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THEME MUSIC | 0:00:01 | 0:00:03 | |
APPLAUSE AND CHEERING | 0:00:16 | 0:00:20 | |
Hello. Hi. I'm Nick Grimshaw. Welcome to Sweat The Small Stuff - | 0:00:27 | 0:00:30 | |
the panel show about those little annoyances in life, | 0:00:30 | 0:00:33 | |
because life's little annoyances really are worth sweating over. | 0:00:33 | 0:00:37 | |
This week, I've been sweating about our society's | 0:00:37 | 0:00:40 | |
elevation of celebrities to god-like status. | 0:00:40 | 0:00:42 | |
Kanye West - have you seen this story? | 0:00:42 | 0:00:44 | |
He has been hailed as the new Messiah in some street art | 0:00:44 | 0:00:48 | |
that portrays him as Jesus Christ. | 0:00:48 | 0:00:50 | |
Here he is. This is Kanye here. | 0:00:50 | 0:00:52 | |
LAUGHTER | 0:00:52 | 0:00:54 | |
And they questioned, "The New Messiah?" | 0:00:54 | 0:00:56 | |
No, just a singer. | 0:00:56 | 0:00:59 | |
I wonder what the real Messiah would make of all that? | 0:01:00 | 0:01:04 | |
Let's just ask him, he's here. Seann, our Lord. | 0:01:04 | 0:01:07 | |
APPLAUSE AND WHOOPING | 0:01:07 | 0:01:09 | |
Let's get on with the show. Let's meet the teams. | 0:01:10 | 0:01:13 | |
First up, the lovely Rochelle Humes and her team. | 0:01:13 | 0:01:15 | |
APPLAUSE | 0:01:15 | 0:01:18 | |
On my team, we have Game Of Thrones star Gemma Whelan. | 0:01:18 | 0:01:22 | |
APPLAUSE | 0:01:22 | 0:01:24 | |
And in my opinion, the coolest Radio 1 DJ. It's Scott Mills! | 0:01:24 | 0:01:28 | |
APPLAUSE | 0:01:28 | 0:01:30 | |
And over here, we have the teeny-tiny Melvin Odoom. | 0:01:33 | 0:01:36 | |
Who is on your team this week? | 0:01:36 | 0:01:37 | |
On my team I've got | 0:01:37 | 0:01:39 | |
the award-winning stand-up comedian, Seann Walsh! | 0:01:39 | 0:01:41 | |
APPLAUSE | 0:01:41 | 0:01:43 | |
And the world-famous model, Daisy Lowe. | 0:01:45 | 0:01:47 | |
APPLAUSE | 0:01:47 | 0:01:50 | |
-Rochelle, how are you? -Very good. How are you? -Yeah, very good. -Good. | 0:01:53 | 0:01:56 | |
You recently announced that The Saturdays are going to tour | 0:01:56 | 0:01:59 | |
-in September. -Yes, we are. | 0:01:59 | 0:02:00 | |
There they are. Where's the other one? | 0:02:00 | 0:02:03 | |
That was when Frankie was off having a baby. | 0:02:03 | 0:02:05 | |
She was having a baby right then, and you're like, "Whatever! | 0:02:05 | 0:02:09 | |
"More camera time for me!" | 0:02:09 | 0:02:12 | |
-What's happening is you're doing a greatest hits album. -Yes. | 0:02:12 | 0:02:16 | |
This is when you tell me, "How many have you had?" Go on. | 0:02:16 | 0:02:18 | |
That means it's the end, innit? You're splitting up. | 0:02:18 | 0:02:21 | |
Yes, it does! | 0:02:21 | 0:02:23 | |
Greatest hits tour and a greatest hits album, that is like, "See ya!" | 0:02:23 | 0:02:28 | |
-No, it's not. -Melvin Odoom, how are you? -We're good, man. | 0:02:30 | 0:02:34 | |
Let's get to know your team-mates. | 0:02:34 | 0:02:37 | |
The very beautiful model Daisy Lowe is here. | 0:02:37 | 0:02:40 | |
CHEERING AND APPLAUSE | 0:02:40 | 0:02:42 | |
-Hi. -Hi. -Welcome to Sweat The Small Stuff. | 0:02:42 | 0:02:45 | |
Thanks. Thanks for having me. | 0:02:45 | 0:02:47 | |
Melvin, how are you feeling about sitting next to this girl? | 0:02:47 | 0:02:49 | |
She is a problem. I'm not going to lie. | 0:02:49 | 0:02:52 | |
When I was standing over there, I could see her from behind. | 0:02:52 | 0:02:55 | |
I was like, "My goodness." | 0:02:55 | 0:02:57 | |
I don't know why your second name rhymes with no, | 0:02:57 | 0:03:00 | |
cos when I look at you I just think, "Yes!" | 0:03:00 | 0:03:02 | |
Oh, no! | 0:03:06 | 0:03:07 | |
Do you ever look in the mirror and be like, "Still got it"? | 0:03:09 | 0:03:11 | |
-No. -No?! -If I do sexy shoots, I pretend to be someone else. -Really? | 0:03:14 | 0:03:17 | |
-Who do you pretend to be? Me? -You. -Seann? | 0:03:17 | 0:03:20 | |
How do you do sexy? How do you do it? | 0:03:26 | 0:03:27 | |
You have to have a little bit of a parting in the mouth. | 0:03:27 | 0:03:30 | |
A little bit of a like... | 0:03:30 | 0:03:32 | |
She's a problem. | 0:03:32 | 0:03:34 | |
Daisy, someone told me if you were to look sexy in a photograph, | 0:03:39 | 0:03:43 | |
you're meant to pretend that you're biting into an apple like... | 0:03:43 | 0:03:46 | |
I've never... No, I've never heard that one. | 0:03:48 | 0:03:51 | |
- Next time, mate, Vogue... - I will definitely do that. | 0:03:51 | 0:03:53 | |
-Shall we have a look at you being sexy? -Yeah! | 0:03:54 | 0:03:57 | |
-No. -Oh, my God, Rochelle! | 0:03:57 | 0:03:59 | |
Rochelle is horny for Daisy Lowe. | 0:03:59 | 0:04:02 | |
-Yeah! -She's a problem. She's a problem. -Look at you, | 0:04:03 | 0:04:06 | |
-getting all sexy with a ladder! -She's a problem. | 0:04:06 | 0:04:09 | |
-It is a ladder. -I find ladders so sexy. | 0:04:09 | 0:04:13 | |
It's a French ladder. | 0:04:14 | 0:04:15 | |
Oh.... | 0:04:15 | 0:04:17 | |
LAUGHTER | 0:04:17 | 0:04:20 | |
In this next one, you are very, very naked, | 0:04:20 | 0:04:22 | |
so we've covered you up in the most tasteful way | 0:04:22 | 0:04:25 | |
that we could think of. | 0:04:25 | 0:04:27 | |
Oh, my... | 0:04:27 | 0:04:29 | |
LAUGHTER AND APPLAUSE | 0:04:29 | 0:04:30 | |
Still naked. | 0:04:32 | 0:04:33 | |
I didn't even make that photo, you know? Melvin brought that in. | 0:04:35 | 0:04:38 | |
Gemma Whelan, welcome to Sweat The Small Stuff. | 0:04:40 | 0:04:43 | |
-Hi, Gemma. -Hi. | 0:04:45 | 0:04:47 | |
Hi, Grimmy. | 0:04:47 | 0:04:48 | |
Gemma, not only are you an amazing comedian | 0:04:48 | 0:04:50 | |
but you are also in Game Of Thrones. | 0:04:50 | 0:04:52 | |
-Yes. -You play Yara Greyjoy. -Yes. | 0:04:52 | 0:04:55 | |
Game Of Thrones is massive. It's a huge, huge show. | 0:04:55 | 0:04:57 | |
-Did you know when you were in it, that it was going to be this big? -No idea. | 0:04:57 | 0:05:01 | |
No idea but, um, I had a moral dilemma on Game Of Thrones. | 0:05:01 | 0:05:04 | |
It was the first day of shooting and I'm eating a load of chicken. | 0:05:04 | 0:05:07 | |
Don't ruin it. | 0:05:07 | 0:05:09 | |
Way back when. | 0:05:09 | 0:05:10 | |
I was too nervous to tell them I was a vegetarian so I was like, | 0:05:10 | 0:05:14 | |
"Do I eat chicken all day or do I tell them? What if I lose the job? | 0:05:14 | 0:05:17 | |
-"Just get on with it." So I ate chicken all day. -Eurgh! | 0:05:17 | 0:05:20 | |
GROANING | 0:05:20 | 0:05:22 | |
How long had you been a vegetarian? | 0:05:22 | 0:05:23 | |
-Five or six years. -Wow! -I was just too nervous. | 0:05:23 | 0:05:25 | |
Is that just like something filthy or is it a moral dilemma? I don't know. | 0:05:25 | 0:05:29 | |
No, chicken's delicious. | 0:05:29 | 0:05:31 | |
You're blessed. | 0:05:33 | 0:05:34 | |
Now, Game Of Thrones - I don't know if you know - | 0:05:34 | 0:05:36 | |
-the most illegally downloaded show in the world in 2013. -Yes. | 0:05:36 | 0:05:42 | |
Not that we condone this at the BBC at all. | 0:05:42 | 0:05:45 | |
-But that is bloody impressive. -It is. | 0:05:45 | 0:05:47 | |
Of EVERYTHING on the telly, more people didn't want to pay for that than anything else. | 0:05:49 | 0:05:53 | |
Yes. | 0:05:53 | 0:05:55 | |
Let's take a look at you in Game Of Thrones. | 0:05:55 | 0:05:57 | |
You been at sea long? | 0:05:57 | 0:05:59 | |
Or were there just no women where you came from? | 0:05:59 | 0:06:01 | |
-None like you. -You don't know what I'm like. | 0:06:01 | 0:06:04 | |
You don't know what you're like. | 0:06:04 | 0:06:06 | |
And you need someone to teach you. | 0:06:06 | 0:06:08 | |
Do you know who I am? | 0:06:10 | 0:06:11 | |
You think I offer free rides to every man in jewellery? | 0:06:11 | 0:06:15 | |
APPLAUSE AND CHEERING | 0:06:15 | 0:06:17 | |
Why is it always about sex on Game Of Thrones? | 0:06:21 | 0:06:24 | |
-Well, isn't everything? -Yeah. | 0:06:24 | 0:06:26 | |
Seann, doesn't your friend call Game Of Thrones "tits with dragons"? | 0:06:27 | 0:06:30 | |
-Yeah, tits with dragons. -Tits with dragons. | 0:06:30 | 0:06:32 | |
I'm staying in tonight watching tits and dragons. | 0:06:32 | 0:06:35 | |
See you later, mate. | 0:06:36 | 0:06:38 | |
< Is that your mum? | 0:06:38 | 0:06:40 | |
AUDIENCE: Whoo! | 0:06:40 | 0:06:43 | |
Why are you clapping that?! How old are you?! | 0:06:46 | 0:06:49 | |
"Is that your mum?" I've just done a big bloke's deep voice. | 0:06:51 | 0:06:54 | |
"Is that your mum?" "Oh!" | 0:06:54 | 0:06:57 | |
-WOMAN: -I love you! -She loves you. | 0:06:59 | 0:07:01 | |
That's my mum. | 0:07:02 | 0:07:04 | |
Scott Mills is here, everybody! | 0:07:06 | 0:07:08 | |
Hello. | 0:07:10 | 0:07:12 | |
Hi, Scott Mills. | 0:07:12 | 0:07:14 | |
What would you say there is to sweat about being on the radio? | 0:07:14 | 0:07:16 | |
Oh, God. Right, so he does the Radio 1 breakfast show, yeah? OK. | 0:07:16 | 0:07:21 | |
So that's fine. We are colleagues on Radio 1. | 0:07:21 | 0:07:23 | |
Don't text my phone to get a shout out on Radio 1. | 0:07:23 | 0:07:27 | |
NO! Really? | 0:07:27 | 0:07:30 | |
I only do it for him. But it's like, "Oh, can I have a shout out?" | 0:07:30 | 0:07:33 | |
"All right then, you weirdo. Fine." | 0:07:33 | 0:07:34 | |
But Scott, you are known for playing the best games on the radio. | 0:07:36 | 0:07:40 | |
-You've got the Homes Under The Hammer game. -I love that. | 0:07:40 | 0:07:42 | |
The best game ever. | 0:07:42 | 0:07:43 | |
-You've got Innuendo Bingo. -Yeah. -Again, best game ever. | 0:07:43 | 0:07:46 | |
Do you know what I mean? | 0:07:46 | 0:07:48 | |
That is a majorly famous game. | 0:07:48 | 0:07:49 | |
What I thought I'd do now, cos it must be a lot of pressure and you must sweat constantly | 0:07:49 | 0:07:53 | |
-over coming up with those games, so I thought I'd pitch some games to you right now. -OK. | 0:07:53 | 0:07:57 | |
-If you like them, you can have them for the radio. -Thanks(!) -Yeah? | 0:07:57 | 0:08:00 | |
We could find the new Innuendo Bingo right here, right now. | 0:08:00 | 0:08:03 | |
OK, can I just say there's not one called Mills On Wheels, is there? | 0:08:03 | 0:08:07 | |
Cos that's what I got called at school. Quite close. | 0:08:07 | 0:08:10 | |
-The first game - Scott Meals. -Oh. | 0:08:10 | 0:08:13 | |
Um... | 0:08:13 | 0:08:15 | |
There we go, Scott Meals. | 0:08:15 | 0:08:16 | |
In this game, you have to get the listeners to guess what meal you're eating. | 0:08:16 | 0:08:21 | |
It's on at lunchtime. | 0:08:21 | 0:08:23 | |
You eat your lunch and they have to guess what you're | 0:08:24 | 0:08:27 | |
eating by the sound of your munching. | 0:08:27 | 0:08:29 | |
-Not a... -It is brilliant. | 0:08:29 | 0:08:31 | |
Take a listen. What am I eating? What's in my mouth, Scott Mills? | 0:08:31 | 0:08:36 | |
SLURPING ON RECORDING | 0:08:36 | 0:08:39 | |
Oh... | 0:08:40 | 0:08:41 | |
-Noodles. -Let's find out if you're right. | 0:08:41 | 0:08:44 | |
BUZZ | 0:08:44 | 0:08:45 | |
It's actually spaghetti. | 0:08:49 | 0:08:50 | |
APPLAUSE | 0:08:50 | 0:08:52 | |
The nation goes wild. You're not feeling Scott Meals, are you? | 0:08:52 | 0:08:56 | |
-Was that spaghetti from a can? -It was. -You dirty bastard. | 0:08:56 | 0:08:59 | |
-You're not feeling that, so what about...Scott Feels? -Oh, God. | 0:09:01 | 0:09:05 | |
It's a game in which listeners guess which object you're feeling... | 0:09:05 | 0:09:09 | |
-Sure. -..by the sound that your voice makes when you are feeling said object. | 0:09:09 | 0:09:14 | |
-All right, then. -Let's play Scott Feels. | 0:09:14 | 0:09:18 | |
'Ooh, it's really soft, and sensual, and smooth, and round. And I'd... | 0:09:18 | 0:09:23 | |
'It's like a big Malteser that I just want to eat. | 0:09:23 | 0:09:26 | |
'Mmm, yum-yum, yum-yum. | 0:09:26 | 0:09:29 | |
'Um, yum-yum, yum-yum.' | 0:09:29 | 0:09:30 | |
-Great game. -Melvin's head! Melvin's head! -You think Melvin's head? | 0:09:30 | 0:09:34 | |
LAUGHTER | 0:09:34 | 0:09:36 | |
OK, eating Melvin's head. | 0:09:37 | 0:09:39 | |
APPLAUSE | 0:09:39 | 0:09:40 | |
Let's find out if you're right. | 0:09:40 | 0:09:42 | |
Oh, it's really soft, and sensual, | 0:09:42 | 0:09:46 | |
and smooth, and round, and it's like a big Malteser | 0:09:46 | 0:09:49 | |
that I just want to eat. | 0:09:49 | 0:09:51 | |
Um, yum-yum, yum-yum, yum-yum. Um, yum-yum, yum-yum. | 0:09:51 | 0:09:55 | |
-Do you want Scott Feels for your show? -I'll take that one. | 0:09:55 | 0:09:58 | |
You'll take Scott Feels? Yay! | 0:09:58 | 0:10:00 | |
Right, let's get on with the show. | 0:10:02 | 0:10:04 | |
This round is about a sweat that Seann has had about men | 0:10:04 | 0:10:07 | |
thinking he's a woman from behind. | 0:10:07 | 0:10:09 | |
So, what's happened? People have thought you're actually a woman? | 0:10:09 | 0:10:13 | |
-Well, I've been mistaken for lots of women. -Yeah. | 0:10:13 | 0:10:17 | |
Sometimes a girl from Outnumbered. | 0:10:17 | 0:10:19 | |
Just spin round. Look over there. Let's... | 0:10:19 | 0:10:22 | |
Oh... That looks... Ooh... | 0:10:23 | 0:10:25 | |
Hang on, let's do it like, "Ooh, that looks like a pretty lady. | 0:10:25 | 0:10:28 | |
"I wonder what she looks like from the front?" | 0:10:28 | 0:10:30 | |
ARGH! | 0:10:30 | 0:10:32 | |
Now, we are going to put this to the test in a game where the teams | 0:10:34 | 0:10:37 | |
have to work out if members of our audience are boys or girls | 0:10:37 | 0:10:41 | |
just by looking at them from behind. It's a very high-brow game. | 0:10:41 | 0:10:45 | |
Right, join me over at Grimfellows to play Is It A Boy Or Is It A Girl? | 0:10:45 | 0:10:49 | |
MUSIC: "Girls & Boys" by Blur | 0:10:49 | 0:10:53 | |
So put your blindfolds on. Please welcome our first boy or girl. | 0:10:57 | 0:11:03 | |
APPLAUSE | 0:11:03 | 0:11:05 | |
There you go. | 0:11:05 | 0:11:07 | |
OK, blindfolds off, | 0:11:07 | 0:11:09 | |
Melvin's team. Do they look like they've just stepped out of a salon, | 0:11:09 | 0:11:13 | |
or just stepped off of...I don't know, a manly day at the man things? | 0:11:13 | 0:11:17 | |
I don't know about that haircut, firstly. | 0:11:17 | 0:11:20 | |
I think a girl would like that haircut. | 0:11:20 | 0:11:23 | |
-You think that's a girl's haircut? -You think that's a girl? Yeah? | 0:11:23 | 0:11:26 | |
Nice little ears like a pixie. | 0:11:26 | 0:11:28 | |
You see, this is what I'm saying. A girl. | 0:11:28 | 0:11:31 | |
-So, you're saying a girl? -Yeah. -You think a girl? | 0:11:31 | 0:11:33 | |
I think definitely a lesbian. Yeah. | 0:11:33 | 0:11:35 | |
GROANING AND LAUGHTER | 0:11:35 | 0:11:38 | |
OK, let's find out if you're right. | 0:11:40 | 0:11:44 | |
You're saying "girl". | 0:11:44 | 0:11:45 | |
Seann, I think you should come over and find out. | 0:11:45 | 0:11:48 | |
Is Seann going to get glassed? Let's find out. | 0:11:52 | 0:11:55 | |
I've got this. I'm going to tap. I'm going to tap that. | 0:11:55 | 0:11:59 | |
Excuse me, I was just wondering | 0:12:02 | 0:12:04 | |
if you'd like a nice glass of white wine? | 0:12:04 | 0:12:06 | |
-I'm Kelly and I'm a girl. -BELL RINGS | 0:12:06 | 0:12:09 | |
Yes! | 0:12:09 | 0:12:10 | |
Oh... | 0:12:10 | 0:12:12 | |
Thank you. | 0:12:12 | 0:12:14 | |
A beautiful girl. A very beautiful girl face. | 0:12:15 | 0:12:18 | |
Oh, I think I've pulled. | 0:12:18 | 0:12:20 | |
-I don't think so. -No? -Sit down. -Back down. | 0:12:20 | 0:12:23 | |
Please welcome our next audience member. Is it a boy or is it a girl? | 0:12:23 | 0:12:27 | |
MUSIC: "Girls & Boys" by Blur | 0:12:27 | 0:12:31 | |
OK, you can take your blindfolds off. | 0:12:35 | 0:12:37 | |
Is it a boy or is it a girl? | 0:12:37 | 0:12:39 | |
Has Ed Sheeran just got back from travelling? | 0:12:40 | 0:12:42 | |
Seriously though, Melvin, you do like to chat up ladies in the bar. | 0:12:44 | 0:12:48 | |
If you saw this head, would you be like, | 0:12:48 | 0:12:51 | |
"I'm going to have sex with them"? | 0:12:51 | 0:12:54 | |
I think you... | 0:12:54 | 0:12:55 | |
I think you guys have stitched me up, cos I know this head. | 0:12:55 | 0:12:58 | |
-You know that head?! -I know this head, yeah. -You know this head? | 0:12:58 | 0:13:01 | |
-How do you know this head? -Oh, my God, that's... | 0:13:01 | 0:13:03 | |
-I met her about a month ago. -No way! | 0:13:03 | 0:13:06 | |
And she's a surfer, which is why her hair looks like that. | 0:13:06 | 0:13:10 | |
Do you want to do this? You're saying a girl and you know her? | 0:13:10 | 0:13:13 | |
This just tells us something cos you recognise her from behind. | 0:13:13 | 0:13:16 | |
LAUGHTER AND APPLAUSE | 0:13:16 | 0:13:18 | |
-Do you want to find out if it's a boy or a girl? -I know it's a girl. | 0:13:20 | 0:13:23 | |
OK, then, come and buy her a drink. | 0:13:23 | 0:13:25 | |
-Did you say you've dated her? -Yeah. | 0:13:25 | 0:13:27 | |
He's dated everyone that ever comes on to the show. | 0:13:27 | 0:13:29 | |
Including me and I didn't like it! | 0:13:29 | 0:13:33 | |
Come on, Melvin, let's find out. Is he right? He's saying it's a girl he's dated. | 0:13:34 | 0:13:38 | |
-Tap dance? -Let's find out. Is it? -Tap dance. | 0:13:38 | 0:13:41 | |
-Or will he be slapped in the face? -Oh, my God! | 0:13:41 | 0:13:43 | |
-It's the look. -Here we go. Here we go. | 0:13:43 | 0:13:46 | |
Hiya, sexy. Can I get you a drink? | 0:13:46 | 0:13:48 | |
-I'm Luke and I'm a boy. -BUZZER | 0:13:48 | 0:13:50 | |
No! | 0:13:50 | 0:13:52 | |
Have you got a sister? You don't have a sister? | 0:14:00 | 0:14:03 | |
All right, my mistake. My mistake. | 0:14:03 | 0:14:05 | |
Thank you, Luke, everybody! | 0:14:08 | 0:14:10 | |
CHATTER DROWNED OUT BY APPLAUSE | 0:14:10 | 0:14:13 | |
-Did you really think it was her? -From the back, she's... | 0:14:13 | 0:14:16 | |
well, he's exactly the same. | 0:14:16 | 0:14:18 | |
-Do you want his number? -Yeah, just in case. | 0:14:18 | 0:14:20 | |
Um, well done to Melvin's team. | 0:14:23 | 0:14:25 | |
Could you make your way back over there, please? Thank you, guys. | 0:14:25 | 0:14:28 | |
# Dude looked like a lady... # | 0:14:28 | 0:14:30 | |
Thank you for playing Is it A Boy Or Is It A Girl? - a very high-brow game. | 0:14:30 | 0:14:34 | |
Such a good game. OK. | 0:14:38 | 0:14:40 | |
Anything been getting on your nerves recently, Seann, | 0:14:40 | 0:14:42 | |
that you'd like to get off your chest right now? | 0:14:42 | 0:14:44 | |
-Loads of stuff. -OK. Well, go on, then. | 0:14:44 | 0:14:46 | |
For example, last week on tour, my mate came with my support act | 0:14:46 | 0:14:51 | |
and, out of kindness, I offered to sit in the back of the car. | 0:14:51 | 0:14:55 | |
-Oh, bad move. -Yeah. For a start, you're no longer a passenger. | 0:14:55 | 0:14:59 | |
I've realised, what happens is, you become the bin. | 0:14:59 | 0:15:02 | |
LAUGHTER That is what happens. | 0:15:02 | 0:15:04 | |
You're sat there and all you get from your mates is, | 0:15:04 | 0:15:07 | |
"Sorry, mate, couldn't put that in the back, could you?" | 0:15:07 | 0:15:09 | |
Kit Kat wrappers, Walkers crisps, sandwiches. | 0:15:09 | 0:15:12 | |
"Yeah, sure. Don't worry about that. Yeah. | 0:15:12 | 0:15:14 | |
"Cheers, mate. No worries. Yeah, thank you. Honestly, don't worry." | 0:15:14 | 0:15:17 | |
You are not part of the conversation any more. | 0:15:17 | 0:15:20 | |
You've got your two mates going, "That's great. We should do that." | 0:15:20 | 0:15:23 | |
With my head in-between the two seats going, "What's that? | 0:15:23 | 0:15:25 | |
-"What's going on? That sounds good." -That's so true! | 0:15:25 | 0:15:32 | |
-Never getting in the back of a car ever again. -It's ridiculous. | 0:15:32 | 0:15:36 | |
OK. It's time now for Rochelle and Melvin - The Challenges. | 0:15:36 | 0:15:39 | |
This is where, each week, | 0:15:39 | 0:15:41 | |
I challenge our team captains Rochelle and Melvin | 0:15:41 | 0:15:43 | |
to take a small sweat out into the streets and into the public's faces. | 0:15:43 | 0:15:47 | |
This week's sweat is about those people who always seem to | 0:15:47 | 0:15:50 | |
get their own way using little manipulations, | 0:15:50 | 0:15:53 | |
like complimenting and flirting. | 0:15:53 | 0:15:55 | |
And then, as soon as they have what they want, they're like, "See ya." | 0:15:55 | 0:15:59 | |
Scott, you are a very handsome, attractive, red-blooded male. | 0:16:00 | 0:16:04 | |
Do the...? Do you ever find yourself flirting just to get your way? | 0:16:04 | 0:16:08 | |
-No... -An upgrade on a plane or something? | 0:16:08 | 0:16:11 | |
-No. I'm not confident enough. -No? -No, not at all. | 0:16:11 | 0:16:13 | |
You're never like, "Hi, I'm Scott Mills from BBC Radio 1"? | 0:16:13 | 0:16:16 | |
-Can you imagine? That would be awful. -Yeah. -Awful. -Try it now. | 0:16:16 | 0:16:20 | |
Hi, I'm Scott Mills. Do you know who I am? Awful. | 0:16:20 | 0:16:22 | |
Awful, yeah. It worked. It worked. Erm... | 0:16:22 | 0:16:25 | |
I sent Rochelle and Melvin out to find out what would happen | 0:16:25 | 0:16:28 | |
when they tried to get their own way with complete strangers. | 0:16:28 | 0:16:32 | |
Let's find out who won in Rochelle and Melvin - The Challenges. | 0:16:32 | 0:16:35 | |
DRAMATIC MUSIC PLAYS | 0:16:35 | 0:16:39 | |
There's no way that Mel's going to beat me | 0:16:43 | 0:16:45 | |
this week cos he's got nothing to manipulate people with. | 0:16:45 | 0:16:47 | |
I am a puppet master of the mind. | 0:16:47 | 0:16:50 | |
He couldn't manipulate himself out of a paper bag. | 0:16:50 | 0:16:52 | |
"Look, I'm Melvin. I'm stuck in a bag. I can't get out." | 0:16:52 | 0:16:55 | |
You know when you get a satsuma | 0:16:55 | 0:16:56 | |
and you want the juice out of that satsuma? | 0:16:56 | 0:16:58 | |
Rochelle is that satsuma and I'm gonna get juicy. | 0:16:58 | 0:17:02 | |
"Task number one. You are a manipulative person." | 0:17:02 | 0:17:06 | |
"Go into a cafe, order a drink and try to get it for free | 0:17:06 | 0:17:10 | |
"by buttering up your waiter with compliments." Oh, God. | 0:17:10 | 0:17:13 | |
-How you doing? -Good. How are you? -I'm very good. | 0:17:16 | 0:17:19 | |
You have a great shape, like a little Kim Kardashian. | 0:17:19 | 0:17:22 | |
LAUGHTER | 0:17:22 | 0:17:24 | |
-Wow. You're good at the pouring. -Thank you very much. | 0:17:24 | 0:17:27 | |
Excuse me, Miss. I just reached into my pocket to try and find my wallet | 0:17:27 | 0:17:31 | |
and I think I've left it at home. | 0:17:31 | 0:17:33 | |
-Are you joking now? -I'm not joking. | 0:17:33 | 0:17:35 | |
-I left my purse at home. -OK... | 0:17:36 | 0:17:38 | |
I just thought, you know, someone like you might just let it go | 0:17:38 | 0:17:41 | |
just this once. | 0:17:41 | 0:17:42 | |
I saw the way you were looking at me earlier on as well. | 0:17:42 | 0:17:45 | |
-You gave me the look, didn't you? -No. | 0:17:45 | 0:17:48 | |
You clearly work out. | 0:17:48 | 0:17:49 | |
A strong guy like you, I thought you would let me. | 0:17:49 | 0:17:52 | |
It's my birthday on Friday. | 0:17:55 | 0:17:57 | |
There's all this tension. | 0:17:57 | 0:17:59 | |
-Is it just me feeling it? -Yes. | 0:17:59 | 0:18:00 | |
When's my birthday? | 0:18:00 | 0:18:03 | |
MAN ON PHONE: Friday. | 0:18:03 | 0:18:05 | |
OK. | 0:18:05 | 0:18:06 | |
-This glass is for free then. -OK. | 0:18:06 | 0:18:08 | |
Thank you so much. Thank you. | 0:18:08 | 0:18:10 | |
-Let me have it for free... -No. | 0:18:10 | 0:18:12 | |
..and let it slide. | 0:18:12 | 0:18:14 | |
-I just told you, I will never do like this. -OK. | 0:18:14 | 0:18:17 | |
"Task number two. Manipulate a member of the public... | 0:18:21 | 0:18:24 | |
"To help you load your shopping by being sexy." | 0:18:24 | 0:18:27 | |
Sexy? Well, that's my middle name. | 0:18:27 | 0:18:30 | |
HE ROARS | 0:18:30 | 0:18:32 | |
Hey, man! How you doing? | 0:18:34 | 0:18:36 | |
I was wondering if you could help me out for a second? | 0:18:36 | 0:18:38 | |
My bag's really heavy... | 0:18:38 | 0:18:40 | |
It's got some water and I can't... | 0:18:40 | 0:18:42 | |
Would you just give me a hand putting them in the car? | 0:18:42 | 0:18:44 | |
Basically, I've just been working out at the gym... | 0:18:44 | 0:18:47 | |
and my muscles are pretty sore. | 0:18:47 | 0:18:49 | |
-Hey, don't worry. -Thank you very much. | 0:18:49 | 0:18:52 | |
You look like you work out too. | 0:18:52 | 0:18:54 | |
I don't work out, but I'll help you. | 0:18:54 | 0:18:57 | |
Sorry, I hurt my leg last night table dancing at work. | 0:18:57 | 0:19:00 | |
SHE LAUGHS | 0:19:02 | 0:19:03 | |
Oh, my goodness. I think I need a Diet Coke break. | 0:19:03 | 0:19:07 | |
Woof! | 0:19:09 | 0:19:10 | |
Your arms must be so strong. | 0:19:10 | 0:19:12 | |
Hmm. Thank you so much. I enjoy watching you work, man. | 0:19:15 | 0:19:18 | |
-Nothing better than a muscly guy. -SHE GIGGLES | 0:19:18 | 0:19:21 | |
Just up and down, up and down. | 0:19:22 | 0:19:24 | |
Thank you so much. | 0:19:24 | 0:19:28 | |
CHEERING | 0:19:28 | 0:19:30 | |
You take care. Have a good day. | 0:19:30 | 0:19:31 | |
I miss you already, man. | 0:19:31 | 0:19:33 | |
Hmm, hmm, hmm. | 0:19:34 | 0:19:36 | |
APPLAUSE | 0:19:39 | 0:19:43 | |
And the point goes to Rochelle's team! | 0:19:43 | 0:19:46 | |
Nice work. | 0:19:47 | 0:19:50 | |
Very nice. That was really so sexy. | 0:19:50 | 0:19:52 | |
What have you learnt from this, | 0:19:52 | 0:19:54 | |
about getting your own way everywhere you go, Rochelle? | 0:19:54 | 0:19:56 | |
I'm good at it. | 0:19:56 | 0:19:58 | |
-HIGH PITCHED: -"I'm good at it." | 0:19:58 | 0:19:59 | |
Melvin, is this an unusual position for you to be in, | 0:19:59 | 0:20:02 | |
asking men to fill your trunk? | 0:20:02 | 0:20:05 | |
It was all right. | 0:20:05 | 0:20:07 | |
-It's quite nice, actually. He was very helpful. -Yeah. | 0:20:07 | 0:20:10 | |
I might do it all the time now. | 0:20:10 | 0:20:12 | |
Call me. Er, a round of applause for Rochelle and Melvin. | 0:20:12 | 0:20:15 | |
APPLAUSE | 0:20:15 | 0:20:17 | |
OK, let's move on to the next round. | 0:20:18 | 0:20:21 | |
It's time for the Sweat Box, | 0:20:21 | 0:20:22 | |
where you get to actually help some members of this very audience. | 0:20:22 | 0:20:25 | |
They will tell you what they've been sweating about recently | 0:20:25 | 0:20:28 | |
and you must do your best to help them out with advice. | 0:20:28 | 0:20:31 | |
Whichever team they decide has given them the most help will get a point, | 0:20:31 | 0:20:35 | |
so who is first in the Sweat Box tonight? | 0:20:35 | 0:20:38 | |
-Hi, Grimmy. My name is James and my sweat is the way I walk. -OK. | 0:20:38 | 0:20:42 | |
So I'm quite awkward, I'm quite tall. | 0:20:42 | 0:20:44 | |
I don't really know how to carry myself that well... | 0:20:44 | 0:20:47 | |
and I'd really like some advice about how to walk "cool". | 0:20:47 | 0:20:50 | |
OK. Well, you've come to the right place. | 0:20:50 | 0:20:53 | |
-It's like this, isn't it? -Can we see it? | 0:20:56 | 0:20:57 | |
-We need to see this, don't we? -Yeah. | 0:20:57 | 0:20:59 | |
Can you show us your walk please? | 0:20:59 | 0:21:01 | |
- In front of a supermodel? - Thank you. Don't worry about. | 0:21:01 | 0:21:04 | |
It's just Seann. Whatever. | 0:21:04 | 0:21:06 | |
OK, James, let's see this awkward, weird walk. | 0:21:06 | 0:21:09 | |
Oh, no! | 0:21:11 | 0:21:13 | |
Yeah, come on. | 0:21:13 | 0:21:15 | |
INDISTINCT SPEECH | 0:21:16 | 0:21:19 | |
-I mean... -Oh, no! | 0:21:19 | 0:21:22 | |
-It's... -ALL TALK OVER EACH OTHER | 0:21:22 | 0:21:26 | |
I mean, it is... | 0:21:26 | 0:21:27 | |
-It's something that could definitely be worked on. -Yeah. | 0:21:27 | 0:21:30 | |
-It's quite weird. -It's the little steps. | 0:21:30 | 0:21:33 | |
Tiny steps. | 0:21:33 | 0:21:34 | |
You're doing little... You're meant to walk normally, but you're going... | 0:21:34 | 0:21:38 | |
-Oh, don't! -It's very like Charlie Chaplin. -Yes, Chaplin. | 0:21:39 | 0:21:42 | |
Daisy, you are a model. You must be able to walk right. | 0:21:42 | 0:21:44 | |
-I end up strutting... -Come on, let's... | 0:21:44 | 0:21:47 | |
This is a professional walker. | 0:21:47 | 0:21:50 | |
Yeah, but... But this is a girly walk. | 0:21:52 | 0:21:54 | |
I have a girly walk cos you do a bit of, like... | 0:21:54 | 0:21:57 | |
Oh! Oh, that's how you walk. | 0:21:57 | 0:21:59 | |
Look at this. Hello. | 0:21:59 | 0:22:01 | |
-I mean, don't walk like that, James. -No, cos then that would be... | 0:22:01 | 0:22:04 | |
-Yeah, but that is a good walk. -DAISY: I think... | 0:22:04 | 0:22:06 | |
SEANN: You know the turn you guys do? | 0:22:06 | 0:22:08 | |
Do you do that in real life? You're sort of walking down the street | 0:22:08 | 0:22:11 | |
and then you go like that. | 0:22:11 | 0:22:12 | |
Oh, no, I've forgot my keys. | 0:22:12 | 0:22:14 | |
DAISY: What? You want me to do it? | 0:22:16 | 0:22:18 | |
You forget your keys. You're walking down the street. | 0:22:18 | 0:22:21 | |
She's just walking. She's popping to Londis. | 0:22:21 | 0:22:24 | |
-Londis! - Oh... -Oh! | 0:22:24 | 0:22:27 | |
So, James, you should maybe try that. | 0:22:31 | 0:22:33 | |
-Do it... Do it like Daisy. -ALL TALK OVER EACH OTHER | 0:22:33 | 0:22:36 | |
MUSIC: "Sexy and I Know It" by LMFAO | 0:22:36 | 0:22:40 | |
Let's have a catwalk. Go. Go. | 0:22:40 | 0:22:42 | |
You've got to move your arms. Move your arms! | 0:22:42 | 0:22:46 | |
AUDIENCE CLAPS | 0:22:46 | 0:22:48 | |
Really nice. Really nice, James. | 0:22:51 | 0:22:53 | |
Really nice. | 0:22:53 | 0:22:55 | |
APPLAUSE | 0:22:55 | 0:22:57 | |
-I've figured out what it is. -What advice do we have? | 0:23:00 | 0:23:02 | |
He's quite stiff up top. | 0:23:02 | 0:23:04 | |
-You know what I mean? -LAUGHTER | 0:23:04 | 0:23:07 | |
He's quite broad, so it's like... | 0:23:09 | 0:23:11 | |
Nothing here is moving. It's like... | 0:23:11 | 0:23:14 | |
-Let your arms go free and breathe a bit. -Any advice over here? | 0:23:14 | 0:23:16 | |
Firstly, who taught you how to walk in the first place? | 0:23:16 | 0:23:19 | |
-Get your money back. -No-one teaches him! -Get your money back! | 0:23:19 | 0:23:21 | |
And I'd say just ride a bike everywhere, then, that way, | 0:23:21 | 0:23:24 | |
-you won't have to walk. -Whose advice do you want to go for, James? | 0:23:24 | 0:23:27 | |
I have to give it to Melvin's team, mainly | 0:23:27 | 0:23:30 | |
because it's got Daisy Lowe on it. | 0:23:30 | 0:23:32 | |
-OK. -ALL TALK OVER EACH OTHER | 0:23:34 | 0:23:38 | |
-Thank you, James. -Thank you. -Thanks, mate. | 0:23:38 | 0:23:40 | |
Right, who is next in the Sweat Box tonight? | 0:23:40 | 0:23:43 | |
Hi, I'm Regan and I'm from Manchester | 0:23:43 | 0:23:45 | |
and my sweat is how horrible southern water is. | 0:23:45 | 0:23:48 | |
It's just disgusting. | 0:23:48 | 0:23:49 | |
Like, water in Manchester just tastes dead nice and fresh, | 0:23:49 | 0:23:52 | |
-and then down south it's just horrible. It's rotten. -It's horrible! | 0:23:52 | 0:23:55 | |
It's a genuine thing that you hate... | 0:23:55 | 0:23:56 | |
It's genuine. In London, I don't like washing my hair in it, | 0:23:56 | 0:23:59 | |
don't even like having a shower... | 0:23:59 | 0:24:01 | |
If someone offers me a brew, I won't have a brew in London. | 0:24:01 | 0:24:03 | |
It's got to come out of a bottle. | 0:24:03 | 0:24:05 | |
-So there's actually a difference in taste? -Yeah. -Wow! | 0:24:05 | 0:24:08 | |
Regan, I want to find out if you genuinely can tell the difference | 0:24:08 | 0:24:11 | |
between northern and southern water. | 0:24:11 | 0:24:12 | |
I should be able to tell just from looking at it. | 0:24:12 | 0:24:14 | |
-No, you will not. -All right then, we'll put it to the test. | 0:24:14 | 0:24:17 | |
Well, we will, right now. This is that feature. | 0:24:17 | 0:24:20 | |
I got an audience member who was coming from the north today | 0:24:20 | 0:24:23 | |
-and I asked them... -Did you...? | 0:24:23 | 0:24:26 | |
Asked them to bring some water with them. This is... This is for real. | 0:24:26 | 0:24:30 | |
Here's them filling a bottle with northern water. | 0:24:30 | 0:24:32 | |
-There they are. -Oh, my God. That is so good. | 0:24:32 | 0:24:34 | |
Bearing in mind they knew this was going on the television, | 0:24:34 | 0:24:37 | |
should have put the flash on cos...you can't see anything. | 0:24:37 | 0:24:40 | |
And put the washing up away. | 0:24:40 | 0:24:42 | |
Stop displaying the Cif like it's an award. | 0:24:42 | 0:24:46 | |
Yeah, I own Cif. | 0:24:46 | 0:24:48 | |
-Hello, Simone. Hi. -Hi. -Hi, Simone. -Hi. | 0:24:48 | 0:24:52 | |
-Don't like each other. -What?! | 0:24:52 | 0:24:55 | |
This has gone like Jeremy Kyle now. | 0:24:55 | 0:24:59 | |
Simone, do you actually know her? | 0:24:59 | 0:25:00 | |
-Yeah, but I didn't know it was for her. -Oh, my God! | 0:25:00 | 0:25:04 | |
SHE LAUGHS | 0:25:04 | 0:25:06 | |
But erm... APPLAUSE | 0:25:06 | 0:25:11 | |
Now this is awkward. | 0:25:13 | 0:25:17 | |
What I do have here, this is genuine, we've actually done this, | 0:25:17 | 0:25:20 | |
I have two glasses of water. | 0:25:20 | 0:25:21 | |
This is going to be such great TV. She's going to taste some water. | 0:25:21 | 0:25:24 | |
-You are welcome. -Which her enemy has brought down. | 0:25:24 | 0:25:28 | |
OK. Brought by her enemy! | 0:25:28 | 0:25:30 | |
One is from the tap here. | 0:25:32 | 0:25:35 | |
One is from the tap up north, brought all the way down for you. | 0:25:35 | 0:25:39 | |
So I want you to see if you can tell a difference, | 0:25:39 | 0:25:42 | |
cos I think this is a made up sweat, OK? | 0:25:42 | 0:25:45 | |
I've never been in here. Move over. | 0:25:45 | 0:25:47 | |
-Do you want to come and take a pew? -Let's... -I know already which one... | 0:25:47 | 0:25:50 | |
No, you don't, you weirdo! | 0:25:50 | 0:25:52 | |
That one's from London. That one's from Manchester. | 0:25:52 | 0:25:54 | |
OK. Well, whichever one you think is from the north - | 0:25:54 | 0:25:56 | |
there's a flat cap and there's a southern pork pie hat. | 0:25:56 | 0:26:00 | |
So have a sip... | 0:26:00 | 0:26:02 | |
OK. | 0:26:02 | 0:26:04 | |
And now try that one. | 0:26:04 | 0:26:05 | |
-Which one do you think...? -London. | 0:26:07 | 0:26:09 | |
-Manchester. -So you think this is northern, | 0:26:09 | 0:26:11 | |
so we're going to put the northern hat on. | 0:26:11 | 0:26:13 | |
-IN A YORKSHIRE ACCENT: -"Eh, up, and go down pits." | 0:26:13 | 0:26:16 | |
-And then southern hat. -IN A POSH ACCENT: -Ooh, sushi. | 0:26:16 | 0:26:19 | |
Sushi and pasta. | 0:26:19 | 0:26:22 | |
-Oh, please be right, otherwise I'll be absolutely fuming. -Northern... | 0:26:22 | 0:26:26 | |
-Yeah. -It's from the north. | 0:26:26 | 0:26:28 | |
This is from the south, | 0:26:30 | 0:26:32 | |
which proves you're completely insane about water. | 0:26:32 | 0:26:35 | |
-That's impressive. -Oh, my God. | 0:26:35 | 0:26:38 | |
-That is so weird. -That is weird! | 0:26:38 | 0:26:40 | |
Rochelle's team, what can she do about this dilemma? | 0:26:40 | 0:26:43 | |
-She doesn't like water down here. -Have you put orange squash...? | 0:26:43 | 0:26:46 | |
I don't drink orange squash. I only drink water or alcohol. | 0:26:46 | 0:26:50 | |
LAUGHTER | 0:26:50 | 0:26:53 | |
You could accumulate a resistance to it | 0:26:53 | 0:26:55 | |
by just moving gradually further south. | 0:26:55 | 0:26:57 | |
That's what I'm trying to do. | 0:26:57 | 0:27:00 | |
-Or you could just get a filter. -Good idea. | 0:27:00 | 0:27:03 | |
-Filter. -Filter in your shower. | 0:27:03 | 0:27:04 | |
-Clever girl. -So your options have been put on the table. | 0:27:08 | 0:27:11 | |
-Whose advice are you going to take? -I've got to go with Rochelle's. | 0:27:11 | 0:27:14 | |
-Rochelle's team, you get the point. -Yeah. | 0:27:14 | 0:27:16 | |
And that was the final round. Thank you, teams. | 0:27:19 | 0:27:22 | |
AUDIENCE CHEERS | 0:27:22 | 0:27:26 | |
OK. It's the end of the show, which means it is time for me to announce | 0:27:28 | 0:27:33 | |
who the winner is. | 0:27:33 | 0:27:34 | |
HEART BEAT | 0:27:34 | 0:27:36 | |
OK. Wow. It's suddenly got very tense in here. | 0:27:36 | 0:27:39 | |
It's amazing what an extreme close up, | 0:27:39 | 0:27:41 | |
lighting change and a heartbeat sound effect can do. | 0:27:41 | 0:27:44 | |
-Isn't it, Scott Mills? -Yes, it is. -Yes, it's very tense in here. | 0:27:44 | 0:27:47 | |
How you feeling, Rochelle? | 0:27:48 | 0:27:50 | |
-Tense up in this bitch. -It's... | 0:27:50 | 0:27:52 | |
-I can't handle it any more! -Relax, Seann! | 0:27:52 | 0:27:56 | |
Calm down! Melvin, are you OK?! | 0:27:56 | 0:27:59 | |
-Yes. -OK, good. | 0:27:59 | 0:28:00 | |
I can reveal that the winners of tonight's show are... | 0:28:02 | 0:28:07 | |
..Rochelle's team! | 0:28:09 | 0:28:10 | |
MUSIC: "One Moment in Time" by Whitney Houston | 0:28:10 | 0:28:15 | |
A bit thank you to Gemma, to Rochelle and to Scott, | 0:28:15 | 0:28:19 | |
Daisy, Melvin and Seann. | 0:28:19 | 0:28:22 | |
This has been Sweat The Small Stuff. I've been Nick Grimshaw. | 0:28:22 | 0:28:25 | |
You've all been beautiful. Good night, everybody. | 0:28:25 | 0:28:28 |