Episode 2 Sugartown


Episode 2

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Transcript


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-I'm popping the question.

-Yes.

-I'm a dancer.

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-Carmen?

-Mum!

-Max?!

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-Rock ain't rolling any more, is it, Jase?

-Max wants the factory.

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"The actual ownership is to be divided equally between my sons."

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-Sons?

-I was adopted. The necklace was all they said she'd left me.

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You don't know who she is?

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Black, you marry him.

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-Red, you marry me.

-We're relaunching Burr's,

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why not Sugartown's Dance Academy, too!

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MUSIC: "Stayin' Alive" by The Bee Gees

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# Well, you can tell by the way I use my walk

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# I'm a woman's man, no time to talk

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# Music loud and women warm

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# I've been kicked around since I was born

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# And now it's all right, it's OK And you may look the other way

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# We can try to understand The New York Times'... #

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# I got some troubles but they won't last

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# I'm going to lay right down here in the grass

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# And pretty soon all my troubles will pass

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# Cos I'm in shoo-shoo-shoo, shoo-shoo-shoo

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# Shoo-shoo, shoo-shoo, shoo-shoo Sugartown. #

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Mild discomfort.

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"Mild discomfort", like a disfiguring rash,

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or "mild discomfort", like falling downstairs and landing on your head?

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Anne, despite you having no vices I'm aware of,

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you have 40 to 55-year-old pores. We're well past optional.

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Plus, I need a guinea pig.

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We're closed...

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..to men.

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-To you.

-Isn't there some sort of stylists' code?

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-Where there's hair to be trimmed...

-Never ratified. Discretionary.

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Why don't you try Choppy Toffs on the Parade?

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The front you have, waltzing in here after what you did.

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You lost us our investor.

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Your investor?! Ken was my investor.

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Let's not get bogged down in detail.

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Yeah. Why don't we just chalk it up and I'll pop on a..?

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And sit down next to...

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All right, Anne?

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Oh, wow, so that's where Saddam was hiding them, was it?

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It's going to make me glow, with only mild discomfort.

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Glow?! Could warn off shipping.

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It is the toppermost chemical peel available.

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Actually, you look quite glowy, Max.

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-Mmm-hmm.

-Yes.

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What is that? Are you..?

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Happy? Max is happy?

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I'd say happy. Some might say cheerful. Six of one.

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Being happy's not against the law in Sugartown, is it?

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No, but I think you'll all agree, it's highly suspicious.

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Max can be raving ecstatic, it doesn't change things. We just have to hold our nerve.

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Michael, you finished working through Dad's old recipes?

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Almost. You know, he was a genius.

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I would never have put barley in brittle form

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and he did things with liquorice no-one has the right to do.

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-Great! Right, where are we?

-So far, Sticky Herrings, Nutty Slacks.

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Give Burt Burr's Butter Bang Bangs a try next. They were a big seller.

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I'm just saying, I think we should have a contingency.

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Maybe two, and if we're taking this thing seriously, possibly three.

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-But if Max has found a new backer...

-Best get on.

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I just worry,

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is it madness to be launching a premium range at the height of an economic downturn?

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They'll always be folk who care about quality, about a trusted brand.

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Besides, we just can't compete with the big boys on scale any more.

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Our only hope is the nostalgia market - traditional sweets made the traditional way.

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So they've put a man on the moon, and we're back to desiccating our own coconut.

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-All right, how long have we got to turn this mother round?

-A week?

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Two? After that the cupboard's bare.

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-Out of cash.

-And Max can buy you out?

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Max WILL buy me out.

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But the orders will come. I know it.

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We may be, like, the first

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people ever to live on a pier.

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There may be a reason for that.

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Well, go on, then.

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-Close your eyes.

-Just open the door.

-OK.

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OK, I'll open the door.

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Yep, I'd keep them closed, if I were you.

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I thought I'd just stop by to see if this crib's been pimped yet.

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Ron, I mean,

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like, 'wahhhhh'!

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It's brilliant. And, hey, zero commute!

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I plumped for practical, though I'm happy to look at your chakras whilst I'm here.

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Welcome to your new residence!

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-It's brilliant!

-So, are we all set for Sugartown's latest fad amenity?

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I did a mahoosive shout out.

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Posted them all over town.

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Carmen Moore - Professor of Getting Down.

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Well, I know I'm pumped about it.

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Be good to throw out some shapes.

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I've lost definition since naked yoga.

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What, in Sugartown?!

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In my defence, Sam, nowhere did it say it wasn't naked.

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For the avoidance of doubt, classes here will be fully clothed.

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I think I found the garage!

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So I was thinking, you should help out with the dance school.

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I need a proper job.

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That is almost a proper job.

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And it's sort of the least I can do after...

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And there's no better ticket to exotic travel than dance.

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-Dance brought you here.

-Yes!

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And I've been all over.

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America, Australia, Norway...

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Look, it's not just here. I mean...

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Well, it's mainly here. There's nothing for me.

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Well, what about your mum?

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What if she's still here?

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If you go, you'll never find her.

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She must have given you that necklace for a reason.

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Maybe you're meant to follow a quest!

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Or maybe not.

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Shows how much she cared.

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Thing's a second. Teddy's legs are on back to front.

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Margery!

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I'm just here with Travis talking about dancing

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and also...dancing.

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I'm only on a flyby.

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I figured you and your mother are itinerants and you might be in need of white goods.

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What a caring thing for Margery to do!

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Isn't it, Travis?

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It isn't cordless.

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Why are you still here? Haven't you got an evil lair to go to?

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You seem uncomfortable, Em. Do I make you nervous?

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Is it because you kissed me?

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-You kissed me!

-Is it because you liked it?

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Don't push me, Max.

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Does it do your nut in having to cut hair like a bloody takeaway menu?

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"I'll have a number nine and a side order of dated low-lights, please."

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I give my customers what they want.

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It's a calling. And low-lights aren't dated.

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Yeah, but I see you, Em.

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The real you.

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You're hungry for success.

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You want to be top division, but this town is strictly Sunday league.

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One word. Eco-spa.

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-Two words.

-One word. Hyphenated.

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Seaweed wraps, exfoliating with sand.

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I don't know, you're the expert. But that is where the money is -

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treatments. Call something Balinese, throw in a scented candle, you've got yourself "an experience".

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Who round here would want an experience?

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Stay tuned, Em. Stay tuned.

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It's not that I don't like dance. More that I fear it.

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Like spiders. And it seems to me that, quite often,

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the beat's doing something different than I am.

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I always think of the beat as more of a guideline, really.

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I wonder if it all goes back to my mother.

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So, anyway, thanks again for the...

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But, well, Carmen's deserted, so I'd best get on...

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with the dance school, with the launch tonight.

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Buffet, raffle. You'll be there, right? Oh, and bring men.

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Like, male men?

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At this stage, anyone who'd pass in low lighting.

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Could I just bring a sponge cake?

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Balls! Balls of your feet!

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And your toes pointing forward.

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Yeah, that is how I get to walk.

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-Away.

-Elbow up.

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-Think teapot.

-If we see anyone I know, could we pretend I'm mugging you?

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OK, so now we promenade.

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-Go on.

-You have to lead. You're the man.

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I'm the man who doesn't know how to promenade.

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-It means we walk.

-Oh, do you know? I don't care what it means.

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Why's this old stuff so complicated?

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-It's all rules.

-Because rules bring order from the chaos. And from order we have control.

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And no chaos. Do you want chaos?!

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I want to not look like a teapot.

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One...

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Right foot, to the side

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and left foot...

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Do you want some pie to go with that cowardly custard?

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OK, OK. Leave it with me.

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Now I'm a Professor of Dance, it's my job to inspire, to encourage.

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Well, I'm gonna, er, "promenade".

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That's it, that's it.

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Web-wise, I've shown the dog the rabbit, now all we can do is wait.

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-Hello.

-Anne, you're back again?

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-Yeah, I'm out of sugar mice.

-What, already?

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I can't get enough of their sugary goodness.

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You want to eat them responsibly, A mouse a day...

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Yeah, OK.

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Hello.

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Hi.

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I'm just here, casually, on the off chance to pick up some sugar mice.

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Oh, can you see Margery? I'm up to my elbows in foam shrimps here.

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Yeah.

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Anyway, whilst I'm here and, like, it's just occurred to me,

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are you going to the launch of the dance school? Only I'm going,

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so if you're going to the launch of the dance school and I'm going...

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Anne! Shrimps! Look, I really can't do this right now.

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I'm looking down the barrel at my Gumptions. Go with Emily.

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But the lighting won't be THAT low.

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PING

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-E-mail!

-E-mail!

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E-mail!

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"Baveridges are pleased to inform you

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"of our interest in your new Heritage range of confectioneries." In!

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I am on fire today.

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So I see this jar and it all becomes clear. Salsa.

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For the launch tonight. Total crowd pleaser. So not old time.

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Are you not eating that?

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I've only had one lunch today. I could die from the hunger and I'm not even joking.

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Mmm, mmm.

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So now, I'm looking at the dream theme.

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Spicy, sexy, with a dash of old skool flava.

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Travis is seriously going to get with the programme.

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Oh, and bring a bloke tonight. You don't want to be a Wendy Wallflower.

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I'm going to die alone.

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SOBS, THEN WAILS LOUDLY

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Ssshh, sshh.

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TV COMES ON

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-Will she be all right? Maybe we should take her home?

-Oh, no. She won't go down now.

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Anyway, Loose Women's on. It's the only thing that'll settle her.

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I was worried something like this would happen. Jason said she's developed a serious sugar habit.

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It was only a matter of time before she crashed and burned.

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It was only a ham sandwich.

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Did you check her pockets? Her cheeks? She's like a hamster.

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Stores it.

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I reckon it might be man trouble.

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-It's Anne. She doesn't have men.

-Maybe that's the trouble?

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Anne? Men?

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Well, I know she likes Michael, but Michael's...

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-Yeah.

-Yeah.

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Maybe we could hook her up with someone tonight.

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Salsa's totally like speed-dating.

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Who's going to ask HER to dance?

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I mean, I love Anne. She has a beautiful spirit,

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but the presentation leaves a lot to be desired.

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Anne! I'm sorry. I thought I was saying all that behind your back.

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It's all right.

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I'm ready.

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I look like I should be sitting on a pencil.

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I'm a professional, Anne. Do you want my help or not?

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Yeah! I know I'm not what you might call honey to the bees.

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Men don't swarm around my pot.

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I need your help to find the light under my big bushel.

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Actually, Em, it's starting to burn.

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Em?

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< Em?!

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Get out of bloody road!

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Margery?

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Mmm.

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Ladies and gentlemen,

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we have a Chocolate Gumption.

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Thank you so much for all your hard work.

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Next bit's down to me. Dragons' Den. Keep your fingers crossed, eh?

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And seriously, well done, everyone.

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-You'll never guess what!

-I was wondering where you were.

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I haven't made dinner, best not to dance on a full stomach. But I have whipped up power juices.

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Is that tonight? I'm sorry, no can do.

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What? We have to go.

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-I can't. I've got a really big presentation to prepare.

-Jason.

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Do you notice anything?

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Have you dyed your hair?

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-Every time.

-Well, I don't know. It's a good first option and then I try "lost weight".

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It's Chanel.

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Vintage. 2009. I've been saving it for a special occasion, such as this, with my fiance.

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-Is this how it's going to be now?

-It's one night.

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-Every night this week!

-The factory...

-Is not more important than me.

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-Us.

-I'm not stopping YOU going.

-And you're OK with that, are you?

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Have you got any idea how bootylicious I look?

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Every man in that room will be desiring me.

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Yeah, you look nice.

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-Fine.

-Good.

-No, not good!

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-Fine, then.

-Ooh! Fine.

-Thanks for your support(!)

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PHONE RINGS

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Yes, I'm coming, Anne.

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Anne!

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I know the rule was clothes, but...

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Hi, Anne.

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Anne, don't you look...

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-Striking.

-Yes. Great you could come.

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-One or two?

-One, please.

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Come on, I'll buy you a drink.

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I might chance a go on a Mock-ito.

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-From me and Jase.

-Ooh.

-Thank you. You shouldn't have.

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No...you REALLY shouldn't have.

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Six... Seven, with your basics.

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And one, two, three, two, two, three, turn, right..

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Two, two, three. Lovely, Ron!

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You're not working it. Do the pose.

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No-one saw it. Do it again.

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I can't have him see me like this, I'm hideous.

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He won't notice any difference.

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What have YOU come as?!

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I only left you for two minutes!

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Three hours, Emily! And now my bushel's just bigger than ever!

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Swivel! Swivel!

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Bloody hell, Carmen!

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You know, I like curly hair. Go with the 'fro, I say.

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Well, that's all very well for you.

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You look mantastic.

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Listen, I'm sorry I was a bit off earlier.

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I made you this.

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SHE GASPS

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Is that limited edition?

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Single edition. Just for you.

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-Anne, you do know I'm gay, don't you?

-Oh, yes.

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OK.

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And you do know what being gay means?

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I'm not interested in 'it' or anything.

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I just want a boyfriend.

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OK... Well, I'm a boy, I suppose.

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And I am a friend.

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Ladies.

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-Didn't expect you here.

-Now we're rivals for the limited recreation market. Reckon I'll sleep easy.

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I'll take your money. But only because we need men, not sponge cakes.

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See, I miss our flirting.

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Why don't you come back? Run the casino for me.

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I need a trusted hand at the tiller.

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Come on! This place, plus the liability factor of Calamity Jane, equals nervous breakdown.

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You know that!

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Evening, Margery.

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Looking good. Mind if I cut in?

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No-one salsas with a lothario, Max.

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Foxtrot, maybe.

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If you don't mind, we'll play through.

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So, I see a beat as more of a guideline, really.

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MUSIC STOPS

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SMATTERING OF APPLAUSE

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Why isn't Travis here?

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I don't know, but if he found a good excuse,

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he might have shared it with the rest of us.

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If you knew something and it was like an information hand grenade.

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You would give it to the rightful grenade owner? Even if it might go off?

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No idea what you're talking about,

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but time and bitter experience has shown us, it's best when you don't get involved.

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Right, OK.

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-Ladies and gentlemen, let's trip...

-Ah! Our very own lord of the dance!

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APPLAUSE

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Travis! You're here.

0:20:320:20:34

Where have you been? Anyway, I hope you're ready to live la vida loca, because we're in salsa town.

0:20:340:20:42

-Why's everybody looking?

-Because I didn't pay five pounds to trip the light fantastic with Ron.

0:20:430:20:48

You're the star attraction.

0:20:480:20:50

Ah!

0:20:520:20:54

Why did you do it?

0:20:590:21:00

-Not even ask me?

-Because you might have said no.

0:21:000:21:04

But you're here now!

0:21:040:21:06

Oh, Travis,

0:21:060:21:08

you can't go, because...

0:21:080:21:09

your mum's here!

0:21:090:21:12

Yes. Right here.

0:21:130:21:15

Long-lost mum...

0:21:150:21:17

..not lost.

0:21:180:21:20

As if!

0:21:350:21:36

Travis!

0:21:570:21:58

Travis... Hold on.

0:22:010:22:03

You're walking too fast, I can't keep up.

0:22:070:22:09

What, like I shouldn't have told you?!

0:22:120:22:14

It was Margery? No, Carmen, you should NEVER have told me!

0:22:140:22:17

One.

0:22:200:22:21

-Can we step on it?

-I'm flooring it as it is, son.

0:22:420:22:44

-I just want to be on my own.

-I understand.

0:22:470:22:49

You can totally be on your own together.

0:22:490:22:53

Come on! I'm almost breaking a sweat here.

0:22:530:22:56

Are you getting on, love, or what?

0:22:560:22:58

-Ooh, how much?

-20p or 30p return.

0:22:580:23:02

-Do you accept Switch?

-No.

0:23:020:23:04

I didn't know for sure.

0:23:090:23:11

My suspicions were first aroused at the gala night, but I didn't..

0:23:110:23:14

-You knew at the gala night?

-Not knew. I'm not Poirot.

0:23:140:23:18

I don't understand. Aren't you happy?

0:23:180:23:21

That's not... That's not fair. Heels! Huh!

0:23:240:23:28

She's alive, she's alive!

0:23:310:23:32

-She only fainted. Give her some air.

-Margery, are you all right?

0:23:320:23:37

Yes, I'm all right.

0:23:370:23:40

Just let me breathe.

0:23:470:23:49

Thought...Travis...

0:23:490:23:51

-No, that was true.

-He is your son.

0:23:510:23:54

Margery? Margery?!

0:23:540:23:56

Isn't Margery too old to have a baby?

0:23:560:23:59

I think she was younger at the time.

0:23:590:24:01

This could take a while. I'll put the kettles on, shall I?

0:24:010:24:05

That's a whole different page, innit?

0:24:050:24:07

No Captain Sensible tonight, then?

0:24:090:24:11

Jason is doing something very important.

0:24:110:24:13

He's got a meeting, a presentation. What are you doing here, anyway?

0:24:130:24:17

-I come in peace. As it happens, I'm here to see you.

-Because?

0:24:170:24:20

I've got something to show you.

0:24:200:24:22

Said the spider to the fly.

0:24:220:24:24

Well, save you stalking around town if I just showed you.

0:24:240:24:27

Well-appointed, attention to detail, mother of a sound system -

0:24:360:24:40

one blast of that puppy and the tide'll go out.

0:24:400:24:42

Hey, you'll like this -

0:24:420:24:44

a state of the art kitchen.

0:24:440:24:46

What's this all about, Max?

0:24:460:24:49

For the salon.

0:24:570:24:59

Seaweed, sand, etc.

0:24:590:25:01

No, thank you. I've seen where being a business partner with you ends up.

0:25:010:25:05

Just business.

0:25:050:25:07

Look, Em, Em.

0:25:070:25:09

I believe in you, right?

0:25:090:25:12

Interest-free loan, no hurry. Pay me back when you're in the black.

0:25:120:25:15

You can have any paperwork you want to back me up on that, all right?

0:25:150:25:19

Where would you get that sort of money, anyway?

0:25:190:25:21

Sold.

0:25:220:25:23

Well, good as.

0:25:230:25:25

-You're leaving?

-Upsizing.

0:25:250:25:27

Can't you just leave?

0:25:270:25:29

She was an estate agent.

0:25:310:25:32

When you were following me round town this afternoon, like a love-sick puppy.

0:25:330:25:38

This is prime real estate, Em. This is just the prototype.

0:25:380:25:41

I'm thinking of doing up the whole block. There's a lot of folk willing to pay me a lot to live here.

0:25:410:25:46

What about the people who already live here?

0:25:460:25:48

This town,

0:25:480:25:50

it just needs a bit of...

0:25:500:25:52

new blood, to get its motor started.

0:25:520:25:55

And just think, eh, pukka new customers for you,

0:25:550:25:59

all gagging for an Emily experience.

0:25:590:26:01

I suppose that means you've given up on your hostile takeover

0:26:010:26:05

of the factory, if you invested in me instead.

0:26:050:26:07

Hmm! Yeah.

0:26:070:26:09

A toast, I think.

0:26:140:26:16

Would you like to come in?

0:26:410:26:43

I haven't any beer.

0:26:440:26:46

I may have some squash.

0:26:460:26:48

Why didn't you want me?

0:26:480:26:50

I did want you.

0:26:510:26:53

See, cos I've been here... the whole time.

0:26:540:27:01

If I'd known it was you...

0:27:010:27:03

They said they'd take you somewhere else. Didn't stop me looking, mind.

0:27:040:27:08

There wasn't a single day that I didn't regret giving you up,

0:27:100:27:14

that I wasn't wondering wherever you were, if you were happy and if you were loved.

0:27:140:27:20

But I had nothing to give you.

0:27:200:27:22

Not on my own.

0:27:220:27:24

Who was my dad, then?

0:27:250:27:27

You see, I thought you'd have a better chance away from him.

0:27:270:27:31

He didn't want to keep you at all.

0:27:310:27:33

The only thing that Burt ever loved was that factory.

0:27:330:27:37

Travis!

0:27:410:27:42

Chanel?

0:27:480:27:51

Vintage?

0:27:510:27:53

Hmm... 2009?

0:27:530:27:55

You were wearing white the first time we...

0:27:570:27:59

And you had your hair up like that

0:28:010:28:03

and Unchained Melody was playing, I think.

0:28:030:28:06

Must have been one of your other victims.

0:28:060:28:09

I was in red, my hair was in a shaggy bob and it was Take That - Babe.

0:28:090:28:13

Well, can't remember all the ins and outs.

0:28:150:28:18

Goodnight, Max.

0:28:190:28:21

MUSIC: "Babe" by Take That

0:28:270:28:29

# Babe, I'm here again

0:28:290:28:32

# I'm here again

0:28:320:28:33

# I tell you I'm here again

0:28:330:28:35

# Babe

0:28:350:28:37

# Where have you been?

0:28:370:28:39

# Where have you been?

0:28:390:28:40

# Babe, I'm back again

0:28:400:28:45

-# I'm back again

-I tell you I'm back again

0:28:450:28:49

-# Babe

-Where have you been? #

0:28:490:28:51

-I love you.

-What?!

0:29:030:29:05

-What?

-Don't be ridiculous.

0:29:060:29:08

No, that's what I say to everyone. That's what you lot want to hear!

0:29:080:29:12

You know, more than a handful's a waste...

0:29:120:29:15

I didn't mean to shag your sisters...

0:29:150:29:17

Em?!

0:29:170:29:18

Em!

0:29:180:29:20

Babe!

0:29:200:29:22

Em! Babe!

0:29:310:29:34

ALARM RINGS

0:29:340:29:37

No way!

0:29:400:29:42

Jason?

0:30:120:30:14

It should mean a year on year increase of 6... no, sorry... 7%.

0:30:140:30:19

Will our customers really want to pay extra for your new range?

0:30:190:30:23

I mean, cost per unit, you'll outstrip your rivals.

0:30:230:30:26

-But they're bloody good sweets.

-And it's kids who buy sweets.

0:30:260:30:30

No disrespect, but they won't remember Burrs in its heyday.

0:30:300:30:34

Their parents will.

0:30:340:30:35

We were a big brand once and I reckon we could be again.

0:30:360:30:40

OK, thank you for your time.

0:30:430:30:46

Thank you.

0:30:510:30:53

I'll leave them there. Thank you.

0:30:530:30:56

If you could guarantee production for a regional rollout,

0:31:040:31:07

say, a trial across...ten stores?

0:31:070:31:10

Yeah, yeah. I'm sure we could... Really?

0:31:110:31:14

I got five fillings thanks to your dad.

0:31:140:31:16

And I don't regret one of them.

0:31:160:31:18

Cheers.

0:31:190:31:21

Am I going to have to get a restraining order, or what?

0:31:500:31:53

Jason, Jason. Funny thing.

0:31:530:31:55

I have spent all week working my ass off in the town that taste forgot.

0:31:570:32:01

-But, hey, anything to get the cash to buy you out.

-Oh, you're too late.

0:32:010:32:07

Big order, so it happens.

0:32:070:32:08

Not for sale.

0:32:080:32:10

Oh, tricky.

0:32:100:32:13

Rock, paper, scissors?

0:32:130:32:14

That's still two against one, so, hey, what are you going to do?

0:32:140:32:17

You know Travis, don't you? Our kid brother?

0:32:200:32:22

Hello...boyfriend!

0:32:300:32:33

Sorry, Anne, all out of mice. Looks like on a long-term basis.

0:32:330:32:37

That's OK.

0:32:370:32:39

I'm full-on feeling.

0:32:390:32:42

I was going to wear my hat, but then I thought, go with the 'fro.

0:32:430:32:47

Good for you. No, actually, wear the hat.

0:32:470:32:49

Game over. Max has called time.

0:32:530:32:56

I'm a confectioner. Took me five years to train.

0:32:560:32:59

Not exactly transferable skills, are they?

0:33:000:33:03

I got a mortgage, credit cards.

0:33:030:33:05

Not quite the catch you thought, eh?

0:33:050:33:08

I will not forsake you.

0:33:100:33:12

And every cloud...

0:33:140:33:15

Christ, Max, is there no level you won't sink to? It's lies,

0:33:170:33:19

-like everything else that comes out of your gob.

-It is a kick in the testate,

0:33:190:33:23

but...it's all here... "..to be shared equally between my sons".

0:33:230:33:29

One son, two son, ah,

0:33:290:33:32

three sons. Or you can check it on a calculator, if you want?

0:33:320:33:36

See, Jase, you've been piddling away our inheritance for years.

0:33:370:33:41

It's our turn now. So the bottom line is, you fight me on this, it'll force a sale of the factory.

0:33:430:33:47

Chances are it'll be demolished within a month.

0:33:470:33:50

Or, you could go quietly and the shell of the factory remains intact.

0:33:500:33:54

Don't worry, I'll make sure you get your share.

0:33:550:33:57

-Saying it's true.

-It is.

-Why would you throw your lot in with him? I thought we were mates.

0:33:570:34:02

Because, like me, he got sod tout from Daddy Dearest.

0:34:020:34:05

-I can give him opportunities.

-At your side, or your feet?

0:34:050:34:08

-Travis is my new casino manager. Bright future ahead.

-And you can prove all this?

-Oh, yeah.

-You better.

0:34:080:34:13

Just a trip down the clinic, little swab of the mouth. Nothing to it. Should have the results by tomorrow.

0:34:130:34:19

I'll fight you every step of the way.

0:34:200:34:22

Temper, temper.

0:34:300:34:31

-You've not touched your quenelle salad?

-I'm depressed, Ron, not a budgerigar.

0:34:370:34:41

I went into a whole concentric spiral when Emily's mother died.

0:34:410:34:45

And it's all very well to say what happens in Glastonbury stays in Glastonbury,

0:34:450:34:49

but I still can't pass a Portaloo without getting flashbacks.

0:34:490:34:52

But it wasn't about me.

0:34:530:34:55

I was all this little girl had left.

0:34:550:34:58

Yeah, I was scared, but being a parent...nothing beats it.

0:34:580:35:03

-Is this all leading to a profound wisdom, Confucius?

-That was my general heading, yes.

0:35:030:35:09

-And is it along the lines of my pulling myself together and giving the boy a bit of time?

-Ballpark.

0:35:090:35:14

I do have a little addendum, if we're on any other business?

0:35:160:35:19

Just that I always thought you'd make a cracking mum, Margery.

0:35:190:35:23

And I think, given a bit of time,

0:35:230:35:26

young Travis will see it that way, too.

0:35:260:35:28

Noted... With thanks.

0:35:310:35:34

KNOCK ON DOOR

0:35:340:35:35

-Hi, it was open.

-I'm so very sorry, Jason.

0:35:370:35:40

He was charming.

0:35:400:35:43

And persistent.

0:35:430:35:44

-And Travis?

-Was born nine months later. It can't have been a coincidence.

0:35:460:35:52

Your father was clever,

0:35:520:35:55

driven and, when all is said and done,

0:35:550:36:00

he was a player.

0:36:000:36:01

You're less clever, less driven,

0:36:030:36:06

but a far better man.

0:36:060:36:08

-I wouldn't deny Travis what's his.

-Like I said, a better man.

0:36:090:36:15

I'm sorry for letting you all down.

0:36:360:36:38

For what it's worth, Michael, them shrimps were textbook.

0:36:380:36:41

You've all been brilliant. I'll see you right.

0:36:430:36:46

Might take...a few weeks, but I'll...

0:36:470:36:52

I'm sorry you didn't feel you could come to me. Had you waited, given us chance to get on our feet...

0:37:020:37:07

Time is money, Jay. 'Sides, would only be delaying the inevitable.

0:37:070:37:11

You could have scraped by for a few weeks, but you couldn't afford new premises.

0:37:110:37:15

Why give everyone false hope?

0:37:150:37:17

Thanks...bro'.

0:37:220:37:24

Be clear. Not for you. I just don't want to see Margery dragged through the courts.

0:37:240:37:30

Look around you, Max. Breathe it in. Hope it makes you happy.

0:37:300:37:36

Oh, don't worry, Jay. You'll be a kept man. I mean, now I'm investing in Em's new salon empire,

0:37:380:37:44

she'll be raking it in. Lucky boy.

0:37:440:37:48

I presume you've come to build bridges across the fractured divide that was our friendship, Anne?

0:38:170:38:22

Well, I accept your apology.

0:38:220:38:24

On balance, I can see there were faults on both sides. Perhaps even mine.

0:38:240:38:28

In two years' time, your hair will be back to normal.

0:38:280:38:31

I wasn't going to... TWO YEARS?!

0:38:310:38:35

Unless we go for a pixie crop.

0:38:350:38:36

Oh, yeah that sounds nice!

0:38:360:38:38

Oh, no, hold on, I was coming to tell you about...

0:38:390:38:41

Jason?

0:38:410:38:43

Jase?

0:38:430:38:45

Jase?

0:38:480:38:49

-Is that a drink?

-It's not A drink, no.

0:38:510:38:54

I stopped counting when I ran out of fingers. And toes.

0:38:540:38:58

I can't remember how many toes I'm meant to have,

0:38:580:39:00

but I can still remember that you went behind my back with Max.

0:39:000:39:04

So, stupid drink hasn't worked at all, has it? How rubbish is that?

0:39:040:39:07

It was just once.

0:39:070:39:09

-Once?

-Really, it was all down to the dress and how hot it looked on me.

0:39:120:39:16

If he hadn't said all the things that you've not been saying lately, then...

0:39:160:39:20

-You slept with him?

-No!

-So, help me out here.

-No, wait, wait. You know I can't do quick-fire.

0:39:200:39:26

Cos I knew that you two are up to your neck in the salon thing.

0:39:260:39:31

And I felt that betrayed. Why would you. Why would you do that?

0:39:310:39:35

Why would you do that with the man that's ruined me,

0:39:350:39:37

who's taken everything?

0:39:370:39:39

I thought nothing could be worse than that.

0:39:390:39:42

Shows you how wrong...

0:39:420:39:44

-What I didn't know was you'd been cheating on me with him.

-Oh, no, no, not cheating.

0:39:440:39:48

-You wanted to, though, didn't you?

-Oh, Jase, it's you I love.

0:39:480:39:51

Look, this doesn't have to change things. Not if we don't let it.

0:39:510:39:54

-Change things? It's bloody ruined 'em.

-Jase.

-Leave me alone.

0:39:540:40:00

Oh, no, no, no...

0:40:140:40:16

But this is a massive order.

0:40:200:40:22

Why didn't Jason tell us?

0:40:220:40:24

He's only just got the news and I expect, knowing Jason,

0:40:240:40:28

he wouldn't have wanted to pour salt on the wound.

0:40:280:40:31

This is a major supermarket,

0:40:310:40:33

-it could make all the difference. It's not too late.

-We're closed.

-Well, YOU'RE not closed.

0:40:330:40:38

You ARE Burr's. Now, what do we need to get this order done?

0:40:380:40:44

'You got big dreams?'

0:40:440:40:46

You want fame?

0:40:460:40:49

Well, fame costs. And right here's where you start paying...in sweat!

0:40:490:40:55

Well, that was very well done!

0:40:590:41:02

And, oh, look, your...

0:41:020:41:05

really quite alarmed-looking mums and dads are here now, so...

0:41:050:41:08

Very well done.

0:41:080:41:10

What?! That's showbiz.

0:41:130:41:16

Most of them are probably only here because we're cheaper than babysitters.

0:41:170:41:21

Might not be ready for the Bolshoi just yet.

0:41:210:41:25

-Have you...

-Yes, I've taken my pills!

0:41:250:41:28

-The little blue one?

-The large blue one, the huge blue one and the medium-sized white one!

0:41:280:41:33

-Can't you see how at ease I am?

-Yes. You're radiating calm.

0:41:330:41:38

-I screwed up, didn't I?

-That's the trouble with places like this. Give me the city any day.

0:41:400:41:45

-Anonymous, discreet, rude...

-What's wrong with it here?

0:41:450:41:49

We have nine kettles!

0:41:490:41:51

Apologies, but we have a code red.

0:41:510:41:53

So I said, "Why don't we pop on our wet suits and have a scuba in our think tanks?"

0:41:530:41:59

You've heard they've closed the rock factory?

0:41:590:42:01

Max has taken ownership, by playing his trump card of Travis, to stake his claim.

0:42:010:42:06

Travis has gone over to Max's camp and taken your old job.

0:42:060:42:09

So we are two against one, fraternally speaking.

0:42:090:42:13

-No?

-Not that anyone's blaming you for uncovering the dark secrets of the past,

0:42:130:42:18

when perhaps they should have lain buried.

0:42:180:42:20

We just need a big space.

0:42:220:42:24

Yeah, well, I don't care what you have to do, just...

0:42:240:42:27

I don't know, lay on some coaches, go door-to-door if you have to.

0:42:270:42:31

Thank you.

0:42:310:42:32

Yeah. Yeah.

0:42:330:42:34

Right. OK, great.

0:42:370:42:41

Thank you.

0:42:410:42:42

-Equals, yeah?

-Hmm?

0:42:460:42:48

Oh, yeah, sure. All the way, bro'. Have you cleared out that junk yet?

0:42:480:42:52

Skip's full.

0:42:520:42:54

Good, right. I would have loved to have helped you, but I've been rushed off my feet all morning.

0:42:540:42:58

-Everyone wants a piece of me.

-So, Sam's old job. What's the role?

0:42:580:43:03

Oh...I don't know. Wear a suit, walk round with a clipboard?

0:43:030:43:07

-You said you'd train me up.

-And I will, young Padawan, I will.

0:43:070:43:10

What do you want this place so bad for, anyway?

0:43:150:43:18

Actually, maybe you should go to the casino. The Kittens will show you round.

0:43:180:43:22

Now, stick with me, right? One day, just think, you might grow up to be just like me.

0:43:230:43:29

I know, it's exciting, isn't it?

0:43:290:43:32

Mmm, oh, no, no, no, no, no. Always milk first.

0:43:350:43:38

-What?

-Nothing.

-Well, run along, then.

0:43:400:43:43

Dip Dab, this is Tutti Frutti, do you copy? Over.

0:44:030:44:08

'Tutti Frutti, this is Margery.

0:44:100:44:12

'And I'M Tutti Frutti. You're Gobstopper.

0:44:120:44:15

'And I thought I was a Dip Dab.

0:44:150:44:18

-'Are there any visuals?'

-That is affirmative.

0:44:180:44:23

The eagle has left the car park.

0:44:230:44:25

And the other eagle...

0:44:250:44:27

..is also not in the car park.

0:44:290:44:31

Mayor walking through own town.

0:44:330:44:35

Nothing to see here. Man wearing balaclava in broad daylight -

0:44:350:44:38

-"And tonight on Crimewatch..."

-Right, team, go, go, go!

0:44:380:44:44

Jelly Bean, come in, Jelly Bean.

0:45:010:45:03

MUSIC: "Nine To Five" by Dolly Parton

0:45:180:45:21

# Tumble outta bed And a-stumble to the kitchen

0:45:280:45:31

# Pour myself a cup of ambition

0:45:310:45:32

# And yawn and stretch and try to come to life

0:45:320:45:35

# Jump in the shower And the blood starts pumpin'

0:45:380:45:39

# Out on the streets The traffic starts jumpin'

0:45:390:45:42

# With folks like me on the job from nine to five

0:45:420:45:47

# Workin' nine to five

0:45:470:45:49

# What a way to make a livin'

0:45:490:45:51

# Barely gettin' by It's all takin' and no givin'

0:45:510:45:56

# They just use your mind

0:45:560:45:58

# And they never give you credit

0:45:580:46:01

# It's enough to drive you crazy if you let it

0:46:010:46:06

# Nine to five for service and devotion

0:46:060:46:10

# You would think that I would deserve a fair promotion

0:46:100:46:13

# Want to move ahead

0:46:130:46:16

# But the boss won't seem to let me

0:46:160:46:19

# I swear sometimes that man is... #

0:46:190:46:23

MUSIC: "Do You Want The Truth Or Something Beautiful?" by Paloma Faith

0:46:230:46:26

# Do you want the truth or something beautiful?

0:46:260:46:31

# I am happy to deceive you

0:46:310:46:36

# He stood as tall as redwood trees

0:46:360:46:42

# And drank tea from a seamstress's thimble

0:46:420:46:46

# I didn't want to speak the honest truth

0:46:470:46:52

# So I spit out lies that aim to soothe

0:46:520:46:57

# Do you want the truth or something beautiful?

0:46:570:47:03

# Just close your eyes and make believe

0:47:030:47:07

# Do you want the truth or something beautiful?

0:47:080:47:15

# I am happy to deceive you

0:47:150:47:19

# Sacred lies and

0:47:190:47:25

# Telling tales

0:47:250:47:30

# I can be who you want me to be

0:47:300:47:34

# Sacred lies and

0:47:350:47:41

# Telling tales

0:47:410:47:46

# I can be who you want me to be

0:47:460:47:50

# But do you want me? Mm-mm. #

0:47:500:47:55

The third box, Ron.

0:48:130:48:15

In or out, Carmen.

0:48:170:48:19

I don't blame you for any of this, you know.

0:48:290:48:32

You were only telling the truth. And it was a truth I made.

0:48:320:48:35

Your timing was lousy and you have the sensitivity of a rhino,

0:48:350:48:39

-but we can work on that.

-I'm sorry.

0:48:390:48:42

You found him.

0:48:460:48:47

Trot on, I need some unskilled help with my box flaps.

0:48:510:48:55

Here you are.

0:48:570:48:59

Oh, we did it.

0:49:050:49:07

I never want to do it again and I missed Newsnight,

0:49:070:49:10

but we did it.

0:49:100:49:11

-We didn't do the Sugar Mice!

-But the van'll be here in a half an hour!

0:49:130:49:17

Actually...

0:49:200:49:21

So how the hell did you pile all that weight on?

0:49:250:49:27

Right, croissants for everyone.

0:49:330:49:35

I'm taking you all for breakfast to celebrate.

0:49:350:49:38

Bye-bye, croissant.

0:49:490:49:50

What the hell has he done with our factory?!

0:49:500:49:53

This is a mayoral moment.

0:49:530:49:55

Step aside, council official things...to do...here.

0:49:560:50:00

In we go.

0:50:020:50:04

See, being Mayor isn't all town twinning and planting saplings.

0:50:040:50:08

We're at the business end of power.

0:50:080:50:10

My hero(!)

0:50:110:50:13

Ah, ah, ah. One each, Margery.

0:50:300:50:32

We want to know what's going on.

0:50:360:50:38

-And we want to know immediately, if not sooner.

-And we won't be fobbed, so no flannel.

0:50:380:50:43

Well, ladies and gentlemen,

0:50:430:50:46

you are now standing in Yorkshire's newest premier hotel complex.

0:50:460:50:52

-Just had to ask.

-Oh, I know what he's doing. He's being reasonable.

0:50:520:50:55

-Don't look him directly in the eye, Anne.

-There's no secret.

0:50:550:50:58

Restaurants, cabarets, there's the marina. VIP club.

0:51:030:51:07

This is stage three, of course. The casino was stage one.

0:51:070:51:10

What the bloody hell have you done with my house?

0:51:100:51:13

We're still very much at the blue-sky stage.

0:51:130:51:15

This place - here - is going to be the flagship.

0:51:170:51:22

The jewel in the Sugartown crown.

0:51:220:51:24

And you'll have a trouser press in every room?

0:51:240:51:28

How can my guesthouse compete with that?

0:51:280:51:30

This isn't Sugartown. Not OUR Sugartown.

0:51:300:51:35

Oh, I can't afford this Sugartown.

0:51:350:51:37

Even if you hadn't given Travis my job, I wouldn't come back.

0:51:440:51:47

Gone native, have we?

0:51:470:51:48

-Sad times, Sam.

-Not sure about where you've put the lake.

-What lake?

0:51:490:51:54

And you can keep your hands off of my experiences, as well.

0:52:090:52:12

VACUUM CLEANER

0:52:180:52:20

Mum said to...

0:52:250:52:28

Mum said to...

0:52:280:52:29

Could you turn that thing off?

0:52:300:52:33

VACUUM STOPS

0:52:370:52:41

-Mum said to let you calm down.

-You should've listened.

0:52:410:52:44

Thought you were his partner. You his maid?

0:52:440:52:47

I offered, all right?

0:52:470:52:51

-He's training me up.

-He's mugging you off.

0:52:510:52:53

-What you doing here?

-To tell you to stop working for Max.

-Er...

0:52:530:52:57

-No. Next.

-This is a nice place...

0:52:570:53:01

with nice people.

0:53:010:53:03

You throwing your lot in with Max is just hurting them. I think it'll end up hurting you, too.

0:53:030:53:08

You turned this whole town upside down. You sprung it on me, on Margery, just to get your own way.

0:53:080:53:13

It was you that lost me my last job and you want me to jack this in, too?!

0:53:130:53:16

Obviously, it's going to sound bad if you put it like that.

0:53:160:53:19

There's me, kept on about leaving. But I don't reckon it's me that should go.

0:53:190:53:23

-What?

-I've got a chance now.

-PHONE RINGS

0:53:230:53:25

A proper chance. And you? You have caused nothing but trouble.

0:53:250:53:30

This town would be better off without you.

0:53:300:53:32

-I

-would be better off without you.

0:53:320:53:34

-Is that what you really want?

-Yes, it is.

0:53:360:53:38

Phone for you, Travis.

0:53:400:53:41

-Just go.

-OK.

0:53:420:53:45

-Go.

-I'm going.

0:53:460:53:48

What? Yeah, this is Travis Jameson.

0:53:570:54:00

What? How many percent?

0:54:000:54:04

Yeah. Oh, that's great, that's great. Thanks. Cheers.

0:54:090:54:14

-All right?

-Yeah.

0:54:150:54:18

The supermarket. Depot's dead chuffed.

0:54:230:54:27

Want to do a proper launch - promotions, displays.

0:54:270:54:30

-Thank you.

-That's great.

0:54:320:54:34

-Jason...

-Doesn't change things.

0:54:360:54:40

-Not with us.

-I know.

0:54:400:54:41

It looks like it was all in vain.

0:54:430:54:45

Max is already renovating the factory. In fact, he's planning to renovate the whole town.

0:54:450:54:50

-It was all for nothing.

-What's he playing at?

0:54:500:54:55

Is there nothing he can't keep his hands off?

0:54:550:54:57

I'll go and stay with my dad for a while.

0:54:590:55:01

You know how lonely he gets with only his spirit guides for company.

0:55:010:55:05

What you did...

0:55:050:55:07

-Nobody's ever done anything like that for me before.

-Maybe if you let them...

0:55:100:55:14

Emily? It wasn't all for nothing.

0:55:170:55:20

-Carmen!

-She's here!

0:55:430:55:45

It's OK. I know what usually happens here.

0:55:480:55:51

The train pulls away and we're like, "Oh, no!".

0:55:510:55:54

But then we see she's still standing on the other side, so we're like "Yay!".

0:55:540:55:58

Like I say...usually.

0:56:040:56:08

Place over the road does a nice cup of tea and a slice.

0:56:190:56:22

-She won't have gone far.

-The train only goes as far as Leeds.

0:56:220:56:27

Carmen could get in trouble walking to the kitchen and back.

0:56:270:56:30

I don't know what she might do. She might do anything.

0:56:300:56:33

You don't know her. She's upset, not well. I'm not there to look after her.

0:56:330:56:36

Why don't you come back, stay at mine tonight? Or with Anne.

0:56:360:56:39

-Tomorrow, we'll start tracking her down.

-No, no.

0:56:390:56:42

-I want to be there just in case she comes back.

-Then we'll come to you.

0:56:420:56:46

Help you make it through the night.

0:56:460:56:49

You're one of us now, Sam.

0:56:490:56:51

Sugartowner.

0:56:510:56:53

Excuse me.

0:56:540:56:55

If I'd been there, you'd probably be turning to me for comfort now.

0:57:060:57:14

Maybe I'd give you a hug or something.

0:57:140:57:17

We could always try it on for size?

0:57:190:57:22

No.

0:57:220:57:24

Stupid.

0:57:240:57:26

-Travis, I know you and Carmen were close...

-Stop!

0:57:280:57:31

The clinic called earlier.

0:57:310:57:35

According to them, Max and I aren't brothers.

0:57:350:57:39

No way we're related.

0:57:390:57:40

-What?!

-So who's my dad?

0:57:420:57:44

Burt.

0:57:440:57:46

Just Burt.

0:57:460:57:48

There was never anyone else.

0:57:480:57:50

-Which means Max can't be...

-Burt's.

0:57:570:58:00

Oh, Travis,

0:58:010:58:04

this is sizeable.

0:58:040:58:06

It means Max has no claim to the factory, after all.

0:58:080:58:12

Travis...

0:58:120:58:13

I'm truly sorry for all this.

0:58:160:58:17

Look, er...

0:58:170:58:20

..you don't need to keep it, but...

0:58:220:58:26

# If I had a million dollars or ten

0:58:390:58:43

# I'd give it to you, world, and then

0:58:430:58:48

# Go away and let me spend my life in shoo shoo shoo

0:58:480:58:54

# Shoo shoo shoo, shoo-shoo, shoo-shoo shoo-shoo, Sugartown

0:58:540:59:00

# Shoo shoo shoo-shoo Sugartown. #

0:59:030:59:06

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