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-Aye, Toronto. -Aye, Toronto. | 0:00:05 | 0:00:08 | |
Jeez-o. | 0:00:08 | 0:00:10 | |
-Oh, my God. -What is it, honey? | 0:00:48 | 0:00:51 | |
It's my dad. | 0:00:51 | 0:00:53 | |
Oh, my God, look at him. He's got so old. | 0:00:53 | 0:00:57 | |
-Ah-ha-ha! -Ha-ha! | 0:01:00 | 0:01:02 | |
Dad! How are you? | 0:01:02 | 0:01:05 | |
Oh, you old bugger, you had me going. | 0:01:05 | 0:01:08 | |
Look at youse two. Tony boy. | 0:01:08 | 0:01:10 | |
Well, listen. I hope you don't mind, I've brought Victor with me. | 0:01:10 | 0:01:13 | |
Oh, Dad! That's a bit much. | 0:01:13 | 0:01:16 | |
I wish you'd mentioned to me. | 0:01:16 | 0:01:19 | |
Oh...Jesus! | 0:01:21 | 0:01:23 | |
Just kiddin'. | 0:01:23 | 0:01:25 | |
Aye, I just about shat myself there. | 0:01:25 | 0:01:28 | |
-This is the bollocks, in't it? -Aye. | 0:01:32 | 0:01:34 | |
It's like Hollywood. | 0:01:34 | 0:01:36 | |
I'm no going hame. | 0:01:36 | 0:01:39 | |
Size of that bloody telly... Oh, there's the boys. | 0:01:39 | 0:01:42 | |
-There you go, Grandad. -Thank you, Jack. -Here you go, Mr McDade. -Call me Victor. | 0:01:42 | 0:01:48 | |
Tennents! Nice touch. Where did your father get these? | 0:01:48 | 0:01:51 | |
There's a great shop in the mall. Wanted to make you feel at home. | 0:01:51 | 0:01:56 | |
That's smashing, Tony. Your health. | 0:01:56 | 0:01:58 | |
Yous are big lads now, right enough, eh? Size of them. | 0:01:59 | 0:02:03 | |
-Do youse drink beer, do you? -No. -No. | 0:02:03 | 0:02:06 | |
Want to try some? Take a wee sip. | 0:02:06 | 0:02:08 | |
Fiona! There's the boys drinking beer! | 0:02:08 | 0:02:12 | |
Right, youse two. Wire in. You'll be starvin'. | 0:02:13 | 0:02:18 | |
It's pastrami sandwiches there, coleslaw, dills and chips. | 0:02:18 | 0:02:22 | |
Very American. I've always wanted to say, | 0:02:22 | 0:02:25 | |
"Give me a pastrami on rye... and hold the, um..." | 0:02:25 | 0:02:29 | |
-"hold the..." That stuff that looks like salad cream. -Mayo. -"..mayo." | 0:02:29 | 0:02:34 | |
-Lovely. -Cannae believe you're here, Dad. It's so good to see you. | 0:02:34 | 0:02:38 | |
Good to see you too, darlin'. | 0:02:38 | 0:02:40 | |
-First things first, you'll be wanting a wee sleep. -Oh, no, no, no, no. | 0:02:40 | 0:02:44 | |
-I'm high on adrenaline. I'm that happy to be here. Victor? -Och, I'll no sleep. | 0:02:44 | 0:02:49 | |
Well, it's up to you. I've made a list of things you might want to see. | 0:02:49 | 0:02:54 | |
Oh, aye. | 0:02:54 | 0:02:56 | |
-There you go. -You know, the CN Tower, Niagara Falls, the touristy stuff an' that. | 0:02:56 | 0:03:01 | |
Aye, that sounds smashing. Eh, Victor? | 0:03:01 | 0:03:04 | |
LOUD SNORING | 0:03:04 | 0:03:06 | |
I'll go and get his bed ready. | 0:03:06 | 0:03:09 | |
-Darlin', would it be all right if I used your phone? It's just I promised them we'd phone. -Who? | 0:03:09 | 0:03:14 | |
-The Clansman. -A pub?! You're phoning a pub to let them know you've arrived safely! | 0:03:14 | 0:03:19 | |
-Aye, is that daft, is it? -No if you don't think it is. | 0:03:19 | 0:03:23 | |
Dial 00 44 141, then the number. | 0:03:23 | 0:03:26 | |
Och, I'll do it. | 0:03:26 | 0:03:29 | |
What's the number? | 0:03:30 | 0:03:32 | |
-496 0009. -..There you are. | 0:03:32 | 0:03:36 | |
Right, ta. Oh, that's it ringing. | 0:03:36 | 0:03:38 | |
PHONE RINGS | 0:03:38 | 0:03:40 | |
-Clansman. -Hello, Bobby. It's Jack here. | 0:03:42 | 0:03:46 | |
-Jack? -Just calling to say we've arrived safe. That's us landed safe. | 0:03:46 | 0:03:50 | |
Oh, hallelujah, you're safe(!) I mean, when was it you left, yesterday? | 0:03:50 | 0:03:55 | |
You've landed noo and you're safe(!) | 0:03:55 | 0:03:58 | |
Oh, well, thank God, we were worried sick(!) Everyone, it's Jack and Victor, they're safe! | 0:03:58 | 0:04:04 | |
-You bastard, put Winston on. -Winston! | 0:04:04 | 0:04:07 | |
It's Jack. They're safe(!) | 0:04:07 | 0:04:10 | |
-Gie me that phone, ya dick. -Give Victor a big kiss for me, Jack. | 0:04:10 | 0:04:14 | |
God speed, Jack. God speed. | 0:04:14 | 0:04:16 | |
Jack. Jack, you're safe! | 0:04:17 | 0:04:20 | |
-Don't you bloody start. -I'm not. How's your family? | 0:04:20 | 0:04:23 | |
They're fine and dandy. ..Winston. | 0:04:23 | 0:04:25 | |
-What time is it there? -I dunno. Back o' ten. | 0:04:25 | 0:04:29 | |
-At night? -Aye. | 0:04:29 | 0:04:31 | |
-It's only the back of five here. -Is it? -Aye. That means when you go to bed I'll still have the whole night. | 0:04:31 | 0:04:36 | |
-Aye. -See first thing in the morning, I'll be getting up... -Aye, aye, Jack, the world's round. What is it? | 0:04:36 | 0:04:42 | |
-Have you a pen there? -Aye. Isa! | 0:04:42 | 0:04:44 | |
-Have you got a pen? -'Right, OK.' | 0:04:44 | 0:04:47 | |
-This is where we're gonna be, so write this doon in case. -In case of what? In case your granda dies? | 0:04:47 | 0:04:53 | |
-No, I dunno. In case the house burns down or whatever. -Aye, OK. | 0:04:53 | 0:04:58 | |
Right, go. | 0:04:58 | 0:05:00 | |
It'll be 001, right? And then it's...555 | 0:05:00 | 0:05:05 | |
572 7224. | 0:05:05 | 0:05:09 | |
-Did you hear that? -Aye. -Right, OK, the address - | 0:05:09 | 0:05:13 | |
1009, | 0:05:13 | 0:05:16 | |
1009, uh-huh. | 0:05:16 | 0:05:18 | |
1009, Jack. | 0:05:19 | 0:05:22 | |
-SNORING -Jack? | 0:05:24 | 0:05:28 | |
INDIAN MUSIC | 0:05:29 | 0:05:31 | |
Have a good swatch. You're just gutted cos I've got all the moves. | 0:05:45 | 0:05:49 | |
Aye, just cos you cannae dance, you fat cow. | 0:05:54 | 0:05:58 | |
-Morning, Isa. -Morning, Navid. | 0:05:58 | 0:06:02 | |
-Oh, look at your hair, all fancy. -Aye, a wee shampoo and set oot o' Claire's this morning. | 0:06:02 | 0:06:08 | |
Classy. I wonder who this new look could be for, huh? | 0:06:08 | 0:06:12 | |
It is surely not for me, because sadly I am taken already with Naomi Campbell over there. | 0:06:12 | 0:06:17 | |
-Winston? -No. -Oh, gie us all peace, Isa. | 0:06:18 | 0:06:23 | |
You've been wittering on aboot him all week making that moon face. | 0:06:23 | 0:06:27 | |
-Oh, Winston. -I've not, have I? -Aye, you have. | 0:06:27 | 0:06:31 | |
-So are you two an item now? -No. ..Och, I don't know. | 0:06:31 | 0:06:35 | |
We have a right laugh together. And he loves his grub. | 0:06:35 | 0:06:39 | |
He's coming round to my place for his dinner the night. | 0:06:39 | 0:06:42 | |
No. Me and Winston? Naw! | 0:06:42 | 0:06:47 | |
-Ah, but maybe. -Well... Oh, jeez, here he's coming in the shop. Don't say a word about... -Of course not. | 0:06:47 | 0:06:53 | |
-Hello, Navid. -So I hear you and Isa are pumpin', eh? | 0:06:53 | 0:06:57 | |
-What? -Aw, you mad shagger, Isa told me. -Indeed I did not. | 0:06:57 | 0:07:01 | |
-I never said that, Vincent. -Does that make you feel proud, Navid? | 0:07:01 | 0:07:05 | |
Using that sort of language in front of an employee, hmm? | 0:07:05 | 0:07:09 | |
-Naw, sorry. -Prick. | 0:07:09 | 0:07:12 | |
-Aye, he's a prick. -Gie's my paper. | 0:07:12 | 0:07:14 | |
-I was thinking seven for dinner the night. -Oh, no, not the night. I'm playing dominoes with Eric and Tam. | 0:07:20 | 0:07:26 | |
Oh, and I've got a lovely big steak pie, you know? Oot o' Finlay's. | 0:07:26 | 0:07:31 | |
Finlay's? With the sausages through it? | 0:07:31 | 0:07:34 | |
-And the well-fired crust? -Oh, you should see it. -Aye, I will see it. I'm blowing Eric and Tam oot. | 0:07:34 | 0:07:41 | |
Oh, and you'd dae that for me? | 0:07:41 | 0:07:44 | |
-I'm no daein' it for you, I'm daein' it for the pie. -He-he-he! | 0:07:44 | 0:07:48 | |
He's daein' it for the pie. He-he! The pie! | 0:07:48 | 0:07:52 | |
-Dad? -Oh, I'm sorry, Fiona, have I woke you up? | 0:07:59 | 0:08:03 | |
No. Can you no sleep? | 0:08:03 | 0:08:06 | |
No, I got up about ten minutes ago... | 0:08:06 | 0:08:10 | |
bright as a button. Where do you keep your bloody tea? | 0:08:10 | 0:08:13 | |
-I'll get it. -I'll get it, here. Away you back to your bed. | 0:08:13 | 0:08:17 | |
Oh, no. | 0:08:17 | 0:08:19 | |
We'll have a wee gab. Catch up. | 0:08:19 | 0:08:22 | |
-It's good you've brung Victor with you. -Aye, aye. | 0:08:22 | 0:08:25 | |
He's a good pal to me. | 0:08:25 | 0:08:28 | |
-Is anything the matter? -No, no. I was just thinking... | 0:08:28 | 0:08:32 | |
-I cannae believe the boys. The bloody size of them. -I know. Steven starts high school next year. | 0:08:32 | 0:08:38 | |
-Aye, you done the right thing, moving out here. It's a rare place to bring weans up. -It's home noo. | 0:08:38 | 0:08:44 | |
# It's Canada day, up Canada way! # Morning! Where's the cornflakes? | 0:08:44 | 0:08:48 | |
Away back to your bed, you half-wit! It's three o'clock in the morning. | 0:08:48 | 0:08:52 | |
Come on. Come on. | 0:08:56 | 0:08:58 | |
ALL CHEER | 0:09:01 | 0:09:03 | |
Oh. | 0:09:03 | 0:09:05 | |
-What do we owe you for the tickets, boy? -Nothing. I get them through the company. -For nothing? -Aye. | 0:09:05 | 0:09:11 | |
Good, in't it? Smashing atmosphere. | 0:09:11 | 0:09:14 | |
Lovely and safe. Good family outing. | 0:09:14 | 0:09:17 | |
-Have you got ice hockey in Scotland, grandad? -Eh? Oh, aye, we have, Jack, | 0:09:17 | 0:09:21 | |
but, aye, naebody bothers with it. It's football over where we come fae, isn't that right? | 0:09:21 | 0:09:26 | |
We used to go to the fitba'. | 0:09:26 | 0:09:28 | |
We used to take a big carry-out - 12 bottles of beer. | 0:09:28 | 0:09:32 | |
A wee quarter-bottle each. | 0:09:32 | 0:09:35 | |
Course they didnae have seats then - you had to stand. Now and again there'd be a dodgy decision, | 0:09:35 | 0:09:40 | |
and then a sea of beer bottles would come over your head like that. | 0:09:40 | 0:09:44 | |
You could hear them whistling by your ears and you'd be praying somebody wasnae pissing up the back. | 0:09:44 | 0:09:49 | |
Mind this one time after a match. Oh, there was a running battle with folk all stabbing each other. | 0:09:49 | 0:09:55 | |
And we cut up this wee backstreet together, and just as we turned this corner, | 0:09:55 | 0:10:00 | |
this big fat bastard policeman hits me with his baton. | 0:10:00 | 0:10:04 | |
-Pow! You want to have seen the blood. -Oh, what a laugh it was. | 0:10:04 | 0:10:08 | |
-Ya beauty! -Ya bastardin' dumplin'! | 0:10:08 | 0:10:13 | |
-Jack, Victor, please. -Sorry, lads. -It's OK, Grandad. | 0:10:13 | 0:10:18 | |
-It's all right. -We should have had a wee punt on this game. | 0:10:18 | 0:10:22 | |
-Aye. -Tony, we should have had a bet on the game there. -You can't bet on the games. -Cannae put a line on? -No. | 0:10:22 | 0:10:28 | |
-That's a bit poor, is it no? -Aye, it's all very tame, in't it? -Aye. | 0:10:28 | 0:10:32 | |
-It's all about big business, you know? It's aimed at the families. -All the excitement's took oot it. | 0:10:32 | 0:10:37 | |
I mean, that boy's all padded. | 0:10:42 | 0:10:45 | |
-So, you and Isa going oot? -Eh? | 0:10:48 | 0:10:50 | |
-Naw. -Well, you're seein' a hell of a lot of her. | 0:10:50 | 0:10:54 | |
-Aye, well, so would you. -Oh, just sex, then. -No. | 0:10:54 | 0:10:58 | |
-Grub. -Grub! -Ooh, aye. | 0:10:58 | 0:11:00 | |
Best o' gear too, every time. The other night we had steak pie. | 0:11:00 | 0:11:05 | |
-Right. -Oot o' Finlay's. | 0:11:05 | 0:11:08 | |
-With the sausages through it? -Aye, the very same. | 0:11:08 | 0:11:12 | |
-I gonnae have to knock it on the head. -How do you mean? -Well, all this grub comes at a price, Eric. | 0:11:12 | 0:11:17 | |
-I'm no with you. -Well, it's Isa, in't it? You have to put up with her chat all the time. | 0:11:17 | 0:11:22 | |
Yak, yak, yak, yak, yak. | 0:11:22 | 0:11:25 | |
Oh, aye, and...yak, yak, yak, yak. | 0:11:25 | 0:11:28 | |
What's that other thing she does? | 0:11:28 | 0:11:30 | |
That's it, yak, yak, yak, yak, yak. | 0:11:30 | 0:11:33 | |
You see my dilemma, Eric. I'm a big fat greedy bastard. | 0:11:33 | 0:11:37 | |
-What if you had an emergency? -Keep talking. | 0:11:37 | 0:11:41 | |
Whenever you finish your grub, I phone you. | 0:11:41 | 0:11:44 | |
That would mean I'd have to have her up to mine, but that's no problem. | 0:11:44 | 0:11:48 | |
And I say, "I'm locked oot... and it's an emergency." | 0:11:48 | 0:11:52 | |
Eric, that's perfect. Right, 9.30. Call me at 9.30 - no later. | 0:11:52 | 0:11:57 | |
-I'll meet you in the Clansman for a pint. -On you? -On me? That's a given. | 0:11:57 | 0:12:01 | |
Right you, Wendy's Wonder, three quid on the nose. | 0:12:07 | 0:12:11 | |
What's that? | 0:12:11 | 0:12:12 | |
-What's what? -This. | 0:12:12 | 0:12:15 | |
-Sucking in through the teeth. -Fell at her last outing - no really living up to her early promise. | 0:12:15 | 0:12:21 | |
-Right, I'm away, OK? 9.30. -On the button, mind. -Aye. | 0:12:21 | 0:12:25 | |
-On the button. -Aye, OK. -What happens at 9.30? -Winston has asked me to phone him at 9.30 because... -Eric! | 0:12:25 | 0:12:31 | |
Why are you telling Stevie anything? | 0:12:31 | 0:12:34 | |
Stevie does not need to know a thing. Stevie is a bookie... | 0:12:34 | 0:12:38 | |
and that is all he is. | 0:12:38 | 0:12:40 | |
He does not need to know what happens tonight. Now you, 9.30. | 0:12:40 | 0:12:44 | |
You, Wendy's Wonder. Run along, Stevie boy. Trot on. | 0:12:44 | 0:12:48 | |
Wendy's Wonder. Third. | 0:12:48 | 0:12:51 | |
Second. | 0:12:51 | 0:12:53 | |
Pulled up. ..Fell. | 0:12:53 | 0:12:56 | |
Who are you, Stevie? John McCririck, eh? | 0:12:56 | 0:12:59 | |
Wendy's Wonder. Next race. Three quid. | 0:12:59 | 0:13:03 | |
On the nose. Ya tit. | 0:13:03 | 0:13:05 | |
-I thought I'd catch you in here. You wee monkey, gambling, eh? -Isa, you gave me a fright. | 0:13:05 | 0:13:10 | |
-What about mince and tatties th' night? -Smashing. Listen. | 0:13:10 | 0:13:14 | |
Here, I was going to say, why don't you come up to my house tonight? | 0:13:14 | 0:13:18 | |
See, I'm always o'er at yours watching your telly. A wee change of venue, eh? | 0:13:18 | 0:13:23 | |
-Oh, aye, that's smashing. It's a date. -Right. | 0:13:23 | 0:13:27 | |
Oh, Victor, are you still dealing with the jetlag? | 0:13:28 | 0:13:31 | |
Aye. Oh, it's a bugger. | 0:13:32 | 0:13:35 | |
-Did you enjoy the hockey match? -Oh, aye, it was smashing, aye. | 0:13:36 | 0:13:40 | |
Your da enjoyed himself an' all. | 0:13:40 | 0:13:42 | |
-What's Craiglang like noo? -Pardon my French, darlin', but... it's a shitehole. -Oh, is it? | 0:13:43 | 0:13:49 | |
Aye. It's no the place you remember. | 0:13:49 | 0:13:52 | |
Do you mind your maw used to take you to Mrs McCann's shop? | 0:13:55 | 0:13:58 | |
Aye. I'd sit on the counter and she'd give me a toffee apple. | 0:13:58 | 0:14:02 | |
Aye. That's all shutters noo. | 0:14:02 | 0:14:04 | |
Oh. | 0:14:04 | 0:14:06 | |
-Is that wee lane still there - gets you to the park? -Roseford Lane? -Aye. | 0:14:06 | 0:14:10 | |
Aye, that's a shooting-up gallery for the junkies now. You need a gun to go up that lane. | 0:14:10 | 0:14:16 | |
What do you think my would say if we asked him to come and live with us? | 0:14:20 | 0:14:24 | |
Eh, I don't know. | 0:14:26 | 0:14:29 | |
You gonnae ask him? | 0:14:29 | 0:14:31 | |
We're thinking aboot it. Do you think you could sound him out? | 0:14:31 | 0:14:34 | |
I don't think that's ma place, darlin'. | 0:14:34 | 0:14:38 | |
-But you're his best friend. -Aye, and you're his daughter. | 0:14:38 | 0:14:42 | |
You're talking about a family thing. | 0:14:42 | 0:14:44 | |
CHUCKLING | 0:14:44 | 0:14:46 | |
-Are you up an' all? -Hello, Dad. -Hi, doll. | 0:14:46 | 0:14:49 | |
Right, I'm off to my bed to stare at the ceiling. | 0:14:49 | 0:14:53 | |
Good night! | 0:14:53 | 0:14:55 | |
Or morning or middle or whatever. | 0:14:55 | 0:14:58 | |
-Oh, he's left tea there. -Me and Tony want you to stay, Dad. | 0:14:59 | 0:15:03 | |
Oh. | 0:15:03 | 0:15:05 | |
The summers are long, you could see the kids all the time, there's a lovely wee pub you'd love. | 0:15:05 | 0:15:12 | |
Tony thinks the world of you. | 0:15:12 | 0:15:14 | |
I knew that was coming. | 0:15:14 | 0:15:16 | |
Aye, you're right. It would be fantastic but... | 0:15:17 | 0:15:21 | |
-It's no for me. -Why? | 0:15:21 | 0:15:24 | |
Well...right... | 0:15:25 | 0:15:29 | |
See, years ago, before you were born... | 0:15:29 | 0:15:32 | |
me and your mother were going to emigrate to Canada. We'd signed all the papers - we were going. | 0:15:32 | 0:15:39 | |
-So what happened? -We couldnae dae it. | 0:15:39 | 0:15:41 | |
Our bottles crashed. Bottom line was we werenae the type. | 0:15:42 | 0:15:46 | |
Thousands went. Pals o' mine. | 0:15:46 | 0:15:50 | |
Family an' that. | 0:15:50 | 0:15:52 | |
But we didnae. | 0:15:52 | 0:15:55 | |
And then you were born. | 0:15:57 | 0:16:00 | |
And you grew up and you came. | 0:16:00 | 0:16:02 | |
Noo look at you. | 0:16:02 | 0:16:05 | |
I'm that bloody chuffed for you, so I am. | 0:16:05 | 0:16:08 | |
Ach, there's a time o' your life when you make those kind of decisions, you know? | 0:16:08 | 0:16:14 | |
My time for that's past. | 0:16:14 | 0:16:16 | |
Come oot here...I couldnae come oot here without your mother. | 0:16:16 | 0:16:20 | |
To start again? I'm no at the start. | 0:16:23 | 0:16:27 | |
Anyway, I've got to go hame. | 0:16:31 | 0:16:34 | |
I've still got eight pound left on my power card. | 0:16:34 | 0:16:37 | |
Noo, Sandy O'Brien's wife. I... | 0:16:48 | 0:16:53 | |
Now...Sandy O'Brien's wife. What of her? | 0:17:05 | 0:17:10 | |
PHONE RINGS | 0:17:10 | 0:17:11 | |
Who could that be? At this time! I wanted to hear that too. | 0:17:13 | 0:17:18 | |
I wanted a right good gab. Tch! | 0:17:18 | 0:17:21 | |
Hello! Who is this? ..Eric. | 0:17:24 | 0:17:27 | |
..At THIS time? | 0:17:27 | 0:17:30 | |
An emergency, you say? | 0:17:30 | 0:17:32 | |
Locked out. | 0:17:33 | 0:17:35 | |
How can I help? Yes, that's true, I did train as a locksmith but... | 0:17:35 | 0:17:40 | |
I never followed it through and ended up taking another career path. | 0:17:40 | 0:17:45 | |
I'll be right over. | 0:17:46 | 0:17:49 | |
Is that Eric? Is he all right? | 0:17:50 | 0:17:53 | |
No, he's locked oot. He needs my help. Let yourself oot. | 0:17:53 | 0:17:57 | |
You don't want me to wait here? | 0:17:57 | 0:18:00 | |
No, no. Locks take an awful long time. | 0:18:00 | 0:18:03 | |
-You better go to him. -See you after. | 0:18:03 | 0:18:06 | |
Yes. | 0:18:07 | 0:18:09 | |
Here, see when the waitress comes back...I'm going to slap her arse like they do in the movies. | 0:18:13 | 0:18:19 | |
Aye, that's what to do... | 0:18:19 | 0:18:21 | |
and me, my daughter, and my grandweans can watch her rip your arm off and batter your melt in. | 0:18:21 | 0:18:27 | |
Aye, right enough. She looks handy. | 0:18:27 | 0:18:29 | |
-What are you getting, boys? -A Gutbuster. -Each. | 0:18:29 | 0:18:33 | |
To share. | 0:18:33 | 0:18:35 | |
That looks big enough, aye. What's that you're having, darlin'? | 0:18:36 | 0:18:40 | |
-A Danish and a coffee. -Aye, you see, just like your mother, darlin', appetite of a sparrow. | 0:18:40 | 0:18:45 | |
What are you on? | 0:18:45 | 0:18:48 | |
Eight rashers of Canadian bacon, six sausages, eggs, hash browns, | 0:18:48 | 0:18:52 | |
round of toast, and a side of pancakes. THIS is the Lumberjack's Snack. | 0:18:52 | 0:18:57 | |
Eight rashers of bacon! That's a full packet. All you'll be fit for after that's your bed, eh? | 0:18:57 | 0:19:03 | |
-Nonsense. This'll set me up for the day. What you getting? -Eggs. | 0:19:03 | 0:19:07 | |
-Can you get just eggs? -Aye, you can. I didnae want anything else. | 0:19:07 | 0:19:11 | |
That'll be your eggs, then. | 0:19:12 | 0:19:14 | |
-There's a chicken firing eggs out its arse like a Tommy gun. -Dad! | 0:19:14 | 0:19:19 | |
I'll never eat all that. | 0:19:19 | 0:19:22 | |
LOUD BURP | 0:19:22 | 0:19:24 | |
Sorry. You wouldnae think you could eat nine eggs, would you? | 0:19:24 | 0:19:28 | |
-And half my bloody bacon. -Aye, sorry about that. | 0:19:28 | 0:19:31 | |
Look at this queue. What is it we're going up here for again? | 0:19:31 | 0:19:35 | |
-LIFT PINGS -Good point, Jack(!) | 0:19:35 | 0:19:38 | |
I've no idea why we're going up the world's tallest freestanding building(!) | 0:19:38 | 0:19:44 | |
Tallest freestanding building... | 0:19:44 | 0:19:46 | |
-I don't think I need to bother, I've done all the big heights. -When have you done the heights? | 0:19:46 | 0:19:52 | |
Eh... | 0:19:52 | 0:19:54 | |
-Well... -Come on. -The Rid Road flats. | 0:19:54 | 0:19:57 | |
Are you afraid to go up, Grandad? | 0:19:57 | 0:20:00 | |
Me? To go up there?! Oh, no, no, no. I'm quite happy to go up. | 0:20:00 | 0:20:04 | |
LIFT PINGS | 0:20:04 | 0:20:06 | |
Jack. | 0:20:12 | 0:20:14 | |
Hello and welcome to the CN Tower. | 0:20:16 | 0:20:19 | |
The world's tallest building and a wonder of the modern world. | 0:20:19 | 0:20:21 | |
We're riding in one of our six high-speed elevators which will be going up at 15mph or 22kmph. | 0:20:21 | 0:20:28 | |
Do you hear that, Jack? 22kmph we're travelling at. | 0:20:28 | 0:20:32 | |
-That's faster than the lift at Osprey Heights, eh? -Aye. | 0:20:32 | 0:20:35 | |
Are you all right, Dad? | 0:20:35 | 0:20:38 | |
LIFT PINGS | 0:20:38 | 0:20:40 | |
-Dad, what you doing? Come and look! -I can see all right fae here, aye. | 0:20:47 | 0:20:52 | |
Jack, they've got a glass floor. You can see all the way doon. | 0:20:52 | 0:20:56 | |
-Come on, Grandad. -Come on! -Come on, Grandad! -I'm fine here. I can see fine. Just leave me, I'm fine. | 0:20:56 | 0:21:02 | |
-Grandad's scared. -Grandad's scared. -That's just silliness now. | 0:21:02 | 0:21:06 | |
Jack, watch this! | 0:21:06 | 0:21:09 | |
-Scaredy cat! -Scaredy cat! | 0:21:09 | 0:21:11 | |
RETCHING | 0:21:11 | 0:21:13 | |
Calm, doon, it'll wash off. It's only a bit of sick, for God's sake. | 0:21:14 | 0:21:18 | |
Shite. Bobby! | 0:21:23 | 0:21:25 | |
-What? -Have you got another phone back there I can use? -Oh, aye. | 0:21:25 | 0:21:28 | |
I've got these wee Samsung P500. Oh...! | 0:21:28 | 0:21:32 | |
I nearly forgot. That's ma phone. | 0:21:32 | 0:21:36 | |
You use the punter phone. | 0:21:36 | 0:21:38 | |
-Come on, Bobby, it's urgent. -Who are phoning? -Winston. | 0:21:38 | 0:21:42 | |
Nah. | 0:21:42 | 0:21:43 | |
-I've got to phone him! -What's so urgent? -Isa's cooking him his dinner all the time noo. | 0:21:43 | 0:21:48 | |
Once he's eaten, he doesnae want to sit and listen to her shite, | 0:21:48 | 0:21:52 | |
-so I phone at 9.30 and say there's an emergency. -What's the number? | 0:21:52 | 0:21:57 | |
And she says to me, "I've been using caramel shortcake for years | 0:21:57 | 0:22:01 | |
"for socks and shawls and the like. | 0:22:01 | 0:22:04 | |
"And that there in your haund is a ball of caramel shortcake." Well, I turned it round. | 0:22:04 | 0:22:09 | |
There it was. Bold as you like - caramel shortcake. I don't mind telling you, I was mortified. | 0:22:09 | 0:22:14 | |
And then SHE sa... PHONE RINGS | 0:22:14 | 0:22:18 | |
Hello, Eric... Huh-hmm. ..Hello. | 0:22:19 | 0:22:23 | |
Hello, Winston. Enjoy your dinner? | 0:22:23 | 0:22:25 | |
-Hello, Eric. -'It's no Eric.' | 0:22:25 | 0:22:28 | |
-'It's Bobby.' -Yes, Eric. | 0:22:28 | 0:22:31 | |
-Put Isa on. -No. | 0:22:31 | 0:22:34 | |
I want to tell her how you cannae be daein' sitting aboot listen to all her... What was it, Eric? | 0:22:35 | 0:22:41 | |
-Shite. -Who smashed your windae? | 0:22:41 | 0:22:44 | |
I'm aboot to smash your wee windae. That poor woman cooking your dinner! | 0:22:44 | 0:22:48 | |
-I'll be right over. -Aye, to buy me a brandy. -Rightie-o, Eric. | 0:22:48 | 0:22:52 | |
Bye-bye! | 0:22:52 | 0:22:54 | |
-It's been great, innit? -Oh, aye. | 0:22:56 | 0:22:58 | |
I never thought I'd get to this age and still be seeing new places. | 0:22:58 | 0:23:02 | |
Aye, we're no done yet. We've still got Niagara Falls to see. | 0:23:02 | 0:23:06 | |
That's what you want to dae? Go hame? | 0:23:06 | 0:23:09 | |
Aye, she knows that noo. I've telt her, aye. | 0:23:09 | 0:23:12 | |
I'll no see Canada again. | 0:23:12 | 0:23:15 | |
-Well, she can visit you. -Aye, aye, I suppose so. | 0:23:15 | 0:23:20 | |
-Hi, guys. Great place, isn't it? -Oh, it's absolutely stunning, aye. | 0:23:20 | 0:23:24 | |
-Course we've got the real thing back home, haven't we? -The real thing? -Aye, a big place called Firhill. | 0:23:24 | 0:23:29 | |
-It's about twice the size of this place. -Really, wow. -Aye, | 0:23:29 | 0:23:33 | |
jam-packed every week it is. Smashing. See you now. | 0:23:33 | 0:23:37 | |
Away you go, you couple of lying old bastards. | 0:23:39 | 0:23:43 | |
I was brought up in Maryhill. | 0:23:43 | 0:23:46 | |
Anyway I'm seeing her at the bingo on Saturday after, Wins. We'll soon see if her nose is outta joint. | 0:23:49 | 0:23:55 | |
-Why are you looking at the clock? -I'm no. | 0:23:55 | 0:23:58 | |
No. Do you mind wee Kelly-Ann Reid? | 0:23:58 | 0:24:01 | |
Well, they don't want her taking up with this boy and they've told him not tae phone, but he keeps phoning. | 0:24:01 | 0:24:08 | |
Alison doesn't want a big rumpus, so she'd nae option but to pull the plug oot the phone, | 0:24:08 | 0:24:13 | |
and that way the phone couldnae ring. | 0:24:13 | 0:24:16 | |
-And I thought, "That's a smashing idea." -What did you dae that for? | 0:24:22 | 0:24:26 | |
To stop Eric phoning here with some emergency. | 0:24:26 | 0:24:30 | |
-What you on about? -I'm up here every night cooking your dinner, washing your plates, gein' you your tea, | 0:24:30 | 0:24:35 | |
-and at exactly half-past nine that phone rings... -No, it doesnae. | 0:24:35 | 0:24:40 | |
-..and you're out that door, so you don't have to sit and listen to ma pish. -No, I werenae. | 0:24:40 | 0:24:45 | |
Right, it's 9.35. What do you think's gonna happen when I plug that in? | 0:24:45 | 0:24:50 | |
..Nothin'. | 0:24:50 | 0:24:51 | |
PHONE RINGS | 0:25:02 | 0:25:04 | |
Pick it up! | 0:25:05 | 0:25:06 | |
Uh! | 0:25:17 | 0:25:18 | |
-Hello. -It's me, Eric. | 0:25:18 | 0:25:21 | |
Five bloody times I've tried to phone you and it just kept ringing oot. | 0:25:21 | 0:25:25 | |
-Right. -Anyway, blah, blah, blah. I've been mugged or whatever. | 0:25:25 | 0:25:29 | |
See you in the Clansman in five minutes. | 0:25:29 | 0:25:33 | |
Oh! | 0:25:33 | 0:25:35 | |
Absolutely staggering. | 0:25:38 | 0:25:41 | |
Aye, this must be my tenth time here. | 0:25:41 | 0:25:43 | |
Never tire of it. | 0:25:43 | 0:25:45 | |
Do you know what wastes it a wee bit, though? All they tacky touristy shops o'er there. | 0:25:48 | 0:25:53 | |
-I think it makes it look a wee bit Blackpooly. -Aye. | 0:25:53 | 0:25:57 | |
Look at that numpty o'er there with the daft hat on. | 0:25:58 | 0:26:02 | |
Fiona! Jack! What do you think? | 0:26:02 | 0:26:05 | |
-Nice. -Aye, lovely. Suit you. | 0:26:05 | 0:26:08 | |
Oh, didnae think I'd forget my old pal, did you? | 0:26:08 | 0:26:12 | |
That's smashing. Thanks very much. | 0:26:15 | 0:26:18 | |
-Right, who's for the Maid Of The Mist? -Me! -Me! | 0:26:18 | 0:26:22 | |
Naw, naw. We'll hang aboot here. Away you go and enjoy yourselves. | 0:26:22 | 0:26:25 | |
OK. Come on, you two. | 0:26:25 | 0:26:28 | |
Are you sure you don't want to stay, Dad? | 0:26:31 | 0:26:34 | |
Aye, I'm sure. | 0:26:34 | 0:26:37 | |
I've often wondered what it would've been like if me and yer maw had come oot here to stay. | 0:26:37 | 0:26:42 | |
Oh, that reminds me... | 0:26:43 | 0:26:45 | |
Mum's ring! | 0:26:48 | 0:26:50 | |
No, Dad, you keep it. | 0:26:50 | 0:26:53 | |
No, I brought it oot here for you to keep. | 0:26:53 | 0:26:57 | |
Oop. That was unfortunate. | 0:27:06 | 0:27:09 | |
Get your money in. Come on, Eric. Tackiest gift fae Jack and Victor wins the pot. | 0:27:41 | 0:27:46 | |
-Right, Eric. What did they get you? -They brought me a thermometer... | 0:27:46 | 0:27:49 | |
with a photo of Niagara Falls on it. Really shitty. | 0:27:49 | 0:27:53 | |
Nah. | 0:27:53 | 0:27:55 | |
-I could top that. -The floor's yours. | 0:27:55 | 0:27:58 | |
Rocky Mountain desert wine. | 0:27:58 | 0:28:01 | |
That's no tacky. That's no bad. | 0:28:01 | 0:28:05 | |
Gather round, gents. A shot glass emblazoned with the legend Canada. | 0:28:05 | 0:28:09 | |
-Aye, so what? Canada, big deal. -Ah, don't be so hasty. | 0:28:09 | 0:28:14 | |
Watch what happens when I place some booze into the glass. | 0:28:14 | 0:28:18 | |
There you go - a naked lady. | 0:28:22 | 0:28:25 | |
-That's very good. -That's no bad. | 0:28:25 | 0:28:28 | |
Oh, here, a naked woman. That's got ma temperature soarin'. | 0:28:28 | 0:28:32 | |
I'm roastin', I think I'll have to take my jacket off. | 0:28:32 | 0:28:36 | |
Niagra Falls! Come to me with that pot! | 0:28:37 | 0:28:42 | |
Sweet sherry, please, Bobby. | 0:28:42 | 0:28:44 | |
Oh, and boys... | 0:28:44 | 0:28:46 | |
ALL: Oh! | 0:28:48 | 0:28:50 | |
Thanking you. | 0:28:52 | 0:28:55 |