Browse content similar to A Fresh Lick. Check below for episodes and series from the same categories and more!
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-Have you got this steady? -Aye, I've got you. | 0:00:35 | 0:00:38 | |
Okey-dokey, gie me the towel. | 0:00:38 | 0:00:40 | |
Look at that! Dirty miserable bastards. | 0:00:42 | 0:00:44 | |
Aye, it's all about saving money, you see? | 0:00:44 | 0:00:47 | |
Wee, low dingy light's cheap. | 0:00:47 | 0:00:50 | |
That's no' safe, having pensioners creepin' about in the half light | 0:00:50 | 0:00:54 | |
trying to get in and out their hooses. | 0:00:54 | 0:00:56 | |
Let's have a look and see what we've got here. | 0:00:56 | 0:00:59 | |
Oh, aye. There, you see? | 0:01:03 | 0:01:06 | |
25 watts. | 0:01:06 | 0:01:08 | |
Ooh, ya bastard! It's red hot that. | 0:01:10 | 0:01:13 | |
-Where are you? -Here. -Where's the bulb? | 0:01:13 | 0:01:16 | |
I'm offering it tae you. | 0:01:16 | 0:01:17 | |
-Where's yer haun'? -That's ma face! -Sorry! Right. Take the auld bulb. | 0:01:17 | 0:01:22 | |
-To me. -BULB SMASHING | 0:01:22 | 0:01:24 | |
Oh, shit! | 0:01:24 | 0:01:26 | |
Was that the good bulb or the shitey bulb? | 0:01:26 | 0:01:28 | |
-Shitey bulb. Here's the good bulb. -Right, aye. Got it. | 0:01:28 | 0:01:31 | |
Right. | 0:01:32 | 0:01:34 | |
-That's better, in't it? -Aye, aye. | 0:01:35 | 0:01:38 | |
It's no' too bright, is it? | 0:01:38 | 0:01:40 | |
No, no. Not at all. | 0:01:40 | 0:01:42 | |
-It's safe, is what it is. -Aye, it's safe, aye. | 0:01:42 | 0:01:45 | |
Jesus! You've got it bright enough in here, boys! | 0:01:52 | 0:01:55 | |
-What time do you call this? -I cannae see ma watch for the glare! | 0:01:55 | 0:01:59 | |
It's 12 o'clock, ya cheeky bastard. Where's our post? | 0:01:59 | 0:02:03 | |
I was in at half eight with the post. | 0:02:03 | 0:02:05 | |
Youse two didnae have any. I'm done for the day. | 0:02:05 | 0:02:08 | |
I came up tae see Isa. | 0:02:08 | 0:02:09 | |
For God's sake! | 0:02:11 | 0:02:14 | |
I cannae... What's going on? Have I died? | 0:02:14 | 0:02:16 | |
Right, Isa doll. Is that us agreed then? | 0:02:16 | 0:02:19 | |
Aye. See you, darlin'. | 0:02:19 | 0:02:21 | |
Where did you get the bulb, boys? Wembley? | 0:02:21 | 0:02:24 | |
Shut up ya tit. Navid's. | 0:02:24 | 0:02:26 | |
-That one dae you? -Aye, that's the fella. | 0:02:29 | 0:02:33 | |
-What's Chris daein' for you anyway? -Oh, he's just gonnae decorate my living room. | 0:02:33 | 0:02:39 | |
Eh? Isa, he's a postie... | 0:02:39 | 0:02:41 | |
and a shitey one at that! | 0:02:41 | 0:02:44 | |
Naw, he said he was a decorator before he became a postie. | 0:02:44 | 0:02:47 | |
Ri-i-ight. What's he wanting off you for that? | 0:02:47 | 0:02:50 | |
He's gonnae paper the living room and paint it for 160. | 0:02:50 | 0:02:55 | |
Eh? Aye, and that includes the paper and paint? | 0:02:55 | 0:02:59 | |
No, I've tae get the paper and paint. | 0:02:59 | 0:03:01 | |
Ach away, for Christ's sake! | 0:03:01 | 0:03:03 | |
Tell him to sling his bloody hook! | 0:03:03 | 0:03:06 | |
You do not want that shiftless bastard floatin' aboot your hoose, in your fridge... | 0:03:06 | 0:03:10 | |
In your cupboards...your wardrobe, | 0:03:10 | 0:03:13 | |
-your knicker drawer, going through your smalls... -That's plenty, Jack. | 0:03:13 | 0:03:16 | |
-We'll dae it fur you. -Oh! | 0:03:20 | 0:03:21 | |
How much? | 0:03:21 | 0:03:22 | |
We'll no' charge you anything. | 0:03:22 | 0:03:24 | |
Make sure there's plenty for eatin' an' we'll blast through it. | 0:03:24 | 0:03:28 | |
-Are you sure? -Aye, for God's sake. | 0:03:28 | 0:03:31 | |
What are neighbours for? | 0:03:31 | 0:03:33 | |
You've got two handymen on your doorstep. It'd be a pleasure, darlin'. | 0:03:33 | 0:03:37 | |
I suppose. | 0:03:37 | 0:03:39 | |
I'd be letting Chris doon, but. | 0:03:39 | 0:03:41 | |
Chris is a wanker. | 0:03:41 | 0:03:44 | |
-I like Chris. -Well, that's what to say to him, "Chris, I like you. I've always liked you. | 0:03:44 | 0:03:49 | |
"You're likeable. But Jack and Victor, they think you're a wanker, | 0:03:49 | 0:03:52 | |
-"so you'll no' be doin' any painting!" -Hmm. | 0:03:52 | 0:03:56 | |
I'll maybe think of something masel'. | 0:03:56 | 0:03:59 | |
Right, you come out...and you go in. | 0:03:59 | 0:04:05 | |
Ah! That's more like it, eh? | 0:04:06 | 0:04:08 | |
Much better. | 0:04:09 | 0:04:11 | |
Boaby, can we put a film on? | 0:04:13 | 0:04:16 | |
Aye, on you go. They're on the top shelf through the back. | 0:04:16 | 0:04:19 | |
What are you for, Isa? | 0:04:19 | 0:04:21 | |
I'm getting these. | 0:04:21 | 0:04:23 | |
Not at all now. | 0:04:23 | 0:04:25 | |
Two lager and a sherry, Boaby, and don't take their money. | 0:04:25 | 0:04:28 | |
- Godfather I or II? - What's going on? | 0:04:28 | 0:04:30 | |
-We're putting a film on. -Magic! That'll make a change. | 0:04:30 | 0:04:33 | |
No' The Godfather, but. "I knew it was you, Fredo" | 0:04:33 | 0:04:36 | |
Bang! Boom! Deid! Shite! | 0:04:36 | 0:04:39 | |
Isa buying yer drinks noo? That's a new low, even for you two. | 0:04:39 | 0:04:42 | |
Shut yer hole, Boaby. We're daein' a favour. | 0:04:42 | 0:04:45 | |
-Jaws! -Naw. Big, stupid, rubber shark. Garbage! | 0:04:45 | 0:04:49 | |
- What you daein'? - Painting and decorating. | 0:04:49 | 0:04:52 | |
-You two haufwits? -Less of yer shite, noo, Bobby. | 0:04:52 | 0:04:55 | |
One Flew Over The Cuckoo's Nest. | 0:04:57 | 0:04:59 | |
If you want tae see dafties escaping oot a loony bin, come back at shuttin' time! | 0:04:59 | 0:05:03 | |
Gie's two cans of Fusilier, Boaby, will you? | 0:05:03 | 0:05:06 | |
-Right-o, Shug. -I'm off. | 0:05:06 | 0:05:09 | |
-That you away on the night shift? -Aye. Pain in the arse. | 0:05:09 | 0:05:12 | |
How's that a pain in the arse? | 0:05:12 | 0:05:15 | |
-Big department store all to yersel'? -Ach, yer just watching the telly. | 0:05:15 | 0:05:19 | |
-Tryin' tae stay awake. -I'd love tae be in there at night. | 0:05:19 | 0:05:23 | |
Are you allowed visitors? | 0:05:23 | 0:05:25 | |
-No' really. -I'll get a couple of cans and keep you company. | 0:05:25 | 0:05:28 | |
Och, naw. | 0:05:28 | 0:05:29 | |
You'd be bored oot yer tits. | 0:05:29 | 0:05:32 | |
No, gie yerself peace. It'll be a good laugh. | 0:05:32 | 0:05:35 | |
- Huv you got one, Tam? - Aye. It's a good one. | 0:05:48 | 0:05:52 | |
It's a cracker. | 0:05:52 | 0:05:53 | |
Police Academy 8 - Mission to Moscow! | 0:05:56 | 0:05:59 | |
ALL: Wa-hey! | 0:05:59 | 0:06:01 | |
I like all that... | 0:06:02 | 0:06:03 | |
Hello. Here you go. | 0:06:07 | 0:06:09 | |
-Hello. Here you go. -I'm no needin' a Big Issue, son. | 0:06:09 | 0:06:12 | |
It's a map of the store. | 0:06:12 | 0:06:15 | |
Map of the bloody store? Get a grip. | 0:06:15 | 0:06:17 | |
It's a shop, no' a mountain range. | 0:06:17 | 0:06:20 | |
-Where are we? -I don't know. | 0:06:20 | 0:06:23 | |
-What are we needin'? -Ten litres of Vinyl Silk Emulsion. | 0:06:23 | 0:06:28 | |
-Dusky blue. -Try doon here. | 0:06:28 | 0:06:30 | |
Drammall four. It's everything required in the one tool. | 0:06:34 | 0:06:39 | |
It saws, it drills, it routs, it jigs, it hammers... | 0:06:39 | 0:06:44 | |
-Does it collect yer pension an' all, does it? -Jack! | 0:06:44 | 0:06:47 | |
Imagine a fiddly job. Something like a letterbox in the door. | 0:06:47 | 0:06:52 | |
Normally that would require a drill, a coping saw, a hacksaw, a file... | 0:06:52 | 0:06:57 | |
but, with a Drammall, | 0:06:57 | 0:06:59 | |
you're in and away and finished in a matter of seconds. | 0:06:59 | 0:07:02 | |
Don't just take my word for it. You, sir. | 0:07:02 | 0:07:05 | |
There you go. Are you right or left handed? | 0:07:05 | 0:07:09 | |
Oh, you're askin' a mouthful there, son. | 0:07:09 | 0:07:11 | |
Now, ordinarily, if I'm hammerin' or sawin', I use the right hand, | 0:07:11 | 0:07:15 | |
but I've seen me wi' pliers in ma left hand then switchin' to ma right when this hand gets sore. | 0:07:15 | 0:07:20 | |
But gimme a pen and away I go, nice as you like, wi' the right hand. | 0:07:20 | 0:07:23 | |
Jack here'll tell you - if I'm doin' a crossword, it's my left. | 0:07:23 | 0:07:27 | |
It's all capitals. Go figure. | 0:07:27 | 0:07:30 | |
Right. Good. Thank you. | 0:07:30 | 0:07:34 | |
Here. Switch it to drill. | 0:07:34 | 0:07:35 | |
Drill. | 0:07:35 | 0:07:37 | |
Oh... Nice action. | 0:07:41 | 0:07:43 | |
That's yer pilot hole. | 0:07:43 | 0:07:46 | |
Good! Switch to saw. | 0:07:46 | 0:07:48 | |
-Saw... -And off you go. | 0:07:48 | 0:07:52 | |
Here, Jack boy! This is the bollocks... | 0:07:57 | 0:07:59 | |
Ah! Ya bastard, you! | 0:07:59 | 0:08:00 | |
Right. Let's see what you're all about. | 0:08:08 | 0:08:11 | |
FEMALE VOICE: 'I'm hot. | 0:08:23 | 0:08:26 | |
-'Is it OK tae take ma T-shirt off? -Aye. Wow, Tiffany! | 0:08:26 | 0:08:29 | |
'You've got great tits. | 0:08:29 | 0:08:31 | |
'I know. They're crackin' in't they? | 0:08:32 | 0:08:34 | |
'If I wasnae straight, I'd be right intae them.' | 0:08:34 | 0:08:37 | |
Oh, my God. Home-made porn! | 0:08:38 | 0:08:40 | |
-KNOCK ON DOOR ON TV 'Who's that? -I'll get it. | 0:08:40 | 0:08:43 | |
-BOBBY: -'Hello. Just to let you know yer lawn mower's not working. | 0:08:43 | 0:08:46 | |
'Who are you, big boy? | 0:08:46 | 0:08:48 | |
'I'm Troy, the gardener.' | 0:08:48 | 0:08:51 | |
You're no Troy the gardener. You're Boaby the barman. | 0:08:52 | 0:08:56 | |
FEMALE VOICE: That's me back! | 0:08:58 | 0:09:00 | |
Have we tae wait here for ever? | 0:09:09 | 0:09:12 | |
Do you think that boy's gonnae be OK? Oh, aye. | 0:09:12 | 0:09:15 | |
He'll be fine, it's only a bloody thumb. | 0:09:17 | 0:09:19 | |
Pack it in ice and then they stick it on later. | 0:09:19 | 0:09:23 | |
-He'll be back at his work on Monday. -Do you think? | 0:09:23 | 0:09:25 | |
-Where is this boy? -Excuse me, son. We've been waitin' a wee while. | 0:09:25 | 0:09:31 | |
We're wanting paint. | 0:09:31 | 0:09:33 | |
You need the paint guy tae get you paint. | 0:09:33 | 0:09:35 | |
I'm carpet. I can only get you carpet. | 0:09:35 | 0:09:37 | |
Fine. Where is the paint guy? | 0:09:37 | 0:09:40 | |
He might be on his tea or something. | 0:09:40 | 0:09:42 | |
The other paint guy - he'll be floatin' aboot somewhere. | 0:09:42 | 0:09:46 | |
-Excuse me, son! -I'm laminated floorin'. | 0:09:48 | 0:09:51 | |
There are two customers hanging aboot like a couple of spare pricks waiting for the paint guy. | 0:09:56 | 0:10:00 | |
The carpet arsehole is unable to assist because the shiftless bastard knows hee-haw aboot paint. | 0:10:00 | 0:10:07 | |
-AMPLIFIED: -You cannae say all that shite intae a microphone! | 0:10:09 | 0:10:12 | |
Take a walk and get that fat bastard with the tool belt. | 0:10:12 | 0:10:15 | |
-See if that dick'll help us! -All right. | 0:10:15 | 0:10:17 | |
Shovin'. | 0:10:21 | 0:10:23 | |
-You all right, son? -Aye. | 0:10:25 | 0:10:28 | |
Hello! | 0:10:30 | 0:10:31 | |
-Anybody there? < -Just... Just a second. | 0:10:31 | 0:10:34 | |
-I'm in a hurry here. < -Just a second. | 0:10:34 | 0:10:38 | |
Can I leave you the money? | 0:10:38 | 0:10:40 | |
Listen, hen. Meena's no' here. I'm run off my feet. | 0:10:40 | 0:10:43 | |
I'm trying to attend to an urgent matter. Gimme a goddamn minute! | 0:10:43 | 0:10:47 | |
Right. | 0:10:47 | 0:10:49 | |
-What have I missed? Did you pause it? -Aye, I paused it. -OK, play. | 0:10:51 | 0:10:54 | |
He-he-he-he! Look at his arse. | 0:10:56 | 0:11:01 | |
It's going up and down like a jackhammer! | 0:11:01 | 0:11:03 | |
Troy the gardener. Ya dirty bastard! | 0:11:03 | 0:11:06 | |
-Go on Bobby, son! -She's a bit of alright, in't she? | 0:11:06 | 0:11:09 | |
Aye, she was. She comes in the shop. | 0:11:09 | 0:11:11 | |
She's a big fat cow now. This must be ages ago. | 0:11:11 | 0:11:14 | |
CUSTOMER: Fine! I'm off to Kohli's! | 0:11:14 | 0:11:17 | |
-That's what to do, love! Knock yourself oot! -That's you losing a customer. -It's only money... | 0:11:17 | 0:11:22 | |
Jesus, Shug. This is too good. | 0:11:59 | 0:12:01 | |
Here's what I'm gonnae dae. | 0:12:01 | 0:12:03 | |
I'm gonnae try on all they fancy aftershaves, | 0:12:03 | 0:12:05 | |
maybe even have a shave with an electric razor. | 0:12:05 | 0:12:08 | |
A jaunt over to the suits to try on the expensive clothes, | 0:12:08 | 0:12:12 | |
a good hauf hour fannying aboot in the toy department, and a rummage aboot with the hi-fi's, | 0:12:12 | 0:12:17 | |
culminating in a kip on the king of beds - the Sealy Posturepedic. | 0:12:17 | 0:12:21 | |
Is that so? | 0:12:21 | 0:12:22 | |
-What's this? -This is it. | 0:12:31 | 0:12:33 | |
This is ma work. | 0:12:35 | 0:12:37 | |
Aw, yer jokin'! You've got a world of entertainment oot there. | 0:12:37 | 0:12:41 | |
Aye, a world of security cameras and recording equipment. | 0:12:41 | 0:12:45 | |
I warned you it might be boring. | 0:12:45 | 0:12:48 | |
Oot there's a no-go! | 0:12:48 | 0:12:49 | |
Bloody company man. | 0:12:49 | 0:12:52 | |
Look. If you want tae go... | 0:12:52 | 0:12:53 | |
No. I said I'd keep you company and I am nothing if not a man who keeps his word. | 0:12:53 | 0:12:58 | |
PHONE RINGS | 0:12:58 | 0:13:01 | |
Delaney's, security? | 0:13:01 | 0:13:02 | |
Whit? Oh, right. It's for you. | 0:13:04 | 0:13:06 | |
Hello. | 0:13:11 | 0:13:13 | |
Uh-huh. | 0:13:13 | 0:13:14 | |
Mmm. Mmm, I see. | 0:13:16 | 0:13:19 | |
Understood. | 0:13:20 | 0:13:23 | |
Shug, yer on yer own. | 0:13:23 | 0:13:24 | |
Tam's got a porn tape wi' Boaby the Barman in it. | 0:13:24 | 0:13:27 | |
-Are you gonnae buy a pint? -Just staunin' here, if that's all right. | 0:13:37 | 0:13:42 | |
-What are you waiting for? -Nothin'. | 0:13:42 | 0:13:45 | |
So you've come into the pub and you don't want a drink? | 0:13:45 | 0:13:48 | |
-That's right. -Two pints of lager, Boaby. | 0:13:48 | 0:13:50 | |
See Eric? He knows how it works. | 0:13:50 | 0:13:52 | |
You're here. Have you got it? | 0:13:56 | 0:13:58 | |
-Is it right enough? -It's right enough. It's a belter! Here, get that in yer pocket. | 0:13:58 | 0:14:03 | |
-Right, I'll get a pint and get up the road. -Pint nothin'! | 0:14:03 | 0:14:07 | |
Get up the road and get into your machine. Get it watched and get it | 0:14:07 | 0:14:10 | |
back to me first thing tomorrow | 0:14:10 | 0:14:12 | |
-cos Jack and Victor still huvnae seen it! -Got you. | 0:14:12 | 0:14:15 | |
There we go. Two pints. | 0:14:16 | 0:14:20 | |
-Usual, Winston? -"Usual, Winston", you maddy! | 0:14:20 | 0:14:23 | |
-How's you doing? -Shagged oot, Boaby. Shagged oot. | 0:14:28 | 0:14:31 | |
It's no' that, I've got ma garden tae do the morrow as well. | 0:14:31 | 0:14:36 | |
-That's a chore. -Aye. You see, | 0:14:36 | 0:14:39 | |
what I need is a gardener. | 0:14:39 | 0:14:42 | |
That's the problem. Where do you find a gardener in Craiglang? | 0:14:43 | 0:14:47 | |
There used to be one. | 0:14:47 | 0:14:49 | |
Eh, Roy, I think his name was. | 0:14:49 | 0:14:51 | |
Roy the Gardener? If it wasnae Roy it was something very like Roy... | 0:14:51 | 0:14:56 | |
-Gie's a pie, Boaby. -Aye. Gie's a minute and I'll stick one in... | 0:14:56 | 0:15:00 | |
Ah-hah! Ya dirty clatty bastard! | 0:15:00 | 0:15:03 | |
Two for Jack, two for Victor. | 0:15:09 | 0:15:11 | |
-Three each. -DRILL WHIRRS | 0:15:20 | 0:15:22 | |
What the blazes? | 0:15:22 | 0:15:24 | |
-Have you got it? -I've got it, aye. -Well, move o'er a bit. Jesus! | 0:15:26 | 0:15:30 | |
It's all right. | 0:15:30 | 0:15:32 | |
-What are you daein'? -Well, you've no' got a pasting table, | 0:15:33 | 0:15:36 | |
so we're just gonnae use your front door. | 0:15:36 | 0:15:38 | |
Oh, now. Naw, this isnae what I had in mind at all. | 0:15:38 | 0:15:42 | |
You cannae dae that! The big jaggy letter box'll tear all ma paper! | 0:15:42 | 0:15:48 | |
Oh, aye. Ach well, we'll screw that aff an' all. | 0:15:48 | 0:15:51 | |
-Oh, I don't know. -Calm doon, hen. It'll be fine. -Can I do anything? | 0:15:51 | 0:15:55 | |
Yes, you can get tae yer work. Chase yersel'. You're only gettin' under our feet, darlin'. | 0:15:55 | 0:16:00 | |
Oh, here... | 0:16:01 | 0:16:03 | |
Here, I've got ma mobile. I can leave you the number. | 0:16:07 | 0:16:10 | |
We'll no' need you. | 0:16:10 | 0:16:12 | |
Go on. Get! | 0:16:12 | 0:16:13 | |
Oy, oy! | 0:16:16 | 0:16:17 | |
That's you. There you are. | 0:16:17 | 0:16:20 | |
-I've got pies there. -Isa! | 0:16:22 | 0:16:24 | |
-Right, is that you? -Aye. -Okey-dokey. There we are. That's us. On you come. | 0:16:28 | 0:16:32 | |
Let's plant it there. | 0:16:32 | 0:16:35 | |
SCRAPING | 0:16:37 | 0:16:39 | |
Erm... | 0:16:47 | 0:16:48 | |
Get they pies in, Vic boy. | 0:17:04 | 0:17:06 | |
Nae danger. | 0:17:06 | 0:17:07 | |
-KNOCK AT DOOR WINSTON: -Jack! Victor! Are you in? | 0:17:22 | 0:17:26 | |
Winston! We're in here. | 0:17:26 | 0:17:29 | |
Jack. Sit doon. Victor, you sit there. | 0:17:32 | 0:17:34 | |
-What's going on? -Eric. | 0:17:34 | 0:17:37 | |
You're no' gonnae believe this. | 0:17:39 | 0:17:41 | |
Silence, Tam. There are no words needed to describe this. | 0:17:41 | 0:17:45 | |
This truly speaks for itself. | 0:17:45 | 0:17:48 | |
-FEMALE VOICES: 'You've got great tits. -I know, they're crackin', aren't they?' | 0:17:48 | 0:17:52 | |
- It's a porno movie. - Wait. Wait. Keep watching. | 0:17:53 | 0:17:55 | |
GIRLS GIGGLE | 0:17:55 | 0:17:58 | |
Ach, turn that aff, Winston. | 0:17:59 | 0:18:01 | |
Easy. | 0:18:01 | 0:18:03 | |
Steady... It's comin'! | 0:18:03 | 0:18:05 | |
BOBBY'S VOICE: 'Hello. Just tae let you know...' | 0:18:05 | 0:18:08 | |
I was gonnae bring this round last night, but I watched it three times. | 0:18:10 | 0:18:14 | |
The plot's a bit thin, but there's a lot of action. | 0:18:14 | 0:18:16 | |
Are Jack and Victor good at that? | 0:18:22 | 0:18:25 | |
Aye. They wouldnae have offered otherwise. | 0:18:25 | 0:18:28 | |
I suppose. I could have done it for you. | 0:18:28 | 0:18:31 | |
-You? Do you do DIY? -Who do you think keeps this place running | 0:18:31 | 0:18:35 | |
like a Swiss watch when anything goes wrong? | 0:18:35 | 0:18:39 | |
Anyway, it's Chris I'm worried about. | 0:18:43 | 0:18:45 | |
-Aye. You have to break it to him that he's no daein' it. -Aye. I feel bad. | 0:18:45 | 0:18:50 | |
-What will I say to him? -What can you say, Isa? | 0:18:50 | 0:18:53 | |
You promised him the job, then you give it to someone else. | 0:18:53 | 0:18:56 | |
Your word is not your bond. | 0:18:56 | 0:18:58 | |
You lied. You stabbed him in the back. | 0:18:58 | 0:19:00 | |
Stop it, Navid. | 0:19:00 | 0:19:02 | |
Ach, I'll just keep oot his road. | 0:19:02 | 0:19:04 | |
Aye. That's what tae dae. It might be difficult. | 0:19:04 | 0:19:06 | |
-How? -Because he's standing right behind you. | 0:19:06 | 0:19:09 | |
Well. What do you make of that? | 0:19:15 | 0:19:17 | |
Does Boaby know you've got that? | 0:19:17 | 0:19:20 | |
Aye, aye. It was him that gave me it | 0:19:20 | 0:19:22 | |
and telt me to show everybody in Craiglang. | 0:19:22 | 0:19:24 | |
Of course he doesnae know I've got it. | 0:19:24 | 0:19:27 | |
I lifted it out his stockroom. | 0:19:27 | 0:19:28 | |
-How old is that? -We think aboot ten year. | 0:19:28 | 0:19:32 | |
Are you no' supposed to have a big walloper to be in they movies? | 0:19:32 | 0:19:35 | |
Aye. That's just a daft wee piece he's got, eh? | 0:19:35 | 0:19:39 | |
Mind you, he was busy with it. | 0:19:39 | 0:19:41 | |
I know that, but how does it come to pass that you end up in a porno movie? | 0:19:43 | 0:19:48 | |
I don't know. Probably an advert in the back of a paper somewhere. | 0:19:48 | 0:19:51 | |
Aye. "Wanted - men for pumpin' women... | 0:19:51 | 0:19:55 | |
"must be dirty bastards." | 0:19:55 | 0:19:58 | |
-I'll no' be able to look him in the eye again. -Or eat his pies! | 0:19:58 | 0:20:02 | |
Right youse lot. Shoot. We've got work tae be getting on wi'. | 0:20:03 | 0:20:07 | |
Who's all seen it? | 0:20:09 | 0:20:11 | |
Navid, you two and us. | 0:20:11 | 0:20:13 | |
-You puttin' it back? -Oh, aye. Right back... | 0:20:13 | 0:20:16 | |
via the bookies, big Arthur's and anybody else that wants a look at it! | 0:20:16 | 0:20:20 | |
-Don't forget Shug. He's screaming oot for it. -Oh, aye, Shug tae. | 0:20:20 | 0:20:23 | |
C'mere a minute. | 0:20:23 | 0:20:25 | |
That's not right, is it? | 0:20:32 | 0:20:33 | |
That's just a washer. | 0:20:33 | 0:20:35 | |
That's no' a washer. That just needs tightened. | 0:20:35 | 0:20:38 | |
Gie it a twist, Jack. | 0:20:38 | 0:20:41 | |
I said twist it, no pull it, ya daftie! | 0:20:43 | 0:20:45 | |
-I gie'd it a bloody twist! -Right. Oot ma road. | 0:20:45 | 0:20:48 | |
It's nae big deal. | 0:20:51 | 0:20:53 | |
See all that there? That's just a coupling. | 0:20:53 | 0:20:57 | |
It's just uncoupled. | 0:20:57 | 0:20:58 | |
Eh? | 0:21:04 | 0:21:05 | |
Well, done. Good for you. | 0:21:05 | 0:21:07 | |
Panic merchants. 35 year a Clyde fitter. | 0:21:07 | 0:21:12 | |
The one thing you have to remember about pipes, especially in these buildings, is... | 0:21:12 | 0:21:16 | |
Ye want tae have seen them. | 0:21:24 | 0:21:26 | |
- They were like the Three Stooges! - Aye. We high-tailed it oot. | 0:21:26 | 0:21:30 | |
Jesus. That's funny. | 0:21:30 | 0:21:32 | |
Oh, right, right. | 0:21:32 | 0:21:34 | |
What about this tape? | 0:21:34 | 0:21:35 | |
OK. There we are. | 0:21:37 | 0:21:39 | |
-Is it good? -Oh, aye. | 0:21:39 | 0:21:41 | |
Is it Boaby right enough? | 0:21:41 | 0:21:43 | |
It's Boaby's all right. It's all Boaby. | 0:21:43 | 0:21:46 | |
-It's full o' boaby! -I'm gonnae watch it the minute I get to work. | 0:21:46 | 0:21:51 | |
I'm burstin' tae see it. | 0:21:51 | 0:21:53 | |
Burstin' tae see what? | 0:21:53 | 0:21:54 | |
Chariots Of Fire. | 0:21:55 | 0:21:57 | |
Shug hasnae seen that. Have you Shug? | 0:21:57 | 0:21:59 | |
Eh. Naw. But I am burstin' tae see it. | 0:21:59 | 0:22:03 | |
Chariots Of Fire? | 0:22:03 | 0:22:05 | |
Aye. I love all that stuff. | 0:22:05 | 0:22:07 | |
Romans, horses, chariots. | 0:22:07 | 0:22:11 | |
I love that Charlton Heston. | 0:22:11 | 0:22:14 | |
G'night. | 0:22:16 | 0:22:18 | |
-Another pint, Tam? -Yes, I'll have another pint please, Troy. | 0:22:19 | 0:22:23 | |
What did you call me? | 0:22:29 | 0:22:31 | |
Boaby? | 0:22:34 | 0:22:36 | |
No. You called me Troy. | 0:22:36 | 0:22:37 | |
Did I? | 0:22:37 | 0:22:39 | |
-Where's ma tape? -Whit tape? | 0:22:45 | 0:22:47 | |
Ma PORN t... | 0:22:47 | 0:22:49 | |
My porn tape. | 0:22:50 | 0:22:53 | |
Shug's got it. | 0:22:53 | 0:22:55 | |
-Right, Isa? -Sherry, Boaby. | 0:22:56 | 0:22:58 | |
You're gonnae have to look after the bar for hauf an hour, darling. | 0:22:58 | 0:23:02 | |
Aye, aye, OK. | 0:23:02 | 0:23:03 | |
Boaby... Come on, Boaby... | 0:23:03 | 0:23:09 | |
-What's going on? -Believe me, Isa, you don't want to know. It's a man's thing. | 0:23:09 | 0:23:17 | |
Och! Is it Boaby's porn tape? | 0:23:17 | 0:23:19 | |
You know about that? | 0:23:21 | 0:23:23 | |
Aye. I seen that years ago. | 0:23:23 | 0:23:25 | |
Connie Jackson used to clean in here. | 0:23:25 | 0:23:27 | |
She snuck it oot. We used to watch it at parties. | 0:23:27 | 0:23:30 | |
Sorry, Eric, it's old news. | 0:23:30 | 0:23:32 | |
-What are you after? -Lager, love. | 0:23:32 | 0:23:36 | |
It's a sin, that. | 0:23:36 | 0:23:39 | |
You coming in after yer work for a sherry and end up working again. | 0:23:39 | 0:23:42 | |
Ach, I'm no' botherin'. | 0:23:42 | 0:23:44 | |
To be honest, it keeps me oot the road of Jack and Victor. | 0:23:44 | 0:23:47 | |
-They're decorating ma living room. -I know. I was up there earlier. | 0:23:47 | 0:23:51 | |
-How are they getting on? -Aye, good! | 0:23:51 | 0:23:55 | |
-WINSTON: -Towels! I need towels! -Victor, for God's sake, hurry up! | 0:23:55 | 0:24:01 | |
Towels, towels. | 0:24:01 | 0:24:02 | |
Oh, that's marvellous, you clown, in't it? | 0:24:02 | 0:24:05 | |
Right you want to go and get a bloody sponge. | 0:24:05 | 0:24:09 | |
Jack! Shoes aff, you dozy prick! | 0:24:09 | 0:24:11 | |
Ah, Jesus! | 0:24:11 | 0:24:12 | |
-Where's these bastard towels? -Gie's yer haun'. | 0:24:12 | 0:24:18 | |
What the bloody hell has happened in here? | 0:24:18 | 0:24:20 | |
I couldnae find the stopcock. Somebody's tiled o'er it. | 0:24:25 | 0:24:28 | |
-It's the council! They dunno what they're daein'! -It was a drip. A tiny drip! | 0:24:28 | 0:24:32 | |
Whit are you shoutin' at me for? | 0:24:32 | 0:24:35 | |
Stick this up yer arse! I'm off! | 0:24:35 | 0:24:37 | |
Listen to me, you big bastard! We're supposed to be painting and decorating. | 0:24:37 | 0:24:41 | |
We've no' even opened a roll of paper! | 0:24:41 | 0:24:44 | |
-Jack... -You're not going anywhere until you sort that trouble oot. | 0:24:44 | 0:24:48 | |
-Jack... -You get in there, boy, and find that stopcock! | 0:24:48 | 0:24:51 | |
-Jack! -What? | 0:24:51 | 0:24:52 | |
The wall. | 0:24:52 | 0:24:54 | |
HE COUGHS | 0:25:15 | 0:25:17 | |
Now then. | 0:25:27 | 0:25:29 | |
In you go. | 0:25:29 | 0:25:30 | |
What? | 0:25:39 | 0:25:40 | |
Aw! | 0:25:52 | 0:25:54 | |
Ya bastard! Come on! | 0:25:56 | 0:25:59 | |
Right. Delaney's? | 0:26:01 | 0:26:03 | |
Aye, top of the street there. Below the big telly. | 0:26:03 | 0:26:06 | |
MOANING | 0:26:06 | 0:26:08 | |
It's lovely, boys. | 0:26:50 | 0:26:52 | |
My hall, my living room, the kitchen. | 0:26:52 | 0:26:56 | |
What have you done all this for? | 0:26:56 | 0:26:58 | |
You know what it's like Isa. | 0:26:58 | 0:26:59 | |
Once you get started, you just get carried away. | 0:26:59 | 0:27:02 | |
And we're not done yet. C'mon. | 0:27:02 | 0:27:06 | |
Oh, ma bathroom! | 0:27:09 | 0:27:12 | |
It's like Changing Rooms! | 0:27:12 | 0:27:14 | |
Oh! I'll away and get Sadie! | 0:27:14 | 0:27:16 | |
That money was gonnae bury us. | 0:27:32 | 0:27:33 |