fair point. | 0:02:18 | 0:02:19 | |
The way that routine should work, | 0:02:19 | 0:02:21 | |
if it was scientifically accurate, is like this. | 0:02:21 | 0:02:23 | |
So, I was in Dundee, and I woke up on the day of the eclipse, | 0:02:23 | 0:02:26 | |
and I saw Professor Brian Cox and Dara O Briain | 0:02:26 | 0:02:29 | |
talking about the eclipse. | 0:02:29 | 0:02:31 | |
I say I saw Dara O Briain talking about the eclipse. | 0:02:31 | 0:02:34 | |
I couldn't see Dara O Briain talking about the eclipse | 0:02:34 | 0:02:36 | |
cos Professor Brian Cox was standing in front of him. | 0:02:36 | 0:02:39 | |
Yeah, it's not as funny, is it? | 0:02:41 | 0:02:42 | |
It's not as funny. LAUGHTER | 0:02:42 | 0:02:45 | |
And that's why I wrote it the way round that I did. | 0:02:45 | 0:02:47 | |
So... | 0:02:50 | 0:02:51 | |
So, I woke up in Dundee on the day of the eclipse, | 0:02:53 | 0:02:56 | |
and I walked down to the River Tay. | 0:02:56 | 0:02:58 | |
And I stood on a bridge over the River Tay in Dundee | 0:02:59 | 0:03:02 | |
looking at the eclipse and thinking about time... | 0:03:02 | 0:03:05 | |
..and eternity and how insignificant human life is. | 0:03:06 | 0:03:10 | |
Not just in Dundee. | 0:03:11 | 0:03:12 | |
LAUGHTER | 0:03:12 | 0:03:15 | |
Throughout Scotland and the North generally. | 0:03:17 | 0:03:20 | |
LAUGHTER | 0:03:20 | 0:03:22 | |
Don't write in. But, erm... | 0:03:23 | 0:03:26 | |
I think the first time that most of us learnt about death | 0:03:27 | 0:03:32 | |
is from the death of a pet, such as a goldfish, | 0:03:32 | 0:03:34 | |
and conventional wisdom says this helps prepare us | 0:03:34 | 0:03:38 | |
for the death later on of a relative, | 0:03:38 | 0:03:40 | |
such as a grandmother, | 0:03:40 | 0:03:42 | |
particularly if our grandmother dies | 0:03:42 | 0:03:44 | |
having been scooped out of an ornamental fish pond. | 0:03:44 | 0:03:46 | |
Tossed high in the air and left to expire on the lawn. | 0:03:47 | 0:03:52 | |
We warned Gran about taunting that cat. | 0:03:56 | 0:03:59 | |
Yeah, a bit of fun, innit, that joke? A bit of light-hearted fun. | 0:04:02 | 0:04:05 | |
Easing us into the more serious body of the main routine. | 0:04:05 | 0:04:09 | |
Again, not without its problems. | 0:04:09 | 0:04:11 | |
A lot of the younger comics have been in criticising that routine. | 0:04:11 | 0:04:13 | |
They hate me, but they're obsessed with me, the younger comics. | 0:04:13 | 0:04:16 | |
And the problem with that routine, I read on Facebook, | 0:04:16 | 0:04:19 | |
is they're going, | 0:04:19 | 0:04:21 | |
"If Stewart Lee...if his grandmother is a goldfish, as he claims, | 0:04:21 | 0:04:26 | |
"then why does he himself not display | 0:04:26 | 0:04:29 | |
"any goldfish characteristics... | 0:04:29 | 0:04:31 | |
"such as fins or scales?" | 0:04:31 | 0:04:34 | |
And the reason for that is because I'm adopted, all right? | 0:04:34 | 0:04:38 | |
Yeah. | 0:04:38 | 0:04:39 | |
But I don't like to make a big deal about it, all right? | 0:04:39 | 0:04:43 | |
I was adopted by goldfish, | 0:04:43 | 0:04:45 | |
so I don't have the physical characteristics of goldfish. | 0:04:45 | 0:04:49 | |
Although, weirdly, I have always chosen to reproduce | 0:04:49 | 0:04:53 | |
by releasing my semen directly into freshwater. | 0:04:53 | 0:04:55 | |
LAUGHTER | 0:04:55 | 0:04:58 | |
It's the old nature-nurture argument. | 0:04:59 | 0:05:02 | |
It's quite complicated, isn't it, being you? | 0:05:07 | 0:05:09 | |
It is. It's difficult, and people don't appreciate it. | 0:05:09 | 0:05:12 | |
I mean, if I wasn't me, I would hate me. | 0:05:12 | 0:05:16 | |
And I am me and I hate me a bit. | 0:05:16 | 0:05:17 | |
-If you could see yourself on television... -I'd turn it off. | 0:05:17 | 0:05:20 | |
-..what would you say? -I'd turn it off. | 0:05:20 | 0:05:22 | |
If you...if you were 22 and you had a Twitter account... | 0:05:22 | 0:05:25 | |
Actually, no, probably about 30 and you had a Twitter account... | 0:05:25 | 0:05:28 | |
-Yeah. -..what would you say about yourself? -I would hate it. | 0:05:28 | 0:05:31 | |
I'd hate the conceitedness of it | 0:05:31 | 0:05:33 | |
and the sort of...the kind of fact that | 0:05:33 | 0:05:35 | |
it's not as good as it thinks it is, and, you know, I'd hate it. | 0:05:35 | 0:05:39 | |
Do you think that's what young comics do? | 0:05:39 | 0:05:41 | |
They hate it and yet, in some way, they can't resist being drawn in? | 0:05:41 | 0:05:46 | |
Of course, if one of these young comics they had now | 0:05:48 | 0:05:50 | |
had been adopted by goldfish, | 0:05:50 | 0:05:52 | |
you'd never hear the fucking end of it, would you? | 0:05:52 | 0:05:55 | |
They'd have written a depressing, | 0:05:55 | 0:05:56 | |
award-winning, serious one-man show about it. | 0:05:56 | 0:06:00 | |
Depressing, award-winning, meaningful stand-up shows - | 0:06:00 | 0:06:03 | |
that's the new trend in stand-up. | 0:06:03 | 0:06:06 | |
They're not on BBC Two. | 0:06:06 | 0:06:07 | |
Obviously, by the time any comedy is on BBC Two, | 0:06:07 | 0:06:10 | |
it's of no artistic value. | 0:06:10 | 0:06:11 | |
But... LAUGHTER | 0:06:11 | 0:06:13 | |
It's the new trend - depressing, award-winning, one-man show. | 0:06:13 | 0:06:17 | |
IN WHINY VOICE: "I was adopted by a goldfish, | 0:06:17 | 0:06:19 | |
"and I was really depressed and confused | 0:06:19 | 0:06:23 | |
"and I lived in fear of toilets, | 0:06:23 | 0:06:25 | |
"but I was able to see the funny side. | 0:06:25 | 0:06:27 | |
"Can I have an award, please?" | 0:06:27 | 0:06:29 | |
"Oh, I've got eczema. It's really itchy. | 0:06:30 | 0:06:34 | |
"But it's taught me something about life, having eczema. | 0:06:34 | 0:06:39 | |
"Can I have an award, please?" | 0:06:39 | 0:06:40 | |
"Oh, my dad's dead, and he's died and it's really depressing. But..." | 0:06:40 | 0:06:45 | |
Oh, fuck off. Shut up. Give your award back. | 0:06:45 | 0:06:49 | |
All our dads die. | 0:06:53 | 0:06:55 | |
We all die. | 0:06:57 | 0:06:58 | |
What are we? | 0:07:01 | 0:07:02 | |
We're just meat being shovelled into a grave. | 0:07:05 | 0:07:08 | |
You don't want to hear that on a night out. | 0:07:12 | 0:07:13 | |
LAUGHTER | 0:07:13 | 0:07:15 | |
Sad, depressing, meaningful comedy - what a waste of time. | 0:07:15 | 0:07:18 | |
"I've only got one arm!" | 0:07:18 | 0:07:20 | |
Fuck off back to New Zealand and shut up. | 0:07:20 | 0:07:23 | |
I could do a sad, meaningful, award-winning comedy show. | 0:07:28 | 0:07:32 | |
Loads of terrible things have happened to me. | 0:07:32 | 0:07:34 | |
I've...I'm deaf, | 0:07:34 | 0:07:36 | |
65,000 born-again Christians tried to send me to prison. | 0:07:36 | 0:07:40 | |
I've got irritable bowel syndrome. | 0:07:42 | 0:07:45 | |
I could do a show about that, couldn't I? | 0:07:45 | 0:07:47 | |
IN WHINY VOICE: "Oh, I've got irritable bowel syndrome, | 0:07:47 | 0:07:49 | |
"but as long I avoid carbonated drinks, | 0:07:49 | 0:07:52 | |
"it's not too bad, really. Oh, it's not..." | 0:07:52 | 0:07:55 | |
I could do a sad, meaningful, depressing stand-up show, | 0:07:57 | 0:08:00 | |
but I'm not going to | 0:08:00 | 0:08:02 | |
cos I've got some dignity and some self-respect, | 0:08:02 | 0:08:04 | |
and I think some things should remain private | 0:08:04 | 0:08:06 | |
and are not a fit subject for comedy | 0:08:06 | 0:08:09 | |
unless there's the possibility of broadsheet newspaper coverage | 0:08:09 | 0:08:12 | |
and broadcaster interest. | 0:08:12 | 0:08:13 | |
LAUGHTER | 0:08:13 | 0:08:15 | |
I think the first time that I learned about death... | 0:08:21 | 0:08:25 | |
..was from the death of my pet mouse | 0:08:26 | 0:08:29 | |
which was given to me by my uncle when I was six. | 0:08:29 | 0:08:33 | |
I say uncle - he was a man I met at a bus stop. | 0:08:35 | 0:08:37 | |
But he said he was my uncle... | 0:08:42 | 0:08:44 | |
..and his pockets were full of mice. | 0:08:46 | 0:08:48 | |
At least he said they were mice. | 0:08:53 | 0:08:55 | |
I mean, they squeaked. | 0:08:58 | 0:08:59 | |
But, you know, I loved that mouse, | 0:09:02 | 0:09:04 | |
and as a child, I sort of imagined the mouse | 0:09:04 | 0:09:06 | |
had some kind of relationship with me. | 0:09:06 | 0:09:09 | |
This is an extract from my childhood diary. | 0:09:09 | 0:09:14 | |
1976. I was eight years old. | 0:09:16 | 0:09:18 | |
"Mum and I are a single-parent family now... | 0:09:22 | 0:09:24 | |
"..not that that matters... | 0:09:28 | 0:09:29 | |
"..because every night, after school, | 0:09:31 | 0:09:34 | |
"I tell my mouse about my day, | 0:09:34 | 0:09:36 | |
"my worries and my concerns. | 0:09:36 | 0:09:38 | |
"And he lies on the floor, | 0:09:40 | 0:09:42 | |
"scratching and eating and making smells... | 0:09:42 | 0:09:44 | |
"..and then he turns his back on me | 0:09:46 | 0:09:47 | |
"and goes off and urinates in the corner. | 0:09:47 | 0:09:50 | |
"It's just like before Dad left." | 0:09:52 | 0:09:54 | |
LAUGHTER | 0:09:54 | 0:09:58 | |
Erm...you know, looking back, | 0:10:02 | 0:10:04 | |
I think that was a bit unfair of the eight-year-old me. | 0:10:04 | 0:10:09 | |
My father was a very funny man, and he... | 0:10:09 | 0:10:12 | |
You know, I admired him enormously. He lived for the weekend. | 0:10:13 | 0:10:16 | |
And...at the weekend, he would spend the whole weekend in his flat | 0:10:16 | 0:10:21 | |
wearing just a pair of leopard-skin Speedo swimming trunks | 0:10:21 | 0:10:25 | |
eating only little pots of jam | 0:10:25 | 0:10:27 | |
that he'd stolen from Dutch hotel rooms... | 0:10:27 | 0:10:30 | |
..watching only documentaries about Hitler | 0:10:31 | 0:10:34 | |
and pausing only to go out into the garden | 0:10:34 | 0:10:36 | |
to throw stones at cats. | 0:10:36 | 0:10:38 | |
Or to look through a crack in the curtains | 0:10:38 | 0:10:40 | |
at women passing in the street outside | 0:10:40 | 0:10:42 | |
through a high-powered telescope. | 0:10:42 | 0:10:44 | |
As a younger man, I wondered if my father had been truly happy. | 0:10:46 | 0:10:50 | |
And now, as a middle-aged man, | 0:10:51 | 0:10:54 | |
I realised he was happier than I will ever be. | 0:10:54 | 0:10:57 | |
LAUGHTER | 0:10:57 | 0:11:00 | |
APPLAUSE | 0:11:00 | 0:11:02 | |
It's those little pots of jam I remember - he loved those. | 0:11:02 | 0:11:05 | |
No, he really loved these little... He loved jam. | 0:11:05 | 0:11:07 | |
He loved...he loved jam. | 0:11:07 | 0:11:09 | |
He did. He loved jam. He absolutely loved jam. | 0:11:10 | 0:11:12 | |
He loved all the different kinds of jam. | 0:11:12 | 0:11:15 | |
LAUGHTER | 0:11:15 | 0:11:17 | |
Plain. | 0:11:24 | 0:11:25 | |
LAUGHTER | 0:11:25 | 0:11:28 | |
Plain jam. He liked plain jam. | 0:11:30 | 0:11:33 | |
He liked jam, but he didn't really like the fruit element. | 0:11:33 | 0:11:36 | |
The whole programme really comes across as | 0:11:43 | 0:11:45 | |
a sort of desperate attempt to convince people | 0:11:45 | 0:11:48 | |
that you're a genius when you're not, really. | 0:11:48 | 0:11:50 | |
You're a sort of cross between | 0:11:50 | 0:11:52 | |
-a reasonably intelligent person and an idiot. -Yeah. | 0:11:52 | 0:11:54 | |
It's a comedy about a man who would like to be thought of as a genius, | 0:11:54 | 0:11:58 | |
but isn't, and I'm aware of that. | 0:11:58 | 0:12:00 | |
I think that even applies to these interview bits. | 0:12:00 | 0:12:03 | |
-I mean, they're annoying. -Yeah. -They're very annoying. | 0:12:03 | 0:12:07 | |
They're used in the name of being interesting. | 0:12:07 | 0:12:09 | |
In an actual fact, the only people who could possibly like them | 0:12:09 | 0:12:13 | |
are people who have just enough brain to think they might be clever | 0:12:13 | 0:12:17 | |
-but not enough brain to realise they're not. -I know. | 0:12:17 | 0:12:20 | |
You know, they serve a purpose. | 0:12:20 | 0:12:22 | |
They have a flavour of cleverness about them, | 0:12:22 | 0:12:25 | |
but they're not doing anything | 0:12:25 | 0:12:26 | |
that a few bright colours swirling round | 0:12:26 | 0:12:30 | |
against a backdrop of forestry wouldn't achieve. | 0:12:30 | 0:12:33 | |
-They're much worse than Christmas lights. -Yeah. | 0:12:33 | 0:12:36 | |
But nowadays I'm a prisoner of sober parental responsibility, | 0:12:36 | 0:12:40 | |
but I look back on my father and he was an outlaw. | 0:12:40 | 0:12:45 | |
You know, he lived beyond the bounds of society. | 0:12:45 | 0:12:48 | |
The only thing stopping my father being regarded as | 0:12:48 | 0:12:51 | |
a countercultural icon | 0:12:51 | 0:12:53 | |
in the vein of Charles Bukowski or Serge Gainsbourg | 0:12:53 | 0:12:56 | |
is the fact that he had a Birmingham accent. | 0:12:56 | 0:12:58 | |
LAUGHTER | 0:12:58 | 0:13:00 | |
Which is weird cos he was from Truro. | 0:13:00 | 0:13:02 | |
OK. They're laughing at that. | 0:13:05 | 0:13:06 | |
Do you think that's all right, that joke? I don't know. | 0:13:06 | 0:13:09 | |
Cos it's getting laughs, | 0:13:09 | 0:13:11 | |
but it sort of breaks the truth of the story, doesn't it? | 0:13:11 | 0:13:13 | |
Do you know what I mean? | 0:13:13 | 0:13:16 | |
I think the thing is when you're doing sort of | 0:13:16 | 0:13:18 | |
serious kind of confessional-based stand-up that's about something, | 0:13:18 | 0:13:22 | |
I think you've got to put little light-hearted moments like that in, | 0:13:22 | 0:13:25 | |
otherwise it's just theatre, isn't it? | 0:13:25 | 0:13:28 | |
And no-one wants that. | 0:13:30 | 0:13:32 | |
LAUGHTER | 0:13:32 | 0:13:34 | |
That's why it has to be publicly subsidised. | 0:13:35 | 0:13:38 | |
OK, I don't even agree with that joke. Right? | 0:13:39 | 0:13:42 | |
I just did it to get in with them. Right? | 0:13:42 | 0:13:45 | |
I don't even agree. | 0:13:46 | 0:13:48 | |
God knows you don't need me to make the case | 0:13:48 | 0:13:52 | |
that art has no inherent value other than its financial worth. | 0:13:52 | 0:13:56 | |
We have John Whittingdale, the Culture Secretary for that. | 0:13:56 | 0:13:59 | |
A man who, if he were to see the aurora borealis | 0:14:02 | 0:14:05 | |
twinkling over a Scandinavian snowfield, | 0:14:05 | 0:14:08 | |
would see only a missed opportunity | 0:14:08 | 0:14:10 | |
for a public-private finance initiative. | 0:14:10 | 0:14:12 | |
A lot of...a lot of non-movers in the room there. | 0:14:19 | 0:14:22 | |
See that? | 0:14:22 | 0:14:24 | |
Kind of...I can see along the back there sort of... | 0:14:24 | 0:14:27 | |
I don't need to be regarded with suspicion | 0:14:27 | 0:14:31 | |
by members of my own audience for that...for that joke | 0:14:31 | 0:14:34 | |
cos I can go home and I can go on Twitter | 0:14:34 | 0:14:37 | |
and I can see all the young comics. | 0:14:37 | 0:14:39 | |
They hate me, but they're kind of obsessed with me. | 0:14:39 | 0:14:42 | |
They've been in live and seen that, | 0:14:42 | 0:14:43 | |
and they go, "Oh, he's lost it. It's really embarrassing. | 0:14:43 | 0:14:46 | |
"He's virtually dead. He's fucked. | 0:14:46 | 0:14:48 | |
"He's doing this joke about the public-private finance initiative. | 0:14:48 | 0:14:52 | |
"It's absolutely meaningless and it's not funny | 0:14:52 | 0:14:55 | |
"and it's not even a proper joke." | 0:14:55 | 0:14:57 | |
And, you know, whatever you think of it, it is a proper joke, that. | 0:14:57 | 0:14:59 | |
You may not find it funny, but it is a proper joke, that joke. | 0:14:59 | 0:15:02 | |
It is because it has the structure and rhythm of a joke, | 0:15:02 | 0:15:05 | |
so therefore it is a joke. | 0:15:05 | 0:15:06 | |
It is. It goes, nah-nah nah-nah, nah-nah nah-nah, nah-nah. | 0:15:06 | 0:15:10 | |
Nah-nah nah-nah nah-nah, nah-nah nah-nah, | 0:15:10 | 0:15:12 | |
public-private finance initiative. | 0:15:12 | 0:15:14 | |
LAUGHTER Right, that is a joke, see? | 0:15:14 | 0:15:16 | |
That's how a joke works. | 0:15:16 | 0:15:18 | |
APPLAUSE | 0:15:18 | 0:15:20 | |
That's getting applause, right? | 0:15:20 | 0:15:22 | |
What they mean when they go, "Oh, he's lost it. Oh, he's got..." | 0:15:24 | 0:15:26 | |
They mean it's not about living in a flat or something like that. | 0:15:26 | 0:15:30 | |
You know, it's about... I'm trying... | 0:15:30 | 0:15:32 | |
As usual, right, I'm about seven years ahead of the curve, right? | 0:15:32 | 0:15:37 | |
And the problem with being seven years ahead of the curve | 0:15:37 | 0:15:39 | |
is by the time everyone else has caught up with you, | 0:15:39 | 0:15:42 | |
they've forgotten that you did it in the first place. | 0:15:42 | 0:15:44 | |
It's better to be about three years ahead of the curve. | 0:15:44 | 0:15:47 | |
And I'm trying to do...I'm trying to, as usual, | 0:15:47 | 0:15:49 | |
I'm trying to take the form of this and do something with it, right? | 0:15:49 | 0:15:54 | |
Take it somewhere it's not been. | 0:15:54 | 0:15:55 | |
I'm using the shape of jokes, | 0:15:55 | 0:15:57 | |
but I'm trying to use them, | 0:15:57 | 0:15:59 | |
not as an obsolete joke-dying figure, | 0:15:59 | 0:16:02 | |
but as someone trying to strike at | 0:16:02 | 0:16:05 | |
the very heart of the moral bankruptcy | 0:16:05 | 0:16:08 | |
behind the free market philosophy, right? | 0:16:08 | 0:16:10 | |
Yeah, and you're not going to see that on Comedy Central. | 0:16:10 | 0:16:14 | |
And if you do, which you won't, | 0:16:14 | 0:16:16 | |
it'll be coming out the mouth of | 0:16:16 | 0:16:18 | |
a 30-something wannabe panel show team captain | 0:16:18 | 0:16:21 | |
unconsciously plagiarising me | 0:16:21 | 0:16:23 | |
as part of an unacknowledged oedipal struggle. | 0:16:23 | 0:16:25 | |
LAUGHTER AND APPLAUSE | 0:16:25 | 0:16:28 | |
Of which there can only be one winner - | 0:16:28 | 0:16:32 | |
a 47-year-old man with irritable bowel syndrome. | 0:16:32 | 0:16:37 | |
There's a joke about the Culture Secretary, John Whittingdale... | 0:16:37 | 0:16:40 | |
-Yeah. -..being such a philistine | 0:16:40 | 0:16:42 | |
that if he saw the northern lights, | 0:16:42 | 0:16:45 | |
he'd think, "Oh, there's a missed opportunity | 0:16:45 | 0:16:47 | |
-"for a public-private finance initiative." -Yeah. | 0:16:47 | 0:16:50 | |
-That's the joke, isn't it? -I know, yeah. | 0:16:50 | 0:16:52 | |
-However... -Yeah. -..it doesn't make any sense. | 0:16:52 | 0:16:54 | |
No, I know. I know, I know, I know that, | 0:16:54 | 0:16:57 | |
and I kept thinking, "Oh, I must change that." | 0:16:57 | 0:16:59 | |
Then the next thing I knew I was on stage saying it | 0:16:59 | 0:17:01 | |
and it was too late and it had been filmed... | 0:17:01 | 0:17:03 | |
Well, what the hell... I mean... | 0:17:03 | 0:17:05 | |
I know, it's a piece of utter, just, bullshit, the whole thing. | 0:17:05 | 0:17:08 | |
And then it goes back into this other thing about... | 0:17:08 | 0:17:11 | |
-It's infuriating. It's absolutely infuriating. -I know it is. | 0:17:11 | 0:17:13 | |
Don't think I'm not ashamed of it. | 0:17:13 | 0:17:15 | |
I did a thing. It was rubbish. I meant to sort it out. I couldn't. | 0:17:15 | 0:17:18 | |
So I instead wrote another bit | 0:17:18 | 0:17:20 | |
where it gave the impression that it was supposed to be rubbish anyway. | 0:17:20 | 0:17:23 | |
You know what? That's what I do, and I'm aware of it. | 0:17:23 | 0:17:25 | |
I'm aware of the hypocrisy of it, the repetitive nature of it | 0:17:25 | 0:17:29 | |
and the fact that it's a one-size-fits-all escape route | 0:17:29 | 0:17:31 | |
for any error and failure and lack of effort, and I feel... | 0:17:31 | 0:17:35 | |
-You feel proud of it. -No, I don't feel proud of it. | 0:17:35 | 0:17:37 | |
-The way you're talking now, you do. -No, I don't. | 0:17:37 | 0:17:39 | |
-Yeah, but you actually do. -I feel like my whole life | 0:17:39 | 0:17:41 | |
I've been winging it from one chance to the next, | 0:17:41 | 0:17:44 | |
and you unravel it every now and again, | 0:17:44 | 0:17:48 | |
and I think how lucky I've been. | 0:17:48 | 0:17:50 | |
But you probably walk away | 0:17:52 | 0:17:53 | |
-sniggering about the whole thing, don't you? -Yeah, yeah, yeah. Yeah. | 0:17:53 | 0:17:56 | |
My childhood diary again from... | 0:17:57 | 0:18:00 | |
..1978. December. | 0:18:02 | 0:18:04 | |
It was a cold December, I remember. | 0:18:04 | 0:18:07 | |
Back when we used to have weather. | 0:18:07 | 0:18:09 | |
Rather than just nothing punctuated by catastrophes. | 0:18:10 | 0:18:13 | |
LAUGHTER | 0:18:13 | 0:18:16 | |
"Today, I came home from school, | 0:18:24 | 0:18:28 | |
"let myself in with the key from under the flowerpot, | 0:18:28 | 0:18:33 | |
"and I saw that the mouse was obviously dead..." | 0:18:33 | 0:18:36 | |
AUDIENCE MEMBER LAUGHS | 0:18:36 | 0:18:38 | |
LAUGHTER | 0:18:38 | 0:18:41 | |
In the serious confessional stand-up show, | 0:18:44 | 0:18:47 | |
the laugh point is at the point | 0:18:47 | 0:18:48 | |
where the comedian processes the tragedy into comedy - | 0:18:48 | 0:18:51 | |
not at the point of the tragedy itself. | 0:18:51 | 0:18:54 | |
LAUGHTER | 0:18:54 | 0:18:57 | |
You know what your problem is? You're ahead of the curve. | 0:18:57 | 0:19:00 | |
"There was blood in the mouse's mouth | 0:19:07 | 0:19:09 | |
"and his neck had got twisted | 0:19:09 | 0:19:11 | |
"as he tried to bite his way through a bar of his cage. | 0:19:11 | 0:19:14 | |
"I assumed he had been contented enough. | 0:19:16 | 0:19:18 | |
"I mean, he had a wheel. | 0:19:19 | 0:19:21 | |
"But it appears my mouse had been so depressed | 0:19:24 | 0:19:27 | |
"that he had killed himself while trying to escape. | 0:19:27 | 0:19:30 | |
"Sometimes I wonder how well can we ever really say we know anyone?" | 0:19:31 | 0:19:35 | |
A very wise little boy. | 0:19:39 | 0:19:42 | |
LAUGHTER | 0:19:42 | 0:19:44 | |
You know, now I'm older, | 0:19:45 | 0:19:47 | |
I wonder is that what gets us all in the end, you know? | 0:19:47 | 0:19:49 | |
A slow...creeping realisation of | 0:19:49 | 0:19:52 | |
the sheer pointlessness of existence. | 0:19:52 | 0:19:54 | |
Run, run, run... | 0:19:56 | 0:20:00 | |
..on your wheel... | 0:20:01 | 0:20:03 | |
..on your treadmill... | 0:20:05 | 0:20:07 | |
..but you can never outrun death. | 0:20:08 | 0:20:11 | |
Unsurprisingly, my pitch for | 0:20:15 | 0:20:16 | |
the Fitness First advertising account was... | 0:20:16 | 0:20:18 | |
LAUGHTER | 0:20:18 | 0:20:21 | |
..was rejected out of hand, | 0:20:23 | 0:20:25 | |
as were all my other...subsequent attempts. | 0:20:25 | 0:20:29 | |
"Fitness First - | 0:20:30 | 0:20:32 | |
"run, jump, | 0:20:32 | 0:20:35 | |
"swim, cycle, | 0:20:35 | 0:20:39 | |
"die." | 0:20:39 | 0:20:40 | |
LAUGHTER | 0:20:40 | 0:20:42 | |
"Fitness First - | 0:20:44 | 0:20:46 | |
"postponing the inevitable since 1993." | 0:20:46 | 0:20:49 | |
"Fitness First - | 0:20:54 | 0:20:56 | |
"a series of increasingly futile gestures | 0:20:56 | 0:20:58 | |
"in the laughing face of mortality." | 0:20:58 | 0:21:00 | |
"Fitness First - | 0:21:06 | 0:21:07 | |
"why not book a one-to-one session | 0:21:07 | 0:21:09 | |
"with one of our fully qualified personal trainers? | 0:21:09 | 0:21:12 | |
"And then die." | 0:21:12 | 0:21:14 | |
LAUGHTER | 0:21:14 | 0:21:16 | |
All rejected. Rejected out of hand. | 0:21:17 | 0:21:20 | |
My childhood diary again. The same night, this is. | 0:21:23 | 0:21:26 | |
"Mum helped me bury the mouse in a sock in a shoebox | 0:21:29 | 0:21:33 | |
"in the back garden... | 0:21:33 | 0:21:35 | |
"..and then she went out to night school. | 0:21:36 | 0:21:38 | |
"When my mum came home, | 0:21:40 | 0:21:42 | |
"she said a woman at college had told her that mice hibernate." | 0:21:42 | 0:21:45 | |
LAUGHTER I know. They don't, do they? | 0:21:45 | 0:21:48 | |
They don't hibernate. | 0:21:48 | 0:21:49 | |
But, you know, I always admired that about her, | 0:21:49 | 0:21:52 | |
her hope, her hope in... | 0:21:52 | 0:21:54 | |
"My mum insisted we dig up the mouse's now damp and frozen body, | 0:21:57 | 0:22:02 | |
"hang the mouse in a sock in the cupboard, | 0:22:02 | 0:22:06 | |
"stick some brandy into the mouse's clearly dead, blood-filled mouth... | 0:22:06 | 0:22:10 | |
"..and blow-dry him with a hairdryer." | 0:22:11 | 0:22:13 | |
LAUGHTER | 0:22:13 | 0:22:16 | |
And I remember the mouse's fur all sort of fluffed up round his neck | 0:22:16 | 0:22:20 | |
like a weird kind of...ruff | 0:22:20 | 0:22:22 | |
or sort of long-hair kind of weird collar thing, | 0:22:22 | 0:22:25 | |
and it had the strange effect of making the mouse | 0:22:25 | 0:22:27 | |
look exactly like Dave Hill from Slade. | 0:22:27 | 0:22:29 | |
LAUGHTER | 0:22:29 | 0:22:32 | |
The dead mouse looked exactly like Dave Hill from Slade | 0:22:32 | 0:22:35 | |
if Dave Hill from Slade had been dressed up | 0:22:35 | 0:22:38 | |
in a full-size mouse costume, | 0:22:38 | 0:22:40 | |
hung up in a massive sock, | 0:22:40 | 0:22:43 | |
blow-dried with a giant blow dryer | 0:22:43 | 0:22:45 | |
and had had a weird mixture of blood and brandy pouring out of his mouth. | 0:22:45 | 0:22:49 | |
A situation which, I now learn, | 0:22:50 | 0:22:52 | |
given the now well documented excesses of the glam rock era, | 0:22:52 | 0:22:55 | |
Dave Hill from Slade enjoyed backstage on a number of occasions. | 0:22:55 | 0:22:58 | |
LAUGHTER | 0:22:58 | 0:23:01 | |
Well, I came down the next morning, and you know what? | 0:23:04 | 0:23:06 | |
Despite the so-called certainties of science... | 0:23:06 | 0:23:09 | |
..despite my cynicism, despite having been pronounced dead, | 0:23:11 | 0:23:16 | |
buried and exhumed... | 0:23:16 | 0:23:18 | |
..hung in a sock, blow-dried, fed brandy | 0:23:20 | 0:23:24 | |
until he looked like Dave Hill from Slade, | 0:23:24 | 0:23:27 | |
that little mouse, which I had cherished, | 0:23:27 | 0:23:30 | |
which had been almost like a father substitute to me, | 0:23:30 | 0:23:33 | |
was obviously fucking dead. It was obviously dead. | 0:23:33 | 0:23:37 | |
LAUGHTER | 0:23:37 | 0:23:40 | |
Maybe the alcohol killed it. | 0:23:42 | 0:23:44 | |
Maybe it was hibernating and it came round | 0:23:45 | 0:23:47 | |
and then died from alcohol poisoning. | 0:23:47 | 0:23:49 | |
We'll never know. | 0:23:49 | 0:23:50 | |
They don't do pathology reports for mice. | 0:23:52 | 0:23:55 | |
There are no pathologists small enough. | 0:23:57 | 0:24:00 | |
LAUGHTER | 0:24:00 | 0:24:02 | |
There are no nano-pathologists. | 0:24:08 | 0:24:10 | |
No-no, no-no nano... | 0:24:12 | 0:24:15 | |
LAUGHTER | 0:24:15 | 0:24:18 | |
..no-no, nano, no-no, nano-pathologists. | 0:24:18 | 0:24:22 | |
I'll tell you why I've done that, right. | 0:24:26 | 0:24:28 | |
A lot of the kids, they've been on the internet | 0:24:29 | 0:24:31 | |
and they've been going, "Oh, he's lost it, he's blown it. | 0:24:31 | 0:24:34 | |
"You know, he's so dead and old, | 0:24:34 | 0:24:36 | |
"his idea of a pop culture reference is Slade from the '70s, right?" | 0:24:36 | 0:24:40 | |
So I put that in to try and bring it up to date. | 0:24:41 | 0:24:44 | |
You know, No Limits. | 0:24:44 | 0:24:45 | |
Ebeneezer Goode, all that, you know... | 0:24:50 | 0:24:52 | |
But it was a school day. | 0:24:57 | 0:24:59 | |
We were already running late, | 0:24:59 | 0:25:00 | |
and there simply wasn't time to rebury the mouse | 0:25:00 | 0:25:04 | |
with full ceremony in the garden. | 0:25:04 | 0:25:06 | |
And so my mum took the lifeless body of my mouse, | 0:25:06 | 0:25:10 | |
my best friend, my confidant... | 0:25:10 | 0:25:12 | |
..and she just threw it in the bin. | 0:25:14 | 0:25:15 | |
Which isn't so different, I suppose, to what will happen to many of us. | 0:25:17 | 0:25:21 | |
Wheel or no wheel. | 0:25:23 | 0:25:24 | |
Fitness First or no Fitness First. | 0:25:25 | 0:25:28 | |
Tomorrow and tomorrow and tomorrow | 0:25:30 | 0:25:35 | |
creeps in this petty pace | 0:25:35 | 0:25:38 | |
to the last syllable of recorded time. | 0:25:38 | 0:25:41 | |
And all our yesterdays have lighted fools the way to dusty death. | 0:25:42 | 0:25:47 | |
Out, out, brief candle. | 0:25:49 | 0:25:51 | |
Life's but a walking shadow, | 0:25:52 | 0:25:54 | |
a poor player that struts and frets his hour upon the stage | 0:25:54 | 0:25:59 | |
and then is heard no more. | 0:25:59 | 0:26:00 | |
It is a tale told by an idiot | 0:26:02 | 0:26:06 | |
full of sound and fury signifying nothing. | 0:26:06 | 0:26:11 | |
Free water bottle... | 0:26:14 | 0:26:16 | |
LAUGHTER | 0:26:16 | 0:26:19 | |
..with every Fitness First membership...until April | 0:26:19 | 0:26:23 | |
and then this offer must end! | 0:26:23 | 0:26:27 | |
APPLAUSE | 0:26:27 | 0:26:30 | |
# ..up on his sleigh | 0:26:39 | 0:26:42 | |
# Do the fairies keep him sober for a day? | 0:26:42 | 0:26:47 | |
# So here it is, Merry Christmas | 0:26:48 | 0:26:53 | |
# Everybody's having fun | 0:26:53 | 0:26:56 | |
# Look to the future now | 0:26:57 | 0:27:01 | |
# It's only just begun... # | 0:27:01 | 0:27:06 | |
MUSIC: Hilary by The Durutti Collection | 0:27:06 | 0:27:09 |