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Ross Lee is no ordinary man. | 0:00:02 | 0:00:03 | |
He's a practitioner of pranking and the public are his pray. | 0:00:03 | 0:00:07 | |
A master of mischief, his mind a cyclone of stupidity. | 0:00:07 | 0:00:11 | |
This is what happens when he spins out of control and crashes into the real world. | 0:00:11 | 0:00:18 | |
This programme contains some strong language and some adult humour. | 0:00:18 | 0:00:25 | |
Shouldn't take too long, I don't want you to get hurt. | 0:00:37 | 0:00:40 | |
-Have you got more proof? -I intend to call the police. | 0:00:43 | 0:00:46 | |
Do you mind just watching my instrument for me, please? | 0:00:46 | 0:00:49 | |
Carys! Carys! | 0:00:50 | 0:00:53 | |
Shakespeare said, "If music be the food of love, then play on." | 0:01:01 | 0:01:05 | |
Amanda is about to witness a performance that will definitely put her off her lunch. | 0:01:05 | 0:01:09 | |
Excuse me. Would you mind watching my instrument for me for one second? | 0:01:09 | 0:01:13 | |
-Lavatory's not big enough for the both of us. -OK. | 0:01:13 | 0:01:16 | |
Thank you. | 0:01:22 | 0:01:24 | |
NOTES PLAY | 0:01:34 | 0:01:38 | |
HE PLAYS A TUNE | 0:01:40 | 0:01:43 | |
I, er, never knew I could do that. | 0:01:51 | 0:01:53 | |
Skinny scally Ross has just racked up a big fat £16 cab fare | 0:02:12 | 0:02:18 | |
and told Howard he needs to nip into the house to get some cash. | 0:02:18 | 0:02:23 | |
-All right, mate? -Yeah, I've come about the fare for the cab. -Sorry, mate? | 0:02:25 | 0:02:30 | |
Ross, he's just come in here. He's got to pay the cab. | 0:02:30 | 0:02:33 | |
Ross is my... Our kid, right? | 0:02:33 | 0:02:35 | |
Bloke with the white cap on. | 0:02:35 | 0:02:38 | |
He's not in here now, I've been up since... | 0:02:38 | 0:02:40 | |
-Definitely not, I wasn't expecting him back. He's just come in now? -Yeah. | 0:02:40 | 0:02:44 | |
He says he's got to see his brother to get the money off him for the cab. | 0:02:44 | 0:02:48 | |
-How much does he owe you for the taxi? -£16. | 0:02:48 | 0:02:51 | |
He's a little shit, I tell ya. | 0:02:51 | 0:02:53 | |
Well, it's got to be paid, mate, otherwise I've got to call the police. | 0:02:53 | 0:02:58 | |
-Do you want a stereo? -No. -Here's a fiver, you can have that. -It's £16 or the police are here. | 0:02:58 | 0:03:02 | |
My sister's upstairs, yeah? I'll see if she's got some dough. Can you just bear with us? | 0:03:02 | 0:03:06 | |
-I'll give you two minutes then I'm calling the police. -I'll get the money off her now. | 0:03:06 | 0:03:11 | |
-So, what can I do for you? -Well, I need paying for the cab fare. | 0:03:16 | 0:03:19 | |
I haven't ordered a cab. | 0:03:19 | 0:03:21 | |
-No. Ross has. -Ross isn't here. | 0:03:21 | 0:03:24 | |
That your car? | 0:03:24 | 0:03:26 | |
-Yeah. -Nice. | 0:03:26 | 0:03:29 | |
-Me boyfriend's just got a Mondeo. -Are you paying or not? Yes or no? -Have you got any more proof than that? | 0:03:29 | 0:03:34 | |
Right, I intend to call the police. You're taking the piss. | 0:03:34 | 0:03:37 | |
-I've got the money. -Pay now or the police are coming, I'm not messing. | 0:03:37 | 0:03:41 | |
I'm going to get it right now. I'm going to get it. I'm getting it, I'm getting it right now. | 0:03:41 | 0:03:46 | |
Right, hang on. Me nana's got it. Hang on a minute. | 0:03:46 | 0:03:50 | |
-Nana! He needs the money! -You've got one minute. | 0:03:50 | 0:03:53 | |
-Hey up, love. -Yes? | 0:03:56 | 0:03:58 | |
Right, look, sorry about this. | 0:03:58 | 0:04:00 | |
I want to get this straight. You've had our Ross, right, little bastard, in your car. He owes you 16... | 0:04:00 | 0:04:05 | |
-Have you got £16? -16 quid. | 0:04:05 | 0:04:06 | |
-Well, I just wanted to make sure you were who you were saying you are. -You know who I am. | 0:04:06 | 0:04:11 | |
I don't know who you are. Oi, look. Here, don't go. Look, I've got some meat here. | 0:04:11 | 0:04:16 | |
Do you want some meat instead? Nice fresh pork. | 0:04:16 | 0:04:20 | |
Oh, not good enough for you, is it? Right. Supper time. | 0:04:20 | 0:04:23 | |
# Grandma, we love you... # | 0:04:39 | 0:04:43 | |
All right, pal? Er, how much is it to dry-clean a shirt? | 0:04:43 | 0:04:48 | |
Just, er, 5.50. | 0:04:48 | 0:04:52 | |
Right. Well, the thing is, this is my lucky pulling shirt. | 0:04:52 | 0:04:56 | |
Every time I put this shirt on, the dreams of a special little lady come true. | 0:04:56 | 0:05:00 | |
So if it gets damaged, there will be a lot of ladies out there that are also quite damaged, yeah? | 0:05:00 | 0:05:06 | |
The last time I wore it, the night got a bit messy, right? | 0:05:06 | 0:05:10 | |
And the shirt ended up getting covered in stains, as you see. Like here, dry sherry. | 0:05:10 | 0:05:15 | |
-And that's frosted pink lipstick. -Yeah. -You see, there? -I see. | 0:05:15 | 0:05:21 | |
And then if you smell this, smell it. | 0:05:21 | 0:05:23 | |
-It's got a faint smell of mothballs, yeah? -Yeah. -So, will that come out? | 0:05:23 | 0:05:29 | |
-Yeah, definitely. It should be fine. -So, tomorrow night, I can be back loving some ladies? | 0:05:29 | 0:05:34 | |
-Yeah. -Great. | 0:05:34 | 0:05:36 | |
-You got a telephone number, please? -Right, 063... | 0:05:39 | 0:05:43 | |
# Honey got a booty like pow, pow, pow... # | 0:05:44 | 0:05:48 | |
Oh, sorry. 07749... | 0:05:48 | 0:05:52 | |
# Girl, you know I'm loving your Loving your style... # | 0:05:54 | 0:05:58 | |
29... Phhh! | 0:05:58 | 0:06:01 | |
-I'm sorry, I've completely lost it. -That's OK. -Can you just excuse me, just for one second. -Yeah. | 0:06:01 | 0:06:06 | |
-There's just something I really have to do. -OK. | 0:06:06 | 0:06:10 | |
Ooh! | 0:06:10 | 0:06:13 | |
# Lift us up where we belong | 0:06:13 | 0:06:15 | |
# Where the eagles fly | 0:06:18 | 0:06:22 | |
# On a mountain high... # | 0:06:22 | 0:06:26 | |
Sorry, mate. Sorry, mate. But this is, if I'm not mistaken... | 0:06:33 | 0:06:39 | |
That is a 1932 Great Yarmouth vintage. | 0:06:39 | 0:06:44 | |
You can't beat an older lady with experience. You know what I'm saying? | 0:06:44 | 0:06:50 | |
Oh, yes. Wonderful. | 0:06:50 | 0:06:52 | |
Oooh, oh! | 0:06:52 | 0:06:56 | |
-You OK? -I'm fine, thank you. | 0:06:56 | 0:06:58 | |
I only came in to pick up my gimp mask. | 0:06:58 | 0:07:00 | |
Hello? | 0:07:24 | 0:07:26 | |
Hello. Please state the name of the name of the person that you are here to see. | 0:07:26 | 0:07:33 | |
Joanna Edwards. | 0:07:33 | 0:07:35 | |
Error. Two names quoted. Please state one name only. | 0:07:35 | 0:07:42 | |
Edwards. | 0:07:42 | 0:07:45 | |
Edward. Please state the surname. | 0:07:45 | 0:07:48 | |
No. Joanna Edwards. | 0:07:48 | 0:07:51 | |
Please state one name only. | 0:07:51 | 0:07:54 | |
Joanna. Oh, for God's sake. | 0:07:54 | 0:07:59 | |
Jo Ellery. Is that correct? | 0:07:59 | 0:08:02 | |
No. | 0:08:02 | 0:08:04 | |
Are you, A - a business associate, | 0:08:04 | 0:08:08 | |
B - a delivery person, | 0:08:08 | 0:08:12 | |
C - a friend or D - none of the above. | 0:08:12 | 0:08:16 | |
B - delivery. | 0:08:16 | 0:08:18 | |
Thank you. | 0:08:18 | 0:08:19 | |
D - none of the listed options. | 0:08:19 | 0:08:23 | |
Goodbye. | 0:08:26 | 0:08:28 | |
This poodle perm patron wants to buy new instruments. | 0:08:36 | 0:08:41 | |
Like any sensible shopper, he won't buy anything without trying it first. | 0:08:41 | 0:08:45 | |
-All right, mate. Am I OK just having a look around? -Yeah, sure. -Wicked. | 0:08:45 | 0:08:50 | |
In fact, if you just give me a little run down, would be great. | 0:08:50 | 0:08:56 | |
On. Right. | 0:08:56 | 0:08:57 | |
Wicked, mate. Wicked. I'll just, er... | 0:08:59 | 0:09:01 | |
HE SINGS A SCALE # Ahh, ahhh, ahhh! | 0:09:01 | 0:09:05 | |
# Haah! Haah! | 0:09:05 | 0:09:08 | |
# Haa! Haaa! Haa! | 0:09:08 | 0:09:11 | |
# Haa! Haa! Haa! | 0:09:11 | 0:09:13 | |
LOUDER: # Haa! Haa! Haa! | 0:09:13 | 0:09:16 | |
# Haa! Haa! Haa! Haa! | 0:09:16 | 0:09:19 | |
# Haa! Haa! Haa! Haa! | 0:09:19 | 0:09:24 | |
HIGH-PITCHED: # Haaaaaa! # | 0:09:24 | 0:09:26 | |
Yeah, but I'd have it that loud. | 0:09:39 | 0:09:43 | |
Just like Hendrix that, in't it? | 0:09:49 | 0:09:52 | |
If I want to buy it, I want to try it. | 0:09:52 | 0:09:55 | |
Drums. | 0:09:58 | 0:09:59 | |
Can I just have a little... Just a tiny... | 0:10:07 | 0:10:09 | |
All right. | 0:10:12 | 0:10:14 | |
Thank you, Wembley! | 0:10:37 | 0:10:39 | |
-See you later! I tell you what... -I'm calling security, mate. -I've tried it, I don't want to buy it. | 0:10:39 | 0:10:44 | |
-Hello. -I need to commandeer your computer for important police business, OK? -Yeah. | 0:10:58 | 0:11:04 | |
Thank you. Right, treacle. If you stand here. Shouldn't take too long, I don't want you to get hurt. | 0:11:04 | 0:11:09 | |
Yeah, 693. At the computer. If you could just confirm the address? | 0:11:09 | 0:11:14 | |
-I believe it was something to do with YouTube, over? -'771, roger that.' | 0:11:14 | 0:11:21 | |
"Sneezing Panda", yes? Over. | 0:11:21 | 0:11:24 | |
'That's correct. 771, roger that.' | 0:11:24 | 0:11:27 | |
Right, OK. I'm now looking at a very large panda - black-and-white, fat little thing. | 0:11:27 | 0:11:33 | |
There's a little baby in front... HE LAUGHS | 0:11:33 | 0:11:35 | |
The baby has just sneezed. The panda has just jumped a mile. | 0:11:35 | 0:11:41 | |
Do you have any more? Over. | 0:11:44 | 0:11:47 | |
'Roger that, 771. | 0:11:47 | 0:11:50 | |
'"Charlie Bit Finger". Over.' | 0:11:50 | 0:11:53 | |
Love, this is very important. If you wouldn't mind just going to make me a cup of tea. | 0:11:53 | 0:11:58 | |
Two sugars. That would be lovely. Thank you very much. | 0:11:58 | 0:12:02 | |
"Evolution Of Dance." | 0:12:02 | 0:12:04 | |
-I can't find the tea bags. -Oh, dear, oh, dear, oh, dear. | 0:12:04 | 0:12:07 | |
Do you do this often? | 0:12:07 | 0:12:09 | |
Listen, love, I do advise you in future though to always make sure you know where the tea bags are, yes? | 0:12:09 | 0:12:15 | |
-OK. -OK. Now, go carefully. -OK. | 0:12:15 | 0:12:18 | |
What the hell just happened? | 0:12:24 | 0:12:27 | |
# Blud, when you hear them sirens coming | 0:12:27 | 0:12:30 | |
# I can hear them sirens coming... # | 0:12:30 | 0:12:31 | |
This sorry soul is sadly unable to move his arms | 0:12:40 | 0:12:43 | |
and is offering to paint portraits using his left foot for only £10. | 0:12:43 | 0:12:49 | |
Carys is impressed by the paintings on display and is now | 0:12:49 | 0:12:53 | |
eagerly awaiting a beautiful portrait of her lovely self. | 0:12:53 | 0:12:57 | |
So, when did you discover you could do this with your foot? | 0:12:58 | 0:13:02 | |
You learn these things, it's all about training. | 0:13:02 | 0:13:05 | |
Er, Hannah, could I just have a quick drink, please? | 0:13:05 | 0:13:08 | |
I'm just getting the fine detail in now. | 0:13:15 | 0:13:19 | |
I just need to use some very soft, subtle strokes to bring out the beautiful pigmentation in your eyes. | 0:13:19 | 0:13:24 | |
-Carys, are you ready to have a look? -Are you finished? | 0:13:32 | 0:13:37 | |
What do you think of that, then? | 0:13:40 | 0:13:41 | |
What's that? | 0:13:41 | 0:13:44 | |
-You're speechless! -I was thinking, that's brilliant for your foot. | 0:13:44 | 0:13:49 | |
I tell you, that's exactly what I think, eh? | 0:13:49 | 0:13:53 | |
-Thank you. -Are you pleased? -Yeah, thank you so much. | 0:13:53 | 0:13:56 | |
£10 please, Carys. Carys! | 0:13:56 | 0:13:58 | |
Carys! | 0:13:58 | 0:14:00 | |
Carys, oi! Oi! Oi! | 0:14:00 | 0:14:03 | |
Carys! Carys! | 0:14:03 | 0:14:05 | |
You can't just walk here without... | 0:14:07 | 0:14:09 | |
Ten quid! Carys! | 0:14:09 | 0:14:13 | |
-Lets propose a toast. -All right. -To finally meeting my lovely girlfriend's folks. | 0:14:25 | 0:14:31 | |
Ross isn't really Gemma's boyfriend, but she's told her folks he is, | 0:14:31 | 0:14:34 | |
so he can invite them to his house for lunch and meet them for the very first time. | 0:14:34 | 0:14:40 | |
Got that? Good, let's eat. | 0:14:40 | 0:14:43 | |
Do you like pasta? | 0:14:43 | 0:14:44 | |
We're not fussy with food... | 0:14:44 | 0:14:46 | |
Top of the Pops was the thing... | 0:14:46 | 0:14:48 | |
I'm into Dean Martin now. | 0:14:48 | 0:14:50 | |
Dean Martin? I'm only kidding. | 0:14:50 | 0:14:53 | |
So far they're having a lovely evening. | 0:14:53 | 0:14:56 | |
Shall we eat? | 0:14:56 | 0:14:59 | |
-What a lovely segue, there. -I'm going to go to the toilet first. -All right? We'll give it two minutes. | 0:14:59 | 0:15:04 | |
But it's now time for some movie chat. | 0:15:04 | 0:15:07 | |
Do you like movies? | 0:15:07 | 0:15:08 | |
-Yeah. -Yeah. | 0:15:08 | 0:15:11 | |
I'm the biggest video fan and I have to say I saw this video the other night. | 0:15:11 | 0:15:17 | |
And it was weird. It was amazing. You know, I'd really recommend it. | 0:15:17 | 0:15:21 | |
There's a girl | 0:15:21 | 0:15:23 | |
and she's, er, she's in this bed. | 0:15:23 | 0:15:26 | |
And she's sat there and she's not very well. | 0:15:26 | 0:15:30 | |
And there's a priest in there and her voice goes really weird. It's like... | 0:15:30 | 0:15:37 | |
"Errrr, rrrrr, rrrr." | 0:15:37 | 0:15:41 | |
-Oh, yeah. -It's one of the devil films, isn't it? | 0:15:41 | 0:15:43 | |
"Arrrr, rrrrr, rrrr, rrrrr. Rarrrrgh." | 0:15:43 | 0:15:49 | |
And then, she's got, like, a nightie on, right? In the bed. | 0:15:49 | 0:15:54 | |
And she does this down the stairs, right? You must've seen it. | 0:15:54 | 0:15:59 | |
And her skin's all like... | 0:16:01 | 0:16:04 | |
Oh, it's like... She's got all this... Oh, it's like this. | 0:16:04 | 0:16:08 | |
It's like this, yeah? | 0:16:08 | 0:16:10 | |
So she's in this bed and she's going, "Aaahh! Aaahh!" | 0:16:13 | 0:16:18 | |
and then she starts saying all these horrible, horrible words. | 0:16:18 | 0:16:21 | |
"Your mother sucks cocks in hell! | 0:16:21 | 0:16:24 | |
"Your mother sucks cocks in hell! Your mother sucks cocks in hell! | 0:16:24 | 0:16:28 | |
"Your mother sucks cocks in hell!" | 0:16:28 | 0:16:31 | |
Oh, I know what it was. The Exorcist! | 0:16:39 | 0:16:42 | |
-Would you like a tortilla chip? -I'm fine, thanks. | 0:16:45 | 0:16:48 | |
-How are you both today? Are you all right? -Yeah, we're fine. | 0:16:59 | 0:17:02 | |
Georgina has set up her boyfriend Mark | 0:17:02 | 0:17:06 | |
because he turns into a green-eyed monster when other chaps pay her attention. | 0:17:06 | 0:17:10 | |
She's brought him along to enjoy a massage. | 0:17:10 | 0:17:13 | |
He's no need to stress because the masseuse Mikael is very obviously gay...ish. | 0:17:13 | 0:17:19 | |
Ooh, that's lovely. I could eat you alive. | 0:17:24 | 0:17:28 | |
Here look at him, looking a bit bad tempered. | 0:17:28 | 0:17:30 | |
What? No I'm... I've never said... | 0:17:30 | 0:17:32 | |
Like, a bloke sniffing me missus's neck. You know what I mean? | 0:17:32 | 0:17:36 | |
No, it's OK. I'm gay. | 0:17:36 | 0:17:38 | |
-Oh, right. -You see, around here, around this area here... | 0:17:38 | 0:17:42 | |
-Yeah. -..there's definitely a knot. | 0:17:42 | 0:17:44 | |
Now listen, I'm just going to try something here. If you don't mind. | 0:17:44 | 0:17:49 | |
Oh, yeah. Does that feel any different? | 0:17:49 | 0:17:51 | |
It does. It feels more supported, actually, yeah. | 0:17:51 | 0:17:55 | |
If that weight is lifted up, you'll feel less pressure. | 0:17:55 | 0:17:57 | |
Pop yourself behind that screen, right? | 0:17:57 | 0:18:01 | |
-I'm going give you something that just might help. Be a bit more comfortable for you. -Oh, right. | 0:18:01 | 0:18:06 | |
There you go, right? | 0:18:06 | 0:18:08 | |
Before you put that on, I just want to take a photograph, right? | 0:18:08 | 0:18:11 | |
-Yeah. -What? What's that for? -Well, what it is, you see, | 0:18:11 | 0:18:16 | |
she can then look at the picture and she can see how she's holding herself. | 0:18:16 | 0:18:20 | |
She can also see where the stress lines are, right? | 0:18:20 | 0:18:23 | |
So stand up nice and straight. | 0:18:23 | 0:18:25 | |
And just put one hand on your hip. | 0:18:25 | 0:18:27 | |
-That's it. -On her hip? | 0:18:27 | 0:18:29 | |
Come on, that's it. There we go. | 0:18:29 | 0:18:34 | |
Some nice relaxing music should do the trick. | 0:18:34 | 0:18:37 | |
SOFT MUSIC PLAYS | 0:18:37 | 0:18:39 | |
What I need to do is film this treatment, this process. | 0:18:39 | 0:18:44 | |
-Yeah. -Is that all right? So, er... | 0:18:44 | 0:18:45 | |
Sounds like porno music. | 0:18:45 | 0:18:48 | |
Move your hips a bit. | 0:18:48 | 0:18:50 | |
-Right, how does that feel? -Why is she moving her hips? | 0:18:50 | 0:18:53 | |
Are you all right there? | 0:18:53 | 0:18:56 | |
-Not really. -You will be. Don't you worry. | 0:18:56 | 0:18:58 | |
I'm just going to pop that over there. You relax. | 0:18:58 | 0:19:01 | |
There we go. Right, OK. | 0:19:01 | 0:19:04 | |
Right, take that off. Oh, fantastic. Aren't they? They're really soft. | 0:19:04 | 0:19:07 | |
What? What are you touching? | 0:19:07 | 0:19:10 | |
-You what, mate? -"You all right, mate?" Yeah. What you touching? What's really soft? | 0:19:10 | 0:19:14 | |
-It's OK, I'm gay. -Fuck me. If you're gay, I'm the queen. | 0:19:14 | 0:19:18 | |
-There we go. Pull that. -Pull what?! | 0:19:18 | 0:19:20 | |
Do you want to just come round the screen slowly. | 0:19:20 | 0:19:25 | |
That's it. | 0:19:25 | 0:19:26 | |
Oh, fantastic. How does that feel? | 0:19:26 | 0:19:29 | |
-Feels great. -Right. | 0:19:29 | 0:19:31 | |
-Right, listen now. -Walk slowly towards the camera. | 0:19:31 | 0:19:33 | |
-Something ain't right here. -Just relax, calm down. | 0:19:33 | 0:19:36 | |
How can I relax when you're filming my missus dressed like that, to bloody porno music? | 0:19:36 | 0:19:41 | |
-It's couples massage music, don't you worry. -Bollocks. | 0:19:41 | 0:19:44 | |
-Go and get fucking changed. -I'm just going to get down low, down here. Right, there we go. | 0:19:44 | 0:19:49 | |
-Go and get fucking changed. -Walk past. | 0:19:49 | 0:19:52 | |
Slower, slower. | 0:19:54 | 0:19:56 | |
What?! | 0:19:56 | 0:19:58 | |
-Feel better now, do you? -Its OK, I'm gay. | 0:19:58 | 0:20:03 | |
I was wondering if you could help me. I've got a bit of a problem | 0:20:17 | 0:20:21 | |
-and I was just wondering if you've got anything for it. -OK. | 0:20:21 | 0:20:24 | |
It's a bit embarrassing, it's a lump that's come up on my chest. | 0:20:24 | 0:20:29 | |
-I say a lump, it's more like two lumps. -Right. -Can I show you? -Sure. -Is that OK? | 0:20:29 | 0:20:35 | |
Let me just, er... | 0:20:35 | 0:20:36 | |
Right, have you got anything for this? | 0:20:36 | 0:20:40 | |
Definitely not. | 0:20:40 | 0:20:43 | |
No. | 0:20:44 | 0:20:45 | |
-How long has that been there? -Well, a couple of months now. | 0:20:45 | 0:20:50 | |
-Have you been to a doctor about it? -Not yet, no. -You certainly need to go. | 0:20:50 | 0:20:54 | |
When I get cold... | 0:20:54 | 0:20:56 | |
..they shrink. They retract, sort of, into my body. | 0:20:57 | 0:21:01 | |
-This is something I've never seen. Certainly there'll be no creams for that. -OK. | 0:21:01 | 0:21:06 | |
The other thing I've noticed - I don't know whether it's related - | 0:21:06 | 0:21:10 | |
is if I cough, they sort of rise upwards and then drop down. | 0:21:10 | 0:21:15 | |
If you watch... | 0:21:15 | 0:21:16 | |
What do you think it might be? | 0:21:20 | 0:21:22 | |
Could be some sort of tumorous growth. | 0:21:22 | 0:21:24 | |
Maybe not a deadly cancer, but some sort of growth. | 0:21:24 | 0:21:28 | |
You can't treat this over the counter. | 0:21:28 | 0:21:30 | |
Why would it be that every time I listen to, | 0:21:30 | 0:21:34 | |
say, hip hop music I get a strong urge to hold them. | 0:21:34 | 0:21:38 | |
I don't know. | 0:21:38 | 0:21:41 | |
-No idea. -Strange. -Yeah. | 0:21:43 | 0:21:46 | |
-OK. Well, thank you so much for trying to help me. -No problem. It's fine. -I appreciate that. | 0:21:47 | 0:21:52 | |
-It's driving me nuts. But thank you very much. -OK. | 0:21:52 | 0:21:55 | |
Stephanie's friends have set her up on a blind date from hell. | 0:22:12 | 0:22:16 | |
What lovely friends. | 0:22:16 | 0:22:17 | |
Cousin Dan says, "Oh, you're going to bloody love her. She looks just like Pink." | 0:22:17 | 0:22:21 | |
-You're better-looking than Pink. -Oh, shush. | 0:22:21 | 0:22:25 | |
So far, they're enjoying the restaurant. | 0:22:25 | 0:22:28 | |
But Ross has chosen it because he has a score to settle. | 0:22:28 | 0:22:32 | |
My mum and dad were only here last week in this restaurant. | 0:22:32 | 0:22:36 | |
But, er, me mum came in that night crying her eyes out. Absolutely crying her eyes out. | 0:22:36 | 0:22:40 | |
Me mum heard the chef go, "This is for the old lady over there that looks like a bulldog chewing a wasp." | 0:22:40 | 0:22:46 | |
He's not looking for romance. He's looking for revenge. | 0:22:46 | 0:22:49 | |
Hello. Are you... Are you ready for your order? | 0:22:49 | 0:22:52 | |
-Sorry, I just appear to have, um, ripped the, er... -Oh. | 0:22:52 | 0:22:57 | |
I must've caught it under the bread, sorry about that. Can I give you that back? | 0:22:57 | 0:23:01 | |
-Yeah, don't worry. That's OK. -Right do you know what you're... | 0:23:01 | 0:23:04 | |
Yeah. Can I have the tuna and shrimp, please? | 0:23:04 | 0:23:07 | |
Two of those. I'll have the same, thank you very much. | 0:23:07 | 0:23:10 | |
-Tuna and shrimp. -Fantastic, thank you very much. | 0:23:10 | 0:23:13 | |
-And tuna and shrimp pizza for you as well. -Thank you. -Enjoy. -That's great. | 0:23:13 | 0:23:19 | |
It's a little... It's like a little tiny blow torch, right? | 0:23:22 | 0:23:26 | |
-Oh, don't. -No, that's all right. Look at that. See what... | 0:23:26 | 0:23:31 | |
Wow, look at that. | 0:23:35 | 0:23:37 | |
Excuse me. Hi, this pizza, it's all burnt in the middle. | 0:23:40 | 0:23:45 | |
Look at that. It's like rock hard. Can I swap that please, for a.... | 0:23:45 | 0:23:48 | |
-Yeah, sure. -It's almost like you've got a very small cooker in there, | 0:23:48 | 0:23:51 | |
only concentrating on one bit of the pizza. | 0:23:51 | 0:23:54 | |
-Right. -No. -We're going to get some Champagne now. | 0:23:54 | 0:23:56 | |
-No, no. -Trust me. All you've got to do is just bang me on my back. Are you ready? | 0:23:56 | 0:24:00 | |
-HE PRETENDS TO CHOKE -No, don't. Please. | 0:24:00 | 0:24:03 | |
Excuse me, are you OK? You all right? | 0:24:10 | 0:24:14 | |
-Oh, my goodness. -What is that? What is that doing in my pizza? A Monopoly house. | 0:24:14 | 0:24:19 | |
-I mean, it looks like a Monopoly house. -I don't even play Monopoly. How much is that worth in Monopoly? | 0:24:19 | 0:24:24 | |
-I don't know. -Can I offer you something as a... | 0:24:24 | 0:24:28 | |
-You know? -Yes, please. -To say sorry, basically. -Yes, please. | 0:24:28 | 0:24:32 | |
It's a result, isn't it? | 0:24:32 | 0:24:33 | |
If you say so. | 0:24:33 | 0:24:36 | |
I'm just going to go to the lavatory. I'll be right back. | 0:24:36 | 0:24:40 | |
I just got this out of the toilet. | 0:24:47 | 0:24:50 | |
Sssh. Amazing. | 0:24:50 | 0:24:52 | |
-Did I get your feet? -No. -OK. | 0:24:56 | 0:24:59 | |
I don't know about you, but I'm going get out of here, right? | 0:25:00 | 0:25:03 | |
-This is the plan. -No, stop it. I don't want to do anything else. | 0:25:03 | 0:25:06 | |
Seriously. | 0:25:06 | 0:25:09 | |
This is the restaurant, right? | 0:25:09 | 0:25:10 | |
Right, we're there. | 0:25:10 | 0:25:12 | |
I'll go down here, cause a little distraction, | 0:25:12 | 0:25:14 | |
And then we're out of here. And you just need to follow me, OK? | 0:25:14 | 0:25:18 | |
-No, I'm not doing anything. -Are you ready? -No. | 0:25:18 | 0:25:21 | |
Stephanie. | 0:25:23 | 0:25:24 | |
HE COUGHS | 0:25:24 | 0:25:26 | |
GUNSHOT / GASPS | 0:25:28 | 0:25:30 | |
Come on, what you waiting... Text us! | 0:25:40 | 0:25:43 | |
You have been watching... | 0:25:50 | 0:25:52 | |
-What do you mean we're on TV? -You buggers. | 0:25:52 | 0:25:55 | |
-Why did I deserve it? -Because... | 0:25:55 | 0:25:58 | |
..we just need you to have some fun. | 0:26:00 | 0:26:01 | |
And then he started, like, pulling out hair from his trousers. | 0:26:01 | 0:26:05 | |
Oh, bloody hell. | 0:26:05 | 0:26:08 | |
It was disgusting. Absolutely disgusting. | 0:26:08 | 0:26:10 | |
-You didn't know what to think, did you? -No. | 0:26:10 | 0:26:13 | |
This is weird. Maybe we should go. | 0:26:13 | 0:26:14 | |
You're on a hidden-camera show on BBC Three. | 0:26:14 | 0:26:19 | |
You're a fucking prick! | 0:26:19 | 0:26:20 | |
-And you're right, I'm not actually gay. -Oh, fucking hell! | 0:26:20 | 0:26:25 | |
Next time on The Pranker. | 0:26:25 | 0:26:26 | |
It's OK, mate, I'm gay. | 0:26:29 | 0:26:31 | |
Fuck off and die. | 0:26:33 | 0:26:36 | |
Subtitles by Red Bee Media Ltd | 0:26:45 | 0:26:48 | |
E-mail [email protected] | 0:26:48 | 0:26:51 |