Browse content similar to Grim Up North. Check below for episodes and series from the same categories and more!
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This programme contains some strong language | 0:00:02 | 0:00:08 | |
PHONE RINGS | 0:00:33 | 0:00:35 | |
Iain Duncan Sheathing. | 0:00:37 | 0:00:38 | |
Really? | 0:00:39 | 0:00:40 | |
Thank you. | 0:00:41 | 0:00:43 | |
Craiglang. | 0:00:44 | 0:00:46 | |
CLOCK CHIMES | 0:00:46 | 0:00:47 | |
Finally. | 0:00:47 | 0:00:48 | |
Eeny, meeny, miny, moe. | 0:00:50 | 0:00:53 | |
Pickled onion - here we go. | 0:00:53 | 0:00:55 | |
Oh... | 0:00:55 | 0:00:56 | |
what's that wee noise you're making? | 0:00:56 | 0:00:59 | |
"Pick me, Boabby! I'm Smoky Bacon!" | 0:00:59 | 0:01:02 | |
Here. | 0:01:04 | 0:01:05 | |
That's auld McCleary the undertaker planted the day, eh? | 0:01:05 | 0:01:08 | |
-ALL: -Oh, aye. | 0:01:08 | 0:01:09 | |
JACK EXHALES | 0:01:09 | 0:01:11 | |
-He buried a few. -Aye, aye. | 0:01:11 | 0:01:14 | |
Mind he buried Capper Flynn? | 0:01:14 | 0:01:16 | |
Aye, the Scotland player. | 0:01:16 | 0:01:18 | |
There was hundreds of people at that funeral. | 0:01:18 | 0:01:20 | |
He made a wreath into the shape of a football. | 0:01:20 | 0:01:22 | |
It was lovely, aye. | 0:01:22 | 0:01:23 | |
-That's right. -VICTOR LAUGHS | 0:01:23 | 0:01:25 | |
That wee boy blootered it against the graveyard wall. | 0:01:25 | 0:01:27 | |
That's right! Cos when it burst, | 0:01:27 | 0:01:29 | |
it was like a spring day. | 0:01:29 | 0:01:31 | |
Right, finish up, guys. | 0:01:33 | 0:01:35 | |
-Aw, come on, Boabby. One mair round. -Naw. | 0:01:35 | 0:01:37 | |
You've had your time. Do your talkin' while you're walkin'. | 0:01:37 | 0:01:40 | |
Or, in your case, | 0:01:40 | 0:01:42 | |
do your mumbling while you're stumbling. | 0:01:42 | 0:01:44 | |
Boabby, when was the last time we had a lock-in, eh? | 0:01:45 | 0:01:47 | |
About eight months ago. | 0:01:47 | 0:01:49 | |
Winston was full o' it and demanded a shot of tequila, | 0:01:49 | 0:01:51 | |
then started doing the Macaroni. | 0:01:51 | 0:01:53 | |
It's the Macarena. | 0:01:53 | 0:01:55 | |
You spewed everywhere. | 0:01:55 | 0:01:57 | |
It was definitely macaroni. | 0:01:57 | 0:01:59 | |
Hadn't even chewed it all up, you greedy, fat bastard. | 0:01:59 | 0:02:04 | |
Come on, Boabby. Shut the door and set us up another one, eh? | 0:02:04 | 0:02:07 | |
A man's passed. | 0:02:07 | 0:02:09 | |
Right. | 0:02:09 | 0:02:10 | |
One, then oot. | 0:02:10 | 0:02:12 | |
THEY CHEER | 0:02:12 | 0:02:14 | |
TRANSLATION: | 0:02:16 | 0:02:17 | |
I'm with a customer! | 0:02:21 | 0:02:22 | |
And what can I do for you? | 0:02:23 | 0:02:25 | |
SHOP BUZZER | 0:02:25 | 0:02:26 | |
That's a shame about auld Mr McCleary buried. | 0:02:26 | 0:02:29 | |
It's a queer thing when an undertaker passes. | 0:02:29 | 0:02:34 | |
To think he's buried thousands of people in his life | 0:02:34 | 0:02:37 | |
and then dies alone, in a simple grave | 0:02:37 | 0:02:41 | |
wi' nae fanfare. | 0:02:41 | 0:02:43 | |
TRANSLATION: | 0:02:43 | 0:02:45 | |
What's she saying? | 0:02:47 | 0:02:48 | |
She's saying it's a terrible business. | 0:02:48 | 0:02:50 | |
Naw, she said something about Idi Amin. | 0:02:50 | 0:02:53 | |
Naw, she said...the place is needing a clean. | 0:02:53 | 0:02:56 | |
Right. | 0:02:56 | 0:02:58 | |
Ach, well. He'll be missed. | 0:02:58 | 0:03:00 | |
Who misses an undertaker? | 0:03:00 | 0:03:02 | |
I'll miss him! He did a terrific service. | 0:03:02 | 0:03:05 | |
I fully expected him to live long enough to plant me. | 0:03:05 | 0:03:08 | |
And noo he's away, | 0:03:08 | 0:03:10 | |
who's gonnae deal with Craiglang's dead? | 0:03:10 | 0:03:13 | |
Who indeed, Isa? | 0:03:13 | 0:03:15 | |
No-one will be able to die. | 0:03:15 | 0:03:17 | |
Craiglang will become a village of the walking dead. | 0:03:17 | 0:03:21 | |
Ancient zombies creepin' aboot shouting, | 0:03:22 | 0:03:26 | |
"Please bury me!" | 0:03:26 | 0:03:28 | |
No change there, then. | 0:03:28 | 0:03:31 | |
-Ach, Navid. -Oh, listen to yourself, Isa. | 0:03:31 | 0:03:34 | |
You think when the baker dies, there's no bread? | 0:03:34 | 0:03:36 | |
Or when the butcher dies, there's no chops? | 0:03:36 | 0:03:38 | |
Or when... | 0:03:38 | 0:03:40 | |
Laurence Llewelyn-Bowen dies, there's no decorating? | 0:03:40 | 0:03:44 | |
The world keeps turning. | 0:03:44 | 0:03:45 | |
TRANSLATION: | 0:03:46 | 0:03:48 | |
Nearly got it. Give me a second. | 0:03:53 | 0:03:55 | |
Harry Belafonte! | 0:03:55 | 0:03:56 | |
BASTARD! | 0:03:56 | 0:03:57 | |
Heid count. | 0:03:59 | 0:04:01 | |
Where's Winston? | 0:04:01 | 0:04:03 | |
He's in the toilet having a Donald... | 0:04:03 | 0:04:05 | |
-Duck? -..Trump. -Oh. | 0:04:05 | 0:04:07 | |
Right. Oot. | 0:04:11 | 0:04:12 | |
-That's it. -Boabby, gies a minute. | 0:04:12 | 0:04:15 | |
Harry Belafonte? | 0:04:15 | 0:04:16 | |
I mean, I am the Word Wheel king, here. | 0:04:16 | 0:04:18 | |
-You are the Wagon Wheel king, my friend. -Shut up! | 0:04:18 | 0:04:21 | |
Right. Here's a good game. | 0:04:21 | 0:04:23 | |
Who is the most famous person you've ever met? | 0:04:23 | 0:04:26 | |
-And they can be dead or alive. -Nice. | 0:04:26 | 0:04:28 | |
OK, here's your wee starter. | 0:04:28 | 0:04:30 | |
Myself and this good man here met Charlton Heston | 0:04:30 | 0:04:32 | |
in this very city. How about that? | 0:04:32 | 0:04:34 | |
What was Charlton Heston doing in Glesga? | 0:04:34 | 0:04:36 | |
He was doing a cookery demonstration. | 0:04:36 | 0:04:38 | |
In John Lewis's. | 0:04:38 | 0:04:40 | |
Do yous no mean the baldy bastard chef Heston Blumenthal? | 0:04:40 | 0:04:43 | |
THEY MUTTER | 0:04:43 | 0:04:45 | |
That's who it was, aye. | 0:04:45 | 0:04:47 | |
You couple of hauf-wits. | 0:04:47 | 0:04:48 | |
THEY LAUGH | 0:04:48 | 0:04:49 | |
Well, he is still famous, eh? | 0:04:50 | 0:04:52 | |
Mary Berry? | 0:04:54 | 0:04:55 | |
Whit? Where was this? | 0:04:55 | 0:04:57 | |
BP garage. | 0:04:57 | 0:04:58 | |
She was rattlin' intae a cauld Ginsters sausage roll. | 0:04:58 | 0:05:01 | |
HE CHOMPS | 0:05:01 | 0:05:02 | |
Peter Powers. | 0:05:04 | 0:05:06 | |
-Who's Peter Powers? -Hypnotist. Pavilion. | 0:05:06 | 0:05:09 | |
Oh, right. | 0:05:09 | 0:05:10 | |
So he's hypnotised you, told you you were a prick, | 0:05:10 | 0:05:13 | |
and you've no' been able to snap oot it? | 0:05:13 | 0:05:15 | |
THEY LAUGH | 0:05:15 | 0:05:16 | |
Here, the game's a bogey. | 0:05:16 | 0:05:18 | |
Here comes the ace card. | 0:05:18 | 0:05:19 | |
I was in Henderson's a couple of years back, right? | 0:05:21 | 0:05:23 | |
Good 20 minutes I'd been in the queue, | 0:05:23 | 0:05:25 | |
and who comes through the door? | 0:05:25 | 0:05:27 | |
Wan Direction. | 0:05:27 | 0:05:29 | |
-THEY SCOFF -I'm telling yous! | 0:05:29 | 0:05:31 | |
All five of them jumped the queue. | 0:05:31 | 0:05:33 | |
"We want beefy bakes | 0:05:33 | 0:05:34 | |
"and bottles of Irn-Bru cos we're in Glasgow." I was like that, | 0:05:34 | 0:05:37 | |
I telt them, "Listen, you, you talentless wee fannies! | 0:05:37 | 0:05:40 | |
"If you get served before me, | 0:05:40 | 0:05:41 | |
there's only wan direction you're going, | 0:05:41 | 0:05:43 | |
"and it's oot that bastard windae!" | 0:05:43 | 0:05:45 | |
Right. That's enough. | 0:05:47 | 0:05:50 | |
The polis are gonnae be batterin' that door shortly. | 0:05:50 | 0:05:52 | |
Oh, haud on, Boabby. Eric, how are you no pipin' up? | 0:05:52 | 0:05:55 | |
-Och, I'm just enjoying listening. -You're the oldest wan | 0:05:55 | 0:05:58 | |
amongst us. You must have bumped into a few, eh? | 0:05:58 | 0:06:01 | |
Gina Lollobrigida. | 0:06:01 | 0:06:03 | |
You bumped into Gina Lollobrigida? | 0:06:03 | 0:06:05 | |
Naw! I pumped intae Gina Lollobrigida. | 0:06:05 | 0:06:07 | |
Oh! Eric wins. | 0:06:07 | 0:06:09 | |
Met her, charmed her, pumped her. | 0:06:09 | 0:06:12 | |
Away and don't talk a lot of shite, Eric. | 0:06:12 | 0:06:14 | |
Eric, you bedded a movie star? | 0:06:16 | 0:06:17 | |
Aye. | 0:06:17 | 0:06:19 | |
Right. | 0:06:23 | 0:06:24 | |
What's everybody wantin'? | 0:06:28 | 0:06:29 | |
-Tequila! -ALL: -No. | 0:06:29 | 0:06:31 | |
Right. | 0:06:31 | 0:06:32 | |
Get it telt. | 0:06:32 | 0:06:34 | |
Rome, summer. | 0:06:35 | 0:06:38 | |
The year 1958. | 0:06:38 | 0:06:40 | |
OWL HOOTS | 0:06:43 | 0:06:44 | |
Well, aul' Eric, eh? | 0:06:44 | 0:06:45 | |
Cuttin' aboot Rome, 1958, | 0:06:45 | 0:06:48 | |
and there she is - Gina Lollobrigida. | 0:06:48 | 0:06:50 | |
And he says, "Hello, I'm Eric. I'm a randy sailor. | 0:06:50 | 0:06:55 | |
"Would you care for your hole, hen?" | 0:06:55 | 0:06:57 | |
-"Hen"! -THEY CHUCKLE | 0:06:57 | 0:06:59 | |
Come on! | 0:06:59 | 0:07:01 | |
"Would you care for your hole, Signorina, hen?" | 0:07:01 | 0:07:03 | |
Oh, aye, aye. And she's like that... | 0:07:03 | 0:07:05 | |
COD ITALIAN ACCENT: "Och, it's nae danger! | 0:07:05 | 0:07:07 | |
"Just pull-a my scanties doon and fire right into me." | 0:07:07 | 0:07:11 | |
-Pish. -Aye. | 0:07:11 | 0:07:12 | |
He's definitely losing the place. It's been going on for a while. | 0:07:12 | 0:07:15 | |
Aye. He's always had that patter, though, in't he? | 0:07:15 | 0:07:18 | |
He telt me he ran into Frank Sinatra in the Phoenix Bar in Dundee. | 0:07:18 | 0:07:21 | |
That's right. And I met Sammy Davis Jr doon the Barras | 0:07:21 | 0:07:24 | |
buying a Calor gas fire. | 0:07:24 | 0:07:26 | |
Aye. He's a liar. | 0:07:26 | 0:07:28 | |
He's cracking up at the rate of knots. | 0:07:28 | 0:07:30 | |
This cold'll be the death...of...us. | 0:07:30 | 0:07:32 | |
OWL HOOTS | 0:07:32 | 0:07:33 | |
What's the matter with you? | 0:07:33 | 0:07:34 | |
VICTOR MUTTERS | 0:07:34 | 0:07:36 | |
JACK: Oh! | 0:07:36 | 0:07:38 | |
Come on. Let's get away fae this Lee Van Cleef bastard. | 0:07:38 | 0:07:42 | |
Aye. | 0:07:42 | 0:07:43 | |
DID you see Sammy Davis buying a gas fire doon the Barras? | 0:07:43 | 0:07:46 | |
Naw. | 0:07:46 | 0:07:47 | |
WIND WHOOSHES | 0:07:58 | 0:08:00 | |
SHOP BUZZER | 0:08:04 | 0:08:05 | |
SHE PANTS Oh, my. | 0:08:05 | 0:08:07 | |
-Oh, my! -Oh, Jesus, Isa. | 0:08:07 | 0:08:09 | |
What's the matter with you? You look like you've seen a ghost. | 0:08:09 | 0:08:11 | |
Worse than that! | 0:08:11 | 0:08:13 | |
-A junkie? -Naw. | 0:08:13 | 0:08:14 | |
Have you seen Winston wi' no clothes on? | 0:08:14 | 0:08:16 | |
No! | 0:08:16 | 0:08:17 | |
Sheathing, the undertaker. | 0:08:17 | 0:08:20 | |
-Fae Park Mill? -Aye. | 0:08:20 | 0:08:21 | |
So what? | 0:08:21 | 0:08:22 | |
He's taking over auld man McCleary's business. | 0:08:22 | 0:08:25 | |
He's the new undertaker! | 0:08:25 | 0:08:27 | |
Good. | 0:08:27 | 0:08:28 | |
It's no' good, Navid! | 0:08:28 | 0:08:30 | |
It's no' good at all! | 0:08:30 | 0:08:31 | |
You've no' heard the stories. | 0:08:31 | 0:08:33 | |
Right. Off you go. | 0:08:33 | 0:08:35 | |
They say whoever he touches | 0:08:35 | 0:08:38 | |
dies within seven days. | 0:08:38 | 0:08:41 | |
-Hopefully, he'll come in here and touch Meena. -HE LAUGHS | 0:08:41 | 0:08:44 | |
TRANSLATION: | 0:08:44 | 0:08:47 | |
You think I'm being stupid, don't you? | 0:08:48 | 0:08:50 | |
No, Isa. | 0:08:50 | 0:08:52 | |
See the village where I lived? | 0:08:52 | 0:08:53 | |
There was great poverty and battles | 0:08:53 | 0:08:57 | |
and sickness. | 0:08:57 | 0:08:58 | |
No, this was before Govan, | 0:08:58 | 0:09:00 | |
you halfwit! I'm talking about India. See, the problem was, | 0:09:00 | 0:09:04 | |
the village couldn't prosper. | 0:09:04 | 0:09:05 | |
People were too busy looking after the sick. | 0:09:05 | 0:09:07 | |
So, as cruel as it seemed, | 0:09:07 | 0:09:10 | |
they called for Cretanta. | 0:09:10 | 0:09:13 | |
Cretanta? | 0:09:13 | 0:09:15 | |
He was a doctor...of sorts. | 0:09:15 | 0:09:18 | |
He would come on request, | 0:09:18 | 0:09:20 | |
perform a chant, | 0:09:20 | 0:09:22 | |
pass his hands over the stricken, | 0:09:22 | 0:09:24 | |
and moments later...they were gone. | 0:09:24 | 0:09:28 | |
Like a witch doctor? | 0:09:28 | 0:09:30 | |
No, like a criminal. | 0:09:30 | 0:09:31 | |
They found out later he was injecting the poor bastards | 0:09:31 | 0:09:33 | |
with window cleaner. | 0:09:33 | 0:09:35 | |
He was basically an Indian Dr Crippen. | 0:09:36 | 0:09:38 | |
So what's your point, Navid? | 0:09:38 | 0:09:40 | |
My point is, Isa, | 0:09:40 | 0:09:42 | |
I just think that your story is a pile of fu... | 0:09:42 | 0:09:44 | |
..kin' bollocks. | 0:09:44 | 0:09:46 | |
Made-up pish. | 0:09:47 | 0:09:49 | |
I'm telling ye! Last year, wee Connie Galbraith dies. | 0:09:49 | 0:09:53 | |
She got into bother at the swimming | 0:09:53 | 0:09:54 | |
and the nae-user lifeguard was oot havin' a smoke. | 0:09:54 | 0:09:57 | |
By the time he got back, poor Connie | 0:09:57 | 0:09:59 | |
had mair water in her than Loch Lomond. | 0:09:59 | 0:10:02 | |
Droont! There was a huge enquiry. | 0:10:02 | 0:10:04 | |
The boy's still working there, | 0:10:04 | 0:10:06 | |
but he's promised to stick to the vaping noo. | 0:10:06 | 0:10:09 | |
Anyroad, I was at the funeral. | 0:10:09 | 0:10:12 | |
What an affair that was. | 0:10:12 | 0:10:14 | |
Oh! A right old-fashioned do, you know, | 0:10:14 | 0:10:17 | |
and a huge amount of people. | 0:10:17 | 0:10:18 | |
Anyway, there she was - | 0:10:18 | 0:10:21 | |
top hat, cane, the lot. | 0:10:21 | 0:10:24 | |
She even... | 0:10:24 | 0:10:27 | |
What you doing, Winston? | 0:10:27 | 0:10:29 | |
-I'm looking for your point. -THEY LAUGH | 0:10:29 | 0:10:31 | |
That's what I'm telling ye! | 0:10:31 | 0:10:33 | |
He reaches oot his haun'... | 0:10:35 | 0:10:37 | |
..and touches Raymond McCall on the shoulder, | 0:10:37 | 0:10:39 | |
to gie him comfort, like. | 0:10:39 | 0:10:42 | |
Well, Raymond was a fit man. | 0:10:42 | 0:10:44 | |
He never smoked, he never drank. | 0:10:44 | 0:10:47 | |
-He used to run the half-marathon, mind? -And? | 0:10:47 | 0:10:50 | |
Stone deid on the Wednesday. | 0:10:50 | 0:10:53 | |
Death has come to Craiglang. | 0:10:54 | 0:10:57 | |
-Wait a minute. How old was Raymond? -Eh... | 0:10:57 | 0:11:01 | |
he'd a been about 56. | 0:11:01 | 0:11:03 | |
Well, the life expectancy in Park Mill's about 29. | 0:11:03 | 0:11:06 | |
That's a good innings for that shit-hole! | 0:11:06 | 0:11:08 | |
THEY LAUGH | 0:11:08 | 0:11:10 | |
Well, all I'm saying is, | 0:11:10 | 0:11:12 | |
you don't want Sheathing fingering ye. | 0:11:12 | 0:11:15 | |
No' even after a few sherries? | 0:11:15 | 0:11:17 | |
Oh! | 0:11:17 | 0:11:18 | |
DOOR CREAKS | 0:11:19 | 0:11:21 | |
WIND WHOOSHES | 0:11:21 | 0:11:22 | |
-BOABBY: -Hello. | 0:11:25 | 0:11:27 | |
What can I get you? | 0:11:27 | 0:11:29 | |
Rum. | 0:11:29 | 0:11:30 | |
Dark Heart. | 0:11:30 | 0:11:32 | |
-Ice. -Right. | 0:11:32 | 0:11:34 | |
I'm the new funeral director here in Craiglang. | 0:11:39 | 0:11:41 | |
Well... | 0:11:41 | 0:11:43 | |
..if you've come in here to tout your trade, | 0:11:43 | 0:11:45 | |
you've just hit the mother lode. | 0:11:45 | 0:11:47 | |
You wheesh! | 0:11:47 | 0:11:48 | |
Anyway, just thought I'd pop in to introduce myself. | 0:11:48 | 0:11:51 | |
Just, er, leave my card. | 0:11:51 | 0:11:52 | |
If ever, well... | 0:11:54 | 0:11:55 | |
..you know. | 0:11:56 | 0:11:58 | |
ICE CUBES CLINK | 0:11:58 | 0:12:00 | |
COINS CLUNK | 0:12:00 | 0:12:02 | |
FRUIT MACHINE BEEPS | 0:12:02 | 0:12:03 | |
Any luck? | 0:12:07 | 0:12:08 | |
Aye! It's just aboot tae pay oot. | 0:12:08 | 0:12:11 | |
-I hope so. -Oh, cheers. | 0:12:11 | 0:12:13 | |
Well...we'll be seeing you, then. | 0:12:16 | 0:12:18 | |
Oh, that's for certain. | 0:12:19 | 0:12:21 | |
-See you now. -DOOR CREAKS | 0:12:22 | 0:12:24 | |
Creepy, lanky Addams Family bastard. | 0:12:27 | 0:12:30 | |
That's funny. | 0:12:32 | 0:12:33 | |
It was cold when he came in! | 0:12:33 | 0:12:35 | |
-Noo, it's all warm. -Well... | 0:12:35 | 0:12:37 | |
..least he never touched any of us. | 0:12:37 | 0:12:40 | |
That's all I'm saying. | 0:12:40 | 0:12:41 | |
Right, wrap it, Isa. | 0:12:41 | 0:12:42 | |
Let's talk about something else, eh? | 0:12:42 | 0:12:45 | |
Aye. | 0:12:45 | 0:12:46 | |
Here, you'll love this, hen. | 0:12:46 | 0:12:48 | |
Eric, tell Isa your story about Gina Lollobrigida. | 0:12:48 | 0:12:52 | |
Eric. | 0:12:53 | 0:12:54 | |
Eric! | 0:12:54 | 0:12:56 | |
COINS CLATTER | 0:12:56 | 0:12:58 | |
Poor old Eric, eh? | 0:13:04 | 0:13:05 | |
He'll be sadly missed. | 0:13:05 | 0:13:06 | |
Aye. He will indeed. | 0:13:06 | 0:13:09 | |
-Tae Eric. -Aye. | 0:13:13 | 0:13:15 | |
Dear auld friend. | 0:13:17 | 0:13:18 | |
Isa's at it full-tilt. | 0:13:22 | 0:13:24 | |
-At what? -Och. | 0:13:24 | 0:13:26 | |
She's going roon' the whole of Craiglang | 0:13:26 | 0:13:28 | |
telling everyone that Sheathing undertaker fella's the Reaper. | 0:13:28 | 0:13:30 | |
She's got everybody shiting themselves. | 0:13:30 | 0:13:32 | |
It's a load of garbage. | 0:13:32 | 0:13:34 | |
Here, tell me this. | 0:13:34 | 0:13:35 | |
In a lifetime, on average - average, mind - | 0:13:35 | 0:13:38 | |
how many times do you think the heart beats? | 0:13:38 | 0:13:40 | |
Oof, I don't know. Must be up in the thousands. | 0:13:40 | 0:13:42 | |
JACK SNORTS | 0:13:42 | 0:13:44 | |
Thousands. Away you go, you hauf-wit. | 0:13:44 | 0:13:45 | |
No, it's 100,000 times a day. | 0:13:45 | 0:13:48 | |
Thousands?! That widnae gie you enough time to boil an egg. | 0:13:48 | 0:13:50 | |
You'd be dipping your wee soldier in there, | 0:13:50 | 0:13:53 | |
heart attack, that'd be you finished. Game over. | 0:13:53 | 0:13:55 | |
Goodnight, Vienna. | 0:13:55 | 0:13:56 | |
Naw, over the course of a lifetime, the heart will beat | 0:13:56 | 0:13:59 | |
two-and-a-half billion times. | 0:13:59 | 0:14:01 | |
Aye, well, I've rattled a few thousand | 0:14:01 | 0:14:03 | |
listening to this story, Jack. What's your point? | 0:14:03 | 0:14:05 | |
My point is, once you've had all your heartbeats, that's it. | 0:14:05 | 0:14:08 | |
Your time's up. And that is what happened to Eric. | 0:14:08 | 0:14:11 | |
Eric didnae die because he was touched by the hand of Death. | 0:14:11 | 0:14:14 | |
Aye. Reaper nonsense. | 0:14:14 | 0:14:16 | |
You cannae be walkin' aboot | 0:14:16 | 0:14:18 | |
waiting on somebody putting a bony finger on your shoulder | 0:14:18 | 0:14:21 | |
marking you oot for death. Eat what you want. | 0:14:21 | 0:14:23 | |
-Smoke all you like. -Booze it up like an alkie. | 0:14:23 | 0:14:25 | |
It disnae matter. When your time's up, your time's up. | 0:14:25 | 0:14:28 | |
Aye, well said. | 0:14:28 | 0:14:29 | |
-Spot of lunch? -Aye. | 0:14:29 | 0:14:32 | |
WHIRRING | 0:14:33 | 0:14:35 | |
What are you doing? | 0:14:38 | 0:14:39 | |
-I said, what are you doing? -Two smoothies. | 0:14:41 | 0:14:43 | |
Kale, spinach, cucumber, and a raw egg. | 0:14:43 | 0:14:48 | |
-R-Raw? -Just like Rocky. | 0:14:48 | 0:14:50 | |
To be safe. | 0:14:50 | 0:14:52 | |
T-To be safe, aye. | 0:14:52 | 0:14:54 | |
HE CLEARS HIS THROAT What is it you're calling it? | 0:14:55 | 0:14:59 | |
The Insurance. | 0:14:59 | 0:15:01 | |
The Insurance. | 0:15:01 | 0:15:02 | |
-That's... -Yep. | 0:15:10 | 0:15:11 | |
Right. | 0:15:11 | 0:15:12 | |
Sheathing the Grim Reaper? | 0:15:17 | 0:15:19 | |
A load of pish. | 0:15:19 | 0:15:21 | |
Aye, Eric was due to go, eh? | 0:15:21 | 0:15:23 | |
The mind was...drifting. | 0:15:23 | 0:15:25 | |
85. | 0:15:25 | 0:15:27 | |
Aye. And then there was all the lies. Eh? | 0:15:27 | 0:15:29 | |
-HE SCOFFS -Gina Lollobrigida. | 0:15:29 | 0:15:32 | |
-Be great if it was true, eh? -Oh, aye. | 0:15:32 | 0:15:34 | |
Widnae be all that difficult to find oot. I mean, | 0:15:34 | 0:15:37 | |
what year did he say it happened? | 0:15:37 | 0:15:39 | |
Eh, summer...1958. | 0:15:39 | 0:15:42 | |
And what was the name of his ship? | 0:15:42 | 0:15:44 | |
That's easy - HMS Corunna. | 0:15:44 | 0:15:45 | |
Well, I'm gonnae get to the bottom of this. Let me make a few calls. | 0:15:45 | 0:15:49 | |
You make a few calls once we get to the bottom of these cans. | 0:15:49 | 0:15:52 | |
-To Eric. -To Eric. | 0:15:56 | 0:15:58 | |
Do you no'...fancy a wee go on the fruit machine? Hm? | 0:16:04 | 0:16:07 | |
No. | 0:16:07 | 0:16:08 | |
I've not got any change. | 0:16:10 | 0:16:12 | |
Tam! | 0:16:15 | 0:16:18 | |
Hi, Boabby. | 0:16:19 | 0:16:20 | |
You love the puggie. | 0:16:22 | 0:16:24 | |
-WHISPERS: -Play the puggie. | 0:16:25 | 0:16:27 | |
Nah. | 0:16:27 | 0:16:28 | |
Just got a fresh pint there. | 0:16:28 | 0:16:30 | |
Does naebody in here want to play that puggie? | 0:16:39 | 0:16:41 | |
-No, I'm OK. -THEY MURMUR | 0:16:41 | 0:16:43 | |
Look, I'm as sorry about Eric as you lot. | 0:16:43 | 0:16:46 | |
But I am trying to run a business here, | 0:16:46 | 0:16:49 | |
and what the shit's this?! | 0:16:49 | 0:16:51 | |
THEY MUTTER IN PROTEST | 0:16:52 | 0:16:54 | |
It's a pub! It's no' Lady Diana's bastarding grave! | 0:16:56 | 0:17:00 | |
Boabby's no' to blame here, everybody. | 0:17:02 | 0:17:04 | |
It's that undertaker, Sheathing. | 0:17:04 | 0:17:06 | |
-Oh, Isa, gie it a rest. -Don't start all that pish again, Isa. It's nae use. | 0:17:06 | 0:17:09 | |
BELL RINGS | 0:17:09 | 0:17:11 | |
I know you're all upset about your good friend Eric passing... | 0:17:11 | 0:17:14 | |
..but Isa's fear might not be unwarranted. | 0:17:15 | 0:17:18 | |
I have mates in Park Mill that used to hurry by his funeral shop. | 0:17:18 | 0:17:22 | |
But hear this - | 0:17:22 | 0:17:24 | |
there have been loads of depictions of Death - | 0:17:24 | 0:17:27 | |
the Norse Valkyries, Thanatos - that's Greek. | 0:17:27 | 0:17:30 | |
But one of the biggest icons is the Grim Reaper. | 0:17:30 | 0:17:34 | |
The Black Death pandemic, right? | 0:17:34 | 0:17:36 | |
14th century, 20 million deid. | 0:17:36 | 0:17:38 | |
A fear of death spread throughout society. | 0:17:38 | 0:17:41 | |
Is it any wonder that a town full of pensioners | 0:17:41 | 0:17:43 | |
in the twilight of their years should fear such a figure? | 0:17:43 | 0:17:46 | |
How we are gonnae get rid of him? | 0:17:48 | 0:17:50 | |
You don't need to get rid of him. | 0:17:50 | 0:17:52 | |
He disnae exist. | 0:17:52 | 0:17:54 | |
Sheathing's just flesh and blood - | 0:17:54 | 0:17:57 | |
like you and me. | 0:17:57 | 0:17:59 | |
DOOR CREAKS | 0:17:59 | 0:18:00 | |
WIND WHOOSHES | 0:18:00 | 0:18:01 | |
Mr Sheathing. | 0:18:03 | 0:18:05 | |
Rum. | 0:18:05 | 0:18:06 | |
Dark Heart. | 0:18:06 | 0:18:08 | |
MACHINE BEEPS ERRATICALLY | 0:18:21 | 0:18:23 | |
Looks like your fruit machine's deid. | 0:18:24 | 0:18:27 | |
Anyway, the reason I came in is... | 0:18:29 | 0:18:30 | |
One touch on the shoulder. | 0:18:35 | 0:18:37 | |
Seconds later, Eric was away. | 0:18:37 | 0:18:39 | |
Taken! | 0:18:39 | 0:18:41 | |
-A lot of Bram Stoker pish. -I'm telling ye! | 0:18:41 | 0:18:43 | |
If he tried to touch me, | 0:18:43 | 0:18:45 | |
I'd take one of these size 10s, I'd part his Reaper baws | 0:18:45 | 0:18:47 | |
and I'd say tae him, "You feeling grim noo?" | 0:18:47 | 0:18:49 | |
SHE SCOFFS | 0:18:49 | 0:18:50 | |
-Mrs Drennan! -SWING CREAKS | 0:18:50 | 0:18:53 | |
Can I have a word? | 0:18:53 | 0:18:55 | |
Don't let him touch me! It's no' my time! | 0:18:55 | 0:18:57 | |
Take her! She's got high blood pressure! | 0:18:57 | 0:18:59 | |
HE MUTTERS | 0:19:08 | 0:19:09 | |
SHE PANTS | 0:19:10 | 0:19:11 | |
Oh! Oh... | 0:19:13 | 0:19:15 | |
-Oh, Boabby! Boabby, help me! -Whit? | 0:19:33 | 0:19:37 | |
Oh, Boabby! Oh, Boabby, for God's sake, help me! | 0:19:37 | 0:19:40 | |
Boabby, he's coming for me! | 0:19:40 | 0:19:41 | |
-The Reaper's coming! -Mrs Drennan. | 0:19:41 | 0:19:43 | |
Oh, Boabby, don't let him touch me, son! | 0:19:43 | 0:19:46 | |
Right, that's enough, ye daft old bun. | 0:19:46 | 0:19:48 | |
You know what this is aboot, don't you? | 0:19:48 | 0:19:51 | |
People roon' here have got a mad notion | 0:19:51 | 0:19:53 | |
that you're the Grim Reaper. | 0:19:53 | 0:19:55 | |
-Wan touch and you're deid. -No, no, no. | 0:19:55 | 0:19:57 | |
All I'm after is... | 0:19:57 | 0:19:58 | |
Isa, look at this. | 0:19:58 | 0:20:01 | |
HE IMITATES EERIE MOANING | 0:20:07 | 0:20:09 | |
That's me deid noo. | 0:20:10 | 0:20:12 | |
-Oh... -HE HITS THE GROUND | 0:20:15 | 0:20:17 | |
SHE WHIMPERS | 0:20:17 | 0:20:18 | |
Oh, my! | 0:20:18 | 0:20:19 | |
Open, ya bas. | 0:20:25 | 0:20:26 | |
Jack! | 0:20:26 | 0:20:28 | |
Oh, Victor! | 0:20:28 | 0:20:30 | |
Victor! Something terrible's happened! | 0:20:30 | 0:20:33 | |
Open your door! | 0:20:33 | 0:20:34 | |
Isa, for God's sake. Look at the state of you, woman. | 0:20:34 | 0:20:37 | |
What's the matter? | 0:20:37 | 0:20:38 | |
-Death is nigh. -What's the matter? Boabby's deid! | 0:20:38 | 0:20:41 | |
-Whit?! -Aye! | 0:20:41 | 0:20:43 | |
Sheathing touched him. | 0:20:43 | 0:20:44 | |
-Death is nigh. -What do you mean, he touched him? | 0:20:44 | 0:20:47 | |
Boabby got the undertaker to rub him, | 0:20:47 | 0:20:50 | |
and doon he went! | 0:20:50 | 0:20:52 | |
He rubbed him and went doon on him? | 0:20:52 | 0:20:55 | |
Naw, ya hauf-wit! | 0:20:55 | 0:20:57 | |
Boabby collapsed! He's deid! | 0:20:57 | 0:21:00 | |
-Death is nigh! -What the hell is it | 0:21:00 | 0:21:02 | |
you're babbling aboot? | 0:21:02 | 0:21:03 | |
It's an anagram of Sheathing's name! | 0:21:03 | 0:21:06 | |
Look - "Death is nigh." | 0:21:06 | 0:21:08 | |
-Oh, for f... -LIFT BELL DINGS | 0:21:08 | 0:21:10 | |
DOORS SLAM | 0:21:15 | 0:21:16 | |
PHONE RINGS | 0:21:38 | 0:21:39 | |
-Hello? -He's at your door. | 0:21:44 | 0:21:46 | |
SLOW KNOCKING AT DOOR | 0:21:48 | 0:21:50 | |
SLOW KNOCKING | 0:21:56 | 0:21:58 | |
Eh... | 0:21:59 | 0:22:00 | |
Sorry! I can't come to the door at the moment! | 0:22:00 | 0:22:03 | |
I'm tending to my...cat. | 0:22:03 | 0:22:06 | |
It's got a sore paw. | 0:22:06 | 0:22:08 | |
Jack's in, but... | 0:22:10 | 0:22:12 | |
..and he's not got any animals to attend tae! | 0:22:13 | 0:22:15 | |
Bastard! | 0:22:15 | 0:22:17 | |
What have you done that for, | 0:22:17 | 0:22:19 | |
you back-stabbing, throw-me-under-the-bus, big, lanky bastard, ye?! | 0:22:19 | 0:22:22 | |
I'm sorry, Jack. I panicked and I shat it. | 0:22:22 | 0:22:25 | |
That's him come for you noo. | 0:22:30 | 0:22:32 | |
Open it and see what he wants. | 0:22:32 | 0:22:33 | |
SLOW KNOCKING | 0:22:33 | 0:22:35 | |
Aye, watch me. | 0:22:35 | 0:22:36 | |
PHONE RINGS | 0:22:39 | 0:22:40 | |
Mr Jarvis, can I have a word? | 0:22:44 | 0:22:45 | |
You can have two! Piss off. | 0:22:45 | 0:22:47 | |
Will you open the door, please? | 0:22:48 | 0:22:50 | |
So you can touch me up and kill me? Naw! | 0:22:50 | 0:22:53 | |
Mr Sheathing, come away in. | 0:22:54 | 0:22:57 | |
Isa, darlin'! No! You've still got a couple of good years left in you! | 0:22:57 | 0:23:01 | |
DOOR BANGS SHUT | 0:23:01 | 0:23:03 | |
Right. | 0:23:07 | 0:23:08 | |
Time to staun' up and be counted. | 0:23:08 | 0:23:10 | |
All right. Chap the door. | 0:23:19 | 0:23:22 | |
How have I to chap the door? That would mean I've summoned him. | 0:23:22 | 0:23:24 | |
Hm. Right, we'll chap at the same time, right? | 0:23:24 | 0:23:27 | |
One, two, three. | 0:23:27 | 0:23:30 | |
-You bastard! -JACK LAUGHS | 0:23:30 | 0:23:32 | |
Noo you know what it feels like to be underneath the bus. | 0:23:32 | 0:23:34 | |
What is that? | 0:23:38 | 0:23:40 | |
Garlic paste. | 0:23:40 | 0:23:41 | |
Didn't have any bulbs. | 0:23:41 | 0:23:43 | |
What is it you're gonnae dae, baste him? | 0:23:43 | 0:23:45 | |
LOCK CLICKS | 0:23:45 | 0:23:46 | |
Relax, boys. It's fine. | 0:23:48 | 0:23:50 | |
-Come in. -SHE LAUGHS | 0:23:50 | 0:23:52 | |
Say hello. | 0:23:54 | 0:23:56 | |
Say hello. | 0:23:59 | 0:24:00 | |
-BOTH: -Hello. | 0:24:00 | 0:24:02 | |
-Hello. -Boabby phoned. | 0:24:02 | 0:24:04 | |
He fainted and bumped his heid. He's all right. | 0:24:04 | 0:24:07 | |
Well, we're glad to hear that. | 0:24:07 | 0:24:08 | |
But what's big Lurch doing going round all the doors? | 0:24:08 | 0:24:11 | |
Well, I apologise for the lateness of the hour, | 0:24:11 | 0:24:13 | |
but I was getting desperate. | 0:24:13 | 0:24:15 | |
I was trying to get hold of all yous so you could tell me about Eric. | 0:24:15 | 0:24:17 | |
The man had no family - I was going to do his eulogy, | 0:24:17 | 0:24:20 | |
but every time I approached you, you scarpered. | 0:24:20 | 0:24:23 | |
Aye, well, maybe you could talk in your eulogy about | 0:24:23 | 0:24:25 | |
how you killed him! | 0:24:25 | 0:24:27 | |
He was 85. | 0:24:28 | 0:24:30 | |
-The man had a bad heart. -He's no' the Reaper. | 0:24:30 | 0:24:33 | |
He's a bit creepy, but he's no' Death. | 0:24:33 | 0:24:37 | |
Thanks, Isa. | 0:24:38 | 0:24:40 | |
Er, eulogy? | 0:24:40 | 0:24:42 | |
Well, he was a good footballer. | 0:24:42 | 0:24:45 | |
He was in the Navy. And the Fire Service. | 0:24:45 | 0:24:48 | |
He was a brave man, Eric, you know. | 0:24:52 | 0:24:53 | |
There was a big fire in a department store in Glasgow, this is going way back... | 0:24:53 | 0:24:57 | |
It is in death that we know life. | 0:24:58 | 0:25:01 | |
It is in the weaving that we know love. | 0:25:01 | 0:25:04 | |
It is in the evening of our days that we truly see the gentle... | 0:25:04 | 0:25:07 | |
Bit of bad news. | 0:25:07 | 0:25:09 | |
Aye! Eric's deid! | 0:25:09 | 0:25:12 | |
Of course it's bad news! | 0:25:12 | 0:25:14 | |
It would be worse if the lid opened and he walked oot. | 0:25:14 | 0:25:16 | |
No, listen, it's about that Gina Lollobrigida thing. | 0:25:16 | 0:25:18 | |
Aye? What about it? | 0:25:18 | 0:25:20 | |
Well, I'm sad to announce it was bollocks. | 0:25:20 | 0:25:23 | |
The auld bugger made it all up. | 0:25:23 | 0:25:25 | |
She was in Rome in 1958, and so was he, | 0:25:26 | 0:25:29 | |
but they missed each other by about three weeks. | 0:25:29 | 0:25:32 | |
The HMS Corunna was docked in Rosyth. | 0:25:32 | 0:25:36 | |
Game's a bogey. | 0:25:36 | 0:25:38 | |
Aw, shit. | 0:25:38 | 0:25:40 | |
..and was blessed indeed with many friends | 0:25:42 | 0:25:44 | |
and a great and solid community round about him. | 0:25:44 | 0:25:48 | |
And although he was a single man, | 0:25:48 | 0:25:50 | |
he knew the love of a woman. | 0:25:50 | 0:25:53 | |
I wasn't sure whether to mention this, | 0:25:54 | 0:25:56 | |
but in my capacity as the undertaker here in Craiglang, | 0:25:56 | 0:26:00 | |
it is my duty to prepare the deceased for the afterlife. | 0:26:00 | 0:26:03 | |
And it was then that we discovered | 0:26:04 | 0:26:07 | |
a letter in Eric's breast pocket | 0:26:07 | 0:26:10 | |
which I think you might find interesting. | 0:26:10 | 0:26:12 | |
"My darling Eric. | 0:26:14 | 0:26:15 | |
"It was wonderful for us to meet and have those few nights together. | 0:26:15 | 0:26:19 | |
"You are my sweetheart - a true stallion. | 0:26:19 | 0:26:23 | |
THEY CHUCKLE AND MURMUR | 0:26:23 | 0:26:24 | |
"I shall never forget us sitting on the beach | 0:26:26 | 0:26:28 | |
"with our toes in the water, | 0:26:28 | 0:26:30 | |
"your ship waiting to take you away in the distance." | 0:26:30 | 0:26:35 | |
SHE SNIFFS | 0:26:35 | 0:26:36 | |
"Oh, how I wish our lives could be different | 0:26:36 | 0:26:39 | |
"and for us to be together. | 0:26:39 | 0:26:41 | |
"I will always love you. | 0:26:41 | 0:26:44 | |
"Gina." | 0:26:44 | 0:26:46 | |
-ALL: -Gina? | 0:26:46 | 0:26:47 | |
HE CLEARS HIS THROAT | 0:27:02 | 0:27:03 | |
-Hello? -Hello! | 0:27:03 | 0:27:05 | |
-Lovely service. -Aye, it was indeed. | 0:27:05 | 0:27:08 | |
Very moving. | 0:27:08 | 0:27:09 | |
Did you know Eric? | 0:27:10 | 0:27:11 | |
I knew Eric, all right. | 0:27:13 | 0:27:15 | |
That was my letter. | 0:27:15 | 0:27:16 | |
Gina. | 0:27:18 | 0:27:19 | |
I had an ice cream cafe in North Queensferry | 0:27:19 | 0:27:21 | |
and Eric's boat docked there one summer. | 0:27:21 | 0:27:24 | |
-In Rosyth. -Yes. | 0:27:24 | 0:27:25 | |
We'd a bit of a fling, you might call it. | 0:27:25 | 0:27:29 | |
Your cafe...it was underneath the Forth Road Bridge? | 0:27:30 | 0:27:34 | |
That's right. They built it that summer. 1958. | 0:27:34 | 0:27:39 | |
-Eric made up a name for me. -Which was? | 0:27:39 | 0:27:41 | |
-Gina's Lollies Forth Road... -BOTH: -..Bridgida. | 0:27:41 | 0:27:45 | |
Christ. | 0:27:46 | 0:27:47 | |
JACK: What a boy, eh? | 0:27:49 | 0:27:50 | |
-VICTOR LAUGHS -A stallion, she called him. | 0:27:50 | 0:27:52 | |
What a hero. | 0:27:52 | 0:27:54 | |
-Oh, Winston. -Jack, Victor. | 0:27:54 | 0:27:57 | |
And, eh...this is? | 0:27:57 | 0:27:59 | |
This is Agnes. | 0:28:01 | 0:28:02 | |
-Oh! BOTH: -Hello, Agnes. | 0:28:04 | 0:28:06 | |
Ooh... | 0:28:45 | 0:28:46 | |
What a week. | 0:28:47 | 0:28:49 |