Browse content similar to Episode 3. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
Long lost mum, not lost! | 0:00:02 | 0:00:03 | |
You know Travis, don't you? Our kid brother. | 0:00:03 | 0:00:06 | |
-You went behind my back with Max. And you slept with him. -No! | 0:00:06 | 0:00:09 | |
What the hell has he done with that factory? | 0:00:09 | 0:00:11 | |
You are now standing in Yorkshire's Premier Hotel Complex. | 0:00:11 | 0:00:15 | |
You have caused nothing but trouble! | 0:00:15 | 0:00:17 | |
I will be better off without you. | 0:00:17 | 0:00:19 | |
-Carmen! -The train only goes as far as Leeds. | 0:00:20 | 0:00:23 | |
She's upset, she's not well and I'm not there to look after her. | 0:00:23 | 0:00:26 | |
According to them, Max and I aren't brothers. | 0:00:26 | 0:00:28 | |
Max has no claim to the factory after all. | 0:00:28 | 0:00:31 | |
URBAN MUSIC PLAYS | 0:00:35 | 0:00:38 | |
I just thought it might be a little bit more elegant if we didn't, you know... | 0:00:50 | 0:00:55 | |
Yo, woman! Why is you be hatin' up in dis ere hizzhouse? | 0:00:55 | 0:00:58 | |
Dis vizzle's g'wan be beast, doggystyle. So don't be grindin' on ma grooves, fo! | 0:00:58 | 0:01:02 | |
Er, is that even English? | 0:01:04 | 0:01:07 | |
It's not Notorious BIG or clever to demean women, let alone mangle a plie. | 0:01:07 | 0:01:12 | |
# I got some troubles but they won't last | 0:01:18 | 0:01:22 | |
# I'm gonna lay right down here in the grass | 0:01:22 | 0:01:27 | |
# And pretty soon all my troubles will pass | 0:01:27 | 0:01:31 | |
# Cos I'm in shoo-shoo-shoo | 0:01:31 | 0:01:33 | |
# Shoo-shoo-shoo | 0:01:33 | 0:01:35 | |
# Shoo-shoo-shoo-shoo-shoo-shoo | 0:01:35 | 0:01:37 | |
# Sugartown. # | 0:01:37 | 0:01:39 | |
So, we find ourselves the guardians of a terrible secret. | 0:01:41 | 0:01:46 | |
Us alone, we five. | 0:01:46 | 0:01:48 | |
Six. It is a heavy beast of burden that sits upon us. | 0:01:52 | 0:01:56 | |
We're not the Illuminati, Ron. | 0:01:56 | 0:01:59 | |
The point is, I don't think it should be a secret. | 0:01:59 | 0:02:02 | |
TOILET FLUSHES | 0:02:02 | 0:02:03 | |
Ah, it's Emily. She has returned to my fold following an undisclosed | 0:02:03 | 0:02:08 | |
tete a tete with Jason for an undisclosed period. | 0:02:08 | 0:02:11 | |
Well, I don't think we should tell Em. | 0:02:11 | 0:02:13 | |
Not until we've figured out what... IF we're going to tell Jase. | 0:02:13 | 0:02:16 | |
And you're 100%, Travis? | 0:02:16 | 0:02:18 | |
We've been through this four times, Michael. | 0:02:18 | 0:02:20 | |
Granted, the latter three were for Anne's sake. Max is not Burt's son. | 0:02:20 | 0:02:24 | |
So Max has no claim on the factory. | 0:02:24 | 0:02:28 | |
-And can be removed as the offending article. -I need some air. | 0:02:28 | 0:02:33 | |
I didn't... | 0:02:33 | 0:02:34 | |
I don't want any of this. I'm going to shoot. | 0:02:34 | 0:02:37 | |
DOORBELL RINGS | 0:02:42 | 0:02:44 | |
So, nothing from Carmen at all? | 0:02:45 | 0:02:46 | |
Ah, Jason's here! | 0:02:47 | 0:02:49 | |
-Here, at my door! -All right, Ron? | 0:02:49 | 0:02:52 | |
Hi. | 0:02:58 | 0:03:00 | |
Discussion group! | 0:03:01 | 0:03:02 | |
Yes. We always meet every week to debate the hot topics of the day. | 0:03:02 | 0:03:09 | |
Feminism, racism. Any topical "isms". | 0:03:09 | 0:03:12 | |
And today? | 0:03:12 | 0:03:14 | |
People sticking their noses into other people's discussion groups. | 0:03:14 | 0:03:18 | |
Ism. | 0:03:18 | 0:03:20 | |
-I just came to see Em. -Oh, go right up. | 0:03:23 | 0:03:27 | |
I've heard bathroom movements already, so she's compus menstrus. | 0:03:27 | 0:03:30 | |
HE KNOCKS ON DOOR | 0:03:35 | 0:03:36 | |
Em, your dad said it was all right. | 0:03:36 | 0:03:38 | |
It is. | 0:03:43 | 0:03:44 | |
Sit. | 0:03:53 | 0:03:54 | |
When Robbie left, | 0:04:11 | 0:04:13 | |
I felt a lot of anger, | 0:04:13 | 0:04:15 | |
a lot of sadness. He was my favourite. | 0:04:15 | 0:04:18 | |
I was bereft. | 0:04:20 | 0:04:21 | |
-He came back. -Yeah, though he shouldn't have. | 0:04:24 | 0:04:28 | |
They didn't need him any more. | 0:04:28 | 0:04:31 | |
-They'd moved on. -Are we still talking about Take That? | 0:04:31 | 0:04:34 | |
He's my brother, Em. | 0:04:37 | 0:04:39 | |
Like it or not, it's fact. | 0:04:39 | 0:04:41 | |
I know that | 0:04:41 | 0:04:43 | |
he's part of your past. No, I have to accept that. | 0:04:43 | 0:04:46 | |
Question is whether you see him as part of your future, too. | 0:04:49 | 0:04:54 | |
Time and a triumphant comeback album have shown that Gary Barlow was the real star. | 0:04:55 | 0:05:02 | |
It's you I love. | 0:05:02 | 0:05:04 | |
So we are as one? | 0:05:09 | 0:05:12 | |
We tell Jason when he comes down. | 0:05:12 | 0:05:14 | |
I'll put the kettle on. | 0:05:16 | 0:05:19 | |
Ron, do you have any tea that's not made of bark? | 0:05:19 | 0:05:22 | |
Do you know, I think I'll try mountain rescue. | 0:05:22 | 0:05:25 | |
I doubt that she'll have taken a hang glider again but... | 0:05:25 | 0:05:28 | |
I'm not used to all this news. | 0:05:28 | 0:05:31 | |
Emily and Jason. Margery and Travis. | 0:05:31 | 0:05:34 | |
And Max and Travis and Jason. | 0:05:34 | 0:05:36 | |
And I haven't even begun to process the loss of Carmen, yet. | 0:05:36 | 0:05:39 | |
Hey, least you haven't changed! | 0:05:39 | 0:05:41 | |
No, I'm never news. | 0:05:41 | 0:05:43 | |
SEAGULLS CRY | 0:05:43 | 0:05:46 | |
What do you reckon to coming home? | 0:05:46 | 0:05:48 | |
-Really? -Yeah. | 0:05:49 | 0:05:52 | |
Well, I kind of miss you, | 0:05:52 | 0:05:54 | |
and I don't know how to work the dishwasher. | 0:05:54 | 0:05:56 | |
We could take it slow. | 0:05:59 | 0:06:01 | |
-I don't want to. -What? | 0:06:04 | 0:06:06 | |
I want to hurry into things. | 0:06:06 | 0:06:09 | |
Why not bring the wedding forward? | 0:06:09 | 0:06:11 | |
We have all the paperwork, thanks to my organisational skills. | 0:06:11 | 0:06:14 | |
Babe, what about your big day, your "wedding of the decade"? | 0:06:14 | 0:06:17 | |
Who cares about all that? | 0:06:17 | 0:06:19 | |
I barely do. Anyway, austerity weddings are so on trend right now. | 0:06:19 | 0:06:24 | |
Well, thanks to me, you haven't even got a dress. | 0:06:24 | 0:06:27 | |
I'll use Mum's! | 0:06:27 | 0:06:30 | |
Dad will be thrilled. He hasn't had the heart | 0:06:30 | 0:06:32 | |
to get rid of it, what with the polyester mix being non recyclable. | 0:06:32 | 0:06:35 | |
Jason Burr... | 0:06:36 | 0:06:39 | |
..will you marry me? | 0:06:40 | 0:06:44 | |
-Morning. -BOTH: We've got something to tell you. What? | 0:06:46 | 0:06:50 | |
I'll defer. | 0:06:50 | 0:06:52 | |
We're getting married! | 0:06:52 | 0:06:55 | |
Yes, we know. | 0:06:55 | 0:06:57 | |
We were at your engagement party only the other week. | 0:06:57 | 0:06:59 | |
I've only just stopped wearing the hangover. | 0:06:59 | 0:07:02 | |
No, on Saturday. | 0:07:02 | 0:07:04 | |
Which Saturday, pumpkin? | 0:07:04 | 0:07:06 | |
-This Saturday. -What? Bloody hell! | 0:07:06 | 0:07:10 | |
The Vicar's just confirmed. Luckily, she's uncomfortable with tears. She broke after only two minutes. | 0:07:10 | 0:07:14 | |
So, I'm going to need all of your help. Lots to do! | 0:07:14 | 0:07:16 | |
I'll provide work flow charts with all your daily targets. | 0:07:16 | 0:07:19 | |
Brilliant, isn't it? Oh, sorry, you had some news, too? | 0:07:19 | 0:07:22 | |
No, no, no, no. | 0:07:22 | 0:07:24 | |
What news? Not really. | 0:07:24 | 0:07:26 | |
Oh, well, look, that's... | 0:07:26 | 0:07:28 | |
Congratulations, that's great! | 0:07:28 | 0:07:30 | |
Plan B. YOU tell Max. Ron, come on, you've got to man up. | 0:07:32 | 0:07:36 | |
It's not as if he's going to hit you or anything. Probably. | 0:07:36 | 0:07:39 | |
-Dad, will you help me get Mum's wedding dress down from the loft? -Yes. | 0:07:39 | 0:07:44 | |
Right, we might not have long, but I want it to be as near as damn it to Emily's perfect day. | 0:07:49 | 0:07:54 | |
SEAGULLS CRY | 0:07:54 | 0:07:56 | |
-And you're sure you want it totally gutted? -Totally sure. | 0:08:00 | 0:08:05 | |
There's some cracking original features, Mr Burr, Max. | 0:08:05 | 0:08:08 | |
Mr Burr. Yeah, they're what I want rid of first. | 0:08:09 | 0:08:11 | |
In fact, excuse me. | 0:08:11 | 0:08:13 | |
Let me get the first blow in. | 0:08:18 | 0:08:19 | |
Yeah. | 0:08:34 | 0:08:35 | |
One for the mental scrapbook. | 0:08:39 | 0:08:41 | |
How's your Spanish? | 0:08:47 | 0:08:48 | |
Schoolgirl. | 0:08:48 | 0:08:50 | |
What is a macchiato? | 0:08:50 | 0:08:54 | |
Not Spanish. | 0:08:54 | 0:08:55 | |
I hope I haven't hit my glass ceiling. | 0:08:55 | 0:08:57 | |
Can we concentrate on me for just one minute, Anne? I am a blushing bride. | 0:08:57 | 0:09:01 | |
Right! Photos, Dad. Ribbonage, Michael. | 0:09:03 | 0:09:06 | |
Party Favours, Margery. | 0:09:06 | 0:09:07 | |
Flowers... Ooh, flowers! | 0:09:07 | 0:09:09 | |
In the bleak midwinter? | 0:09:09 | 0:09:11 | |
-Silk? -Dried? -I'm not walking down the aisle with pot pourri, Anne. | 0:09:11 | 0:09:15 | |
-You are incredible, Em, organising a wedding in a timescale and on a shoestring. -I know! | 0:09:15 | 0:09:22 | |
I should be running the country. | 0:09:22 | 0:09:24 | |
Ooh, first dance! On my A list, Take That. | 0:09:24 | 0:09:28 | |
B list, a Minogue sister. Any. | 0:09:28 | 0:09:30 | |
C list, we're getting into Westlife. | 0:09:30 | 0:09:33 | |
But we're not at that stage, yet. | 0:09:33 | 0:09:35 | |
No, I mean, I'd completely forgotten about that important element of the reception itinerary. | 0:09:35 | 0:09:41 | |
You've seen Jason dance, it's just wrong. Fact. | 0:09:41 | 0:09:45 | |
I mean, remember Dad's 60th? That conga line. | 0:09:45 | 0:09:48 | |
We really do have a problem here. | 0:09:48 | 0:09:50 | |
I'm going to need inspiration from a worldwide community. | 0:09:50 | 0:09:54 | |
MOBILE PHONE RINGS | 0:09:59 | 0:10:00 | |
Any news? | 0:10:11 | 0:10:13 | |
This is classic Carmen. | 0:10:13 | 0:10:15 | |
She came, she saw, she closed a factory. | 0:10:15 | 0:10:19 | |
Now I can't move on just in case she comes back. | 0:10:19 | 0:10:22 | |
There are worse places to be stranded, eh? | 0:10:22 | 0:10:25 | |
Look, sorry, I wanted to ask. | 0:10:25 | 0:10:27 | |
I know it's only a few days away, but any chance you could show me round a wedding waltz? | 0:10:27 | 0:10:32 | |
I don't want to let Emily down. Bit of a surprise. | 0:10:32 | 0:10:35 | |
-But I'm not a twinkle toes. -Well, we can give it a go, Twinkle. | 0:10:35 | 0:10:39 | |
She will come back. | 0:10:40 | 0:10:42 | |
Girl talk! | 0:10:44 | 0:10:45 | |
Shoo! | 0:10:45 | 0:10:47 | |
Have you... | 0:10:50 | 0:10:52 | |
spoken to Jason about this? | 0:10:52 | 0:10:53 | |
No. But I think I'd know what my own fiance would want. | 0:10:53 | 0:10:57 | |
It's just that the bride and groom's dance is traditionally | 0:10:57 | 0:11:01 | |
just the bride and groom. | 0:11:01 | 0:11:03 | |
Yeah, but Jason can't dance. Trust me, shocking. Literally, it looks like he's been plugged in. | 0:11:03 | 0:11:06 | |
I don't want anyone laughing at Jason on our special day, including me. | 0:11:06 | 0:11:11 | |
This way we can share our intimate, special day with a worldwide audience. Everyone's doing it, | 0:11:11 | 0:11:18 | |
uploading their wedding videos on YouTube. | 0:11:18 | 0:11:20 | |
It's a phenomenon of our modern age. | 0:11:20 | 0:11:22 | |
Oh, please? It could put the dance school on the map. | 0:11:22 | 0:11:27 | |
Oh, thank you! | 0:11:27 | 0:11:29 | |
Oooh, and don't worry about Carmen. She'll come back. | 0:11:32 | 0:11:38 | |
Not quite ready for the ribbon cutting yet, Ron. | 0:11:43 | 0:11:46 | |
That's not the only thing we mayors do, Max. | 0:11:48 | 0:11:52 | |
Sometimes, we are also beholden to bear tidings. | 0:11:52 | 0:11:57 | |
Let me line my ducks up in a row for you. | 0:11:57 | 0:12:00 | |
And I won't hold back, we're men of the world. | 0:12:00 | 0:12:04 | |
My late wife, Helen, never told me where she kept the HobNobs. | 0:12:04 | 0:12:09 | |
She knew I had a weakness, so she hid them | 0:12:09 | 0:12:12 | |
and so we see there how some secrets are there to protect us. | 0:12:12 | 0:12:16 | |
You do realise I'm holding a hammer, right? | 0:12:16 | 0:12:20 | |
So, as I say, when my wife died it took me two years to find that biscuit barrel. | 0:12:20 | 0:12:25 | |
This is an example of how secrets must out. | 0:12:25 | 0:12:29 | |
Ironically, by that time I'd moved on to Jammy Dodgers. | 0:12:29 | 0:12:32 | |
And so we see how people hide secrets in barrels when they feel they're doing the right thing. | 0:12:32 | 0:12:38 | |
Margery hid her biscuits. | 0:12:38 | 0:12:40 | |
So did your folks. | 0:12:40 | 0:12:43 | |
And now you're out of the barrel. | 0:12:43 | 0:12:45 | |
I'm sorry you had to find out this way. | 0:12:45 | 0:12:47 | |
I'm sure you want time to percolate your complex feelings. | 0:12:49 | 0:12:52 | |
I hope you'll at least stay for the happy day, mind? | 0:12:55 | 0:12:58 | |
Funny to think my little princess will be marrying young Jason come Saturday. | 0:12:58 | 0:13:03 | |
Times like this I still fancy a HobNob. | 0:13:03 | 0:13:05 | |
It never leaves you. | 0:13:05 | 0:13:08 | |
SHOP BELL RINGS | 0:13:17 | 0:13:19 | |
Thank you. | 0:13:19 | 0:13:22 | |
Oh, I don't have time to insult and despise you today, Max, I'm very busy. | 0:13:22 | 0:13:26 | |
-Holiday? -Honeymoon. | 0:13:26 | 0:13:29 | |
Not sure I can get the time off. | 0:13:29 | 0:13:30 | |
Thailand? Jason'd never pull off a sarong. | 0:13:33 | 0:13:36 | |
-What do you want, Max? -You to call it off, marry me instead. | 0:13:36 | 0:13:39 | |
Or we could go to Thailand. We could live in a hut on a beach. | 0:13:39 | 0:13:42 | |
-We'd be poor, but our love would feed us. -You'd starve in a week. | 0:13:42 | 0:13:46 | |
Em... Em, do you really want to know why I came back to Sugartown? | 0:13:46 | 0:13:50 | |
For you. | 0:13:51 | 0:13:52 | |
Just...for you. | 0:13:52 | 0:13:55 | |
Yeah? Well, zero interest, so you may as well be on your way again. | 0:13:55 | 0:13:59 | |
I've got no desire to spend my marital bliss stuck between Jason's rock and your hard place. | 0:13:59 | 0:14:03 | |
You only want me because Jason has me. | 0:14:03 | 0:14:05 | |
I want you because I'm crazy about you. | 0:14:05 | 0:14:07 | |
You do this thing to me. | 0:14:07 | 0:14:10 | |
You make me want to pat kittens and listen to classical music. | 0:14:10 | 0:14:15 | |
I want you because I'm... | 0:14:15 | 0:14:18 | |
I love you. | 0:14:18 | 0:14:19 | |
Just the one kettle, then? | 0:14:24 | 0:14:26 | |
I suppose I'll have to take it. | 0:14:29 | 0:14:32 | |
So, from what you've outlined, all that Max will have got from this | 0:14:32 | 0:14:33 | |
is that you can't be left alone around biscuits. | 0:14:33 | 0:14:38 | |
-Epic fail, Ron. -Another discussion group? | 0:14:38 | 0:14:41 | |
ALL TALK AT ONCE | 0:14:41 | 0:14:43 | |
Please. Life's too short. | 0:14:43 | 0:14:45 | |
SEAGULLS CRY | 0:15:11 | 0:15:12 | |
Stop pretending to work. | 0:15:20 | 0:15:22 | |
We're like coiled springs here, Jason. Come on, cut us some slack. | 0:15:22 | 0:15:26 | |
I didn't do it. I'm not doing it. | 0:15:29 | 0:15:31 | |
-I'm not telling Max. -What? -We will get this factory back, somehow, but I'm not punching below the belt. | 0:15:31 | 0:15:36 | |
-And I hope I know you all well enough to know that you'll respect my feelings on this. -But Max is... | 0:15:36 | 0:15:40 | |
My brother. End of. | 0:15:40 | 0:15:43 | |
This isn't just about you, Jason. | 0:15:46 | 0:15:48 | |
Not any more it isn't. You might be happy swearing off the factory | 0:15:48 | 0:15:51 | |
and letting this town go down Max's plughole, but what about Travis? | 0:15:51 | 0:15:55 | |
You should understand better than anyone. | 0:15:55 | 0:15:58 | |
He's family. | 0:15:58 | 0:16:01 | |
I'm not falling out with you on this, Margery. | 0:16:01 | 0:16:03 | |
At least see Travis right. | 0:16:03 | 0:16:05 | |
MAN CLEARS THROAT | 0:16:13 | 0:16:14 | |
She'll catch her death. | 0:16:19 | 0:16:23 | |
Listen, mate... | 0:16:23 | 0:16:24 | |
..your mum's worried about you. | 0:16:27 | 0:16:29 | |
Right. | 0:16:29 | 0:16:31 | |
I want you to know, it doesn't change any thing between me and Max. | 0:16:33 | 0:16:35 | |
We grew up together. There's history, know what I mean? | 0:16:35 | 0:16:38 | |
But you're my brother, too, and you're dad's son. | 0:16:38 | 0:16:44 | |
The factory's just as much yours as it is mine. | 0:16:44 | 0:16:47 | |
So Margery... | 0:16:47 | 0:16:48 | |
I want you to come over and work with us at Burrs. | 0:16:51 | 0:16:54 | |
I don't fancy being the meat in the sandwich with you and... | 0:16:54 | 0:16:56 | |
Say cheese! | 0:16:59 | 0:17:01 | |
Family portrait moment. It's a beautiful thing. | 0:17:01 | 0:17:04 | |
Champagne, I think. | 0:17:04 | 0:17:05 | |
I'm not staying, just here to see Travis. | 0:17:07 | 0:17:09 | |
-About? -About giving working with me a try. | 0:17:09 | 0:17:12 | |
Oh, unworthy, Jason. | 0:17:12 | 0:17:14 | |
Tapping up our kid when my back's turned. | 0:17:14 | 0:17:16 | |
You must be torn, young Travis, eh? | 0:17:16 | 0:17:18 | |
Cool career in a hot spot, surrounded by girls with long legs and short skirts | 0:17:18 | 0:17:21 | |
or tweezering whiskers onto sugared mice with Margery. | 0:17:21 | 0:17:25 | |
-Tricky. -He's working at Burrs, Max. | 0:17:25 | 0:17:27 | |
He's working at Maxxx's, Jase. | 0:17:27 | 0:17:29 | |
-Do I get a say? -Sure you do. But I reckon you'll do the right thing, | 0:17:29 | 0:17:33 | |
by you, by your mum, by this town. | 0:17:33 | 0:17:36 | |
And stay away from Emily. | 0:17:36 | 0:17:38 | |
SIRENS WAIL | 0:17:45 | 0:17:47 | |
Sorry, sorry. | 0:18:28 | 0:18:29 | |
It's OK, it's OK, it's OK. | 0:18:29 | 0:18:31 | |
Now just relax. | 0:18:31 | 0:18:33 | |
Right, my motto, if you can walk, you can dance, OK? | 0:18:33 | 0:18:38 | |
By the left, | 0:18:38 | 0:18:40 | |
and left | 0:18:40 | 0:18:42 | |
right together. | 0:18:42 | 0:18:45 | |
Left... | 0:18:45 | 0:18:47 | |
Oooh, I think I'm getting it. | 0:18:49 | 0:18:51 | |
No, it's just where I've started leading whilst I still had some toes. | 0:18:51 | 0:18:54 | |
Anyone who can walk, right? | 0:18:54 | 0:18:57 | |
You'll get there. | 0:18:57 | 0:18:59 | |
Yeah, you will. It's not your two left feet she's marrying. | 0:18:59 | 0:19:02 | |
-Max can dance. -Yeah, you'd kick his backside in a rugby scrum. | 0:19:02 | 0:19:07 | |
Reckon it's good, though, what you're doing with the school. Cheers everybody up a bit. | 0:19:07 | 0:19:11 | |
-Thank you. -Thank you. Keep practising. | 0:19:11 | 0:19:14 | |
Round two. | 0:19:14 | 0:19:16 | |
Taaaa! | 0:19:16 | 0:19:17 | |
And keep going over it in your heads and we'll pick it up tomorrow. | 0:19:17 | 0:19:20 | |
Good job, team! | 0:19:20 | 0:19:22 | |
And, Ron, | 0:19:22 | 0:19:23 | |
way to bust a move! | 0:19:23 | 0:19:25 | |
Giving it large! | 0:19:25 | 0:19:26 | |
I could never trust a red shoe. | 0:19:28 | 0:19:30 | |
How many times, Anne? It was a film. | 0:19:30 | 0:19:33 | |
Have you finished the seating plan yet? | 0:19:33 | 0:19:35 | |
And have you hand delivered all the invitations? | 0:19:35 | 0:19:38 | |
Oh, and I need you to find our first night hotel. | 0:19:38 | 0:19:41 | |
I am exhausted! | 0:19:41 | 0:19:43 | |
But I'm a hotel. | 0:19:46 | 0:19:48 | |
My signature prawns. | 0:19:49 | 0:19:51 | |
And a pasta bake main. Anne was meant to be on afters, but Emily's running her ragged. | 0:19:51 | 0:19:55 | |
You won't want to get into food preparation with Carmen being currently in abstentia. | 0:19:55 | 0:20:00 | |
You're doing really well here, Sam. | 0:20:00 | 0:20:03 | |
We've seen Jason. | 0:20:03 | 0:20:04 | |
-Murder on the dance floor! -Thank you. | 0:20:04 | 0:20:06 | |
Oh, Travis, you know Carmen was right. | 0:20:06 | 0:20:09 | |
You are good and you should be doing something with it. | 0:20:09 | 0:20:12 | |
Actually, Travis is trialling at the rock factory tomorrow for his long-term career option. | 0:20:12 | 0:20:17 | |
SIRENS WAIL | 0:20:21 | 0:20:24 | |
MUSIC: "Bridal Chorus" by Richard Wagner | 0:21:01 | 0:21:06 | |
Emily Pankhurst Germaine Greer Valerie Singleton Shirley, | 0:21:06 | 0:21:10 | |
do you take this man to be your lawful wedded husband? | 0:21:10 | 0:21:15 | |
-I do. -And do you take Emily etc, etc, to be your lawful wedded wife? | 0:21:15 | 0:21:22 | |
I do. | 0:21:25 | 0:21:27 | |
I always did. | 0:21:28 | 0:21:29 | |
I always did. | 0:21:30 | 0:21:31 | |
Yeah, you keep on and that Easter egg's going to be ready just in time for Christmas. | 0:21:54 | 0:21:57 | |
Though if you could aim for Halloween... | 0:21:57 | 0:21:59 | |
I just don't know if this is me. | 0:22:01 | 0:22:03 | |
Look, mate, I know it's a junior role, | 0:22:03 | 0:22:05 | |
but I always reckon you need to understand the business bottom up. | 0:22:05 | 0:22:07 | |
-You could start tomorrow? -Stag! | 0:22:07 | 0:22:10 | |
-It's OK, Ron has it in hand. He was insistent. -I was insistent. | 0:22:10 | 0:22:15 | |
Jason said you were insistent. | 0:22:15 | 0:22:16 | |
Raise the roof, please. | 0:22:16 | 0:22:20 | |
But it's a big responsibility, the binge drinking and what have you. | 0:22:20 | 0:22:23 | |
I like a Bacardi Breezer as much as the next red-blooded male. | 0:22:23 | 0:22:26 | |
Besides, I've been Googling all morning and I think I've concocted | 0:22:26 | 0:22:30 | |
the perfect way to observe Jason's manhood. Twirl. | 0:22:30 | 0:22:34 | |
You don't think the hoops are too much? | 0:22:38 | 0:22:40 | |
Well, to be honest, yes, I do, but you met me halfway on my Bedouin robes, so I'll not pass comment. | 0:22:40 | 0:22:45 | |
Your mother would have been so proud to see you in that dress. | 0:22:47 | 0:22:50 | |
She wore it at all of her weddings. | 0:22:50 | 0:22:52 | |
Snaps for Anne! | 0:22:55 | 0:22:57 | |
How do I look? Do I look ridiculous? | 0:22:57 | 0:23:00 | |
Will I look ridiculous? Will Michael think I look ridiculous? | 0:23:00 | 0:23:05 | |
You look like a fairy tale. | 0:23:05 | 0:23:07 | |
-I shall go to the ball! -Yes! | 0:23:08 | 0:23:11 | |
So, did you talk to the balloon shop about seconds? And did you research the serviette folding? | 0:23:11 | 0:23:15 | |
-I've got my heart set on swans. -No, but... | 0:23:15 | 0:23:17 | |
Anne! I'd have thought, as my supposed best friend, you'd step up | 0:23:17 | 0:23:20 | |
when I'm trying to have a low key wedding with minimum fuss, I need everybody signed up and pitching in. | 0:23:20 | 0:23:25 | |
What on Earth could have been more important than sorting out DIY napkin origami? | 0:23:25 | 0:23:29 | |
Surprise, surprise, surprise! | 0:23:29 | 0:23:31 | |
-What am I meant to be looking at? -The room. I worked on it all night. | 0:23:34 | 0:23:38 | |
I'm exhausted slash urgh. | 0:23:38 | 0:23:41 | |
It's your first night honeymoon suite. | 0:23:41 | 0:23:43 | |
I've folded the toilet tissue in the triangle. | 0:23:43 | 0:23:46 | |
And a shoe buffer for your convenience. | 0:23:47 | 0:23:50 | |
And, I'm quite proud of this, feel under the pillow. | 0:23:50 | 0:23:55 | |
SEAGULLS CRY | 0:23:55 | 0:23:58 | |
Chocolates! | 0:24:00 | 0:24:01 | |
Wrapped chocolates, Anne. | 0:24:01 | 0:24:03 | |
They're meant to be wrapped! | 0:24:06 | 0:24:08 | |
Ugh! | 0:24:08 | 0:24:10 | |
-I thought you'd like it. -I'm not spending my first night as a Mr and Mrs in a B&B. | 0:24:10 | 0:24:16 | |
I can't do this right now. | 0:24:16 | 0:24:17 | |
-I've got to approve Jason's wedding vows, the best man's outfit... -Sorry. | 0:24:17 | 0:24:23 | |
No, I'M sorry. | 0:24:25 | 0:24:27 | |
It's just organising the happiest day of your life can be really stressful. | 0:24:30 | 0:24:34 | |
Who are you going to have as best man? | 0:24:34 | 0:24:36 | |
Travis, now that he's Jason's proper brother? | 0:24:36 | 0:24:38 | |
God, no. They don't do morning suits with hoods. | 0:24:38 | 0:24:42 | |
-What do you mean, "proper" brother? -Well, now that Max isn't... | 0:24:42 | 0:24:45 | |
SHE GASPS | 0:24:45 | 0:24:47 | |
Making a packed lunch for your journey? | 0:24:52 | 0:24:55 | |
I'm not meant to talk to you, as decreed by his royal highness, the King Of Rock. | 0:24:55 | 0:24:59 | |
You can't be staying, not now without the factory? | 0:25:01 | 0:25:04 | |
No, don't have my Emily to English dictionary on me, so... | 0:25:07 | 0:25:11 | |
-You can't keep it now. -Oh, I'm sorry, were you expecting it as a wedding present? | 0:25:11 | 0:25:14 | |
It's not yours to keep, Max! | 0:25:14 | 0:25:16 | |
I'm not giving up the factory, Em. | 0:25:16 | 0:25:19 | |
Jase knows this, the Good Hotel guide will soon know this. | 0:25:19 | 0:25:22 | |
I suggest that you subscribe to my Tweets, so that you too, will also know this. | 0:25:22 | 0:25:27 | |
You can't just ignore it Max. | 0:25:27 | 0:25:29 | |
Max! Max! | 0:25:29 | 0:25:33 | |
All right, want to put me out of my mild curiosity? | 0:25:33 | 0:25:35 | |
That you're not Burt's son. | 0:25:35 | 0:25:37 | |
You knew that. The lab tests proved you're not Travis' brother. | 0:25:37 | 0:25:40 | |
You have no claim on the factory. | 0:25:40 | 0:25:43 | |
-You're lying. -No-one knows who your father is. If you even had one. | 0:25:45 | 0:25:49 | |
SHOP BELL RINGS | 0:25:56 | 0:25:58 | |
-I think I've done a bad thing, Dad. -When you say "bad", princess, | 0:25:59 | 0:26:03 | |
do you mean perm gone wrong bad or should I call a lawyer, bad? | 0:26:03 | 0:26:06 | |
Morals and ethics bad. | 0:26:06 | 0:26:08 | |
Shall I get my Germaine Greers down to consult? | 0:26:08 | 0:26:10 | |
No, Dad. | 0:26:10 | 0:26:11 | |
Tell me about Max... | 0:26:17 | 0:26:19 | |
Jason's mum. | 0:26:19 | 0:26:21 | |
-I don't remember her. -Well, you wouldn't, she left town when the boys were still young. | 0:26:21 | 0:26:26 | |
-Ran off with some clown. -Who was he? | 0:26:26 | 0:26:29 | |
Like I said, he was a clown. | 0:26:29 | 0:26:31 | |
The circus had just been in town. By all accounts, he swept her off her feet and right up onto the high wire. | 0:26:31 | 0:26:37 | |
And she just abandoned her kids? | 0:26:37 | 0:26:39 | |
Burt was a hard man to live with, a bully. | 0:26:39 | 0:26:42 | |
I remember this time when Max won this school prize for a poem he'd written about the bluff. | 0:26:42 | 0:26:47 | |
Had to read it out to the recital. | 0:26:47 | 0:26:49 | |
He was going great guns when he looked up and saw his dad in the audience laughing at him. | 0:26:49 | 0:26:55 | |
It wasn't meant to be a funny poem, mind. | 0:26:55 | 0:26:57 | |
Ran off the stage in tears. | 0:26:57 | 0:27:00 | |
I don't think he ever had a kind word from his dad. | 0:27:00 | 0:27:02 | |
I used to see him sitting up there on that bluff all on his own. | 0:27:02 | 0:27:07 | |
Thanks, Dad. | 0:27:08 | 0:27:09 | |
You're welcome. | 0:27:09 | 0:27:11 | |
WAVES CRASH | 0:27:15 | 0:27:19 | |
SEAGULLS CRY | 0:27:22 | 0:27:25 | |
-If I hurt you... -Job well done. | 0:27:31 | 0:27:34 | |
-I thought Jason had told you. -Less well done. | 0:27:34 | 0:27:37 | |
Do you know what hurt most, Em? | 0:27:40 | 0:27:41 | |
More than the Dad, no Dad bombshell? | 0:27:43 | 0:27:47 | |
You enjoyed hurting me, didn't you? | 0:27:47 | 0:27:50 | |
Sticking the knife in. Giving it a good old twist. | 0:27:50 | 0:27:52 | |
You broke my heart when you left. | 0:27:52 | 0:27:54 | |
We were 16, Em. | 0:27:54 | 0:27:56 | |
And now? | 0:27:56 | 0:27:59 | |
-Now, you're marrying my brother. -If you liked it you should have put a ring on it! | 0:27:59 | 0:28:01 | |
We were 16, Em. | 0:28:01 | 0:28:03 | |
And you just left without a word, nothing. | 0:28:03 | 0:28:06 | |
Just walked out of this town and out of my life. | 0:28:06 | 0:28:09 | |
You broke my heart. | 0:28:13 | 0:28:15 | |
Yeah. | 0:28:16 | 0:28:19 | |
Well, now we're even. | 0:28:20 | 0:28:22 | |
-But Burt... -It's not about my dad! Go and marry Captain Sensible. | 0:28:24 | 0:28:26 | |
Go and be sensible, yeah? | 0:28:26 | 0:28:30 | |
Go and have sensible children and drive a sensible car and have a sensible dog. | 0:28:30 | 0:28:34 | |
At least I take what I want. | 0:28:34 | 0:28:36 | |
Oooh, it's like an insight into the life of the Royals, isn't it? | 0:28:42 | 0:28:47 | |
Do you know, I might have to tag along on the honeymoon to recover from this wedding. | 0:28:47 | 0:28:51 | |
With this and my intensive choreography, I can't deny, | 0:28:51 | 0:28:54 | |
I'm leaning heavily on my foot spa at the moment. | 0:28:54 | 0:28:57 | |
Well, I just hope we've done the right thing going off her old scrapbook. | 0:28:57 | 0:28:59 | |
I wanted to be a Thundercat when I was eight. | 0:28:59 | 0:29:02 | |
Will Em seriously still want all this stuff? | 0:29:02 | 0:29:04 | |
Michael, I doubt if Emily's taste in bonbonnieres has radically changed since this. | 0:29:04 | 0:29:10 | |
-She's a nice girl, but she was a princess then and she's a princess now. -It has been nice, though. | 0:29:10 | 0:29:15 | |
All this, getting ready for a wedding. Celebrating a happy event. | 0:29:15 | 0:29:18 | |
Makes you all warm and fuzzy. | 0:29:18 | 0:29:19 | |
I know I couldn't feel fuzzier. | 0:29:19 | 0:29:21 | |
And the upshot has been another win for community spirit. | 0:29:21 | 0:29:24 | |
I've enjoyed spending quality face time with you all. | 0:29:24 | 0:29:29 | |
-Max may be rich in his coffers, but he's a poor man in his quality face time. -It's so sad though. | 0:29:29 | 0:29:33 | |
I mean, he must be very lonely and suffering from an aching depression in his soul and he hasn't | 0:29:33 | 0:29:38 | |
-got the chance to be our friend and blow up balloons and bake cupcakes and knit tablecloths. | 0:29:38 | 0:29:45 | |
Lucky sod. | 0:29:45 | 0:29:46 | |
What do you want? | 0:29:58 | 0:29:59 | |
It's my stag do tonight. | 0:29:59 | 0:30:02 | |
I feel strange you not being there. | 0:30:02 | 0:30:04 | |
Why? | 0:30:04 | 0:30:07 | |
Forgot to tell me something, didn't you...Bro? | 0:30:07 | 0:30:10 | |
If you're still calling yourself that. | 0:30:10 | 0:30:12 | |
-Max, they shouldn't have told you. -The question is why you didn't? | 0:30:12 | 0:30:15 | |
-Isn't it obvious? -What, you're waiting to get us on Jeremy Kyle? | 0:30:15 | 0:30:18 | |
I know he wasn't much of a dad to you. | 0:30:18 | 0:30:19 | |
He was no kind of dad to me, as it turns out. | 0:30:19 | 0:30:23 | |
That's me disinherited, isn't it? You get the factory back. | 0:30:23 | 0:30:26 | |
That's a three-ace hand you're holding there, Jase. | 0:30:26 | 0:30:28 | |
-Why? -Because it changes nothing. | 0:30:28 | 0:30:32 | |
I know what he was like with you. | 0:30:32 | 0:30:34 | |
Jesus, Max, we grew up together. | 0:30:34 | 0:30:36 | |
Yeah, I might not like who you've become, but you're my brother today | 0:30:36 | 0:30:38 | |
the same as you were my brother every other day before. | 0:30:38 | 0:30:40 | |
-What, you saying you don't want the factory back now? -Yeah, I want it back. | 0:30:40 | 0:30:43 | |
I want it back and I want you to stop punishing this whole town for what Dad was. But not like this. | 0:30:43 | 0:30:46 | |
Not by telling you that you're not my brother, you're not his son, because you are and somehow | 0:30:46 | 0:30:50 | |
you're going to have to find a way to square yourself with that. | 0:30:50 | 0:30:53 | |
-Shove over. -You've got the hen do. | 0:31:11 | 0:31:14 | |
Well, Anne's organising it, so feel free to keep me as long as you like. | 0:31:14 | 0:31:17 | |
Travis, you can't do this. | 0:31:22 | 0:31:24 | |
I know I'm not that quick yet, but I'm trying. | 0:31:24 | 0:31:26 | |
No, I mean you shouldn't do this. | 0:31:26 | 0:31:29 | |
All those years, wherever you were, all I wanted was for you to be happy | 0:31:31 | 0:31:36 | |
and it would be a poor lookout if I went back on that now. | 0:31:36 | 0:31:39 | |
Thanks. | 0:31:39 | 0:31:42 | |
And I am thinking of our loyal Chocotoff customers when I say | 0:31:42 | 0:31:46 | |
I think we'll leave this for another day and more practised hands. | 0:31:46 | 0:31:50 | |
SIRENS WAIL | 0:31:58 | 0:32:02 | |
AMUSEMENT ARCADE BEEPING INTENSIFIES | 0:32:26 | 0:32:28 | |
CAR HORN BLARE INTENSIFIES | 0:32:30 | 0:32:33 | |
TECHNO MUSIC PLAYS | 0:32:33 | 0:32:37 | |
CAR HORNS BLARE | 0:32:52 | 0:32:56 | |
Oi, what are you doing? | 0:32:58 | 0:33:01 | |
Get off my car! | 0:33:01 | 0:33:03 | |
Get off it! | 0:33:06 | 0:33:07 | |
CAR HORNS BLARE | 0:33:07 | 0:33:10 | |
CAR HORNS BLARE | 0:33:14 | 0:33:18 | |
SIRENS WAIL | 0:33:18 | 0:33:19 | |
MELLOW EASTERN MUSIC PLAYS | 0:33:19 | 0:33:21 | |
Tonight, gentlemen, we're sharing Jason's manhood. | 0:33:21 | 0:33:26 | |
So, I plucked a low-hanging fruit and baked a clever-idea pie | 0:33:26 | 0:33:33 | |
to come up with something I think you'll agree is pretty special. | 0:33:33 | 0:33:37 | |
Even I'm not gay enough for this. | 0:33:37 | 0:33:41 | |
-There will be booze, right? -Yes! -Thank you. | 0:33:41 | 0:33:44 | |
I picked up a lovely little sherry. | 0:33:44 | 0:33:47 | |
Great as an aperitif, but you can also match it with a light dessert. | 0:33:47 | 0:33:52 | |
So, Michael, how come we never see you down the rugby club? | 0:33:52 | 0:33:56 | |
Umm... | 0:33:56 | 0:33:57 | |
No! Let it breathe for a minute. | 0:33:57 | 0:34:00 | |
Let's savour this special moment together. | 0:34:03 | 0:34:06 | |
Men being men together. | 0:34:08 | 0:34:11 | |
Down! Down! Down! Down! | 0:34:14 | 0:34:17 | |
SHE BLOWS KAZOO | 0:34:23 | 0:34:24 | |
# He said he didn't even... # | 0:34:24 | 0:34:26 | |
-Shall I get out my Yahtzee? -He's just gorgeous, isn't he? | 0:34:26 | 0:34:30 | |
You know, he's just... | 0:34:30 | 0:34:32 | |
-Gorgeous? -Exactly! | 0:34:32 | 0:34:35 | |
And I know he's got a rep, but he's just troubled. | 0:34:35 | 0:34:39 | |
And he's got beautiful ears. | 0:34:39 | 0:34:42 | |
And he's just the best kisser ever. | 0:34:42 | 0:34:46 | |
-Who? Jason? -Who? | 0:34:46 | 0:34:49 | |
Yes, Jason! | 0:34:49 | 0:34:52 | |
The one with...ears. | 0:34:52 | 0:34:54 | |
Anyway, that's not the point. | 0:34:54 | 0:34:57 | |
The point... | 0:34:57 | 0:34:59 | |
Where's my stripper, Anne? | 0:34:59 | 0:35:01 | |
I tried, but apparently there aren't any in Sugartown. | 0:35:01 | 0:35:04 | |
You should have asked me. I have numbers. | 0:35:04 | 0:35:08 | |
Sorry, the door was open. | 0:35:08 | 0:35:11 | |
You DID get me a stripper! | 0:35:11 | 0:35:14 | |
Hello, Officer. | 0:35:14 | 0:35:15 | |
I will come quietly. | 0:35:15 | 0:35:18 | |
-I'm looking for a Samantha Moore? -It's Carmen, isn't it? Is she hurt? | 0:35:18 | 0:35:21 | |
Is she in jail? Oh, God, she's in jail. | 0:35:21 | 0:35:24 | |
Our colleagues in Leeds have her down the station. | 0:35:24 | 0:35:26 | |
Public disorder. They just want someone to collect her. | 0:35:26 | 0:35:28 | |
I'll go! | 0:35:28 | 0:35:31 | |
With respect, Ma'am, I think you've had a few. | 0:35:31 | 0:35:34 | |
Anyone else who can go? | 0:35:34 | 0:35:35 | |
SHE BLOWS KAZOO | 0:35:36 | 0:35:37 | |
Hey, hey, no! Now, hey, no. | 0:35:41 | 0:35:43 | |
This is a man pad tonight. | 0:35:43 | 0:35:45 | |
-No chicks allowed! -Back off, Ron, and take that pipe out of my face. | 0:35:45 | 0:35:50 | |
-Where's Emily? Is she all right? -Oh, yeah, she's just having a little nap. -We've found Carmen. | 0:35:50 | 0:35:54 | |
She's in Leeds, in the slammer. | 0:35:54 | 0:35:57 | |
Go on, take my car. Sam will fill you in. | 0:35:57 | 0:36:00 | |
Thanks, Margery. | 0:36:00 | 0:36:02 | |
Twister? | 0:36:11 | 0:36:12 | |
# Don't believe it, oh no | 0:36:12 | 0:36:14 | |
# If you've seen it, oh, oh-oh | 0:36:14 | 0:36:17 | |
# Oh, mayhem | 0:36:17 | 0:36:19 | |
# Do, do-do | 0:36:19 | 0:36:20 | |
# Oh, mayhem, do-do, do... # | 0:36:20 | 0:36:22 | |
I drive all the way here and then you slam the door in my face? | 0:36:22 | 0:36:25 | |
If you'd just get your foot out the way, yes. | 0:36:25 | 0:36:28 | |
Do you have any idea how worried we've all been? Me, your mum? | 0:36:30 | 0:36:33 | |
Oh, and here I was living like a queen having been run out of town. | 0:36:33 | 0:36:37 | |
Yeah, we tried to stop you. But, no, you had to make the grand gesture. | 0:36:37 | 0:36:39 | |
Oh, it was you who told me to go! | 0:36:39 | 0:36:41 | |
-Yeah, I was angry. -Not as much as I've bloody been. | 0:36:41 | 0:36:43 | |
Look at this place! I've only got one kettle. | 0:36:43 | 0:36:46 | |
-I had nine at home. | 0:36:46 | 0:36:47 | |
I'm sorry. | 0:36:53 | 0:36:54 | |
I'm sorry for what I said. | 0:36:57 | 0:36:58 | |
I didn't really want you to go. | 0:37:01 | 0:37:04 | |
-No? -Well, not without me, anyway. | 0:37:04 | 0:37:07 | |
Oooh, sorry. Oh. | 0:37:22 | 0:37:24 | |
THEY HUM A TUNE | 0:37:28 | 0:37:31 | |
You all right? Time for your bed, Ron, I reckon. | 0:37:33 | 0:37:36 | |
I think you might be right. | 0:37:36 | 0:37:39 | |
-Where's Michael? -Er, he must have left already. | 0:37:39 | 0:37:43 | |
-Michael? -Anne! | 0:37:49 | 0:37:51 | |
Sorry, mate, I need to get that. Anne! | 0:37:52 | 0:37:56 | |
Wait! | 0:37:56 | 0:37:57 | |
Is he your boyfriend? | 0:38:03 | 0:38:04 | |
-Not exactly. -Is he your boyfriend like I'm your girlfriend? | 0:38:04 | 0:38:08 | |
-No. No-one's like you. -I thought we had something special. | 0:38:08 | 0:38:13 | |
We do. We're really, really good friends. | 0:38:13 | 0:38:15 | |
Not good friends like you and him, though. | 0:38:15 | 0:38:18 | |
Well, who am I with right now? | 0:38:18 | 0:38:20 | |
If we left now, we'd be back before breakfast. | 0:38:26 | 0:38:29 | |
-I'm not going back now. -OK, by tea time, then. | 0:38:29 | 0:38:33 | |
Banging! Fish supper? Your shout. | 0:38:33 | 0:38:35 | |
Carmen, I don't want to go back at all. | 0:38:35 | 0:38:37 | |
Well, where are you going, then? | 0:38:40 | 0:38:43 | |
London. | 0:38:43 | 0:38:45 | |
I thought we could try the whole dance school thing. Your mum could join us. | 0:38:45 | 0:38:48 | |
I don't want to go to London. We're not friends any more. | 0:38:48 | 0:38:50 | |
I need to be in a proper town with people and noises and things. | 0:38:50 | 0:38:55 | |
I hate noise. | 0:38:55 | 0:38:57 | |
And things. | 0:38:57 | 0:38:59 | |
As long as we're together, we'll be all right. | 0:38:59 | 0:39:02 | |
I'll take care of you. | 0:39:02 | 0:39:03 | |
Just, you know... Just in London. | 0:39:03 | 0:39:06 | |
Well, what are we waiting for, then? | 0:39:09 | 0:39:11 | |
I think it's lovely! | 0:39:18 | 0:39:21 | |
Shoe buff, | 0:39:21 | 0:39:23 | |
industrial size. | 0:39:23 | 0:39:25 | |
Handy. And the lights, and the petals and the bear. | 0:39:25 | 0:39:31 | |
Oh, it's lovely, Anne. You really are a good friend. | 0:39:31 | 0:39:35 | |
Thanks. | 0:39:35 | 0:39:36 | |
Have you ever, you know, with a girl? | 0:39:40 | 0:39:43 | |
No, not the Full Monty. | 0:39:43 | 0:39:47 | |
How do you know, then? | 0:39:47 | 0:39:48 | |
I just do. I always did. | 0:39:48 | 0:39:51 | |
So, it's not just where I'm ugly? | 0:39:51 | 0:39:53 | |
You're not ugly! | 0:39:53 | 0:39:54 | |
-Why do you think that? -Oh, it's just something my mother said. -What? | 0:39:54 | 0:39:58 | |
Anne, you're ugly. And Emily. And all the kids at school. | 0:39:58 | 0:40:02 | |
And every man I've ever met, ever. | 0:40:02 | 0:40:05 | |
I don't want your pity. | 0:40:08 | 0:40:10 | |
-It's not pity. -It's not love! | 0:40:10 | 0:40:13 | |
A funny kind of one. | 0:40:13 | 0:40:15 | |
# Beautiful girls | 0:40:19 | 0:40:21 | |
# All over the world | 0:40:21 | 0:40:23 | |
# I could be chasing but my time would be wasted | 0:40:23 | 0:40:27 | |
# They've got nothing on you, baby | 0:40:27 | 0:40:32 | |
# Nothing on you, baby | 0:40:32 | 0:40:37 | |
# They might say high | 0:40:37 | 0:40:39 | |
# And I might say hey | 0:40:39 | 0:40:41 | |
# But you shouldn't worry | 0:40:41 | 0:40:44 | |
# About what they say | 0:40:44 | 0:40:46 | |
# Cos they've got nothing on you... # | 0:40:46 | 0:40:47 | |
I always did. | 0:40:47 | 0:40:49 | |
MACHINE TOOL WHIRS | 0:40:59 | 0:41:02 | |
Phil! PHIL! | 0:41:03 | 0:41:06 | |
# Beautiful girls, all over the world | 0:41:15 | 0:41:16 | |
# I could be chasing | 0:41:16 | 0:41:19 | |
# But my time would be wasted | 0:41:19 | 0:41:21 | |
# They got nothing on you | 0:41:21 | 0:41:23 | |
# Nothing on you, babe | 0:41:23 | 0:41:25 | |
# Nothing on you | 0:41:25 | 0:41:27 | |
# Nothing on you, baby | 0:41:27 | 0:41:29 | |
# Nothing on you | 0:41:29 | 0:41:31 | |
# They might say high... # | 0:41:31 | 0:41:34 | |
-Look! -At what?! | 0:41:34 | 0:41:36 | |
Nothing. Absolutely nothing. | 0:41:36 | 0:41:38 | |
We're back in Sugartown and nothing will ever happen again. | 0:41:38 | 0:41:41 | |
OK, OK. Don't make me change my mind. | 0:41:41 | 0:41:43 | |
We're home. You're amazing. | 0:41:43 | 0:41:45 | |
-Can I have an ice cream? -It's seven in the morning! | 0:41:45 | 0:41:47 | |
I'm so not going to let you get bored here, and I'm not even joking. | 0:41:47 | 0:41:50 | |
You know, I think I might be getting bored already. | 0:41:50 | 0:41:53 | |
-Now? -A little better. | 0:41:55 | 0:41:58 | |
-Now? -Better. | 0:41:59 | 0:42:00 | |
-Morning, my little princess bride! -Yeah, where's Anne? | 0:42:04 | 0:42:06 | |
Do you mind not shouting? That bloody sherry's a kitten with sharp claws. | 0:42:06 | 0:42:10 | |
Do you realise what this means, if Anne's not here? | 0:42:10 | 0:42:14 | |
Oh, no. No. | 0:42:27 | 0:42:30 | |
No way. NO! | 0:42:30 | 0:42:33 | |
Wow! | 0:42:38 | 0:42:39 | |
You look extraordinary. | 0:42:39 | 0:42:42 | |
Snaps for Margery! | 0:42:42 | 0:42:44 | |
PHONE RINGS | 0:42:44 | 0:42:45 | |
Let me just sort our your cherry. | 0:42:45 | 0:42:48 | |
-Ah, Jason. My son-in-law to be. -Do I have to wear that? | 0:42:48 | 0:42:52 | |
Yeah, of course you have to wear it, and smile as well. | 0:42:52 | 0:42:55 | |
That was Jason, my son-in-law to be. | 0:42:55 | 0:42:57 | |
It appears Michael has disappeared, as well. | 0:42:57 | 0:43:01 | |
So, we're left with only one option from which to conclude. | 0:43:01 | 0:43:05 | |
That's it. | 0:43:05 | 0:43:07 | |
Anne's done it. She's finally gone and kidnapped Michael, | 0:43:07 | 0:43:11 | |
and on my wedding day of all days. | 0:43:11 | 0:43:14 | |
Michael, mate, if you get this call me back. We're all worried. | 0:43:14 | 0:43:16 | |
And I'm going to have to take desperate measures for my best man. | 0:43:16 | 0:43:20 | |
-All right? | 0:43:26 | 0:43:27 | |
And like a bad penny... | 0:43:29 | 0:43:30 | |
I've missed you. | 0:43:33 | 0:43:34 | |
We've had no disasters for a week. | 0:43:34 | 0:43:38 | |
It's been rubbish. | 0:43:38 | 0:43:40 | |
What? | 0:43:40 | 0:43:42 | |
That's it? No, "you've been irresponsible again"? | 0:43:42 | 0:43:46 | |
No, "I can't believe you got arrested again"? | 0:43:46 | 0:43:49 | |
Least you're back. Again. | 0:43:49 | 0:43:52 | |
THEY LAUGH | 0:43:52 | 0:43:54 | |
-What were you looking at, anyway? -The sea. | 0:43:56 | 0:44:00 | |
And? | 0:44:00 | 0:44:02 | |
This ridiculous, bonkers, incredibly annoying town. | 0:44:02 | 0:44:08 | |
OMG! | 0:44:08 | 0:44:10 | |
You've totally fallen in love with it, haven't you? | 0:44:10 | 0:44:14 | |
Just good friends. Come on, it's Sugartown's wedding of the year. | 0:44:14 | 0:44:19 | |
And you're just in time to step in with Travis, thank God. | 0:44:19 | 0:44:23 | |
Save my knees from the jump up, wrap round and into the back bend! | 0:44:23 | 0:44:28 | |
-Going somewhere nice? -If you mean out of Sugartown, then, yeah, somewhere nice. | 0:44:35 | 0:44:39 | |
Max, you're my brother. | 0:44:39 | 0:44:42 | |
-You should be at my wedding. -Sorry, Jase. | 0:44:42 | 0:44:45 | |
I've got to hit the road. A bit of luck's come my way, chance of a new flagship casino. Sheffield. | 0:44:45 | 0:44:51 | |
Right. | 0:44:53 | 0:44:55 | |
Well, congratulations. | 0:44:55 | 0:44:57 | |
You were never one for gambling, were you, Jase? | 0:45:03 | 0:45:05 | |
Never reckoned I was lucky enough. | 0:45:05 | 0:45:07 | |
No? | 0:45:07 | 0:45:09 | |
What about | 0:45:09 | 0:45:12 | |
high card wins the factory? | 0:45:12 | 0:45:13 | |
When you said you wouldn't take it from me, | 0:45:13 | 0:45:16 | |
so this is your chance to get it without breaking your moral backbone. | 0:45:16 | 0:45:19 | |
For keeps, no arguments, done deal. | 0:45:19 | 0:45:21 | |
If I win, it's legit, you know? | 0:45:21 | 0:45:24 | |
No more mention of who my Dad was or wasn't. It'd be mine | 0:45:24 | 0:45:27 | |
-by rights. -I don't gamble, Max. -Eh? | 0:45:27 | 0:45:30 | |
It's your wedding day to the lovely Emily. | 0:45:30 | 0:45:33 | |
There's never going to be a luckier day than this blessed one, eh? | 0:45:33 | 0:45:36 | |
Like I say, | 0:46:02 | 0:46:03 | |
it's your lucky day. | 0:46:03 | 0:46:05 | |
-Well, I've got to get going, so... -Don't be a stranger, eh? | 0:46:07 | 0:46:10 | |
See you... | 0:46:10 | 0:46:12 | |
Bro. | 0:46:12 | 0:46:14 | |
Where's Anne, Dad? | 0:46:33 | 0:46:34 | |
I want Anne. | 0:46:35 | 0:46:36 | |
I don't know, Princess. But if she were here, I think she'd say you look very beautiful. | 0:46:36 | 0:46:42 | |
And she'd wish you all the happiness in the world. | 0:46:42 | 0:46:46 | |
But as it's just me, I'd say that Jason would be the luckiest man on Earth if it weren't for me, | 0:46:46 | 0:46:53 | |
because I got to spend all those years watching you grow | 0:46:53 | 0:46:56 | |
into the fabulous woman standing before me now. | 0:46:56 | 0:46:59 | |
My mascara's running now! | 0:46:59 | 0:47:02 | |
Listen, we'd better get a wriggle on. | 0:47:03 | 0:47:05 | |
The only thing keeping Margery in that outfit is gaffer tape and emotional blackmail. | 0:47:05 | 0:47:09 | |
-Oh, did Jason find Michael? -No. Travis has stepped up. | 0:47:11 | 0:47:14 | |
Jason asked Max but he was leaving town. | 0:47:14 | 0:47:17 | |
# There's a fire starting in my heart | 0:47:22 | 0:47:26 | |
# Reaching a fever pitch | 0:47:26 | 0:47:28 | |
# It's bringin' me out the dark | 0:47:28 | 0:47:31 | |
# Finally I can see you crystal clear | 0:47:31 | 0:47:35 | |
# Go ahead and sell me out | 0:47:35 | 0:47:38 | |
# And I'll lay your ship bare | 0:47:38 | 0:47:40 | |
# See how I'll leave | 0:47:40 | 0:47:42 | |
# With every piece of you... # | 0:47:42 | 0:47:44 | |
Er.. we'll meet you there. | 0:47:44 | 0:47:46 | |
You want me to walk through town like this? You're having a laugh! | 0:47:46 | 0:47:52 | |
Ron! | 0:47:52 | 0:47:54 | |
Ron! | 0:47:56 | 0:47:57 | |
# The scars of your love | 0:47:59 | 0:48:01 | |
# Remind me of us | 0:48:01 | 0:48:04 | |
# They keep me thinking | 0:48:04 | 0:48:06 | |
# That we almost had it all | 0:48:06 | 0:48:09 | |
# The scars of your love... # | 0:48:09 | 0:48:10 | |
-Wedding! -How long? -Ten minutes! | 0:48:10 | 0:48:13 | |
# I can't help feeling | 0:48:13 | 0:48:15 | |
# We could have had it all... # | 0:48:15 | 0:48:19 | |
Kill me. Kill me now. Kill Anne. | 0:48:19 | 0:48:23 | |
# You had my heart inside of your hand... # | 0:48:24 | 0:48:28 | |
-Pull over. -What? -Pull over, Dad. | 0:48:28 | 0:48:31 | |
I won't be long. | 0:48:33 | 0:48:34 | |
# Baby, I have no story to be told | 0:48:35 | 0:48:39 | |
# But I've heard one on you... # | 0:48:39 | 0:48:41 | |
Shouldn't you be somewhere else right now? | 0:48:47 | 0:48:50 | |
If I marry Jason today we'll have a happy, blissful life together. | 0:48:50 | 0:48:56 | |
I love him more than anyone on earth. | 0:48:56 | 0:48:58 | |
Apart from you. | 0:49:00 | 0:49:03 | |
The bit where you say it back. | 0:49:08 | 0:49:10 | |
I don't. | 0:49:12 | 0:49:14 | |
We've got jelly at the reception. | 0:49:48 | 0:49:51 | |
We followed your scrapbook to the letter. Jason's idea. | 0:49:51 | 0:49:55 | |
CHURCH BELLS RING | 0:50:15 | 0:50:19 | |
The wedding, has it happened yet? Jason and Emily? | 0:50:21 | 0:50:23 | |
-We're on our way there, now. -Oh, give us a lift! | 0:50:23 | 0:50:26 | |
Anne! | 0:50:28 | 0:50:29 | |
Sorry. Sorry. | 0:50:41 | 0:50:43 | |
-Anne?! Where the bloody hell have you been? -Max drove. | 0:50:43 | 0:50:46 | |
-Got stitch. -Max?! | 0:50:46 | 0:50:48 | |
MUSIC: "Bridal Chorus" by Richard Wagner | 0:50:50 | 0:50:54 | |
Do you take this man to be your lawful wedded husband? | 0:51:12 | 0:51:16 | |
-I do. -And do you take Emily etc, etc, to be your lawful wedded wife? | 0:51:16 | 0:51:23 | |
I do. | 0:51:26 | 0:51:27 | |
You may now kiss the bride. | 0:51:36 | 0:51:38 | |
CHEERING AND APPLAUSE | 0:51:49 | 0:51:52 | |
Can I have the bride and groom for a photograph? | 0:51:57 | 0:52:00 | |
Sorry, do you mind, it's just... Anne? | 0:52:05 | 0:52:09 | |
It's only right you should be next to me, | 0:52:14 | 0:52:16 | |
despite you having let me down as no bridesmaid in history | 0:52:16 | 0:52:20 | |
has ever done before, you are my best friend. | 0:52:20 | 0:52:23 | |
Thanks! | 0:52:29 | 0:52:30 | |
And smile! | 0:52:32 | 0:52:34 | |
Sorry. New habits die hard. | 0:52:37 | 0:52:40 | |
You know, when I when I said I was happy about you going away somewhere dancing? | 0:52:42 | 0:52:47 | |
I lied. | 0:52:48 | 0:52:50 | |
Thanks, Mum. | 0:52:51 | 0:52:53 | |
I'm going to throw the bouquet! | 0:52:56 | 0:52:58 | |
Agh! | 0:53:01 | 0:53:03 | |
Oh, well, technically, it's meant to be a two-handed catch | 0:53:03 | 0:53:07 | |
or a one-handed catch if moving through the air thusly. | 0:53:07 | 0:53:11 | |
Oh. Right. | 0:53:11 | 0:53:12 | |
I don't know anywhere it says that in the rule book so.. | 0:53:12 | 0:53:15 | |
Not right away, mind. | 0:53:19 | 0:53:20 | |
-Didn't you want a shot? -Oh, Michael, it happened. Move on. | 0:53:23 | 0:53:27 | |
It was all right, but I don't know what all the fuss is about. | 0:53:27 | 0:53:32 | |
Oh. | 0:53:32 | 0:53:33 | |
Good. | 0:53:36 | 0:53:38 | |
HE WHISTLES | 0:53:44 | 0:53:45 | |
CHEERING AND APPLAUSE | 0:53:48 | 0:53:50 | |
# You know you can't deny | 0:53:56 | 0:53:59 | |
# When love takes over, yeah | 0:53:59 | 0:54:03 | |
# Cos something's here tonight | 0:54:03 | 0:54:06 | |
# Give me a reason | 0:54:07 | 0:54:09 | |
# I gotta know | 0:54:09 | 0:54:11 | |
# Do you feel it too? # | 0:54:11 | 0:54:13 | |
Ladies and gentlemen, will you all give it up for the bride and groom. | 0:54:13 | 0:54:20 | |
Dad.. | 0:54:20 | 0:54:21 | |
APPLAUSE | 0:54:21 | 0:54:23 | |
# Out of the tree of life | 0:54:33 | 0:54:36 | |
# I just picked me a plum | 0:54:36 | 0:54:38 | |
# You came along | 0:54:42 | 0:54:43 | |
# And everything started to hum | 0:54:43 | 0:54:46 | |
# Still it's a real good bet | 0:54:50 | 0:54:53 | |
# The best is yet to come... # | 0:54:53 | 0:54:56 | |
CHEERING AND APPLAUSE | 0:54:56 | 0:54:59 | |
If I'd known you could do that I wouldn't have done this. | 0:55:07 | 0:55:10 | |
# And the world | 0:55:10 | 0:55:12 | |
# It's turning inside out, yeah | 0:55:12 | 0:55:17 | |
# I'm floating around in ecstasy | 0:55:17 | 0:55:21 | |
# So don't stop me now | 0:55:21 | 0:55:26 | |
# Don't stop me | 0:55:26 | 0:55:29 | |
# Cos I'm havin' a good time | 0:55:29 | 0:55:30 | |
# Havin' a good time | 0:55:30 | 0:55:32 | |
# I'm a shooting star leaping through the skies | 0:55:32 | 0:55:35 | |
# Like a tiger defying the laws of gravity | 0:55:35 | 0:55:40 | |
# I'm a racing car passing by like Lady Godiva | 0:55:40 | 0:55:44 | |
# I'm gonna go, go, go | 0:55:44 | 0:55:46 | |
# There's no stoppin' me | 0:55:46 | 0:55:50 | |
# I'm burnin' through the sky, yeah | 0:55:50 | 0:55:53 | |
# 200 degrees, that's why they call me Mr Fahrenheit | 0:55:53 | 0:55:57 | |
# I'm travelling at the speed of light | 0:55:57 | 0:55:59 | |
# I want to make a supersonic man out of you... # | 0:55:59 | 0:56:03 | |
# Cry me out | 0:56:03 | 0:56:06 | |
# You'll have to cry me out | 0:56:06 | 0:56:10 | |
# The tears that will fall | 0:56:10 | 0:56:12 | |
# Mean nothing at all | 0:56:12 | 0:56:14 | |
# It's time to get over yourself | 0:56:14 | 0:56:18 | |
# Baby, you ain't all that | 0:56:18 | 0:56:22 | |
# Baby, there's no way back | 0:56:22 | 0:56:26 | |
# You can keep talkin' | 0:56:26 | 0:56:29 | |
# But, baby, I'm walking | 0:56:29 | 0:56:31 | |
# Away... # | 0:56:31 | 0:56:35 | |
# In olden days a glimpse of stocking | 0:56:35 | 0:56:38 | |
# Was looked on as something shocking | 0:56:38 | 0:56:40 | |
# Now, heaven knows | 0:56:40 | 0:56:42 | |
# Anything goes | 0:56:42 | 0:56:45 | |
# Good authors too | 0:56:45 | 0:56:47 | |
# Who once knew better words | 0:56:47 | 0:56:48 | |
# Now only use four-letter words | 0:56:48 | 0:56:50 | |
# Writing prose | 0:56:50 | 0:56:53 | |
# Anything goes... # | 0:56:53 | 0:56:56 | |
# You're unbelievable... # | 0:56:57 | 0:56:59 | |
Come on! | 0:57:00 | 0:57:01 | |
Yeah. Yeah. | 0:57:06 | 0:57:07 | |
# We bring the stars out | 0:57:07 | 0:57:09 | |
# We bring the women and cars and the cards out | 0:57:09 | 0:57:11 | |
# Let's have a toast to celebration | 0:57:11 | 0:57:13 | |
# Get a glass out | 0:57:13 | 0:57:14 | |
# And we can do this until we pass out | 0:57:14 | 0:57:16 | |
# Let it rain | 0:57:16 | 0:57:19 | |
# Let it pour away... # | 0:57:19 | 0:57:21 | |
# La-la-la-la-la-la-la-la | 0:57:21 | 0:57:25 | |
# La-la-la-la-la-la-la | 0:57:25 | 0:57:28 | |
# I just can't get you out of my head | 0:57:28 | 0:57:32 | |
# Boy, you're loving is all I think about | 0:57:32 | 0:57:35 | |
# I just can't get you out of my head | 0:57:35 | 0:57:39 | |
# Boy, it's more than I dare to think about... # | 0:57:39 | 0:57:43 | |
# Don't stop me, don't stop me don't stop me | 0:57:43 | 0:57:47 | |
# Don't stop me, don't stop me Ooh-ooh-ooh | 0:57:47 | 0:57:49 | |
# Don't stop me, don't stop me | 0:57:49 | 0:57:51 | |
# Have a good time, good time | 0:57:51 | 0:57:52 | |
# Don't stop me, don't stop me | 0:57:52 | 0:57:54 | |
# Burnin' through the sky, yeah | 0:58:12 | 0:58:16 | |
# 200 degrees, that's why they call me Mr Fahrenheit | 0:58:16 | 0:58:20 | |
# I'm travelling at the speed of light | 0:58:20 | 0:58:23 | |
# I want to make a supersonic man out of you | 0:58:23 | 0:58:25 | |
# Don't stop me now I'm having a good time | 0:58:27 | 0:58:29 | |
# Don't stop me now I'm having a good time | 0:58:29 | 0:58:33 | |
# I don't want to stop at all... # | 0:58:33 | 0:58:38 | |
Whoo! | 0:58:38 | 0:58:39 | |
CHEERING AND APPLAUSE | 0:58:39 | 0:58:44 | |
# If I had a million dollars or ten | 0:58:49 | 0:58:54 | |
# I'd give it to your world and then | 0:58:54 | 0:58:58 | |
# You'd go away and let me spend | 0:58:58 | 0:59:02 | |
# My life in shoo-shoo-shoo | 0:59:02 | 0:59:04 | |
# Shoo-shoo-shoo | 0:59:04 | 0:59:06 | |
# Shoo-shoo-shoo-shoo-shoo-shoo | 0:59:06 | 0:59:08 | |
# Sugartown | 0:59:08 | 0:59:10 | |
# Shoo-shoo-shoo-shoo | 0:59:13 | 0:59:16 | |
# Sugartown. # | 0:59:16 | 0:59:17 |