Browse content similar to Saucy. Check below for episodes and series from the same categories and more!
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You have me at a disadvantage there, Jack. I don't believe we've... | 0:00:01 | 0:00:01 | |
Did you watch the football last night? Naw. | 0:00:34 | 0:00:38 | |
I was gonnae come in here and watch it, | 0:00:38 | 0:00:40 | |
but it's no' the same without Winston shoutin' and bawlin' at the telly, is it? | 0:00:40 | 0:00:46 | |
Aye. He made it worth watchin' even when it was a shite game. | 0:00:46 | 0:00:49 | |
Aye, aye. | 0:00:49 | 0:00:50 | |
I fair miss him. Me too. | 0:00:50 | 0:00:53 | |
I was in the bookies yesterday and Captain Dandy was running. | 0:00:53 | 0:00:57 | |
He won as well! | 0:00:57 | 0:00:59 | |
I wonder if Winston was backing him. | 0:00:59 | 0:01:02 | |
Aye, I wonder. | 0:01:02 | 0:01:04 | |
Aye. I miss him too. | 0:01:04 | 0:01:06 | |
Our wee pal. We're lost without him. | 0:01:08 | 0:01:11 | |
Get it up ye, ya prick! | 0:01:14 | 0:01:17 | |
You wouldnae know what it is to miss a pal, Bobby, never having had one, ya black-hearted loner bastard. | 0:01:17 | 0:01:24 | |
You don't need pals in the pub game, Victor. | 0:01:24 | 0:01:26 | |
Suck ye dry. | 0:01:26 | 0:01:27 | |
Here's yer post, Boabby. | 0:01:27 | 0:01:29 | |
Chris, give us our post. | 0:01:29 | 0:01:32 | |
Save ye humpin' it up the block. | 0:01:32 | 0:01:34 | |
Cannae do that, Jack. Her Majesty's post is very clear on this. | 0:01:34 | 0:01:37 | |
Mail must be delivered to the recipient at the recipient's place of residence. | 0:01:37 | 0:01:41 | |
Since when have you cared aboot rules? Gies wur post! | 0:01:41 | 0:01:43 | |
No. Against the regulations. Chris. | 0:01:43 | 0:01:46 | |
You are a shiftless deadbeat. | 0:01:46 | 0:01:47 | |
Why are you acting all officious as if yer being watched? Post! | 0:01:47 | 0:01:51 | |
No! I'll no' tell ye again. C'mon! | 0:01:51 | 0:01:54 | |
I'll get hung for this. | 0:01:54 | 0:01:56 | |
Osprey Heights... No, you've no' got any. | 0:01:56 | 0:02:00 | |
Boabby, you've got a leccy bill and a postcard. | 0:02:00 | 0:02:03 | |
Oooh, what to read first. | 0:02:03 | 0:02:04 | |
Leccy bill or postcard? | 0:02:04 | 0:02:07 | |
I'm gonnae keep you till later, ye wee minx. | 0:02:09 | 0:02:12 | |
Ah. It's from Winston. | 0:02:13 | 0:02:15 | |
What's he sayin'? | 0:02:15 | 0:02:17 | |
"To all at the Clansman. | 0:02:17 | 0:02:19 | |
"Just a wee update on life in Finport. | 0:02:19 | 0:02:23 | |
"Won 25 quid in a puggy in Neville's Amusement Arcade and a new baker's has opened. | 0:02:23 | 0:02:29 | |
"Their cream horns are the bollocks. | 0:02:29 | 0:02:31 | |
"The place is hoaching with Fandan. | 0:02:33 | 0:02:36 | |
"Best move I ever made coming here. | 0:02:36 | 0:02:38 | |
"Get it up youse." | 0:02:38 | 0:02:40 | |
Another nice piece of correspondence from Oscar Wilde. | 0:02:40 | 0:02:43 | |
And the photograph? Nude lassie. | 0:02:43 | 0:02:47 | |
Put it up with the rest of them. | 0:02:47 | 0:02:49 | |
He must have been buying in bulk. | 0:02:49 | 0:02:52 | |
And he never puts his address on them, eh? | 0:02:52 | 0:02:55 | |
No, queer, that. | 0:02:55 | 0:02:57 | |
He doesnae want anybody droppin' in on him. | 0:02:57 | 0:03:00 | |
He likes advanced warning. | 0:03:00 | 0:03:01 | |
Afternoon, gentlemen. | 0:03:04 | 0:03:05 | |
This is Frances' sister, Molly Drummond. | 0:03:05 | 0:03:09 | |
Now that's a familiar face. | 0:03:09 | 0:03:12 | |
Jack Jarvis Esquire. | 0:03:12 | 0:03:14 | |
How do you do? | 0:03:14 | 0:03:16 | |
Boabby, lager, two sherries. | 0:03:16 | 0:03:18 | |
You have me at a disadvantage there, Jack. I don't believe we've... | 0:03:18 | 0:03:22 | |
C'mon now. Molly Drummond. | 0:03:22 | 0:03:24 | |
Sold out the Alhambra six weeks in a row in 19 - ahem - 2. | 0:03:24 | 0:03:29 | |
# Paradise is just next door... | 0:03:31 | 0:03:34 | |
# And it's all there Waiting for you! # | 0:03:34 | 0:03:38 | |
I remember now, aye. What was the other one...? | 0:03:38 | 0:03:41 | |
# Be sure to write me when you get there... # | 0:03:42 | 0:03:44 | |
No. I never done that song. | 0:03:44 | 0:03:47 | |
That was Tilly Macaig. | 0:03:47 | 0:03:49 | |
Nasty wee cow. | 0:03:49 | 0:03:51 | |
I'll get these. You picked me up at the bus station, Tam. | 0:03:53 | 0:03:56 | |
Indeed you will not. Tam! Of course. | 0:03:56 | 0:04:00 | |
Aye, aye, aye. Molly's up from Finport for a few days. | 0:04:00 | 0:04:05 | |
Oh, we've a nice friend in Finport. I was telling her. | 0:04:05 | 0:04:08 | |
Anyway, Molly couldnae make Frances and I's weddin', so this is a sort of getting to know each other. | 0:04:08 | 0:04:14 | |
Aye. | 0:04:14 | 0:04:16 | |
Did I tell ye that Molly played the Carnegie Hall in the Big Apple? | 0:04:20 | 0:04:24 | |
Alongside Billy Eckstein and Sarah Vaughan. | 0:04:24 | 0:04:26 | |
Really? | 0:04:26 | 0:04:28 | |
That's something, aye. | 0:04:28 | 0:04:30 | |
And do you know who bought her a drink after the show one night? No. | 0:04:32 | 0:04:36 | |
Who? | 0:04:36 | 0:04:38 | |
A certain Francis Albert Sinatra. | 0:04:38 | 0:04:43 | |
Really? | 0:04:43 | 0:04:44 | |
On the house. Very kind. | 0:04:54 | 0:04:56 | |
Tam, always a pleasure to watch you work. Maestro! Maestro! | 0:05:00 | 0:05:05 | |
# I did it my-y-y wa-a-a-a-ay! # | 0:05:05 | 0:05:09 | |
# Paradise is just next door... # Where are ye? Sssh. | 0:05:19 | 0:05:23 | |
Listen. | 0:05:23 | 0:05:24 | |
That's Molly live at the Alhambra. 1962. | 0:05:24 | 0:05:27 | |
What a voice! | 0:05:27 | 0:05:29 | |
# Give a little knock on the wall tonight... # | 0:05:29 | 0:05:32 | |
Here, has she still got the looks, eh? | 0:05:32 | 0:05:35 | |
Oh, aye, aye. She's...foxy. | 0:05:35 | 0:05:37 | |
Aye. Nicely turned oot. | 0:05:37 | 0:05:40 | |
Blonde hair and the make-up and a' that. A looker. | 0:05:40 | 0:05:43 | |
Aye, she's... She's a looker. | 0:05:43 | 0:05:45 | |
Er, what is it you're wanting? | 0:05:49 | 0:05:51 | |
Eh? Oh, aye. Aye, ye'll never guess. Bloody Winston's just phoned. | 0:05:51 | 0:05:55 | |
What's he sayin'? Nothin', really. | 0:05:55 | 0:05:57 | |
How's tricks? | 0:05:57 | 0:05:59 | |
He was bumming up Finport something chronic. Did you get his address? | 0:05:59 | 0:06:01 | |
No. No. I asked him but he was waffling on and I didnae get it. | 0:06:01 | 0:06:06 | |
That's nae bloody use, is it? | 0:06:06 | 0:06:09 | |
He said a funny thing, though, Jack. | 0:06:09 | 0:06:11 | |
Oh, aye? He said, "How's the Clansman?" | 0:06:11 | 0:06:14 | |
What's funny aboot that? Well, nothin'. | 0:06:14 | 0:06:15 | |
But...then he said, "How's Boabby?" | 0:06:15 | 0:06:20 | |
"How's Boabby?" | 0:06:20 | 0:06:22 | |
That IS funny. They must have arseholes in Finport, surely. | 0:06:22 | 0:06:26 | |
You woulda thought so. Why would you miss a wanker? | 0:06:26 | 0:06:28 | |
Why would you miss a big walking tit wi' legs? | 0:06:28 | 0:06:32 | |
A dunderheid, a walloper. | 0:06:32 | 0:06:34 | |
A serf. A go-get-me. | 0:06:34 | 0:06:36 | |
A dimwit. A cockbag. Oh-h. | 0:06:36 | 0:06:38 | |
Do you know what I think? What? | 0:06:38 | 0:06:41 | |
I reckon he's desperately lonely. | 0:06:41 | 0:06:44 | |
..Go on. | 0:06:46 | 0:06:48 | |
Well, if yer so low that you miss the shitiest thing aboot the place ye've left... Boabby. | 0:06:48 | 0:06:55 | |
..then ye must really be hating the place ye're in. | 0:06:55 | 0:06:59 | |
Where does that put us? Puts us on the bus tae Finport, Jack. | 0:06:59 | 0:07:03 | |
I'll get the plates and the sauce. No, don't bother wi' plates! | 0:07:05 | 0:07:10 | |
It's awful good of ye tae have me for the few days. | 0:07:10 | 0:07:14 | |
Not a bit of it, Molly. You're family, for God's sake! | 0:07:14 | 0:07:17 | |
I mean I could have booked into a hotel, but so many of them nowadays are so impersonal. | 0:07:17 | 0:07:23 | |
Bloody expensive, too! Oh, aye. | 0:07:23 | 0:07:25 | |
I brought the plates, anyway. | 0:07:25 | 0:07:27 | |
Thanks, Frances. | 0:07:31 | 0:07:33 | |
Right, darlin'. Ta. Huv ye nae brown sauce, Frances? Brown sauce? Aye. | 0:07:33 | 0:07:39 | |
Oh, er. No! | 0:07:39 | 0:07:41 | |
It's just red sauce we take, eh, Tam? | 0:07:41 | 0:07:43 | |
Aye, just red sauce. | 0:07:43 | 0:07:45 | |
Here, I might have a sachet of brown sauce that I've lifted. | 0:07:45 | 0:07:48 | |
When I eat out, I always grab a handful of these. | 0:07:48 | 0:07:53 | |
You havenae changed! I know. What am I like? | 0:07:55 | 0:07:58 | |
Every penny's a prisoner wi' me, eh? | 0:07:58 | 0:08:01 | |
# You're the lady you're the lady that I love I'm the lady, the lady who... # | 0:08:01 | 0:08:08 | |
We've got the bus station there, so that's a five-minute walk doon to the beach. | 0:08:08 | 0:08:12 | |
That's the shops there. | 0:08:12 | 0:08:14 | |
I reckon the best bet's starting at that wee estate there. Aye, well. | 0:08:14 | 0:08:18 | |
That's as good a place as any. | 0:08:18 | 0:08:20 | |
Besides, how many one-legged old duffers can there be in Finport, eh? | 0:08:20 | 0:08:24 | |
Youse want another? Naw, actually. We're heading off. | 0:08:24 | 0:08:26 | |
Um... We're going to go down to Finport, check up on Winston. | 0:08:26 | 0:08:30 | |
Why, what's up with him? Nothing's wrong wi' him. It's time for a wee visit, ye know? | 0:08:30 | 0:08:34 | |
Boabby. Lager and a sweet sherry. | 0:08:34 | 0:08:36 | |
Right. Hey, Tam. | 0:08:36 | 0:08:38 | |
..We're gonnae shoot doon tae Finport, see how Winston's doing. De ye want tae come wi' us? | 0:08:38 | 0:08:42 | |
Ordinarily, er... | 0:08:42 | 0:08:44 | |
Any other day, but... | 0:08:44 | 0:08:47 | |
No. Ye dirty bugger. | 0:08:47 | 0:08:49 | |
What? Nickin' aboot in the middle of the afternoon wi' yer wife's sister. | 0:08:49 | 0:08:54 | |
What you all about? | 0:08:54 | 0:08:57 | |
Frances is stuck in the library till five o'clock. | 0:08:57 | 0:08:59 | |
It's my responsibility to... | 0:08:59 | 0:09:02 | |
To what, Tam? Show her a good time! | 0:09:02 | 0:09:04 | |
Curious choice of words, that. | 0:09:04 | 0:09:07 | |
What is your idea of showing a woman a good time, Tam? | 0:09:07 | 0:09:11 | |
Well, bring her in here and have a sherry. Chat. Convivial... | 0:09:11 | 0:09:16 | |
Boabby. Your idea of showing a woman a good time? Pumpin' her. | 0:09:16 | 0:09:20 | |
That's my wife's sister you're talking about. | 0:09:20 | 0:09:24 | |
And I'm only married ten minutes. | 0:09:24 | 0:09:26 | |
Have a little respect. | 0:09:26 | 0:09:28 | |
Tam. Here's your chance to gie me a bit of respect and gie us ?3.80 for the drinks, eh? | 0:09:28 | 0:09:33 | |
Ye can look aboot all ye want, Tam. | 0:09:37 | 0:09:39 | |
Naebody's gonnae save ye fae buyin' this round. | 0:09:39 | 0:09:41 | |
Ye've had yer freebie, noo it's time to cough up. | 0:09:41 | 0:09:45 | |
Is it? | 0:09:45 | 0:09:47 | |
Is it really? | 0:09:50 | 0:09:51 | |
Oh, just in time, Eric! | 0:09:51 | 0:09:54 | |
I've got yer signed album from the lovely Molly. Oh, boy! | 0:09:54 | 0:09:59 | |
Unbelievable. That's made ma day. | 0:09:59 | 0:10:02 | |
Right. Let me square ye up for they drinks, Boabby? | 0:10:08 | 0:10:12 | |
I'll get that. It's the least I can dae. And the next yin and the next yin! | 0:10:12 | 0:10:17 | |
Oh, thanks for that, Eric. | 0:10:17 | 0:10:19 | |
Do you know what? Give us another couple of drinks. | 0:10:21 | 0:10:23 | |
Has anybody got a light? | 0:10:23 | 0:10:25 | |
Aye. Er... | 0:10:25 | 0:10:28 | |
There ye go. Thanks. I've never got one of these when I need one. I'll give it you back in a minute. | 0:10:28 | 0:10:33 | |
Oh, that's all right. You can keep that one. | 0:10:33 | 0:10:35 | |
Thanks. | 0:10:38 | 0:10:40 | |
# You're the lady, you're the lady that I love | 0:10:40 | 0:10:44 | |
# I'm the lady, the lady who | 0:10:44 | 0:10:47 | |
# You're the fella, you're the fella that rocks me... # | 0:10:47 | 0:10:52 | |
Maybe we should have come down earlier. Time's marching on a bit. | 0:10:56 | 0:11:01 | |
No, we've got stacks of time. | 0:11:01 | 0:11:03 | |
The last bus doesnae go back tae eleven o'clock. | 0:11:03 | 0:11:06 | |
Right. What we doin' first when we get doon here? | 0:11:06 | 0:11:08 | |
Er, well, we should be cognisant of the fact that we are doon here looking for Winston. | 0:11:08 | 0:11:12 | |
But we should also bear in mind that we are pensioners and we don't get to the coast very often. | 0:11:12 | 0:11:16 | |
So what ye thinking? | 0:11:16 | 0:11:19 | |
Fish, chips, ice cream, pint...then Winston. Sounds like a plan. | 0:11:19 | 0:11:25 | |
SEAGULLS CALL | 0:11:30 | 0:11:32 | |
WIND HOWLS | 0:11:33 | 0:11:35 | |
Here, listen, we'll no' bother with the ice cream, eh? No. | 0:11:36 | 0:11:40 | |
I cannae feel ma clacker bag. | 0:11:55 | 0:11:58 | |
It doesnae matter, the chips'll warm us up. | 0:11:58 | 0:12:00 | |
Shut. When does it open? | 0:12:04 | 0:12:07 | |
May. | 0:12:07 | 0:12:08 | |
Pint? Pint. | 0:12:08 | 0:12:10 | |
DOOR CREAKS | 0:12:20 | 0:12:21 | |
I'm starving. Aye, I know. Me an' a'. | 0:12:26 | 0:12:30 | |
You doin' food, son? Normally, aye. But ma cook's in hospital with the depression. | 0:12:30 | 0:12:35 | |
Queerest thing I've ever seen. | 0:12:35 | 0:12:37 | |
Took a' his claes aff, put them in a neat wee pile, walked into the water. | 0:12:37 | 0:12:41 | |
They carted him. | 0:12:41 | 0:12:42 | |
He was navy blue. | 0:12:42 | 0:12:44 | |
Shoutin' and bawlin' aboot toasties. | 0:12:44 | 0:12:49 | |
Aye, well. Two lager. That's food of sort. | 0:12:49 | 0:12:52 | |
Two pints of lager coming up. | 0:12:52 | 0:12:54 | |
DISPELLING AIR | 0:12:58 | 0:12:59 | |
Need tae change the old barrel, eh? | 0:12:59 | 0:13:01 | |
Nope. That's the last one. The brewery only delivers on a Wednesday. | 0:13:01 | 0:13:06 | |
Okey-dokey. Two whiskies, then, please. | 0:13:06 | 0:13:08 | |
Don't recognise the two of you. | 0:13:08 | 0:13:11 | |
We're doon fae Glasgow. | 0:13:11 | 0:13:13 | |
What brings ye tae Finport? | 0:13:13 | 0:13:16 | |
Well, we've got a pal doon here. | 0:13:16 | 0:13:17 | |
He moved doon here six weeks ago and we just wanted to see how he was doing, you know? | 0:13:17 | 0:13:21 | |
Problem is, we don't have his address. What's his name? | 0:13:21 | 0:13:25 | |
Winston. Winston Ingram. | 0:13:25 | 0:13:27 | |
Red face. Pot belly. | 0:13:27 | 0:13:30 | |
Limp. Wooden leg. | 0:13:30 | 0:13:32 | |
No! No! | 0:13:32 | 0:13:33 | |
Where d'you think the best place tae start would be? | 0:13:36 | 0:13:39 | |
Youse two aren't going to wander aboot Finport in the dark, are ye? | 0:13:39 | 0:13:42 | |
Well, aye. | 0:13:42 | 0:13:45 | |
That wouldnae be the best idea. | 0:13:45 | 0:13:47 | |
SIREN BLARES | 0:13:47 | 0:13:50 | |
See when darkness comes... | 0:13:51 | 0:13:53 | |
Finport belongs to the young team. | 0:13:53 | 0:13:56 | |
SHOUTING | 0:13:56 | 0:13:59 | |
Jesus. What are we doing now? | 0:14:01 | 0:14:03 | |
Just hole up here for the night. | 0:14:03 | 0:14:05 | |
Start your search in the morning. Michael here has got a bed and breakfast. | 0:14:05 | 0:14:10 | |
Haven't you, Michael? Yeah! Oh! | 0:14:10 | 0:14:11 | |
The fella was sayin' ye've got a bed and breakfast. | 0:14:14 | 0:14:17 | |
Yeah. That's right, yeah. You're an English fella, aren't ye? Yeah. | 0:14:17 | 0:14:21 | |
Used to be a cab driver. | 0:14:21 | 0:14:23 | |
I came up here in '95 with me missus. | 0:14:23 | 0:14:27 | |
Worst move I ever made. | 0:14:27 | 0:14:30 | |
I'd go back to London in a flash, but the house market went crazy down there. | 0:14:30 | 0:14:34 | |
So I'm trapped. | 0:14:34 | 0:14:36 | |
Trapped in Finport. | 0:14:36 | 0:14:38 | |
Like a rat. | 0:14:38 | 0:14:41 | |
Me missus couldn't stick it. | 0:14:41 | 0:14:43 | |
She's gone back to live with her mother. | 0:14:43 | 0:14:46 | |
Been quiet, has it? Quiet? | 0:14:48 | 0:14:51 | |
It's... | 0:14:51 | 0:14:53 | |
Yeah, it's quiet. | 0:14:53 | 0:14:56 | |
I've had to sell me car to make some money, | 0:14:56 | 0:14:58 | |
but it's been up for sale for two years. | 0:14:58 | 0:15:00 | |
There's my card. | 0:15:04 | 0:15:06 | |
Breakfast is between 7 and 7.30. | 0:15:06 | 0:15:09 | |
Or whenever you like, really. | 0:15:10 | 0:15:12 | |
OWL HOOTS | 0:15:15 | 0:15:17 | |
Four and five. At the top of the stairs. | 0:15:17 | 0:15:19 | |
Thanks very much. Nighty-nighty now. | 0:15:19 | 0:15:21 | |
Want to have a nightcap with me? Naw. We've an early start in the morning. Aye. | 0:15:21 | 0:15:26 | |
We've got a very big day tomorrow. But thanks for offering, though. | 0:15:26 | 0:15:28 | |
Go on. | 0:15:28 | 0:15:30 | |
Have a drink. | 0:15:30 | 0:15:32 | |
No, thanks. | 0:15:32 | 0:15:34 | |
Have a drink with me, will ya? Please. | 0:15:34 | 0:15:37 | |
OK. Great. | 0:15:39 | 0:15:41 | |
Oh, aye. | 0:15:46 | 0:15:47 | |
Now, what have I got? | 0:15:50 | 0:15:52 | |
I've got vodka. | 0:15:52 | 0:15:54 | |
No, I don't. | 0:15:54 | 0:15:56 | |
I've got Bacardi. Aye, Bacardi's fine. We'll gie it a try. | 0:15:56 | 0:15:59 | |
Now...have I got a can of coke? | 0:16:10 | 0:16:13 | |
Diet lemonade do ya? | 0:16:15 | 0:16:17 | |
Two Bacardis and diet lemonade. | 0:16:30 | 0:16:33 | |
Thank you. | 0:16:33 | 0:16:36 | |
That's ?4.80. | 0:16:36 | 0:16:37 | |
Hello, Molly. | 0:16:47 | 0:16:49 | |
Evening. Evening, Molly. | 0:16:49 | 0:16:52 | |
Evening, Tam. | 0:16:52 | 0:16:54 | |
Is yer room OK, Molly? | 0:16:56 | 0:16:58 | |
My room's lovely, Tam. | 0:16:58 | 0:16:59 | |
Lonely, but lovely. | 0:16:59 | 0:17:02 | |
Oh, here, you sit there. | 0:17:05 | 0:17:07 | |
Thank you. | 0:17:07 | 0:17:09 | |
Where did you get yer goonie, Tam? | 0:17:12 | 0:17:14 | |
The hospital. | 0:17:14 | 0:17:16 | |
I was in for a bladder operation back when and I thought, "A wee souvenir," you know? | 0:17:16 | 0:17:21 | |
Yours is nice, too. | 0:17:21 | 0:17:23 | |
St Anne's Hotel. Very nice. | 0:17:23 | 0:17:26 | |
I actually got two of them. | 0:17:26 | 0:17:29 | |
Oh. | 0:17:29 | 0:17:30 | |
It was a lovely hotel. Lovely rooms. | 0:17:30 | 0:17:32 | |
Oh - beautiful, big fluffy towels. | 0:17:32 | 0:17:37 | |
I could hardly get my case shut! | 0:17:37 | 0:17:39 | |
Case shut! | 0:17:43 | 0:17:44 | |
Right. What are we watching? | 0:17:47 | 0:17:50 | |
Ooh. Basic Instinct. | 0:17:50 | 0:17:53 | |
Ow! | 0:17:55 | 0:17:57 | |
I know you asked for bacon, but...there wasn't... | 0:18:03 | 0:18:08 | |
See, if you opened a gun shop doon here there'd be a queue right down to the beach. | 0:18:12 | 0:18:16 | |
SOBBING | 0:18:18 | 0:18:20 | |
Michael, get over it. She's no' coming back! | 0:18:20 | 0:18:24 | |
We need to get out of here. | 0:18:25 | 0:18:28 | |
Get looking. | 0:18:28 | 0:18:29 | |
Jesus! What? | 0:18:32 | 0:18:34 | |
It's him! | 0:18:34 | 0:18:36 | |
No, no, no, no, no. | 0:18:39 | 0:18:41 | |
I've had that before. Now pay up. | 0:18:41 | 0:18:43 | |
We're no daein' a runner. Our pal's just walked past the windae! | 0:18:43 | 0:18:46 | |
Yeah, good for you. Now, ?14 each. | 0:18:46 | 0:18:49 | |
Cough up. | 0:18:49 | 0:18:50 | |
There you are. There's 30. | 0:18:54 | 0:18:56 | |
I'll just get you your change. | 0:18:56 | 0:18:58 | |
No, get yersel a Bacardi and diet lemonade, ye arsehole, ye! | 0:18:58 | 0:19:02 | |
Winston! W... | 0:19:03 | 0:19:05 | |
There you go. | 0:19:09 | 0:19:11 | |
It's on the house, seeing as it's your birthday, eh? | 0:19:11 | 0:19:13 | |
You cannae get enough sweetness in your life, Tam. | 0:19:16 | 0:19:20 | |
No, I know. You cannot. | 0:19:22 | 0:19:24 | |
Molly, I'm...sorry you haven't seen much of Frances this week. | 0:19:27 | 0:19:30 | |
They work her hard at the library there. | 0:19:30 | 0:19:32 | |
Och. Tam, it's gied us the chance to get to know one another and that's a good thing, isn't it? | 0:19:32 | 0:19:38 | |
Oh-oh! The dreaded bill. | 0:19:38 | 0:19:41 | |
The bill, the bill, the bill. | 0:19:41 | 0:19:42 | |
Och, Tam. Allow me. | 0:19:42 | 0:19:46 | |
I will not allow you. Not at all. | 0:19:46 | 0:19:47 | |
No. | 0:19:47 | 0:19:48 | |
Get this money oot of my pocket. | 0:19:51 | 0:19:54 | |
That's a classic move. | 0:19:54 | 0:19:57 | |
But here's one I don't think you'll have seen. | 0:19:57 | 0:20:01 | |
# Happy birthday to you Happy birthday to you | 0:20:11 | 0:20:18 | |
# Happy birthday, dear Sandy | 0:20:18 | 0:20:23 | |
# Happy birthday | 0:20:23 | 0:20:26 | |
# To yo-o-ou! # | 0:20:26 | 0:20:29 | |
PEOPLE APPLAUD 80, Sandy? Well, done, darlin'. | 0:20:38 | 0:20:42 | |
Let me attend tae ma bill now. | 0:20:46 | 0:20:48 | |
Let me attend tae that. | 0:20:48 | 0:20:50 | |
Oh, Tam. | 0:20:58 | 0:21:00 | |
Did you enjoy that wee song? | 0:21:00 | 0:21:03 | |
No, it was the bill. | 0:21:03 | 0:21:05 | |
It was beautiful! | 0:21:05 | 0:21:07 | |
I've never had a freebie oot of this place before! | 0:21:07 | 0:21:10 | |
We musta been up every bastardin' street in this town. | 0:21:17 | 0:21:21 | |
I've chapped a' the skin aff ma knuckles. Should have brought a photo. | 0:21:21 | 0:21:25 | |
That woulda done it. A wee town like this. | 0:21:25 | 0:21:27 | |
That would've been the clever thing tae dae, but with us being a couple of daft auld pricks... Aye, daft. | 0:21:27 | 0:21:33 | |
Hello, ya couple of queer hawks! Winston! | 0:21:33 | 0:21:35 | |
What in the name of Christ are you two doin' here? | 0:21:35 | 0:21:38 | |
We're doon tae see you! You should have phoned! | 0:21:38 | 0:21:41 | |
Aye, well, we woulda done if you'd given us the bloody number! Aye. | 0:21:41 | 0:21:45 | |
Came doon tae see if you're awright. | 0:21:45 | 0:21:47 | |
What de ye mean, if I'm awright? Of course I'm awright! | 0:21:47 | 0:21:49 | |
I'm in Finport! | 0:21:49 | 0:21:51 | |
Welcome tae Finport! | 0:21:51 | 0:21:52 | |
That'll be a cat stuck up a tree or something. | 0:21:57 | 0:21:59 | |
Listen, it was really nice of youse tae come doon, you know, but, as you can see, I'm fine and dandy. | 0:21:59 | 0:22:06 | |
Aye. | 0:22:06 | 0:22:08 | |
So, er...what is it you want to do? | 0:22:08 | 0:22:12 | |
Just see ye and that. Get a cup of tea and that. | 0:22:12 | 0:22:14 | |
Have a look at yer digs. | 0:22:14 | 0:22:16 | |
Oh, aye, aye. Nae bother. We've... | 0:22:16 | 0:22:18 | |
We've been a' roon aboot. | 0:22:18 | 0:22:20 | |
There's not a lot to do, is there? What is it ye do all day here? | 0:22:20 | 0:22:24 | |
Me? Oh, pshaw! I'm never done daein' stuff. | 0:22:24 | 0:22:29 | |
A' day. Aye. | 0:22:29 | 0:22:30 | |
Every day. Like what? I'll tell you what to do. | 0:22:30 | 0:22:33 | |
Come with me and I'll gie ye a day in the new life of Winston Ingram! | 0:22:33 | 0:22:38 | |
Right, do you know what this is? | 0:22:42 | 0:22:44 | |
Penny falls machine. | 0:22:44 | 0:22:46 | |
Not quite, Victor. Nearly. | 0:22:46 | 0:22:48 | |
This is a cash cascade. | 0:22:48 | 0:22:51 | |
It's a licence tae print money. | 0:22:51 | 0:22:53 | |
See this. It's a penny falls machine without an alarm. Oi, oi, oi. | 0:22:53 | 0:22:58 | |
Aw, boo. Nothin' happens. Will those coins ever fall? | 0:23:03 | 0:23:07 | |
Right, gentlemen. | 0:23:14 | 0:23:16 | |
Time to paint the town red. | 0:23:16 | 0:23:18 | |
See, eh? | 0:23:20 | 0:23:22 | |
You don't get this in Craiglang. | 0:23:22 | 0:23:24 | |
No, you can get pneumonia in Craiglang, as well. | 0:23:24 | 0:23:27 | |
So, er... So, you're settled then, eh? Here. | 0:23:29 | 0:23:33 | |
What? Aye. Of course I am. | 0:23:33 | 0:23:35 | |
Couldnae be happier. | 0:23:35 | 0:23:37 | |
Well, that's youse. Oh, is that us? | 0:23:37 | 0:23:39 | |
Aye. | 0:23:39 | 0:23:41 | |
Oh, we never seen yer digs, eh? | 0:23:41 | 0:23:44 | |
Oh, aye! | 0:23:44 | 0:23:46 | |
Er... Next time, eh? | 0:23:46 | 0:23:48 | |
Aye. We'll do that the next time. | 0:23:48 | 0:23:51 | |
Right, well, | 0:23:51 | 0:23:53 | |
all the best. Goodbye, Jack. | 0:23:53 | 0:23:55 | |
Cheerio, Winston. Cheers, Victor. See youse later. | 0:23:55 | 0:23:58 | |
WINSTON WHISTLES | 0:24:00 | 0:24:02 | |
I'll just get you a tea for the bus, Molly. | 0:24:10 | 0:24:13 | |
I'll come wi' ye, then! Don't be stupid. You've got the case. | 0:24:13 | 0:24:16 | |
You stay and keep Molly company. | 0:24:16 | 0:24:18 | |
Righto. | 0:24:18 | 0:24:20 | |
What's the matter, Tam? | 0:24:21 | 0:24:23 | |
Do you no' want to be alone with me? | 0:24:23 | 0:24:26 | |
That's the problem, see? I want to be alone wi' ye. | 0:24:26 | 0:24:29 | |
Tonight, tomorrow night, for the rest of my life. | 0:24:29 | 0:24:33 | |
Your tightfistedness drives me crazy, sweetheart. | 0:24:33 | 0:24:37 | |
It gets me harder than the crossword in the Herald. | 0:24:37 | 0:24:40 | |
But this weddin' band says we can never be. | 0:24:40 | 0:24:44 | |
I'm married to yer sister, Molly. | 0:24:44 | 0:24:46 | |
Any feelings I have for you ain't worth a hill of beans. | 0:24:46 | 0:24:50 | |
Got ye a tin of sweeties an a', Molly. Thanks. | 0:24:50 | 0:24:54 | |
Now, you look after yourself. | 0:24:54 | 0:24:56 | |
Here's one last freebie for ye, Tam. | 0:25:00 | 0:25:02 | |
TAM GROANS | 0:25:02 | 0:25:04 | |
# You're the lady you're the lady that I love | 0:25:11 | 0:25:16 | |
# I'm the lady, the lady who | 0:25:16 | 0:25:19 | |
# You're the lady you're the lady that I love... # | 0:25:19 | 0:25:23 | |
KNOCK ON DOOR | 0:25:28 | 0:25:30 | |
Ye happy noo? | 0:25:53 | 0:25:55 | |
Ye've seen it all. | 0:25:55 | 0:25:57 | |
What the hell's happened here? | 0:25:57 | 0:25:59 | |
The council telt me I was going to a new place, you know. | 0:25:59 | 0:26:02 | |
I thought they meant a new house. | 0:26:02 | 0:26:04 | |
Down at the beach. But...it wasnae. It was sheltered housing. | 0:26:04 | 0:26:09 | |
Full of deadbeats. | 0:26:09 | 0:26:11 | |
A wee red string tae pull in case ye've fell or shat yersel'. | 0:26:11 | 0:26:15 | |
I blew up at them. | 0:26:15 | 0:26:17 | |
Telt them to stick it up their arse. | 0:26:17 | 0:26:20 | |
Well, you obviously did the right thing there, eh? | 0:26:20 | 0:26:22 | |
Cos this is the Savoy. | 0:26:22 | 0:26:25 | |
I know what I've done. I've made a complete hoor of it. | 0:26:25 | 0:26:28 | |
See, my problem is... | 0:26:30 | 0:26:33 | |
I don't know when to admit I'm wrong. | 0:26:33 | 0:26:37 | |
I came doon here thinking that I could start all over again, | 0:26:37 | 0:26:41 | |
without anything, without anybody. | 0:26:41 | 0:26:44 | |
Just me. On ma tod. | 0:26:44 | 0:26:47 | |
But ye cannae. | 0:26:48 | 0:26:50 | |
Not at this age. | 0:26:50 | 0:26:51 | |
As shite as Craiglang is, | 0:26:54 | 0:26:56 | |
I miss it. | 0:26:56 | 0:26:59 | |
I need it. | 0:26:59 | 0:27:02 | |
I need the pub. | 0:27:02 | 0:27:04 | |
Navid's. I need...youse two. | 0:27:04 | 0:27:08 | |
What does it matter anyway, eh? | 0:27:11 | 0:27:14 | |
I've burnt ma boats. | 0:27:14 | 0:27:16 | |
Have ye got a suitcase? | 0:27:16 | 0:27:18 | |
I have, aye. How? | 0:27:18 | 0:27:20 | |
Well, get it bloody packed. Yer comin' hame wi' us. Aye. | 0:27:20 | 0:27:23 | |
Where am I gonnae stay? Jack's. Victor's. | 0:27:23 | 0:27:26 | |
Here, gimme a wee second, fellas. | 0:27:33 | 0:27:34 | |
Get it right round ye, Finport! | 0:27:41 | 0:27:44 | |
I'll take your case for you now, sir. | 0:27:48 | 0:27:50 | |
Thanks, son. | 0:27:50 | 0:27:51 | |
Is that us in Finport? | 0:27:57 | 0:27:59 | |
THEY ALL CHEER | 0:28:30 | 0:28:32 | |
Lager, please... | 0:28:36 | 0:28:39 | |
ya big lantern-jawed, bug-eyed, junkie-faced, bone-idle, dim-witted bastard, ye! | 0:28:39 | 0:28:45 | |
What?! I've been away six weeks! | 0:28:45 | 0:28:49 |