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Here you go, up there, first hook. | 0:00:02 | 0:00:04 | |
That's it. | 0:00:05 | 0:00:06 | |
You know where that Madge rests at night, don't you? | 0:00:19 | 0:00:22 | |
She folds her wings, | 0:00:24 | 0:00:26 | |
and she hangs upside down in a church belfry. | 0:00:26 | 0:00:29 | |
She's always all right with me. | 0:00:29 | 0:00:30 | |
Oh, yeah. Just you be careful. | 0:00:30 | 0:00:33 | |
I'm sure I saw her in this horror movie | 0:00:33 | 0:00:37 | |
where she was eating this grocer's lad. | 0:00:37 | 0:00:39 | |
Not with a knife and fork. | 0:00:41 | 0:00:43 | |
But with her claws. | 0:00:43 | 0:00:45 | |
Oh, good day to you, ladies. | 0:00:47 | 0:00:49 | |
Hello, Granville. | 0:00:49 | 0:00:51 | |
Don't be making eyes at him. | 0:00:51 | 0:00:53 | |
It was just the one eye. | 0:00:53 | 0:00:54 | |
Watch the back, Madge can frown with the back. | 0:00:56 | 0:01:01 | |
Hey, who does that remind you of? | 0:01:47 | 0:01:49 | |
-What? -Here, that, the snapping jaws. | 0:01:49 | 0:01:52 | |
Madge! | 0:01:52 | 0:01:53 | |
Yeah. | 0:01:53 | 0:01:54 | |
Anyway, let's have those lettuces up here, they're looking a bit limp, | 0:01:54 | 0:01:57 | |
just like you first thing in the morning. | 0:01:57 | 0:02:00 | |
They look past reviving to me. | 0:02:00 | 0:02:01 | |
Oh, no, prepare to be amazed. | 0:02:01 | 0:02:05 | |
I'm amazed how you keep going on about Madge. | 0:02:05 | 0:02:07 | |
Yeah, well, I bet she's got webbed feet. | 0:02:07 | 0:02:10 | |
Why do you say that? | 0:02:10 | 0:02:11 | |
Well, Stalin had webbed feet, didn't he? | 0:02:11 | 0:02:14 | |
Haven't you noticed the resemblance? | 0:02:14 | 0:02:16 | |
She's only trying to protect her sister. | 0:02:18 | 0:02:20 | |
Yes, I know, from me. | 0:02:20 | 0:02:22 | |
Yeah, well, she thinks you're a scrooge. | 0:02:22 | 0:02:24 | |
You know, you once overcharged her. | 0:02:24 | 0:02:26 | |
It was just a reflex action, you know, nothing personal, | 0:02:26 | 0:02:29 | |
you know how it is. | 0:02:29 | 0:02:31 | |
Mm, I know your lettuce still looks limp. | 0:02:31 | 0:02:33 | |
Yes, well, I haven't finished with it yet. | 0:02:33 | 0:02:36 | |
And I haven't finished with Madge. | 0:02:36 | 0:02:38 | |
I'm going to change her into a warm-hearted human being | 0:02:38 | 0:02:42 | |
that will be bathing in the loving attention of Gastric. | 0:02:42 | 0:02:47 | |
This is the Gastric who eats mince with his fingers? | 0:02:47 | 0:02:50 | |
Good luck with that. | 0:02:50 | 0:02:51 | |
It's only when his dog pinches his spoon. | 0:02:51 | 0:02:54 | |
Gastric only really loves his dog, they've got so much in common - | 0:02:54 | 0:02:58 | |
table manners. | 0:02:58 | 0:02:59 | |
He does odd jobs, don't he? Hey? | 0:03:00 | 0:03:03 | |
One of these days, Madge is going to need work | 0:03:03 | 0:03:07 | |
doing around the house, ain't she? | 0:03:07 | 0:03:09 | |
Is that hair lacquer? | 0:03:14 | 0:03:16 | |
Yes. | 0:03:16 | 0:03:17 | |
And here he is now, Mr Wonderful, who is going to take | 0:03:23 | 0:03:27 | |
Madge on a magical journey to the wonders of his best bedroom. | 0:03:27 | 0:03:32 | |
-It's full of clutter. -Mm? | 0:03:32 | 0:03:33 | |
I have to keep it somewhere. I sleep in the spare room. | 0:03:33 | 0:03:37 | |
Gastric, I'm listening but it's not exactly Grand Designs, is it? Mm? | 0:03:38 | 0:03:44 | |
Oh, have you never been in? | 0:03:44 | 0:03:46 | |
Oh, it's like a landfill without the stylistic element. | 0:03:46 | 0:03:49 | |
It's all right. I've got a bit too much stuff, but, er, it's clean. | 0:03:50 | 0:03:54 | |
Me and the dog like it. | 0:03:54 | 0:03:55 | |
Gastric, if you took my advice, you need a woman's touch. | 0:03:55 | 0:04:00 | |
Actually, I might be on to something there. | 0:04:00 | 0:04:03 | |
Oh, great, Gastric, | 0:04:03 | 0:04:04 | |
at last you've come round to the advantages of Madge, eh? | 0:04:04 | 0:04:08 | |
Madge? No, it's not Madge. It's her in Kingsley Street, | 0:04:08 | 0:04:12 | |
that little widow. | 0:04:12 | 0:04:14 | |
Oh, can she cook. | 0:04:14 | 0:04:17 | |
She does a rhubarb crumble you could set to music. | 0:04:17 | 0:04:20 | |
I don't know, they get false teeth, | 0:04:27 | 0:04:30 | |
a few liver spots, wobbly knees, | 0:04:30 | 0:04:33 | |
you think they're safe, and the next thing you know, | 0:04:33 | 0:04:36 | |
they're enticing easily-led men with their rhubarb crumble. | 0:04:36 | 0:04:40 | |
And you know Gastric's easily led because you're always leading him. | 0:04:41 | 0:04:45 | |
-Yes, towards happiness. -Yeah, yours. | 0:04:45 | 0:04:48 | |
You're onto a loser anyway. | 0:04:49 | 0:04:50 | |
I don't think Gastric even likes Madge. Oh. | 0:04:50 | 0:04:53 | |
Of course he likes Madge. | 0:04:54 | 0:04:56 | |
No, you just keep telling him he likes Madge. | 0:04:56 | 0:04:58 | |
Right, you tell them often enough and they begin to believe it. | 0:04:58 | 0:05:01 | |
He te-te-te-te-taught me that. | 0:05:03 | 0:05:05 | |
I must admit, I've always been tempted | 0:05:08 | 0:05:10 | |
by the contents of that shop. | 0:05:10 | 0:05:12 | |
Especially him behind the counter. | 0:05:12 | 0:05:14 | |
How are you doing with Mr Newbold? | 0:05:16 | 0:05:18 | |
He of the now-startled expression. | 0:05:18 | 0:05:21 | |
-Mr who? -Oh, come on. | 0:05:21 | 0:05:23 | |
You've near as damn it kidnapped him. | 0:05:23 | 0:05:26 | |
He's lost his natural colour and gone 50 shades of grey. | 0:05:26 | 0:05:30 | |
Oh, he's just for practice. | 0:05:31 | 0:05:33 | |
You've got to keep your hand in. | 0:05:33 | 0:05:35 | |
Though I think I can safely say we have reached stage one. | 0:05:35 | 0:05:39 | |
The one where he's terrified of you. | 0:05:39 | 0:05:41 | |
Yes, that's the one. | 0:05:41 | 0:05:43 | |
You've got to keep a certain distance - | 0:05:43 | 0:05:45 | |
desirable but just out of reach. | 0:05:45 | 0:05:47 | |
Ah, but is he reaching? | 0:05:47 | 0:05:49 | |
No. I think I've some work to do on that. | 0:05:49 | 0:05:53 | |
I must jog his memory. | 0:05:53 | 0:05:55 | |
I think I might take him to Marks & Spencer and walk him | 0:05:55 | 0:05:58 | |
through ladies' underwear. | 0:05:58 | 0:06:00 | |
I know Gastric is about the same height as Tom Cruise, | 0:06:04 | 0:06:07 | |
but that is where the resemblance ends. | 0:06:07 | 0:06:10 | |
Maybe we ought to emphasise his practical skills. | 0:06:10 | 0:06:14 | |
Gastric is the bloke you go to round here | 0:06:14 | 0:06:17 | |
when you've got a blocked drain. | 0:06:17 | 0:06:18 | |
It's a bit far out on the fringe of sex appeal. | 0:06:18 | 0:06:21 | |
Oh, there's always a warm welcome | 0:06:21 | 0:06:24 | |
when you've got a man with a golden touch with effluent. | 0:06:24 | 0:06:27 | |
Gastric is your Beethoven of blockages. | 0:06:30 | 0:06:33 | |
Tender hearts beat a lot faster | 0:06:35 | 0:06:36 | |
when you've got one of those around the house, I'll tell you. | 0:06:36 | 0:06:39 | |
BELL RINGS | 0:06:39 | 0:06:41 | |
Hey, what? Will you stop jumping up like that? | 0:06:41 | 0:06:44 | |
You're going to do yourself an injury. | 0:06:44 | 0:06:46 | |
Well, there may be a stranger in the shop, you know, helping himself. | 0:06:46 | 0:06:50 | |
Oh, er... Hello. | 0:06:57 | 0:07:01 | |
Hello to you. I mean, if it is just you. | 0:07:01 | 0:07:06 | |
-Where did you come? -Oh, I was just, er... | 0:07:06 | 0:07:08 | |
Are you sure you haven't got a family of six behind there? | 0:07:08 | 0:07:11 | |
-LAUGHING: -Oh! No, I'm quite alone. | 0:07:11 | 0:07:14 | |
-Oh, you're after sympathy now, are you? -Well... | 0:07:15 | 0:07:19 | |
Well, there are millions of people that are alone, as you said. | 0:07:19 | 0:07:24 | |
I mean, if you look at it that way, I'm alone. | 0:07:24 | 0:07:28 | |
That is if you don't count between four and six every other Tuesday. | 0:07:28 | 0:07:33 | |
I wondered if you happened to have any loose tea. | 0:07:33 | 0:07:36 | |
Loose tea? | 0:07:37 | 0:07:39 | |
Yes, loose tea. | 0:07:39 | 0:07:41 | |
Yes, yes, we have loose tea. | 0:07:41 | 0:07:44 | |
It's so loose that if it goes any further, it'll be lost. | 0:07:44 | 0:07:47 | |
-Just wait a moment, sir. -Excellent. -Yes. | 0:07:49 | 0:07:51 | |
I don't like teabags. | 0:07:51 | 0:07:53 | |
No, I...I'm the same with rhubarb crumble. | 0:07:53 | 0:07:57 | |
I think rhubarb crumble should be one of those substances | 0:07:59 | 0:08:04 | |
that should be banned. | 0:08:04 | 0:08:06 | |
There we are, sir. | 0:08:09 | 0:08:10 | |
Loose tea, £2.75, if you please. | 0:08:13 | 0:08:16 | |
Right, you, count to ten, come in here. | 0:08:20 | 0:08:23 | |
-What? -Close your mouth, I can see your socks. | 0:08:23 | 0:08:26 | |
They're clean, and how do I know they are clean? | 0:08:28 | 0:08:30 | |
Because I washed them, and yours and your breakfast pot. | 0:08:30 | 0:08:33 | |
Ohh! Don't get your pinny in a twist. | 0:08:33 | 0:08:37 | |
That's another thing, right, my image, | 0:08:39 | 0:08:41 | |
should it be wearing a pinny? | 0:08:41 | 0:08:43 | |
Well, it makes a change, normally you're wearing a bit of totty. | 0:08:43 | 0:08:47 | |
Didn't you at my age? | 0:08:48 | 0:08:49 | |
No, it hadn't been invented. | 0:08:49 | 0:08:51 | |
Anyway, count to ten, come in here. | 0:08:53 | 0:08:56 | |
You want me in the shop? | 0:08:56 | 0:08:57 | |
After you've counted to ten. You know ten is, it's comes after nine. | 0:08:57 | 0:09:02 | |
What is all this about? | 0:09:02 | 0:09:03 | |
We've got a flaw in our security. | 0:09:03 | 0:09:06 | |
Oh, ye gods, let's hope NATO are scrambling their F-16s. | 0:09:06 | 0:09:11 | |
Right. One, | 0:09:14 | 0:09:16 | |
two, three... | 0:09:16 | 0:09:18 | |
-QUICKLY: -Seven, eight, nine, ten! | 0:09:18 | 0:09:20 | |
Gone. Can't even keep an appointment. | 0:09:22 | 0:09:25 | |
I'm here! | 0:09:27 | 0:09:29 | |
-Where? -Exactly, you can't see me. | 0:09:29 | 0:09:32 | |
We've got a blind spot. | 0:09:33 | 0:09:34 | |
We could have generations of shoplifters living behind there. | 0:09:34 | 0:09:38 | |
Nobody goes behind there. | 0:09:40 | 0:09:42 | |
Oh, yes, they do - there was someone this morning. | 0:09:42 | 0:09:44 | |
He came out and his pockets were bulging like that. | 0:09:44 | 0:09:47 | |
Oh, you saw his pockets bulging? | 0:09:47 | 0:09:49 | |
Not exactly, no. | 0:09:51 | 0:09:53 | |
But they're cunning, you see, because they have these pockets that | 0:09:53 | 0:09:56 | |
filter stuff right down their trouser legs like that. And the women | 0:09:56 | 0:10:00 | |
are even worse, they have these bottomless undies that go like that. | 0:10:00 | 0:10:04 | |
I've actually seen security men disappear down there, | 0:10:04 | 0:10:08 | |
never been seen again. | 0:10:08 | 0:10:09 | |
Nah, I can't remember ever seeing a customer go behind here. | 0:10:10 | 0:10:14 | |
Well, they have. You go behind there, | 0:10:14 | 0:10:16 | |
been using it like Aladdin's cave. I tell ya, I'll give them open sesame. | 0:10:16 | 0:10:21 | |
HE GRUMBLES | 0:10:21 | 0:10:23 | |
When I said why don't we do something together... | 0:10:27 | 0:10:32 | |
It'll do you good, you big lump. | 0:10:32 | 0:10:34 | |
Good? It don't feel like good. | 0:10:34 | 0:10:37 | |
It feels just like shuffling off your mortal coil. | 0:10:37 | 0:10:39 | |
I do believe you're not enjoying that. | 0:10:41 | 0:10:44 | |
She's trying to kill me. | 0:10:44 | 0:10:46 | |
Prove it. | 0:10:46 | 0:10:47 | |
Looks like it's working. | 0:10:47 | 0:10:49 | |
It is working. I'm going any minute. | 0:10:49 | 0:10:51 | |
Promises, promises. Are you coming? | 0:10:51 | 0:10:55 | |
As soon as me heart starts again. | 0:10:55 | 0:10:57 | |
If you're not back by Tuesday, I'm selling your computer. | 0:10:57 | 0:11:00 | |
She would, she'd sell your computer. | 0:11:02 | 0:11:05 | |
There was a time when she used to smile when I walked in a room. | 0:11:07 | 0:11:10 | |
Which room? | 0:11:10 | 0:11:12 | |
Any room. | 0:11:12 | 0:11:13 | |
I'm a detail man, Eric, I like to get me facts straight. | 0:11:14 | 0:11:17 | |
Yeah, but are you getting any cuddles? | 0:11:17 | 0:11:20 | |
Not since her mother moved in. | 0:11:20 | 0:11:22 | |
Oh... | 0:11:22 | 0:11:23 | |
Er, left a bit... | 0:11:29 | 0:11:31 | |
Which is more than you did at breakfast. | 0:11:31 | 0:11:34 | |
Now tilt the top down towards you. | 0:11:34 | 0:11:37 | |
Well, hurry up, it's heavy. | 0:11:37 | 0:11:39 | |
Oh, come on, it's only a little bathroom mirror. | 0:11:39 | 0:11:42 | |
Yeah, I know, and guess whose little bathroom mirror? | 0:11:42 | 0:11:45 | |
Oh, enter Mavis bearing gifts. | 0:11:46 | 0:11:50 | |
You what? | 0:11:50 | 0:11:51 | |
Nothing, kindly adjust your mirror. | 0:11:51 | 0:11:53 | |
Do you want this in here or in the kitchen? | 0:11:53 | 0:11:55 | |
Remember, I don't do complicated. | 0:11:55 | 0:11:58 | |
You don't need complicated. | 0:11:58 | 0:12:01 | |
I think it's magic what you do with simple confusion. | 0:12:01 | 0:12:05 | |
Thank you! | 0:12:05 | 0:12:07 | |
I think. | 0:12:08 | 0:12:09 | |
Oh, yes, anyway, take it straight through, my love, | 0:12:09 | 0:12:12 | |
into the kitchen, yes, that's...that's fine. | 0:12:12 | 0:12:15 | |
Hello? | 0:12:18 | 0:12:19 | |
Oh... | 0:12:22 | 0:12:23 | |
And this has been made my Madge's very own talons, eh? | 0:12:25 | 0:12:29 | |
I mean hands. | 0:12:30 | 0:12:33 | |
Yes. I told her it was for the church bazaar. | 0:12:33 | 0:12:36 | |
Good thinking. | 0:12:36 | 0:12:38 | |
Lying about the church, do you think it's a good idea? | 0:12:38 | 0:12:42 | |
Mavis, we're trying to arrange Madge's future happiness, | 0:12:42 | 0:12:46 | |
surely that's a good idea. | 0:12:46 | 0:12:48 | |
It's cottage pie, she does a lovely cottage pie. | 0:12:48 | 0:12:52 | |
Aha, man food. | 0:12:52 | 0:12:55 | |
Yes, we've got to get Gastric back on a masculine diet. | 0:12:55 | 0:12:59 | |
Goodness knows where he'll end up | 0:12:59 | 0:13:01 | |
with this unnatural taste for sweet stuff. | 0:13:01 | 0:13:03 | |
Talking of sweet stuff... | 0:13:05 | 0:13:06 | |
I've got this, er, taste for sweet stuff... | 0:13:07 | 0:13:13 | |
There's no answer for that, | 0:13:13 | 0:13:15 | |
I get tongue-tied when I'm blushing. | 0:13:15 | 0:13:18 | |
I can undo tongues. | 0:13:18 | 0:13:20 | |
Basic grocery practice. | 0:13:20 | 0:13:23 | |
Well, I never know what to say when you're looking at me | 0:13:23 | 0:13:25 | |
with both headlights. | 0:13:25 | 0:13:27 | |
I always think yes is a good answer when time is limited. | 0:13:28 | 0:13:34 | |
Oh, I wish I'd worn something nicer, | 0:13:34 | 0:13:37 | |
I'm only dressed for bringing cottage pie. | 0:13:37 | 0:13:39 | |
It's never been brought nicer. | 0:13:40 | 0:13:42 | |
-Where did you go? I'm stood there with this... -Get...get out! | 0:13:44 | 0:13:46 | |
Get out, get out! | 0:13:46 | 0:13:48 | |
Oh, heck. | 0:13:52 | 0:13:53 | |
You can get them to fit your pocket, you know. | 0:14:00 | 0:14:02 | |
Security. We've got a blind spot. | 0:14:05 | 0:14:08 | |
Oh, you must've had one of them | 0:14:08 | 0:14:10 | |
when you jumped on me in the shop doorway. | 0:14:10 | 0:14:13 | |
I wouldn't say jumped, it was more like a stumble. | 0:14:13 | 0:14:16 | |
I fell over you, you remember. | 0:14:16 | 0:14:18 | |
I remember it felt like just another morning, | 0:14:18 | 0:14:20 | |
until suddenly you're underneath a grocer. | 0:14:20 | 0:14:23 | |
Who was? | 0:14:26 | 0:14:27 | |
It was just an accident, Eric. | 0:14:29 | 0:14:31 | |
Yeah, the kind of accident that never happens to me. | 0:14:31 | 0:14:34 | |
How's the jogging? | 0:14:34 | 0:14:36 | |
Well, it's...er, no replacement for pleasure. | 0:14:36 | 0:14:40 | |
Hey, get us half a dozen fruit scones and some cream. | 0:14:42 | 0:14:46 | |
I'll take a couple of these nice, fresh-looking lettuces. | 0:14:48 | 0:14:51 | |
Fell on you, did he? | 0:14:55 | 0:14:57 | |
Only the once. | 0:14:57 | 0:14:58 | |
I fall over the cat occasionally. | 0:15:00 | 0:15:02 | |
I mention this merely to point out the difference in people's | 0:15:06 | 0:15:09 | |
destinies. | 0:15:09 | 0:15:10 | |
She left her husband for some foreign waiter. | 0:15:19 | 0:15:22 | |
The simple pleasures of the truly desperate. | 0:15:22 | 0:15:25 | |
You'd have thought a tip would be enough. | 0:15:25 | 0:15:28 | |
It makes you wonder | 0:15:28 | 0:15:29 | |
if the husband's taken her abroad looking for some obliging waiter. | 0:15:29 | 0:15:33 | |
It would have to be abroad. | 0:15:33 | 0:15:35 | |
I can't see you being able to lose many wives in Skegness. | 0:15:35 | 0:15:39 | |
Oh, look, a new policy. | 0:15:43 | 0:15:47 | |
I expect they'll let him go when he's spent a bit of money. | 0:15:47 | 0:15:50 | |
I've never had the pleasure of being roughly handled by Granville. | 0:15:50 | 0:15:54 | |
He's ignored several hints. | 0:15:54 | 0:15:56 | |
Right, that's it now. | 0:15:58 | 0:16:00 | |
Sit yourself down, that's right. | 0:16:00 | 0:16:03 | |
Are you feeling any symptoms yet? | 0:16:03 | 0:16:05 | |
What symptoms? | 0:16:05 | 0:16:06 | |
Wobbly lights. | 0:16:06 | 0:16:07 | |
Er, ringing in the ears... | 0:16:10 | 0:16:12 | |
Is your tongue turning green? | 0:16:18 | 0:16:20 | |
I thought it were always green. | 0:16:20 | 0:16:21 | |
How many fingers can you see? | 0:16:28 | 0:16:31 | |
-Three. -Three? Wrong, only two. | 0:16:31 | 0:16:34 | |
You started with three. | 0:16:34 | 0:16:36 | |
Oh-ho, it's getting worse, tendency to imagine things. | 0:16:36 | 0:16:40 | |
Leroy, go and get me a thermometer, will you? | 0:16:40 | 0:16:43 | |
I haven't got a temperature. | 0:16:45 | 0:16:47 | |
Haven't got a temperature? Cor, I can feel you from here! | 0:16:47 | 0:16:50 | |
Ooh, you're like a Turkish bath. | 0:16:50 | 0:16:52 | |
Now listen, Gastric, I'm going to ask you a question, right? | 0:16:52 | 0:16:57 | |
What do you know about...the Black Death? | 0:16:57 | 0:17:01 | |
It killed a lot of people. | 0:17:01 | 0:17:03 | |
Wiped out half the Western world. Do you know why? | 0:17:03 | 0:17:07 | |
Er... | 0:17:07 | 0:17:10 | |
Rats. | 0:17:10 | 0:17:12 | |
Urban legend. Everybody thinks it was rats. | 0:17:12 | 0:17:16 | |
The Black Death, Gastric, was brought from the Indies by a cook | 0:17:16 | 0:17:22 | |
who was making a meal so toxic and contagious... | 0:17:22 | 0:17:27 | |
Bad meat. | 0:17:27 | 0:17:28 | |
Rhubarb crumble. | 0:17:30 | 0:17:31 | |
-LAUGHING: -Give over! | 0:17:34 | 0:17:36 | |
You're trying to tell me the Black Death were caused | 0:17:36 | 0:17:39 | |
by rhubarb crumble? | 0:17:39 | 0:17:40 | |
You didn't know? | 0:17:40 | 0:17:42 | |
So why do they call it the Black Death? | 0:17:42 | 0:17:44 | |
It wipes out half the planet, | 0:17:46 | 0:17:48 | |
they're not going to call it magnolia, are they? | 0:17:48 | 0:17:51 | |
There's only this. | 0:17:51 | 0:17:52 | |
Right, OK. Open wide. | 0:17:52 | 0:17:55 | |
I don't know how they do it. | 0:18:01 | 0:18:03 | |
It turns my stomach over. | 0:18:03 | 0:18:06 | |
I daren't look. | 0:18:06 | 0:18:07 | |
Right, ladies. | 0:18:20 | 0:18:21 | |
Who put a rocket behind you? | 0:18:22 | 0:18:24 | |
Prompt service, Arkwright motto. | 0:18:26 | 0:18:29 | |
I thought it was overcharging. | 0:18:29 | 0:18:31 | |
Pretend I'm not here and we're unrelated. She's upset. | 0:18:33 | 0:18:37 | |
I'm not surprised if she's been hanging upside down all night. | 0:18:37 | 0:18:40 | |
I beg your pardon? | 0:18:44 | 0:18:45 | |
I was persuaded to come here in a moment of dizziness. | 0:18:45 | 0:18:49 | |
Have you got a chair? | 0:18:49 | 0:18:51 | |
Yes, if it improves her personality. | 0:18:51 | 0:18:53 | |
I doubt it, but can we have one anyway? | 0:18:53 | 0:18:56 | |
Don't fuss, I'll be all right in a minute. | 0:18:57 | 0:18:59 | |
I'm usually a strong person. | 0:18:59 | 0:19:03 | |
People come to me for advice on being awkward. | 0:19:03 | 0:19:06 | |
Yes, I know - nobody does it better. | 0:19:06 | 0:19:08 | |
I told you not to trust him, he's a flatterer. | 0:19:09 | 0:19:12 | |
There's a man in a cherry picker in the next street - | 0:19:12 | 0:19:16 | |
she can't bear to watch anybody working at dangerous heights. | 0:19:16 | 0:19:20 | |
It makes my knees go to jelly. | 0:19:20 | 0:19:24 | |
You have to admire the sheer bravery. | 0:19:24 | 0:19:27 | |
Hey? | 0:19:38 | 0:19:39 | |
A little bird tells me | 0:19:39 | 0:19:41 | |
that there's a cherry picker in the next street, right? | 0:19:41 | 0:19:46 | |
Now, if we bung the driver a few quid, | 0:19:46 | 0:19:50 | |
or maybe less, | 0:19:50 | 0:19:52 | |
we might be able to borrow it and get someone to fix | 0:19:52 | 0:19:55 | |
those loose tiles on our roof. | 0:19:55 | 0:19:57 | |
Well, I'm not going up in a cherry picker - | 0:19:57 | 0:19:59 | |
I've got no head for lows, never mind heights. | 0:19:59 | 0:20:01 | |
No, no, not you. | 0:20:01 | 0:20:03 | |
We need an intrepid hero fresh from his adventures with the Black Death. | 0:20:03 | 0:20:07 | |
Oh, not to mention a rusty thermometer. | 0:20:07 | 0:20:10 | |
Buy one WHAT, get one free? | 0:20:14 | 0:20:17 | |
I think it's a trap. | 0:20:17 | 0:20:18 | |
We could go in and find out. | 0:20:20 | 0:20:21 | |
Listen to me, weird stuff goes on in there. | 0:20:23 | 0:20:26 | |
He's got a big voodoo. | 0:20:26 | 0:20:28 | |
He's got a big gob, that's all. | 0:20:28 | 0:20:30 | |
It's more than that, he's had me too many times. | 0:20:30 | 0:20:33 | |
-I am normally Mr Immovable. -Pfft. | 0:20:33 | 0:20:36 | |
That's funny, your wife says you're a pussy. | 0:20:40 | 0:20:43 | |
She's desperate to make me sound unattractive to other women, | 0:20:43 | 0:20:46 | |
she knows I'm a rock. | 0:20:46 | 0:20:48 | |
I exercise, I've got these great pecks. | 0:20:48 | 0:20:51 | |
No, don't show me, I'm a vegetarian. | 0:20:51 | 0:20:54 | |
So am I. That's another thing, he sells me meat. | 0:20:56 | 0:20:58 | |
You go in there and he's got you, it's uncanny. | 0:20:58 | 0:21:01 | |
That's it, well hidden, that should do it - | 0:21:04 | 0:21:07 | |
the Arkwright portable shoplifter's alarm system. | 0:21:07 | 0:21:12 | |
Secreted under the mat, one false step and bingo. | 0:21:13 | 0:21:17 | |
Yeah, well, at least I've got my mirror back. | 0:21:17 | 0:21:20 | |
Yes, right. Well, you go around and give it a try, go on. | 0:21:20 | 0:21:23 | |
Go on, chop chop. | 0:21:24 | 0:21:26 | |
And don't walk round it just cos you know it's there. | 0:21:26 | 0:21:28 | |
ALARM SOUNDS LOUDLY | 0:21:33 | 0:21:36 | |
Scare somebody to death with that. | 0:21:39 | 0:21:42 | |
Well, they shouldn't go nosing around my blind spot. | 0:21:42 | 0:21:45 | |
You're going to give somebody a heart attack. | 0:21:45 | 0:21:47 | |
Give? Oh, I'll sell somebody a heart attack. | 0:21:47 | 0:21:50 | |
Does he know yet? | 0:21:56 | 0:21:58 | |
Who? | 0:21:58 | 0:21:59 | |
Our intrepid astronaut. | 0:21:59 | 0:22:01 | |
I've given him a call. He's, er, on his way now. | 0:22:02 | 0:22:05 | |
Does he know that he's going up in this thing? | 0:22:05 | 0:22:07 | |
I thought that we'd surprise him. | 0:22:07 | 0:22:10 | |
-You can't... -It's all right, calm down, will you? | 0:22:10 | 0:22:13 | |
He's not going to Mars, he's only going as far as the roof. | 0:22:13 | 0:22:16 | |
Ey up, here he is now. Sh, sh. | 0:22:16 | 0:22:18 | |
Ohh, you wouldn't get me up in one of these. | 0:22:19 | 0:22:22 | |
What can I do you for? | 0:22:25 | 0:22:26 | |
Excuse me. | 0:22:29 | 0:22:30 | |
Gastric... | 0:22:30 | 0:22:31 | |
How would you like to turn a lady's knees to jelly? Mm? | 0:22:33 | 0:22:38 | |
Make her heart beat a little faster? | 0:22:38 | 0:22:41 | |
Make her believe that you are the man? | 0:22:41 | 0:22:45 | |
GASTRIC CHUCKLES | 0:22:45 | 0:22:48 | |
She'd have to like dogs. | 0:22:48 | 0:22:50 | |
If she liked dogs, I could live with that. | 0:22:52 | 0:22:55 | |
Well... | 0:22:55 | 0:22:56 | |
That's if you live. | 0:22:57 | 0:22:59 | |
What did he mean, "That's if you live"? | 0:23:05 | 0:23:07 | |
If you live to be 100, you'll never have a prouder moment. | 0:23:07 | 0:23:13 | |
That's IF you live to be 100. | 0:23:13 | 0:23:15 | |
I've got this funny feeling there's something going off here. | 0:23:16 | 0:23:19 | |
You don't mind me asking? | 0:23:19 | 0:23:21 | |
No, no, this is a truth emporium. Ask away, Gastric. | 0:23:21 | 0:23:25 | |
I mean, I've just had this narrow brush with the Black Death. | 0:23:25 | 0:23:28 | |
Yes, I know. It's miraculous how you've pulled through. | 0:23:28 | 0:23:33 | |
I were just saying that to Leroy. | 0:23:33 | 0:23:35 | |
I'm not going a funny colour. | 0:23:35 | 0:23:37 | |
Not yet. | 0:23:37 | 0:23:38 | |
No, no, no, you're not going a funny colour. | 0:23:39 | 0:23:42 | |
You're not going green or anything like that. | 0:23:42 | 0:23:45 | |
What you are going, | 0:23:45 | 0:23:47 | |
you're going to turn a lady's knees to jelly. | 0:23:47 | 0:23:52 | |
She is going to look upon you as her knight in shining armour. | 0:23:52 | 0:23:58 | |
Yes, and here is your helmet. | 0:23:58 | 0:24:01 | |
Sir Lancelot. | 0:24:05 | 0:24:07 | |
I don't know why you can't turn knees to jelly | 0:24:10 | 0:24:13 | |
but stay on the floor. | 0:24:13 | 0:24:15 | |
You're going up to inspect my roof, | 0:24:15 | 0:24:19 | |
to cast your expert eye over my slates, | 0:24:19 | 0:24:23 | |
to make sure there are none loose. | 0:24:23 | 0:24:26 | |
I can tell you where there's a few loose. | 0:24:26 | 0:24:28 | |
Well, who's driving this thing? | 0:24:29 | 0:24:31 | |
Well, you are, that's the beauty of it. You are in control. | 0:24:31 | 0:24:35 | |
Yeah, everything you need is right in front of you. | 0:24:37 | 0:24:41 | |
Remember, knees to jelly. | 0:24:41 | 0:24:44 | |
Mine included. | 0:24:44 | 0:24:45 | |
-ENGINE STARTS -My mother used to add a dash of cinnamon, | 0:24:49 | 0:24:51 | |
and that was before all this foreign travel. | 0:24:51 | 0:24:54 | |
Oh, my second husband was inclined to overeat on spices. | 0:24:54 | 0:24:59 | |
Was that overeat or overheat? | 0:24:59 | 0:25:02 | |
Both, if I didn't deflect him sharply with something depressing. | 0:25:02 | 0:25:05 | |
-Oh, oh, oh! -I bet you did a good depressing. | 0:25:05 | 0:25:07 | |
Always, I like to keep one handy. | 0:25:07 | 0:25:10 | |
There was a time when I felt depressed, and then I thought... | 0:25:10 | 0:25:12 | |
-Ah! -Are you sure? | 0:25:12 | 0:25:14 | |
Oh! | 0:25:14 | 0:25:15 | |
I'm going in, I daren't watch this. | 0:25:17 | 0:25:20 | |
Oh! | 0:25:34 | 0:25:35 | |
Ba, that Madge is quick on the blouse. | 0:25:45 | 0:25:48 | |
I think I did, I think I turned her knees to jelly. | 0:25:48 | 0:25:52 | |
Well, you went everywhere but the roof. | 0:25:52 | 0:25:55 | |
Listen, where I've been is much more interesting than your roof. | 0:25:55 | 0:25:58 | |
-You think she's made an impression? -Attractive woman, that Madge. | 0:26:00 | 0:26:03 | |
Hey, come along now, | 0:26:03 | 0:26:04 | |
let's get you into something more comfortable, go on. | 0:26:04 | 0:26:08 | |
Mavis. Mavis, stay there. | 0:26:11 | 0:26:14 | |
Listen, listen. | 0:26:16 | 0:26:18 | |
I want you to hide. And when Gastric comes back in, | 0:26:18 | 0:26:23 | |
I want you to surprise him with this gift from Madge. | 0:26:23 | 0:26:27 | |
Yeah, ha-ha, oooh. | 0:26:27 | 0:26:30 | |
Yes. | 0:26:30 | 0:26:31 | |
Surprise him? | 0:26:33 | 0:26:35 | |
Hide. | 0:26:35 | 0:26:36 | |
Oh, you can do this, Mavis! | 0:26:36 | 0:26:39 | |
Best go and see to the dog. | 0:26:44 | 0:26:46 | |
Ah, Gastric, just a minute. No, your day isn't over yet. | 0:26:46 | 0:26:51 | |
We've got a surprise for you, from Madge. | 0:26:51 | 0:26:55 | |
ALARM, MAVIS SCREAMS | 0:26:55 | 0:26:58 | |
'I think Madge is beginning to get beneath Gastric's crust. | 0:27:21 | 0:27:25 | |
HE CHUCKLES 'I bet he got well licked | 0:27:25 | 0:27:29 | |
'by his dog when he got home.' | 0:27:29 | 0:27:31 | |
Steady girl, my old man's here. | 0:27:40 | 0:27:42 | |
Going up! | 0:27:42 | 0:27:43 | |
'Oh, that Mavis has a powerful scream. | 0:27:52 | 0:27:55 | |
'If I ever get close enough, I must remember never to set that off. | 0:27:55 | 0:28:01 | |
'I must say, it feels good to save some poor soul from rhubarb crumble. | 0:28:03 | 0:28:08 | |
WOMAN GIGGLES | 0:28:08 | 0:28:11 | |
'Oh, you take your eyes off 'em for a minute. | 0:28:13 | 0:28:17 | |
'I hope he's not going to use that old chestnut. | 0:28:18 | 0:28:21 | |
'Up here, the air is thinning, | 0:28:21 | 0:28:24 | |
'this will help you breathe.' | 0:28:24 | 0:28:26 |