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APPLAUSE | 0:00:14 | 0:00:17 | |
Before we start the show, I'd like to tell you something about it. | 0:00:17 | 0:00:20 | |
This is a special production, ladies and gentlemen for the show | 0:00:20 | 0:00:23 | |
that, er, I'm sure... | 0:00:23 | 0:00:25 | |
Anyway, as I was saying, this is a special... | 0:00:25 | 0:00:27 | |
-Can I have a quick word with you? -What's the matter? | 0:00:27 | 0:00:29 | |
What's the matter? | 0:00:29 | 0:00:31 | |
-I've got to tell you. -What? -There's been a mistake. -A mistake? | 0:00:31 | 0:00:34 | |
You've got my pants on. I've got your trousers on, you've got my trousers on. | 0:00:34 | 0:00:37 | |
Well, what are you doing wearing my trousers?! | 0:00:37 | 0:00:40 | |
-Nothing to do with me! -No? | 0:00:40 | 0:00:41 | |
In the quick-change room, you were too quick. | 0:00:41 | 0:00:43 | |
-Let's go off and get changed. Come on. -Come here! | 0:00:43 | 0:00:46 | |
AUDIENCE LAUGHTER | 0:00:46 | 0:00:48 | |
-That's murder, that is! -We haven't got time for that! -Why not? | 0:00:49 | 0:00:53 | |
Well, we've got to do the show in two minutes. | 0:00:53 | 0:00:55 | |
-Get them off now and change. -We can't take them off! | 0:00:55 | 0:00:58 | |
Don't do that. I'm suffering as it is. | 0:00:58 | 0:01:01 | |
You can't take them off. | 0:01:01 | 0:01:03 | |
What are we going to do? We've got the wrong...! | 0:01:03 | 0:01:05 | |
-I've got it! -What? -I've figured it out. | 0:01:07 | 0:01:09 | |
Tell them all about the show and leave everything to me. | 0:01:09 | 0:01:11 | |
-All right. -Do as you're told. -All right. | 0:01:11 | 0:01:13 | |
As you know, this is a special production... | 0:01:13 | 0:01:16 | |
-Are you doing it? -I'm telling them. -I can't hear a word. | 0:01:16 | 0:01:18 | |
Well, as I was saying, this is a special production... | 0:01:18 | 0:01:21 | |
AUDIENCE LAUGHTER | 0:01:21 | 0:01:23 | |
What's going on back there? | 0:01:23 | 0:01:24 | |
More than what's going on in front, I'll tell you that! | 0:01:24 | 0:01:27 | |
AUDIENCE LAUGHTER | 0:01:27 | 0:01:28 | |
-Right. Ready? -Yes. -Look at that. | 0:01:28 | 0:01:30 | |
-What? -See? -What? -That. See that? -Yes. | 0:01:30 | 0:01:34 | |
-Now, as far as they're concerned... -Yeah? | 0:01:36 | 0:01:38 | |
They think I'm wearing a full suit. | 0:01:38 | 0:01:41 | |
-But I'm not. -You're not? -Because I've got that! | 0:01:41 | 0:01:44 | |
AUDIENCE LAUGHTER | 0:01:44 | 0:01:46 | |
-What? -That. A spare leg. | 0:01:46 | 0:01:47 | |
Now, what I want you to do, if you will, | 0:01:47 | 0:01:50 | |
is whip a spare leg into there. | 0:01:50 | 0:01:52 | |
AUDIENCE LAUGHTER | 0:01:52 | 0:01:54 | |
I haven't got a spare leg. | 0:01:56 | 0:01:58 | |
-Don't just stand there, find one! -Find one? -Yes. | 0:01:59 | 0:02:03 | |
-Wait a minute. -I'm sorry about this. | 0:02:03 | 0:02:05 | |
-Won't take very long. -ERIC WHISTLES A TUNE | 0:02:06 | 0:02:08 | |
-You ready? -Yes. -Now, what he's going to do, | 0:02:08 | 0:02:10 | |
I hope, is he's going to whip a spare leg into there. | 0:02:10 | 0:02:13 | |
-Yes. -Whip that leg into there. That's what he's doing. | 0:02:13 | 0:02:18 | |
-Are you ready? -Yes. | 0:02:18 | 0:02:20 | |
Is that it? Oh, right. | 0:02:20 | 0:02:22 | |
Now, right. OK? | 0:02:24 | 0:02:26 | |
AUDIENCE LAUGHTER | 0:02:26 | 0:02:28 | |
-Are you in? -Yes. -Now, then... | 0:02:31 | 0:02:33 | |
THEY CHUCKLE | 0:02:35 | 0:02:36 | |
AUDIENCE LAUGHTER | 0:02:36 | 0:02:38 | |
Look at me. | 0:02:38 | 0:02:40 | |
-Now... -What? | 0:02:40 | 0:02:42 | |
-You should now have another spare leg. -Another spare leg? -For me. | 0:02:42 | 0:02:46 | |
-I've got one there. -Have you got one? -Yes. -Lovely. Drop it on the floor. | 0:02:46 | 0:02:49 | |
-All right. -There's a good lad. | 0:02:49 | 0:02:51 | |
-Are you ready? -Yes. | 0:02:51 | 0:02:54 | |
AUDIENCE LAUGHTER | 0:02:54 | 0:02:56 | |
-There you are. -Yes. -Now, then, take it all easy, nice and casual. | 0:02:56 | 0:03:00 | |
-Yes. -Relaxed. See what I mean. Now, you turn around. | 0:03:00 | 0:03:04 | |
AUDIENCE LAUGHTER | 0:03:04 | 0:03:07 | |
It doesn't matter which way we turn, we've got our own suits on. | 0:03:07 | 0:03:10 | |
-That's right. -So we can start the show now. | 0:03:10 | 0:03:13 | |
-Start the show and walk off very slowly. -Why? | 0:03:13 | 0:03:15 | |
-It brings tears to me eyes. -All right. -Are you ready? -Yes. | 0:03:15 | 0:03:17 | |
APPLAUSE | 0:03:17 | 0:03:19 | |
AUDIENCE LAUGHTER | 0:04:28 | 0:04:29 | |
AUDIENCE LAUGHTER AND APPLAUSE | 0:05:32 | 0:05:34 | |
FILM PLAYS | 0:05:40 | 0:05:43 | |
That was a good film, that, wasn't it? | 0:06:22 | 0:06:26 | |
-Are you coming, Ted? -Yes, love. | 0:06:26 | 0:06:27 | |
AUDIENCE LAUGHTER | 0:06:27 | 0:06:30 | |
APPLAUSE | 0:06:30 | 0:06:32 | |
-Hey, wait a minute. -Where are you going? -I'm with the wife. | 0:06:38 | 0:06:42 | |
There's another film on, the Morecambe and Wise Show. | 0:06:42 | 0:06:44 | |
-Oh, I've seen it. -Have you? -Terrible! -Really? -Oh, shocking. | 0:06:44 | 0:06:47 | |
Fella with the glasses, great. The other fella, nothing. | 0:06:47 | 0:06:49 | |
Chews nuts all the time. | 0:06:49 | 0:06:51 | |
I thought the little fat fella was cute, you know. | 0:06:51 | 0:06:53 | |
Ah, well, you would, wouldn't you? | 0:06:53 | 0:06:55 | |
-Do us a favour? -What? -Give us one of them. -One of these? -Yes. | 0:06:57 | 0:07:00 | |
Here you are. | 0:07:00 | 0:07:02 | |
Thanks a lot. | 0:07:02 | 0:07:03 | |
LAUGHTER | 0:07:03 | 0:07:05 | |
APPLAUSE | 0:07:05 | 0:07:07 | |
WIND GUSTS | 0:07:16 | 0:07:17 | |
AUDIENCE LAUGHTER | 0:07:22 | 0:07:24 | |
AUDIENCE LAUGHTER | 0:07:37 | 0:07:39 | |
Oh! | 0:07:44 | 0:07:45 | |
ERIC WHISTLES A TUNE | 0:07:47 | 0:07:49 | |
AUDIENCE LAUGHTER | 0:07:55 | 0:07:57 | |
This, er...anybody's place? | 0:08:02 | 0:08:04 | |
-Do you mind if I, er...? -No, go ahead. | 0:08:05 | 0:08:07 | |
-Eric Morecambe. -Ernie Wise. -How are you? -Stop messing about! | 0:08:07 | 0:08:10 | |
-Thanks for inviting me into your bed. -Yeah. | 0:08:10 | 0:08:13 | |
ERIC LAUGHS | 0:08:13 | 0:08:14 | |
It's been a grand day for it, hasn't it? | 0:08:17 | 0:08:19 | |
-A grand day for what? -Well, it all depends what you've been doing. | 0:08:20 | 0:08:24 | |
AUDIENCE LAUGHTER | 0:08:24 | 0:08:25 | |
Do you fancy a rehearsal? | 0:08:25 | 0:08:27 | |
Pardon? | 0:08:27 | 0:08:28 | |
THEY LAUGH | 0:08:30 | 0:08:32 | |
-Do you fancy a rehearsal? -No, no. I'm too tired really. | 0:08:32 | 0:08:35 | |
AUDIENCE LAUGHTER | 0:08:35 | 0:08:37 | |
I've got next week's script. It's very funny. | 0:08:37 | 0:08:39 | |
-Have they sent us the wrong one again? -No. | 0:08:39 | 0:08:41 | |
Eh? I don't want to say anything, but the bed's moving again. | 0:08:41 | 0:08:45 | |
THEY LAUGH | 0:08:45 | 0:08:47 | |
AUDIENCE LAUGHTER | 0:08:47 | 0:08:49 | |
The finest props in the country, these! | 0:08:53 | 0:08:55 | |
-AUDIENCE LAUGHTER -Eh? | 0:08:55 | 0:08:58 | |
I tell you something else, as well. | 0:08:59 | 0:09:01 | |
That was a lovely mental picture you showed there. | 0:09:01 | 0:09:05 | |
-Are we all right now? -Eh? -Are we all right now? | 0:09:05 | 0:09:07 | |
-Next week's script, very funny. -Is it? | 0:09:07 | 0:09:09 | |
-Oh, have they sent us the wrong one, have they? -No. | 0:09:09 | 0:09:11 | |
-It says, "Good evening, ladies and gentlemen." -Hilarious. Hilarious! | 0:09:11 | 0:09:15 | |
Who thinks of lines like that? They're knockout, those. | 0:09:15 | 0:09:18 | |
-That's not funny. -Makes me laugh. It must be the way you do them. | 0:09:18 | 0:09:21 | |
-You've improved a lot lately. -You think so? -Yeah. | 0:09:21 | 0:09:24 | |
You're making me laugh. | 0:09:24 | 0:09:25 | |
-"Welcome to the show." -Another gem! Another gem! | 0:09:25 | 0:09:29 | |
-Sidney used to write stuff like that, you know. -Did he? | 0:09:29 | 0:09:32 | |
ERIC CHUCKLES | 0:09:34 | 0:09:35 | |
Well, I've had enough. I'm going to read my book. | 0:09:35 | 0:09:38 | |
-Are you? -Yes. -I've just finished a good book. -Have you? -Yeah. | 0:09:38 | 0:09:42 | |
-What's that? -By a Swedish doctor. -Oh, yes? -Mm. | 0:09:43 | 0:09:46 | |
-On slimming. -On slimming? | 0:09:46 | 0:09:48 | |
-Very good. -Oh, yes. Does the slimming work? -Oh, yeah. | 0:09:48 | 0:09:52 | |
It was awarded the No Belly Prize for it. Ha-ha-ha-ha! | 0:09:52 | 0:09:54 | |
-AUDIENCE LAUGHTER -You see? The No Belly Prize! | 0:09:54 | 0:09:57 | |
APPLAUSE | 0:09:57 | 0:09:59 | |
Oh, dear me! | 0:09:59 | 0:10:02 | |
I write stuff like that, you see. That's the kind of thing I write. | 0:10:02 | 0:10:06 | |
Have a crisp. | 0:10:06 | 0:10:08 | |
Must you eat crisps in bed? | 0:10:08 | 0:10:10 | |
Well, it's not pork scratchings, but I like them. | 0:10:10 | 0:10:13 | |
-Haven't you got a book? -Eh? -Haven't you got a book? | 0:10:13 | 0:10:16 | |
I don't eat books any more, I've given them up. | 0:10:16 | 0:10:18 | |
-AUDIENCE LAUGHTER -I'm on crisps now. | 0:10:18 | 0:10:20 | |
I thought you had Great Expectations. | 0:10:20 | 0:10:22 | |
She couldn't come. Washing her hair. | 0:10:22 | 0:10:24 | |
AUDIENCE LAUGHTER | 0:10:24 | 0:10:26 | |
You can do impressions with these. Ken Dodd. | 0:10:26 | 0:10:28 | |
# Love is like a violin. # | 0:10:28 | 0:10:31 | |
Oh, give over! | 0:10:31 | 0:10:34 | |
Oh, yeah, another new book? | 0:10:34 | 0:10:36 | |
This one? Yes. A new book. | 0:10:36 | 0:10:38 | |
Have you finished Andy Pandy and the Gingerbread Man? | 0:10:38 | 0:10:40 | |
AUDIENCE LAUGHTER | 0:10:40 | 0:10:42 | |
-Yeah. -I read that. I didn't like the ending. -Too violent. | 0:10:42 | 0:10:45 | |
Much too violent. | 0:10:45 | 0:10:46 | |
Pushed him in that oven like that and stuck a currant in him. | 0:10:46 | 0:10:49 | |
AUDIENCE LAUGHTER | 0:10:49 | 0:10:50 | |
Frightened me to death, that. | 0:10:50 | 0:10:52 | |
-Heh-heh! -Yeah. | 0:10:52 | 0:10:54 | |
-What's that one called? -The Wind in the Willows. | 0:10:54 | 0:10:56 | |
AUDIENCE LAUGHTER | 0:10:56 | 0:10:59 | |
-One of the finest books ever written. -You've read it? | 0:10:59 | 0:11:01 | |
-Have I? -Yes. | 0:11:01 | 0:11:03 | |
-I didn't know that. -Oh. | 0:11:03 | 0:11:06 | |
No. I remember it because I was in it in the school play. | 0:11:06 | 0:11:10 | |
-Oh, were you really? -When I was just a kid, about four years ago. | 0:11:10 | 0:11:13 | |
AUDIENCE LAUGHTER | 0:11:13 | 0:11:15 | |
-Yeah. Ill never forget it. I played Mr Toad. -Mr Toad? -Mm. | 0:11:15 | 0:11:19 | |
Don't you think it's about time you took the make-up off? | 0:11:19 | 0:11:22 | |
AUDIENCE LAUGHTER | 0:11:22 | 0:11:24 | |
Was that it, then? | 0:11:27 | 0:11:29 | |
-Any more gems? -No, that was it. | 0:11:31 | 0:11:33 | |
Well, just for that, I'm going to fill the bed full of crisps. | 0:11:33 | 0:11:35 | |
No, don't! Stop! Oh! Stop that! | 0:11:35 | 0:11:38 | |
You'll find out where the salt is in a few minutes. | 0:11:38 | 0:11:41 | |
AUDIENCE LAUGHTER | 0:11:41 | 0:11:43 | |
Haven't you got a book of your own? | 0:11:43 | 0:11:46 | |
-Read a book! -I'll read my cowboy. -Cowboy? -Right. | 0:11:46 | 0:11:48 | |
"Hank brought his faithful horse to a halt at the top of the ridge. | 0:11:49 | 0:11:56 | |
"It sure is mighty quiet up here, he whispered to himself." | 0:11:56 | 0:12:02 | |
He whispered to himself? | 0:12:02 | 0:12:04 | |
"A man could be happy in a country like this, he murmured softly. | 0:12:04 | 0:12:09 | |
"Oh, what peace and quiet! | 0:12:09 | 0:12:11 | |
"Just a gentle breeze and his gun belt supporting..." | 0:12:11 | 0:12:14 | |
-Must you read...must you read out so loud? -I'm a bit deaf. | 0:12:14 | 0:12:20 | |
AUDIENCE LAUGHTER | 0:12:20 | 0:12:21 | |
-"And his gun belt..." -Go and put the cat out! -Oh, all right. | 0:12:21 | 0:12:25 | |
-You rotten devil! -What? -We haven't got a flaming cat! | 0:12:28 | 0:12:31 | |
AUDIENCE LAUGHTER | 0:12:31 | 0:12:33 | |
-Two can play at that tormenting lark. -Well, move over! | 0:12:33 | 0:12:37 | |
Look, why don't you sleep in a bed of your own? | 0:12:37 | 0:12:39 | |
You get me a teddy that looks like you and I will! | 0:12:39 | 0:12:41 | |
AUDIENCE LAUGHTER | 0:12:41 | 0:12:43 | |
Get your feet out of the way! | 0:12:44 | 0:12:46 | |
I know you've got short, fat, hairy legs, but must you keep them in curlers?! | 0:12:46 | 0:12:49 | |
AUDIENCE LAUGHTER | 0:12:49 | 0:12:51 | |
I'm beginning to believe all this publicity about you! | 0:12:51 | 0:12:54 | |
-Ha-ha! -Will you stop it? | 0:12:54 | 0:12:57 | |
-I can't stand any more of this. I'm going to sleep. -So am I. | 0:12:58 | 0:13:01 | |
-Now, put the light out! -Right. | 0:13:01 | 0:13:04 | |
AUDIENCE LAUGHTER | 0:13:06 | 0:13:08 | |
-I said, put the light out! -I've put it out. | 0:13:08 | 0:13:10 | |
Oh, never mind, I'll put it out. | 0:13:10 | 0:13:13 | |
AUDIENCE LAUGHTER | 0:13:13 | 0:13:15 | |
-That's clever. -What? | 0:13:15 | 0:13:17 | |
How can a little fella like you have such a long arm? | 0:13:17 | 0:13:20 | |
-How did you do that then? -The wires are crossed or something. | 0:13:20 | 0:13:23 | |
-Oh, are they? -Now, let's press together now. -Yep. -Here we go. -Right. | 0:13:23 | 0:13:27 | |
One, two, three, press. | 0:13:27 | 0:13:29 | |
AUDIENCE LAUGHTER | 0:13:29 | 0:13:31 | |
How are you doing it? You've saved up for me, haven't you? | 0:13:31 | 0:13:35 | |
Little Party Tricks In Bed! | 0:13:35 | 0:13:37 | |
ERIC LAUGHS | 0:13:37 | 0:13:39 | |
All I know is I can't sleep with that on. | 0:13:39 | 0:13:41 | |
Well, You can't sleep with that on either, can you? | 0:13:41 | 0:13:43 | |
I mean, you never do. Are you taking it off? | 0:13:43 | 0:13:46 | |
Are you giving it to Yul Brynner tonight? | 0:13:46 | 0:13:48 | |
AUDIENCE LAUGHTER | 0:13:48 | 0:13:51 | |
APPLAUSE | 0:13:51 | 0:13:53 | |
Don't get personal. | 0:13:53 | 0:13:55 | |
I don't like to draw attention to it. I'm very sensitive about it. | 0:13:55 | 0:13:58 | |
-Well, that's all right. A little bit of canvas there. That's all. -Sh! | 0:13:58 | 0:14:01 | |
-You taking it off? -No, I'm not, because, I'll tell you why, | 0:14:01 | 0:14:04 | |
I never take it off while that light's on. You know that. | 0:14:04 | 0:14:07 | |
-I'm a bit embarrassed. -Oh, well, I'll turn it off. One, two, three. | 0:14:07 | 0:14:10 | |
Ah! Baldy! | 0:14:12 | 0:14:13 | |
I knew you were going to do that. Devil. | 0:14:14 | 0:14:18 | |
I'm wide awake now, I can't even get to sleep. | 0:14:18 | 0:14:20 | |
Well, give us a song, give us a song! | 0:14:20 | 0:14:22 | |
-Don't know any songs. -Do your tap dance. -No. | 0:14:22 | 0:14:26 | |
-I can't sleep, how am I going to sleep? -I don't know. | 0:14:26 | 0:14:28 | |
Oh, here you are. One of these pills, sleeping pills. | 0:14:28 | 0:14:30 | |
-Sleeping pills? -Got them at the chemist this morning. | 0:14:30 | 0:14:33 | |
-Are they any good? Are they any good? -Oh, yeah. Marvellous, these. -Yeah? | 0:14:33 | 0:14:36 | |
Put them in my back pocket, | 0:14:36 | 0:14:37 | |
-me leg went dead. -Yeah? -Yeah! | 0:14:37 | 0:14:39 | |
-They're really strong, these. -They won't put me to sleep. | 0:14:39 | 0:14:42 | |
-These will. Bet you. -They won't put me to sleep. | 0:14:42 | 0:14:44 | |
-I'm telling you. I'll bet you a pound. -They don't work on me. | 0:14:44 | 0:14:46 | |
-You'll be asleep before I am. I bet you a pound. -A pound? -A pound. | 0:14:46 | 0:14:49 | |
-Out your widow's pension. -OK. -A pound. Get the glass. -All right. | 0:14:49 | 0:14:53 | |
# Sit at my piano! # | 0:14:56 | 0:14:58 | |
Give over. | 0:14:58 | 0:15:01 | |
APPLAUSE | 0:15:01 | 0:15:05 | |
-You're not on television now, you know? -Oh, well, it'll make a change. | 0:15:05 | 0:15:09 | |
Are you asleep yet? | 0:15:13 | 0:15:16 | |
I've just taken the pill. Idiot. | 0:15:16 | 0:15:18 | |
-They're strong, though, these. -They are, very strong. | 0:15:18 | 0:15:21 | |
ERIC WHISTLES | 0:15:27 | 0:15:29 | |
Argh! | 0:15:33 | 0:15:35 | |
-You were away then. -Yes, I know. -You were in the Himalayas, looking for your dad. I saw you. | 0:15:35 | 0:15:38 | |
They are very strong, I can't keep me eyelids open. | 0:15:38 | 0:15:41 | |
-That's the idea, isn't it? -It's terrible. | 0:15:41 | 0:15:43 | |
They're very good, those pills, I must say. What's in them? | 0:15:43 | 0:15:45 | |
It says on the box here. | 0:15:45 | 0:15:47 | |
"To be taken regularly once a night..." | 0:15:47 | 0:15:50 | |
Oh... | 0:15:50 | 0:15:51 | |
What do you mean, "Oh"? | 0:15:54 | 0:15:55 | |
"Mrs Morton." | 0:15:55 | 0:15:57 | |
LAUGHTER | 0:15:57 | 0:15:59 | |
I've got... | 0:15:59 | 0:16:00 | |
-You see what's happened, you see... -What? | 0:16:03 | 0:16:06 | |
He's given me Mrs Morton's pills. | 0:16:08 | 0:16:11 | |
Instead of Mr Morecambe, you see, he's got mixed up, the chemist. | 0:16:11 | 0:16:14 | |
Let's have a look. | 0:16:14 | 0:16:16 | |
The pill? | 0:16:16 | 0:16:18 | |
"To be taken regularly once a night, | 0:16:18 | 0:16:20 | |
"Monday, Tuesday, Wednesday, Thursday..." "Mrs Mor..." | 0:16:20 | 0:16:22 | |
This is terrible, you know what's happened to us? | 0:16:22 | 0:16:24 | |
It's not half as bad as what's going to happen | 0:16:24 | 0:16:26 | |
to poor old Mrs Morton, though, is it?! | 0:16:26 | 0:16:28 | |
LAUGHTER | 0:16:28 | 0:16:30 | |
Morny Stannit! | 0:16:32 | 0:16:33 | |
Morny Stannit! | 0:16:33 | 0:16:35 | |
Morning Standard. | 0:16:36 | 0:16:38 | |
Morny Stannit! | 0:16:40 | 0:16:43 | |
Morning Standard. | 0:16:43 | 0:16:45 | |
Mor...ny Stannit! | 0:16:45 | 0:16:48 | |
-Morning. -Mor-neeng. | 0:16:48 | 0:16:51 | |
Standard. | 0:16:51 | 0:16:53 | |
-Stannit. -Standard. | 0:16:53 | 0:16:55 | |
Tan-dord. | 0:16:55 | 0:16:57 | |
Morning Standard. | 0:16:57 | 0:16:59 | |
Mor-ning Standard! | 0:16:59 | 0:17:03 | |
Get your Morning Standard! | 0:17:03 | 0:17:05 | |
Morning Standard. | 0:17:07 | 0:17:09 | |
Get your Morning Standard. | 0:17:11 | 0:17:13 | |
-We are very lucky, you know, in a way. -Mm. | 0:17:19 | 0:17:21 | |
-We've had some great sing alongs on the show. -Oh, international stars. | 0:17:21 | 0:17:24 | |
-International singers. -Slasher. | 0:17:24 | 0:17:27 | |
-Slasher? -The French fella, Slasher Distillery. | 0:17:27 | 0:17:30 | |
We've had him. | 0:17:32 | 0:17:33 | |
Sacha Distel. | 0:17:33 | 0:17:35 | |
That sounds painful, that. | 0:17:35 | 0:17:38 | |
-That's not a name, is it? -Yes. -It's a product. | 0:17:38 | 0:17:41 | |
Ladies and gentlemen, Miss Shirley Bassey. | 0:17:41 | 0:17:44 | |
# They asked me how I knew | 0:18:02 | 0:18:06 | |
# My true love was true | 0:18:06 | 0:18:09 | |
# I of course reply | 0:18:14 | 0:18:17 | |
# Something here inside | 0:18:17 | 0:18:20 | |
# Cannot be denied | 0:18:20 | 0:18:23 | |
# They said someday you'll find | 0:18:28 | 0:18:33 | |
# All who love are blind | 0:18:33 | 0:18:38 | |
# When your heart's on fire | 0:18:40 | 0:18:43 | |
# You must realise | 0:18:43 | 0:18:46 | |
# Smoke gets in your eyes | 0:18:46 | 0:18:51 | |
# So I chaff them and I gaily laughed | 0:18:54 | 0:19:00 | |
# To think they could doubt our love | 0:19:00 | 0:19:04 | |
# Yet today, my love has gone away | 0:19:08 | 0:19:13 | |
# I am without my love | 0:19:13 | 0:19:21 | |
# Now laughing friends deride | 0:19:21 | 0:19:26 | |
# Tears I cannot hide | 0:19:26 | 0:19:32 | |
# So I smile and say | 0:19:32 | 0:19:36 | |
# When a lovely flame dies | 0:19:36 | 0:19:39 | |
# Smoke gets in your eyes | 0:19:39 | 0:19:42 | |
# So I chaff and I gaily laughed | 0:19:47 | 0:19:53 | |
# To think they could doubt my love | 0:19:53 | 0:19:58 | |
# Yet today, my love has gone away | 0:20:00 | 0:20:05 | |
# I am without my love | 0:20:05 | 0:20:12 | |
# Now, laughing friends deride | 0:20:12 | 0:20:18 | |
# Tears I cannot hide | 0:20:18 | 0:20:24 | |
# So I smile and say | 0:20:24 | 0:20:28 | |
# When a lovely flame dies | 0:20:28 | 0:20:32 | |
-# Smoke gets in your eyes. -# | 0:20:32 | 0:20:38 | |
-Nice to see you. -Thank you. Thank you very much. | 0:20:53 | 0:20:57 | |
-One of the finest things. -Did you enjoy it? | 0:20:57 | 0:20:59 | |
-One of the finest things you've ever done. -Thank you. | 0:20:59 | 0:21:02 | |
Can I have my shoe back, please? | 0:21:02 | 0:21:04 | |
-I'll get it for you now. -Thank you. | 0:21:04 | 0:21:06 | |
-Entertain the lady. -I will. | 0:21:09 | 0:21:11 | |
-Did that hurt? -No, not at all. I rather enjoy it. | 0:21:11 | 0:21:15 | |
-You wear some lovely frocks on the telly. -Oh, thank you very much. | 0:21:15 | 0:21:19 | |
-I have written a special romantic song for you, actually. -Have you? | 0:21:19 | 0:21:23 | |
Yes. I wrote it while I was behind that cardboard box. | 0:21:23 | 0:21:25 | |
-I'd love to hear it. -It's the same sort of tune as Hey Little Hen. | 0:21:25 | 0:21:28 | |
# Hey, little hen... # | 0:21:28 | 0:21:29 | |
It's in the same style as Burt Backache. | 0:21:29 | 0:21:31 | |
-Backache? -Yes. Well, it's been a pleasure working with you. Charmed. | 0:21:31 | 0:21:36 | |
It's been nice working with you too, both of you. | 0:21:36 | 0:21:39 | |
Thank you very much. Good night. | 0:21:39 | 0:21:41 | |
VOICEOVER: 'Miss Bournemouth.' | 0:21:54 | 0:21:56 | |
'Miss Torquay'. | 0:22:02 | 0:22:03 | |
'Miss Blackpool.' | 0:22:11 | 0:22:12 | |
'Mrs Morecambe'. | 0:22:18 | 0:22:20 | |
You dirty codger, this is what you get up to! I'll fix you! | 0:22:20 | 0:22:24 | |
-Hello! -Hello! | 0:22:38 | 0:22:40 | |
You the new left back? | 0:22:40 | 0:22:42 | |
Yeah. I'm ever so excited. | 0:22:42 | 0:22:44 | |
I've never played football before. | 0:22:44 | 0:22:47 | |
I used to be over there, by the rifle range. | 0:22:49 | 0:22:52 | |
In the girls' hockey team. | 0:22:52 | 0:22:54 | |
You got to wear a long, blond wig. | 0:22:58 | 0:22:59 | |
I wouldn't mind that. | 0:22:59 | 0:23:02 | |
And navy blue knickers. | 0:23:02 | 0:23:04 | |
I wouldn't mind that. | 0:23:06 | 0:23:07 | |
Oh, I can't wait to get started. | 0:23:08 | 0:23:11 | |
-Wish you wouldn't do that. -You look as if you've been around a bit. | 0:23:15 | 0:23:20 | |
42,338 consecutive games. | 0:23:21 | 0:23:25 | |
And I only had the trainer on once! | 0:23:25 | 0:23:28 | |
-And that was for a coat of varnish. -Were you lacquered? -Bound to be. | 0:23:30 | 0:23:34 | |
What happened to the fellow I replaced? | 0:23:38 | 0:23:41 | |
-Charlie? -Charlie, yeah. -Charlie Crunch? | 0:23:41 | 0:23:45 | |
Legs fell off. | 0:23:46 | 0:23:48 | |
And his arms. | 0:23:49 | 0:23:51 | |
And his head. | 0:23:51 | 0:23:54 | |
-Can't have been much of him left. -Not a lot. | 0:23:54 | 0:23:58 | |
And what there was wasn't worth looking at. | 0:23:58 | 0:24:01 | |
-I wouldn't fancy my head falling off. -Ah, it'll be all right. | 0:24:01 | 0:24:05 | |
-Arthur will save you. -Arthur? | 0:24:05 | 0:24:08 | |
-The cat. -Why do you call him the cat? | 0:24:08 | 0:24:12 | |
They're having him seen to tomorrow. | 0:24:12 | 0:24:14 | |
Looks as if he's already been seen to. | 0:24:16 | 0:24:19 | |
-I wish you wouldn't keep doing that. -Can't wait to get started. | 0:24:23 | 0:24:26 | |
-Oh, he's here again. -Who? | 0:24:27 | 0:24:29 | |
Spotty-faced kid with the ice cream cornet. | 0:24:29 | 0:24:33 | |
-Haven't you heard about him? -No. | 0:24:34 | 0:24:36 | |
Here, I'll tell you about him. Come here. | 0:24:36 | 0:24:38 | |
Go back, he's listening. | 0:24:42 | 0:24:45 | |
-He cheats. -How does he cheat? -Uses a bent penny. | 0:24:45 | 0:24:49 | |
-What happens? -When the ball comes down, I've got to kick it like that. | 0:24:49 | 0:24:52 | |
Doesn't half hurt. | 0:24:52 | 0:24:54 | |
Spotty-faced kid. | 0:24:56 | 0:24:58 | |
Look out, the game's started! | 0:24:58 | 0:25:00 | |
One down now. | 0:25:15 | 0:25:17 | |
We've started again! | 0:25:18 | 0:25:20 | |
Arthur, get the ball, Arthur! | 0:25:31 | 0:25:32 | |
We're two down now! | 0:25:37 | 0:25:39 | |
Hey, our forwards have got the ball! | 0:25:40 | 0:25:42 | |
-I've got no chance, then. -Charlie's got the ball! | 0:25:42 | 0:25:44 | |
He hasn't scored for 40 years! | 0:25:44 | 0:25:46 | |
BELL DINGS | 0:25:46 | 0:25:48 | |
-Charlie's scored! -I said he would. Well done, Charlie! | 0:25:48 | 0:25:52 | |
-Great goal, that. He'll never score again. -Why not? | 0:25:52 | 0:25:56 | |
His head's fallen off. | 0:25:56 | 0:25:57 | |
-Great goal there, Charlie. Great goal. Oh, he's back again. -Who? | 0:26:03 | 0:26:09 | |
That kid with the ice cream cornet. | 0:26:09 | 0:26:11 | |
If I was out there, | 0:26:11 | 0:26:13 | |
I'd shove that ice cream cornet right up your nose! | 0:26:13 | 0:26:16 | |
Leave him alone! I like him. | 0:26:16 | 0:26:17 | |
-Get off. -Oh. What are you going to do? -I'm going to sing. | 0:26:27 | 0:26:30 | |
-I'll go, then. -No, you stay with me. You give me confidence. | 0:26:30 | 0:26:33 | |
-Oh. All right. -Thank you, Jack. | 0:26:33 | 0:26:38 | |
MUSIC STARTS | 0:26:38 | 0:26:41 | |
# Guess there's no use in hanging round | 0:26:46 | 0:26:50 | |
# Guess I'll get dressed and do the town | 0:26:50 | 0:26:54 | |
# I'll find some crowded avenue | 0:26:55 | 0:26:59 | |
# Though it will be empty without you | 0:27:00 | 0:27:05 | |
# Can't get used to losing you no matter what I try to do | 0:27:05 | 0:27:09 | |
# Gonna live my whole life through | 0:27:09 | 0:27:12 | |
# Loving you | 0:27:14 | 0:27:15 | |
# Called up some girl I used to know | 0:27:16 | 0:27:20 | |
# After I heard her say hello | 0:27:22 | 0:27:24 | |
# Couldn't think of anything to say | 0:27:26 | 0:27:29 | |
# Since you've gone it happens every day | 0:27:31 | 0:27:36 | |
# Can't get used to losing you no matter what I try to do | 0:27:36 | 0:27:40 | |
# Gonna live my whole life through | 0:27:40 | 0:27:43 | |
# Loving you | 0:27:45 | 0:27:47 | |
# I'll find somebody, wait and see | 0:27:53 | 0:27:56 | |
# Who am I kidding? Only me | 0:27:57 | 0:28:03 | |
# Cos no-one else could take your place | 0:28:03 | 0:28:06 | |
# Guess that I am just a hopeless case | 0:28:06 | 0:28:12 | |
# I can't get used to losing you no matter what I try to do | 0:28:12 | 0:28:17 | |
# Gonna live my whole life through | 0:28:17 | 0:28:20 | |
# Loving you | 0:28:22 | 0:28:23 | |
# Can't get used to losing you no matter what I try to do | 0:28:29 | 0:28:34 | |
# Gonna live my whole life through | 0:28:34 | 0:28:36 | |
# Loving you. # | 0:28:38 | 0:28:40 | |
MUSIC CONTINUES | 0:28:40 | 0:28:42 | |
LAUGHTER | 0:28:42 | 0:28:44 | |
APPLAUSE | 0:28:50 | 0:28:52 |