Browse content similar to Royston Vasey Mon Amour. Check below for episodes and series from the same categories and more!
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Let us begin. | 0:00:00 | 0:00:02 | |
Get some placards and paint and phone Rent A Mob. | 0:00:04 | 0:00:06 | |
We're not going down without a fight. | 0:00:06 | 0:00:08 | |
I need you to tell me where Richie is. | 0:00:08 | 0:00:11 | |
I won't do it. | 0:00:11 | 0:00:12 | |
We pass you to him, we pass him to you. | 0:00:12 | 0:00:15 | |
We pass you to him, we pass him to you. | 0:00:15 | 0:00:17 | |
History will not be repeated. | 0:00:17 | 0:00:21 | |
HE GROANS | 0:00:21 | 0:00:23 | |
In this house, we don't die. | 0:00:23 | 0:00:27 | |
There are many theories surrounding the abduction of the journalist | 0:00:29 | 0:00:34 | |
and the council worker | 0:00:34 | 0:00:36 | |
and speculation still surrounds the motive. | 0:00:36 | 0:00:39 | |
Disturbing scenes there. | 0:00:39 | 0:00:40 | |
And what exactly does he mean | 0:00:40 | 0:00:41 | |
when he says "We are a local shop for local people?" | 0:00:41 | 0:00:45 | |
Is he implying we're unwilling to trade with other territories...? | 0:00:45 | 0:00:48 | |
No, no, it's the exact opposite, | 0:00:48 | 0:00:50 | |
he's saying we've had enough of what he calls "petty meddling." | 0:00:50 | 0:00:54 | |
We own a shop, a good shop... | 0:00:54 | 0:00:57 | |
-TELEVISION: -..a shop we should be proud of, | 0:00:57 | 0:00:58 | |
and I, for one, am sick of people trying to talk our country down... | 0:00:58 | 0:01:01 | |
Poppycock. Piping words into my mouth. | 0:01:01 | 0:01:04 | |
Now, apparently the Daily Mail want to speak to us. | 0:01:04 | 0:01:07 | |
That's just a phoner... | 0:01:07 | 0:01:08 | |
And then they want us | 0:01:08 | 0:01:09 | |
on the Andrew Marr show on Sunday morning... | 0:01:09 | 0:01:11 | |
No screens at the table, Tubbs. You know what I said! | 0:01:11 | 0:01:14 | |
-You're becoming addicted. -One sec, just update my Insta... | 0:01:14 | 0:01:17 | |
No! Give it to me. | 0:01:17 | 0:01:18 | |
We are local news for local people. | 0:01:22 | 0:01:25 | |
We are of no interest to the outside world. | 0:01:25 | 0:01:28 | |
The siege is entering it's second day in the town of Royston Vasey... | 0:01:31 | 0:01:35 | |
VOICES IN DIFFERENT LANGUAGES | 0:01:37 | 0:01:40 | |
No comment! | 0:01:59 | 0:02:01 | |
Leave me alone! | 0:02:04 | 0:02:06 | |
Another communication from the police. | 0:02:35 | 0:02:38 | |
They're worried we're mistreating the hostages... | 0:02:38 | 0:02:40 | |
We're not mistreating you, are we? | 0:02:42 | 0:02:44 | |
I did a trumpet on my one! | 0:02:44 | 0:02:46 | |
Ooop! | 0:02:46 | 0:02:47 | |
I know you're very angry about this boundary change... | 0:02:49 | 0:02:53 | |
How many more times - we don't like change! | 0:02:53 | 0:02:55 | |
If we had Apple Pay we wouldn't need change! | 0:02:55 | 0:02:57 | |
Silence. | 0:02:57 | 0:02:58 | |
I'm sure if you told the authorities what your demands were, | 0:02:58 | 0:03:02 | |
they would be willing to do a deal. | 0:03:02 | 0:03:03 | |
Local authorities? | 0:03:03 | 0:03:05 | |
I suppose so. | 0:03:05 | 0:03:07 | |
Very well. | 0:03:08 | 0:03:09 | |
Let's talk shop. | 0:03:10 | 0:03:12 | |
GUITAR MUSIC PLAYS | 0:03:21 | 0:03:25 | |
Ooh! Come on, you beggar. | 0:03:32 | 0:03:33 | |
Yeah, I'll have that mix for you by lunchtime tomorrow. | 0:03:37 | 0:03:39 | |
I'll push the bass on it, get it pumping. | 0:03:39 | 0:03:42 | |
Yeah. I'll catch you later. | 0:03:42 | 0:03:44 | |
That's all done for you now, Mr Tim. | 0:03:44 | 0:03:46 | |
Hey, no worries. Call me Slim. | 0:03:46 | 0:03:49 | |
That's what I was known as on the Manchester Scene, back in the '90s. | 0:03:49 | 0:03:53 | |
You know anything about the music business? | 0:03:54 | 0:03:56 | |
No, not really. It's all about the polishing for me now. | 0:03:56 | 0:04:01 | |
Has to be. | 0:04:02 | 0:04:03 | |
Not like it used to be, of course. | 0:04:03 | 0:04:05 | |
I've got a million-pound recording studio in here. | 0:04:05 | 0:04:09 | |
Have you? I saw you had an en-suite, but... | 0:04:09 | 0:04:11 | |
No. All in here. Amazing what they can do these days. | 0:04:11 | 0:04:14 | |
Anyway, I'm wasting your time - you've got floors to polish. | 0:04:14 | 0:04:19 | |
No, no, no, no. It's fascinating. | 0:04:19 | 0:04:20 | |
I remember what things used to be like, | 0:04:20 | 0:04:22 | |
patchbays full of cables like spaghetti. | 0:04:22 | 0:04:26 | |
You were in a band? | 0:04:26 | 0:04:27 | |
Oh, yeah, yeah, yeah. | 0:04:27 | 0:04:29 | |
We didn't do too bad. Pub scene, you know. | 0:04:29 | 0:04:32 | |
The Whip next to City Varieties. Did a bit of telly. | 0:04:32 | 0:04:36 | |
Did the pilot of Get It Together with Roy North and Olly the Owl. | 0:04:36 | 0:04:39 | |
Non-broadcast, like. | 0:04:39 | 0:04:40 | |
I played on Mississippi by Pussycat. Demo. | 0:04:42 | 0:04:46 | |
We had our own outfit - Creme Brulee. You might have heard of us? | 0:04:46 | 0:04:50 | |
-No. -No, no, I expect not. | 0:04:50 | 0:04:54 | |
So you packed it all in, then? | 0:04:54 | 0:04:56 | |
Yeah. I did have a go on my own, but pipe dreams, you know. | 0:04:56 | 0:05:01 | |
Well. I best get on, Mr Slim. | 0:05:02 | 0:05:05 | |
I'll leave you me card in case you want these doing again. | 0:05:05 | 0:05:07 | |
They should be all right for a few months, but they do tend to scuff... | 0:05:07 | 0:05:11 | |
..over time. | 0:05:12 | 0:05:13 | |
Well, I'll bear that in mind. Good luck. | 0:05:13 | 0:05:17 | |
Les... | 0:05:17 | 0:05:19 | |
Oh, yeah, yeah. | 0:05:19 | 0:05:20 | |
TRANSLATION: Growing up in Herzoslovakia in 1970s, | 0:05:39 | 0:05:43 | |
times were dark. | 0:05:43 | 0:05:44 | |
We could only eat mice and make love to our fathers. | 0:05:44 | 0:05:48 | |
But there was one light in darkness - Sweet Suite by Leslie McQueen. | 0:05:48 | 0:05:53 | |
What are we fancying love? | 0:06:02 | 0:06:04 | |
Um, probably have my usual calamari. | 0:06:04 | 0:06:07 | |
I'm not that hungry, actually. | 0:06:07 | 0:06:09 | |
Probably just going to go for four or five starters. | 0:06:09 | 0:06:12 | |
Oh, no... | 0:06:12 | 0:06:13 | |
What? | 0:06:13 | 0:06:15 | |
Hey, Luigi! The party's here! | 0:06:15 | 0:06:17 | |
Ah, my favourite signora. You want to sit in the window? | 0:06:17 | 0:06:21 | |
Yeah, all right. | 0:06:21 | 0:06:22 | |
No, no, we want to be in the middle, don't we, Scott? | 0:06:22 | 0:06:24 | |
We don't get to come out very often. | 0:06:24 | 0:06:27 | |
Speaking of which, hello, Charlie! | 0:06:27 | 0:06:30 | |
Stella. | 0:06:30 | 0:06:31 | |
Would you like me to push the tables together so you are one group? | 0:06:31 | 0:06:34 | |
No, you're all right thanks, Luigi. | 0:06:34 | 0:06:36 | |
We're not together any more. | 0:06:36 | 0:06:39 | |
Look, why don't we get a takeaway? | 0:06:39 | 0:06:40 | |
No, it's a free country. | 0:06:40 | 0:06:42 | |
What's the point of having a toy-boy if I can't show you off? | 0:06:42 | 0:06:44 | |
Stop it! | 0:06:44 | 0:06:46 | |
I'm going for a fag. | 0:06:47 | 0:06:48 | |
That's what you did, isn't it, Charlie? | 0:06:52 | 0:06:55 | |
Went for a fag. | 0:06:55 | 0:06:56 | |
-Are you going to let her speak to us like that? -She's fine. | 0:06:56 | 0:06:59 | |
It's not fine. Stand up to her. Otherwise, you'll never move on. | 0:06:59 | 0:07:01 | |
Yeah, all right, Gordon. You don't have to shove it down my throat. | 0:07:01 | 0:07:04 | |
-Hah! -I'm going for a ciggy, as well. | 0:07:04 | 0:07:06 | |
Don't try and bum my boyfriend, will you? | 0:07:06 | 0:07:08 | |
Why not? He might enjoy it. Your last one did. | 0:07:08 | 0:07:11 | |
I don't. If anything, Gordon prefers... | 0:07:16 | 0:07:20 | |
I don't want to hear it, Charlie. | 0:07:20 | 0:07:21 | |
Listen, Stella, it's none of my business, | 0:07:24 | 0:07:28 | |
but the wheelchair, | 0:07:28 | 0:07:30 | |
the black eye... | 0:07:30 | 0:07:31 | |
Are you all right? | 0:07:33 | 0:07:35 | |
Luigi! Come and make me laugh like you used to. | 0:07:43 | 0:07:45 | |
She's deflecting, Luigi. | 0:07:45 | 0:07:46 | |
Can he not allow me to be happy, Luigi? | 0:07:46 | 0:07:48 | |
-I never stopped loving her, Luigi. -I only want to have fun, Luigi. | 0:07:48 | 0:07:51 | |
Gordon never listens to me, Luigi. | 0:07:51 | 0:07:53 | |
Scott's got a temper on him, Luigi. | 0:07:53 | 0:07:54 | |
He's put so much weight on, Luigi! | 0:07:54 | 0:07:56 | |
I've got a slow metabolism, Luigi! | 0:07:56 | 0:07:58 | |
-We're going now, Luigi. -Don't let him take me, Luigi. | 0:07:58 | 0:08:00 | |
She can have hers in a doggy-bag, Luigi. | 0:08:00 | 0:08:02 | |
I'm just a mouth to him, Luigi. | 0:08:02 | 0:08:03 | |
I pretend it's Stella, Luigi. | 0:08:03 | 0:08:05 | |
-I lie to the doctors, Luigi. -My mother died young, Luigi. | 0:08:05 | 0:08:08 | |
I'm more lonely when I'm with him, Luigi. | 0:08:08 | 0:08:09 | |
-I've confused love with food, Luigi. -I'm so frightened, Luigi! | 0:08:09 | 0:08:12 | |
-She can't make me hard, Luigi. -Help us, Luigi! | 0:08:12 | 0:08:14 | |
What do we do, Luigi? | 0:08:14 | 0:08:15 | |
How do we choose, Luigi? | 0:08:15 | 0:08:17 | |
Well... Have you looked at the Specials Board? | 0:08:20 | 0:08:24 | |
Oh, no, we haven't, actually! | 0:08:24 | 0:08:26 | |
Oh! You never think to do that, do you? | 0:08:26 | 0:08:28 | |
Excuse me, sir. We've done our homework. Would you like an apple? | 0:08:41 | 0:08:46 | |
I told you - no Swot Team. | 0:08:46 | 0:08:48 | |
You must be Edward? | 0:09:04 | 0:09:05 | |
That's right. | 0:09:05 | 0:09:07 | |
I'm Gareth Chapman, and I'm a trained hostage negotiator. | 0:09:07 | 0:09:10 | |
Sorry, I didn't catch your name. | 0:09:12 | 0:09:14 | |
-Right. Shall we just.. -Tubbs! | 0:09:17 | 0:09:20 | |
OK. Do you mind if I... | 0:09:22 | 0:09:25 | |
Please. | 0:09:25 | 0:09:27 | |
So, um... | 0:09:27 | 0:09:29 | |
Why don't we start with you telling me your opening position? | 0:09:29 | 0:09:32 | |
On top with my eyes closed, if it's any of your business. | 0:09:32 | 0:09:35 | |
I know you've said that the hostages aren't for sale at any price. | 0:09:38 | 0:09:40 | |
This is a shop. Nothing is for sale! | 0:09:40 | 0:09:43 | |
I appreciate that. | 0:09:43 | 0:09:44 | |
I'm not here to butter you up and then go behind your back. | 0:09:44 | 0:09:46 | |
That's his opening position. | 0:09:46 | 0:09:48 | |
Tubbs! Why don't you fix our guest a drink? | 0:09:48 | 0:09:51 | |
Use a clean glass. | 0:09:52 | 0:09:54 | |
Now, you must appreciate that I can't negotiate | 0:09:58 | 0:10:01 | |
without establishing whether Ellie and Lindsey are safe and sound. | 0:10:01 | 0:10:04 | |
He's using their names so we see them as people | 0:10:04 | 0:10:07 | |
rather than bargaining chips. | 0:10:07 | 0:10:10 | |
Very clever trick. All in good time. | 0:10:10 | 0:10:13 | |
Here. Would you like a chocolate biscuit? | 0:10:13 | 0:10:18 | |
No, I'm fine, thanks. | 0:10:18 | 0:10:20 | |
I might just let that cool down for a bit. | 0:10:22 | 0:10:24 | |
I believe you're unhappy with the shape of the county line? | 0:10:26 | 0:10:29 | |
Oh, that's Edward. He likes me to shave it all off. | 0:10:29 | 0:10:31 | |
But moving the boundary could be good for your new town. | 0:10:32 | 0:10:36 | |
Bring new business investment, more diversity, more customers. | 0:10:38 | 0:10:42 | |
No! | 0:10:42 | 0:10:43 | |
For the final time, this is a local shop for local people! | 0:10:43 | 0:10:47 | |
There's NOTHING for strangers here. | 0:10:47 | 0:10:50 | |
All right, OK. | 0:10:50 | 0:10:51 | |
I thought it might come to this. | 0:10:53 | 0:10:55 | |
Can I borrow your phone? | 0:10:56 | 0:10:59 | |
It's only got 32%! Oh, all right. | 0:10:59 | 0:11:02 | |
Yeah, this is the Tin Man. Can I speak to Dorothy? | 0:11:07 | 0:11:10 | |
Just do it! | 0:11:11 | 0:11:12 | |
Thank you. | 0:11:14 | 0:11:15 | |
Mr Tattsyrup... | 0:11:16 | 0:11:18 | |
I have the Prime Minister on the phone for you. | 0:11:19 | 0:11:22 | |
Yes, that's right, we make everything on site. | 0:11:43 | 0:11:46 | |
-Uh-huh. Yeah, no problem. -MESSAGE BEEPS | 0:11:48 | 0:11:52 | |
I'll have them for you by the end of the day. | 0:11:58 | 0:12:01 | |
-Can I help you? -I hope so, Richie. | 0:12:05 | 0:12:07 | |
I hope so. | 0:12:09 | 0:12:11 | |
That's right - walk this way. Slowly. Slowly. | 0:12:21 | 0:12:26 | |
Slowly. Slowly. | 0:12:26 | 0:12:28 | |
Where have I been? So dark. | 0:12:28 | 0:12:31 | |
So murky. | 0:12:31 | 0:12:32 | |
You've been a very, very long way away from us, | 0:12:32 | 0:12:34 | |
but now you're back. | 0:12:34 | 0:12:35 | |
The clouds are clearing, Valerie. The clouds are clearing. | 0:12:37 | 0:12:41 | |
But what is this mess? | 0:12:43 | 0:12:46 | |
Things have just got a little out of hand, that's all. | 0:12:47 | 0:12:50 | |
A Toilet Duck! I thought I'd banned such things from here. | 0:12:50 | 0:12:54 | |
This item trivialises the importance of water-closet care. | 0:12:54 | 0:12:58 | |
Who could tolerate such a jovial approach | 0:12:58 | 0:13:00 | |
to the maintenance and cleanliness of the lavatory pan? | 0:13:00 | 0:13:03 | |
I know, Harvey. | 0:13:03 | 0:13:05 | |
But it's just it's so much easier | 0:13:05 | 0:13:06 | |
than using table salt and a toothbrush. | 0:13:06 | 0:13:08 | |
A toilet is no place for a duck! | 0:13:08 | 0:13:11 | |
Harvey, please... | 0:13:11 | 0:13:13 | |
What next in this descent? | 0:13:13 | 0:13:15 | |
A lavatory brush? | 0:13:18 | 0:13:19 | |
The tool of Satan himself. But how do we clean the brush? | 0:13:19 | 0:13:22 | |
Put it in the sink? | 0:13:22 | 0:13:24 | |
But the sink is used for washing hands. | 0:13:24 | 0:13:25 | |
Nothing will ever be clean again! | 0:13:25 | 0:13:27 | |
An endless cycle of foulness and feculence. Gloves! | 0:13:27 | 0:13:30 | |
I must have gloves! | 0:13:30 | 0:13:32 | |
Grrr! Look at this mess! Abomination! | 0:13:32 | 0:13:35 | |
Oh, girls. What have we done? | 0:13:35 | 0:13:38 | |
A spoon in the knife drawer! | 0:13:38 | 0:13:40 | |
Hey, Murray, have you seen these? | 0:13:40 | 0:13:43 | |
They're selling them everywhere. | 0:13:43 | 0:13:45 | |
What's going on? | 0:13:50 | 0:13:52 | |
I thought the tide had turned, the people are on our side? | 0:13:52 | 0:13:55 | |
Someone from County Hall rang. | 0:13:55 | 0:13:56 | |
Seems the reason for this boundary change | 0:13:56 | 0:13:58 | |
is because the land's been sold for fracking. | 0:13:58 | 0:14:00 | |
Is that where they all watch each other in cars? | 0:14:02 | 0:14:05 | |
No, it's heavy drilling, but not the kind you mean. | 0:14:05 | 0:14:09 | |
Seems they didn't want to bother | 0:14:09 | 0:14:10 | |
with the rigmarole of public consultations. | 0:14:10 | 0:14:12 | |
Easier just to let the town disappear with a bit of paperwork. | 0:14:12 | 0:14:16 | |
What daft twat signed that? | 0:14:16 | 0:14:18 | |
You did. | 0:14:20 | 0:14:21 | |
SHE YELLS | 0:14:58 | 0:15:03 | |
Whatever happened to man Les McQueen? Rumours abound. | 0:15:07 | 0:15:11 | |
He shot dead by authorities for inspiring revolutionary fervour. | 0:15:11 | 0:15:14 | |
He stabbed with poisoned umbrella like Georgy Markov. | 0:15:14 | 0:15:17 | |
He grow fat and die on toilet like Elvis - | 0:15:17 | 0:15:21 | |
but public toilet in Todmorden. | 0:15:21 | 0:15:23 | |
Not like Elvis. | 0:15:23 | 0:15:25 | |
Where is Les McQueen now? | 0:15:25 | 0:15:27 | |
If he were to be found, he would be world famous, | 0:15:27 | 0:15:31 | |
or quite famous in Herzoslovakia - which is better than nothing. | 0:15:31 | 0:15:36 | |
Oh, Leslie McQueen. | 0:15:36 | 0:15:38 | |
Hey... | 0:15:41 | 0:15:43 | |
So you see, Les, the offer's there. | 0:15:43 | 0:15:46 | |
I know the right people. | 0:15:46 | 0:15:48 | |
Just sign on the line that is dotted. | 0:15:48 | 0:15:50 | |
It's all so overwhelming, Mr Slim Tim. | 0:15:50 | 0:15:53 | |
We could a get a top backing band together. | 0:15:53 | 0:15:55 | |
Ray Stiles from Mud - I used to know his driving instructor. | 0:15:55 | 0:15:58 | |
And then there's... | 0:15:58 | 0:16:00 | |
Oh, no. Yewtree. | 0:16:00 | 0:16:01 | |
Les. Les, this is all about you. | 0:16:01 | 0:16:04 | |
Forget the others, forget the band. | 0:16:04 | 0:16:05 | |
-This is Les McGann. -McQueen. | 0:16:05 | 0:16:07 | |
McQueen! The hero returns. | 0:16:07 | 0:16:11 | |
All your troubles taken care of. All your dreams come true. | 0:16:11 | 0:16:15 | |
You've seen the news. This town is going down the pan anyway, probably. | 0:16:15 | 0:16:18 | |
Oh, yeah, yeah. | 0:16:18 | 0:16:19 | |
Do you know what? | 0:16:25 | 0:16:27 | |
On reflection, I don't think so, Mr Slim. | 0:16:27 | 0:16:30 | |
It is a shit business. | 0:16:33 | 0:16:34 | |
The thing about polishing - | 0:16:36 | 0:16:38 | |
you know where you stand, on a floor. | 0:16:38 | 0:16:42 | |
A polished floor. It's dependable. It's not a fantasy. | 0:16:42 | 0:16:47 | |
I mean, they do get slippy, | 0:16:47 | 0:16:49 | |
and you must never put a rug on them afterwards. But... | 0:16:49 | 0:16:51 | |
It's solid. | 0:16:53 | 0:16:55 | |
Thanks all the same. | 0:16:56 | 0:16:57 | |
HE SIGHS | 0:16:59 | 0:17:02 | |
Well, if you're sure. | 0:17:02 | 0:17:03 | |
I'll see myself out. | 0:17:06 | 0:17:07 | |
On your knees, Richie. On your knees! | 0:17:12 | 0:17:14 | |
When I had to go away on my little holiday, | 0:17:16 | 0:17:19 | |
what was the business I entrust to you? | 0:17:19 | 0:17:21 | |
-Key cutting. -What's that? | 0:17:22 | 0:17:23 | |
Key cutting business. | 0:17:23 | 0:17:25 | |
That's right. Key cutting business. | 0:17:25 | 0:17:28 | |
A key cutter cuts keys. | 0:17:28 | 0:17:30 | |
Maybe - just maybe - he repairs shoes as well . | 0:17:30 | 0:17:35 | |
But when he starts dealing in tankards, | 0:17:37 | 0:17:40 | |
in trophies, in cake slices... Why not sell anything? | 0:17:40 | 0:17:44 | |
Why not sell big craps in boxes? | 0:17:44 | 0:17:48 | |
-It was just an idea. -An idea that make me bankrupt! | 0:17:48 | 0:17:51 | |
HE YELLS | 0:17:51 | 0:17:52 | |
Well, Pop has ideas too, you know. | 0:17:55 | 0:17:57 | |
You do me in the ass. I do YOU in the ass. | 0:17:59 | 0:18:02 | |
We're going to see how many Piri-Piri olives | 0:18:05 | 0:18:08 | |
can fit in one man's shit pipe. | 0:18:08 | 0:18:10 | |
Your shit pipe. | 0:18:13 | 0:18:14 | |
And we're not going to stop until the whole stinking jar is empty. | 0:18:17 | 0:18:21 | |
HE LAUGHS | 0:18:23 | 0:18:26 | |
Oh! | 0:18:28 | 0:18:30 | |
But you'd better leave some room up there for dessert, Richie... | 0:18:30 | 0:18:33 | |
Not... | 0:18:33 | 0:18:34 | |
Yes, nine Maverick bars. | 0:18:34 | 0:18:39 | |
But, Pop, they don't do Mavericks any more. | 0:18:39 | 0:18:41 | |
Is OK. | 0:18:41 | 0:18:42 | |
I brought Picnics. | 0:18:43 | 0:18:45 | |
HE LAUGHS | 0:18:47 | 0:18:50 | |
CROWD CHEERS | 0:18:52 | 0:18:55 | |
Really extraordinary scenes here, Jon. | 0:19:01 | 0:19:03 | |
We've just heard that the Prime Minister | 0:19:03 | 0:19:05 | |
has reversed the decision to alter the boundary lines. | 0:19:05 | 0:19:09 | |
This means that the town | 0:19:09 | 0:19:10 | |
of Royston Vasey has essentially been saved by this couple | 0:19:10 | 0:19:13 | |
and they're just coming out now... | 0:19:13 | 0:19:15 | |
Mr and Mrs Tattsyrup, BBC News. | 0:19:15 | 0:19:17 | |
You must be delighted with this decision? | 0:19:17 | 0:19:19 | |
Absolutely. This is a victory for common sense. | 0:19:19 | 0:19:23 | |
Our father raised us to stand up to the school-yard bully, | 0:19:23 | 0:19:26 | |
and that's what we've done here. | 0:19:26 | 0:19:28 | |
CROWD CHEERS | 0:19:28 | 0:19:29 | |
And Mrs Tattsyrup, | 0:19:29 | 0:19:30 | |
you've really managed to put Royston Vasey on the map. | 0:19:30 | 0:19:34 | |
-Map! -Yes. | 0:19:34 | 0:19:36 | |
And your actions have inspired a lot of people here, | 0:19:36 | 0:19:38 | |
so do you have a message for them? | 0:19:38 | 0:19:40 | |
I'd like to thank the Academy and everyone who voted for me. | 0:19:40 | 0:19:45 | |
There's the bedroom. | 0:19:45 | 0:19:47 | |
There has been some criticism over your taking of hostages | 0:19:47 | 0:19:50 | |
to get your message through to the government. | 0:19:50 | 0:19:52 | |
How would you respond to that? | 0:19:52 | 0:19:53 | |
Well, I used to be in a war... | 0:19:53 | 0:19:55 | |
Lindsey! Can you hear me? | 0:19:55 | 0:19:57 | |
And one thing you learn is that the end justifies the means. | 0:19:57 | 0:20:01 | |
You can't make an omelette without breaking a few eggs. | 0:20:03 | 0:20:07 | |
-And what do you mean by that? -We didn't cut their faces off! | 0:20:12 | 0:20:16 | |
Oh, Christ... | 0:20:19 | 0:20:20 | |
Strangers are not welcome here. | 0:20:22 | 0:20:24 | |
CROWD CHEERS | 0:20:24 | 0:20:25 | |
This is a local town for local people! | 0:20:25 | 0:20:28 | |
CROWD CHEERS | 0:20:28 | 0:20:29 | |
A local country for local people! | 0:20:29 | 0:20:31 | |
CROWD CHEERS | 0:20:31 | 0:20:33 | |
And the will of local people will prevail! | 0:20:33 | 0:20:36 | |
CROWD CHEERS | 0:20:36 | 0:20:37 | |
Stop them! Don't let them get away! | 0:20:37 | 0:20:40 | |
Thank you. We must leave now. | 0:20:41 | 0:20:43 | |
Is there any way you can get me on Strictly? | 0:20:46 | 0:20:48 | |
CROWD CHANTS | 0:20:48 | 0:20:51 | |
Stop them! Stop them! | 0:20:53 | 0:20:56 | |
Guards! Stop them! | 0:20:56 | 0:20:58 | |
HE GROWLS | 0:21:02 | 0:21:04 | |
Let that be a lesson to you. | 0:21:06 | 0:21:08 | |
You ruin everything you touch with your high-minded dreams. | 0:21:10 | 0:21:14 | |
Your head always in the clouds. | 0:21:14 | 0:21:17 | |
A fairy who loves fairy stories. | 0:21:17 | 0:21:20 | |
-SHIVERS: -Yes, Pop. | 0:21:22 | 0:21:23 | |
I've been away, but now I'm back. | 0:21:25 | 0:21:27 | |
Back in your life forever. | 0:21:27 | 0:21:28 | |
You see, Pop is supreme, Pop is invincible! | 0:21:30 | 0:21:34 | |
-Pop can do anything. -SHOP BELL TINKLES | 0:21:34 | 0:21:36 | |
Is that right? | 0:21:37 | 0:21:38 | |
Oh, look! | 0:21:39 | 0:21:41 | |
Your Mary-queen brother has come to your rescue | 0:21:41 | 0:21:43 | |
with his little dolly wife. | 0:21:43 | 0:21:45 | |
If you're such a big man - why do you need to do this to them? | 0:21:47 | 0:21:51 | |
You're no man. You're nothing. | 0:21:51 | 0:21:54 | |
Nothing? A man who once ate a live cat with chips. | 0:21:54 | 0:21:59 | |
A man who once twist another man's head off | 0:22:00 | 0:22:04 | |
round the back of Halfords. | 0:22:04 | 0:22:05 | |
A man who could kill you - like that! | 0:22:06 | 0:22:09 | |
I bet you couldn't fit inside this jar. | 0:22:11 | 0:22:14 | |
What?! | 0:22:14 | 0:22:16 | |
You said you could do anything. Prove it. | 0:22:16 | 0:22:18 | |
I don't have to prove myself to you. | 0:22:18 | 0:22:20 | |
-So you can't? -You dare doubt? | 0:22:20 | 0:22:23 | |
If I'm going to die, I can dare anything. | 0:22:23 | 0:22:25 | |
And I say it's impossible. | 0:22:25 | 0:22:27 | |
Impossible. | 0:22:27 | 0:22:28 | |
-I don't believe you. -Take care. | 0:22:28 | 0:22:31 | |
-I never shall. -Never? | 0:22:31 | 0:22:32 | |
Nothing could make me. | 0:22:32 | 0:22:34 | |
Unless I see it with my own eyes. | 0:22:34 | 0:22:37 | |
Then, whore of an unbeliever, before you die, | 0:22:38 | 0:22:42 | |
you shall see that for Pop, nothing is impossible. | 0:22:42 | 0:22:45 | |
-You shall see and believe. -HE LAUGHS WICKEDLY | 0:22:45 | 0:22:50 | |
No, Richie, no! Not another thousand years... | 0:23:07 | 0:23:11 | |
I got you! I got you! | 0:23:11 | 0:23:14 | |
I got you! | 0:23:14 | 0:23:15 | |
I got you! I got you! | 0:23:15 | 0:23:19 | |
I got you! I got you! I got you! I got you! | 0:23:19 | 0:23:22 | |
DOOR TINKLES | 0:23:22 | 0:23:23 | |
This can't go on, girls. We must somehow get Benjamin back. | 0:23:52 | 0:23:55 | |
Break the spell. | 0:23:55 | 0:23:57 | |
Benjamin! Why Benjamin?! That agent of misrule. | 0:23:57 | 0:24:02 | |
That imp of the perverse. | 0:24:02 | 0:24:04 | |
This name will not be mentioned in this house! | 0:24:04 | 0:24:07 | |
Who let Benjamin in - this boy? | 0:24:11 | 0:24:15 | |
But now he is a man?! | 0:24:16 | 0:24:18 | |
His hands are my hands. | 0:24:18 | 0:24:21 | |
What is this? | 0:24:21 | 0:24:23 | |
I'm speaking to Benjamin now. Somewhere inside this. | 0:24:24 | 0:24:28 | |
You must fight it. | 0:24:28 | 0:24:31 | |
-Fight it! -Where have these hands been? | 0:24:31 | 0:24:33 | |
Even now I can feel them constricted by a sock. | 0:24:33 | 0:24:36 | |
A sock placed over a fist - itself placed over a male member, | 0:24:36 | 0:24:39 | |
excited to the point of making tummy pancakes, but into said sock. | 0:24:39 | 0:24:44 | |
And they are my hands! | 0:24:44 | 0:24:49 | |
Expel him, Benjamin! End this folly! | 0:24:50 | 0:24:54 | |
HE YELLS | 0:24:56 | 0:25:00 | |
HE GASPS | 0:25:01 | 0:25:04 | |
HE RETCHES | 0:25:04 | 0:25:06 | |
FROG RIVETS | 0:25:11 | 0:25:13 | |
What just happened? | 0:25:18 | 0:25:19 | |
THEY YELL | 0:25:28 | 0:25:31 | |
Look Edward, we need to follow blue-dot! | 0:25:41 | 0:25:43 | |
Oh, Murray, what have I done? | 0:25:45 | 0:25:50 | |
You've turned our town into a nameless piece of land | 0:25:50 | 0:25:52 | |
that can be drilled through like a rotten tooth. | 0:25:52 | 0:25:55 | |
I thought they were just laying some cable | 0:25:55 | 0:25:57 | |
and we'd finally be getting broadband. | 0:25:57 | 0:25:59 | |
I didn't know it would come to this. | 0:25:59 | 0:26:01 | |
Well, I hope they paid you well, whoever they are. | 0:26:03 | 0:26:06 | |
He didn't pay me a penny. | 0:26:08 | 0:26:09 | |
Why did you do it then? | 0:26:10 | 0:26:11 | |
I had no choice. | 0:26:13 | 0:26:16 | |
He made me. | 0:26:16 | 0:26:17 | |
Argh! A stitch! | 0:26:24 | 0:26:26 | |
THEY GASP | 0:26:29 | 0:26:31 | |
Quickly, Tubbs, in here. | 0:26:32 | 0:26:35 | |
Do we need a pissport to go to London? | 0:26:37 | 0:26:40 | |
Quiet! | 0:26:40 | 0:26:41 | |
SHE YELLS | 0:26:43 | 0:26:45 | |
All clear, Tubbs. | 0:26:54 | 0:26:55 | |
Tubbs! | 0:27:07 | 0:27:08 | |
Tubbs! | 0:27:11 | 0:27:12 | |
TUBBS SQUEALS | 0:27:18 | 0:27:20 | |
Where am I? | 0:27:26 | 0:27:28 | |
Is this Swansea? | 0:27:31 | 0:27:33 | |
THEY YELL | 0:27:36 | 0:27:38 | |
Who are you? What is this place? | 0:27:44 | 0:27:47 | |
It's a wife-mine now. | 0:27:51 | 0:27:54 | |
HE LAUGHS WICKEDLY | 0:27:54 | 0:27:56 | |
Please, please, someone! | 0:28:02 | 0:28:07 | |
Sorry, mate. | 0:28:18 | 0:28:20 | |
Excuse me. Does this train stop at the airport? | 0:28:22 | 0:28:26 | |
I need to catch a flight... | 0:28:26 | 0:28:27 | |
to Herzlovakia. | 0:28:27 | 0:28:29 | |
Well... Goodbye, Benjamin, we shall miss you. | 0:28:39 | 0:28:44 | |
I hope you can forgive us. | 0:28:46 | 0:28:48 | |
Of course. But you know, Auntie Val, sometimes... | 0:28:48 | 0:28:53 | |
..you can't go back. | 0:28:55 | 0:28:56 | |
I know. | 0:28:57 | 0:28:58 | |
I know. | 0:28:59 | 0:29:01 | |
But you can visit. | 0:29:02 | 0:29:04 | |
Yes. | 0:29:05 | 0:29:07 | |
You can visit. | 0:29:07 | 0:29:08 |