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-Good evening, ladies and gentlemen. -Thank you and good evening. | 0:00:18 | 0:00:21 | |
Good evening and welcome to the show. | 0:00:21 | 0:00:23 | |
-Yes. -It's very nice to be back once again on television. | 0:00:23 | 0:00:25 | |
Oh, yes. Yes. | 0:00:25 | 0:00:27 | |
And we've got a cracking show for you tonight, haven't we? Eh? | 0:00:27 | 0:00:30 | |
I mean, haven't we? | 0:00:30 | 0:00:31 | |
-We hope so. Yes. -Yes. | 0:00:31 | 0:00:33 | |
We've got singers, dancers, | 0:00:33 | 0:00:35 | |
acrobats and a special guest star who's going to sing... | 0:00:35 | 0:00:38 | |
What's that ridiculous thing!? | 0:00:38 | 0:00:40 | |
Yeah, What's That Ridiculous Thing Called Love. | 0:00:40 | 0:00:43 | |
One of the finest songs ever written by Ian Carmichael. | 0:00:43 | 0:00:45 | |
Ye.. Never mind about the song. | 0:00:45 | 0:00:48 | |
What is that thing there? | 0:00:48 | 0:00:50 | |
LAUGHTER | 0:00:50 | 0:00:53 | |
-Where? -There on there... | 0:00:53 | 0:00:56 | |
Well, I never! | 0:00:56 | 0:00:58 | |
I can believe that. Looking at you, I can believe that. | 0:00:58 | 0:01:01 | |
Wh... You are wearing a wig. | 0:01:01 | 0:01:05 | |
Shut up! | 0:01:05 | 0:01:07 | |
-I'm not! It's not a wig. -Oh, it's not a wig? -No. -Well, what is it then? | 0:01:07 | 0:01:10 | |
It's a cover to keep the dust off me real hair. | 0:01:10 | 0:01:13 | |
-It's not a wig! -Boy, that was quick thinking, that was. | 0:01:13 | 0:01:16 | |
-It was quick, wasn't it? -Straight off the top, eh? | 0:01:16 | 0:01:18 | |
-I must admit, it was quick. -Well, let's have a look... -Don't touch. | 0:01:18 | 0:01:21 | |
-Go on. -Don't touch that! -You've got a nerve, you have, | 0:01:21 | 0:01:24 | |
coming on here wearing a wig. | 0:01:24 | 0:01:26 | |
After all the insults, jives and inane remarks you made to me | 0:01:26 | 0:01:31 | |
about my real hair. | 0:01:31 | 0:01:33 | |
-Real hair? -Yes, real hair. | 0:01:33 | 0:01:36 | |
Real... If that's real hai... | 0:01:36 | 0:01:38 | |
Just excuse me, just one moment, please, folks. | 0:01:38 | 0:01:41 | |
What? | 0:01:41 | 0:01:43 | |
If that's real hair, how come when it's a bit windy, | 0:01:43 | 0:01:47 | |
it moves up and down like badly fitted lino in a draughty kitchen? | 0:01:47 | 0:01:52 | |
-How dare you, sir! -Anyway, we've got one each now. | 0:01:54 | 0:01:58 | |
Put them in a shoe box, put the lid on them, they might mate. | 0:01:58 | 0:02:02 | |
-I have got a good head of hair. -Yeah. Covered in hair, you are. | 0:02:02 | 0:02:07 | |
When you hop into the bath, you look like Skippy the Bush Kangaroo. | 0:02:07 | 0:02:10 | |
-You look a sight! -Shut up! -Take it off. -I can't. | 0:02:11 | 0:02:14 | |
-You can't? -No. -Why not? | 0:02:14 | 0:02:15 | |
Ah, well. He might be looking in. | 0:02:15 | 0:02:18 | |
-He? -He. -Who's he? Who's he? | 0:02:18 | 0:02:22 | |
-WHISPERS: -Well, he's the fellow that asked me | 0:02:22 | 0:02:24 | |
if I would advertise his wigs on the BBC television. | 0:02:24 | 0:02:27 | |
-YELLS: You can't advertise on the BB... -I know, you fool. Shut up. | 0:02:27 | 0:02:32 | |
You see, the camera's coming in closer. | 0:02:32 | 0:02:35 | |
Good evening. | 0:02:35 | 0:02:38 | |
Listen, nobody can advertise on the BBC. | 0:02:38 | 0:02:41 | |
Even Lord Hill can't say what kind of pipe tobacco he smokes. | 0:02:41 | 0:02:44 | |
And no wonder. It's mine. | 0:02:44 | 0:02:46 | |
He's known along the powers of corridors. | 0:02:47 | 0:02:49 | |
The corridors of power? | 0:02:49 | 0:02:51 | |
The corridors of power. Don't forget, he walked backwards. | 0:02:51 | 0:02:54 | |
-Yes, he does. -That was quick. That was quick. | 0:02:54 | 0:02:56 | |
The corridors of power. | 0:03:02 | 0:03:03 | |
-That is quick fill Charlie. -Oh! | 0:03:03 | 0:03:05 | |
Boom. | 0:03:05 | 0:03:07 | |
You ought to be ashamed of yourself. | 0:03:07 | 0:03:08 | |
-Well, you can't win them... Anyway. -What? | 0:03:08 | 0:03:10 | |
You looked worried there cos you didn't think I was coming in. | 0:03:10 | 0:03:13 | |
No, I didn't think you were. Go on. | 0:03:13 | 0:03:14 | |
I thought that if we played our cards right, you could come in | 0:03:14 | 0:03:17 | |
-on this deal... -No, I've got no time for commercials. | 0:03:17 | 0:03:19 | |
-My schedules are very tight. -I thought you'd gone a funny colour. | 0:03:19 | 0:03:23 | |
-However... -I'm not interested. -However, there's money in it. -Money? | 0:03:23 | 0:03:27 | |
-I've got him. -Money? -I've got him now. | 0:03:27 | 0:03:29 | |
-Did you say money? -Money. Look at him shaking. Yes. | 0:03:29 | 0:03:31 | |
-You see the point is... -Yes. -The point is... | 0:03:31 | 0:03:34 | |
What happens is... Be careful. | 0:03:34 | 0:03:36 | |
You've got to be careful. The suit rubs off as well. | 0:03:37 | 0:03:40 | |
What happens is if you do a commer... | 0:03:40 | 0:03:42 | |
-A commercial... -yes. | 0:03:42 | 0:03:44 | |
Let's say for argument sake of... | 0:03:44 | 0:03:47 | |
-..of pickled onions. -Yes. | 0:03:47 | 0:03:49 | |
You see, you get paid for the repeats. | 0:03:49 | 0:03:52 | |
AUDIENCE LAUGHS | 0:03:52 | 0:03:56 | |
Eh! I get them in when I can, don't I? | 0:03:56 | 0:03:58 | |
MORECAMBE LAUGHS | 0:03:59 | 0:04:01 | |
-Pardon? -That's all you'd have to say. Pardon. | 0:04:01 | 0:04:04 | |
I've been asked to do a commercial. | 0:04:04 | 0:04:05 | |
I know you've been asked to do a commercial. | 0:04:05 | 0:04:07 | |
-It arrived this morning, but I haven't read it yet. -Oh! | 0:04:07 | 0:04:10 | |
-This is the commercial they want you to... -Sh, sh, sh. | 0:04:10 | 0:04:12 | |
-Well, let's have a look at it. -Be careful. | 0:04:12 | 0:04:14 | |
-Right here go. -It's an awful weight. | 0:04:15 | 0:04:17 | |
I don't know how you manage with yours. | 0:04:17 | 0:04:20 | |
Now, listen to this. | 0:04:20 | 0:04:21 | |
"The action takes place in the garden | 0:04:21 | 0:04:24 | |
"of a beautiful house in the country..." | 0:04:24 | 0:04:26 | |
That's me. That is me. Be honest. | 0:04:26 | 0:04:29 | |
"Sitting on the grass is a gorgeous, young girl..." | 0:04:29 | 0:04:32 | |
-That would be you. -Ye... | 0:04:32 | 0:04:33 | |
-No! -You wear a long one. -I'm not in this. This is just for you, isn't it? | 0:04:33 | 0:04:37 | |
-Hm. -"Sitting on the grass is a gorgeous, young girl. | 0:04:37 | 0:04:40 | |
-"She beckons to you..." -She'd do that? -Yes. | 0:04:40 | 0:04:43 | |
"And you bound across the lawn to this beautiful girl..." | 0:04:43 | 0:04:46 | |
-Like lightning. -Yes. | 0:04:46 | 0:04:48 | |
"On the word 'action'..." | 0:04:48 | 0:04:51 | |
That's the word I am waiting for. | 0:04:51 | 0:04:53 | |
-"You kneel down by the bowl and go, 'woof, woof'." -Yes. | 0:04:54 | 0:04:58 | |
What? | 0:05:01 | 0:05:02 | |
"You kneel down by the bowl and go, 'woof, woof' | 0:05:02 | 0:05:04 | |
"and then you wag your tail | 0:05:04 | 0:05:05 | |
"and you eat as much of the dog meat as you possibly can." | 0:05:05 | 0:05:08 | |
That's your signature. I recognise that signature! | 0:05:12 | 0:05:14 | |
-You're a rotten devil! -Go on! Woof, woof. Wag your tail! | 0:05:14 | 0:05:17 | |
-Shut up! Shut up! -What's the matter with you? Come on, dog. | 0:05:17 | 0:05:19 | |
MUSIC: Side By Side | 0:05:25 | 0:05:28 | |
# Oh, we ain't got a barrel of money | 0:05:40 | 0:05:45 | |
# Maybe, we're ragged and funny | 0:05:45 | 0:05:49 | |
# But we'll travel along | 0:05:49 | 0:05:51 | |
# Singing a song | 0:05:51 | 0:05:53 | |
# Side by side | 0:05:53 | 0:05:57 | |
# Don't know what's coming tomorrow | 0:05:57 | 0:06:02 | |
# Maybe it's trouble and sorrow | 0:06:02 | 0:06:05 | |
# But we'll travel the road | 0:06:05 | 0:06:08 | |
# Sharing our load | 0:06:08 | 0:06:09 | |
# Side by side | 0:06:09 | 0:06:14 | |
# Through all kinds of weather | 0:06:14 | 0:06:18 | |
# What if the sky should fall? | 0:06:18 | 0:06:22 | |
# Just so long as we're together | 0:06:22 | 0:06:26 | |
# It doesn't matter at all | 0:06:26 | 0:06:29 | |
# When they've all had their quarrels and parted | 0:06:29 | 0:06:34 | |
# We'll be the same as we started | 0:06:34 | 0:06:37 | |
# Just travelling along | 0:06:37 | 0:06:40 | |
# Singing our song | 0:06:40 | 0:06:42 | |
# Side by side | 0:06:42 | 0:06:46 | |
# Through all kinds of weather | 0:06:46 | 0:06:50 | |
# What if the sky should fall? | 0:06:50 | 0:06:54 | |
# Just as long as we're together | 0:06:54 | 0:06:59 | |
# It doesn't matter at all | 0:06:59 | 0:07:02 | |
# When they've all had their quarrels and parted | 0:07:02 | 0:07:06 | |
# We'll be the same as we started | 0:07:06 | 0:07:10 | |
# Just travelling along | 0:07:10 | 0:07:12 | |
# Singing our song | 0:07:12 | 0:07:15 | |
# Side by side. # | 0:07:15 | 0:07:18 | |
And now, ladies and gentlemen, | 0:07:27 | 0:07:29 | |
let's all take a trip down memory lane with songs from yesteryear, | 0:07:29 | 0:07:33 | |
but first of all, I'd like to amaze you all with some slight of hand. | 0:07:33 | 0:07:37 | |
-Good Lord! Well, that was clever. -Oh, I bet it was! | 0:07:37 | 0:07:40 | |
-I was halfway through a kiss with Sonja our wardrobe lady. -Naughty. | 0:07:40 | 0:07:43 | |
-You mustn't do that. -I just heard it on the news now | 0:07:43 | 0:07:46 | |
-that myth has been smashed. -What myth? -Eh? -What myth? | 0:07:46 | 0:07:48 | |
-On the news, I've just heard it. -What? | 0:07:48 | 0:07:49 | |
No such thing as a Loch Ness monster. | 0:07:49 | 0:07:51 | |
Of course, there's no such thing as a Loch Ness monster. | 0:07:51 | 0:07:54 | |
Said it on the news just now. Said, | 0:07:54 | 0:07:55 | |
"Julian Pettifer here, Panorama, BBC Loch Ness." | 0:07:55 | 0:08:01 | |
And as he said that | 0:08:01 | 0:08:02 | |
-a great big head came up and bit his leg off. -Oh, did it. | 0:08:02 | 0:08:06 | |
Pity that, cos I love animals. | 0:08:06 | 0:08:08 | |
AUDIENCE LAUGH | 0:08:08 | 0:08:10 | |
-Is that what you came on to tell me? -Yeah. -Good, good. | 0:08:10 | 0:08:12 | |
Well, look, we're going to take a trip down memory lane | 0:08:12 | 0:08:15 | |
-with songs... -Seen my dog? | 0:08:15 | 0:08:17 | |
-You've got a dog? -Yeah. | 0:08:17 | 0:08:19 | |
-What sort is it? -Siberian puddle maker. | 0:08:19 | 0:08:22 | |
-Have you seen him? -No. -I'll go get him for you. -No, don't bother. | 0:08:24 | 0:08:26 | |
-Oh, it's all right. -I don't want to see him. | 0:08:26 | 0:08:28 | |
-Ladies and gentlemen, now I'd like to take... -Come on! Let's have him. | 0:08:28 | 0:08:32 | |
Come on! Let's have him. | 0:08:32 | 0:08:35 | |
-That's not a dog! -Come on! | 0:08:35 | 0:08:36 | |
-Crikey! Don't bring him on here. -Oh, boy! | 0:08:40 | 0:08:43 | |
Slipped his lead. | 0:08:45 | 0:08:47 | |
-Slipped his lead? -He's come out of his collar. -His collar? -Yep. | 0:08:47 | 0:08:51 | |
-What do you call him? -Brutus. -Brutus? -Brutus, yeah. | 0:08:51 | 0:08:54 | |
Well, he must be enormous. | 0:08:54 | 0:08:56 | |
Knocked six lamp posts over last night. | 0:08:56 | 0:08:58 | |
-Killed somebody. -Bit the wife this morning. -Yeah? | 0:09:00 | 0:09:04 | |
-Up like a balloon. -Poor woman. | 0:09:04 | 0:09:06 | |
-No, no, the dog. She's all right. -Oh, she's all right. | 0:09:06 | 0:09:09 | |
Yeah, the dog. You want to see him? I'll get him for you. | 0:09:09 | 0:09:11 | |
No, don't. Not if he slipped his... | 0:09:11 | 0:09:13 | |
Come on here. Hey! Oh, look at that. | 0:09:13 | 0:09:16 | |
-He's run off. -Run off? Thank goodness, he's run off. | 0:09:16 | 0:09:19 | |
I'll soon get him back. Right at my trousers legs we shout, "Din-din." | 0:09:19 | 0:09:22 | |
-HE YELLS What? -He's coming back. | 0:09:22 | 0:09:23 | |
-No, don't bring him back. No, I don't want to see him. -You'll love him. | 0:09:23 | 0:09:26 | |
-Come here. Come here. -Look, I'm not interested. | 0:09:26 | 0:09:29 | |
What we were going to do was take a stroll down memory lane. | 0:09:29 | 0:09:31 | |
You... | 0:09:31 | 0:09:33 | |
Huh? | 0:09:33 | 0:09:34 | |
Well, you certainly fooled me. We were doing all that pulling backwards | 0:09:34 | 0:09:38 | |
and forwards and I saw this big lead and everything. | 0:09:38 | 0:09:40 | |
I expected this sort of big... Grr, grr come bounding on. | 0:09:40 | 0:09:45 | |
Really and then I see this little thing here that you got. | 0:09:45 | 0:09:48 | |
I did! I thought... | 0:09:49 | 0:09:51 | |
HE MOUTHS WORDLESSLY | 0:09:51 | 0:09:53 | |
What? You... | 0:09:53 | 0:09:56 | |
AUDIENCE LAUGHS | 0:09:57 | 0:10:04 | |
You worry me at times, do you know that? | 0:10:05 | 0:10:09 | |
I've got a wet hand now. | 0:10:10 | 0:10:11 | |
HE MOUTHS WORDLESSLY | 0:10:19 | 0:10:24 | |
MUSIC: Ride Of The Valkyries by Richard Wagner | 0:10:24 | 0:10:32 | |
SONG CONTINUES | 0:10:41 | 0:10:49 | |
MUSIC: Barwick Green by Arthur Wood | 0:10:56 | 0:10:59 | |
MUSIC: By Edward Elgars | 0:11:13 | 0:11:19 | |
SONG CONTINUES | 0:11:24 | 0:11:29 | |
MUSIC: Ride of the Valkyries by Richard Wagner | 0:11:33 | 0:11:39 | |
MUSIC: Colonel Bogey March by Lieutenant FJ Ricketts | 0:11:47 | 0:11:50 | |
-Ladies and gentlemen, it's Tom Jones! -Hey! | 0:11:52 | 0:11:55 | |
APPLAUSE | 0:11:55 | 0:11:57 | |
Hang about, Tom Jones is coming on in a minute. I'll introduce you. | 0:12:11 | 0:12:15 | |
-Tom, delighted. -Thrilled! | 0:12:15 | 0:12:18 | |
Thank you very much, Mr Wise. Thank you, Mr Morecambe. | 0:12:20 | 0:12:23 | |
-Mr? -Mr? -What's all this Mr? -You don't have to call us Mr, Tom. | 0:12:23 | 0:12:28 | |
-I'm Ern. -And I'm My Lord. | 0:12:28 | 0:12:29 | |
LAUGHTER | 0:12:29 | 0:12:32 | |
-There's nothing formal about us, Tom. -Oh, no, no. | 0:12:32 | 0:12:35 | |
Well, no, it's just the last time that we met, | 0:12:35 | 0:12:37 | |
I called you Mr Wise and you Mr Morecambe. | 0:12:37 | 0:12:39 | |
I don't remember this. When was that? | 0:12:39 | 0:12:41 | |
When I asked you for your autographs. I was only 10 at the time. | 0:12:41 | 0:12:44 | |
Get him off. He's done enough. Get him off. | 0:12:44 | 0:12:46 | |
Now, ladies and gentlemen, some juggling... | 0:12:46 | 0:12:48 | |
No, wait a minute. Let's be fair. | 0:12:48 | 0:12:51 | |
-We did start at a very early age. -That is true. That is true. | 0:12:51 | 0:12:54 | |
-He wasn't to know, was he? -Oh, no. | 0:12:54 | 0:12:55 | |
-He's still only 31 is Ernest. -Yes. -31? -Yes. | 0:12:55 | 0:12:59 | |
31? | 0:12:59 | 0:13:01 | |
LAUGHTER | 0:13:01 | 0:13:03 | |
-And a few months! -Yeah, about 900 months. | 0:13:03 | 0:13:06 | |
LAUGHTER | 0:13:06 | 0:13:07 | |
Oh, I love anything subtle. | 0:13:07 | 0:13:08 | |
-Tom... -Yes? | 0:13:10 | 0:13:11 | |
..I'm absolutely delighted to be able to have this little chat with you | 0:13:11 | 0:13:14 | |
because, well, you and I, we have the same kind of style. | 0:13:14 | 0:13:18 | |
-Oh, really? -Yes. -Oh, yes. | 0:13:18 | 0:13:20 | |
It's no exaggeration to say | 0:13:20 | 0:13:21 | |
that had Ernie Wise played his cards right as a younger man, | 0:13:21 | 0:13:24 | |
he could have become another Engelbert. | 0:13:24 | 0:13:26 | |
-Humperdinck? -Not now, he doesn't. No, his legs have given way. | 0:13:26 | 0:13:29 | |
LAUGHTER | 0:13:29 | 0:13:30 | |
Sad, really. | 0:13:30 | 0:13:32 | |
It gets us all eventually. | 0:13:32 | 0:13:33 | |
LAUGHTER | 0:13:33 | 0:13:35 | |
-Well, look, I didn't know Ernie was a pop singer. -Trendsetter. | 0:13:35 | 0:13:39 | |
-Trendsetter. -In his day. | 0:13:39 | 0:13:40 | |
-First one with the spats, weren't you? -Yes. | 0:13:40 | 0:13:43 | |
-I was the first one with the records and the moves. -Oh, yes. | 0:13:43 | 0:13:46 | |
-Hey, have you got the time? -Yeah, sure. | 0:13:46 | 0:13:49 | |
-Do that one for him. -What, the...? -The one that you made. | 0:13:49 | 0:13:51 | |
-My last hit record? -Yes, you know the one. The cylinder one. -The cylinder one. | 0:13:51 | 0:13:55 | |
# Oh, old Father Timms | 0:13:55 | 0:13:59 | |
# Keep rolling along Yeah, yeah, yeah | 0:13:59 | 0:14:01 | |
# Down to the miley sea Yeah, yeah, yeah. # | 0:14:01 | 0:14:06 | |
APPLAUSE | 0:14:06 | 0:14:07 | |
What? What? | 0:14:07 | 0:14:09 | |
Told you he was good, didn't I? | 0:14:12 | 0:14:13 | |
Oh, now, then... | 0:14:15 | 0:14:17 | |
Be honest. What do you think? | 0:14:17 | 0:14:18 | |
Well, if I hadn't seen it with my own eyes, | 0:14:18 | 0:14:20 | |
I never would have believed it. | 0:14:20 | 0:14:22 | |
They all say that, you know. | 0:14:22 | 0:14:24 | |
Some of the greatest stars of all time | 0:14:24 | 0:14:26 | |
have been on bended knees for some of those movements, haven't they? | 0:14:26 | 0:14:29 | |
-Yes, yes. -Sandy Shaw? Do you remember him? | 0:14:29 | 0:14:31 | |
"Can you hear me mother?" | 0:14:31 | 0:14:33 | |
Fabulous. | 0:14:33 | 0:14:35 | |
Well, why don't you still do it, then, Ern? | 0:14:35 | 0:14:37 | |
Well, Tom, it's a personal matter. I don't like to talk about it. | 0:14:37 | 0:14:40 | |
-Oh, OK. -Tell him, Eric. Tell him. | 0:14:40 | 0:14:43 | |
It's the hairy legs. | 0:14:43 | 0:14:46 | |
-What's hairy legs got to do with it? -It's the friction, you see. | 0:14:46 | 0:14:48 | |
While he's doing the movements with the hairy legs and the friction, | 0:14:50 | 0:14:54 | |
the audience panic when they see the blue smoke coming out the top of his jeans. | 0:14:54 | 0:14:58 | |
-I see. -But I've still got a magnetic personality. | 0:14:58 | 0:15:01 | |
-Oh, good Lord, yes. -He'd go down well in Las Vegas, I bet. | 0:15:01 | 0:15:04 | |
-I've been. -Oh? -Been to Vegas. | 0:15:04 | 0:15:07 | |
First one to go! | 0:15:08 | 0:15:10 | |
-Opened the way for everybody, this boy did. -Yes. | 0:15:10 | 0:15:13 | |
-Did they like him there? -Loved him there. | 0:15:13 | 0:15:15 | |
There's nobody like him before or since, with all due respect. | 0:15:15 | 0:15:18 | |
-Thank you. -Well, what happened? -He was doing extremely well. | 0:15:18 | 0:15:21 | |
-Suddenly, the club was raided. -Police? | 0:15:21 | 0:15:24 | |
Apache Indian. | 0:15:24 | 0:15:25 | |
LAUGHTER | 0:15:25 | 0:15:27 | |
-With a tomahawk. Yes, caught him right there, didn't it? -Yes. | 0:15:27 | 0:15:30 | |
That's where the expression, "You can't see the join" came from. | 0:15:30 | 0:15:33 | |
Oh, that's where it came from? | 0:15:33 | 0:15:34 | |
-I'm still with it, Tom, you know. -Oh, he's still with it, yes. | 0:15:34 | 0:15:37 | |
He'll never lose it. He's tried, but he can't. | 0:15:37 | 0:15:39 | |
What are you going to do for us tonight, Tom? | 0:15:39 | 0:15:41 | |
-Exactly Like You. -Ah. -Ah, great. One of my favourites. | 0:15:41 | 0:15:44 | |
-But if I could just have a word with you if you don't mind. -Not at all. | 0:15:44 | 0:15:47 | |
The reason I'll say this is I've been watching you lately. | 0:15:47 | 0:15:49 | |
-The singing - oh, fabulous. -Fabulous. -Thank you. | 0:15:49 | 0:15:52 | |
-But you're not moving about enough. -Oh, really? | 0:15:52 | 0:15:54 | |
You're not moving about enough. There's too many board meetings. That's your trouble, you know. | 0:15:54 | 0:15:58 | |
You're not really getting in there and doing it all. | 0:15:58 | 0:16:00 | |
-You show him. -It's like that. You've got to get a bit more. | 0:16:00 | 0:16:03 | |
-Do you have a microphone? -I'll get him a microphone. | 0:16:03 | 0:16:05 | |
He's a lovely mover, you see. | 0:16:05 | 0:16:07 | |
LAUGHTER | 0:16:08 | 0:16:11 | |
There we are. Now, get in. That's it. Behind that. | 0:16:11 | 0:16:13 | |
-Work with your eyes. -Work with your eyes. | 0:16:13 | 0:16:15 | |
Don't worry about that BBC up there. It's 'Before Bill Cotton', that is. | 0:16:15 | 0:16:19 | |
You're all right. | 0:16:19 | 0:16:20 | |
APPLAUSE | 0:16:20 | 0:16:22 | |
-Is there something wrong, Tom? -I generally use a hand mic. | 0:16:22 | 0:16:27 | |
-Oh, the old-fashioned one? -Yeah. -I'll go get it. Stay with him. | 0:16:27 | 0:16:29 | |
-He's a lovely mover, isn't he? -Isn't he? -For his age. | 0:16:29 | 0:16:32 | |
-This is the type, is it? -That's the one. | 0:16:32 | 0:16:34 | |
-Oh, yes. Lovely. Right. -OK. | 0:16:34 | 0:16:36 | |
We're glad to have you with us cos we're going to do the backing. | 0:16:36 | 0:16:39 | |
We're going to be behind you and project your personality. | 0:16:39 | 0:16:41 | |
Great. We look forward to it. | 0:16:41 | 0:16:43 | |
-What did you say your name was? -Tom. -Oh, we'll have to change that. -Yeah. -Music! Music! | 0:16:43 | 0:16:47 | |
MUSIC: Exactly Like You | 0:16:47 | 0:16:52 | |
# Yeah, yeah, yeah | 0:16:55 | 0:16:57 | |
-# I know why I waited -# Yeah, yeah, yeah | 0:16:57 | 0:17:00 | |
-# Know why I've been blue -# Yeah, yeah, yeah | 0:17:00 | 0:17:02 | |
-# Waiting each night for someone -# Yeah, yeah, yeah | 0:17:02 | 0:17:05 | |
-# Exactly like you -# Yeah, yeah, yeah, yeah, yeah, yeah | 0:17:05 | 0:17:07 | |
-# Why should we spend money -# Yeah, yeah, yeah | 0:17:07 | 0:17:10 | |
-# On a show or two -# Yeah, yeah, yeah | 0:17:10 | 0:17:13 | |
-# No-one plays those love songs -# Yeah, yeah, yeah | 0:17:13 | 0:17:16 | |
-# Exactly like you -# Yeah, yeah, yeah, yeah, yeah, yeah | 0:17:16 | 0:17:18 | |
# Exactly like you You make me feel so grand | 0:17:18 | 0:17:22 | |
# I want to hand the world to you | 0:17:22 | 0:17:24 | |
# You seem to understand | 0:17:24 | 0:17:27 | |
# Each foolish little dream that I'm dreaming | 0:17:27 | 0:17:29 | |
# Scheme that I'm scheming | 0:17:29 | 0:17:30 | |
# Dream that I'm dreaming Scheme that I'm scheming | 0:17:30 | 0:17:33 | |
# Now I know why Mother | 0:17:33 | 0:17:35 | |
# Taught me to be true | 0:17:35 | 0:17:38 | |
# She meant me for someone | 0:17:38 | 0:17:41 | |
-# Exactly like you -# Yeah, yeah, yeah, yeah, yeah, yeah | 0:17:41 | 0:17:43 | |
# Exactly like you You make me feel so grand | 0:17:43 | 0:17:47 | |
# I want to hand the world to you | 0:17:47 | 0:17:50 | |
# You seem to understand | 0:17:50 | 0:17:52 | |
# Each foolish little dream that I'm dreaming | 0:17:52 | 0:17:54 | |
# Scheme that I'm scheming | 0:17:54 | 0:17:56 | |
# Dream that I'm dreaming Scheme that I'm scheming | 0:17:56 | 0:17:58 | |
-# Now I know why Mother -# Yeah, yeah, yeah | 0:17:58 | 0:18:01 | |
-# Taught me to be true -# Yeah, yeah, yeah | 0:18:01 | 0:18:03 | |
# She meant me for someone | 0:18:03 | 0:18:06 | |
# Yeah, yeah, yeah, yeah Yeah, yeah, yeah | 0:18:06 | 0:18:10 | |
-# Exactly like you -# Yeah, yeah, yeah, yeah | 0:18:10 | 0:18:13 | |
-# Exactly like you -# Yeah, yeah, yeah, yeah | 0:18:13 | 0:18:15 | |
# Exactly like you | 0:18:15 | 0:18:19 | |
# Yeah, yeah, yeah! # | 0:18:19 | 0:18:20 | |
APPLAUSE | 0:18:20 | 0:18:25 | |
WOMAN: Beauty is in the hands. | 0:18:34 | 0:18:36 | |
These are beautiful hands, cared-for hands, | 0:18:36 | 0:18:41 | |
thanks to Velvetta, the mildest of mild soap. | 0:18:41 | 0:18:45 | |
Let Velvetta make your hands as lovely as these. | 0:18:45 | 0:18:48 | |
It's hands like these that get you noticed. | 0:18:49 | 0:18:53 | |
MAN: You're telling me. | 0:18:53 | 0:18:55 | |
That's the last time I'll use Velvetta! | 0:18:55 | 0:18:57 | |
LAUGHTER | 0:18:57 | 0:18:59 | |
APPLAUSE | 0:18:59 | 0:19:02 | |
Now, to put my theory to the test. | 0:19:18 | 0:19:20 | |
HE SNIFFS | 0:19:21 | 0:19:23 | |
Be brave, Dr Jekyll. | 0:19:26 | 0:19:28 | |
Who knows aught of honour who only knows aught of honour | 0:19:28 | 0:19:32 | |
who only knows aught of...honour. | 0:19:32 | 0:19:34 | |
Cheers! | 0:19:35 | 0:19:36 | |
EERIE MUSIC | 0:19:40 | 0:19:46 | |
HE GROANS | 0:19:46 | 0:19:51 | |
LAUGHTER | 0:20:00 | 0:20:03 | |
HE GROWLS | 0:20:07 | 0:20:08 | |
LAUGHTER | 0:20:08 | 0:20:12 | |
Now, there's a novelty. | 0:20:12 | 0:20:13 | |
LAUGHTER | 0:20:17 | 0:20:19 | |
It's worked! It's worked! | 0:20:19 | 0:20:22 | |
Who's a pretty boy, then? | 0:20:27 | 0:20:29 | |
My head is full of horror, my veins are full of villainy | 0:20:30 | 0:20:33 | |
and there's badness in the balls of my feet. | 0:20:33 | 0:20:36 | |
Tonight, I shall go, ladies and gentleman, | 0:20:38 | 0:20:40 | |
on an unbridled lust tour. | 0:20:40 | 0:20:42 | |
I shall probably end up in a Wimpy bar. | 0:20:45 | 0:20:47 | |
There must be plenty of haunts in London where I can hide. | 0:20:49 | 0:20:52 | |
HE GASPS | 0:20:52 | 0:20:54 | |
Where I can hide! | 0:20:54 | 0:20:55 | |
That's what I shall call myself - Mr Where I Can. | 0:20:57 | 0:21:00 | |
APPLAUSE | 0:21:05 | 0:21:08 | |
Henry? | 0:21:08 | 0:21:10 | |
-Henry, where are you? -Ooh! | 0:21:11 | 0:21:13 | |
Henry, where are you? Sorry. | 0:21:14 | 0:21:17 | |
Oh, here's my sherry. Cheers. | 0:21:18 | 0:21:21 | |
Ah. | 0:21:23 | 0:21:24 | |
I wonder... | 0:21:24 | 0:21:26 | |
GRUFFLY: ..where Henry is. | 0:21:26 | 0:21:28 | |
MUSIC: The Stripper by David Rose & His Orchestra | 0:21:28 | 0:21:33 | |
APPLAUSE | 0:21:39 | 0:21:41 | |
HE PLAYS JAMES BOND THEME TUNE | 0:22:03 | 0:22:06 | |
# We got sunlight on the sand We got moonlight on the sea | 0:22:22 | 0:22:25 | |
# We got mangoes and bananas You can pick right off a tree | 0:22:25 | 0:22:29 | |
# We got volley ball and Ping-Pong and a lot of dandy games | 0:22:29 | 0:22:32 | |
# What ain't we got? We ain't got dames | 0:22:32 | 0:22:36 | |
# We get packages from home We get movies, we get shows | 0:22:42 | 0:22:45 | |
# We get speeches from our skipper and advice from Tokyo Rose | 0:22:45 | 0:22:49 | |
# We get letters doused in perfume We get dizzy from the smell | 0:22:49 | 0:22:52 | |
# What don't we get? You know darn well! | 0:22:52 | 0:22:55 | |
# We got nothing to put on a clean white suit for | 0:22:58 | 0:23:03 | |
# We got nothing to look masculine and cute for | 0:23:03 | 0:23:08 | |
# There is nothing like a dame | 0:23:08 | 0:23:12 | |
# Nothing in the world | 0:23:12 | 0:23:15 | |
# There is nothing you can name | 0:23:15 | 0:23:18 | |
# That is anything like a dame | 0:23:18 | 0:23:23 | |
# There are no books like a dame | 0:23:23 | 0:23:25 | |
# Ah-ah | 0:23:25 | 0:23:28 | |
# Nothing looks like a dame | 0:23:28 | 0:23:30 | |
# Ah-ah! | 0:23:30 | 0:23:33 | |
# There are no drinks like a dame | 0:23:33 | 0:23:35 | |
# Ah-ah | 0:23:35 | 0:23:37 | |
# And nothing thinks like a dame | 0:23:38 | 0:23:41 | |
# Ah-ah | 0:23:41 | 0:23:43 | |
# And nothing acts like a dame | 0:23:43 | 0:23:46 | |
# Ah-ah | 0:23:46 | 0:23:47 | |
# Or attracts like a dame | 0:23:47 | 0:23:50 | |
# Ah-ah | 0:23:50 | 0:23:51 | |
# There ain't a thing that's wrong with any man here | 0:23:51 | 0:23:54 | |
# That can't be cured by putting him near | 0:23:54 | 0:23:57 | |
# A girly womanly female feminine dame! | 0:23:57 | 0:24:04 | |
# We feel lonely and we long for the fair and gentle sex | 0:24:04 | 0:24:07 | |
# We would like to feel the feeling of some arms around our necks | 0:24:07 | 0:24:11 | |
# We feel hungry as the wolf on finding dead Red Riding Hood | 0:24:11 | 0:24:14 | |
# What don't we feel? We don't feel good! | 0:24:14 | 0:24:18 | |
# Lots of things in life are beautiful but, brother! | 0:24:19 | 0:24:24 | |
# There is one particular thing that is nothing whatsoever | 0:24:26 | 0:24:31 | |
# In any way shape or form like any other | 0:24:31 | 0:24:34 | |
# Other! # | 0:24:34 | 0:24:36 | |
Who said that?! | 0:24:36 | 0:24:38 | |
Beck! | 0:24:38 | 0:24:39 | |
THEY WHISTLE | 0:24:39 | 0:24:42 | |
# There is nothing like a dame | 0:25:54 | 0:25:57 | |
# Nothing in the world | 0:25:57 | 0:26:00 | |
# There is nothing you can name That is anything like a dame | 0:26:00 | 0:26:07 | |
# There ain't a thing that's wrong with any man here | 0:26:08 | 0:26:11 | |
# That can't be cured by putting him near | 0:26:11 | 0:26:15 | |
# A girly womanly female feminine dame! | 0:26:15 | 0:26:22 | |
# There is absolutely nothing like the thrill | 0:26:27 | 0:26:34 | |
# Of a dame | 0:26:34 | 0:26:44 | |
# Dame! # | 0:26:46 | 0:26:47 | |
Well, we've nearly come to the end of the show, ladies and gentlemen, | 0:26:50 | 0:26:53 | |
and what are you going to do? | 0:26:53 | 0:26:54 | |
It's about time you did something, isn't it? | 0:26:54 | 0:26:56 | |
-We'll sing a sing together, shall we? -Finish on a sentimental note? | 0:26:56 | 0:26:59 | |
-Why not? -Let's do a song and dance. | 0:26:59 | 0:27:00 | |
-Of course. Everybody else does it, don't they? -Sure! | 0:27:00 | 0:27:03 | |
# Two of a kind For your information | 0:27:10 | 0:27:13 | |
# We're two of a kind | 0:27:13 | 0:27:15 | |
# Two of a kind It's my observation | 0:27:17 | 0:27:21 | |
# We're two of a kind | 0:27:21 | 0:27:23 | |
# Just like peas in a pod | 0:27:23 | 0:27:27 | |
# Birds of a feather | 0:27:27 | 0:27:28 | |
# Alone or together you'll find | 0:27:28 | 0:27:31 | |
That we are two of a kind | 0:27:31 | 0:27:36 | |
# What's so wrong thnking life is a song | 0:28:09 | 0:28:13 | |
# And reaching for a star | 0:28:13 | 0:28:15 | |
# Who's to say if we go the whole way | 0:28:17 | 0:28:20 | |
# At least we've got this far | 0:28:20 | 0:28:23 | |
# Two of a sort | 0:28:24 | 0:28:26 | |
# Like two pomegranates from off the same tree | 0:28:26 | 0:28:29 | |
# Bad-a-la, bad-a-la | 0:28:29 | 0:28:32 | |
# I'm with you, sport, whatever you plan it goes double with me. # | 0:28:32 | 0:28:37 | |
Get out of that! | 0:28:37 | 0:28:38 | |
# I've had terrible thoughts | 0:28:38 | 0:28:40 | |
# Most frightfully upsetting | 0:28:40 | 0:28:42 | |
# And yet we are getting resigned | 0:28:42 | 0:28:45 | |
# To being two of a kind! # | 0:28:45 | 0:28:51 |