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-Oh. -CHUCKLES TO HIMSELF | 0:00:36 | 0:00:40 | |
-That's the one I've got. -Eh? That one? That's smashing. -Aye. | 0:00:40 | 0:00:45 | |
The Sharp 37-inch plasma widescreen. 100 Hertz tube, wall-mountable. It's the bollocks. What have you got? | 0:00:45 | 0:00:52 | |
Amstrad. Washed-oot colour, all fuzzy, 14-inch tube, 20-minute warm up. | 0:00:52 | 0:00:59 | |
-It's bollocks. -I see your dilemma. | 0:00:59 | 0:01:01 | |
Ever tried to watch a big horse race on a portable? Or the fitba'? | 0:01:01 | 0:01:08 | |
Hundreds of tiny wee men chasing a ball you cannae see? It's nae use. | 0:01:08 | 0:01:13 | |
-So what are you after, size-wise? -I don't know. How much is that? | 0:01:13 | 0:01:18 | |
-£2,700. -2,700? Right. Let's see now... | 0:01:18 | 0:01:23 | |
-I forgot. It's my arse that's lined with diamonds. -What about this one? | 0:01:23 | 0:01:28 | |
-How much is that? -599. How much were you looking to spend? | 0:01:28 | 0:01:33 | |
80 quid? Max. | 0:01:34 | 0:01:36 | |
Aye, well, there's an optician next door. Get a thicker pair of specs! | 0:01:36 | 0:01:42 | |
-Hi, Eric. Hi, Tam. -Jack, Victor. | 0:01:47 | 0:01:49 | |
-Here we go! Burke and Hare! -Shut your hole, Boabby. We'd no' rob your grave, we'd piss in it! | 0:01:49 | 0:01:56 | |
-Two pints of lager, ya prick, ye. -Two pies and a'. -Two pies? | 0:01:56 | 0:02:01 | |
-No steak pie at the funeral? That's the only reason you go. -Shut up. We went to pay our final respects. | 0:02:01 | 0:02:10 | |
-That's Billy Ferguson buried. -Aye. | 0:02:10 | 0:02:12 | |
-Bloody liberty. -What a way to go. | 0:02:12 | 0:02:16 | |
Heart attack, bad fa', deid. Lying at the back of the door eight days. | 0:02:16 | 0:02:21 | |
Aye. Dug eats you, baws first. Then the face. | 0:02:21 | 0:02:26 | |
-That's what dugs dae, apparently. -Aye, nothing left of Billy. | 0:02:26 | 0:02:31 | |
-Mind you, the dug had ballooned up tae double the size. -Full of Billy. | 0:02:31 | 0:02:36 | |
Must be smashing being your age. A wee pain, dug sitting like that... | 0:02:38 | 0:02:44 | |
A dug won't eat your baws. It's a wee fanny you've got. | 0:02:44 | 0:02:49 | |
Eric, you still looking for a hoose up oor block? Get onto the cooncil. There's wan lying empty now. | 0:02:49 | 0:02:56 | |
-Good call. I'll get up there tomorrow. -Here. Tae Billy. | 0:02:56 | 0:03:02 | |
-Tae Billy. -Pint of lager, Boabby. Hello, lads. -Hello, Winston. | 0:03:02 | 0:03:08 | |
-That's Billy planted. -Billy who? -Billy nae baws! | 0:03:08 | 0:03:14 | |
-What size was his telly? -Eh? -I was oot looking at tellies. Mine's nae use. It's too wee. | 0:03:14 | 0:03:20 | |
-And? -And I cannae afford it! They're too dear. | 0:03:20 | 0:03:25 | |
How can they justify a' that money for a telly? So I got this. | 0:03:25 | 0:03:30 | |
If you cannae afford a big telly, you can build one. | 0:03:30 | 0:03:34 | |
That's what to dae. While you're at it, build me one an' all, you daft tit! | 0:03:34 | 0:03:40 | |
Whit are ye's laughing at? How hard can it be if you've got the bits? Wires, plugs, valves. | 0:03:40 | 0:03:48 | |
Valves?! You dinnae get valves in tellies any mair. It's all...things. | 0:03:48 | 0:03:54 | |
-Electronicals. -That's right. And they've got the...um... | 0:03:54 | 0:03:58 | |
..the white light, the big light. | 0:03:58 | 0:04:01 | |
Wow! And you've no' been heid-hunted by Hitachi! | 0:04:01 | 0:04:06 | |
-Mark my words - nothing tae this. -TELEPHONE RINGS | 0:04:06 | 0:04:10 | |
Gonnae get that for us, Victor? | 0:04:10 | 0:04:13 | |
Hello, Clansman. ..John! Christ, I thought you were deid! | 0:04:23 | 0:04:28 | |
How have you been? ..Smashing! I'll tell them right away. Cheery-bye. | 0:04:28 | 0:04:33 | |
That was John Logie Baird. He says you're an arsehole! | 0:04:36 | 0:04:40 | |
KNOCK AT DOOR | 0:04:48 | 0:04:50 | |
-Yes? -Sign for this. -Oh, boy! Am I glad tae see you! | 0:04:56 | 0:05:01 | |
-How? What is it? -That, son, is a telly. -In an envelope? | 0:05:01 | 0:05:06 | |
-That's right. -Aye. Oh, Archie's comin' oot! | 0:05:06 | 0:05:10 | |
-Archie Taylor? -Aye! You'll no' go. Stay in and watch your envelope! | 0:05:10 | 0:05:15 | |
-No...I want tae see Archie comin' oot. Where's my coat? -Want a lift? | 0:05:15 | 0:05:21 | |
-You don't drive. -Aye, I dae. I've got a van. ..In here. | 0:05:21 | 0:05:27 | |
Shut up! | 0:05:27 | 0:05:30 | |
-Boabby! -Jack, Victor. -We were coming in for a pint. | 0:05:32 | 0:05:37 | |
-No' the noo. I'm shut. -For what? | 0:05:37 | 0:05:40 | |
I didnae get that flat. Archie got it. He's comin' oot. | 0:05:40 | 0:05:44 | |
-Whit?! -They're pulling down his old building. | 0:05:44 | 0:05:48 | |
-You'll never guess... -Archie's comin' oot! | 0:05:48 | 0:05:52 | |
Aye. How did youse know? | 0:05:52 | 0:05:55 | |
-I want tae get up there early, get a good look at him. -That's what tae dae, Isa(!) | 0:05:58 | 0:06:04 | |
-How long's he been in there? -Oh, he went in mid-Sixties. -Aye. That would be when you moved in. | 0:06:04 | 0:06:11 | |
-I used tae stay a couple of doors doon. -He's never set a foot ootside his hoose? -No, complete hermit. | 0:06:11 | 0:06:18 | |
-What does he dae for food? -Social Services pop up twice a week with messages and that. -Oh, aye. | 0:06:18 | 0:06:25 | |
Social Services will keep him up-to-date(!) Old tit. | 0:06:25 | 0:06:30 | |
Oh, he's up-to-date. Even a hermit knows you're a wanker, Boabby. | 0:06:30 | 0:06:35 | |
CHANTING: Archie! Archie! Archie! Archie! | 0:06:37 | 0:06:41 | |
Coming through, son. Winston, is he oot yet? | 0:06:41 | 0:06:46 | |
-Hello! Doon for a look at Rip Van Winkle? -Yeah. | 0:06:46 | 0:06:50 | |
-Archie! Archie! Archie! -He's no' comin' oot! | 0:06:50 | 0:06:55 | |
Oh! That's the last you've seen of they two! | 0:06:56 | 0:07:01 | |
Archie! Archie! Archie! | 0:07:01 | 0:07:03 | |
Oh! Here he comes! | 0:07:03 | 0:07:07 | |
-Archie boy! -Jack Jarvis? | 0:07:09 | 0:07:13 | |
-And Victor McDade! How are you? -How are YOU? | 0:07:13 | 0:07:17 | |
Aye, good. You used tae have a load of black hair. | 0:07:17 | 0:07:22 | |
-So did you. -Aye. | 0:07:23 | 0:07:26 | |
Funny, comin' oot. | 0:07:27 | 0:07:29 | |
-Now, Mr Taylor, your flittin's at three. -Aye. | 0:07:29 | 0:07:33 | |
-We've got a car arranged for you. We'll take you to your new flat. -It's oor block. -You're in wi' us! | 0:07:33 | 0:07:41 | |
Have a cup of tea. Your furniture will arrive in a couple of hours. | 0:07:41 | 0:07:46 | |
A couple of hours? | 0:07:46 | 0:07:48 | |
Is the Bay Horse still over there? | 0:07:49 | 0:07:52 | |
-It's called the Clansman noo, mate. -Aye, and it's still a shitehole! | 0:07:52 | 0:07:57 | |
-Now, listen, darling. I'm gonna go for a pint. Is that OK? -Of course. | 0:07:59 | 0:08:04 | |
-We'll give you a lift. -No! I'd like to walk. -That's all right, darling. | 0:08:04 | 0:08:09 | |
-We'll look efter him. -OK, here's your keys. | 0:08:09 | 0:08:14 | |
Welcome oot, Archie. We all clubbed together and got you a Big Mac and fries. | 0:08:14 | 0:08:21 | |
- Enjoy your meal. - Oh, aye. Thank you, son. | 0:08:23 | 0:08:28 | |
Mmm. | 0:08:30 | 0:08:32 | |
That was oot of this world. | 0:08:32 | 0:08:35 | |
-What was it? -Hamburger oot of McDonald's. -McDonald's? | 0:08:35 | 0:08:39 | |
-Is that a butcher's? -A butcher's? No, it's a fast food shop. They're all over the place. | 0:08:39 | 0:08:46 | |
-I could get used to them. -You and 30 billion others. | 0:08:46 | 0:08:50 | |
-See ootside? -Aye. -Where are a' the houses? -All pulled doon. | 0:08:51 | 0:08:56 | |
-Where are the people? -All pissed aff. -Who's the Prime Minister? | 0:08:56 | 0:09:02 | |
-Christ, you no' know that either? -Naw. -You ever get a paper? | 0:09:02 | 0:09:07 | |
Naw, I never take a paper. | 0:09:07 | 0:09:09 | |
-What aboot the telly? -I put my boot through that, 1966 World Cup. | 0:09:09 | 0:09:15 | |
That bastard Geoff Hurst! | 0:09:15 | 0:09:17 | |
-Stupid thing to do, really. -Not at all, no. I lost a good wireless. | 0:09:19 | 0:09:24 | |
-You've got a lot of catching up tae dae. -What's that? | 0:09:25 | 0:09:30 | |
These? | 0:09:30 | 0:09:33 | |
No' them, Boabby. They're optics. We had them since the war. That. | 0:09:33 | 0:09:38 | |
Oh, this? | 0:09:38 | 0:09:40 | |
- This...is a microwave. - Microwave? What does it do? | 0:09:40 | 0:09:46 | |
Feel that. | 0:09:50 | 0:09:52 | |
Aye. Cold pie. | 0:09:52 | 0:09:55 | |
MICROWAVE PINGS | 0:10:16 | 0:10:18 | |
Feel that noo. | 0:10:24 | 0:10:27 | |
- It's still cold. - Is it?! | 0:10:27 | 0:10:30 | |
MUSIC: Theme from THIS IS YOUR LIFE | 0:10:34 | 0:10:37 | |
Hey! | 0:10:59 | 0:11:01 | |
Ohh. Champion, isn't it? | 0:11:01 | 0:11:04 | |
Very nice. | 0:11:04 | 0:11:06 | |
-Whit's the sheet for? -This is the screen, where you see the picture. | 0:11:29 | 0:11:35 | |
-Explain to me again. How does it get on the wa'? -God! Ya Luddite! | 0:11:35 | 0:11:41 | |
Now, the reason you can see the TV picture from across the room is because it gives out lumens. | 0:11:42 | 0:11:49 | |
So... | 0:11:49 | 0:11:51 | |
What you dae is build a box round your telly, harness the lumens, | 0:11:51 | 0:11:56 | |
magnify them and project them onto a blank, white screen. Voila. Big bastard telly. | 0:11:56 | 0:12:03 | |
Very eloquent, very technical, aye. | 0:12:03 | 0:12:05 | |
-After this, I'm building another. -Whit for? -Anybody that wants one... | 0:12:05 | 0:12:10 | |
because once you see this baby in action, you'll all be wanting them! | 0:12:10 | 0:12:16 | |
-That's gieing you a big heid! -Shut up, Igor, and hit the lights. The monster is about to awake. | 0:12:16 | 0:12:24 | |
Oh, no. That's no' right. | 0:12:32 | 0:12:34 | |
Who is that? | 0:12:40 | 0:12:43 | |
-It looks like Kylie Minogue. -Aye. | 0:12:43 | 0:12:46 | |
See in real life? | 0:12:49 | 0:12:51 | |
She's totie. | 0:12:51 | 0:12:53 | |
Hey-ho. You fit? | 0:12:59 | 0:13:02 | |
Naw, I don't fancy comin' oot today, boys. | 0:13:02 | 0:13:05 | |
Eh? Aw, we're gonnae dae all sorts. | 0:13:05 | 0:13:08 | |
No, I'm feelin' a bit tired. | 0:13:08 | 0:13:11 | |
-Oh, come on. We'll get you one of them cheesy burgers. -Naw, I think I'll pass on that, if it's a' right. | 0:13:11 | 0:13:18 | |
-Aye. -Fine, aye. | 0:13:18 | 0:13:20 | |
-See you, then. -Bye. | 0:13:20 | 0:13:23 | |
-Tarzan. -Did you say Tarzan there? | 0:13:27 | 0:13:30 | |
Aye, Tarzan. | 0:13:30 | 0:13:32 | |
-Whit aboot him? -There's Tarzan, right. He lives in the jungle. | 0:13:32 | 0:13:37 | |
Brought up by animals. He only knows the law of the jungle. | 0:13:37 | 0:13:42 | |
Aye. Wi' his wee pal, Cheetah, the monkey. | 0:13:42 | 0:13:46 | |
-Then he gets taken to civilisation, but he doesnae fancy it. -Uh-huh? | 0:13:46 | 0:13:52 | |
So he goes back tae what he knows. He goes back tae the jungle! | 0:13:52 | 0:13:58 | |
Smashing, Victor. What in the name of Christ has that got to do with Archie? | 0:13:59 | 0:14:05 | |
-Jesus, Jack! Archie's Tarzan. -Don't talk pish! What is it you're on aboot? | 0:14:05 | 0:14:11 | |
Archie comes oot, he doesnae fancy it. He's away back in. He's nae mair than a shaved monkey! | 0:14:11 | 0:14:18 | |
-So Archie's Tarzan? -Aye! -His flat's the jungle. -Yes, sir! | 0:14:18 | 0:14:22 | |
So who's Cheetah the monkey? | 0:14:22 | 0:14:25 | |
-Naebody! Archie's aboot tae hole himself up again. -Aye, I know. | 0:14:25 | 0:14:30 | |
-A' thae years have passed, millions of things have happened. -Here, we'll go to the library. | 0:14:30 | 0:14:37 | |
-We'll get books, old newspapers and tell him everything that's happened since 1966. -Nae need. | 0:14:37 | 0:14:46 | |
-What is it now? -Right, Tarzan, this wummin wants a word with you. | 0:14:48 | 0:14:53 | |
And this...is yesterday's paper. | 0:15:36 | 0:15:39 | |
Imagine, Navid, a home cinema in your front room. You could go for a pish and no' miss the flick. | 0:15:45 | 0:15:52 | |
See, it's ma hoose. Nae couples practically shagging in front of you. Naebody gab-gab-gabbing. | 0:15:52 | 0:16:00 | |
-I take it Isa's no' invited. -No. | 0:16:00 | 0:16:03 | |
-Ah, quality. How much is it costing you? -Tenner. | 0:16:03 | 0:16:07 | |
Add me to the Doubting Thomases. You are an idiot. | 0:16:07 | 0:16:11 | |
Good. See you tonight. The main feature starts at eight. | 0:16:11 | 0:16:17 | |
-Feelin' a bit better after your sit-doon wi' Isa? -I am, Jack, I am. | 0:16:17 | 0:16:22 | |
She's got a gob on her, hasn't she? | 0:16:22 | 0:16:25 | |
I'll tell you, lads, for the first time, I'm enjoying bein' oot. | 0:16:31 | 0:16:36 | |
-Good. -That's smashing. Good-o. | 0:16:36 | 0:16:39 | |
-So, eh, what made you become a hermit? -Christ's sake, Boabby! | 0:16:39 | 0:16:44 | |
-Ya tackety-booted bastard! -It's OK, boys. The lad's just curious. | 0:16:44 | 0:16:49 | |
I was evacuated to a farm during the war. Lovely big place. | 0:16:49 | 0:16:55 | |
Way oot past Stirling. Quiet. | 0:16:55 | 0:16:58 | |
An auld couple looked after me. Really auld. | 0:16:59 | 0:17:04 | |
It was great. Every morning I'd help him feed the animals. | 0:17:04 | 0:17:09 | |
I'd my own horse. The whole thing. | 0:17:09 | 0:17:13 | |
Then we got news. My dad had been killed in Belgium. | 0:17:13 | 0:17:18 | |
Four months after that, ma maw died of TB. | 0:17:19 | 0:17:24 | |
I could have gone to my Uncle John's but my Auntie Betty wasnae keen. Didn't have any kids. | 0:17:24 | 0:17:30 | |
Must have liked it that way. So I grew up on a farm. | 0:17:30 | 0:17:35 | |
Of course, they died. | 0:17:36 | 0:17:38 | |
Aye, the farm wasnae mine, the bank took it, I came back here. | 0:17:40 | 0:17:45 | |
I got a hoose off the Corpie. It was like coming to New York! | 0:17:45 | 0:17:50 | |
There were cars everywhere, buses, music, factories, gangs runnin' aboot! | 0:17:50 | 0:17:56 | |
Comin' back from a farm, it was just too much. At first, I was goin' oot, to the shop an' that... | 0:17:56 | 0:18:03 | |
but that winter I got pneumonia and the social worker got involved. They were bringing the messages. | 0:18:03 | 0:18:10 | |
That was it. I got better, but I never went oot again. | 0:18:10 | 0:18:15 | |
One year, a wee moose came. | 0:18:16 | 0:18:19 | |
Lookin' for scraps an' that. | 0:18:19 | 0:18:21 | |
I was encouraging it, you know. | 0:18:21 | 0:18:24 | |
It was quite happy to run up your arm. I used to talk to it and imagine it talked back. | 0:18:24 | 0:18:31 | |
Every day it came, regular as clockwork. | 0:18:31 | 0:18:35 | |
-So did it die? -Aye. | 0:18:36 | 0:18:39 | |
It died. I was having my corn flakes one morning, pouring them in the bowl. | 0:18:39 | 0:18:45 | |
It turns out he'd been going every day as well, regular as clockwork. | 0:18:45 | 0:18:50 | |
The corn flakes had wee shit ba's all through it! I set a trap, snapped the wee bastard's back! | 0:18:50 | 0:18:57 | |
I still cannae look at a corn flake. | 0:18:59 | 0:19:02 | |
-Cola dae ye, Navid? -Aye, soft drink for me. | 0:19:04 | 0:19:08 | |
-DOORBELL -Are ye in? -Aye, I'm in. Still a couple of good seats left. | 0:19:08 | 0:19:13 | |
-We brought Archie, if that's OK? -Of course. -Here's beer, Winston. | 0:19:13 | 0:19:18 | |
I'll stick them in the fridge. Here. You come through here wi' me. | 0:19:18 | 0:19:23 | |
Right, you'll like this. | 0:19:23 | 0:19:26 | |
Noo... | 0:19:27 | 0:19:29 | |
-I bought this malt back in 1966. 14 quid it cost me back then. That was a lot of money. -No' half. | 0:19:30 | 0:19:37 | |
I was gonnae open it when England got beat, but needless to say it's still no' opened. | 0:19:37 | 0:19:44 | |
-Here's tae you, old chum. Out and about. -That's really nice, Winston. | 0:19:54 | 0:20:00 | |
That's a really nice thing you've done. Oot and aboot. | 0:20:00 | 0:20:05 | |
-Don't be touching that! -What are we watching? | 0:20:11 | 0:20:15 | |
A movie - Towering Inferno. | 0:20:15 | 0:20:18 | |
- Paul Newman's a fireman, Steve McQueen's an architect. - Other way aboot. | 0:20:18 | 0:20:24 | |
One mair, then I'm putting it away. | 0:20:24 | 0:20:27 | |
They arseholes aren't gettin' it. | 0:20:27 | 0:20:30 | |
-Is Fred Astaire no' in this? -Aye. -Don't talk pish. Fred Astaire wasnae in Towering Inferno. | 0:20:31 | 0:20:38 | |
-I'm sure he is. -Aye, right. He comes in and he goes like that. | 0:20:38 | 0:20:44 | |
-# Haud on the noo The building's on fire! # -Jack, he IS in it. | 0:20:44 | 0:20:50 | |
Seven-thirty... "Towering Inferno - '70s disaster classic. Steve McQueen, Paul Newman, | 0:20:53 | 0:21:00 | |
"William Holden and Fred..." Ah, ya...! | 0:21:00 | 0:21:03 | |
Wait a minute! | 0:21:03 | 0:21:06 | |
7.30! Christ, Winston, hurry up! This picture has started. | 0:21:06 | 0:21:11 | |
-Haud on. Navid, gie Archie your seat. -No, that's all right. -Ssh. You up, you sit doon. | 0:21:11 | 0:21:18 | |
-This is rerr. -Now, gentlemen, what you're about to witness... -Shut up! | 0:21:18 | 0:21:24 | |
-Turn it on. -Probably no' work. | 0:21:24 | 0:21:26 | |
-I need a pish. -Sit on your arse! Gentlemen, prepare to be amazed. | 0:21:26 | 0:21:32 | |
-Whit's goin' on? -Relax. It's just warming up. | 0:21:37 | 0:21:42 | |
-It's a pile of sh... -Ho! -CHEERING | 0:21:42 | 0:21:46 | |
-That's fantastic. -Like a picture hall! -I don't know what tae say. | 0:21:46 | 0:21:51 | |
Youse are clamped. Now the light is being refracted from the tube... | 0:21:51 | 0:21:57 | |
-Oh, there he is! Fred Astaire! Get it up you, Jack! -Shut your hole! | 0:21:57 | 0:22:03 | |
Crystal clear. | 0:22:03 | 0:22:05 | |
Look at that. Look at they flames. | 0:22:05 | 0:22:09 | |
-You're almost in amongst it. -Very realistic. -You can practically smell it. | 0:22:09 | 0:22:16 | |
Aye, cos your curtains are on fire. | 0:22:16 | 0:22:18 | |
Aw, Jeez! | 0:22:18 | 0:22:21 | |
Big-screen telly for a tenner! | 0:22:30 | 0:22:32 | |
Plus a set of curtains, a pelmet, hauf a carpet and a radiogram! | 0:22:32 | 0:22:38 | |
He's a dozy bastard! | 0:22:38 | 0:22:40 | |
-Ah, but it could have been a lot worse. -Aye. -Could have been, aye. | 0:22:40 | 0:22:46 | |
Aye, well, this is ma floor. | 0:22:47 | 0:22:49 | |
Thanks for a great night, lads. | 0:22:50 | 0:22:53 | |
Aw, no. | 0:22:54 | 0:22:57 | |
Aww, dear, oh, dear, oh, dear. | 0:23:02 | 0:23:06 | |
Bastards! Better phone the polis. | 0:23:06 | 0:23:09 | |
-We'll no' need the polis. -Whit's a' that? | 0:23:12 | 0:23:16 | |
-40 years' worth of Social money. -You should have that in the bank! | 0:23:16 | 0:23:21 | |
-I've no' been oot. -Aye, you should have it in the bank, Archie. -Aye. | 0:23:21 | 0:23:26 | |
I know. | 0:23:26 | 0:23:28 | |
That's a fortnight noo and naebody's seen him. | 0:23:30 | 0:23:34 | |
He's no' comin' back oot, is he? | 0:23:34 | 0:23:37 | |
First time in years he comes oot and his hoose is tanned! A liberty! | 0:23:37 | 0:23:42 | |
-Enough to turn anybody intae a hermit. -He was getting on so well. | 0:23:42 | 0:23:47 | |
-Aye, he was settling in nice, the pub and that. -I don't think it's right, locking yourself away. | 0:23:47 | 0:23:54 | |
-I've a good mind to go and say something to him. -I'm no' so sure. | 0:23:54 | 0:23:59 | |
Whit can you say to get him oot? | 0:23:59 | 0:24:02 | |
Listen to youse two. Get him oot tae what? Craiglang? | 0:24:02 | 0:24:06 | |
A shitehole of the first order. It's OK for us. We're used tae it. | 0:24:06 | 0:24:12 | |
It's hame for us. We don't know any better, but he's come oot, | 0:24:12 | 0:24:17 | |
looked at Craiglang and us and thought, "Stick it up your arse!" | 0:24:17 | 0:24:22 | |
I mean, pals are few and far between at oor age. | 0:24:23 | 0:24:27 | |
I think we should keep a watch oot for him or go up to the door and tell him he's making a big mistake. | 0:24:27 | 0:24:35 | |
-Aye. -Aye? -You're right, Jack. Come on. | 0:24:38 | 0:24:43 | |
Right, chap the door. | 0:24:49 | 0:24:51 | |
-Why? It was your idea! -You agreed. Chap it! -You! -YOU chap it! -YOU chap it! -Will you chap...?! | 0:24:52 | 0:25:00 | |
-Lads? -Look, Archie, is it your intention no' tae come oot again? | 0:25:00 | 0:25:05 | |
Before you answer, you'd be sadly missed. We were gettin' on well. | 0:25:05 | 0:25:10 | |
-Naw, I'm no' comin' oot, lads. -Think of all you're givin' up. | 0:25:10 | 0:25:16 | |
-What? -There's us, the park, the toon, the Clansman. | 0:25:16 | 0:25:20 | |
-OK, forget the Clansman. There's lots tae dae! -Lads, don't worry. | 0:25:20 | 0:25:26 | |
-I'm used to stayin' indoors. That's what I'm comfortable wi'. -Archie! | 0:25:26 | 0:25:32 | |
How can you be? It's a miserable existence. | 0:25:32 | 0:25:36 | |
Miserable existence? As you can see, I didnae bank the money. | 0:25:43 | 0:25:49 | |
And I'll no' go short of company. | 0:25:50 | 0:25:53 | |
-Oh. -So you've made your mind up, then? | 0:25:55 | 0:25:59 | |
I have, Jack, aye. | 0:25:59 | 0:26:01 | |
Come on. | 0:26:04 | 0:26:06 | |
Cheerio, lads. | 0:26:13 | 0:26:15 | |
Aye, Archie. | 0:26:15 | 0:26:17 | |
LOCKS ARE PUT ON | 0:26:19 | 0:26:22 | |
-I've left my bunnet. -We'll get you a new one. | 0:26:28 | 0:26:32 | |
-KNOCK AT FRONT DOOR -Och! Who's this now? | 0:26:33 | 0:26:37 | |
What is it? | 0:26:44 | 0:26:47 | |
-It's a parcel. You've tae sign for it. -You better bring it in here. | 0:26:47 | 0:26:52 | |
Stick it through here. | 0:26:52 | 0:26:55 | |
Right. Stick it there. | 0:26:56 | 0:26:58 | |
"Dear Winston, thanks for the dram. Leave the telly building to the Japs. Archie." | 0:27:07 | 0:27:14 | |
Oh, look, Chris. A telly in an envelope! | 0:27:21 | 0:27:25 | |
Subtitles by Subtext for BBC Broadcast - 2004 | 0:27:33 | 0:27:38 | |
E-mail us at: [email protected] | 0:27:39 | 0:27:42 | |
Archie? If you're no' comin' oot, can we no' come in? | 0:28:00 | 0:28:05 | |
-Lovely big telly. -Uh-huh. | 0:28:06 | 0:28:09 | |
And leather couches. Technically, you still would be a hermit. | 0:28:09 | 0:28:14 | |
-There's nothing to say a hermit can't have visitors. -Nothing at all. Archie? | 0:28:14 | 0:28:21 | |
I suppose that's that then, eh? | 0:28:28 | 0:28:30 | |
Aye. Fancy a pint at the Clansman? | 0:28:30 | 0:28:34 | |
Aye. | 0:28:35 | 0:28:37 |