Browse content similar to Episode 1. Check below for episodes and series from the same categories and more!
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-# Do do doo -I'm coming home, baby | 0:00:06 | 0:00:08 | |
-# Do do do-oo-ooh do do doo -I'm coming home now right away | 0:00:08 | 0:00:13 | |
-# Do do doo -I'm coming home, baby | 0:00:13 | 0:00:15 | |
-# Do do do-oo-ooh do do doo -I'm sorry now I ever went away | 0:00:15 | 0:00:20 | |
-# Do do do do dooooo doo doo do -Every night and day I go and stay | 0:00:20 | 0:00:24 | |
-# I'm coming home, baby -Come on home | 0:00:25 | 0:00:27 | |
-# I'm coming home, baby now -You know I'm waiting here for you | 0:00:28 | 0:00:31 | |
-# I'm coming home now, reeeeal soon -You've been gone | 0:00:31 | 0:00:34 | |
-# I'm coming home, baby now -You don't know what... # | 0:00:34 | 0:00:36 | |
-Max Burr. -Ron. | 0:00:36 | 0:00:40 | |
Good of you to stop by. | 0:00:40 | 0:00:42 | |
-Old place hasn't changed, has it? -No, not far as I can tell. | 0:00:46 | 0:00:49 | |
Now, don't get me wrong, it's good to see a Burr back | 0:00:49 | 0:00:51 | |
and I'm all for progress but, I mean, we're not Vegas. | 0:00:51 | 0:00:55 | |
-No, not as far as I can tell. -A casino? -Ah-ah, entertainment complex. | 0:00:55 | 0:01:00 | |
We haven't even had bingo since '83. | 0:01:00 | 0:01:02 | |
The days of the bucket and spade brigade are gone, Ron. | 0:01:02 | 0:01:05 | |
Besides, you can't afford principles. | 0:01:05 | 0:01:07 | |
Neither can this town. | 0:01:07 | 0:01:09 | |
You're dying on your arse out there. | 0:01:10 | 0:01:12 | |
But you know Sugartown, Max. It's a hotbed of community dynamism. | 0:01:12 | 0:01:15 | |
Can't guarantee folk'll wear it. | 0:01:15 | 0:01:18 | |
Ron... | 0:01:18 | 0:01:19 | |
It hasn't sat well to sit on it. | 0:01:19 | 0:01:21 | |
I had to keep it quiet. Still got to let the other towns down gently | 0:01:21 | 0:01:24 | |
and there was a fair few councils begging me to set up shop on their patches. | 0:01:24 | 0:01:28 | |
Bridlington... | 0:01:28 | 0:01:29 | |
But no, for me it had to be Sugartown. | 0:01:29 | 0:01:33 | |
I see it as my chance, to er... you know, give something back. | 0:01:33 | 0:01:36 | |
You're a true Burr. | 0:01:36 | 0:01:38 | |
After all, your family made Sugartown world famous throughout Britain. | 0:01:38 | 0:01:42 | |
I suppose we'll be seeing you at our Emily's party tonight? | 0:01:45 | 0:01:48 | |
Ah, yes, the birthday girl. Jason invited me. | 0:01:48 | 0:01:51 | |
Seeing as I'm in town, I thought I'd disappoint him by turning up. | 0:01:51 | 0:01:54 | |
Little bit more than a birthday though, eh? | 0:01:54 | 0:01:57 | |
I expect Jason's asked you to be best man? | 0:01:57 | 0:01:59 | |
Would you trust me round bridesmaids? | 0:02:03 | 0:02:05 | |
# I got some troubles but they won't last | 0:02:24 | 0:02:28 | |
# I'm going to lay right down here in the grass | 0:02:28 | 0:02:33 | |
# And pretty soon all my troubles will pass | 0:02:33 | 0:02:36 | |
# Cos I'm in shoo-shoo-shoo, shoo-shoo-shoo | 0:02:36 | 0:02:41 | |
# Shoo-shoo, shoo-shoo, shoo-shoo Sugartown # | 0:02:41 | 0:02:46 | |
# La la la la laaa | 0:02:48 | 0:02:49 | |
Ta-dah! | 0:02:49 | 0:02:51 | |
Oh, that's great, really. It's great. | 0:02:53 | 0:02:55 | |
-Well, we all made it. -It's great. | 0:02:55 | 0:02:57 | |
But Michael did the piping. | 0:02:57 | 0:02:59 | |
She'd better say yes after all this, eh? | 0:02:59 | 0:03:01 | |
Oh, we're covered for a negative scenario. | 0:03:01 | 0:03:04 | |
Ooh! | 0:03:04 | 0:03:06 | |
Oh, hey, Anne. Good of you to come. | 0:03:08 | 0:03:10 | |
I made sure I wasn't tailed. I doubled-back on myself at Mr Cod. | 0:03:10 | 0:03:13 | |
Thing is, I need your help. I'm going to pop the question to Emily. | 0:03:13 | 0:03:18 | |
Am I the last person to know? | 0:03:27 | 0:03:29 | |
No! | 0:03:29 | 0:03:30 | |
Well, yeah... apart from Emily. | 0:03:31 | 0:03:33 | |
I didn't want you to feel compromised, being her best mate. | 0:03:33 | 0:03:36 | |
Oh, yeah. Well, that's probably for the best, | 0:03:36 | 0:03:38 | |
cos you know me and secrets. | 0:03:38 | 0:03:41 | |
I just need you to get her here for 6:30, OK? | 0:03:41 | 0:03:43 | |
But I really want it to be a surprise, so... no telling, yeah? | 0:03:43 | 0:03:47 | |
-Anne? -I promise! | 0:03:50 | 0:03:53 | |
SCREAMING | 0:03:53 | 0:03:54 | |
-This is huge! -This is huge! -And has he got it all under control? | 0:03:55 | 0:03:59 | |
Catering and so on. He hasn't just put out chips and dips? | 0:03:59 | 0:04:02 | |
I'm wanting to say tapas but it all happened so fast. | 0:04:02 | 0:04:04 | |
Oh, God, what do you wear to get proposed to? | 0:04:04 | 0:04:07 | |
-Smart casual? -'Thrown together' doesn't just happen, it takes planning. | 0:04:07 | 0:04:10 | |
Oh, I wish he'd given me some notice. | 0:04:10 | 0:04:13 | |
He knows I like all surprises run by me first. | 0:04:13 | 0:04:15 | |
Just think, Em, marriage. | 0:04:15 | 0:04:18 | |
That's, like, for the rest of your life, | 0:04:18 | 0:04:21 | |
or till death do you part, whatever comes first. | 0:04:21 | 0:04:24 | |
-Yeah. -But I need you to act surprised. | 0:04:24 | 0:04:26 | |
Confused. Wind. | 0:04:28 | 0:04:32 | |
PHONE RINGS | 0:04:39 | 0:04:40 | |
You're late. I was expecting you... hmm, three weeks ago. | 0:05:01 | 0:05:06 | |
The sea air's done wonders for your mood. Status update? | 0:05:06 | 0:05:09 | |
Well, let's see. | 0:05:10 | 0:05:11 | |
I've been stuck here, in Happy Valley, on my own, | 0:05:11 | 0:05:14 | |
completely carrying you for six weeks. | 0:05:14 | 0:05:16 | |
The whole town shuts at eight and you can't get a proper cup of coffee. | 0:05:16 | 0:05:19 | |
And yes, we're on schedule. | 0:05:19 | 0:05:21 | |
Atta girl! Just need to move the eyes in the skies, sight lines are off. | 0:05:21 | 0:05:25 | |
The locals keep trying to talk to me. | 0:05:25 | 0:05:27 | |
They do that. They're more scared of you. | 0:05:27 | 0:05:29 | |
I mean, they want to know what I'm up to. | 0:05:29 | 0:05:31 | |
Did you tell them? | 0:05:31 | 0:05:33 | |
No tourists, no through-trade and I spy with my little eye, | 0:05:33 | 0:05:37 | |
no-one under the age of 70. | 0:05:37 | 0:05:39 | |
Why here? I knew you hated the place, now I know why. | 0:05:39 | 0:05:42 | |
Just proving a few people right. | 0:05:42 | 0:05:45 | |
Hold on, where are you going?! We need to go over the drill, the girls are arriving tomorrow. | 0:05:45 | 0:05:49 | |
You've got everything under control. | 0:05:49 | 0:05:51 | |
Oh, listen, got a family do tonight. You can come with me. | 0:05:51 | 0:05:54 | |
Do yourself up a bit first though, eh? | 0:05:54 | 0:05:56 | |
Oh, look at them, they look lovely! | 0:06:19 | 0:06:21 | |
Just don't ask where I got them at short notice. | 0:06:21 | 0:06:24 | |
Lilies? Doesn't bode. | 0:06:24 | 0:06:26 | |
They look very thirsty. | 0:06:29 | 0:06:31 | |
Follow on, Michael. I've readied the buckets. | 0:06:32 | 0:06:34 | |
A hoodie bearing booze. I hope Jason knows what he's doing. | 0:06:37 | 0:06:40 | |
Now you know, I'm not one for tattle. | 0:06:40 | 0:06:43 | |
But regarding that boy, word on the street is rife. | 0:06:43 | 0:06:47 | |
That incident with the Swedish tourist? | 0:06:47 | 0:06:49 | |
No-one really knows what happened in that aquarium. | 0:06:49 | 0:06:51 | |
One can't help but hear rumours. | 0:06:51 | 0:06:53 | |
And start them. | 0:06:53 | 0:06:54 | |
Right, well, I think we're in a state of readiness. | 0:06:57 | 0:06:59 | |
May as well get the staff back, we're behind with that Bognor order. | 0:06:59 | 0:07:03 | |
They're enjoying themselves, let them be. | 0:07:03 | 0:07:05 | |
Well, you're obviously planning a miracle I don't know about. | 0:07:05 | 0:07:08 | |
I do the books, Jason. | 0:07:08 | 0:07:10 | |
Bognor ditched us. | 0:07:18 | 0:07:19 | |
Wha... Why? | 0:07:19 | 0:07:23 | |
Well, as good as. | 0:07:23 | 0:07:24 | |
That outfit in Donny stepped in. Cheaper, faster, whatever. | 0:07:24 | 0:07:28 | |
And me out of aspirin. | 0:07:28 | 0:07:30 | |
They were our last big client. | 0:07:31 | 0:07:33 | |
Did you talk to them, haggle? | 0:07:33 | 0:07:36 | |
No, I rolled over and said pull out, ruin the business I love, put these people out of work(!) | 0:07:36 | 0:07:40 | |
Sarky martyr is not a good look, Jason. | 0:07:40 | 0:07:43 | |
-Look, look, if we all got busy... I mean, I'll pitch in. -I'll sort it. | 0:07:43 | 0:07:47 | |
Jason, you're a good lad, but you're not bloody Atlas. | 0:07:47 | 0:07:51 | |
AIR HORN PARPS | 0:07:59 | 0:08:01 | |
-All right? -All right? | 0:08:03 | 0:08:05 | |
-What happened here? -Wednesday. | 0:08:07 | 0:08:09 | |
I said, um...what happened here? | 0:08:11 | 0:08:13 | |
Wednesday. It's early closing. | 0:08:13 | 0:08:15 | |
Have I come up North or back in time? | 0:08:16 | 0:08:19 | |
-You want a ride or what? -Yes, please. I'm looking for... | 0:08:20 | 0:08:25 | |
-Burr? -Get in. | 0:08:26 | 0:08:28 | |
I'm a dancer. | 0:08:34 | 0:08:35 | |
Yep, dancing. That's what I do. | 0:08:37 | 0:08:41 | |
So, um, what do you do for fun around here? | 0:08:44 | 0:08:47 | |
Leave. | 0:08:48 | 0:08:49 | |
I think I'll team an ivory Vera Wang with a vintage shrug. | 0:08:49 | 0:08:54 | |
Oh, well maybe I could go prom-style then. | 0:08:54 | 0:08:57 | |
Or something that suits a boyish frame? | 0:08:57 | 0:08:59 | |
Do you think Michael likes a boyish frame? | 0:08:59 | 0:09:01 | |
Well, that's not news... | 0:09:01 | 0:09:02 | |
SHE SQUEALS | 0:09:03 | 0:09:05 | |
Oh, that's it! The surprised face! | 0:09:07 | 0:09:10 | |
Wow, all lit up to welcome me! | 0:09:16 | 0:09:19 | |
-Ron, you're protruding. Crouch. -What? -Tuck in your fat arse. | 0:09:24 | 0:09:29 | |
Surprise! | 0:09:33 | 0:09:35 | |
SHE SCREAMS | 0:09:35 | 0:09:36 | |
Ron, weren't you meant to be on look-out? | 0:09:38 | 0:09:40 | |
Now hold on, I was told to crouch. | 0:09:40 | 0:09:43 | |
I couldn't see over the patatas bravas! | 0:09:43 | 0:09:45 | |
CLEARS THROAT | 0:09:45 | 0:09:46 | |
Surprise! | 0:09:47 | 0:09:49 | |
-Surprise! -Wow. I am utterly shocked. | 0:09:50 | 0:09:55 | |
Really, really shocked! I mean... | 0:09:57 | 0:10:00 | |
Jason. | 0:10:03 | 0:10:04 | |
Yeah, right, um... | 0:10:05 | 0:10:07 | |
Right, well, as... as you all know, me and Em here, | 0:10:13 | 0:10:20 | |
we've been together for a while now. | 0:10:20 | 0:10:22 | |
Fact is, she's the best thing that's ever happened to me. | 0:10:22 | 0:10:26 | |
You all know her, know how kind she is, how smart, | 0:10:26 | 0:10:29 | |
everything she does for everyone in this room. | 0:10:29 | 0:10:32 | |
That's on top of the meals on wheels, fun runs... | 0:10:32 | 0:10:34 | |
I love her and I want to spend the rest of my life with her. | 0:10:34 | 0:10:39 | |
With you, Em. | 0:10:41 | 0:10:44 | |
So, what I... what I want to say is... | 0:10:44 | 0:10:48 | |
Do you want a towel? | 0:10:51 | 0:10:52 | |
Yes! The answer's yes. | 0:10:52 | 0:10:55 | |
-Yeah? -Yes. | 0:10:55 | 0:10:57 | |
-To the... Not to the towel? -Yes! The answer's yes! | 0:10:57 | 0:11:00 | |
Cappuccino bar... That could be an art gallery, boutique. | 0:11:07 | 0:11:12 | |
Oooh, another art gallery. Moderns and abstracts, mainly. | 0:11:12 | 0:11:15 | |
This place has got potential, Sam. It's proper class. | 0:11:15 | 0:11:19 | |
Just needs a bit of imagination. | 0:11:19 | 0:11:21 | |
And taste. | 0:11:21 | 0:11:22 | |
And capital. | 0:11:22 | 0:11:23 | |
Which brings us to... | 0:11:25 | 0:11:26 | |
Ooh. | 0:11:31 | 0:11:32 | |
Cracking real estate, innit? | 0:11:35 | 0:11:37 | |
No, Max. It's Burrs! | 0:11:37 | 0:11:40 | |
-Burr says... -Come on. | 0:11:40 | 0:11:41 | |
If I know my brother they'll be on the cheap plonk by now. | 0:11:42 | 0:11:44 | |
DISCO MUSIC PLAYS | 0:11:44 | 0:11:47 | |
I mean, yeah, there were the weekends at Greenham and the floats at Pride | 0:11:47 | 0:11:51 | |
and we always had Germaine Greer around the house. | 0:11:51 | 0:11:54 | |
But in my head, I'm saying, | 0:11:54 | 0:11:55 | |
"Ron, should you have given it longer at the commune?" | 0:11:55 | 0:11:58 | |
But I want to get married, Dad. | 0:11:58 | 0:11:59 | |
I know, I know. I just don't want to see my princess in chains. | 0:11:59 | 0:12:04 | |
It's Jason we're talking about. He knows how to work a hoover. | 0:12:04 | 0:12:08 | |
-I'm gaining a son. -Ha ha! | 0:12:10 | 0:12:13 | |
So, Ems, what do you think of our smashing cake here? | 0:12:17 | 0:12:20 | |
Yeah, it's really quite... something. | 0:12:20 | 0:12:24 | |
Have I got a broken neck?! | 0:12:24 | 0:12:26 | |
Oh. Watch out for the butterfly prawns. They are minging. | 0:12:26 | 0:12:29 | |
Family recipe. | 0:12:29 | 0:12:31 | |
Yeah? | 0:12:31 | 0:12:33 | |
Yeah... Well, "minging" as in "good". | 0:12:34 | 0:12:38 | |
You know, like "wicked"? | 0:12:38 | 0:12:40 | |
What do you think about my Ems, Margery? | 0:12:40 | 0:12:42 | |
All grown up and getting married. | 0:12:42 | 0:12:44 | |
Ah, I think it's minging! | 0:12:44 | 0:12:46 | |
Oh, I'm really sorry about the whole... RHYTHMIC NOISES | 0:12:47 | 0:12:51 | |
..completely ruining your big... Anyway, congratulations! | 0:12:51 | 0:12:54 | |
I don't think we've been... | 0:12:54 | 0:12:56 | |
Oh, I'm Carmen. So tell me, which one is Mr Burr? | 0:12:56 | 0:13:00 | |
I have heard he is fit and lo-hoaded! | 0:13:00 | 0:13:03 | |
-I'm sorry? -Ah, I think I see. -Max! -Yeah. | 0:13:03 | 0:13:06 | |
-Live and in person. -Max?! -Carmen? -Mum! -Carmen! -Max. | 0:13:06 | 0:13:12 | |
Oh, it's like panto. | 0:13:14 | 0:13:15 | |
A casino?! | 0:13:15 | 0:13:16 | |
-An entertainment complex. -Max, what part of the brain d...? | 0:13:16 | 0:13:19 | |
Oh, Jase, jeez, take the stick of rock out of your backside. | 0:13:19 | 0:13:22 | |
It's all legit. | 0:13:22 | 0:13:23 | |
-This is a family resort. It'd kill the town. -By creating jobs, hope, that sort of thing? | 0:13:23 | 0:13:28 | |
Well, we're happy with the town as it is. | 0:13:28 | 0:13:30 | |
Oh, sorry, hang on. Hello? | 0:13:30 | 0:13:32 | |
Oh, it's the 1950s. Must be for you. | 0:13:32 | 0:13:34 | |
-What's this all about, Max? -A lifeline. For you, that is. | 0:13:34 | 0:13:37 | |
-Meaning? -Meaning rock ain't rolling any more. | 0:13:37 | 0:13:39 | |
-We're done. -No. We're not. | 0:13:39 | 0:13:41 | |
Yes. We are. | 0:13:41 | 0:13:42 | |
Would you like to dance, Anne? | 0:13:48 | 0:13:50 | |
God, yeah! | 0:13:50 | 0:13:51 | |
# How do you like it? How do you like it? | 0:13:51 | 0:13:54 | |
# More, more, more | 0:13:54 | 0:13:56 | |
# How do you like it? How do you like... # | 0:13:56 | 0:13:59 | |
You can't go anywhere without causing trouble. | 0:14:01 | 0:14:03 | |
-What's going on? -Nothing, just a fuse. I'll sort it. | 0:14:06 | 0:14:08 | |
I'm impressed. I always had you down as a gold digger. | 0:14:08 | 0:14:12 | |
The happy couple. | 0:14:12 | 0:14:14 | |
-I wish he'd just stay out of our lives. -Really? | 0:14:19 | 0:14:22 | |
It's you I'm marrying, isn't it? | 0:14:23 | 0:14:26 | |
I'm sorry. | 0:14:26 | 0:14:27 | |
This is my night... and to some extent yours. | 0:14:27 | 0:14:30 | |
-And I won't let Max ruin it. -He's family, he's all I've got. | 0:14:30 | 0:14:34 | |
Not any more. | 0:14:34 | 0:14:35 | |
Finish your breakfast then I'll walk you to the train station. | 0:15:31 | 0:15:34 | |
Mr Burr hired me because I'm good. | 0:15:34 | 0:15:37 | |
At what? | 0:15:37 | 0:15:38 | |
Carmen, why didn't you tell me? | 0:15:38 | 0:15:41 | |
Because I wanted to surprise you. Surprise! | 0:15:42 | 0:15:46 | |
Oh, Mum, I've been stuck in the chorus line for two years. | 0:15:46 | 0:15:49 | |
The only time I got noticed was that incident with the runaway horse in Seven Brides. | 0:15:49 | 0:15:53 | |
And no-one thanked me for it. | 0:15:53 | 0:15:55 | |
Are you in the entertainment industry? | 0:15:55 | 0:15:57 | |
Well, I am a dancer, yeah. | 0:15:57 | 0:16:00 | |
Are you somebody? Do I know you? | 0:16:00 | 0:16:02 | |
You might have seen me in the West End... perhaps? | 0:16:02 | 0:16:07 | |
We're fine, thank you. | 0:16:07 | 0:16:10 | |
You were a showgirl, a headliner. | 0:16:12 | 0:16:16 | |
You had feathers and stuff. | 0:16:16 | 0:16:18 | |
There's a little more to it than that. | 0:16:18 | 0:16:20 | |
Like? | 0:16:20 | 0:16:22 | |
Like you're not doing it. | 0:16:22 | 0:16:25 | |
You can't stop me. It's my life and I'll make my own decisions. | 0:16:25 | 0:16:28 | |
I'm doing it, and nothing you can say or do will stop me. | 0:16:28 | 0:16:33 | |
-Ooh...could I borrow a fiver for lunch? -MAX: Fire her? | 0:16:36 | 0:16:41 | |
Who do you think I am, Alan bloody Sugar? She hasn't started yet. And there are laws! | 0:16:41 | 0:16:45 | |
You need a reason to fire somebody. | 0:16:45 | 0:16:46 | |
-How about "she's not well"? -What? As in contagious or disfiguring? | 0:16:46 | 0:16:50 | |
She goes up and down, she can't control her moods. | 0:16:50 | 0:16:52 | |
Have you seen the other girls? I've got three students and a Yorkshire Pudding. | 0:16:52 | 0:16:56 | |
-I mean, your Carmen's proper class, she's got legs up to tomorrow, bangers like... -Er! My daughter! | 0:16:56 | 0:17:00 | |
I know. It's a compliment. | 0:17:00 | 0:17:03 | |
What is it with you people? Friends, family, you're all the bloody same. | 0:17:03 | 0:17:07 | |
Coming down here, telling me what's what. Oh, don't open a casino, Max! | 0:17:07 | 0:17:10 | |
Don't hire my daughter, Max! Well, you know what? My business, my rules. | 0:17:10 | 0:17:14 | |
I'm not going to hang around to watch my daughter make the same mistakes I did. | 0:17:14 | 0:17:18 | |
-Fine. I quit! -You can't quit, you're my Artistic Director. | 0:17:19 | 0:17:22 | |
Always pays to laminate. | 0:17:27 | 0:17:29 | |
-Oh, Em, your mum would have been so proud of you. -I doubt it. | 0:17:35 | 0:17:40 | |
She didn't believe in marriage. At least not her own. | 0:17:40 | 0:17:42 | |
She was quite fast, weren't she? | 0:17:42 | 0:17:44 | |
I can't blame the Rainbow Warriors any more than I can point my finger at the Wiccans. | 0:17:44 | 0:17:48 | |
It was the swinging that got her in the end. | 0:17:48 | 0:17:50 | |
At least you know that Jason's a Steady Eddie. | 0:17:50 | 0:17:52 | |
I mean, he'd never do anything crazy slash wild. | 0:17:52 | 0:17:56 | |
He'd never be like "film romance", or... | 0:17:56 | 0:17:58 | |
-Dependable. -Yes, Anne. Quite. | 0:18:00 | 0:18:02 | |
-What time is it? -Box files. | 0:18:02 | 0:18:05 | |
-What question did I just ask? -Can you archive your paper at work? I need these box files. | 0:18:05 | 0:18:09 | |
We set the date for a year's time and it can't wait till after breakfast? | 0:18:09 | 0:18:12 | |
You realise the lead time for a wedding is 18 months, according to Best Bride. | 0:18:12 | 0:18:16 | |
And what does "Overwhelmed Groom" have to say? | 0:18:16 | 0:18:18 | |
It says colour code a wall chart or get out from underfoot. Where what did I put that glitter stick? | 0:18:18 | 0:18:23 | |
-See you later, fiancee. -Love you! -Bye. | 0:18:23 | 0:18:27 | |
-Yo! -All right? | 0:18:30 | 0:18:32 | |
My mother's gone completely parentoid, and I'm not even joking. | 0:18:32 | 0:18:37 | |
So, reckon I could get the grand tour in an hour? | 0:18:37 | 0:18:42 | |
What do you want to do with the other 59 minutes? | 0:18:48 | 0:18:51 | |
So, if you're this big time dancer, what are you doing here? | 0:18:52 | 0:18:55 | |
I've been working on my own act, I'm ready to showcase my moves. | 0:18:56 | 0:19:00 | |
I'm going to bring dance to the people. | 0:19:00 | 0:19:03 | |
I seen inside that club. Sugartown might be a step down from the Palladium, is all. | 0:19:03 | 0:19:07 | |
Yeah, well, what would you know about dance, anyway? | 0:19:07 | 0:19:11 | |
God, do you ever feel like you're breathing, but it's not enough? | 0:19:12 | 0:19:16 | |
And if you don't get more air, you'll like, | 0:19:16 | 0:19:19 | |
totally suffocate. | 0:19:19 | 0:19:21 | |
And you see everyone else and they're just fine breathing. | 0:19:21 | 0:19:24 | |
I want to show you something. | 0:19:26 | 0:19:29 | |
Water! Oh no... | 0:19:30 | 0:19:33 | |
a bird? | 0:19:33 | 0:19:35 | |
Belgium. That's where I'm headed. | 0:19:35 | 0:19:37 | |
Bloody hell, this place must be a dump if you want to go there(!) | 0:19:37 | 0:19:41 | |
Just the starting leg. Saving up, aren't I? | 0:19:41 | 0:19:43 | |
-Going to travel the world. -And do what? | 0:19:43 | 0:19:46 | |
-Odd jobs, whatever. -That's all you do here, isn't it? | 0:19:46 | 0:19:48 | |
Point is, it won't be here. You think you're the only one that wants to breathe?! | 0:19:48 | 0:19:53 | |
I don't pretend to be an expert, Em, but... | 0:19:55 | 0:20:00 | |
would you really need to wear these on your day of days? | 0:20:00 | 0:20:04 | |
Too High School Musical. | 0:20:23 | 0:20:25 | |
Bad Barbie. | 0:20:30 | 0:20:32 | |
As modelled by Gloria Hunniford. | 0:20:35 | 0:20:38 | |
Oh, Em! You look like Cheryl Cole! | 0:20:46 | 0:20:49 | |
Bag her up. | 0:20:51 | 0:20:54 | |
Why do you want to leave? | 0:21:03 | 0:21:06 | |
I think you've got it mint here. | 0:21:06 | 0:21:08 | |
You must have been totally over- stimulated in the city. | 0:21:08 | 0:21:11 | |
Yeah, well I've got a busy head. | 0:21:11 | 0:21:13 | |
It's nice, it's quiet here. | 0:21:13 | 0:21:16 | |
-Gives me room to think. -About what? | 0:21:16 | 0:21:19 | |
Like, if you were a gentleman, you'd totally give me your coat. | 0:21:21 | 0:21:24 | |
-If you were a big time dancer, you'd have your own. -Ha-ha. | 0:21:24 | 0:21:27 | |
Come here. | 0:21:31 | 0:21:33 | |
Wow! | 0:21:37 | 0:21:39 | |
Are they all from here? | 0:21:42 | 0:21:43 | |
You're not the first dancer in Sugartown, you know. | 0:21:43 | 0:21:46 | |
It's incredible! | 0:21:46 | 0:21:48 | |
Regionals, Nationals. | 0:21:48 | 0:21:51 | |
I was meant to come. | 0:21:51 | 0:21:53 | |
I've got to go! Oh, my God! | 0:21:53 | 0:21:58 | |
Bye! | 0:21:59 | 0:22:01 | |
Ah! | 0:22:01 | 0:22:04 | |
Rosemary's baby. I don't think I'm your mum's favourite person at the moment. | 0:22:04 | 0:22:08 | |
Yeah? Don't reckon I'm top ten. | 0:22:08 | 0:22:10 | |
But, listen, because I am psyched about this job, I've been thinking routines. Now, go with me. | 0:22:10 | 0:22:15 | |
Have you seen Chicago? I would need a trapeze. | 0:22:15 | 0:22:17 | |
Yeah, good one. | 0:22:17 | 0:22:19 | |
Right, now normally your mum would do this bit, but we're class not ass, OK? | 0:22:19 | 0:22:24 | |
Anyone gets too frisky, you give a nod to security. | 0:22:24 | 0:22:27 | |
You're here to keep the punters well watered and flashing their cash, but you are my untouchable goddess. | 0:22:27 | 0:22:32 | |
You're not... | 0:22:32 | 0:22:34 | |
You're healthy, right? | 0:22:34 | 0:22:36 | |
-Yeah! -Yeah? | 0:22:36 | 0:22:37 | |
-See? -Yes. | 0:22:42 | 0:22:44 | |
Yes, I do. | 0:22:44 | 0:22:46 | |
Er, right... | 0:22:46 | 0:22:48 | |
Girls! | 0:22:48 | 0:22:50 | |
-Britney. -Hi. -Celine. -Hi. -Mariah. -You all right? | 0:22:50 | 0:22:55 | |
-Hello. -Mama Cass. | 0:22:55 | 0:22:56 | |
-Everyone, this is Kylie. -Oh! | 0:22:56 | 0:22:59 | |
Actually, I'm Carmen. | 0:22:59 | 0:23:01 | |
Not here you're not. Right, costume! | 0:23:01 | 0:23:04 | |
There you go. | 0:23:04 | 0:23:06 | |
-Where's the rest of it? -Oh! | 0:23:06 | 0:23:09 | |
Your mum was a legend, by the way. Apparently, she used to do this thing with balloons. It was... | 0:23:15 | 0:23:21 | |
Anyway, I've got to shoot, but, um, welcome aboard, Kylie. | 0:23:23 | 0:23:28 | |
Oh! | 0:23:37 | 0:23:39 | |
I tried to stop him. | 0:23:39 | 0:23:42 | |
You may as well take it in. | 0:23:42 | 0:23:44 | |
-Tut, tut, Jason. You've been juggling debt like Billy Barnum. -What are you doing in my office? | 0:23:50 | 0:23:55 | |
Our office. | 0:23:56 | 0:23:57 | |
Deal was you're a silent partner. | 0:23:57 | 0:24:01 | |
I'd have to be a bloody comatose one to let this go on. | 0:24:01 | 0:24:03 | |
-We've seen through difficult times before, but Dad always said... -But Daddy Dearest never made a loss, eh? | 0:24:03 | 0:24:09 | |
Someone has been riding in on their white charge card once a month. | 0:24:09 | 0:24:13 | |
-Does Em know you've been paying the staff out of your personal nest egg? -What do you want, Max? -What's mine. | 0:24:13 | 0:24:18 | |
I'll be fair. I know you haven't got the cash, so I'll buy you out. | 0:24:18 | 0:24:23 | |
You don't want this factory. | 0:24:25 | 0:24:26 | |
Correct. I do want this building, though. | 0:24:26 | 0:24:29 | |
I've got an investor lined up. | 0:24:29 | 0:24:31 | |
Lick of paint, won't know the place. | 0:24:31 | 0:24:33 | |
-To do what with, exactly? -Oh, I'm sure I'll think of something. | 0:24:33 | 0:24:36 | |
This factory means the world to this community. | 0:24:36 | 0:24:38 | |
They've even named the sodding town after it, for God's sake! | 0:24:38 | 0:24:41 | |
Not much you can do about it, as it turns out. | 0:24:41 | 0:24:44 | |
I had my lawyers look over Dad's will. | 0:24:44 | 0:24:46 | |
Interesting reading. | 0:24:46 | 0:24:48 | |
Should have done it years ago. | 0:24:48 | 0:24:49 | |
It's all there. | 0:24:49 | 0:24:51 | |
Watertight as a duck's behind. | 0:24:51 | 0:24:54 | |
You know, | 0:24:54 | 0:24:56 | |
you'll thank me for this one day, J. | 0:24:56 | 0:24:58 | |
I'll give you a shout out when I've got all the details sorted with my backer, all right? | 0:24:58 | 0:25:02 | |
What about this one? | 0:25:12 | 0:25:14 | |
Six for flavour, eight for appearance. | 0:25:14 | 0:25:17 | |
And that one? | 0:25:17 | 0:25:19 | |
Oh, I don't know, I haven't got that one. | 0:25:19 | 0:25:24 | |
-Anne! -Sorry. | 0:25:24 | 0:25:26 | |
I need you to be my eyes and ears. You have to concentrate. | 0:25:26 | 0:25:28 | |
-It's just we've been here for nearly an hour and a half and... -You expect me to score my own marzipan? | 0:25:28 | 0:25:33 | |
-Afternoon. -Max, hello! | 0:25:37 | 0:25:40 | |
Em, look, it's Max! | 0:25:40 | 0:25:42 | |
-What do you want? -Oh, no, just saying hi. I like what you've done with your hair, Anne. A new look? | 0:25:42 | 0:25:47 | |
No, it is not new. She's had it the same, with the... | 0:25:47 | 0:25:50 | |
Since second year infants, as you well know. | 0:25:50 | 0:25:53 | |
Now, if you'll excuse me, I have to go and see my fiance. | 0:25:53 | 0:25:58 | |
You and Jason need to work on your welcomes. | 0:25:58 | 0:26:01 | |
Wedding cake, mmm. | 0:26:01 | 0:26:02 | |
Uh huh, not my flavour. | 0:26:05 | 0:26:08 | |
A grand! | 0:26:10 | 0:26:12 | |
-For a cake? -Oh, don't you start. | 0:26:12 | 0:26:14 | |
I've already had Anne going emotionally AWOL. | 0:26:14 | 0:26:17 | |
That's how much these things cost. | 0:26:17 | 0:26:18 | |
-For a cake! -The premium cake comes with a discount on sugared almonds. | 0:26:18 | 0:26:22 | |
-Emily, I make these! -But not with the right ribbon. | 0:26:22 | 0:26:24 | |
-Weddings take pinpoint planning. You can't just cater for 500 without... -500?! | 0:26:24 | 0:26:29 | |
-Is there anybody in Yorkshire you're not planning on inviting? -Jason, | 0:26:29 | 0:26:33 | |
if you had a problem, you would tell me, wouldn't you? | 0:26:33 | 0:26:36 | |
-I could help. -What, Emily to the rescue? | 0:26:36 | 0:26:40 | |
-Not everything in life can be sorted with a glitter stick. -Jason! | 0:26:40 | 0:26:43 | |
For God sake's, Emily, how much money have you wasted? | 0:26:43 | 0:26:45 | |
We'll just forget the whole thing, shall we? Engagement, wedding, feel good factor for the town? | 0:26:45 | 0:26:50 | |
I reckon that's the first sane thing you've said so far. | 0:26:50 | 0:26:53 | |
It was you who proposed. Yesterday! | 0:26:53 | 0:26:56 | |
-Before I realised I'd be getting hitched to bride bloody zilla! -Oh, no, not that one! No, Jase! | 0:26:56 | 0:27:00 | |
No! | 0:27:00 | 0:27:02 | |
No, no, no, no! | 0:27:02 | 0:27:04 | |
Maybe you're right. We shouldn't be getting married if you can't even talk to me! | 0:27:05 | 0:27:10 | |
Talk to me! Please? | 0:27:10 | 0:27:14 | |
Look, I didn't want you to find out like this. | 0:27:17 | 0:27:20 | |
Actually, I didn't want you to find out at all. | 0:27:20 | 0:27:23 | |
What? That all this time you were just a waitress? A kitten! | 0:27:23 | 0:27:28 | |
Actually, I was a bunny. | 0:27:28 | 0:27:29 | |
My whole life I wanted to be like you. | 0:27:29 | 0:27:32 | |
I thought you were a proper dancer. | 0:27:32 | 0:27:34 | |
I was! With a child to support! | 0:27:34 | 0:27:36 | |
Oh, so you only did it because you got knocked up with me? | 0:27:36 | 0:27:39 | |
What can I say? It was worth it knowing how grateful you'd be. No, you're not going back! | 0:27:39 | 0:27:43 | |
Yes! I've got to practise carrying a tray in heels. | 0:27:43 | 0:27:45 | |
I'm not proud of what I did, Carmen, but I'm not ashamed either. | 0:27:45 | 0:27:48 | |
If I'd kept dancing, it would have meant dragging you round the country, and you not being well... | 0:27:48 | 0:27:54 | |
Yeah, I know I was a burden. | 0:27:56 | 0:27:59 | |
Not what I was going to say. | 0:28:02 | 0:28:05 | |
Look, you could make it. | 0:28:07 | 0:28:10 | |
You could go all the way. | 0:28:10 | 0:28:13 | |
I just don't want you giving up your dream up like... | 0:28:13 | 0:28:15 | |
Did you tell Max I was crackers? | 0:28:15 | 0:28:17 | |
No! | 0:28:17 | 0:28:19 | |
I mentioned you had a few problems that meant... | 0:28:21 | 0:28:24 | |
Meant I screw up everything I do. | 0:28:24 | 0:28:26 | |
Least I know where I get it from now. | 0:28:29 | 0:28:32 | |
So, will she live, doc? | 0:28:39 | 0:28:42 | |
Er, heating element's blown. I'll need to call the engineer. | 0:28:42 | 0:28:45 | |
Have you switched it on and off again? | 0:28:45 | 0:28:47 | |
I just said it needs the engineer. | 0:28:47 | 0:28:49 | |
-Right, home time. -What? -We're not going to get anything else done today. Everybody out! | 0:28:49 | 0:28:53 | |
But the Bognor order? If we all pitched in... | 0:28:53 | 0:28:55 | |
For Christ's sake, Margery, do I have to get a bloody eviction notice? I said out! Everybody out! | 0:28:55 | 0:29:00 | |
You heard the man. | 0:29:01 | 0:29:03 | |
And that little display was because...? | 0:29:05 | 0:29:09 | |
-Max is threatening to take his share. -What? | 0:29:11 | 0:29:15 | |
Well, that's preposterous. It would close down the factory. | 0:29:15 | 0:29:17 | |
I think that's the general idea. | 0:29:17 | 0:29:19 | |
It's here in black and white. | 0:29:21 | 0:29:23 | |
Dad may have made me manager, but when you read the small print | 0:29:23 | 0:29:26 | |
the actual ownership is, "to be divided equally between my sons". | 0:29:26 | 0:29:29 | |
-Sons? -Equally. | 0:29:29 | 0:29:31 | |
-Sons. -Yeah You're kind of focusing on the wrong bit, Margery. | 0:29:32 | 0:29:35 | |
I'll call the engineer. | 0:29:36 | 0:29:38 | |
More expense. Maybe I should just lob myself into a vat of molten rock, too, eh? | 0:29:38 | 0:29:43 | |
Yeah, that's the spirit. | 0:29:43 | 0:29:45 | |
KNOCKING | 0:29:45 | 0:29:47 | |
What did you say to Jason? | 0:29:52 | 0:29:54 | |
Emily, how nice. Do come in. | 0:29:54 | 0:29:56 | |
Something's changed, and it was after he saw you. | 0:29:56 | 0:29:59 | |
-Well, he's your blushing husband to be, ask him. -I'm asking you. | 0:29:59 | 0:30:03 | |
-Tell me, you actually want to marry Captain Sensible? -Of course I do! | 0:30:05 | 0:30:10 | |
Though after seeing you, he threw my wedding dress into a vat of molten rock. | 0:30:10 | 0:30:16 | |
So, some might say the wedding's looking a little less likely now. | 0:30:16 | 0:30:20 | |
Well, tell you what, why don't we let fate decide, eh? | 0:30:20 | 0:30:24 | |
Black you marry him. | 0:30:26 | 0:30:28 | |
Red you marry me. | 0:30:28 | 0:30:29 | |
Everything's just a game to you, isn't it? | 0:30:36 | 0:30:38 | |
Who cares if you break a heart or two along the way. | 0:30:38 | 0:30:41 | |
Oh, wow, broken heart! Sounds serious. | 0:30:41 | 0:30:44 | |
I, um... | 0:30:45 | 0:30:47 | |
I should tell you, Ems, | 0:30:47 | 0:30:50 | |
the house always wins...in the end. | 0:30:50 | 0:30:54 | |
Sorry, Mr Burr. | 0:30:58 | 0:31:00 | |
Are you sure there are no other ears? I'm very wonky. | 0:31:00 | 0:31:03 | |
-Have you got it? -Put it down to you... | 0:31:11 | 0:31:13 | |
Em! Emily? | 0:31:13 | 0:31:16 | |
Steady. Steady. | 0:31:17 | 0:31:19 | |
M-A-X-X-X? Is that how he spells his name now? | 0:31:19 | 0:31:25 | |
Why didn't you Twitter the Business Taskforce? | 0:31:27 | 0:31:30 | |
I thought he had a complex. I knew nothing about... | 0:31:30 | 0:31:32 | |
The short of it is, my hands are tied in a legal loophole. | 0:31:32 | 0:31:36 | |
Just putting it out there, but is it such a bad idea? | 0:31:36 | 0:31:40 | |
You know, tourism's down and the kids leave soonest they can. | 0:31:40 | 0:31:43 | |
-Maybe we do need a booster. -But what if dice means vice. | 0:31:43 | 0:31:47 | |
Who knows what kind of clientele he'll attract. | 0:31:47 | 0:31:50 | |
Predators wanting to groom me... Us! | 0:31:50 | 0:31:53 | |
-And if we don't like it, we don't go, right? And we had we bingo back in... -'83. | 0:31:53 | 0:31:58 | |
But the callers didn't have ears, did they? I mean, ears, Michael, ears! | 0:31:58 | 0:32:02 | |
Are you all right, Margery? You seem a bit fraught. | 0:32:02 | 0:32:04 | |
I'm perfectly fine. I'm just saying that I have known Max, man and boy, and he has expansionist tendencies. | 0:32:04 | 0:32:12 | |
No, we haven't seen the run of it. | 0:32:12 | 0:32:13 | |
Well, what's he going to do? Stage a coup at the next Taskforce meeting? | 0:32:13 | 0:32:17 | |
Hostile takeover the whole town with his crack team of kittens?! | 0:32:17 | 0:32:20 | |
-We should have Jason here for this. -He's got other concerns. | 0:32:20 | 0:32:24 | |
-Possibly. -What? | 0:32:24 | 0:32:26 | |
Well, I'm not sure Jason would want me to divulge this, but... | 0:32:28 | 0:32:31 | |
..Max wants the factory. | 0:32:34 | 0:32:35 | |
Or, rather, he wants the building of the factory, not the factory. | 0:32:35 | 0:32:39 | |
And it seems he can get it, too. | 0:32:39 | 0:32:41 | |
Something to do with Burt's will. | 0:32:41 | 0:32:43 | |
-What about... -Don't ask me why because I don't know. | 0:32:43 | 0:32:46 | |
And I also know absolutely no way of stopping him, so you can all stop | 0:32:46 | 0:32:51 | |
-looking at me like that. -< There might be one way. | 0:32:51 | 0:32:54 | |
-Max has a guy, some big venture capitalist, coming today. -From London? | 0:32:54 | 0:33:00 | |
No, Sheffield. But, apparently, his mum came from here, or some sort of family tie, | 0:33:00 | 0:33:06 | |
so he's serious about investing in the town. | 0:33:06 | 0:33:08 | |
Now, hey, look, none of my business, but I do know Max has got big plans | 0:33:08 | 0:33:12 | |
and he needs this guy to see them through. So, if I were you... | 0:33:12 | 0:33:17 | |
..I'd maybe take matters into your own hands. | 0:33:23 | 0:33:27 | |
What, like, torch the club? | 0:33:27 | 0:33:29 | |
Thinking more along the lines of letting this guy know you're not behind Max. | 0:33:29 | 0:33:33 | |
No-one wants to put their money where it's not wanted. | 0:33:33 | 0:33:35 | |
Direct action! | 0:33:37 | 0:33:39 | |
-Am I late? -For Woodstock? By about 40 years. | 0:33:42 | 0:33:46 | |
OK people, come on, let's organise. | 0:33:46 | 0:33:49 | |
-I've raided my stash. -Thanks, Ron. | 0:33:49 | 0:33:53 | |
-Come on, Michael. -Michael! No! | 0:33:53 | 0:33:56 | |
No, sorry, that's my spot. | 0:33:56 | 0:33:58 | |
Does it really matter? | 0:33:58 | 0:34:00 | |
I said, that's my spot! | 0:34:00 | 0:34:01 | |
Yes. | 0:34:02 | 0:34:04 | |
-Yes? -Yes. Maybe. | 0:34:04 | 0:34:08 | |
Look, Max, don't get me wrong, I have roots here, deep ones, 20 generations. | 0:34:08 | 0:34:15 | |
But the town wasn't even on my sat nav. | 0:34:15 | 0:34:17 | |
Green, beach, sea. Not a bloody dot. | 0:34:17 | 0:34:21 | |
The seaside's coming back, Ken. | 0:34:21 | 0:34:23 | |
I'm looking for a ground floor investor who, like me, sees Sugartown as a blank canvas. | 0:34:25 | 0:34:31 | |
A blank, and as yet undeveloped, dirt cheap, Georgian frontaged canvas with good transport links. | 0:34:31 | 0:34:38 | |
But will they come? | 0:34:38 | 0:34:39 | |
You know what they say, if we build it. | 0:34:39 | 0:34:42 | |
HARMONICA PLAYS | 0:34:42 | 0:34:46 | |
-And I ask again, "Would anyone like to swap?" -Tea time! | 0:34:50 | 0:34:54 | |
Seriously, if you think I'm spending the next week listening to Ron "Blowing in the Wind"... | 0:35:00 | 0:35:06 | |
Max Burr! I stand a disappointed man. | 0:35:08 | 0:35:11 | |
I mean, kittens! I can't fit that square peg into my feminist hole. | 0:35:11 | 0:35:17 | |
-Here! -Well said, Ron! -Yeah. | 0:35:17 | 0:35:19 | |
-Well, when our Mayor's finished burning his bra? -Mayor? -Of Toy Town, Ken. -Well, hang on! | 0:35:19 | 0:35:24 | |
I need to factor in local opinion, Max. | 0:35:24 | 0:35:27 | |
All right, what's your point? | 0:35:27 | 0:35:29 | |
That we'd like to make you... | 0:35:29 | 0:35:31 | |
A counter offer? | 0:35:31 | 0:35:33 | |
We have rock, AKA, a USP. | 0:35:33 | 0:35:36 | |
We're family friendly, and I say that in an inclusive to alternative lifestyles sense. | 0:35:36 | 0:35:40 | |
Let me stir-fry something in your think wok, Ken. | 0:35:40 | 0:35:44 | |
One word, "staycations". | 0:35:44 | 0:35:46 | |
I know I'm watching my carbon footprints in the sand. | 0:35:46 | 0:35:49 | |
Folk are holidaying at home again. | 0:35:49 | 0:35:50 | |
At the moment, they're not doing it here. | 0:35:50 | 0:35:52 | |
But if we could restore the rock factory back to its former glory. | 0:35:52 | 0:35:56 | |
Can you build a town on rock alone? | 0:35:56 | 0:35:58 | |
It would be a tourist attraction! | 0:35:58 | 0:36:00 | |
Sweet treat theme park. | 0:36:00 | 0:36:03 | |
I'd need to know that there's plenty of tourist "sugar" in rock. | 0:36:03 | 0:36:08 | |
-Flesh it out and I'll consider. -We have lots of good ideas! | 0:36:10 | 0:36:14 | |
We have no ideas. | 0:36:18 | 0:36:21 | |
-I'm sorry. -You should have told me, Jason. | 0:36:26 | 0:36:29 | |
What, that you'd be marrying a failure? All those folks were counting on me for their jobs. | 0:36:29 | 0:36:35 | |
Mum and Dad got married at a love-in and look where it got them. | 0:36:36 | 0:36:40 | |
So I'd had this big idea. | 0:36:40 | 0:36:42 | |
A perfect wedding. Start as you mean to go on. | 0:36:42 | 0:36:45 | |
All that matters is not that one day, | 0:36:45 | 0:36:48 | |
it's all the ones after it. | 0:36:48 | 0:36:51 | |
I want to be your wife, Jason Burr. | 0:36:51 | 0:36:55 | |
You are very dependable. | 0:36:57 | 0:37:00 | |
No-one'll take this lying down. We are going to fight for this factory. | 0:37:03 | 0:37:07 | |
-This is for me to sort. -But you're not on your own! | 0:37:07 | 0:37:09 | |
Besides, we've all just had a meeting with Max's investor. | 0:37:09 | 0:37:13 | |
You've just had a meeting about the factory without me? | 0:37:15 | 0:37:18 | |
Like a pre-meeting. He was really interested, actually. | 0:37:18 | 0:37:21 | |
Yeah, I bet he bloody was! How do you know he's not going to go and tell Max all? | 0:37:21 | 0:37:24 | |
We're trying to help. We've said we'll put a presentation together. | 0:37:24 | 0:37:27 | |
This could save the factory, Jason! | 0:37:27 | 0:37:29 | |
Don't bother. Max was right, rock is dead. | 0:37:29 | 0:37:32 | |
All right, so what do we have? | 0:37:34 | 0:37:36 | |
An ageing population and a fading sense of hope. | 0:37:36 | 0:37:40 | |
I'm sorry, | 0:37:40 | 0:37:42 | |
he just won't budge. | 0:37:42 | 0:37:44 | |
What we're looking for is something that makes Sugartown special. | 0:37:46 | 0:37:50 | |
A rare species of puffin, some indication that someone important once came here, even if by accident. | 0:37:50 | 0:37:56 | |
Well, this is the place for it. I mean, anything that's important | 0:37:56 | 0:37:58 | |
to the town's past that nobody's actually interested in is stored here. | 0:37:58 | 0:38:03 | |
Didn't we have a famous murderer? The Flamborough Flayer? | 0:38:03 | 0:38:06 | |
I think he came from Flamborough, as is evidenced by his name, The Flamborough Flayer. | 0:38:06 | 0:38:11 | |
God, nothing good ever happens in Sugartown! | 0:38:11 | 0:38:14 | |
Fish! We've got fish! | 0:38:16 | 0:38:18 | |
I don't think we have a monopoly on the bounty of the sea, Anne. | 0:38:18 | 0:38:21 | |
Let's start looking, shall we? | 0:38:21 | 0:38:23 | |
I remember when you said, "Dad, I'm going to beauty school". | 0:38:37 | 0:38:40 | |
And I said, "Anything you want to do, Princess, is fine by me, | 0:38:40 | 0:38:44 | |
"though I don't hold with it myself, as the pursuit of a feminine ideal - reinforces gender stereotypes." | 0:38:44 | 0:38:50 | |
And you said, | 0:38:50 | 0:38:52 | |
"I don't need beauty school to make me a stereotype". And I said, "Fine." | 0:38:52 | 0:38:56 | |
And it was, for me and your mum. | 0:38:56 | 0:38:59 | |
Be it whatever, | 0:38:59 | 0:39:01 | |
the white witchery, ritual paganism, | 0:39:01 | 0:39:05 | |
Black Panthers. | 0:39:05 | 0:39:08 | |
If you love them, | 0:39:08 | 0:39:10 | |
you have to let them get there in their own time. | 0:39:10 | 0:39:12 | |
He'll come round. | 0:39:12 | 0:39:14 | |
Maybe Max will, too. | 0:39:17 | 0:39:19 | |
METALLIC CLANKING | 0:39:25 | 0:39:27 | |
This is all very well, but how precisely is this going to move us forward? | 0:39:43 | 0:39:48 | |
-Oooh! -Don't. -No, this one is good! | 0:39:48 | 0:39:51 | |
-No. -But you're a dancer. -No, I was a dancer. | 0:39:51 | 0:39:55 | |
Different lifetime. | 0:39:55 | 0:39:57 | |
And there are hundreds more, just like this one, all won by Sugartown. | 0:39:58 | 0:40:02 | |
Of course, it was before my time. | 0:40:02 | 0:40:05 | |
Yes, and mine. | 0:40:05 | 0:40:07 | |
I'm future facing as a rule and, hat's off, Blackpool play the long game, but going back, | 0:40:07 | 0:40:12 | |
it seems Sugartown used to be the centre for dance, and I'm talking famous. | 0:40:12 | 0:40:16 | |
Yeah, they used to came from all over for a whirl on the pier. | 0:40:16 | 0:40:21 | |
-So I'm told. -We need to convince this Ken that Sugartown's past is worth holding on to. | 0:40:21 | 0:40:26 | |
Along with rock, it turns out dance is the one thing that put this town on the map. | 0:40:26 | 0:40:30 | |
Look, Max wants to change this town. | 0:40:30 | 0:40:32 | |
We just want to hold on to what it's always been about. | 0:40:32 | 0:40:34 | |
So, we were thinking, we could put on a presentation. | 0:40:34 | 0:40:37 | |
A gala night to impress this Ken. It could be it could save the factory. | 0:40:37 | 0:40:41 | |
Look, we're none of us hotsteppers, so we'd need professional guidance. | 0:40:41 | 0:40:44 | |
Sorry, guys, I learnt long ago, don't get involved. | 0:40:44 | 0:40:49 | |
Oh, isn't your daughter somebody! Couldn't she get involved? | 0:40:49 | 0:40:52 | |
We'd need a space big enough to move around a bit. | 0:40:54 | 0:40:58 | |
I'll get my truss out! | 0:40:58 | 0:41:00 | |
So, have any of you got any experience? | 0:41:02 | 0:41:07 | |
-I can mash potato. -He can mash potato. -But can you do the Twist? | 0:41:07 | 0:41:12 | |
Er, no, no. Sorry, I can't do that. Sciatica. | 0:41:12 | 0:41:16 | |
I did a bit of disco at school. I'm not saying I was pro level, but... | 0:41:16 | 0:41:19 | |
Disco, right. Well, working on that vast experience base, Anne, | 0:41:19 | 0:41:25 | |
CD Two, please? | 0:41:25 | 0:41:28 | |
We'll try a bit of freestyle, give me an impression of how you move. | 0:41:28 | 0:41:32 | |
DISCO MUSIC PLAYS | 0:41:32 | 0:41:37 | |
Right! Let's get started. | 0:41:57 | 0:42:00 | |
MUSIC: "Disco Inferno" by The Trammps | 0:42:00 | 0:42:03 | |
# Burn baby burn | 0:42:04 | 0:42:05 | |
# Burn baby burn | 0:42:07 | 0:42:09 | |
# Burn baby burn | 0:42:10 | 0:42:13 | |
# To my surprise | 0:42:15 | 0:42:17 | |
# 100 storeys high | 0:42:17 | 0:42:21 | |
# People getting loose y'all | 0:42:21 | 0:42:25 | |
# Getting down on the roof | 0:42:25 | 0:42:28 | |
# I tell ya the folks were screaming. # | 0:42:28 | 0:42:32 | |
14 red. | 0:42:34 | 0:42:35 | |
COOL JAZZY MUSIC | 0:42:35 | 0:42:39 | |
# Secrets I hide in me deep down inside of me | 0:42:46 | 0:42:50 | |
# I keep them I keep them at bay ay ay | 0:42:50 | 0:42:54 | |
# No-one will ever know... # Liam, two glasses, one bottle. | 0:42:54 | 0:42:58 | |
Listen up, I've got a VIP in tonight, all right? | 0:42:58 | 0:43:00 | |
-I want you to make him feel special. Give him a bit of a chat, a drink or two. -I don't drink. | 0:43:00 | 0:43:05 | |
-It's on the house. -I don't drink. | 0:43:05 | 0:43:07 | |
-Well, all right, do you chat? -Maybe. -Right. | 0:43:07 | 0:43:11 | |
OK, I just want you to be my hostess with the mostess, all right? | 0:43:11 | 0:43:14 | |
You'll be doing me a real favour, all right? OK, off you pop. | 0:43:14 | 0:43:18 | |
I need something to change for me. | 0:43:20 | 0:43:22 | |
-Here we go. -Ken, I brought you a lucky charm. | 0:43:22 | 0:43:26 | |
Look after you for the evening. | 0:43:28 | 0:43:30 | |
Lovely. | 0:43:30 | 0:43:32 | |
Hello, my love. | 0:43:40 | 0:43:41 | |
Let's play, shall we? | 0:43:41 | 0:43:43 | |
Yes. | 0:43:43 | 0:43:45 | |
# ..Farewell you gentlemen goodbye my mental friends | 0:43:46 | 0:43:50 | |
# You hear what I'm sayin'...? # | 0:43:50 | 0:43:53 | |
-Yahoo! Ha-ha! Ho! -Wow! | 0:43:53 | 0:43:56 | |
-Get in! Lovely! -Let's be having you. | 0:43:56 | 0:44:00 | |
# ..I'm going to bury my troubles away | 0:44:07 | 0:44:11 | |
# I'm going to bury my troubles away | 0:44:11 | 0:44:15 | |
-# I'm going to bury my troubles... # -More champagne over here, please! | 0:44:15 | 0:44:21 | |
-# ..Away! # -That's 13. Come on! | 0:44:21 | 0:44:23 | |
In a minute, love. | 0:44:23 | 0:44:25 | |
Kittens rule! | 0:44:25 | 0:44:28 | |
-I tell you what. We are on a roll, Kylie. -All right! -Ladies and gentlemen, place your bets. | 0:44:28 | 0:44:32 | |
Mm, I got a really good feeling on evens. Double or nothing? | 0:44:32 | 0:44:36 | |
-What? No! Don't put it all on! What are you doing? -No more bets. | 0:44:36 | 0:44:40 | |
Ooh! Ooh! | 0:44:40 | 0:44:42 | |
Nine red, odd. | 0:44:47 | 0:44:50 | |
Whoopsies. | 0:44:51 | 0:44:53 | |
That was 20 sodding thou'! | 0:44:53 | 0:44:57 | |
I'm not really a kitten. | 0:44:57 | 0:44:58 | |
-Carmen! Down. -I'm not really a Kylie. -What the hell kind of scam are you running? I want my money back. | 0:44:58 | 0:45:05 | |
-All right. Ken I'm sure... -You running a scam? -Yeah, course he is. -I want my money back, if so. | 0:45:05 | 0:45:09 | |
No, no, no, no, no, no! No scam, all right? No scam. This gentleman's just chancing it, all right? No scam. | 0:45:09 | 0:45:15 | |
You have my word, OK? | 0:45:15 | 0:45:16 | |
This isn't over, Burr. | 0:45:28 | 0:45:29 | |
You're nuts, aren't you, eh? That's why Sam was so worried about you. Total bonkers crazy woman. | 0:45:33 | 0:45:38 | |
Get out! | 0:45:38 | 0:45:40 | |
Oi, Kylie! | 0:45:51 | 0:45:53 | |
Come here! | 0:45:55 | 0:45:57 | |
Carmen! | 0:46:00 | 0:46:01 | |
Carmen! | 0:46:01 | 0:46:03 | |
Carmen, what are you doing? | 0:46:04 | 0:46:06 | |
-Be back in a second. -No! You don't understand, you're going too fast! -Yep! | 0:46:06 | 0:46:10 | |
OK, I'm going a little too fast! | 0:46:10 | 0:46:12 | |
-Carmen, stay away from the beach! Use the brakes, use the brakes! -Can't find them. | 0:46:12 | 0:46:16 | |
-Agh! Argh! -SHE SCREAMS | 0:46:16 | 0:46:20 | |
I'm in the sea! Travis! | 0:46:21 | 0:46:23 | |
-Oh, my God, I don't want to die. -You're not going to die, come on. | 0:46:23 | 0:46:28 | |
-I can't swim! -You can, but... -I can't swim! -Salt causes... | 0:46:28 | 0:46:31 | |
Whoo! Travis! | 0:46:31 | 0:46:33 | |
-You'll be fine, it's not deep. -Take my hand! | 0:46:33 | 0:46:35 | |
-You've got to stand up! -I can stand! | 0:46:35 | 0:46:39 | |
I've got you. | 0:46:39 | 0:46:41 | |
I'm so sorry. | 0:46:47 | 0:46:49 | |
What? I've just had a near death experience. | 0:47:12 | 0:47:15 | |
Yeah, I reckon you might be having another one soon. | 0:47:15 | 0:47:18 | |
It's healthy! | 0:47:18 | 0:47:20 | |
Look, salad! | 0:47:20 | 0:47:23 | |
I'm sorry for almost killing you and for drowning your bike. | 0:47:25 | 0:47:30 | |
-Rickshaw. -Rickshaw. | 0:47:30 | 0:47:33 | |
It's just, I have this thing. | 0:47:33 | 0:47:36 | |
Like, I do crazy stuff. | 0:47:36 | 0:47:39 | |
I'm meant to take these pills. | 0:47:39 | 0:47:41 | |
Basically, I'm crackers. | 0:47:45 | 0:47:47 | |
I've ruined your career, haven't I? | 0:47:49 | 0:47:51 | |
-Have you got a spare rickshaw? -Not on me. | 0:47:53 | 0:47:56 | |
I'm so sorry. | 0:47:57 | 0:47:59 | |
It wasn't a career. | 0:48:03 | 0:48:06 | |
Least I'll have to sort myself out now, work out what I'm going to do. | 0:48:06 | 0:48:10 | |
You're welcome? | 0:48:10 | 0:48:12 | |
Oh, don't. | 0:48:20 | 0:48:22 | |
Um, I've got eggy breath. | 0:48:22 | 0:48:25 | |
MURMUR OF IMAGINED VOICES IN BACKGROUND | 0:48:48 | 0:48:53 | |
Oh, sorry. | 0:49:37 | 0:49:39 | |
Nice necklace. | 0:49:40 | 0:49:42 | |
From a girlfriend? | 0:49:42 | 0:49:45 | |
No. | 0:49:45 | 0:49:47 | |
It's from my mum. | 0:49:47 | 0:49:49 | |
-What? -No, I think it's nice that a grown man is that close to his mum. | 0:49:50 | 0:49:56 | |
I'm not. | 0:49:56 | 0:49:57 | |
I was adopted. The necklace was all they said she'd left me. | 0:49:57 | 0:50:00 | |
You mean... | 0:50:00 | 0:50:02 | |
you don't know who she is? | 0:50:02 | 0:50:04 | |
So she could be, like, someone important or famous? That's brilliant. | 0:50:06 | 0:50:13 | |
-Oh, and at the same time, very, very sad. -Not really. | 0:50:15 | 0:50:20 | |
I mean, she obviously couldn't care less, and neither do I. | 0:50:20 | 0:50:23 | |
And yet you wear the necklace? | 0:50:23 | 0:50:26 | |
I'm not being funny, but I've got to get going. | 0:50:26 | 0:50:29 | |
Oh, of course, what are we doing today? | 0:50:29 | 0:50:31 | |
I am going to go find work. | 0:50:31 | 0:50:34 | |
You should go back to your mum, who's probably doing her nut in with worry. | 0:50:34 | 0:50:38 | |
-She never bought me one half of a necklace. -But she was there, wasn't she? | 0:50:38 | 0:50:42 | |
Side, and little less than we planned. | 0:50:43 | 0:50:46 | |
Come on, we've still got two hours practice before tonight. Side, side. Emily, would you just take over? | 0:50:46 | 0:50:53 | |
Keep going, keep going. | 0:50:53 | 0:50:56 | |
-Where the hell have you been? -Losing another job. | 0:50:56 | 0:51:00 | |
Congratulations. | 0:51:00 | 0:51:02 | |
What happened? | 0:51:03 | 0:51:04 | |
I didn't like it. I'm fine. | 0:51:04 | 0:51:08 | |
I'm totally rubbish, aren't I? | 0:51:12 | 0:51:13 | |
What am I good for? No-one gets me. | 0:51:13 | 0:51:17 | |
-I don't get you. -Yeah, but you tolerate me. -I have to, you're family. | 0:51:17 | 0:51:20 | |
Thanks for not saying "I told you so". | 0:51:20 | 0:51:27 | |
Well, you can pay me back by doing one thing. | 0:51:27 | 0:51:29 | |
Come to the gala tonight. | 0:51:29 | 0:51:31 | |
OK, but I'm not going there with the dance thing any more, so... | 0:51:31 | 0:51:36 | |
-don't even try and get my groove back or anything. -Fine. -Are you OK? | 0:51:36 | 0:51:41 | |
You look...glowy. | 0:51:41 | 0:51:43 | |
Think I might have got my groove back. | 0:51:43 | 0:51:47 | |
I don't reckon you'll impress some big investor bloke here. | 0:51:49 | 0:51:53 | |
Use the factory. My dispatch is all still done up after our "do". | 0:51:54 | 0:51:58 | |
Give this Ken a better clue about what we're fighting for. | 0:51:58 | 0:52:00 | |
Give him that sweet taste of what Sugartown's all about, yeah? | 0:52:00 | 0:52:04 | |
Ladies and Gentlemen, Ron Shirley, our mayor. | 0:52:04 | 0:52:09 | |
APPLAUSE | 0:52:09 | 0:52:10 | |
Tonight we celebrate all the pick and mix flavours of our beloved rock factory. | 0:52:10 | 0:52:18 | |
My mum's an amazing dancer and I'm not even joking. | 0:52:18 | 0:52:21 | |
-They gave her a trophy and everything. -I don't do civic pride. | 0:52:21 | 0:52:24 | |
Yeah, you're pale and interesting. Get over yourself. | 0:52:24 | 0:52:26 | |
As you probably know, Sugartown once had quite a reputation for dance and we are going to regenerate | 0:52:32 | 0:52:41 | |
that tradition with a little number that tells the 200 year story of this factory. | 0:52:41 | 0:52:49 | |
In under five minutes. | 0:52:49 | 0:52:51 | |
-Bloody hell, it's Bertie Bassett! -Lights, please. | 0:52:52 | 0:52:56 | |
# We built this city | 0:52:56 | 0:52:59 | |
# We built this city on rock'n'roll | 0:53:01 | 0:53:04 | |
# We built this city | 0:53:04 | 0:53:05 | |
# We built this city on rock'n'roll | 0:53:07 | 0:53:13 | |
# Say you don't know me | 0:53:27 | 0:53:29 | |
# Or recognise my face... # | 0:53:30 | 0:53:32 | |
ELECTRICITY POWERS DOWN AUDIENCE GROANS | 0:53:32 | 0:53:36 | |
-Just keep dancing! -To what? There's no beat! -Where's the lights? | 0:53:36 | 0:53:40 | |
This is ridiculous. | 0:53:40 | 0:53:42 | |
Don't do that, you'll look stupid. | 0:53:42 | 0:53:43 | |
What's going on? | 0:53:46 | 0:53:47 | |
TAPS FEET, SNAPS FINGERS | 0:53:47 | 0:53:50 | |
SNAPPING FINGERS | 0:53:53 | 0:53:55 | |
PACEY MUSIC WITH DRIVING BEAT | 0:53:55 | 0:53:57 | |
# All I want is to | 0:54:05 | 0:54:08 | |
# Dance with you | 0:54:08 | 0:54:09 | |
# Not make love yeah although it would be cool | 0:54:11 | 0:54:14 | |
# Get yourself ready and looking out of sight | 0:54:16 | 0:54:20 | |
# Make sure you're at the party Only want to see you | 0:54:20 | 0:54:23 | |
# Dancing on the floor tonight | 0:54:23 | 0:54:26 | |
# Tell me what it's all about Come on and jump | 0:54:29 | 0:54:32 | |
# Baby get your hands up Swing it to the north and south | 0:54:32 | 0:54:35 | |
# Come on and jump | 0:54:35 | 0:54:38 | |
# Tell me what it's all about Come on and jump | 0:54:39 | 0:54:43 | |
# Baby throw your hands up Swing them to the north and south | 0:54:43 | 0:54:46 | |
# Come on and jump Get your arms out | 0:54:46 | 0:54:49 | |
# Tell me what it's all about Everybody scream and shout. # | 0:54:49 | 0:54:54 | |
APPLAUSE AND CHEERING | 0:54:55 | 0:54:58 | |
All right, you know a little bit about dance. | 0:55:05 | 0:55:10 | |
Now I know why rock stars go on crazy fuelled binges after burning up the stage with an awesome gig. | 0:55:18 | 0:55:23 | |
-I'm just wired! -I thought you really got your freak on. | 0:55:23 | 0:55:26 | |
-What? I watch MTV. -Yeah, well, not much else to do round here, is there? | 0:55:27 | 0:55:32 | |
Ron, disengage yourself from the lad and let him breathe. | 0:55:32 | 0:55:36 | |
Now, have you had a plate? | 0:55:36 | 0:55:38 | |
Oh, I'm so sorry. Not the prawns! | 0:55:38 | 0:55:42 | |
Let me help you with your... Here we go. | 0:55:42 | 0:55:44 | |
What is it with you? | 0:55:44 | 0:55:46 | |
Say your brother isn't behind this scheme. | 0:55:51 | 0:55:54 | |
No! Absolutely not. | 0:55:54 | 0:55:56 | |
I loved the retro nostalgia angle with the old time sweets. | 0:55:56 | 0:56:00 | |
I remember when Burrs was numero uno. | 0:56:00 | 0:56:02 | |
-Cuanto costa? -Well, we're keen to take the factory forward. | 0:56:02 | 0:56:07 | |
We want to be, "numero uno" again. The problem is at the minute, it's a cash flow issue. | 0:56:07 | 0:56:13 | |
Well, perhaps I can sort you out a sticky tape till we talk terms. | 0:56:13 | 0:56:17 | |
-Burt Burrs Butter Bang Bangs. Loved 'em. | 0:56:17 | 0:56:20 | |
Oh, wonderful! | 0:56:20 | 0:56:22 | |
Max! | 0:56:35 | 0:56:36 | |
Kylie! | 0:56:40 | 0:56:42 | |
You have got to be joking me! | 0:56:42 | 0:56:44 | |
What the hell is this town, anyway? | 0:56:44 | 0:56:46 | |
-Excuse me! -Who the hell's Kylie? | 0:56:46 | 0:56:49 | |
Bye, bye, Burrs. | 0:56:51 | 0:56:53 | |
I'm really, really sorry. | 0:56:53 | 0:56:56 | |
And after all your hard work with the sweets, | 0:56:56 | 0:57:00 | |
and the history of the sweets and the old ways of making of the sweets | 0:57:00 | 0:57:04 | |
and you being the sweets. | 0:57:04 | 0:57:07 | |
I learnt a lot about sweets. | 0:57:07 | 0:57:10 | |
I'm sorry I never had a Butter Bang Bang. | 0:57:10 | 0:57:12 | |
Carmen's right. | 0:57:12 | 0:57:14 | |
Even Ken said it. | 0:57:14 | 0:57:16 | |
Well, the history this factory's got and dance has shown us the way. | 0:57:16 | 0:57:20 | |
We should be looking back on our glorious past, not forwards. | 0:57:20 | 0:57:24 | |
And we don't need this Ken's money to use what we've already got, | 0:57:24 | 0:57:28 | |
all our old favourites from back in Burrs' glory days! | 0:57:28 | 0:57:31 | |
Like a nostalgia range? | 0:57:31 | 0:57:33 | |
Well, if you like it, you know? | 0:57:33 | 0:57:37 | |
I mean, if you think it's a good idea. | 0:57:37 | 0:57:40 | |
I don't know what to say. | 0:58:04 | 0:58:06 | |
And I mean I REALLY don't know what to say! | 0:58:06 | 0:58:10 | |
Carmen did some really excellent blue sky thinking. | 0:58:10 | 0:58:13 | |
She said we're relaunching Burrs, why not Sugartown's Dance Academy, too! | 0:58:13 | 0:58:18 | |
Bringing dance to the people. | 0:58:18 | 0:58:20 | |
Oh, you'll want to be staying, won't you, if we're going to be promoting Sugartown as a dance Mecca? | 0:58:20 | 0:58:24 | |
I've already bought the legwarmers. | 0:58:24 | 0:58:27 | |
Fab! Yes! | 0:58:30 | 0:58:31 | |
Yes! All right! | 0:58:33 | 0:58:36 | |
# If I had a million dollars or ten | 0:58:36 | 0:58:41 | |
# I'd give it to you world and then | 0:58:41 | 0:58:46 | |
# Go away and let me spend my life in shoo shoo shoo | 0:58:46 | 0:58:52 | |
# Shoo shoo shoo shoo-shoo shoo-shoo shoo-shoo Sugartown | 0:58:52 | 0:58:58 | |
# Shoo shoo shoo-shoo Sugartown. # | 0:59:00 | 0:59:03 |