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The county are moving the boundary line to exclude Royston Vasey. | 0:00:02 | 0:00:04 | |
-BOTH: -Hello, Benjamin. -Oh, God. I'd forgotten. | 0:00:04 | 0:00:08 | |
I want you to kill Cheryl for me. | 0:00:08 | 0:00:10 | |
When do you need it done by? | 0:00:10 | 0:00:11 | |
You heard the woman, Tubbs. Get undressed. | 0:00:15 | 0:00:18 | |
This programme contains some strong language. | 0:00:19 | 0:00:23 | |
-APPLAUSE -And the award for Best New Play goes to... | 0:00:23 | 0:00:27 | |
Oliver Plimsolls for Harry Spotter And The Prisoner Of Acne Scar. | 0:00:27 | 0:00:31 | |
CHEERING AND APPLAUSE | 0:00:31 | 0:00:34 | |
Thank you. Thanks. | 0:00:40 | 0:00:42 | |
Issue-based children's theatre has for too long been | 0:00:44 | 0:00:48 | |
the fat gay red-headed stepchild of the West End family. | 0:00:48 | 0:00:52 | |
Which is an issue I explored in my previous play, Moobs, Lube And Ginger Pubes. | 0:00:52 | 0:00:55 | |
Nominated for this award last year. Didn't win. Fine. Doesn't stop it being an issue. | 0:00:55 | 0:00:58 | |
Who am I going to thank? | 0:00:58 | 0:01:00 | |
Well, I'd like to thank me, 25 years ago, | 0:01:00 | 0:01:02 | |
for creating Legz Akimbo Theatre Company. | 0:01:02 | 0:01:05 | |
And I want to thank all the actors that came | 0:01:05 | 0:01:07 | |
and went along the way and used me as a stepping stone. | 0:01:07 | 0:01:09 | |
-Ollie... -You taught me that I couldn't rely on or trust anyone. | 0:01:09 | 0:01:12 | |
And if I wanted to be an award-winning writer, director, actor, producer... | 0:01:12 | 0:01:15 | |
-Ollie... -Let me speak! | 0:01:15 | 0:01:16 | |
..then I had to do it for myself, which is what I have done. | 0:01:16 | 0:01:18 | |
-BELL RINGS -Ollie, | 0:01:18 | 0:01:20 | |
You've got your Year 9s, they're in the hall. | 0:01:20 | 0:01:21 | |
Sorry. | 0:01:23 | 0:01:24 | |
Thanks, Carole. | 0:01:25 | 0:01:26 | |
-FROM LOUD-HAILER: -Save Royston Vasey! | 0:01:32 | 0:01:35 | |
Our town is under threat. | 0:01:36 | 0:01:38 | |
Come to the council meeting at 2 o'clock this afternoon. | 0:01:38 | 0:01:42 | |
Free hot water. Tea bags can be purchased. | 0:01:42 | 0:01:46 | |
Keep Royston Vasey on the map, | 0:01:53 | 0:01:57 | |
or burn in hell for all eternity. | 0:01:57 | 0:02:00 | |
Your town needs you. I need you. | 0:02:03 | 0:02:07 | |
CAT MEOWS | 0:02:12 | 0:02:13 | |
CAT SCREECHES | 0:02:18 | 0:02:19 | |
It's time to stand up and be counted! | 0:02:36 | 0:02:41 | |
-CASUALLY: -Actually, forget it. It's only council scum round here. Drive on. | 0:02:41 | 0:02:43 | |
WHIMPERING | 0:02:46 | 0:02:48 | |
For many years we ran a shop much like this one, up on the moors. | 0:02:48 | 0:02:53 | |
Serving the needs of the local community. | 0:02:53 | 0:02:57 | |
Then people like you came along. | 0:02:57 | 0:02:59 | |
Upright pigs, teats down, six. | 0:02:59 | 0:03:02 | |
Our shop was destroyed. | 0:03:02 | 0:03:04 | |
We were driven into the wild, | 0:03:04 | 0:03:07 | |
walking the fields and hedgerows like beasts of burden. | 0:03:07 | 0:03:11 | |
We narrowly escaped death | 0:03:11 | 0:03:13 | |
when a locomotive train missed us by inches. | 0:03:13 | 0:03:16 | |
And all in the name of progress. | 0:03:18 | 0:03:22 | |
Well, history will not be repeated! | 0:03:22 | 0:03:26 | |
THEY WHIMPER | 0:03:26 | 0:03:29 | |
GRUNTING | 0:03:29 | 0:03:32 | |
EDWARD LAUGHS | 0:03:32 | 0:03:34 | |
-I want him out, Al. -I know love. -Out! | 0:03:38 | 0:03:41 | |
GRANDPOP GASPS | 0:03:41 | 0:03:42 | |
That is when I fought off all the Somali pirates single handed. | 0:03:42 | 0:03:47 | |
They were like savages. Troglodytes. | 0:03:47 | 0:03:48 | |
Really? | 0:03:48 | 0:03:50 | |
Somehow I managed to scramble my way to a desert island. | 0:03:50 | 0:03:54 | |
There I make a good life for myself. Like the animals in Madagascar. | 0:03:54 | 0:03:58 | |
But I miss you all very much. | 0:04:00 | 0:04:02 | |
Very much indeed. | 0:04:04 | 0:04:05 | |
And I understand why my boy Al tell everyone I am dead. | 0:04:07 | 0:04:11 | |
Is too much for him to have hope in his heart. | 0:04:11 | 0:04:14 | |
He always soppy. More like a girl than a boy. | 0:04:14 | 0:04:17 | |
-You know, he used to wear tiny little pants. -Pop. | 0:04:17 | 0:04:21 | |
I offer him my old long johns, underwear for a man, | 0:04:21 | 0:04:25 | |
but no, he say, "I want to wear little tiny briefs like the other boys." | 0:04:25 | 0:04:28 | |
Like little knickers. | 0:04:28 | 0:04:30 | |
So, how long are you staying? | 0:04:30 | 0:04:31 | |
Just a few days or months. | 0:04:33 | 0:04:35 | |
Until I am back on my feet. | 0:04:35 | 0:04:36 | |
And how nice it will be! | 0:04:38 | 0:04:40 | |
My son has two beautiful daughters. | 0:04:40 | 0:04:42 | |
Grandpop has been away for too long. | 0:04:44 | 0:04:46 | |
You look very well, Grandpop. | 0:04:48 | 0:04:50 | |
You'd think you'd lose weight on a desert island. | 0:04:50 | 0:04:52 | |
There was a lot of coconuts. | 0:04:52 | 0:04:54 | |
Cheers! | 0:04:55 | 0:04:57 | |
PHONE RINGS Hello? | 0:05:05 | 0:05:07 | |
Yeah, Geoff, it's me. | 0:05:07 | 0:05:08 | |
Who? I don't know how to put names in my phone. | 0:05:08 | 0:05:11 | |
Mike! | 0:05:11 | 0:05:12 | |
Are you all set up for tonight? | 0:05:12 | 0:05:14 | |
What about? | 0:05:14 | 0:05:16 | |
What we said! Cheryl! | 0:05:16 | 0:05:17 | |
Yes, I'm dealing with it, don't worry. | 0:05:17 | 0:05:20 | |
I'm a professional. I was in the SAS for six years. | 0:05:20 | 0:05:24 | |
What, you mean the TAs? | 0:05:24 | 0:05:25 | |
Same thing, it's all just putting green on your face, isn't it? | 0:05:25 | 0:05:28 | |
You will do it... | 0:05:28 | 0:05:29 | |
..humanely, won't you? | 0:05:31 | 0:05:33 | |
Of course! | 0:05:33 | 0:05:34 | |
Now, will you let me get on with it, please? I'd appreciate a bit of trust. | 0:05:34 | 0:05:38 | |
Excuse me, would this kill a fat woman tonight? | 0:05:41 | 0:05:43 | |
How are we doing, all right? | 0:05:49 | 0:05:52 | |
Who wants to win a bit of money? | 0:05:52 | 0:05:54 | |
HE WINCES | 0:05:59 | 0:06:00 | |
Right, you all got your dabbers? | 0:06:01 | 0:06:04 | |
Eyes down for a full house. | 0:06:04 | 0:06:06 | |
BINGO MACHINE ZAPS Key of the door - 21. | 0:06:09 | 0:06:12 | |
ZAP Gandhi's breakfast - 80. | 0:06:12 | 0:06:16 | |
ZAP Two fat ladies - 88. | 0:06:16 | 0:06:18 | |
My friend Cream wouldn't approve of that. | 0:06:19 | 0:06:22 | |
Funny name, I know. He were a Thai lad. | 0:06:22 | 0:06:24 | |
He said I were... What d'ya call it? Unreconstructed. | 0:06:24 | 0:06:28 | |
Set in me ways. I said, "Of course I am! | 0:06:28 | 0:06:31 | |
"70-odd with an angry prostate and me waterworks shot, what do you expect?" | 0:06:31 | 0:06:35 | |
ZAP Out in the sticks - 86. | 0:06:37 | 0:06:39 | |
ZAP Duck and dive - 25! | 0:06:41 | 0:06:44 | |
Udon Thani. That's where we met. Thailand. | 0:06:44 | 0:06:48 | |
Sweltering, it were. Like Tenko. | 0:06:48 | 0:06:50 | |
I'd not... Never had anyone close, like. | 0:06:52 | 0:06:56 | |
Not properly. | 0:06:56 | 0:06:58 | |
ZAP Never been kissed - 26. | 0:06:58 | 0:07:02 | |
Had a bit of money, though, after Dad went, so I thought, "Why not?" | 0:07:03 | 0:07:07 | |
You hear about these fellas, don't you? | 0:07:07 | 0:07:09 | |
Going out to foreign climes, coming back with... | 0:07:09 | 0:07:12 | |
ZAP Dirty Gertie - number 30! | 0:07:12 | 0:07:15 | |
I suppose I've always known I fancied something a bit different. | 0:07:15 | 0:07:20 | |
A bit extra. | 0:07:20 | 0:07:21 | |
A bit... | 0:07:21 | 0:07:23 | |
ZAP Danny La Rue - 52. | 0:07:23 | 0:07:25 | |
There were a bar. Naki-Naki-Nak-Naks. | 0:07:26 | 0:07:31 | |
All coloured light bulbs, like Peasholm Park. | 0:07:31 | 0:07:34 | |
But without the miniature sea battles. | 0:07:34 | 0:07:36 | |
All these lads done up as lasses. | 0:07:37 | 0:07:39 | |
Amazing. Really quite beautiful. | 0:07:39 | 0:07:42 | |
Titties with tassels and everything. | 0:07:42 | 0:07:44 | |
Some of them doing things what it's not nice to talk about. | 0:07:45 | 0:07:48 | |
Cracking open beer bottles with their whatsits. | 0:07:48 | 0:07:52 | |
The ones that have, you know, had the op. | 0:07:52 | 0:07:54 | |
Firing ping-pong balls, some of them. | 0:07:55 | 0:07:58 | |
Reminded me of the old bingo balls, in a funny way, but... | 0:07:59 | 0:08:02 | |
..I kept me eyes down. | 0:08:04 | 0:08:05 | |
And suddenly, there he is. | 0:08:07 | 0:08:11 | |
Cream. | 0:08:11 | 0:08:13 | |
ZAP Me and you - number 2? | 0:08:13 | 0:08:16 | |
ZAP Cup of tea - number 3. | 0:08:18 | 0:08:20 | |
I didn't think he were that bothered, | 0:08:22 | 0:08:24 | |
but when I got back to my hotel room... | 0:08:24 | 0:08:26 | |
ZAP Knock at the door - 24! | 0:08:26 | 0:08:29 | |
..turns out he'd followed me back. Cream. | 0:08:29 | 0:08:32 | |
ZAP Legs - 11. | 0:08:33 | 0:08:36 | |
Legs... 11. | 0:08:39 | 0:08:40 | |
Next morning... | 0:08:43 | 0:08:44 | |
ZAP Rise and shine - 29! | 0:08:44 | 0:08:45 | |
I asked him to come back. To live with me, back here. | 0:08:47 | 0:08:50 | |
And he said yes. | 0:08:50 | 0:08:53 | |
And you know what, for a bit... | 0:08:53 | 0:08:55 | |
ZAP Tickety-boo - 62. | 0:08:55 | 0:08:57 | |
ZAP Man alive - number 5. | 0:08:59 | 0:09:01 | |
Then one day Cream said he wanted to go the whole hog. | 0:09:04 | 0:09:07 | |
You know, have it off - his whatsit. | 0:09:07 | 0:09:10 | |
ZAP Doctor's orders - number 9. | 0:09:11 | 0:09:15 | |
He wanted to be what he called "a proper wife" to me. | 0:09:17 | 0:09:20 | |
So, in he went. | 0:09:23 | 0:09:24 | |
Then he took bad. | 0:09:27 | 0:09:28 | |
I don't see why they can't keep hospitals clean. | 0:09:30 | 0:09:33 | |
Never used to be a problem. | 0:09:33 | 0:09:35 | |
My Auntie Sheila was feared like Himmler on her ward. | 0:09:36 | 0:09:39 | |
Suddenly, one afternoon... | 0:09:42 | 0:09:45 | |
ZAP Heaven's gate - 78. | 0:09:45 | 0:09:50 | |
On its own... | 0:09:55 | 0:09:56 | |
On its own... | 0:10:00 | 0:10:01 | |
..number one. | 0:10:02 | 0:10:04 | |
ZAP | 0:10:04 | 0:10:06 | |
PUPILS CHATTER | 0:10:09 | 0:10:12 | |
OK, Year 9, settle down. | 0:10:14 | 0:10:17 | |
Now, today we are going to be looking at Commedia dell'Arte, | 0:10:17 | 0:10:20 | |
so I want everyone find a partner. | 0:10:20 | 0:10:22 | |
Sir, didn't you used to be an actor? | 0:10:22 | 0:10:25 | |
-What's that, Jamilla? -Before you were a teacher, | 0:10:25 | 0:10:28 | |
I swear you used to have a theatre company or something? | 0:10:28 | 0:10:30 | |
Er, yeah. Back in the mists of time, I did. | 0:10:30 | 0:10:34 | |
There were three of us - me, Dave, Phil... | 0:10:34 | 0:10:37 | |
-Phil Proctor?! -Yes, Phil Proctor off the telly. | 0:10:37 | 0:10:40 | |
We used to visit schools like this and meet kids like you, | 0:10:40 | 0:10:44 | |
and perform issue-based plays on stages like this... | 0:10:44 | 0:10:48 | |
PUPILS CHEER | 0:10:48 | 0:10:50 | |
Wh...? | 0:10:51 | 0:10:52 | |
What's going on? | 0:10:55 | 0:10:56 | |
Ask this lot. | 0:10:56 | 0:10:57 | |
I got a fan letter from one of your students saying | 0:10:57 | 0:11:00 | |
that their favourite teacher was about to retire, | 0:11:00 | 0:11:02 | |
could we come and do a special performance. | 0:11:02 | 0:11:05 | |
So, here we are! | 0:11:05 | 0:11:07 | |
-Go on, sir! -What? -We want to see you acting! | 0:11:07 | 0:11:10 | |
ALL CHANT: Sir! Sir! Sir! Sir! Sir! | 0:11:10 | 0:11:14 | |
Come on! | 0:11:14 | 0:11:15 | |
Sod it. | 0:11:18 | 0:11:20 | |
CHEERING AND WHOOPING | 0:11:20 | 0:11:22 | |
So, what are we going to do? | 0:11:23 | 0:11:25 | |
Well, we thought we'd do one of your best, Ollie. | 0:11:25 | 0:11:27 | |
Perve Swerve - a play about stranger-danger. | 0:11:27 | 0:11:30 | |
But it's been so long, I need time to prepare. | 0:11:30 | 0:11:32 | |
I'm ready. CHEERING | 0:11:32 | 0:11:34 | |
Soon you'll be free, death will end | 0:11:36 | 0:11:40 | |
We'll pull you back through the great U-bend | 0:11:40 | 0:11:42 | |
The dead can't hoover, can't sweep a brush | 0:11:42 | 0:11:45 | |
Or refill a cistern with bright blue flush... | 0:11:45 | 0:11:48 | |
What...? | 0:11:50 | 0:11:51 | |
What am I doing down here. Why...? | 0:11:52 | 0:11:55 | |
Why am I so sleepy? | 0:11:55 | 0:11:56 | |
The cake you ate last night was laced with | 0:11:56 | 0:11:59 | |
an extract from the skin of this toad. | 0:11:59 | 0:12:02 | |
-SISTERS: -Bufo Alvarius. | 0:12:02 | 0:12:04 | |
It has a psychotropic effect. | 0:12:04 | 0:12:06 | |
Your consciousness must be fluid for what is to follow. | 0:12:06 | 0:12:10 | |
What do you mean? | 0:12:11 | 0:12:12 | |
Uncle Harvey! | 0:12:16 | 0:12:18 | |
I thought...he was dead. | 0:12:19 | 0:12:22 | |
A living death. | 0:12:24 | 0:12:26 | |
Preserved at the point of the soul's departure. | 0:12:26 | 0:12:28 | |
His every bodily fluid replaced with an embalming tincture of his own devising. | 0:12:28 | 0:12:33 | |
I can't tell you how happy he was, knowing that he was finally | 0:12:33 | 0:12:37 | |
going to be free of the curse of his own semen. | 0:12:37 | 0:12:40 | |
But why? | 0:12:41 | 0:12:43 | |
-SISTERS: -His body might have failed, but he need not. | 0:12:43 | 0:12:46 | |
We need only a host, Benjamin, and Harvey's soul can live on. | 0:12:46 | 0:12:50 | |
A host? | 0:12:51 | 0:12:53 | |
A willing vessel. | 0:12:53 | 0:12:54 | |
A member of the family. | 0:12:54 | 0:12:56 | |
An ancient ceremony. | 0:12:56 | 0:12:57 | |
The girls do love their books. | 0:12:57 | 0:12:59 | |
What...what are they doing? | 0:13:06 | 0:13:10 | |
TOAD CROAKS | 0:13:10 | 0:13:13 | |
No! | 0:13:13 | 0:13:15 | |
No! Ah! | 0:13:15 | 0:13:17 | |
Let us begin. | 0:13:17 | 0:13:18 | |
HE GAGS | 0:13:20 | 0:13:21 | |
HE CHOKES | 0:13:24 | 0:13:26 | |
Now, tensions are going to be running high, | 0:13:30 | 0:13:32 | |
so it's important to strike the right tone. | 0:13:32 | 0:13:34 | |
Don't teach your grandmother how to suck cocks, Murray. | 0:13:34 | 0:13:37 | |
I'm very good with big crowds. | 0:13:37 | 0:13:38 | |
On Black Friday I elbowed this lass in the throat, | 0:13:38 | 0:13:41 | |
got myself a 50-inch Samsung. | 0:13:41 | 0:13:43 | |
This town's future hangs in the balance. | 0:13:43 | 0:13:44 | |
There's nothing people care more passionately about than their own community. | 0:13:44 | 0:13:48 | |
You were saying? | 0:13:50 | 0:13:52 | |
Come on. | 0:13:55 | 0:13:56 | |
Map. | 0:14:09 | 0:14:10 | |
SHE GASPS IN DELIGHT | 0:14:12 | 0:14:15 | |
SHE GIGGLES | 0:14:15 | 0:14:17 | |
Ooh! | 0:14:19 | 0:14:20 | |
SHE GASPS What are you doing?! Come out of there! | 0:14:26 | 0:14:30 | |
If my husband sees you, I... | 0:14:32 | 0:14:34 | |
SHE SCREAMS | 0:14:36 | 0:14:38 | |
Edward, Edward! | 0:14:38 | 0:14:40 | |
I've been catched in the tephelome! | 0:14:40 | 0:14:42 | |
Let me out! | 0:14:45 | 0:14:47 | |
Look, Edward! | 0:14:47 | 0:14:49 | |
Quiet, Tubbs! I'm teaching the No-Tails a lesson. | 0:14:49 | 0:14:53 | |
Our business is our business. | 0:14:53 | 0:14:55 | |
We keep our noses out of other people's affairs. | 0:14:55 | 0:14:58 | |
We would invite you to extend us the same courtesy... | 0:14:58 | 0:15:01 | |
'Time to become local.' | 0:15:06 | 0:15:08 | |
Jesus. Where did you get this from? | 0:15:08 | 0:15:10 | |
'That's better!' | 0:15:10 | 0:15:12 | |
One of the hostages. Works for the Chronicle. It came from her phone. | 0:15:12 | 0:15:15 | |
'We will not be defeated by your petty meddling. | 0:15:15 | 0:15:18 | |
'This is a local shop for local people! | 0:15:18 | 0:15:21 | |
'It's time we took back control!' | 0:15:21 | 0:15:25 | |
And I'm making an executive decision. We need to get a crew down there now. | 0:15:25 | 0:15:28 | |
'What are you doing? Turn that off.' | 0:15:28 | 0:15:30 | |
CHEERING | 0:15:32 | 0:15:34 | |
SLOW RAP BEAT | 0:15:34 | 0:15:36 | |
# Hi, my name is Johnny Smith | 0:15:36 | 0:15:39 | |
# I'm just 14 And I'm strutting my stuff | 0:15:39 | 0:15:41 | |
# I like to rap I don't like school | 0:15:41 | 0:15:44 | |
# Too many teachers Too many rules. | 0:15:44 | 0:15:47 | |
-# My dad and mum say... -Stay out of the park! | 0:15:47 | 0:15:49 | |
# Especially at night When it's getting dark | 0:15:49 | 0:15:52 | |
# But I don't care Respect I lack | 0:15:52 | 0:15:54 | |
# It's light anyway Cos the clocks have gone back | 0:15:54 | 0:15:57 | |
# I'll ignore their warning Cos that's my style | 0:15:57 | 0:15:59 | |
-# I've never even heard of a... -Paedophile! # | 0:15:59 | 0:16:03 | |
QUIETLY: Step over it. Right... | 0:16:08 | 0:16:09 | |
Double maths today. Boring! What's that noise...? | 0:16:13 | 0:16:17 | |
'Ere, little boy. Why don't you come back to my house? | 0:16:17 | 0:16:22 | |
I got the latest PlayStation game all set up. | 0:16:22 | 0:16:26 | |
Cool! You got a spare joystick? | 0:16:26 | 0:16:28 | |
Yes. And you can play with it. | 0:16:28 | 0:16:31 | |
I'm not sure. Mum said not to. Oh, choices, choices. | 0:16:31 | 0:16:35 | |
-STILTED CHUCKLE -I feel like I'm on some sort of TV game show! | 0:16:35 | 0:16:39 | |
Hi, there! | 0:16:41 | 0:16:43 | |
Hi, there! My name's Cheesy Host, | 0:16:43 | 0:16:45 | |
and welcome to another edition of Safe Choices. | 0:16:45 | 0:16:48 | |
Johnny Smith, your time starts now. | 0:16:48 | 0:16:50 | |
QUIETLY: Over there. | 0:16:50 | 0:16:51 | |
Question one - do you know the man you are about to go off with? | 0:16:53 | 0:16:56 | |
-No. -Correct. | 0:16:56 | 0:16:57 | |
Does he have any identification, such as a current utility bill? | 0:16:57 | 0:16:59 | |
-No! -Correct. | 0:16:59 | 0:17:00 | |
Is he wearing nice shoes or other signs he isn't a deviant? | 0:17:00 | 0:17:03 | |
-No! -Correct. | 0:17:03 | 0:17:04 | |
And here's your big money choice. Take your time. | 0:17:04 | 0:17:06 | |
Do you want to go off with the stranger, | 0:17:06 | 0:17:08 | |
or stay safe in the studio? It's up to you. | 0:17:08 | 0:17:10 | |
I'll stay safe, innit? | 0:17:10 | 0:17:12 | |
Is the correct answer! What's he won, Susie? | 0:17:12 | 0:17:15 | |
He's won a lifetime's supply of common sense! | 0:17:16 | 0:17:20 | |
Would you like to come back to my dressing room | 0:17:20 | 0:17:22 | |
-and I'll give you an autograph. -Yes, please! | 0:17:22 | 0:17:24 | |
Stop! | 0:17:24 | 0:17:25 | |
Just because he's well dressed and plausible doesn't mean to say he isn't a dangerous predator also. | 0:17:25 | 0:17:30 | |
Come with me, son, I'll take you home. | 0:17:30 | 0:17:33 | |
Thanks, Dad. I'll try and make better choices in future. | 0:17:33 | 0:17:36 | |
Stop! | 0:17:36 | 0:17:37 | |
Didn't you know that 75% of all sexual predators are family members? | 0:17:37 | 0:17:41 | |
Oh, no! Rewind! | 0:17:41 | 0:17:44 | |
ALL MIMIC REWINDING NOISES | 0:17:44 | 0:17:46 | |
-SLOW RAP BEAT -# I won't go with the man In the dirty mac | 0:17:48 | 0:17:51 | |
Or the man in the suit With his hair slicked back | 0:17:51 | 0:17:54 | |
# Put a lock on your door So your dad can't get in | 0:17:54 | 0:17:56 | |
# Is your grandad's coming round? I wouldn't trust him | 0:17:56 | 0:17:58 | |
# If you want to stay safe And have a bright future | 0:17:58 | 0:18:01 | |
# Make friends in a chatroom On a computer. # | 0:18:01 | 0:18:03 | |
ALL: Boom! | 0:18:03 | 0:18:05 | |
CHEERING AND APPLAUSE | 0:18:06 | 0:18:09 | |
CHANTING: Sir! Sir! Sir! Sir! Sir! Sir! Sir! | 0:18:10 | 0:18:14 | |
God, I've missed this. | 0:18:14 | 0:18:15 | |
Why don't we get back on the road again? Reform Legz Akimbo. | 0:18:15 | 0:18:17 | |
-What do you mean? -Think about it. | 0:18:17 | 0:18:19 | |
There are so many new issues to do plays about now. | 0:18:19 | 0:18:22 | |
Exactly! And I've never stopped writing them! | 0:18:22 | 0:18:24 | |
Suck It And See - a play about revenge porn. Slit Face - a play about burqas. | 0:18:24 | 0:18:27 | |
It's all there, ready to roll out. It's what I've been waiting for! | 0:18:27 | 0:18:30 | |
-Ollie... -All these years, wasted in this dead end job. | 0:18:30 | 0:18:32 | |
-Ollie... -It's like I've finally woken up. | 0:18:32 | 0:18:34 | |
Oh, hang on. | 0:18:36 | 0:18:38 | |
This is still a dream, isn't it? | 0:18:38 | 0:18:40 | |
-DISTANT VOICE: -Ollie! | 0:18:45 | 0:18:47 | |
Oh, no. BELL RINGS | 0:18:47 | 0:18:49 | |
You've got your Year 9s. They're in the hall. | 0:18:49 | 0:18:51 | |
Sorry. | 0:18:51 | 0:18:52 | |
Thanks, Carole. | 0:18:54 | 0:18:55 | |
PUPILS CHATTER | 0:18:58 | 0:19:00 | |
OK, Year 9, settle down. | 0:19:15 | 0:19:16 | |
Fuck off, you sad wanker! | 0:19:16 | 0:19:19 | |
Great. | 0:19:24 | 0:19:25 | |
-All right, Geoff? -All right? | 0:20:02 | 0:20:04 | |
-See you down Palatine later? -Yeah, maybe. | 0:20:04 | 0:20:07 | |
Fuck's sake. | 0:20:08 | 0:20:09 | |
Oof! | 0:20:16 | 0:20:17 | |
HE MUTTERS: Matter with it? | 0:21:26 | 0:21:27 | |
-KNOCK AT WINDOW -Geoff! -Shit. | 0:21:35 | 0:21:37 | |
Just wondering if you want me to get you that pint in? | 0:21:39 | 0:21:41 | |
-Nah, you're all right, Eddie. -Sure? | 0:21:43 | 0:21:46 | |
-Yeah. -See you later, then. | 0:21:46 | 0:21:49 | |
See you later. | 0:21:49 | 0:21:51 | |
DOOR CREAKS | 0:22:26 | 0:22:28 | |
HE WHISPERS: WD-40 on that. | 0:22:30 | 0:22:32 | |
So, when did you get released, then, Pop? | 0:22:40 | 0:22:42 | |
I get time off for good behaviour. | 0:22:42 | 0:22:45 | |
21 years. Ridiculous! For a lousy pyramid scheme. | 0:22:45 | 0:22:48 | |
You killed a man with your bare hands. | 0:22:48 | 0:22:50 | |
Yeah - for not paying what he owed under the pyramid scheme. | 0:22:50 | 0:22:53 | |
What do you want here? | 0:22:53 | 0:22:55 | |
I need you to tell me where Richie is. | 0:22:59 | 0:23:01 | |
-No. -I know what he is doing. | 0:23:03 | 0:23:05 | |
It was 15 years ago, let it go, Pop. | 0:23:05 | 0:23:07 | |
He is still my son. | 0:23:07 | 0:23:09 | |
I won't do it! | 0:23:09 | 0:23:11 | |
-Good night, Grandpop. -Good night, Grandpop. | 0:23:12 | 0:23:14 | |
Hey, girls, I almost forgot. I got presents for the both of yous. | 0:23:14 | 0:23:18 | |
HE CHUCKLES | 0:23:20 | 0:23:22 | |
And for you, Maisie... | 0:23:22 | 0:23:24 | |
See? | 0:23:24 | 0:23:25 | |
Beautiful! | 0:23:27 | 0:23:28 | |
Perhaps tomorrow you would like me to take you swimming, eh? | 0:23:29 | 0:23:32 | |
Unless of course your daddy has other plans for me? | 0:23:34 | 0:23:37 | |
Good. | 0:23:42 | 0:23:43 | |
Come inside, it's cold. | 0:23:43 | 0:23:46 | |
Who wants to get some piercings done, eh? | 0:23:46 | 0:23:49 | |
-HE CHUCKLES -Grandpop will pay. | 0:23:49 | 0:23:51 | |
Are you watching your cats? | 0:23:56 | 0:23:58 | |
No, some nutters have taken hostages, apparently. | 0:23:58 | 0:24:01 | |
'The couple who are holding them are a local couple...' | 0:24:02 | 0:24:06 | |
Eh, look at them - bloody rubber-neckers. | 0:24:06 | 0:24:09 | |
Where were they this afternoon when we needed them? | 0:24:09 | 0:24:11 | |
But they're there now, Murray. | 0:24:11 | 0:24:13 | |
They're there now. | 0:24:15 | 0:24:16 | |
A gift from God. | 0:24:17 | 0:24:18 | |
Geoff? | 0:24:24 | 0:24:26 | |
The purple mongoose has vacated its habitat. | 0:24:26 | 0:24:30 | |
What? | 0:24:30 | 0:24:31 | |
The...hippopotamus is... | 0:24:32 | 0:24:36 | |
dead. She's dead, I've smothered her. | 0:24:36 | 0:24:38 | |
Oh, God. | 0:24:38 | 0:24:39 | |
Did she suffer? | 0:24:41 | 0:24:42 | |
Well, as much as anyone does if they're being murdered. | 0:24:42 | 0:24:45 | |
It wasn't murder! | 0:24:45 | 0:24:46 | |
It was a mercy killing. | 0:24:48 | 0:24:50 | |
-She had no life. -Yeah, you explained all that. | 0:24:50 | 0:24:53 | |
She won't suffer any more, and neither will you. | 0:24:53 | 0:24:56 | |
Thank you, Geoff. And it will look like natural causes? | 0:24:56 | 0:25:00 | |
No, I left the cushion stuffed in her mouth! | 0:25:00 | 0:25:02 | |
Credit me with some sense, Mike. I'm not an idiot. | 0:25:02 | 0:25:05 | |
Sorry. | 0:25:05 | 0:25:06 | |
I have to say, though, she didn't seem as big as you made out. | 0:25:06 | 0:25:09 | |
What do you mean? | 0:25:09 | 0:25:10 | |
Well, I felt a bit bad. I mean, she was only what I'd call plump. | 0:25:10 | 0:25:14 | |
She could have easily got up and down them stairs if she'd wanted to. | 0:25:14 | 0:25:17 | |
What stairs, we live in a bungalow! | 0:25:17 | 0:25:19 | |
Eh? | 0:25:20 | 0:25:22 | |
Geoff, you do know we moved four years ago? | 0:25:22 | 0:25:24 | |
Yeah, you see, what's happened here is, | 0:25:28 | 0:25:31 | |
I've gone to the wrong house. | 0:25:31 | 0:25:33 | |
I sent you an e-mail! | 0:25:33 | 0:25:34 | |
Well, I can't open them, can I? I've only got Windows '95! | 0:25:34 | 0:25:37 | |
Geoff, what have you done? | 0:25:37 | 0:25:39 | |
You know who we sold that house to, don't you? | 0:25:41 | 0:25:43 | |
No, who? | 0:25:43 | 0:25:45 | |
Pauline, I'm home! | 0:25:53 | 0:25:56 | |
Pauline! | 0:26:13 | 0:26:15 | |
Pauline? | 0:26:17 | 0:26:19 | |
Pauline! | 0:26:23 | 0:26:25 | |
Pauline! | 0:26:26 | 0:26:28 | |
-HE WHIMPERS: -Pauline! | 0:26:32 | 0:26:34 | |
The citizens of Royston Vasey do care about their town, passionately. | 0:26:44 | 0:26:48 | |
And when pushed too far they will resort to extreme measures, | 0:26:48 | 0:26:51 | |
like that film about the girl who couldn't afford Tampax. What was it, Murray? | 0:26:51 | 0:26:55 | |
-I, Daniel Blake. -I, Daniel Blake, exactly. | 0:26:55 | 0:26:58 | |
Look, Edward! | 0:26:58 | 0:26:59 | |
We oppose these boundary changes | 0:27:00 | 0:27:02 | |
and we demand action, don't we, folks? | 0:27:02 | 0:27:05 | |
ALL: Yeah! Action! | 0:27:05 | 0:27:07 | |
-QUIETLY: -Fucking sheep. | 0:27:07 | 0:27:08 | |
TUBBS: They must have heard there's a sale on. | 0:27:08 | 0:27:10 | |
-We pass you to him. -We pass him to you. | 0:27:18 | 0:27:21 | |
-We pass you to him. -We pass him to you. | 0:27:21 | 0:27:23 | |
This is madness. | 0:27:23 | 0:27:25 | |
Madness! | 0:27:25 | 0:27:27 | |
-We pass you to him. -We pass him to you. | 0:27:27 | 0:27:29 | |
-We pass you to him. -We pass him to you. | 0:27:29 | 0:27:31 | |
-We pass you to him. -We pass him to you. | 0:27:31 | 0:27:33 | |
No. | 0:27:33 | 0:27:35 | |
No! | 0:27:35 | 0:27:36 | |
HE GASPS | 0:27:42 | 0:27:44 | |
We pass him... | 0:27:44 | 0:27:45 | |
Benjamin? | 0:27:50 | 0:27:51 | |
HE GASPS | 0:27:54 | 0:27:57 | |
-AS HARVEY: -In this house, we don't die. | 0:27:57 | 0:28:00 |