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Hello. Look at that. | 0:00:13 | 0:00:14 | |
Ooh, she's got a powerful left hand, that Mrs Willis. | 0:00:15 | 0:00:18 | |
You have to marvel at the chemistry that could bring those two together. | 0:00:20 | 0:00:23 | |
Yeah, apparently they met at Butlins. | 0:00:23 | 0:00:26 | |
He said that she looked like Marilyn Monroe. | 0:00:26 | 0:00:29 | |
Give over! | 0:00:29 | 0:00:31 | |
Marilyn Monroe were gorgeous. | 0:00:31 | 0:00:33 | |
Mrs Willis looks more like Marilyn Manson. | 0:00:33 | 0:00:36 | |
Yeah, but you're forgetting the power of Butlins. | 0:00:36 | 0:00:39 | |
Those chalets were like incubators. | 0:00:39 | 0:00:42 | |
Do you know it was the first time in British social history that | 0:00:42 | 0:00:46 | |
lovers were free from damp grass? | 0:00:46 | 0:00:48 | |
Maybe she did look like Marilyn Monroe. | 0:00:50 | 0:00:53 | |
In the dark. | 0:00:53 | 0:00:54 | |
-I do love a happy ending. -Mmm. | 0:00:58 | 0:00:59 | |
Hi, Leroy. | 0:01:03 | 0:01:04 | |
Hi, Wendy. | 0:01:06 | 0:01:07 | |
That's a lot of Wendy to be saying hi to, isn't it? | 0:01:09 | 0:01:11 | |
That is number 37, Hazelwood drive. | 0:01:12 | 0:01:16 | |
Divorced. | 0:01:16 | 0:01:17 | |
Just moved in. | 0:01:17 | 0:01:18 | |
Well, remember, she may look like that now... | 0:01:18 | 0:01:22 | |
but inside there's an old Mrs Willis waiting to come out. | 0:01:22 | 0:01:27 | |
HE BREATHES DEEPLY | 0:01:47 | 0:01:48 | |
There was somebody wearing perfume in this doorway last night. | 0:01:53 | 0:01:56 | |
Could be him from Sprotbrough. | 0:01:56 | 0:01:58 | |
Actually, it was her with me. | 0:01:59 | 0:02:02 | |
Elaine. | 0:02:02 | 0:02:04 | |
Ooh, she always smells good enough to make you forget people | 0:02:04 | 0:02:06 | |
not called Elaine. | 0:02:06 | 0:02:08 | |
Oh, well, let's see what sort of mood Arkwright's in this morning. | 0:02:09 | 0:02:12 | |
Oh! | 0:02:12 | 0:02:14 | |
Who's had a bad night, then? | 0:02:17 | 0:02:20 | |
Short, as usual. | 0:02:20 | 0:02:22 | |
Just remember, if you were longer in bed | 0:02:22 | 0:02:25 | |
your pyjamas wouldn't fit. | 0:02:25 | 0:02:26 | |
I could be reclining on a hammock, in some warm country, | 0:02:28 | 0:02:32 | |
with Scarlett Johansson. | 0:02:32 | 0:02:34 | |
What, on one hammock? | 0:02:34 | 0:02:36 | |
Well, we're saving up for a mortgage. | 0:02:36 | 0:02:38 | |
She doesn't want to live over the shop. | 0:02:38 | 0:02:41 | |
Although I've told her we'll move the boxes of baked beans. | 0:02:41 | 0:02:44 | |
You don't dream like a grocer, you. | 0:02:44 | 0:02:47 | |
Some of my best ideas come at night. | 0:02:47 | 0:02:49 | |
And mine. | 0:02:49 | 0:02:50 | |
While you're snoring I'm practising advanced grocery. | 0:02:52 | 0:02:57 | |
You know, plotting and scheming for this business? | 0:02:57 | 0:03:00 | |
You know what the trouble is? | 0:03:00 | 0:03:01 | |
We've no room for expansion. | 0:03:01 | 0:03:04 | |
I'm not surprised, on one hammock. | 0:03:04 | 0:03:06 | |
Have you never thought about moving to bigger premises? | 0:03:06 | 0:03:09 | |
TILL BANGS COINS SCATTER | 0:03:09 | 0:03:11 | |
Now look what you've done. | 0:03:15 | 0:03:17 | |
You know he's had a bad night! | 0:03:17 | 0:03:18 | |
He didn't mean it. | 0:03:21 | 0:03:23 | |
It was just, you know, off the top of his head. | 0:03:23 | 0:03:26 | |
Bit of mental dandruff. | 0:03:27 | 0:03:29 | |
You know what they're like, at his age. | 0:03:31 | 0:03:33 | |
Hmm? | 0:03:33 | 0:03:34 | |
Lucky be-be-beggar. | 0:03:35 | 0:03:37 | |
What have you been buying now? | 0:03:41 | 0:03:43 | |
Well, what have you got? | 0:03:43 | 0:03:44 | |
"Little Jump-start. | 0:03:44 | 0:03:45 | |
"Electronic assistance for tired feelings. | 0:03:45 | 0:03:48 | |
"Turn your thoughts into muscular activity." | 0:03:48 | 0:03:51 | |
Oh, "Batteries not included." | 0:03:51 | 0:03:53 | |
Hey, hey - we sell batteries, don't we, eh? | 0:03:53 | 0:03:56 | |
"Bored with life? | 0:03:56 | 0:03:58 | |
"You need a Little Jump-start. | 0:03:58 | 0:04:00 | |
"Scientific way to boost lost feelings." | 0:04:00 | 0:04:02 | |
Who is going to fall for that? | 0:04:02 | 0:04:04 | |
Apart from you. | 0:04:04 | 0:04:06 | |
Well, it doesn't matter, does it? | 0:04:06 | 0:04:07 | |
I mean, if they don't work we can say they're... | 0:04:07 | 0:04:10 | |
mognamite detectors. | 0:04:10 | 0:04:12 | |
Mognamite? | 0:04:14 | 0:04:16 | |
It's a little-known gas that seeps out of old wardrobes | 0:04:16 | 0:04:20 | |
and discarded knee bandages. | 0:04:20 | 0:04:22 | |
Right, what's it say? | 0:04:24 | 0:04:25 | |
"Just carry in pocket. | 0:04:25 | 0:04:27 | |
"Do not exceed the recommended." | 0:04:27 | 0:04:30 | |
The recommended what? | 0:04:30 | 0:04:31 | |
It doesn't say. Just ends there. | 0:04:31 | 0:04:33 | |
Oh. All right. Well, never mind. | 0:04:33 | 0:04:35 | |
Go on - put a battery in and then you can try it. | 0:04:35 | 0:04:38 | |
Me? | 0:04:41 | 0:04:42 | |
Well, you'll be all right, | 0:04:42 | 0:04:43 | |
as long as you don't exceed the recommended. | 0:04:43 | 0:04:46 | |
Why don't we both try one? | 0:04:48 | 0:04:50 | |
All right, OK. | 0:04:50 | 0:04:52 | |
You've bought a turkey again. | 0:05:07 | 0:05:09 | |
BELL JINGLES | 0:05:09 | 0:05:10 | |
Oh, hiya. You must be Granville. | 0:05:13 | 0:05:15 | |
Yes. And you must be Hazelwood Drive. | 0:05:15 | 0:05:19 | |
That's right - number 37. | 0:05:19 | 0:05:21 | |
-Wendy. -Oh. | 0:05:21 | 0:05:23 | |
You run a good business here. | 0:05:23 | 0:05:24 | |
And I like your taste in Leroys. | 0:05:24 | 0:05:27 | |
Well, he's the only one I've got, | 0:05:27 | 0:05:30 | |
so I'd like him back in good condition. | 0:05:30 | 0:05:33 | |
Yeah, well, I'll be home later, awaiting his delivery. | 0:05:33 | 0:05:36 | |
Tell him to add a bottle of vodka, all right? | 0:05:36 | 0:05:37 | |
Yes, he likes vodka. | 0:05:37 | 0:05:39 | |
-I know. -Oh. | 0:05:39 | 0:05:41 | |
-Bye. -Bye. | 0:05:41 | 0:05:42 | |
BELL JINGLES | 0:05:43 | 0:05:44 | |
Hey... | 0:05:48 | 0:05:49 | |
I don't know how you can say we don't need more space. | 0:05:49 | 0:05:53 | |
LEROY SNIFFS | 0:05:53 | 0:05:54 | |
Wendy! | 0:05:56 | 0:05:57 | |
Now, listen to me - | 0:05:57 | 0:05:58 | |
you pack in that vodka. | 0:05:58 | 0:06:01 | |
She's going to be a good customer. | 0:06:01 | 0:06:02 | |
Nice woman. | 0:06:02 | 0:06:04 | |
"Nice" is not the first thing that springs to mind. | 0:06:04 | 0:06:07 | |
I know what you mean. | 0:06:09 | 0:06:11 | |
CRACKLE OF ELECTRICITY | 0:06:11 | 0:06:12 | |
Hey! | 0:06:14 | 0:06:15 | |
-What was that? -Hmm? What was what? | 0:06:18 | 0:06:20 | |
Come on, you were thinking certain thoughts and your arm shot up. | 0:06:20 | 0:06:24 | |
Well, so were you! | 0:06:24 | 0:06:25 | |
You were thinking something | 0:06:25 | 0:06:26 | |
and your knee nearly went through the ceiling! | 0:06:26 | 0:06:28 | |
It is a perfectly innocent grocer-client relationship. | 0:06:28 | 0:06:32 | |
Yeah - just like you and Mavis. | 0:06:32 | 0:06:34 | |
Oh, rubbish! | 0:06:34 | 0:06:35 | |
CRACKLE OF ELECTRICITY | 0:06:35 | 0:06:36 | |
Hey! | 0:06:36 | 0:06:38 | |
There you go. You see? | 0:06:38 | 0:06:40 | |
-Saucy thoughts and... -HE WHISTLES | 0:06:40 | 0:06:43 | |
They get electronically assisted. | 0:06:44 | 0:06:46 | |
Hmm? | 0:06:46 | 0:06:47 | |
"A little muscular Jump-start." | 0:06:47 | 0:06:49 | |
Hey... | 0:06:49 | 0:06:50 | |
It's these things. | 0:06:50 | 0:06:52 | |
Oh... | 0:06:53 | 0:06:54 | |
Eh up! | 0:06:54 | 0:06:56 | |
This might be useful, this. | 0:06:56 | 0:06:58 | |
It's very odd to find you've got a leg with its own agenda. | 0:07:00 | 0:07:04 | |
A lot of people think that's always been your problem. | 0:07:05 | 0:07:09 | |
And who have they heard it from? Eh? | 0:07:09 | 0:07:11 | |
-You. -Yes, well, | 0:07:11 | 0:07:12 | |
I'm just trying to keep you away from elderly women. | 0:07:12 | 0:07:15 | |
Wendy is 35. | 0:07:15 | 0:07:17 | |
Yes, well, so was that old Mrs Willis and... | 0:07:17 | 0:07:19 | |
look what's happened to her. | 0:07:19 | 0:07:21 | |
And I am not mixed up. | 0:07:23 | 0:07:25 | |
She merely invited me in for coffee. | 0:07:25 | 0:07:27 | |
A good-looking woman, yeah, but what's underneath? | 0:07:27 | 0:07:30 | |
Actually, she's not my type. | 0:07:30 | 0:07:32 | |
Oh, pull the other one, will you? | 0:07:32 | 0:07:34 | |
I tell you what - if I were your age, she'd certainly be my type. | 0:07:34 | 0:07:38 | |
CRACKLE OF ELECTRICITY | 0:07:38 | 0:07:39 | |
BELL JINGLES | 0:07:41 | 0:07:43 | |
Ah, the happy couple. | 0:07:48 | 0:07:50 | |
Ooh, don't let's jump the gun. | 0:07:50 | 0:07:52 | |
Mr Newbold is entitled to only very limited pleasure in these | 0:07:52 | 0:07:55 | |
early stages of our relationship. | 0:07:55 | 0:07:58 | |
Limited pleasure. | 0:07:58 | 0:08:00 | |
I can testify to that. | 0:08:00 | 0:08:01 | |
A lot to look forward to, though. Eh, Mr Newbold? | 0:08:03 | 0:08:06 | |
Yes, isn't there? | 0:08:06 | 0:08:07 | |
I've told him he'll have to pace himself. | 0:08:08 | 0:08:10 | |
I will allow no liberties | 0:08:10 | 0:08:12 | |
before legalities. | 0:08:12 | 0:08:14 | |
Except...under special circumstances. | 0:08:15 | 0:08:17 | |
CRACKLE OF ELECTRICITY | 0:08:21 | 0:08:22 | |
Am I disturbing you, Granville? | 0:08:32 | 0:08:34 | |
No, no, it's just a, just a twitch. | 0:08:35 | 0:08:37 | |
I always say just a twitch is better than none. | 0:08:39 | 0:08:42 | |
Aren't we neglecting Mr Newbold? | 0:08:46 | 0:08:49 | |
Yes, please do... | 0:08:49 | 0:08:51 | |
carry on. | 0:08:51 | 0:08:53 | |
I've recently begun to see the benefits of neglect. | 0:08:53 | 0:08:56 | |
Being on my own, abandoned. | 0:08:57 | 0:09:00 | |
Pay no attention. He has these little outbursts. | 0:09:00 | 0:09:03 | |
But I'm reducing his carbohydrates. | 0:09:03 | 0:09:05 | |
She is. I can feel them shrinking. | 0:09:05 | 0:09:08 | |
Now, we're here, Granville, because Mr Newbold has a problem. | 0:09:10 | 0:09:14 | |
I'll say. | 0:09:14 | 0:09:15 | |
Mr Newbold has excessive gravity in his underwear. | 0:09:21 | 0:09:24 | |
That sounds serious. | 0:09:26 | 0:09:29 | |
Well, look at him - struggling with it now. | 0:09:29 | 0:09:31 | |
Mr Newbold's boxer shorts are forever on their way down. | 0:09:31 | 0:09:35 | |
Forgivable, surely, in the first flush of excitement of meeting you. | 0:09:36 | 0:09:42 | |
They're falling down on their own initiative. | 0:09:42 | 0:09:44 | |
They're not party to any excitement. | 0:09:44 | 0:09:47 | |
And I don't see why the state of my underwear should go public. | 0:09:47 | 0:09:51 | |
Nonsense! We have to find a cure. | 0:09:51 | 0:09:53 | |
Can't have you squirming down the street. | 0:09:53 | 0:09:56 | |
Look as if you're pole dancing. | 0:09:56 | 0:09:58 | |
Have you thought of buying new? | 0:09:59 | 0:10:01 | |
No, he has this absurd sentimental attachment to them. | 0:10:01 | 0:10:04 | |
It's only the elastic gone a bit. | 0:10:04 | 0:10:06 | |
Otherwise they're perfectly sound. | 0:10:06 | 0:10:08 | |
Right, now, listen - if you call back later, | 0:10:08 | 0:10:10 | |
I may have the solution, fresh from my supplier. | 0:10:10 | 0:10:15 | |
Fear not, we will stabilise his underwear. | 0:10:15 | 0:10:18 | |
Well, I hope so, | 0:10:18 | 0:10:19 | |
cos I don't want people thinking I'm behind his loose underwear. | 0:10:19 | 0:10:22 | |
I don't want anyone behind me. | 0:10:23 | 0:10:25 | |
I don't want anyone within miles of me. | 0:10:25 | 0:10:28 | |
Oh, stop panicking. | 0:10:28 | 0:10:30 | |
I'm here for you, aren't I? | 0:10:30 | 0:10:31 | |
-Biscuit? -Oh, thank you. | 0:10:37 | 0:10:39 | |
What is it about your husband and your relatives? | 0:10:39 | 0:10:43 | |
Why is there always this iron curtain? | 0:10:43 | 0:10:46 | |
Well, I'm not qualified to speak, | 0:10:46 | 0:10:48 | |
but isn't picking a husband a bit like impulse buying? | 0:10:48 | 0:10:51 | |
Can you really be surprised if your family thinks, | 0:10:51 | 0:10:54 | |
"What the heck did she buy that for?" | 0:10:54 | 0:10:57 | |
I can understand my lot being dubious about Eric. | 0:10:57 | 0:11:00 | |
I mean, let's face it - I'm dubious about Eric. | 0:11:00 | 0:11:02 | |
No, you're not. You love him. | 0:11:02 | 0:11:04 | |
Keep your voice down. | 0:11:04 | 0:11:06 | |
I try and hide it. | 0:11:06 | 0:11:07 | |
You do pretty well, normally. | 0:11:07 | 0:11:09 | |
Oh, thank you. | 0:11:09 | 0:11:10 | |
I don't get it. | 0:11:13 | 0:11:14 | |
What have we got for assisting gentleman | 0:11:14 | 0:11:16 | |
to get a grip on their underwear? | 0:11:16 | 0:11:18 | |
We have the answer to a widespread problem in this area. | 0:11:18 | 0:11:23 | |
And there it is - look! | 0:11:25 | 0:11:27 | |
Right there, look - that's him. | 0:11:27 | 0:11:30 | |
He's doing the dance. | 0:11:30 | 0:11:31 | |
The underwear two-step. | 0:11:34 | 0:11:35 | |
Chasing the bunny. | 0:11:39 | 0:11:40 | |
The bunny? | 0:11:42 | 0:11:43 | |
Aye, well, he's losing his undies, eh? | 0:11:43 | 0:11:47 | |
They're slipping down, | 0:11:47 | 0:11:48 | |
aren't they? | 0:11:48 | 0:11:49 | |
Making me feel like I'm losing mine. | 0:11:52 | 0:11:55 | |
You probably are. | 0:11:55 | 0:11:56 | |
I know I'm losing mine. | 0:11:57 | 0:11:59 | |
Oh, no - don't tell me it's the money belt! | 0:11:59 | 0:12:02 | |
Oh, 'eck! | 0:12:02 | 0:12:04 | |
Oh... Ooh... | 0:12:04 | 0:12:07 | |
Is it your brother that's the problem? | 0:12:09 | 0:12:11 | |
You know, the... | 0:12:11 | 0:12:13 | |
quiet one? | 0:12:13 | 0:12:14 | |
That's tactful. | 0:12:14 | 0:12:16 | |
-You were going to say "miserable", weren't you? -No... | 0:12:16 | 0:12:19 | |
It's true, I was. | 0:12:19 | 0:12:20 | |
I know he's not Mr Smiley, | 0:12:20 | 0:12:22 | |
but he's had a lot in his life to be miserable about. | 0:12:22 | 0:12:25 | |
All I ask of Eric is just try and be nice to him. | 0:12:25 | 0:12:29 | |
Oh, they're not good at nice. | 0:12:29 | 0:12:31 | |
They do nasty much better. | 0:12:31 | 0:12:33 | |
I find they're often nicer underneath. | 0:12:33 | 0:12:36 | |
Underneath an anaesthetic, maybe. | 0:12:36 | 0:12:38 | |
That's true. | 0:12:40 | 0:12:41 | |
They're all more bearable unconscious. | 0:12:41 | 0:12:42 | |
So, does he look after you brother? | 0:12:44 | 0:12:46 | |
Does he 'eck! | 0:12:46 | 0:12:48 | |
He says he does, but you should see the look on his face. | 0:12:48 | 0:12:51 | |
You'd think Lester had a disease! | 0:12:51 | 0:12:53 | |
I've been to Leicester. | 0:12:53 | 0:12:54 | |
It looked all right. | 0:12:54 | 0:12:56 | |
Not the city! | 0:12:57 | 0:12:59 | |
Cath's brother's called "Lester". | 0:12:59 | 0:13:02 | |
Oh, I suppose it's better than Wolverhampton. | 0:13:02 | 0:13:05 | |
It's uncanny, really, isn't it? | 0:13:08 | 0:13:09 | |
How I knew that braces would be making a comeback? | 0:13:09 | 0:13:13 | |
Well, I haven't seen any sign of it. | 0:13:13 | 0:13:15 | |
Nobody I know wears braces. | 0:13:15 | 0:13:17 | |
Well, of course not. | 0:13:17 | 0:13:18 | |
You only know girls. | 0:13:18 | 0:13:20 | |
No, the men have a proud tradition of wearing their undies | 0:13:20 | 0:13:24 | |
to destruction. | 0:13:24 | 0:13:26 | |
Always find room for their favourites. | 0:13:26 | 0:13:30 | |
Better the devil you know... | 0:13:30 | 0:13:31 | |
The ladies spend their lives trying to snatch them off us. | 0:13:31 | 0:13:35 | |
You wish! | 0:13:35 | 0:13:36 | |
I mean, they're forever buying new, aren't they? | 0:13:36 | 0:13:38 | |
You know, new at Christmas and at birthdays, and where do they end up? | 0:13:38 | 0:13:42 | |
They end up in their packs in the bottom of a drawer. | 0:13:42 | 0:13:46 | |
So, here we are - | 0:13:46 | 0:13:47 | |
forever chasing the bunny. | 0:13:47 | 0:13:49 | |
The league of butterfingered gentleman, | 0:13:51 | 0:13:54 | |
whose undies are forever diving to their knees. | 0:13:54 | 0:13:57 | |
But Arkwright's have the solution! | 0:13:59 | 0:14:01 | |
I'd a phone call from our Ethel. | 0:14:03 | 0:14:05 | |
She says, "Walter's passed away." | 0:14:07 | 0:14:10 | |
I tell her, "Oh... | 0:14:10 | 0:14:12 | |
"I'm sorry to hear that. | 0:14:12 | 0:14:14 | |
"But who's Walter?" | 0:14:15 | 0:14:17 | |
She says, "You know who Walter is." | 0:14:17 | 0:14:19 | |
And I say, "No. | 0:14:19 | 0:14:21 | |
"There's not much point in starting now, is there?" | 0:14:21 | 0:14:23 | |
HE LAUGHS | 0:14:23 | 0:14:27 | |
What? | 0:14:33 | 0:14:34 | |
Just waiting for the sign. | 0:14:36 | 0:14:38 | |
What kind of sign? | 0:14:38 | 0:14:40 | |
Well, we'll know it when we see it. | 0:14:40 | 0:14:42 | |
You think we'll see it? | 0:14:42 | 0:14:44 | |
Oh, yes. | 0:14:44 | 0:14:46 | |
Yes. | 0:14:46 | 0:14:47 | |
He's the sort whose undies are in for the long haul. | 0:14:47 | 0:14:51 | |
What's he talking about? | 0:14:51 | 0:14:52 | |
There he goes. | 0:14:57 | 0:14:58 | |
That's it. | 0:14:58 | 0:15:00 | |
Chasing the bunny. | 0:15:00 | 0:15:02 | |
CRACKLE OF ELECTRICITY | 0:15:13 | 0:15:14 | |
You don't know who you're messing with, kid. | 0:15:20 | 0:15:23 | |
You sure you've got the right kid? | 0:15:23 | 0:15:24 | |
I don't want you parking your trolley at number 37. | 0:15:24 | 0:15:28 | |
I catch it there one more time | 0:15:28 | 0:15:29 | |
and you're dead. | 0:15:29 | 0:15:31 | |
Dead? | 0:15:31 | 0:15:32 | |
Don't you think that's a bit OTT? | 0:15:32 | 0:15:34 | |
Well, what am I supposed to threaten you with - | 0:15:34 | 0:15:36 | |
community service? | 0:15:36 | 0:15:38 | |
Can we just clear up why you need to threaten me at all? | 0:15:38 | 0:15:40 | |
That's my wife you've been parking your trolley at! | 0:15:40 | 0:15:43 | |
-She's divorced. -Don't get technical. | 0:15:44 | 0:15:46 | |
How do you think it looks? | 0:15:46 | 0:15:48 | |
She leaves me - Wayne Ferris... | 0:15:48 | 0:15:51 | |
Now you see where you went wrong? | 0:15:51 | 0:15:54 | |
You've heard the name, right? | 0:15:54 | 0:15:55 | |
Wayne Ferris? | 0:15:55 | 0:15:58 | |
No. | 0:15:58 | 0:15:59 | |
Wayne Ferris! | 0:15:59 | 0:16:01 | |
Rising figure in the criminal underworld! | 0:16:01 | 0:16:03 | |
Maybe you've, erm... | 0:16:07 | 0:16:08 | |
Maybe you've heard my, erm, street name. | 0:16:10 | 0:16:12 | |
(The Undertaker.) | 0:16:13 | 0:16:14 | |
-Sorry. -Oh! | 0:16:17 | 0:16:18 | |
I'm on Facebook. Give me your e-mail, I'll send you some literature. | 0:16:18 | 0:16:21 | |
If this is about Wendy... | 0:16:21 | 0:16:22 | |
Bingo! Finally, yes! | 0:16:22 | 0:16:24 | |
This is about Wendy - | 0:16:24 | 0:16:26 | |
the Wendy YOU are on notice to stay away from. | 0:16:26 | 0:16:30 | |
I deliver her groceries. | 0:16:30 | 0:16:32 | |
My people will deliver her groceries. | 0:16:32 | 0:16:35 | |
As of now, | 0:16:35 | 0:16:36 | |
she's with Tesco's. | 0:16:36 | 0:16:38 | |
"My people"! | 0:16:38 | 0:16:40 | |
If you've got people, where are your minders? | 0:16:40 | 0:16:42 | |
-I've got two of the best. -Oh. | 0:16:42 | 0:16:44 | |
You know, it's just that they're...you know... | 0:16:44 | 0:16:47 | |
It's their day off. | 0:16:47 | 0:16:48 | |
On the same day? | 0:16:48 | 0:16:50 | |
They're very fond of each other! | 0:16:50 | 0:16:52 | |
Yeah? What am I supposed to do, yeah? | 0:16:52 | 0:16:54 | |
Ruin their leisure time together? | 0:16:54 | 0:16:56 | |
Wayne, I think you're telling porkies. | 0:16:56 | 0:16:58 | |
I mean, you don't look dangerous. | 0:16:58 | 0:16:59 | |
I think you're a sweetheart. | 0:16:59 | 0:17:01 | |
I could kill you. | 0:17:01 | 0:17:02 | |
I could kill you... | 0:17:02 | 0:17:04 | |
with this finger. | 0:17:04 | 0:17:05 | |
-LEROY LAUGHS -You're killing me now, Wayne! | 0:17:05 | 0:17:08 | |
-You're hilarious! -No... | 0:17:08 | 0:17:10 | |
No, you couldn't be more wrong. | 0:17:10 | 0:17:11 | |
You stay away | 0:17:11 | 0:17:13 | |
from that gorgeous little creature. All right? | 0:17:13 | 0:17:15 | |
That is the first thing you've said that makes any sense. | 0:17:15 | 0:17:19 | |
She is gorgeous. | 0:17:19 | 0:17:21 | |
-CRACKLE OF ELECTRICITY -Oh... Oh, right! | 0:17:21 | 0:17:23 | |
Oh, right! Right, that's how you want it, is it? | 0:17:23 | 0:17:26 | |
-Sorry! -You crossed a line, pal. | 0:17:26 | 0:17:28 | |
You crossed a line! | 0:17:28 | 0:17:30 | |
Wayne, she gives me coffee. | 0:17:30 | 0:17:31 | |
I was talking to you civilly, | 0:17:31 | 0:17:33 | |
and you start throwing punches at me. | 0:17:33 | 0:17:35 | |
-Wayne, it was just a twitch. -You, you wait... | 0:17:35 | 0:17:38 | |
you wait till my minders get back from their... | 0:17:38 | 0:17:41 | |
cookery classes. | 0:17:41 | 0:17:42 | |
Aargh! | 0:17:46 | 0:17:47 | |
Thank you. Right. | 0:17:49 | 0:17:51 | |
There we are, Mrs Hussein - your change. | 0:17:51 | 0:17:53 | |
Thank you very much. | 0:17:53 | 0:17:54 | |
I suppose you've heard about Hazelwood Drive? | 0:17:54 | 0:17:57 | |
-Number 37? -That's the one. | 0:17:57 | 0:17:59 | |
No. What have you heard? | 0:17:59 | 0:18:01 | |
As it happens - although, you know, I am not one for gossip... | 0:18:01 | 0:18:05 | |
Yeah, somebody was telling me that. | 0:18:05 | 0:18:07 | |
I think it were you. | 0:18:07 | 0:18:09 | |
Well... | 0:18:09 | 0:18:10 | |
she's divorced but he wants her back. | 0:18:10 | 0:18:12 | |
She's spoiled rotten. | 0:18:12 | 0:18:14 | |
It's his father's money - bought her the house, furnished it through. | 0:18:14 | 0:18:17 | |
She's changed the curtains twice! | 0:18:17 | 0:18:19 | |
Oh! | 0:18:19 | 0:18:20 | |
She takes pills for an overactive thyroid. | 0:18:20 | 0:18:22 | |
Where do you get all this stuff? | 0:18:24 | 0:18:26 | |
She fancies your Leroy. | 0:18:26 | 0:18:28 | |
She feeds him coffee. | 0:18:28 | 0:18:30 | |
Leroy doesn't drink coffee. | 0:18:30 | 0:18:32 | |
He's developing a taste for it. | 0:18:32 | 0:18:34 | |
Two lumps. | 0:18:34 | 0:18:35 | |
I suppose she's attractive to certain men. | 0:18:37 | 0:18:40 | |
Her cleaner says she wears next to nothing round the house. | 0:18:40 | 0:18:43 | |
Disgusting. CRACKLE OF ELECTRICITY | 0:18:43 | 0:18:45 | |
He's developing a taste for coffee. | 0:18:49 | 0:18:51 | |
He's using words like "latte". | 0:18:53 | 0:18:55 | |
How can I compete? Eh? | 0:18:58 | 0:19:00 | |
I mean, I can't start wearing next to nothing round the house. | 0:19:01 | 0:19:05 | |
BELL JINGLES | 0:19:06 | 0:19:08 | |
I'll be back. | 0:19:08 | 0:19:09 | |
What's this little Jump-start you're offering for tired feelings? | 0:19:15 | 0:19:19 | |
Come in, Cyril! | 0:19:22 | 0:19:23 | |
Prepare to be amazed. | 0:19:23 | 0:19:25 | |
Oh, and here's another seeker of the truth. | 0:19:27 | 0:19:30 | |
Even a lie, if it improves your prospects. | 0:19:30 | 0:19:34 | |
There she is. | 0:19:34 | 0:19:35 | |
Your pathway to a richer personal life. | 0:19:35 | 0:19:39 | |
Batteries not included. | 0:19:39 | 0:19:41 | |
So, how much richer is your personal life | 0:19:41 | 0:19:43 | |
when it's got a battery in it? | 0:19:43 | 0:19:45 | |
Are we talking really personal "personal life"? | 0:19:45 | 0:19:49 | |
I mean, the kind your honeymoon lures you into believing | 0:19:51 | 0:19:54 | |
this could be a regular thing? | 0:19:54 | 0:19:57 | |
With this little gadget, | 0:19:59 | 0:20:01 | |
your scoring rate for the occasions of domestic "bliss" will rocket. | 0:20:01 | 0:20:07 | |
You'd go as far as "rocket"? | 0:20:07 | 0:20:09 | |
I'd settle for the stairlift. | 0:20:09 | 0:20:11 | |
This thing takes all the guesswork out of it. | 0:20:12 | 0:20:16 | |
This little beauty will tell you when the time is right | 0:20:16 | 0:20:20 | |
to make your move. | 0:20:20 | 0:20:22 | |
It has better be right - | 0:20:22 | 0:20:23 | |
or I might HAVE to move. | 0:20:23 | 0:20:25 | |
How come this thing knows so much? | 0:20:26 | 0:20:28 | |
A little piece of plastic | 0:20:28 | 0:20:30 | |
without any hormones or interest in... | 0:20:30 | 0:20:32 | |
..basic messing around. | 0:20:33 | 0:20:34 | |
A-ha, you see, that is where the battery comes in, don't it? | 0:20:36 | 0:20:39 | |
It brings it to life. | 0:20:39 | 0:20:41 | |
It stirs up the atoms | 0:20:41 | 0:20:44 | |
and they all go zipping about. | 0:20:44 | 0:20:46 | |
And they come in contact with the electrons. | 0:20:46 | 0:20:48 | |
And the electrons then go, | 0:20:48 | 0:20:50 | |
"Woop-woop-woop-woop, woop-woop-woop-woop." | 0:20:50 | 0:20:53 | |
HE JOINS IN | 0:20:53 | 0:20:54 | |
HE ALSO JOINS IN | 0:20:54 | 0:20:56 | |
DUO START BARKING | 0:20:56 | 0:20:57 | |
No! Now, stop now! | 0:20:57 | 0:20:59 | |
Please! | 0:20:59 | 0:21:01 | |
Let's not get into nanotechnology. | 0:21:01 | 0:21:04 | |
Do you want to get into nanotechnology? | 0:21:06 | 0:21:08 | |
Not necessarily, at this moment in time. | 0:21:08 | 0:21:11 | |
Right, now listen. | 0:21:13 | 0:21:14 | |
You get her to carry one of these about or, better still, | 0:21:14 | 0:21:17 | |
you slip it in her pocket. | 0:21:17 | 0:21:20 | |
How long do the batteries last? | 0:21:22 | 0:21:25 | |
Don't worry. I can always sell you a spare. | 0:21:26 | 0:21:29 | |
-Does it come with a guarantee? -No! | 0:21:29 | 0:21:31 | |
It doesn't get BBC Two, either. | 0:21:31 | 0:21:34 | |
Are you in an emotionally dry place or not? | 0:21:36 | 0:21:40 | |
Parched. | 0:21:41 | 0:21:43 | |
Then, this is your future here. | 0:21:45 | 0:21:47 | |
This is where the desert blooms. | 0:21:47 | 0:21:50 | |
Stand there, Mr Newbold. This is girl talk. | 0:21:59 | 0:22:02 | |
I'm just taking him to have his squirm removed. | 0:22:03 | 0:22:05 | |
Sounds like a plan. | 0:22:07 | 0:22:08 | |
Do you find they have a tendency | 0:22:08 | 0:22:11 | |
to hang on to their old underwear? | 0:22:11 | 0:22:13 | |
Oh. You could take their appendix easier. | 0:22:13 | 0:22:16 | |
The men round here develop such a deep affection | 0:22:16 | 0:22:19 | |
for their familiar underwear, | 0:22:19 | 0:22:21 | |
I'm surprised no-one has written an opera about it. | 0:22:21 | 0:22:23 | |
Why is it, do you think? | 0:22:23 | 0:22:26 | |
They don't like change. | 0:22:27 | 0:22:28 | |
Which is fine... | 0:22:28 | 0:22:30 | |
until your elastic goes. | 0:22:30 | 0:22:31 | |
Right, hold on, sir, just a moment. | 0:22:40 | 0:22:42 | |
There we go. There, now, you see? | 0:22:43 | 0:22:46 | |
You've got free access to his undies. | 0:22:46 | 0:22:49 | |
Would you care to rephrase that? | 0:22:49 | 0:22:52 | |
A pair of braces? | 0:22:54 | 0:22:55 | |
Yes, as recommended by Sigmund Freud. | 0:22:55 | 0:22:58 | |
It's the shortest way to the well-adjusted male. | 0:22:58 | 0:23:01 | |
I've sold eight pairs of these today already. | 0:23:01 | 0:23:03 | |
But I don't wear braces. | 0:23:03 | 0:23:06 | |
You see, that is your problem. | 0:23:06 | 0:23:08 | |
Wearing a belt, | 0:23:08 | 0:23:10 | |
you can't get your hand | 0:23:10 | 0:23:12 | |
down there, to haul your boxers back up. | 0:23:12 | 0:23:16 | |
Right? | 0:23:16 | 0:23:17 | |
But now... | 0:23:17 | 0:23:19 | |
..you can get both hands down there, see? | 0:23:21 | 0:23:24 | |
Haul them back up, | 0:23:24 | 0:23:26 | |
like that. | 0:23:26 | 0:23:28 | |
OK? Instant access | 0:23:30 | 0:23:33 | |
to all the help you need. | 0:23:33 | 0:23:34 | |
Well, don't look at me! | 0:23:34 | 0:23:36 | |
Do you think we've been had? | 0:23:37 | 0:23:39 | |
Again? | 0:23:39 | 0:23:40 | |
Has he done it again? | 0:23:42 | 0:23:43 | |
You know, he takes advantage of the fact that we're desperate. | 0:23:44 | 0:23:48 | |
I always wanted to be a good lover. | 0:23:48 | 0:23:51 | |
Amusing, | 0:23:51 | 0:23:52 | |
considerate, | 0:23:52 | 0:23:54 | |
but above all... | 0:23:54 | 0:23:55 | |
..regular. | 0:23:57 | 0:23:58 | |
That's what you miss. | 0:23:58 | 0:24:00 | |
It's the uncertainty that gets to you. | 0:24:00 | 0:24:03 | |
-BOTH: -Hey! | 0:24:10 | 0:24:11 | |
-BOTH: -It works! | 0:24:11 | 0:24:13 | |
DULL THUDDING | 0:24:27 | 0:24:28 | |
Hmm? | 0:24:29 | 0:24:30 | |
SOFT WHISTLING | 0:24:30 | 0:24:32 | |
How was the coffee? | 0:24:43 | 0:24:45 | |
It was just coffee. | 0:24:45 | 0:24:46 | |
I met him - Wayne, the ex. Hmmp! | 0:24:46 | 0:24:49 | |
He's a giggle. | 0:24:49 | 0:24:51 | |
Oh, can I go a bit earlier this evening? | 0:24:51 | 0:24:54 | |
Where? | 0:24:54 | 0:24:56 | |
Just out, meet a few friends. Usual. | 0:24:56 | 0:24:58 | |
You can get done for some kinds of "usual". | 0:24:58 | 0:25:02 | |
Not more coffee, I hope? | 0:25:02 | 0:25:04 | |
No. Put your mind at rest. | 0:25:04 | 0:25:06 | |
And stop being so suspicious. | 0:25:06 | 0:25:08 | |
All right. You can go. | 0:25:08 | 0:25:10 | |
I trust you. | 0:25:12 | 0:25:13 | |
I don't trust him! | 0:25:15 | 0:25:17 | |
He's going out and I want to see where he's going! | 0:25:17 | 0:25:20 | |
How are you going to follow him if the shop's still open? | 0:25:20 | 0:25:23 | |
Oh! Will you close it? | 0:25:23 | 0:25:25 | |
No! | 0:25:25 | 0:25:26 | |
No, no, I won't close the shop! | 0:25:26 | 0:25:28 | |
I'm leaving Gastric in charge. | 0:25:28 | 0:25:32 | |
Oh... please, God, | 0:25:32 | 0:25:34 | |
don't let Gastric screw up. | 0:25:34 | 0:25:37 | |
You see, I'm borrowing Gastric's Mini, | 0:25:37 | 0:25:40 | |
so I thought that you could come with me. | 0:25:40 | 0:25:43 | |
Oh, I don't know that I'd be any good at following. | 0:25:43 | 0:25:46 | |
Oh, it won't be all following, will it? | 0:25:46 | 0:25:48 | |
I mean, there will be time for us. Hmm-hm. | 0:25:48 | 0:25:52 | |
ELECTRICAL CRACKLING | 0:25:52 | 0:25:55 | |
Hey! | 0:25:55 | 0:25:57 | |
Come on. | 0:25:59 | 0:26:00 | |
You said this was going to be a little outing for us two. | 0:26:02 | 0:26:06 | |
It is. | 0:26:06 | 0:26:07 | |
I haven't forgotten that. | 0:26:07 | 0:26:10 | |
You needn't think I'd forgotten THAT. | 0:26:10 | 0:26:13 | |
Oh. ELECTRICAL CRACKLING | 0:26:14 | 0:26:16 | |
ELECTRICAL CRACKLING | 0:26:16 | 0:26:18 | |
Oh! | 0:26:18 | 0:26:19 | |
Sorry. Sorry about that. | 0:26:21 | 0:26:23 | |
It just... It's my foot keeps jumping. | 0:26:23 | 0:26:26 | |
It's nice to get a few minutes together. | 0:26:26 | 0:26:29 | |
Madge wanted to know what we were going to do with it. | 0:26:29 | 0:26:33 | |
Oh. | 0:26:33 | 0:26:34 | |
ELECTRICAL CRACKLING Oh! Oh! | 0:26:34 | 0:26:35 | |
TYRES SCREECH | 0:26:35 | 0:26:37 | |
Eugh! | 0:26:41 | 0:26:42 | |
Don't smile at me. It sets me off. | 0:26:42 | 0:26:44 | |
ELECTRICAL CRACKLING | 0:26:44 | 0:26:46 | |
Can you move your knee somewhere... ELECTRICAL CRACKLING | 0:26:47 | 0:26:50 | |
..out of my eye-line? Ooh! Open a window! | 0:26:50 | 0:26:53 | |
ELECTRICAL CRACKLING | 0:26:53 | 0:26:54 | |
That perfume is dangerous! | 0:26:54 | 0:26:56 | |
Argh! Oh! | 0:26:56 | 0:26:58 | |
ELECTRICAL CRACKLING | 0:27:11 | 0:27:12 | |
'Wow, that Mavis is attractive, even the wrong way up.' | 0:27:22 | 0:27:25 | |
ELECTRICAL CRACKLING | 0:27:25 | 0:27:26 | |
Oh! | 0:27:26 | 0:27:27 | |
Next time, I'll drive. | 0:27:36 | 0:27:38 | |
-Well... -I hope you're safer indoors. | 0:27:38 | 0:27:41 | |
I suppose there's only one way to find out. | 0:27:42 | 0:27:45 | |
ELECTRICAL CRACKLING | 0:27:45 | 0:27:46 | |
Oh, heck! Oh. | 0:27:48 | 0:27:50 | |
Oh...heck! | 0:27:51 | 0:27:53 | |
Hello, Mavis. | 0:27:58 | 0:27:59 | |
Hello, Granville. | 0:28:01 | 0:28:02 |