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-I'm popping the question. -Yes. -I'm a dancer. | 0:00:02 | 0:00:04 | |
-Carmen? -Mum! -Max?! | 0:00:04 | 0:00:07 | |
-Rock ain't rolling any more, is it, Jase? -Max wants the factory. | 0:00:07 | 0:00:10 | |
"The actual ownership is to be divided equally between my sons." | 0:00:10 | 0:00:14 | |
-Sons? -I was adopted. The necklace was all they said she'd left me. | 0:00:14 | 0:00:17 | |
You don't know who she is? | 0:00:17 | 0:00:19 | |
Black, you marry him. | 0:00:19 | 0:00:21 | |
-Red, you marry me. -We're relaunching Burr's, | 0:00:21 | 0:00:24 | |
why not Sugartown's Dance Academy, too! | 0:00:24 | 0:00:27 | |
MUSIC: "Stayin' Alive" by The Bee Gees | 0:00:30 | 0:00:33 | |
# Well, you can tell by the way I use my walk | 0:00:33 | 0:00:36 | |
# I'm a woman's man, no time to talk | 0:00:36 | 0:00:38 | |
# Music loud and women warm | 0:00:38 | 0:00:41 | |
# I've been kicked around since I was born | 0:00:41 | 0:00:43 | |
# And now it's all right, it's OK And you may look the other way | 0:00:43 | 0:00:48 | |
# We can try to understand The New York Times'... # | 0:00:48 | 0:00:51 | |
# I got some troubles but they won't last | 0:00:52 | 0:00:56 | |
# I'm going to lay right down here in the grass | 0:00:56 | 0:01:02 | |
# And pretty soon all my troubles will pass | 0:01:02 | 0:01:05 | |
# Cos I'm in shoo-shoo-shoo, shoo-shoo-shoo | 0:01:05 | 0:01:09 | |
# Shoo-shoo, shoo-shoo, shoo-shoo Sugartown. # | 0:01:09 | 0:01:13 | |
Mild discomfort. | 0:01:15 | 0:01:17 | |
"Mild discomfort", like a disfiguring rash, | 0:01:17 | 0:01:20 | |
or "mild discomfort", like falling downstairs and landing on your head? | 0:01:20 | 0:01:25 | |
Anne, despite you having no vices I'm aware of, | 0:01:25 | 0:01:27 | |
you have 40 to 55-year-old pores. We're well past optional. | 0:01:27 | 0:01:30 | |
Plus, I need a guinea pig. | 0:01:30 | 0:01:33 | |
We're closed... | 0:01:35 | 0:01:36 | |
..to men. | 0:01:38 | 0:01:39 | |
-To you. -Isn't there some sort of stylists' code? | 0:01:42 | 0:01:45 | |
-Where there's hair to be trimmed... -Never ratified. Discretionary. | 0:01:45 | 0:01:49 | |
Why don't you try Choppy Toffs on the Parade? | 0:01:49 | 0:01:52 | |
The front you have, waltzing in here after what you did. | 0:01:52 | 0:01:55 | |
You lost us our investor. | 0:01:55 | 0:01:57 | |
Your investor?! Ken was my investor. | 0:01:57 | 0:01:59 | |
Let's not get bogged down in detail. | 0:01:59 | 0:02:02 | |
Yeah. Why don't we just chalk it up and I'll pop on a..? | 0:02:02 | 0:02:07 | |
And sit down next to... | 0:02:07 | 0:02:09 | |
All right, Anne? | 0:02:09 | 0:02:10 | |
Oh, wow, so that's where Saddam was hiding them, was it? | 0:02:10 | 0:02:14 | |
It's going to make me glow, with only mild discomfort. | 0:02:14 | 0:02:17 | |
Glow?! Could warn off shipping. | 0:02:17 | 0:02:19 | |
It is the toppermost chemical peel available. | 0:02:19 | 0:02:22 | |
Actually, you look quite glowy, Max. | 0:02:25 | 0:02:27 | |
-Mmm-hmm. -Yes. | 0:02:27 | 0:02:29 | |
What is that? Are you..? | 0:02:29 | 0:02:33 | |
Happy? Max is happy? | 0:02:33 | 0:02:35 | |
I'd say happy. Some might say cheerful. Six of one. | 0:02:35 | 0:02:38 | |
Being happy's not against the law in Sugartown, is it? | 0:02:38 | 0:02:41 | |
No, but I think you'll all agree, it's highly suspicious. | 0:02:41 | 0:02:44 | |
Max can be raving ecstatic, it doesn't change things. We just have to hold our nerve. | 0:02:44 | 0:02:49 | |
Michael, you finished working through Dad's old recipes? | 0:02:49 | 0:02:51 | |
Almost. You know, he was a genius. | 0:02:51 | 0:02:54 | |
I would never have put barley in brittle form | 0:02:54 | 0:02:56 | |
and he did things with liquorice no-one has the right to do. | 0:02:56 | 0:02:59 | |
-Great! Right, where are we? -So far, Sticky Herrings, Nutty Slacks. | 0:02:59 | 0:03:03 | |
Give Burt Burr's Butter Bang Bangs a try next. They were a big seller. | 0:03:03 | 0:03:06 | |
I'm just saying, I think we should have a contingency. | 0:03:06 | 0:03:09 | |
Maybe two, and if we're taking this thing seriously, possibly three. | 0:03:09 | 0:03:13 | |
-But if Max has found a new backer... -Best get on. | 0:03:13 | 0:03:17 | |
I just worry, | 0:03:19 | 0:03:21 | |
is it madness to be launching a premium range at the height of an economic downturn? | 0:03:21 | 0:03:27 | |
They'll always be folk who care about quality, about a trusted brand. | 0:03:27 | 0:03:30 | |
Besides, we just can't compete with the big boys on scale any more. | 0:03:30 | 0:03:34 | |
Our only hope is the nostalgia market - traditional sweets made the traditional way. | 0:03:34 | 0:03:37 | |
So they've put a man on the moon, and we're back to desiccating our own coconut. | 0:03:37 | 0:03:43 | |
-All right, how long have we got to turn this mother round? -A week? | 0:03:46 | 0:03:50 | |
Two? After that the cupboard's bare. | 0:03:50 | 0:03:52 | |
-Out of cash. -And Max can buy you out? | 0:03:52 | 0:03:55 | |
Max WILL buy me out. | 0:03:55 | 0:03:57 | |
But the orders will come. I know it. | 0:03:57 | 0:04:01 | |
We may be, like, the first | 0:04:01 | 0:04:03 | |
people ever to live on a pier. | 0:04:03 | 0:04:05 | |
There may be a reason for that. | 0:04:05 | 0:04:07 | |
Well, go on, then. | 0:04:07 | 0:04:10 | |
-Close your eyes. -Just open the door. -OK. | 0:04:10 | 0:04:14 | |
OK, I'll open the door. | 0:04:14 | 0:04:16 | |
Yep, I'd keep them closed, if I were you. | 0:04:20 | 0:04:23 | |
I thought I'd just stop by to see if this crib's been pimped yet. | 0:04:26 | 0:04:31 | |
Ron, I mean, | 0:04:31 | 0:04:32 | |
like, 'wahhhhh'! | 0:04:32 | 0:04:34 | |
It's brilliant. And, hey, zero commute! | 0:04:34 | 0:04:38 | |
I plumped for practical, though I'm happy to look at your chakras whilst I'm here. | 0:04:38 | 0:04:42 | |
Welcome to your new residence! | 0:04:42 | 0:04:45 | |
-It's brilliant! -So, are we all set for Sugartown's latest fad amenity? | 0:04:45 | 0:04:51 | |
I did a mahoosive shout out. | 0:04:51 | 0:04:54 | |
Posted them all over town. | 0:04:54 | 0:04:56 | |
Carmen Moore - Professor of Getting Down. | 0:04:56 | 0:04:59 | |
Well, I know I'm pumped about it. | 0:04:59 | 0:05:02 | |
Be good to throw out some shapes. | 0:05:02 | 0:05:05 | |
I've lost definition since naked yoga. | 0:05:05 | 0:05:07 | |
What, in Sugartown?! | 0:05:07 | 0:05:09 | |
In my defence, Sam, nowhere did it say it wasn't naked. | 0:05:09 | 0:05:13 | |
For the avoidance of doubt, classes here will be fully clothed. | 0:05:13 | 0:05:17 | |
I think I found the garage! | 0:05:20 | 0:05:22 | |
So I was thinking, you should help out with the dance school. | 0:05:25 | 0:05:29 | |
I need a proper job. | 0:05:29 | 0:05:30 | |
That is almost a proper job. | 0:05:30 | 0:05:32 | |
And it's sort of the least I can do after... | 0:05:32 | 0:05:36 | |
And there's no better ticket to exotic travel than dance. | 0:05:38 | 0:05:42 | |
-Dance brought you here. -Yes! | 0:05:42 | 0:05:45 | |
And I've been all over. | 0:05:45 | 0:05:47 | |
America, Australia, Norway... | 0:05:47 | 0:05:50 | |
Look, it's not just here. I mean... | 0:05:50 | 0:05:53 | |
Well, it's mainly here. There's nothing for me. | 0:05:53 | 0:05:56 | |
Well, what about your mum? | 0:05:59 | 0:06:01 | |
What if she's still here? | 0:06:01 | 0:06:02 | |
If you go, you'll never find her. | 0:06:02 | 0:06:05 | |
She must have given you that necklace for a reason. | 0:06:05 | 0:06:08 | |
Maybe you're meant to follow a quest! | 0:06:10 | 0:06:14 | |
Or maybe not. | 0:06:14 | 0:06:15 | |
Shows how much she cared. | 0:06:17 | 0:06:19 | |
Thing's a second. Teddy's legs are on back to front. | 0:06:19 | 0:06:23 | |
Margery! | 0:06:26 | 0:06:27 | |
I'm just here with Travis talking about dancing | 0:06:27 | 0:06:30 | |
and also...dancing. | 0:06:30 | 0:06:33 | |
I'm only on a flyby. | 0:06:33 | 0:06:36 | |
I figured you and your mother are itinerants and you might be in need of white goods. | 0:06:36 | 0:06:41 | |
What a caring thing for Margery to do! | 0:06:41 | 0:06:45 | |
Isn't it, Travis? | 0:06:45 | 0:06:46 | |
It isn't cordless. | 0:06:47 | 0:06:49 | |
Why are you still here? Haven't you got an evil lair to go to? | 0:06:51 | 0:06:54 | |
You seem uncomfortable, Em. Do I make you nervous? | 0:06:54 | 0:06:57 | |
Is it because you kissed me? | 0:06:57 | 0:06:58 | |
-You kissed me! -Is it because you liked it? | 0:06:58 | 0:07:02 | |
Don't push me, Max. | 0:07:02 | 0:07:03 | |
Does it do your nut in having to cut hair like a bloody takeaway menu? | 0:07:04 | 0:07:07 | |
"I'll have a number nine and a side order of dated low-lights, please." | 0:07:07 | 0:07:11 | |
I give my customers what they want. | 0:07:11 | 0:07:13 | |
It's a calling. And low-lights aren't dated. | 0:07:13 | 0:07:16 | |
Yeah, but I see you, Em. | 0:07:18 | 0:07:20 | |
The real you. | 0:07:20 | 0:07:22 | |
You're hungry for success. | 0:07:22 | 0:07:23 | |
You want to be top division, but this town is strictly Sunday league. | 0:07:23 | 0:07:26 | |
One word. Eco-spa. | 0:07:27 | 0:07:29 | |
-Two words. -One word. Hyphenated. | 0:07:29 | 0:07:32 | |
Seaweed wraps, exfoliating with sand. | 0:07:32 | 0:07:34 | |
I don't know, you're the expert. But that is where the money is - | 0:07:34 | 0:07:37 | |
treatments. Call something Balinese, throw in a scented candle, you've got yourself "an experience". | 0:07:37 | 0:07:44 | |
Who round here would want an experience? | 0:07:44 | 0:07:46 | |
Stay tuned, Em. Stay tuned. | 0:07:46 | 0:07:50 | |
It's not that I don't like dance. More that I fear it. | 0:07:53 | 0:07:56 | |
Like spiders. And it seems to me that, quite often, | 0:07:56 | 0:08:01 | |
the beat's doing something different than I am. | 0:08:01 | 0:08:04 | |
I always think of the beat as more of a guideline, really. | 0:08:04 | 0:08:07 | |
I wonder if it all goes back to my mother. | 0:08:07 | 0:08:10 | |
So, anyway, thanks again for the... | 0:08:10 | 0:08:13 | |
But, well, Carmen's deserted, so I'd best get on... | 0:08:14 | 0:08:17 | |
with the dance school, with the launch tonight. | 0:08:17 | 0:08:22 | |
Buffet, raffle. You'll be there, right? Oh, and bring men. | 0:08:22 | 0:08:25 | |
Like, male men? | 0:08:26 | 0:08:30 | |
At this stage, anyone who'd pass in low lighting. | 0:08:30 | 0:08:33 | |
Could I just bring a sponge cake? | 0:08:33 | 0:08:34 | |
Balls! Balls of your feet! | 0:08:34 | 0:08:37 | |
And your toes pointing forward. | 0:08:37 | 0:08:40 | |
Yeah, that is how I get to walk. | 0:08:40 | 0:08:43 | |
-Away. -Elbow up. | 0:08:43 | 0:08:45 | |
-Think teapot. -If we see anyone I know, could we pretend I'm mugging you? | 0:08:45 | 0:08:49 | |
OK, so now we promenade. | 0:08:49 | 0:08:52 | |
-Go on. -You have to lead. You're the man. | 0:08:55 | 0:08:57 | |
I'm the man who doesn't know how to promenade. | 0:08:57 | 0:09:00 | |
-It means we walk. -Oh, do you know? I don't care what it means. | 0:09:00 | 0:09:03 | |
Why's this old stuff so complicated? | 0:09:03 | 0:09:06 | |
-It's all rules. -Because rules bring order from the chaos. And from order we have control. | 0:09:06 | 0:09:10 | |
And no chaos. Do you want chaos?! | 0:09:10 | 0:09:12 | |
I want to not look like a teapot. | 0:09:12 | 0:09:14 | |
One... | 0:09:17 | 0:09:20 | |
Right foot, to the side | 0:09:20 | 0:09:21 | |
and left foot... | 0:09:21 | 0:09:23 | |
Do you want some pie to go with that cowardly custard? | 0:09:34 | 0:09:36 | |
OK, OK. Leave it with me. | 0:09:39 | 0:09:41 | |
Now I'm a Professor of Dance, it's my job to inspire, to encourage. | 0:09:41 | 0:09:46 | |
Well, I'm gonna, er, "promenade". | 0:09:46 | 0:09:49 | |
That's it, that's it. | 0:09:49 | 0:09:50 | |
Web-wise, I've shown the dog the rabbit, now all we can do is wait. | 0:09:57 | 0:10:01 | |
-Hello. -Anne, you're back again? | 0:10:05 | 0:10:08 | |
-Yeah, I'm out of sugar mice. -What, already? | 0:10:08 | 0:10:12 | |
I can't get enough of their sugary goodness. | 0:10:12 | 0:10:14 | |
You want to eat them responsibly, A mouse a day... | 0:10:14 | 0:10:17 | |
Yeah, OK. | 0:10:17 | 0:10:19 | |
Hello. | 0:10:21 | 0:10:22 | |
Hi. | 0:10:22 | 0:10:24 | |
I'm just here, casually, on the off chance to pick up some sugar mice. | 0:10:24 | 0:10:29 | |
Oh, can you see Margery? I'm up to my elbows in foam shrimps here. | 0:10:29 | 0:10:32 | |
Yeah. | 0:10:32 | 0:10:33 | |
Anyway, whilst I'm here and, like, it's just occurred to me, | 0:10:33 | 0:10:39 | |
are you going to the launch of the dance school? Only I'm going, | 0:10:39 | 0:10:43 | |
so if you're going to the launch of the dance school and I'm going... | 0:10:43 | 0:10:46 | |
Anne! Shrimps! Look, I really can't do this right now. | 0:10:46 | 0:10:49 | |
I'm looking down the barrel at my Gumptions. Go with Emily. | 0:10:49 | 0:10:52 | |
But the lighting won't be THAT low. | 0:10:52 | 0:10:55 | |
PING | 0:10:55 | 0:10:57 | |
-E-mail! -E-mail! | 0:10:57 | 0:10:59 | |
E-mail! | 0:10:59 | 0:11:02 | |
"Baveridges are pleased to inform you | 0:11:02 | 0:11:05 | |
"of our interest in your new Heritage range of confectioneries." In! | 0:11:05 | 0:11:10 | |
I am on fire today. | 0:11:27 | 0:11:30 | |
So I see this jar and it all becomes clear. Salsa. | 0:11:30 | 0:11:34 | |
For the launch tonight. Total crowd pleaser. So not old time. | 0:11:34 | 0:11:37 | |
Are you not eating that? | 0:11:37 | 0:11:39 | |
I've only had one lunch today. I could die from the hunger and I'm not even joking. | 0:11:39 | 0:11:43 | |
Mmm, mmm. | 0:11:43 | 0:11:46 | |
So now, I'm looking at the dream theme. | 0:11:46 | 0:11:50 | |
Spicy, sexy, with a dash of old skool flava. | 0:11:50 | 0:11:54 | |
Travis is seriously going to get with the programme. | 0:11:54 | 0:11:57 | |
Oh, and bring a bloke tonight. You don't want to be a Wendy Wallflower. | 0:11:57 | 0:12:02 | |
I'm going to die alone. | 0:12:02 | 0:12:05 | |
SOBS, THEN WAILS LOUDLY | 0:12:05 | 0:12:10 | |
Ssshh, sshh. | 0:12:12 | 0:12:13 | |
TV COMES ON | 0:12:18 | 0:12:22 | |
-Will she be all right? Maybe we should take her home? -Oh, no. She won't go down now. | 0:12:25 | 0:12:30 | |
Anyway, Loose Women's on. It's the only thing that'll settle her. | 0:12:30 | 0:12:33 | |
I was worried something like this would happen. Jason said she's developed a serious sugar habit. | 0:12:33 | 0:12:39 | |
It was only a matter of time before she crashed and burned. | 0:12:39 | 0:12:42 | |
It was only a ham sandwich. | 0:12:42 | 0:12:44 | |
Did you check her pockets? Her cheeks? She's like a hamster. | 0:12:44 | 0:12:47 | |
Stores it. | 0:12:47 | 0:12:49 | |
I reckon it might be man trouble. | 0:12:50 | 0:12:53 | |
-It's Anne. She doesn't have men. -Maybe that's the trouble? | 0:12:53 | 0:12:56 | |
Anne? Men? | 0:12:56 | 0:12:58 | |
Well, I know she likes Michael, but Michael's... | 0:12:58 | 0:13:01 | |
-Yeah. -Yeah. | 0:13:01 | 0:13:04 | |
Maybe we could hook her up with someone tonight. | 0:13:04 | 0:13:07 | |
Salsa's totally like speed-dating. | 0:13:07 | 0:13:09 | |
Who's going to ask HER to dance? | 0:13:09 | 0:13:12 | |
I mean, I love Anne. She has a beautiful spirit, | 0:13:12 | 0:13:15 | |
but the presentation leaves a lot to be desired. | 0:13:15 | 0:13:18 | |
Anne! I'm sorry. I thought I was saying all that behind your back. | 0:13:21 | 0:13:25 | |
It's all right. | 0:13:25 | 0:13:26 | |
I'm ready. | 0:13:28 | 0:13:30 | |
I look like I should be sitting on a pencil. | 0:13:33 | 0:13:37 | |
I'm a professional, Anne. Do you want my help or not? | 0:13:37 | 0:13:40 | |
Yeah! I know I'm not what you might call honey to the bees. | 0:13:40 | 0:13:44 | |
Men don't swarm around my pot. | 0:13:44 | 0:13:47 | |
I need your help to find the light under my big bushel. | 0:13:47 | 0:13:50 | |
Actually, Em, it's starting to burn. | 0:13:53 | 0:13:56 | |
Em? | 0:13:56 | 0:13:57 | |
< Em?! | 0:13:57 | 0:13:59 | |
Get out of bloody road! | 0:13:59 | 0:14:00 | |
Margery? | 0:14:29 | 0:14:31 | |
Mmm. | 0:14:39 | 0:14:40 | |
Ladies and gentlemen, | 0:14:41 | 0:14:43 | |
we have a Chocolate Gumption. | 0:14:43 | 0:14:44 | |
Thank you so much for all your hard work. | 0:14:48 | 0:14:50 | |
Next bit's down to me. Dragons' Den. Keep your fingers crossed, eh? | 0:14:50 | 0:14:54 | |
And seriously, well done, everyone. | 0:14:54 | 0:14:57 | |
-You'll never guess what! -I was wondering where you were. | 0:14:57 | 0:15:00 | |
I haven't made dinner, best not to dance on a full stomach. But I have whipped up power juices. | 0:15:00 | 0:15:05 | |
Is that tonight? I'm sorry, no can do. | 0:15:05 | 0:15:07 | |
What? We have to go. | 0:15:07 | 0:15:09 | |
-I can't. I've got a really big presentation to prepare. -Jason. | 0:15:09 | 0:15:12 | |
Do you notice anything? | 0:15:12 | 0:15:15 | |
Have you dyed your hair? | 0:15:15 | 0:15:17 | |
-Every time. -Well, I don't know. It's a good first option and then I try "lost weight". | 0:15:17 | 0:15:21 | |
It's Chanel. | 0:15:21 | 0:15:23 | |
Vintage. 2009. I've been saving it for a special occasion, such as this, with my fiance. | 0:15:23 | 0:15:30 | |
-Is this how it's going to be now? -It's one night. | 0:15:30 | 0:15:32 | |
-Every night this week! -The factory... -Is not more important than me. | 0:15:32 | 0:15:36 | |
-Us. -I'm not stopping YOU going. -And you're OK with that, are you? | 0:15:36 | 0:15:40 | |
Have you got any idea how bootylicious I look? | 0:15:40 | 0:15:42 | |
Every man in that room will be desiring me. | 0:15:42 | 0:15:45 | |
Yeah, you look nice. | 0:15:45 | 0:15:46 | |
-Fine. -Good. -No, not good! | 0:15:46 | 0:15:48 | |
-Fine, then. -Ooh! Fine. -Thanks for your support(!) | 0:15:48 | 0:15:51 | |
PHONE RINGS | 0:15:51 | 0:15:52 | |
Yes, I'm coming, Anne. | 0:15:53 | 0:15:54 | |
Anne! | 0:15:54 | 0:15:56 | |
I know the rule was clothes, but... | 0:16:16 | 0:16:19 | |
Hi, Anne. | 0:16:19 | 0:16:21 | |
Anne, don't you look... | 0:16:21 | 0:16:23 | |
-Striking. -Yes. Great you could come. | 0:16:23 | 0:16:27 | |
-One or two? -One, please. | 0:16:27 | 0:16:31 | |
Come on, I'll buy you a drink. | 0:16:33 | 0:16:36 | |
I might chance a go on a Mock-ito. | 0:16:36 | 0:16:39 | |
-From me and Jase. -Ooh. -Thank you. You shouldn't have. | 0:16:39 | 0:16:44 | |
No...you REALLY shouldn't have. | 0:16:46 | 0:16:49 | |
Six... Seven, with your basics. | 0:16:50 | 0:16:55 | |
And one, two, three, two, two, three, turn, right.. | 0:16:55 | 0:16:59 | |
Two, two, three. Lovely, Ron! | 0:16:59 | 0:17:01 | |
You're not working it. Do the pose. | 0:17:13 | 0:17:16 | |
No-one saw it. Do it again. | 0:17:22 | 0:17:24 | |
I can't have him see me like this, I'm hideous. | 0:17:24 | 0:17:27 | |
He won't notice any difference. | 0:17:27 | 0:17:29 | |
What have YOU come as?! | 0:17:30 | 0:17:33 | |
I only left you for two minutes! | 0:17:33 | 0:17:35 | |
Three hours, Emily! And now my bushel's just bigger than ever! | 0:17:35 | 0:17:39 | |
Swivel! Swivel! | 0:17:47 | 0:17:49 | |
Bloody hell, Carmen! | 0:17:53 | 0:17:55 | |
You know, I like curly hair. Go with the 'fro, I say. | 0:18:04 | 0:18:08 | |
Well, that's all very well for you. | 0:18:08 | 0:18:12 | |
You look mantastic. | 0:18:12 | 0:18:14 | |
Listen, I'm sorry I was a bit off earlier. | 0:18:16 | 0:18:18 | |
I made you this. | 0:18:18 | 0:18:19 | |
SHE GASPS | 0:18:21 | 0:18:23 | |
Is that limited edition? | 0:18:23 | 0:18:25 | |
Single edition. Just for you. | 0:18:25 | 0:18:27 | |
-Anne, you do know I'm gay, don't you? -Oh, yes. | 0:18:29 | 0:18:34 | |
OK. | 0:18:34 | 0:18:35 | |
And you do know what being gay means? | 0:18:38 | 0:18:42 | |
I'm not interested in 'it' or anything. | 0:18:42 | 0:18:46 | |
I just want a boyfriend. | 0:18:46 | 0:18:48 | |
OK... Well, I'm a boy, I suppose. | 0:18:48 | 0:18:52 | |
And I am a friend. | 0:18:52 | 0:18:54 | |
Ladies. | 0:19:01 | 0:19:03 | |
-Didn't expect you here. -Now we're rivals for the limited recreation market. Reckon I'll sleep easy. | 0:19:06 | 0:19:13 | |
I'll take your money. But only because we need men, not sponge cakes. | 0:19:13 | 0:19:17 | |
See, I miss our flirting. | 0:19:17 | 0:19:19 | |
Why don't you come back? Run the casino for me. | 0:19:19 | 0:19:22 | |
I need a trusted hand at the tiller. | 0:19:22 | 0:19:24 | |
Come on! This place, plus the liability factor of Calamity Jane, equals nervous breakdown. | 0:19:25 | 0:19:31 | |
You know that! | 0:19:31 | 0:19:32 | |
Evening, Margery. | 0:19:33 | 0:19:35 | |
Looking good. Mind if I cut in? | 0:19:35 | 0:19:38 | |
No-one salsas with a lothario, Max. | 0:19:38 | 0:19:41 | |
Foxtrot, maybe. | 0:19:42 | 0:19:44 | |
If you don't mind, we'll play through. | 0:19:45 | 0:19:47 | |
So, I see a beat as more of a guideline, really. | 0:19:47 | 0:19:50 | |
MUSIC STOPS | 0:19:54 | 0:19:55 | |
SMATTERING OF APPLAUSE | 0:19:55 | 0:19:58 | |
Why isn't Travis here? | 0:20:02 | 0:20:03 | |
I don't know, but if he found a good excuse, | 0:20:03 | 0:20:06 | |
he might have shared it with the rest of us. | 0:20:06 | 0:20:08 | |
If you knew something and it was like an information hand grenade. | 0:20:08 | 0:20:12 | |
You would give it to the rightful grenade owner? Even if it might go off? | 0:20:12 | 0:20:16 | |
No idea what you're talking about, | 0:20:16 | 0:20:17 | |
but time and bitter experience has shown us, it's best when you don't get involved. | 0:20:17 | 0:20:22 | |
Right, OK. | 0:20:22 | 0:20:23 | |
-Ladies and gentlemen, let's trip... -Ah! Our very own lord of the dance! | 0:20:23 | 0:20:28 | |
APPLAUSE | 0:20:28 | 0:20:31 | |
Travis! You're here. | 0:20:32 | 0:20:34 | |
Where have you been? Anyway, I hope you're ready to live la vida loca, because we're in salsa town. | 0:20:34 | 0:20:42 | |
-Why's everybody looking? -Because I didn't pay five pounds to trip the light fantastic with Ron. | 0:20:43 | 0:20:48 | |
You're the star attraction. | 0:20:48 | 0:20:50 | |
Ah! | 0:20:52 | 0:20:54 | |
Why did you do it? | 0:20:59 | 0:21:00 | |
-Not even ask me? -Because you might have said no. | 0:21:00 | 0:21:04 | |
But you're here now! | 0:21:04 | 0:21:06 | |
Oh, Travis, | 0:21:06 | 0:21:08 | |
you can't go, because... | 0:21:08 | 0:21:09 | |
your mum's here! | 0:21:09 | 0:21:12 | |
Yes. Right here. | 0:21:13 | 0:21:15 | |
Long-lost mum... | 0:21:15 | 0:21:17 | |
..not lost. | 0:21:18 | 0:21:20 | |
As if! | 0:21:35 | 0:21:36 | |
Travis! | 0:21:57 | 0:21:58 | |
Travis... Hold on. | 0:22:01 | 0:22:03 | |
You're walking too fast, I can't keep up. | 0:22:07 | 0:22:09 | |
What, like I shouldn't have told you?! | 0:22:12 | 0:22:14 | |
It was Margery? No, Carmen, you should NEVER have told me! | 0:22:14 | 0:22:17 | |
One. | 0:22:20 | 0:22:21 | |
-Can we step on it? -I'm flooring it as it is, son. | 0:22:42 | 0:22:44 | |
-I just want to be on my own. -I understand. | 0:22:47 | 0:22:49 | |
You can totally be on your own together. | 0:22:49 | 0:22:53 | |
Come on! I'm almost breaking a sweat here. | 0:22:53 | 0:22:56 | |
Are you getting on, love, or what? | 0:22:56 | 0:22:58 | |
-Ooh, how much? -20p or 30p return. | 0:22:58 | 0:23:02 | |
-Do you accept Switch? -No. | 0:23:02 | 0:23:04 | |
I didn't know for sure. | 0:23:09 | 0:23:11 | |
My suspicions were first aroused at the gala night, but I didn't.. | 0:23:11 | 0:23:14 | |
-You knew at the gala night? -Not knew. I'm not Poirot. | 0:23:14 | 0:23:18 | |
I don't understand. Aren't you happy? | 0:23:18 | 0:23:21 | |
That's not... That's not fair. Heels! Huh! | 0:23:24 | 0:23:28 | |
She's alive, she's alive! | 0:23:31 | 0:23:32 | |
-She only fainted. Give her some air. -Margery, are you all right? | 0:23:32 | 0:23:37 | |
Yes, I'm all right. | 0:23:37 | 0:23:40 | |
Just let me breathe. | 0:23:47 | 0:23:49 | |
Thought...Travis... | 0:23:49 | 0:23:51 | |
-No, that was true. -He is your son. | 0:23:51 | 0:23:54 | |
Margery? Margery?! | 0:23:54 | 0:23:56 | |
Isn't Margery too old to have a baby? | 0:23:56 | 0:23:59 | |
I think she was younger at the time. | 0:23:59 | 0:24:01 | |
This could take a while. I'll put the kettles on, shall I? | 0:24:01 | 0:24:05 | |
That's a whole different page, innit? | 0:24:05 | 0:24:07 | |
No Captain Sensible tonight, then? | 0:24:09 | 0:24:11 | |
Jason is doing something very important. | 0:24:11 | 0:24:13 | |
He's got a meeting, a presentation. What are you doing here, anyway? | 0:24:13 | 0:24:17 | |
-I come in peace. As it happens, I'm here to see you. -Because? | 0:24:17 | 0:24:20 | |
I've got something to show you. | 0:24:20 | 0:24:22 | |
Said the spider to the fly. | 0:24:22 | 0:24:24 | |
Well, save you stalking around town if I just showed you. | 0:24:24 | 0:24:27 | |
Well-appointed, attention to detail, mother of a sound system - | 0:24:36 | 0:24:40 | |
one blast of that puppy and the tide'll go out. | 0:24:40 | 0:24:42 | |
Hey, you'll like this - | 0:24:42 | 0:24:44 | |
a state of the art kitchen. | 0:24:44 | 0:24:46 | |
What's this all about, Max? | 0:24:46 | 0:24:49 | |
For the salon. | 0:24:57 | 0:24:59 | |
Seaweed, sand, etc. | 0:24:59 | 0:25:01 | |
No, thank you. I've seen where being a business partner with you ends up. | 0:25:01 | 0:25:05 | |
Just business. | 0:25:05 | 0:25:07 | |
Look, Em, Em. | 0:25:07 | 0:25:09 | |
I believe in you, right? | 0:25:09 | 0:25:12 | |
Interest-free loan, no hurry. Pay me back when you're in the black. | 0:25:12 | 0:25:15 | |
You can have any paperwork you want to back me up on that, all right? | 0:25:15 | 0:25:19 | |
Where would you get that sort of money, anyway? | 0:25:19 | 0:25:21 | |
Sold. | 0:25:22 | 0:25:23 | |
Well, good as. | 0:25:23 | 0:25:25 | |
-You're leaving? -Upsizing. | 0:25:25 | 0:25:27 | |
Can't you just leave? | 0:25:27 | 0:25:29 | |
She was an estate agent. | 0:25:31 | 0:25:32 | |
When you were following me round town this afternoon, like a love-sick puppy. | 0:25:33 | 0:25:38 | |
This is prime real estate, Em. This is just the prototype. | 0:25:38 | 0:25:41 | |
I'm thinking of doing up the whole block. There's a lot of folk willing to pay me a lot to live here. | 0:25:41 | 0:25:46 | |
What about the people who already live here? | 0:25:46 | 0:25:48 | |
This town, | 0:25:48 | 0:25:50 | |
it just needs a bit of... | 0:25:50 | 0:25:52 | |
new blood, to get its motor started. | 0:25:52 | 0:25:55 | |
And just think, eh, pukka new customers for you, | 0:25:55 | 0:25:59 | |
all gagging for an Emily experience. | 0:25:59 | 0:26:01 | |
I suppose that means you've given up on your hostile takeover | 0:26:01 | 0:26:05 | |
of the factory, if you invested in me instead. | 0:26:05 | 0:26:07 | |
Hmm! Yeah. | 0:26:07 | 0:26:09 | |
A toast, I think. | 0:26:14 | 0:26:16 | |
Would you like to come in? | 0:26:41 | 0:26:43 | |
I haven't any beer. | 0:26:44 | 0:26:46 | |
I may have some squash. | 0:26:46 | 0:26:48 | |
Why didn't you want me? | 0:26:48 | 0:26:50 | |
I did want you. | 0:26:51 | 0:26:53 | |
See, cos I've been here... the whole time. | 0:26:54 | 0:27:01 | |
If I'd known it was you... | 0:27:01 | 0:27:03 | |
They said they'd take you somewhere else. Didn't stop me looking, mind. | 0:27:04 | 0:27:08 | |
There wasn't a single day that I didn't regret giving you up, | 0:27:10 | 0:27:14 | |
that I wasn't wondering wherever you were, if you were happy and if you were loved. | 0:27:14 | 0:27:20 | |
But I had nothing to give you. | 0:27:20 | 0:27:22 | |
Not on my own. | 0:27:22 | 0:27:24 | |
Who was my dad, then? | 0:27:25 | 0:27:27 | |
You see, I thought you'd have a better chance away from him. | 0:27:27 | 0:27:31 | |
He didn't want to keep you at all. | 0:27:31 | 0:27:33 | |
The only thing that Burt ever loved was that factory. | 0:27:33 | 0:27:37 | |
Travis! | 0:27:41 | 0:27:42 | |
Chanel? | 0:27:48 | 0:27:51 | |
Vintage? | 0:27:51 | 0:27:53 | |
Hmm... 2009? | 0:27:53 | 0:27:55 | |
You were wearing white the first time we... | 0:27:57 | 0:27:59 | |
And you had your hair up like that | 0:28:01 | 0:28:03 | |
and Unchained Melody was playing, I think. | 0:28:03 | 0:28:06 | |
Must have been one of your other victims. | 0:28:06 | 0:28:09 | |
I was in red, my hair was in a shaggy bob and it was Take That - Babe. | 0:28:09 | 0:28:13 | |
Well, can't remember all the ins and outs. | 0:28:15 | 0:28:18 | |
Goodnight, Max. | 0:28:19 | 0:28:21 | |
MUSIC: "Babe" by Take That | 0:28:27 | 0:28:29 | |
# Babe, I'm here again | 0:28:29 | 0:28:32 | |
# I'm here again | 0:28:32 | 0:28:33 | |
# I tell you I'm here again | 0:28:33 | 0:28:35 | |
# Babe | 0:28:35 | 0:28:37 | |
# Where have you been? | 0:28:37 | 0:28:39 | |
# Where have you been? | 0:28:39 | 0:28:40 | |
# Babe, I'm back again | 0:28:40 | 0:28:45 | |
-# I'm back again -I tell you I'm back again | 0:28:45 | 0:28:49 | |
-# Babe -Where have you been? # | 0:28:49 | 0:28:51 | |
-I love you. -What?! | 0:29:03 | 0:29:05 | |
-What? -Don't be ridiculous. | 0:29:06 | 0:29:08 | |
No, that's what I say to everyone. That's what you lot want to hear! | 0:29:08 | 0:29:12 | |
You know, more than a handful's a waste... | 0:29:12 | 0:29:15 | |
I didn't mean to shag your sisters... | 0:29:15 | 0:29:17 | |
Em?! | 0:29:17 | 0:29:18 | |
Em! | 0:29:18 | 0:29:20 | |
Babe! | 0:29:20 | 0:29:22 | |
Em! Babe! | 0:29:31 | 0:29:34 | |
ALARM RINGS | 0:29:34 | 0:29:37 | |
No way! | 0:29:40 | 0:29:42 | |
Jason? | 0:30:12 | 0:30:14 | |
It should mean a year on year increase of 6... no, sorry... 7%. | 0:30:14 | 0:30:19 | |
Will our customers really want to pay extra for your new range? | 0:30:19 | 0:30:23 | |
I mean, cost per unit, you'll outstrip your rivals. | 0:30:23 | 0:30:26 | |
-But they're bloody good sweets. -And it's kids who buy sweets. | 0:30:26 | 0:30:30 | |
No disrespect, but they won't remember Burrs in its heyday. | 0:30:30 | 0:30:34 | |
Their parents will. | 0:30:34 | 0:30:35 | |
We were a big brand once and I reckon we could be again. | 0:30:36 | 0:30:40 | |
OK, thank you for your time. | 0:30:43 | 0:30:46 | |
Thank you. | 0:30:51 | 0:30:53 | |
I'll leave them there. Thank you. | 0:30:53 | 0:30:56 | |
If you could guarantee production for a regional rollout, | 0:31:04 | 0:31:07 | |
say, a trial across...ten stores? | 0:31:07 | 0:31:10 | |
Yeah, yeah. I'm sure we could... Really? | 0:31:11 | 0:31:14 | |
I got five fillings thanks to your dad. | 0:31:14 | 0:31:16 | |
And I don't regret one of them. | 0:31:16 | 0:31:18 | |
Cheers. | 0:31:19 | 0:31:21 | |
Am I going to have to get a restraining order, or what? | 0:31:50 | 0:31:53 | |
Jason, Jason. Funny thing. | 0:31:53 | 0:31:55 | |
I have spent all week working my ass off in the town that taste forgot. | 0:31:57 | 0:32:01 | |
-But, hey, anything to get the cash to buy you out. -Oh, you're too late. | 0:32:01 | 0:32:07 | |
Big order, so it happens. | 0:32:07 | 0:32:08 | |
Not for sale. | 0:32:08 | 0:32:10 | |
Oh, tricky. | 0:32:10 | 0:32:13 | |
Rock, paper, scissors? | 0:32:13 | 0:32:14 | |
That's still two against one, so, hey, what are you going to do? | 0:32:14 | 0:32:17 | |
You know Travis, don't you? Our kid brother? | 0:32:20 | 0:32:22 | |
Hello...boyfriend! | 0:32:30 | 0:32:33 | |
Sorry, Anne, all out of mice. Looks like on a long-term basis. | 0:32:33 | 0:32:37 | |
That's OK. | 0:32:37 | 0:32:39 | |
I'm full-on feeling. | 0:32:39 | 0:32:42 | |
I was going to wear my hat, but then I thought, go with the 'fro. | 0:32:43 | 0:32:47 | |
Good for you. No, actually, wear the hat. | 0:32:47 | 0:32:49 | |
Game over. Max has called time. | 0:32:53 | 0:32:56 | |
I'm a confectioner. Took me five years to train. | 0:32:56 | 0:32:59 | |
Not exactly transferable skills, are they? | 0:33:00 | 0:33:03 | |
I got a mortgage, credit cards. | 0:33:03 | 0:33:05 | |
Not quite the catch you thought, eh? | 0:33:05 | 0:33:08 | |
I will not forsake you. | 0:33:10 | 0:33:12 | |
And every cloud... | 0:33:14 | 0:33:15 | |
Christ, Max, is there no level you won't sink to? It's lies, | 0:33:17 | 0:33:19 | |
-like everything else that comes out of your gob. -It is a kick in the testate, | 0:33:19 | 0:33:23 | |
but...it's all here... "..to be shared equally between my sons". | 0:33:23 | 0:33:29 | |
One son, two son, ah, | 0:33:29 | 0:33:32 | |
three sons. Or you can check it on a calculator, if you want? | 0:33:32 | 0:33:36 | |
See, Jase, you've been piddling away our inheritance for years. | 0:33:37 | 0:33:41 | |
It's our turn now. So the bottom line is, you fight me on this, it'll force a sale of the factory. | 0:33:43 | 0:33:47 | |
Chances are it'll be demolished within a month. | 0:33:47 | 0:33:50 | |
Or, you could go quietly and the shell of the factory remains intact. | 0:33:50 | 0:33:54 | |
Don't worry, I'll make sure you get your share. | 0:33:55 | 0:33:57 | |
-Saying it's true. -It is. -Why would you throw your lot in with him? I thought we were mates. | 0:33:57 | 0:34:02 | |
Because, like me, he got sod tout from Daddy Dearest. | 0:34:02 | 0:34:05 | |
-I can give him opportunities. -At your side, or your feet? | 0:34:05 | 0:34:08 | |
-Travis is my new casino manager. Bright future ahead. -And you can prove all this? -Oh, yeah. -You better. | 0:34:08 | 0:34:13 | |
Just a trip down the clinic, little swab of the mouth. Nothing to it. Should have the results by tomorrow. | 0:34:13 | 0:34:19 | |
I'll fight you every step of the way. | 0:34:20 | 0:34:22 | |
Temper, temper. | 0:34:30 | 0:34:31 | |
-You've not touched your quenelle salad? -I'm depressed, Ron, not a budgerigar. | 0:34:37 | 0:34:41 | |
I went into a whole concentric spiral when Emily's mother died. | 0:34:41 | 0:34:45 | |
And it's all very well to say what happens in Glastonbury stays in Glastonbury, | 0:34:45 | 0:34:49 | |
but I still can't pass a Portaloo without getting flashbacks. | 0:34:49 | 0:34:52 | |
But it wasn't about me. | 0:34:53 | 0:34:55 | |
I was all this little girl had left. | 0:34:55 | 0:34:58 | |
Yeah, I was scared, but being a parent...nothing beats it. | 0:34:58 | 0:35:03 | |
-Is this all leading to a profound wisdom, Confucius? -That was my general heading, yes. | 0:35:03 | 0:35:09 | |
-And is it along the lines of my pulling myself together and giving the boy a bit of time? -Ballpark. | 0:35:09 | 0:35:14 | |
I do have a little addendum, if we're on any other business? | 0:35:16 | 0:35:19 | |
Just that I always thought you'd make a cracking mum, Margery. | 0:35:19 | 0:35:23 | |
And I think, given a bit of time, | 0:35:23 | 0:35:26 | |
young Travis will see it that way, too. | 0:35:26 | 0:35:28 | |
Noted... With thanks. | 0:35:31 | 0:35:34 | |
KNOCK ON DOOR | 0:35:34 | 0:35:35 | |
-Hi, it was open. -I'm so very sorry, Jason. | 0:35:37 | 0:35:40 | |
He was charming. | 0:35:40 | 0:35:43 | |
And persistent. | 0:35:43 | 0:35:44 | |
-And Travis? -Was born nine months later. It can't have been a coincidence. | 0:35:46 | 0:35:52 | |
Your father was clever, | 0:35:52 | 0:35:55 | |
driven and, when all is said and done, | 0:35:55 | 0:36:00 | |
he was a player. | 0:36:00 | 0:36:01 | |
You're less clever, less driven, | 0:36:03 | 0:36:06 | |
but a far better man. | 0:36:06 | 0:36:08 | |
-I wouldn't deny Travis what's his. -Like I said, a better man. | 0:36:09 | 0:36:15 | |
I'm sorry for letting you all down. | 0:36:36 | 0:36:38 | |
For what it's worth, Michael, them shrimps were textbook. | 0:36:38 | 0:36:41 | |
You've all been brilliant. I'll see you right. | 0:36:43 | 0:36:46 | |
Might take...a few weeks, but I'll... | 0:36:47 | 0:36:52 | |
I'm sorry you didn't feel you could come to me. Had you waited, given us chance to get on our feet... | 0:37:02 | 0:37:07 | |
Time is money, Jay. 'Sides, would only be delaying the inevitable. | 0:37:07 | 0:37:11 | |
You could have scraped by for a few weeks, but you couldn't afford new premises. | 0:37:11 | 0:37:15 | |
Why give everyone false hope? | 0:37:15 | 0:37:17 | |
Thanks...bro'. | 0:37:22 | 0:37:24 | |
Be clear. Not for you. I just don't want to see Margery dragged through the courts. | 0:37:24 | 0:37:30 | |
Look around you, Max. Breathe it in. Hope it makes you happy. | 0:37:30 | 0:37:36 | |
Oh, don't worry, Jay. You'll be a kept man. I mean, now I'm investing in Em's new salon empire, | 0:37:38 | 0:37:44 | |
she'll be raking it in. Lucky boy. | 0:37:44 | 0:37:48 | |
I presume you've come to build bridges across the fractured divide that was our friendship, Anne? | 0:38:17 | 0:38:22 | |
Well, I accept your apology. | 0:38:22 | 0:38:24 | |
On balance, I can see there were faults on both sides. Perhaps even mine. | 0:38:24 | 0:38:28 | |
In two years' time, your hair will be back to normal. | 0:38:28 | 0:38:31 | |
I wasn't going to... TWO YEARS?! | 0:38:31 | 0:38:35 | |
Unless we go for a pixie crop. | 0:38:35 | 0:38:36 | |
Oh, yeah that sounds nice! | 0:38:36 | 0:38:38 | |
Oh, no, hold on, I was coming to tell you about... | 0:38:39 | 0:38:41 | |
Jason? | 0:38:41 | 0:38:43 | |
Jase? | 0:38:43 | 0:38:45 | |
Jase? | 0:38:48 | 0:38:49 | |
-Is that a drink? -It's not A drink, no. | 0:38:51 | 0:38:54 | |
I stopped counting when I ran out of fingers. And toes. | 0:38:54 | 0:38:58 | |
I can't remember how many toes I'm meant to have, | 0:38:58 | 0:39:00 | |
but I can still remember that you went behind my back with Max. | 0:39:00 | 0:39:04 | |
So, stupid drink hasn't worked at all, has it? How rubbish is that? | 0:39:04 | 0:39:07 | |
It was just once. | 0:39:07 | 0:39:09 | |
-Once? -Really, it was all down to the dress and how hot it looked on me. | 0:39:12 | 0:39:16 | |
If he hadn't said all the things that you've not been saying lately, then... | 0:39:16 | 0:39:20 | |
-You slept with him? -No! -So, help me out here. -No, wait, wait. You know I can't do quick-fire. | 0:39:20 | 0:39:26 | |
Cos I knew that you two are up to your neck in the salon thing. | 0:39:26 | 0:39:31 | |
And I felt that betrayed. Why would you. Why would you do that? | 0:39:31 | 0:39:35 | |
Why would you do that with the man that's ruined me, | 0:39:35 | 0:39:37 | |
who's taken everything? | 0:39:37 | 0:39:39 | |
I thought nothing could be worse than that. | 0:39:39 | 0:39:42 | |
Shows you how wrong... | 0:39:42 | 0:39:44 | |
-What I didn't know was you'd been cheating on me with him. -Oh, no, no, not cheating. | 0:39:44 | 0:39:48 | |
-You wanted to, though, didn't you? -Oh, Jase, it's you I love. | 0:39:48 | 0:39:51 | |
Look, this doesn't have to change things. Not if we don't let it. | 0:39:51 | 0:39:54 | |
-Change things? It's bloody ruined 'em. -Jase. -Leave me alone. | 0:39:54 | 0:40:00 | |
Oh, no, no, no... | 0:40:14 | 0:40:16 | |
But this is a massive order. | 0:40:20 | 0:40:22 | |
Why didn't Jason tell us? | 0:40:22 | 0:40:24 | |
He's only just got the news and I expect, knowing Jason, | 0:40:24 | 0:40:28 | |
he wouldn't have wanted to pour salt on the wound. | 0:40:28 | 0:40:31 | |
This is a major supermarket, | 0:40:31 | 0:40:33 | |
-it could make all the difference. It's not too late. -We're closed. -Well, YOU'RE not closed. | 0:40:33 | 0:40:38 | |
You ARE Burr's. Now, what do we need to get this order done? | 0:40:38 | 0:40:44 | |
'You got big dreams?' | 0:40:44 | 0:40:46 | |
You want fame? | 0:40:46 | 0:40:49 | |
Well, fame costs. And right here's where you start paying...in sweat! | 0:40:49 | 0:40:55 | |
Well, that was very well done! | 0:40:59 | 0:41:02 | |
And, oh, look, your... | 0:41:02 | 0:41:05 | |
really quite alarmed-looking mums and dads are here now, so... | 0:41:05 | 0:41:08 | |
Very well done. | 0:41:08 | 0:41:10 | |
What?! That's showbiz. | 0:41:13 | 0:41:16 | |
Most of them are probably only here because we're cheaper than babysitters. | 0:41:17 | 0:41:21 | |
Might not be ready for the Bolshoi just yet. | 0:41:21 | 0:41:25 | |
-Have you... -Yes, I've taken my pills! | 0:41:25 | 0:41:28 | |
-The little blue one? -The large blue one, the huge blue one and the medium-sized white one! | 0:41:28 | 0:41:33 | |
-Can't you see how at ease I am? -Yes. You're radiating calm. | 0:41:33 | 0:41:38 | |
-I screwed up, didn't I? -That's the trouble with places like this. Give me the city any day. | 0:41:40 | 0:41:45 | |
-Anonymous, discreet, rude... -What's wrong with it here? | 0:41:45 | 0:41:49 | |
We have nine kettles! | 0:41:49 | 0:41:51 | |
Apologies, but we have a code red. | 0:41:51 | 0:41:53 | |
So I said, "Why don't we pop on our wet suits and have a scuba in our think tanks?" | 0:41:53 | 0:41:59 | |
You've heard they've closed the rock factory? | 0:41:59 | 0:42:01 | |
Max has taken ownership, by playing his trump card of Travis, to stake his claim. | 0:42:01 | 0:42:06 | |
Travis has gone over to Max's camp and taken your old job. | 0:42:06 | 0:42:09 | |
So we are two against one, fraternally speaking. | 0:42:09 | 0:42:13 | |
-No? -Not that anyone's blaming you for uncovering the dark secrets of the past, | 0:42:13 | 0:42:18 | |
when perhaps they should have lain buried. | 0:42:18 | 0:42:20 | |
We just need a big space. | 0:42:22 | 0:42:24 | |
Yeah, well, I don't care what you have to do, just... | 0:42:24 | 0:42:27 | |
I don't know, lay on some coaches, go door-to-door if you have to. | 0:42:27 | 0:42:31 | |
Thank you. | 0:42:31 | 0:42:32 | |
Yeah. Yeah. | 0:42:33 | 0:42:34 | |
Right. OK, great. | 0:42:37 | 0:42:41 | |
Thank you. | 0:42:41 | 0:42:42 | |
-Equals, yeah? -Hmm? | 0:42:46 | 0:42:48 | |
Oh, yeah, sure. All the way, bro'. Have you cleared out that junk yet? | 0:42:48 | 0:42:52 | |
Skip's full. | 0:42:52 | 0:42:54 | |
Good, right. I would have loved to have helped you, but I've been rushed off my feet all morning. | 0:42:54 | 0:42:58 | |
-Everyone wants a piece of me. -So, Sam's old job. What's the role? | 0:42:58 | 0:43:03 | |
Oh...I don't know. Wear a suit, walk round with a clipboard? | 0:43:03 | 0:43:07 | |
-You said you'd train me up. -And I will, young Padawan, I will. | 0:43:07 | 0:43:10 | |
What do you want this place so bad for, anyway? | 0:43:15 | 0:43:18 | |
Actually, maybe you should go to the casino. The Kittens will show you round. | 0:43:18 | 0:43:22 | |
Now, stick with me, right? One day, just think, you might grow up to be just like me. | 0:43:23 | 0:43:29 | |
I know, it's exciting, isn't it? | 0:43:29 | 0:43:32 | |
Mmm, oh, no, no, no, no, no. Always milk first. | 0:43:35 | 0:43:38 | |
-What? -Nothing. -Well, run along, then. | 0:43:40 | 0:43:43 | |
Dip Dab, this is Tutti Frutti, do you copy? Over. | 0:44:03 | 0:44:08 | |
'Tutti Frutti, this is Margery. | 0:44:10 | 0:44:12 | |
'And I'M Tutti Frutti. You're Gobstopper. | 0:44:12 | 0:44:15 | |
'And I thought I was a Dip Dab. | 0:44:15 | 0:44:18 | |
-'Are there any visuals?' -That is affirmative. | 0:44:18 | 0:44:23 | |
The eagle has left the car park. | 0:44:23 | 0:44:25 | |
And the other eagle... | 0:44:25 | 0:44:27 | |
..is also not in the car park. | 0:44:29 | 0:44:31 | |
Mayor walking through own town. | 0:44:33 | 0:44:35 | |
Nothing to see here. Man wearing balaclava in broad daylight - | 0:44:35 | 0:44:38 | |
-"And tonight on Crimewatch..." -Right, team, go, go, go! | 0:44:38 | 0:44:44 | |
Jelly Bean, come in, Jelly Bean. | 0:45:01 | 0:45:03 | |
MUSIC: "Nine To Five" by Dolly Parton | 0:45:18 | 0:45:21 | |
# Tumble outta bed And a-stumble to the kitchen | 0:45:28 | 0:45:31 | |
# Pour myself a cup of ambition | 0:45:31 | 0:45:32 | |
# And yawn and stretch and try to come to life | 0:45:32 | 0:45:35 | |
# Jump in the shower And the blood starts pumpin' | 0:45:38 | 0:45:39 | |
# Out on the streets The traffic starts jumpin' | 0:45:39 | 0:45:42 | |
# With folks like me on the job from nine to five | 0:45:42 | 0:45:47 | |
# Workin' nine to five | 0:45:47 | 0:45:49 | |
# What a way to make a livin' | 0:45:49 | 0:45:51 | |
# Barely gettin' by It's all takin' and no givin' | 0:45:51 | 0:45:56 | |
# They just use your mind | 0:45:56 | 0:45:58 | |
# And they never give you credit | 0:45:58 | 0:46:01 | |
# It's enough to drive you crazy if you let it | 0:46:01 | 0:46:06 | |
# Nine to five for service and devotion | 0:46:06 | 0:46:10 | |
# You would think that I would deserve a fair promotion | 0:46:10 | 0:46:13 | |
# Want to move ahead | 0:46:13 | 0:46:16 | |
# But the boss won't seem to let me | 0:46:16 | 0:46:19 | |
# I swear sometimes that man is... # | 0:46:19 | 0:46:23 | |
MUSIC: "Do You Want The Truth Or Something Beautiful?" by Paloma Faith | 0:46:23 | 0:46:26 | |
# Do you want the truth or something beautiful? | 0:46:26 | 0:46:31 | |
# I am happy to deceive you | 0:46:31 | 0:46:36 | |
# He stood as tall as redwood trees | 0:46:36 | 0:46:42 | |
# And drank tea from a seamstress's thimble | 0:46:42 | 0:46:46 | |
# I didn't want to speak the honest truth | 0:46:47 | 0:46:52 | |
# So I spit out lies that aim to soothe | 0:46:52 | 0:46:57 | |
# Do you want the truth or something beautiful? | 0:46:57 | 0:47:03 | |
# Just close your eyes and make believe | 0:47:03 | 0:47:07 | |
# Do you want the truth or something beautiful? | 0:47:08 | 0:47:15 | |
# I am happy to deceive you | 0:47:15 | 0:47:19 | |
# Sacred lies and | 0:47:19 | 0:47:25 | |
# Telling tales | 0:47:25 | 0:47:30 | |
# I can be who you want me to be | 0:47:30 | 0:47:34 | |
# Sacred lies and | 0:47:35 | 0:47:41 | |
# Telling tales | 0:47:41 | 0:47:46 | |
# I can be who you want me to be | 0:47:46 | 0:47:50 | |
# But do you want me? Mm-mm. # | 0:47:50 | 0:47:55 | |
The third box, Ron. | 0:48:13 | 0:48:15 | |
In or out, Carmen. | 0:48:17 | 0:48:19 | |
I don't blame you for any of this, you know. | 0:48:29 | 0:48:32 | |
You were only telling the truth. And it was a truth I made. | 0:48:32 | 0:48:35 | |
Your timing was lousy and you have the sensitivity of a rhino, | 0:48:35 | 0:48:39 | |
-but we can work on that. -I'm sorry. | 0:48:39 | 0:48:42 | |
You found him. | 0:48:46 | 0:48:47 | |
Trot on, I need some unskilled help with my box flaps. | 0:48:51 | 0:48:55 | |
Here you are. | 0:48:57 | 0:48:59 | |
Oh, we did it. | 0:49:05 | 0:49:07 | |
I never want to do it again and I missed Newsnight, | 0:49:07 | 0:49:10 | |
but we did it. | 0:49:10 | 0:49:11 | |
-We didn't do the Sugar Mice! -But the van'll be here in a half an hour! | 0:49:13 | 0:49:17 | |
Actually... | 0:49:20 | 0:49:21 | |
So how the hell did you pile all that weight on? | 0:49:25 | 0:49:27 | |
Right, croissants for everyone. | 0:49:33 | 0:49:35 | |
I'm taking you all for breakfast to celebrate. | 0:49:35 | 0:49:38 | |
Bye-bye, croissant. | 0:49:49 | 0:49:50 | |
What the hell has he done with our factory?! | 0:49:50 | 0:49:53 | |
This is a mayoral moment. | 0:49:53 | 0:49:55 | |
Step aside, council official things...to do...here. | 0:49:56 | 0:50:00 | |
In we go. | 0:50:02 | 0:50:04 | |
See, being Mayor isn't all town twinning and planting saplings. | 0:50:04 | 0:50:08 | |
We're at the business end of power. | 0:50:08 | 0:50:10 | |
My hero(!) | 0:50:11 | 0:50:13 | |
Ah, ah, ah. One each, Margery. | 0:50:30 | 0:50:32 | |
We want to know what's going on. | 0:50:36 | 0:50:38 | |
-And we want to know immediately, if not sooner. -And we won't be fobbed, so no flannel. | 0:50:38 | 0:50:43 | |
Well, ladies and gentlemen, | 0:50:43 | 0:50:46 | |
you are now standing in Yorkshire's newest premier hotel complex. | 0:50:46 | 0:50:52 | |
-Just had to ask. -Oh, I know what he's doing. He's being reasonable. | 0:50:52 | 0:50:55 | |
-Don't look him directly in the eye, Anne. -There's no secret. | 0:50:55 | 0:50:58 | |
Restaurants, cabarets, there's the marina. VIP club. | 0:51:03 | 0:51:07 | |
This is stage three, of course. The casino was stage one. | 0:51:07 | 0:51:10 | |
What the bloody hell have you done with my house? | 0:51:10 | 0:51:13 | |
We're still very much at the blue-sky stage. | 0:51:13 | 0:51:15 | |
This place - here - is going to be the flagship. | 0:51:17 | 0:51:22 | |
The jewel in the Sugartown crown. | 0:51:22 | 0:51:24 | |
And you'll have a trouser press in every room? | 0:51:24 | 0:51:28 | |
How can my guesthouse compete with that? | 0:51:28 | 0:51:30 | |
This isn't Sugartown. Not OUR Sugartown. | 0:51:30 | 0:51:35 | |
Oh, I can't afford this Sugartown. | 0:51:35 | 0:51:37 | |
Even if you hadn't given Travis my job, I wouldn't come back. | 0:51:44 | 0:51:47 | |
Gone native, have we? | 0:51:47 | 0:51:48 | |
-Sad times, Sam. -Not sure about where you've put the lake. -What lake? | 0:51:49 | 0:51:54 | |
And you can keep your hands off of my experiences, as well. | 0:52:09 | 0:52:12 | |
VACUUM CLEANER | 0:52:18 | 0:52:20 | |
Mum said to... | 0:52:25 | 0:52:28 | |
Mum said to... | 0:52:28 | 0:52:29 | |
Could you turn that thing off? | 0:52:30 | 0:52:33 | |
VACUUM STOPS | 0:52:37 | 0:52:41 | |
-Mum said to let you calm down. -You should've listened. | 0:52:41 | 0:52:44 | |
Thought you were his partner. You his maid? | 0:52:44 | 0:52:47 | |
I offered, all right? | 0:52:47 | 0:52:51 | |
-He's training me up. -He's mugging you off. | 0:52:51 | 0:52:53 | |
-What you doing here? -To tell you to stop working for Max. -Er... | 0:52:53 | 0:52:57 | |
-No. Next. -This is a nice place... | 0:52:57 | 0:53:01 | |
with nice people. | 0:53:01 | 0:53:03 | |
You throwing your lot in with Max is just hurting them. I think it'll end up hurting you, too. | 0:53:03 | 0:53:08 | |
You turned this whole town upside down. You sprung it on me, on Margery, just to get your own way. | 0:53:08 | 0:53:13 | |
It was you that lost me my last job and you want me to jack this in, too?! | 0:53:13 | 0:53:16 | |
Obviously, it's going to sound bad if you put it like that. | 0:53:16 | 0:53:19 | |
There's me, kept on about leaving. But I don't reckon it's me that should go. | 0:53:19 | 0:53:23 | |
-What? -I've got a chance now. -PHONE RINGS | 0:53:23 | 0:53:25 | |
A proper chance. And you? You have caused nothing but trouble. | 0:53:25 | 0:53:30 | |
This town would be better off without you. | 0:53:30 | 0:53:32 | |
-I -would be better off without you. | 0:53:32 | 0:53:34 | |
-Is that what you really want? -Yes, it is. | 0:53:36 | 0:53:38 | |
Phone for you, Travis. | 0:53:40 | 0:53:41 | |
-Just go. -OK. | 0:53:42 | 0:53:45 | |
-Go. -I'm going. | 0:53:46 | 0:53:48 | |
What? Yeah, this is Travis Jameson. | 0:53:57 | 0:54:00 | |
What? How many percent? | 0:54:00 | 0:54:04 | |
Yeah. Oh, that's great, that's great. Thanks. Cheers. | 0:54:09 | 0:54:14 | |
-All right? -Yeah. | 0:54:15 | 0:54:18 | |
The supermarket. Depot's dead chuffed. | 0:54:23 | 0:54:27 | |
Want to do a proper launch - promotions, displays. | 0:54:27 | 0:54:30 | |
-Thank you. -That's great. | 0:54:32 | 0:54:34 | |
-Jason... -Doesn't change things. | 0:54:36 | 0:54:40 | |
-Not with us. -I know. | 0:54:40 | 0:54:41 | |
It looks like it was all in vain. | 0:54:43 | 0:54:45 | |
Max is already renovating the factory. In fact, he's planning to renovate the whole town. | 0:54:45 | 0:54:50 | |
-It was all for nothing. -What's he playing at? | 0:54:50 | 0:54:55 | |
Is there nothing he can't keep his hands off? | 0:54:55 | 0:54:57 | |
I'll go and stay with my dad for a while. | 0:54:59 | 0:55:01 | |
You know how lonely he gets with only his spirit guides for company. | 0:55:01 | 0:55:05 | |
What you did... | 0:55:05 | 0:55:07 | |
-Nobody's ever done anything like that for me before. -Maybe if you let them... | 0:55:10 | 0:55:14 | |
Emily? It wasn't all for nothing. | 0:55:17 | 0:55:20 | |
-Carmen! -She's here! | 0:55:43 | 0:55:45 | |
It's OK. I know what usually happens here. | 0:55:48 | 0:55:51 | |
The train pulls away and we're like, "Oh, no!". | 0:55:51 | 0:55:54 | |
But then we see she's still standing on the other side, so we're like "Yay!". | 0:55:54 | 0:55:58 | |
Like I say...usually. | 0:56:04 | 0:56:08 | |
Place over the road does a nice cup of tea and a slice. | 0:56:19 | 0:56:22 | |
-She won't have gone far. -The train only goes as far as Leeds. | 0:56:22 | 0:56:27 | |
Carmen could get in trouble walking to the kitchen and back. | 0:56:27 | 0:56:30 | |
I don't know what she might do. She might do anything. | 0:56:30 | 0:56:33 | |
You don't know her. She's upset, not well. I'm not there to look after her. | 0:56:33 | 0:56:36 | |
Why don't you come back, stay at mine tonight? Or with Anne. | 0:56:36 | 0:56:39 | |
-Tomorrow, we'll start tracking her down. -No, no. | 0:56:39 | 0:56:42 | |
-I want to be there just in case she comes back. -Then we'll come to you. | 0:56:42 | 0:56:46 | |
Help you make it through the night. | 0:56:46 | 0:56:49 | |
You're one of us now, Sam. | 0:56:49 | 0:56:51 | |
Sugartowner. | 0:56:51 | 0:56:53 | |
Excuse me. | 0:56:54 | 0:56:55 | |
If I'd been there, you'd probably be turning to me for comfort now. | 0:57:06 | 0:57:14 | |
Maybe I'd give you a hug or something. | 0:57:14 | 0:57:17 | |
We could always try it on for size? | 0:57:19 | 0:57:22 | |
No. | 0:57:22 | 0:57:24 | |
Stupid. | 0:57:24 | 0:57:26 | |
-Travis, I know you and Carmen were close... -Stop! | 0:57:28 | 0:57:31 | |
The clinic called earlier. | 0:57:31 | 0:57:35 | |
According to them, Max and I aren't brothers. | 0:57:35 | 0:57:39 | |
No way we're related. | 0:57:39 | 0:57:40 | |
-What?! -So who's my dad? | 0:57:42 | 0:57:44 | |
Burt. | 0:57:44 | 0:57:46 | |
Just Burt. | 0:57:46 | 0:57:48 | |
There was never anyone else. | 0:57:48 | 0:57:50 | |
-Which means Max can't be... -Burt's. | 0:57:57 | 0:58:00 | |
Oh, Travis, | 0:58:01 | 0:58:04 | |
this is sizeable. | 0:58:04 | 0:58:06 | |
It means Max has no claim to the factory, after all. | 0:58:08 | 0:58:12 | |
Travis... | 0:58:12 | 0:58:13 | |
I'm truly sorry for all this. | 0:58:16 | 0:58:17 | |
Look, er... | 0:58:17 | 0:58:20 | |
..you don't need to keep it, but... | 0:58:22 | 0:58:26 | |
# If I had a million dollars or ten | 0:58:39 | 0:58:43 | |
# I'd give it to you, world, and then | 0:58:43 | 0:58:48 | |
# Go away and let me spend my life in shoo shoo shoo | 0:58:48 | 0:58:54 | |
# Shoo shoo shoo, shoo-shoo, shoo-shoo shoo-shoo, Sugartown | 0:58:54 | 0:59:00 | |
# Shoo shoo shoo-shoo Sugartown. # | 0:59:03 | 0:59:06 |