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-It's just through here. I've got no idea what's wrong with it. -I see. | 0:00:28 | 0:00:32 | |
My wife's never going to believe it when I tell her I fixed Phillip Schofield's sink. | 0:00:32 | 0:00:37 | |
She's a big fan of yours, Mr Schofield. | 0:00:37 | 0:00:39 | |
Now, please, call me Phil or Schofe. | 0:00:39 | 0:00:41 | |
Or the silver-haired fox. | 0:00:41 | 0:00:43 | |
Phil. | 0:00:44 | 0:00:45 | |
Right, let's have a look at it. | 0:00:45 | 0:00:47 | |
Yeah, it looks like the joint on the U-bend's leaking. | 0:00:47 | 0:00:51 | |
Shouldn't be too much trouble to fix. | 0:00:51 | 0:00:53 | |
Not so fast. First, let's find out the rules. | 0:00:53 | 0:00:57 | |
'Inside The Cube, you have to mend Phil's U-bend, | 0:00:57 | 0:01:00 | |
'but with your hands tied behind your back and blindfolded.' | 0:01:00 | 0:01:05 | |
So, will you take on The Cube? | 0:01:05 | 0:01:07 | |
-'The Cube!' -What're you doing?! | 0:01:07 | 0:01:09 | |
All part of the challenge, Ted. Can I call you Ted? | 0:01:09 | 0:01:11 | |
My name's Alan! | 0:01:11 | 0:01:13 | |
OK, Ted, are you ready to take on The Cube? | 0:01:13 | 0:01:16 | |
-'The Cube!' -We're not in The Cube, we're in your kitchen. | 0:01:16 | 0:01:18 | |
-'The Kitchen!' -Now, we're all rooting for you, Ted. | 0:01:18 | 0:01:22 | |
But remember, if you can't fix it, then you won't get paid. | 0:01:22 | 0:01:26 | |
Those are the rules, in... | 0:01:26 | 0:01:28 | |
-'The Kitchen!' -Where's that voice coming from? | 0:01:28 | 0:01:30 | |
'The ironing board cupboard.' | 0:01:30 | 0:01:33 | |
Good luck, then. | 0:01:33 | 0:01:34 | |
Coming up later on Countryfile, I'll be meeting Lincolnshire's youngest dry stone waller. | 0:01:41 | 0:01:47 | |
I'll be helping to renovate a windmill. | 0:01:47 | 0:01:49 | |
And I'll be spending a cosy night in a small paddock with Randy the half-tonne bull. | 0:01:49 | 0:01:56 | |
The humble calculator. | 0:02:00 | 0:02:01 | |
There's no better aid to prudent home finances, and if you type in 58008618 | 0:02:01 | 0:02:07 | |
and hold it upside down, it says "big boobs," so it has multiple uses. | 0:02:07 | 0:02:11 | |
I've got a gadget that helps me get much lower prices in the shops. | 0:02:11 | 0:02:15 | |
It's a price gun with 10-p labels. | 0:02:15 | 0:02:18 | |
I've got this little thing. | 0:02:18 | 0:02:20 | |
I always keep it looking pristine, just in case. | 0:02:20 | 0:02:24 | |
Hi, there. Let's talk about feeding the baby. | 0:02:30 | 0:02:33 | |
Oh, must we? You're boring them already. | 0:02:33 | 0:02:35 | |
# Don't you know they only want to see me. | 0:02:35 | 0:02:38 | |
# That is why they're here. # | 0:02:38 | 0:02:41 | |
When feeding your baby, | 0:02:41 | 0:02:43 | |
it's very important to check that the food is not too hot. | 0:02:43 | 0:02:47 | |
OK, let me just test the temperature of this muck. | 0:02:47 | 0:02:49 | |
That's OK. | 0:02:52 | 0:02:54 | |
-Actually, this is pretty tasty. -This happens every time. | 0:02:54 | 0:02:59 | |
Fortunately, I made a spare. | 0:03:00 | 0:03:03 | |
What would I do without you, David? Apart from be richer? | 0:03:03 | 0:03:07 | |
I'll just check that this is not too hot. | 0:03:07 | 0:03:10 | |
Got to check it for you. | 0:03:10 | 0:03:12 | |
That's pretty good. | 0:03:14 | 0:03:15 | |
Hm. | 0:03:15 | 0:03:17 | |
# It's the flavour of paradise Pineapple and liver. # | 0:03:17 | 0:03:23 | |
Our main story again. | 0:03:25 | 0:03:27 | |
Government austerity measures mean that we can no longer afford | 0:03:27 | 0:03:31 | |
to have seven days in a week, so Wednesday and Thursday are being merged to create Wehursday. | 0:03:31 | 0:03:37 | |
I like it. | 0:03:37 | 0:03:39 | |
-Oh, hi, there, got your shopping order. -Fantastic. | 0:03:43 | 0:03:46 | |
Some of the items you requested were out of stock, so there is a few substitutions. | 0:03:46 | 0:03:50 | |
-Instead of plum tomatoes you've got cherry tomatoes. -No problem. | 0:03:50 | 0:03:54 | |
-And instead of a garlic bulb you've got garlic paste. -Fine. | 0:03:54 | 0:03:57 | |
And instead of a sack of potatoes you've got Radio One's Chris Moyles. | 0:03:57 | 0:04:02 | |
-All right, luv! How ya doing? You're looking a little bit rough, but I still would. -I'm sorry? | 0:04:06 | 0:04:10 | |
What? Don't you like Britain's longest-serving record-breaking and number one DJ? | 0:04:10 | 0:04:15 | |
-I don't understand. -They try and give you the closest thing to what you've ordered. | 0:04:15 | 0:04:19 | |
-So you ordered a sack of potatoes... -Oh, I see. Makes sense. | 0:04:19 | 0:04:22 | |
It's just I really wanted to make sausage and mash tonight. | 0:04:22 | 0:04:26 | |
-Well, if you fancy a mound of stodge to soak up the gravy, then... -Oi, leave it. | 0:04:26 | 0:04:30 | |
-OK, I'll take him. -Good decision. | 0:04:30 | 0:04:33 | |
-Now where are the rest of my groceries? -Got to be honest, took care of all those, luv. | 0:04:33 | 0:04:37 | |
Where's your lav? Raw sausages. Bad idea. | 0:04:37 | 0:04:40 | |
MUSIC: Land Of Hope And Glory | 0:04:40 | 0:04:44 | |
This week, I talk about the English food. | 0:04:48 | 0:04:51 | |
But I no eat the English food. I am not a crazy man. | 0:04:51 | 0:04:55 | |
This is a jelly. | 0:04:55 | 0:04:58 | |
But it not just a jelly. | 0:04:58 | 0:05:00 | |
Is a jellied eels. | 0:05:00 | 0:05:02 | |
They take a nice jelly and put the fish into it. | 0:05:02 | 0:05:06 | |
It's a jelly fish. The Queen, she eat this. | 0:05:06 | 0:05:10 | |
No wonder that she talk funny. | 0:05:10 | 0:05:12 | |
But the Queen not have a jelly fish for breakfast. | 0:05:12 | 0:05:16 | |
For breakfast, she have this. | 0:05:16 | 0:05:18 | |
This, a "Full English." | 0:05:18 | 0:05:21 | |
Bacon, sausage, tomato, mushroom, er...egg, bread, black pudding. | 0:05:21 | 0:05:29 | |
All fry in a very lot of fat. | 0:05:29 | 0:05:31 | |
See, they try to kill themself. | 0:05:31 | 0:05:33 | |
I think this quicker than the gun. | 0:05:33 | 0:05:35 | |
But Fabio, hold your horse meat, you say. | 0:05:35 | 0:05:38 | |
What is the black pudding? | 0:05:38 | 0:05:40 | |
Is it a nice blackberry fruity pudding yum yum? | 0:05:40 | 0:05:44 | |
No. Is blood. They eat the blood for breakfast. | 0:05:44 | 0:05:49 | |
They vampire people. | 0:05:49 | 0:05:50 | |
The Queen, she eat this. | 0:05:50 | 0:05:52 | |
Wayne Rooney, he eat this. | 0:05:52 | 0:05:54 | |
No wonder his hair is falling out. | 0:05:54 | 0:05:56 | |
I'm not telling. | 0:06:00 | 0:06:02 | |
Well, it would have to be my telescope, my 16-inch refractor, | 0:06:02 | 0:06:07 | |
and each night I look out and I observe the beauty and the majesty of the universe. | 0:06:07 | 0:06:13 | |
It's amazing. But if you wanted to look at the bird that lives opposite you, | 0:06:13 | 0:06:16 | |
that sleeps in the nude, you'd be better off with binoculars. | 0:06:16 | 0:06:20 | |
I've actually invented a lightweight raincoat | 0:06:20 | 0:06:23 | |
made from a kind of llama wool, you know, | 0:06:23 | 0:06:26 | |
it's called a Macca el pakka pakka Macca. | 0:06:26 | 0:06:30 | |
'From the people who brought you the Jennifer Aniston romcoms, What About The Baby?' | 0:06:30 | 0:06:35 | |
Honey, I think it's leaking. | 0:06:35 | 0:06:39 | |
'And... | 0:06:39 | 0:06:40 | |
'What About The Dog?' | 0:06:40 | 0:06:42 | |
Honey, I think it's leaking. | 0:06:44 | 0:06:47 | |
'Comes her new film. What About The Plumber?' | 0:06:47 | 0:06:51 | |
Honey, I think it's leaking. | 0:06:51 | 0:06:54 | |
OK, can we cut, please? | 0:06:56 | 0:06:59 | |
I've got to tell you, mister, I can do better than this. | 0:06:59 | 0:07:03 | |
OK, here's the thing. | 0:07:03 | 0:07:06 | |
I am getting pretty fed-up of the same old movies and the same old lines! | 0:07:06 | 0:07:13 | |
I want a new challenge! | 0:07:13 | 0:07:15 | |
'Now, as you've never seen her before. | 0:07:15 | 0:07:18 | |
'Jennifer Aniston in What About The Mouse?' | 0:07:18 | 0:07:22 | |
Honey, I think it's squeaking. | 0:07:23 | 0:07:27 | |
OK, cut. | 0:07:28 | 0:07:30 | |
Do you think that's too much of a departure? | 0:07:30 | 0:07:33 | |
'See it in cinemas or, you know, just watch the old ones on DVD, again.' | 0:07:33 | 0:07:39 | |
I don't know how you dancers get so good in such a short amount of time. You all look amazing on that show. | 0:07:39 | 0:07:44 | |
Yeah, I know, but it's not actually us, is it? | 0:07:44 | 0:07:48 | |
They use professional dancers and then put our heads on afterwards in the edit. | 0:07:48 | 0:07:52 | |
That's why Russell Grant looks likes he's lost so much weight. They couldn't find a dancer big enough. | 0:07:52 | 0:07:57 | |
-You are kidding me, right? -No. | 0:07:57 | 0:07:59 | |
And we're back in three, two.. | 0:07:59 | 0:08:01 | |
Welcome back to the One Show. | 0:08:03 | 0:08:05 | |
Coming up, Jay Rayner shows us how to prepare a three course dinner party on the cheap | 0:08:05 | 0:08:09 | |
by stealing your neighbour's Ocado delivery. | 0:08:09 | 0:08:11 | |
And history man Dan Snow will himself become history as we present him with his P45. | 0:08:11 | 0:08:18 | |
But first, this. | 0:08:18 | 0:08:20 | |
Hello, I'm Ian Hislop, and welcome to Hislop's Toy Emporium. | 0:08:20 | 0:08:24 | |
If you're a studious and improving child, | 0:08:24 | 0:08:27 | |
then we have literally ten toys all designed by me that you would apparently enjoy. Hoorah. | 0:08:27 | 0:08:32 | |
Meet Ben Ten, the fully articulating Benjamin Disraeli action figure. | 0:08:32 | 0:08:37 | |
Not so fast, Gladstone! | 0:08:37 | 0:08:39 | |
Armed with a retractable copy of the 1867 Reform Act. | 0:08:39 | 0:08:42 | |
Cor! Brilliant! | 0:08:42 | 0:08:44 | |
Children can never get enough ecclesiastical architecture, | 0:08:44 | 0:08:48 | |
so they'll love The British Book of Pop-Up Churches 1845 to 1873. | 0:08:48 | 0:08:52 | |
Wow, it's so neo-Romanesque! | 0:08:52 | 0:08:55 | |
If you're a female type of child, | 0:08:55 | 0:08:58 | |
you'll enjoy the Princess Field Marshall Montgomery playset. | 0:08:58 | 0:09:02 | |
To Tobruk and beyond! | 0:09:02 | 0:09:03 | |
So if you're one of those parents who thinks that children are having too much fun, | 0:09:03 | 0:09:07 | |
and like to get them presents made from wood, Hislop's Toy Emporium is for you. | 0:09:07 | 0:09:11 | |
Allegedly. | 0:09:11 | 0:09:13 | |
Good evening. | 0:09:13 | 0:09:15 | |
You join me as reports are coming in of a major skirmish taking place within the BBC's very own newsroom. | 0:09:15 | 0:09:21 | |
I'm joined by our business editor, Robert Peston. | 0:09:21 | 0:09:24 | |
Robert, can you update me on what's been going on? | 0:09:24 | 0:09:28 | |
Well, yes, Fiona, what I can tell you is that I never started it. | 0:09:28 | 0:09:32 | |
It wasn't me. All this kicked off when I opened the door to my office | 0:09:32 | 0:09:36 | |
and a bucket of water came down faster than the FTSE on a bad day. | 0:09:36 | 0:09:41 | |
We now go over to our political editor, Nick Robison, to find out if he was the one what did it. | 0:09:41 | 0:09:47 | |
Nick? | 0:09:47 | 0:09:48 | |
Fiona, what I can tell you is that nobody is in a position | 0:09:48 | 0:09:52 | |
at present to confirm or to deny the allegations. | 0:09:52 | 0:09:56 | |
Sounds like a yes to me. | 0:09:56 | 0:09:57 | |
Robert, I understand that shortly after the incident, a war of words broke out. | 0:09:57 | 0:10:02 | |
Yes, Robinson said that I talk very, very quickly | 0:10:02 | 0:10:06 | |
and then very slowly because my mum was a broken tape recorder. | 0:10:06 | 0:10:11 | |
Fiona, what I can tell you is a lot of words were said today, | 0:10:11 | 0:10:15 | |
some of which by me, many of which by Peston, | 0:10:15 | 0:10:18 | |
which could indeed have provoked that outburst. | 0:10:18 | 0:10:21 | |
Not least, an allegation that by rubbing my head, Peston can see into the future. | 0:10:21 | 0:10:26 | |
Well, all evidence that we've seen so far would certainly point to that fact. | 0:10:26 | 0:10:32 | |
And would it surprise you to know that Robinson also gave me a Chinese burn? | 0:10:32 | 0:10:38 | |
Which was swiftly followed by Peston putting me in a headlock. Chilling stuff, Fiona. | 0:10:38 | 0:10:44 | |
I don't want to hear any more. Do you realise in your little punch-up, | 0:10:44 | 0:10:47 | |
you knocked over Huw Edward's collection of porcelain owls? | 0:10:47 | 0:10:51 | |
-It was him! -I don't care. I've had enough of the two of you fighting. | 0:10:51 | 0:10:56 | |
If I hear any more I'll send you both to appear on This Week with Andrew Neil without any supper. | 0:10:56 | 0:11:00 | |
-No, I don't want to. -Please don't do that. -No. | 0:11:00 | 0:11:03 | |
Yes! Now, both of you go to apologise to Huw Edwards, then maybe he'll stop crying and come out of the lavatory. | 0:11:03 | 0:11:10 | |
OK, hi, hello to all of you non-famous nobodies out there in cheap sofa land. | 0:11:10 | 0:11:17 | |
All right. | 0:11:17 | 0:11:18 | |
LAUGHS AS RICKY GERVAIS | 0:11:18 | 0:11:20 | |
There he is. That's him. | 0:11:20 | 0:11:21 | |
Tall, isn't he, yeah? | 0:11:21 | 0:11:23 | |
The tall guy, yeah? I like pointing that out, yeah? Fills up air time. | 0:11:23 | 0:11:27 | |
Totally brilliant. It's just a very astute thing to have said. | 0:11:27 | 0:11:31 | |
So can you believe it, another series of An Idiot Abroad done. Finished. | 0:11:31 | 0:11:36 | |
Yeah? Sending Karl Plonkington off to more really exotic places. | 0:11:36 | 0:11:40 | |
In the last episode, yeah... | 0:11:40 | 0:11:42 | |
the Somali Pirate stunt. | 0:11:42 | 0:11:45 | |
Probably a little step too far. | 0:11:45 | 0:11:48 | |
-Hindsight. -But whatever, move on. Fine. Done. | 0:11:48 | 0:11:52 | |
Yeah? And hurrah, because we've dreamt up an even better cheap show | 0:11:52 | 0:11:57 | |
on the back of my special envelope that I use to devise all my shows. | 0:11:57 | 0:12:02 | |
It's called An Intellectual Abroad. | 0:12:02 | 0:12:04 | |
We're sending David Dimbleby to Magaluf. | 0:12:04 | 0:12:06 | |
-Brilliant. -Here's another one. | 0:12:06 | 0:12:08 | |
A Blind Person Abroad. | 0:12:08 | 0:12:10 | |
David Blunkett... Venice. | 0:12:10 | 0:12:12 | |
Frosted shreddies, carrots, quilted bog roll. | 0:12:12 | 0:12:15 | |
Shopping list. | 0:12:15 | 0:12:16 | |
Ooh. Yeah, you are right, that is actually my shopping list. | 0:12:16 | 0:12:21 | |
Do you know what, Sky'll probably buy that off us as well. | 0:12:21 | 0:12:24 | |
-Genius. -We can sort of get anything on. | 0:12:24 | 0:12:27 | |
-An Unusually Tall Man In The Bahamas? -Anything apart from that. | 0:12:27 | 0:12:31 | |
-Worth a try. -No, it wasn't. | 0:12:31 | 0:12:33 | |
My mobile phone. | 0:12:37 | 0:12:39 | |
I'd never be without it. | 0:12:39 | 0:12:40 | |
I can call anyone at any time. | 0:12:40 | 0:12:43 | |
Look, Len Goodman. | 0:12:43 | 0:12:45 | |
Len! | 0:12:46 | 0:12:48 | |
Oh, no, he's obviously busy. | 0:12:48 | 0:12:51 | |
Got a really high tech exercise machine, and if I stand on it I can reach the biscuit tin. | 0:12:51 | 0:12:57 | |
Brucie. | 0:12:57 | 0:12:59 | |
He's probably in a meeting. | 0:13:00 | 0:13:03 | |
-My cube. -'The Cube.' | 0:13:03 | 0:13:05 | |
Craig! | 0:13:05 | 0:13:07 | |
It's Arlene. | 0:13:07 | 0:13:10 | |
Ye..ye... No. | 0:13:10 | 0:13:12 | |
He's gone. | 0:13:12 | 0:13:14 | |
Must be on a train. | 0:13:14 | 0:13:16 | |
Vern likes being tall, too. It means he can always reach the top shelf. | 0:13:17 | 0:13:21 | |
It's the only shelf he looks at in the newsagent's. | 0:13:21 | 0:13:24 | |
Hello, Tess. I feel very relaxed at this unstructured group gathering. | 0:13:24 | 0:13:28 | |
-You mean party? -Yes, yes, that is the word. | 0:13:28 | 0:13:32 | |
-I was wondering, Tess, could I be in the next series of Strictly Come Dancing? -Oh, right. | 0:13:32 | 0:13:37 | |
I could be the one who can't dance but who the public fall in love with. | 0:13:37 | 0:13:39 | |
See? I've got no coordination whatsoever. I am worse than Ann Widdecombe. | 0:13:39 | 0:13:43 | |
But people liked Anne. | 0:13:43 | 0:13:46 | |
I'm sorry, Gordon, but I don't think it's going to work. | 0:13:46 | 0:13:50 | |
Oh, don't you? Well, I could have the BBC closed down, you know. | 0:13:50 | 0:13:53 | |
Oh, no, I couldn't, I'm not Prime Minister any more. | 0:13:53 | 0:13:56 | |
Ah, there's Richard Hammond. | 0:13:56 | 0:13:59 | |
Richard, could I be on Total Wipeout? | 0:13:59 | 0:14:01 | |
'It's week one of her new finishing school. | 0:14:01 | 0:14:05 | |
'Today, Katie and her pupils are having a go at some role play.' | 0:14:05 | 0:14:09 | |
Is you a footballer? | 0:14:09 | 0:14:11 | |
Yeah. I is. | 0:14:11 | 0:14:13 | |
Tick. | 0:14:13 | 0:14:14 | |
So how much does you earn a week? | 0:14:14 | 0:14:17 | |
Hundred thousand. | 0:14:17 | 0:14:19 | |
Tick. | 0:14:19 | 0:14:21 | |
Is he married? | 0:14:21 | 0:14:22 | |
No. I'm not. | 0:14:22 | 0:14:24 | |
Cross. | 0:14:24 | 0:14:25 | |
I'm sorry, I never date non-married man. | 0:14:25 | 0:14:28 | |
What kind of girl do you think I am? | 0:14:28 | 0:14:30 | |
Better. Much better. | 0:14:30 | 0:14:33 | |
Hold on. Just a minute. | 0:14:33 | 0:14:35 | |
What's that? I can see your panty line. | 0:14:35 | 0:14:38 | |
Why are you wearing panties? | 0:14:38 | 0:14:40 | |
It really worries me than in Britain today there's still some girls that don't know how to talk back, | 0:14:40 | 0:14:47 | |
that have never bared their breasts for a tabloid newspaper, that don't even know what a vajazzle is. | 0:14:47 | 0:14:52 | |
I mean, you know, at the end of the day, what is happening to our society? | 0:14:52 | 0:14:57 | |
Oi! | 0:14:57 | 0:14:58 | |
Trisha Claythorne, is that you cycling behind the smoking sheds? | 0:15:00 | 0:15:06 | |
'Simon, the problem is the papers in the UK are saying you only care about the American X Factor now.' | 0:15:08 | 0:15:14 | |
Well, that is complete and utter nonsense. | 0:15:14 | 0:15:18 | |
As soon as the UK show comes back on air I will be one 100% focused on it. | 0:15:18 | 0:15:24 | |
'It's been on air for months now, Simon.' | 0:15:24 | 0:15:26 | |
Yeah, I knew that, and it's going great, isn't it? | 0:15:26 | 0:15:29 | |
'Well, not really. | 0:15:29 | 0:15:32 | |
'Some of the British public are actually missing Dannii Minogue.' | 0:15:32 | 0:15:35 | |
Missing Danni Minogue. | 0:15:35 | 0:15:37 | |
-Is that even possible? -'I know! | 0:15:37 | 0:15:40 | |
'Anyway, what we were thinking is maybe you could sort us out a new judge.' | 0:15:40 | 0:15:44 | |
What, just like that? | 0:15:44 | 0:15:47 | |
Have you any idea how much thought goes into choosing a new judge? | 0:15:47 | 0:15:51 | |
'Sorry, Simon. It's just that..' | 0:15:51 | 0:15:53 | |
No, it's all right, I'm messing with you. | 0:15:53 | 0:15:56 | |
OK, Winston Churchill. | 0:15:58 | 0:16:00 | |
-'But he's dead.' -OK, if you're going to be awkward about it. | 0:16:00 | 0:16:04 | |
There. Mr Beavis, my old English teacher when I was 12. | 0:16:07 | 0:16:12 | |
I liked him. He had funny ears. | 0:16:12 | 0:16:14 | |
'Well, he's got to be better than Louis Walsh.' | 0:16:14 | 0:16:17 | |
My thinking exactly. | 0:16:17 | 0:16:19 | |
Bye. | 0:16:19 | 0:16:21 | |
-Everybody get down. This is a robbery! -Hit the floor! | 0:16:21 | 0:16:24 | |
-Down! Now! -You, fill this up! | 0:16:24 | 0:16:26 | |
A robbery! Thrilling. | 0:16:26 | 0:16:29 | |
This is exciting. Look at your masks. | 0:16:29 | 0:16:32 | |
Scary! I am literally terrified. | 0:16:32 | 0:16:36 | |
Zip it! You... give us the money! | 0:16:38 | 0:16:40 | |
Look, this is real cash. | 0:16:40 | 0:16:42 | |
How much have we got there? | 0:16:42 | 0:16:45 | |
About a million pounds. | 0:16:45 | 0:16:46 | |
You've got a million pounds. I've got the questions. | 0:16:46 | 0:16:50 | |
Let's play The Million Pound Drop! | 0:16:50 | 0:16:54 | |
Your categories are Sport or Current Events. | 0:17:00 | 0:17:05 | |
I know you know your sport, but can't put it all on you. | 0:17:05 | 0:17:09 | |
-Current events. -Brilliant. Teamwork. | 0:17:09 | 0:17:12 | |
Perfect. Here are your answers. | 0:17:12 | 0:17:15 | |
The back door. The front door. | 0:17:15 | 0:17:18 | |
The fire escape. The question is... | 0:17:18 | 0:17:21 | |
Which door should you scarper through? | 0:17:21 | 0:17:25 | |
And your minute has already started. | 0:17:25 | 0:17:27 | |
Tick tock. So exciting! | 0:17:27 | 0:17:29 | |
-Brilliant! -Let's go out the back. | 0:17:29 | 0:17:32 | |
They'll be expecting that. Take the fire exit. | 0:17:32 | 0:17:35 | |
We can split the cash, take half each out of different doors. I don't know. | 0:17:35 | 0:17:38 | |
I don't know either. So exciting! Exciiiiiitttiiinnnngg! | 0:17:38 | 0:17:43 | |
All out the front. | 0:17:43 | 0:17:47 | |
All in one place! You know I am so excited I could actually burst! | 0:17:49 | 0:17:53 | |
Bang! | 0:17:53 | 0:17:56 | |
-I'm feeling confident. -Let's see if you've beaten the Million Pound Drop. | 0:17:56 | 0:18:02 | |
Come on. | 0:18:02 | 0:18:04 | |
I can't believe it! | 0:18:04 | 0:18:06 | |
That is the most exciting and amazing thing I have ever seen. | 0:18:06 | 0:18:12 | |
No!!! | 0:18:13 | 0:18:15 | |
Oh! One minute it's there, the next it's gone. | 0:18:15 | 0:18:20 | |
Are you talking to me? | 0:18:29 | 0:18:32 | |
Yes, you... Are you talking to me? | 0:18:32 | 0:18:36 | |
It's totally confusing as I thought I was the only one here. I'll phone my PA. | 0:18:36 | 0:18:40 | |
Hello? Susan? Susan? | 0:18:45 | 0:18:48 | |
Are you...are you talking to me? | 0:18:48 | 0:18:51 | |
Oh, yes, quite clearly you are. | 0:18:51 | 0:18:53 | |
How very terribly nice to... | 0:18:53 | 0:18:56 | |
Cripes, that keeps happening. | 0:18:56 | 0:18:58 | |
Hello...are you talking to me? | 0:18:58 | 0:19:01 | |
Yes, you quite clearly are. Boris Johnson? | 0:19:01 | 0:19:04 | |
Yes, of course I'll hand you over. This one's for you, I think. | 0:19:04 | 0:19:07 | |
Oh, I have a security tag | 0:19:13 | 0:19:16 | |
so they can find me if I fall down between the cracks in the pavement | 0:19:16 | 0:19:20 | |
or if I'm kidnapped by mice. | 0:19:20 | 0:19:22 | |
Oh, yeah, my favourite gadget is my personal side camera. | 0:19:22 | 0:19:27 | |
You know the one. | 0:19:27 | 0:19:29 | |
Yeah, the English dictionary. | 0:19:29 | 0:19:33 | |
I think it important to speak the language of the country you work in. | 0:19:33 | 0:19:40 | |
So I give one to each of the England players. | 0:19:40 | 0:19:44 | |
You know we live in a world of wonder, | 0:19:51 | 0:19:55 | |
from its breathtaking mountains to vast oceans | 0:19:55 | 0:20:00 | |
to canyons that stretch as far as the eye can see. | 0:20:00 | 0:20:05 | |
But there are few places on this amazing planet of ours | 0:20:05 | 0:20:10 | |
where the astounding beauty | 0:20:10 | 0:20:13 | |
and the raw power of nature are clearer to see than here | 0:20:13 | 0:20:20 | |
at the heart of the Kilauea Volcano. | 0:20:20 | 0:20:23 | |
It's amazing to think | 0:20:23 | 0:20:26 | |
that this volcano has been erupting continuously for 28 years. | 0:20:26 | 0:20:33 | |
Ah! It's like looking into the core of the planet itself. | 0:20:33 | 0:20:39 | |
Thousands of tonnes of raw magma. | 0:20:39 | 0:20:44 | |
Over one thousand degrees centigrade. | 0:20:44 | 0:20:49 | |
It's amazing. | 0:20:49 | 0:20:52 | |
Help! Help! | 0:20:54 | 0:20:58 | |
Brian! What did we say to you about climbing into an active volcano! | 0:20:58 | 0:21:03 | |
You said it would be amazing. | 0:21:03 | 0:21:06 | |
-No, no, no, what did we really say? -You said don't do it. | 0:21:06 | 0:21:10 | |
-And what did you do? -I did it. -Yeah, you did! Right, grab onto this wire. | 0:21:10 | 0:21:15 | |
We're going to winch you up. Stay still. I don't want to put too much pressure on this wire. | 0:21:15 | 0:21:20 | |
Well, actually, the laws of physics say that won't make any difference | 0:21:20 | 0:21:23 | |
because once an object is in motion | 0:21:23 | 0:21:25 | |
its combined mass is almost unaffected by the movement within. | 0:21:25 | 0:21:31 | |
That's why I love the laws of physics because you can be on an aeroplane | 0:21:31 | 0:21:35 | |
and if you jump up and down, that wouldn't actually make the flames any heavier. | 0:21:35 | 0:21:42 | |
Help. | 0:21:42 | 0:21:44 | |
'It's ten in the morning and star pupil Natalie has just got back in from a night out.' | 0:21:44 | 0:21:51 | |
So where were you last night, Natalie? You know you missed your pole dancing lesson. | 0:21:51 | 0:21:55 | |
I don't care, right, and there's nothing you can do about it. | 0:21:55 | 0:21:58 | |
She's good. | 0:21:58 | 0:22:00 | |
Just a minute. What's this? | 0:22:00 | 0:22:02 | |
Oh, well, I just got my boyfriend's name tattooed on my right bap. | 0:22:02 | 0:22:06 | |
-How long have you known him? -Well, I only met him down the club last night, didn't I, | 0:22:06 | 0:22:12 | |
but I love him so much that it hurts. | 0:22:12 | 0:22:15 | |
No, I'm over it. | 0:22:15 | 0:22:17 | |
You know, she reminds me of a young me, before I had my norks done. | 0:22:17 | 0:22:22 | |
Katie is like such a role model for us all, and she's so professional. | 0:22:22 | 0:22:29 | |
Like, she writes us reports at the end of the week and everything, | 0:22:29 | 0:22:33 | |
although, obviously, she doesn't write them herself. | 0:22:33 | 0:22:36 | |
'Next week on Katie's Finishing School, the course comes to an end.' | 0:22:39 | 0:22:43 | |
I can't believe it. | 0:22:43 | 0:22:45 | |
It's time for my first graduates to pass out. | 0:22:45 | 0:22:49 | |
It makes me so proud. | 0:22:49 | 0:22:51 | |
-Hold her hair back. -Bog off. | 0:22:51 | 0:22:55 | |
So proud. | 0:22:55 | 0:22:57 | |
Have you ever wished you could think of something rude to say, | 0:22:58 | 0:23:02 | |
but not been able to think of anything until it's too late? | 0:23:02 | 0:23:05 | |
Of course you have. You're an idiot. | 0:23:05 | 0:23:07 | |
Well, now help is at hand with my new limited edition Insult Generator. | 0:23:07 | 0:23:13 | |
Just say a key word into the Insult Generator, and hey presto, it generates an insult. | 0:23:13 | 0:23:20 | |
Plumber. | 0:23:20 | 0:23:21 | |
When a sewer rat comes out of the toilet and spots you, does it scream and run away? | 0:23:21 | 0:23:27 | |
Traffic warden. | 0:23:29 | 0:23:30 | |
When you meet a woman, do you lie and tell her you're a serial killer? | 0:23:30 | 0:23:34 | |
'Over 10,000 insults for every occasion.' | 0:23:35 | 0:23:38 | |
Estate agent. | 0:23:38 | 0:23:41 | |
They say in the event of a nuclear apocalypse, only cockroaches and estate agents will survive. | 0:23:41 | 0:23:47 | |
Poor cockroaches. | 0:23:47 | 0:23:49 | |
I don't know what I'd do without my Insult Generator. | 0:23:50 | 0:23:54 | |
Nor do I... I think your brain cell just died of loneliness. | 0:23:54 | 0:23:58 | |
'The Anne Robinson Insult Generator. | 0:24:00 | 0:24:02 | |
'So simple even a two-year-old could use it.' | 0:24:02 | 0:24:05 | |
Which means it'll be way beyond you. | 0:24:05 | 0:24:08 | |
Today, we want to talk to you about a really serious problem. | 0:24:13 | 0:24:17 | |
Screaming and temper tantrums. | 0:24:17 | 0:24:20 | |
I thought we agreed not to wash our dirty laundry in public. | 0:24:20 | 0:24:23 | |
I was talking about the baby. | 0:24:23 | 0:24:25 | |
Are you, darling? # Well, then that's fine, just get on with it. # | 0:24:25 | 0:24:28 | |
It's OK, I won't let him go on too long. I know you're only here to see me. | 0:24:28 | 0:24:33 | |
As I was saying, screaming and temper tantrums can be a real problem. | 0:24:33 | 0:24:38 | |
But there is one simple solution. | 0:24:38 | 0:24:40 | |
# We're going to put our baby to bed so he can sleep. | 0:24:40 | 0:24:45 | |
# And fly off to our villa in Capri. # | 0:24:45 | 0:24:49 | |
Don't go looking at me like I'm some sort of bad parent. | 0:24:49 | 0:24:52 | |
-I always take the monitor with me. -But the batteries are flat. | 0:24:52 | 0:24:55 | |
Even better. | 0:24:55 | 0:24:57 | |
Actually, Elton, where is the baby? | 0:24:57 | 0:25:00 | |
Oh, God, I think I've left him at Harvey Nicks. | 0:25:00 | 0:25:03 | |
Coming up later in Countryfile, I'll be visiting a farm where time stands still. | 0:25:09 | 0:25:15 | |
I'll be pony trekking in the Dales. | 0:25:15 | 0:25:17 | |
And I'll be trussed up by an Orkney boatman and dragged behind his trawler as bait. | 0:25:17 | 0:25:24 | |
But first, straw. | 0:25:24 | 0:25:26 | |
You're watching the One Show. | 0:25:26 | 0:25:28 | |
Coming up later, we'll be meeting the football mascot who dresses up in a bee costume | 0:25:28 | 0:25:32 | |
but is in fact allergic to bees. | 0:25:32 | 0:25:34 | |
We'll be conducting a culinary experiment. | 0:25:34 | 0:25:36 | |
By adding one cook to the kitchen every five minutes, we'll find out | 0:25:36 | 0:25:39 | |
-exactly how many cooks it takes to spoil a broth. -We will. We will. | 0:25:39 | 0:25:43 | |
We will. And we discover which city in Britain has the most people called John Smith in it. | 0:25:43 | 0:25:48 | |
But first, it's over to One Show favourite Dominic Littlewood for some handy DIY advice. | 0:25:48 | 0:25:52 | |
What have you got for us, Dominic? | 0:25:52 | 0:25:54 | |
Well, I've got with me a number of fillers | 0:25:54 | 0:25:56 | |
which will all do an adequate job if it's filling that you need doing. | 0:25:56 | 0:26:01 | |
OK, Dominic Ickle-Wood, say if we needed a lot of filling, | 0:26:01 | 0:26:06 | |
what filler would you recommend? | 0:26:06 | 0:26:08 | |
Well, there are fillers and there are fillers, Chris. | 0:26:08 | 0:26:11 | |
It depends on the scale of the filling you want the filler to fill. | 0:26:11 | 0:26:14 | |
Now, could you give me an indication of the size of the hole that needs filling? | 0:26:14 | 0:26:19 | |
I imagine it's a big one. Are we talking ten minutes? | 0:26:19 | 0:26:21 | |
More like 15. | 0:26:21 | 0:26:23 | |
That is a lot of filling. | 0:26:23 | 0:26:25 | |
I've got a mate called Phil who could be here in five minutes | 0:26:25 | 0:26:28 | |
with more filler and we could start filling. | 0:26:28 | 0:26:31 | |
-Which filler will you be using? -Let me fill you in on the fillers. | 0:26:31 | 0:26:35 | |
Filling film with Phil, easy squeezy. | 0:26:35 | 0:26:37 | |
Fill, fill, fill, fill, fill, fill, fill, lovely stuff. | 0:26:37 | 0:26:42 | |
Fill, fill, fill, fill, fill, fill, fill, fill, fill, fill, fill, fill, result, fill fill. | 0:26:42 | 0:26:47 | |
He's such a pro. | 0:26:47 | 0:26:49 | |
So, have you and Nick finally settled your differences? | 0:26:50 | 0:26:53 | |
Well, yes, we have and he has promised absolutely no more childish pranks. | 0:26:53 | 0:26:59 | |
FARTING NOISE | 0:26:59 | 0:27:01 | |
This means war, Robinson. | 0:27:01 | 0:27:04 | |
-Not so fast, Fireman Sam. -I'll get him hot, show him what I've got. | 0:27:07 | 0:27:12 | |
But can he read my poker face? | 0:27:12 | 0:27:14 | |
Talking to you is like trying to crack the enigma code. | 0:27:14 | 0:27:17 | |
Forgot to breathe. | 0:27:17 | 0:27:19 | |
Subtitles by Red Bee Media Ltd | 0:27:19 | 0:27:21 | |
E-mail [email protected] | 0:27:21 | 0:27:23 |