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This programme contains adult humour and very strong language | 0:00:02 | 0:00:04 | |
Ross Lee is a practitioner of pranking and the public are his pray, | 0:00:04 | 0:00:08 | |
a master of mischief, his mind a cyclone of stupidity, | 0:00:08 | 0:00:12 | |
this is what happens when he spins out of control and crashes into the real world. | 0:00:12 | 0:00:18 | |
You are not allowed to do that. | 0:00:36 | 0:00:38 | |
Tamara! | 0:00:38 | 0:00:39 | |
I've never done this before. | 0:00:41 | 0:00:43 | |
Fuck me with a whisk! I think it's a fucking tiger! | 0:00:43 | 0:00:47 | |
This is fucking dodgy. | 0:00:48 | 0:00:49 | |
I've shown you me tits now give us a meat pie. | 0:00:49 | 0:00:53 | |
Starring a man who's eyes twinkle at the sight of a wrinkle. | 0:00:53 | 0:00:58 | |
Our friendly senior citizens | 0:00:58 | 0:01:02 | |
and special guest Nigel. | 0:01:02 | 0:01:04 | |
Yeah, hi, pal I'm looking for a new bed. | 0:01:07 | 0:01:09 | |
So these are a whole floor of beds. | 0:01:09 | 0:01:12 | |
Oh. | 0:01:12 | 0:01:13 | |
Great. | 0:01:15 | 0:01:16 | |
You see I'm not being funny, but I'm looking for a quality bed. | 0:01:17 | 0:01:22 | |
-Yeah. -One that can take a good... | 0:01:22 | 0:01:24 | |
A good pounding at fairly regular intervals, | 0:01:24 | 0:01:27 | |
if you know what I mean, yeah? | 0:01:27 | 0:01:30 | |
I could recommend this one. | 0:01:30 | 0:01:32 | |
-This mattress? -Yeah. -Is this an orthopaedic mattress? | 0:01:32 | 0:01:36 | |
Orthopaedic simply means firm. | 0:01:36 | 0:01:39 | |
Well, yeah, you know if someone had say like a weak back | 0:01:39 | 0:01:42 | |
or a hunch, would this be more comfortable for them? | 0:01:42 | 0:01:45 | |
Personally I would say yeah. | 0:01:45 | 0:01:47 | |
Does this bed...would it come with a waterproof mattress cover? | 0:01:47 | 0:01:53 | |
This is what I like all these bits they do. | 0:01:59 | 0:02:03 | |
Hold it together, keep it together, woo. | 0:02:11 | 0:02:14 | |
Do you have any beds that would be compatible with, um, say, um... | 0:02:14 | 0:02:20 | |
..with a, with a stair lift? | 0:02:22 | 0:02:25 | |
I'm sorry could I just, could you just excuse me, for one second. | 0:02:29 | 0:02:32 | |
There's just something I really have to do. | 0:02:32 | 0:02:35 | |
MUSIC: "Suddenly" by Angry Anderson | 0:02:40 | 0:02:42 | |
Excuse me, do you mind putting me down for... | 0:02:59 | 0:03:02 | |
Come on! | 0:03:02 | 0:03:03 | |
I love you ladies, ladies. | 0:03:05 | 0:03:08 | |
Ladies, I'll be back I'll be back soon! | 0:03:08 | 0:03:10 | |
-Oh. -I haven't had a tongue lashing like that since 1964. | 0:03:20 | 0:03:24 | |
Meanwhile, Slaphead. | 0:03:26 | 0:03:29 | |
Featuring a man seeking that which is now lost. | 0:03:29 | 0:03:33 | |
And pet emporium employee Jeanette. | 0:03:33 | 0:03:36 | |
Excuse me, excuse me. | 0:04:01 | 0:04:03 | |
You are not allowed to do that. | 0:04:04 | 0:04:06 | |
Please leave the shop now. Please. | 0:04:06 | 0:04:09 | |
Out! I'm asking you to leave. No, out. | 0:04:09 | 0:04:15 | |
Now. | 0:04:15 | 0:04:18 | |
Take your hat and go. | 0:04:18 | 0:04:20 | |
Starring a music producer from the 1980s | 0:04:32 | 0:04:35 | |
and an estate agent from Surbiton. | 0:04:35 | 0:04:38 | |
This tousle haired tit is house-hunting | 0:04:38 | 0:04:41 | |
and like any normal person he wants to try it before he buys it. | 0:04:41 | 0:04:47 | |
-You don't know if there's any problems with subsidence here? -No. | 0:04:48 | 0:04:52 | |
It feels all right, cos what happens is you sort of, | 0:04:57 | 0:05:00 | |
when you bang like that if there is any subsidence | 0:05:00 | 0:05:03 | |
you feel more of a sort of a hollow feeling. | 0:05:03 | 0:05:06 | |
Do you know what I mean? But I can't. | 0:05:06 | 0:05:08 | |
No, that's feeling all right. Yeah. Just going test the old acoustics in here. | 0:05:12 | 0:05:16 | |
GUTTURAL HUMMING | 0:05:16 | 0:05:20 | |
-Do you mind just going there and doing it? -Oh, oh, oh! | 0:05:22 | 0:05:25 | |
-No, there's no echo. -Do it again. -Oh! | 0:05:25 | 0:05:29 | |
No echo at all, no, it's damp. | 0:05:29 | 0:05:31 | |
Can you hear me if I do that out here like this? | 0:05:31 | 0:05:34 | |
-Trampoline. -I can hear you fine. -Can you hear what I'm saying? | 0:05:35 | 0:05:38 | |
Yeah, I can hear what you're saying. | 0:05:38 | 0:05:40 | |
-Trampoline. -Trampoline? -Right, OK, what am I saying? | 0:05:40 | 0:05:43 | |
Octopus. | 0:05:43 | 0:05:45 | |
-Octopus. -Can I just use the bathroom really quickly? | 0:05:45 | 0:05:48 | |
-Then we'll be done. -Yeah, you can. -I won't be long. | 0:05:48 | 0:05:51 | |
WATER RUNS | 0:05:56 | 0:05:58 | |
HE HUMS | 0:05:58 | 0:06:00 | |
You all right? | 0:06:00 | 0:06:02 | |
< I'm just having a quick bath. | 0:06:02 | 0:06:04 | |
-You are joking? -You what, mate? | 0:06:04 | 0:06:05 | |
Oh, don't! You can't. | 0:06:05 | 0:06:08 | |
Look, if you just give us five minutes. | 0:06:08 | 0:06:10 | |
-No, stop. -Just give us five minutes. | 0:06:10 | 0:06:13 | |
No, this can't, I'm sorry pal, this can't happen. | 0:06:13 | 0:06:15 | |
If I'm going to buy this house... | 0:06:15 | 0:06:17 | |
No, no, this don't happen. | 0:06:17 | 0:06:20 | |
-I want to have a shower. -I'm sorry, I can't, I can't allow this. | 0:06:20 | 0:06:24 | |
-I want to test the bidet. -No, they won't, they won't have this. | 0:06:24 | 0:06:28 | |
They won't know, will they? Look... | 0:06:28 | 0:06:30 | |
I'm sorry this can't happen, | 0:06:30 | 0:06:32 | |
-How do you think... -You're using their towels and all? | 0:06:32 | 0:06:35 | |
I'm sorry, you'll have to get dressed cos they can't... | 0:06:35 | 0:06:39 | |
I know, I don't know, what the fuck? | 0:06:39 | 0:06:42 | |
-I've never come across something like this before. -Right. | 0:06:42 | 0:06:45 | |
This is all new, I've never actually done a viewing | 0:06:45 | 0:06:48 | |
where someone's just helping themselves, it's like they've moved in. | 0:06:48 | 0:06:52 | |
If this goes on much longer, I'll have to fucking call someone else in. | 0:06:52 | 0:06:56 | |
-Who? Ghostbusters, Chris? -I don't know but this, this isn't my house to do this. | 0:06:56 | 0:07:00 | |
-I'll just get in that bath... -Oh, come on man. | 0:07:00 | 0:07:03 | |
I'll do my hair. Chris, I don't want to lose you, Chris. | 0:07:03 | 0:07:07 | |
You've lost me already. | 0:07:07 | 0:07:10 | |
Starring this deaf old bird. | 0:07:12 | 0:07:14 | |
And a helpful man with a beard. | 0:07:15 | 0:07:17 | |
Excuse me, I wonder if you can help me? | 0:07:17 | 0:07:20 | |
My husband keeps ringing. | 0:07:20 | 0:07:22 | |
I need to give him a message, but I can't hear anything when it... | 0:07:22 | 0:07:26 | |
Could you answer and just pass the message on for me? | 0:07:26 | 0:07:29 | |
-Sure. -Oh, it's his wife. -Hello. | 0:07:29 | 0:07:32 | |
Could you ask him what time he's going to be home, please? | 0:07:32 | 0:07:35 | |
She would like to know what time you will be home. | 0:07:35 | 0:07:39 | |
-About an hour? -Oh, could you tell him I will be back in an hour | 0:07:39 | 0:07:43 | |
-and I cannot wait for him to see my garden. -All right. | 0:07:43 | 0:07:48 | |
-Thank you. -She will also be back in about an hour | 0:07:48 | 0:07:50 | |
and she can't wait for you to see her garden. | 0:07:50 | 0:07:53 | |
Could you tell him, | 0:07:53 | 0:07:54 | |
I've trimmed the bush and it's a lot tidier now, thank you. | 0:07:54 | 0:07:58 | |
She's trimmed the bush and it's a lot tidier now. | 0:07:58 | 0:08:01 | |
Certainly, how has the ground been? | 0:08:02 | 0:08:05 | |
It's been very moist. | 0:08:05 | 0:08:07 | |
It's been very moist, apparently. | 0:08:07 | 0:08:10 | |
Finally, one very last thing, sir. Thank you so much. | 0:08:10 | 0:08:13 | |
Could you tell him please to remember to remind the neighbours... | 0:08:13 | 0:08:18 | |
Don't forget to remind the neighbours... | 0:08:18 | 0:08:21 | |
..That it will get quite noisy. | 0:08:21 | 0:08:23 | |
It will get quite noisy. | 0:08:23 | 0:08:25 | |
Because I'll be screaming like a bitch | 0:08:25 | 0:08:28 | |
while he smashes me back doors in with his dirty tool. | 0:08:28 | 0:08:31 | |
Because she'll be screaming like a bitch | 0:08:31 | 0:08:34 | |
when you're smashing the back doors in with your dirty tool. | 0:08:34 | 0:08:38 | |
-Yes. -All right? You understand? | 0:08:39 | 0:08:42 | |
That's fine, now is there anything you need him to bring? | 0:08:42 | 0:08:46 | |
Could he bring some condoms? | 0:08:46 | 0:08:49 | |
Could you bring some condoms? | 0:08:49 | 0:08:52 | |
-And a marrow. -And a marrow. | 0:08:52 | 0:08:55 | |
Oh, and don't forget the semi skimmed milk. | 0:08:55 | 0:08:57 | |
-Don't forget the milk. -Thank you. | 0:08:57 | 0:08:59 | |
Thank you, bye-bye. | 0:08:59 | 0:09:01 | |
Starring a desperate Don Quixote. | 0:09:04 | 0:09:06 | |
An entire restaurant in on the gag. | 0:09:06 | 0:09:09 | |
And the captivating, but clueless Kamara. | 0:09:09 | 0:09:12 | |
What Kamara doesn't know is that her date has come to dine | 0:09:12 | 0:09:15 | |
directly after finishing a shift at a nuclear power plant. | 0:09:15 | 0:09:19 | |
Do you do this a lot? | 0:09:19 | 0:09:21 | |
This is one of the first times I've ever gone out and done this. | 0:09:21 | 0:09:25 | |
I've got a friend who does this every week. | 0:09:25 | 0:09:28 | |
We used to go out all the time, I actually work with him as well. | 0:09:28 | 0:09:31 | |
This was me just two weeks ago at work | 0:09:31 | 0:09:34 | |
with Billy, hang on let's just have a look. | 0:09:34 | 0:09:37 | |
Can you see him there with the 'tasche? | 0:09:37 | 0:09:39 | |
-Oh, yeah. -Do you know I work at the power plant? -No. | 0:09:39 | 0:09:43 | |
-The guy in the middle there, Jason. -Yeah. -He actually died last week. | 0:09:43 | 0:09:49 | |
No, really? How? | 0:09:49 | 0:09:50 | |
We're not really sure. | 0:09:50 | 0:09:52 | |
We're all sort of worried at work about, "Oh, what did he go of?" | 0:09:52 | 0:09:57 | |
-Working with radiation, you've got to be... -Yeah. -Really careful. | 0:09:57 | 0:10:00 | |
HE COUGHS | 0:10:00 | 0:10:02 | |
-I hope I'm not coming down with something. -HE COUGHS | 0:10:04 | 0:10:07 | |
There's been a lot going round. | 0:10:07 | 0:10:09 | |
Yeah, lots of bugs and everything, yeah. | 0:10:09 | 0:10:11 | |
I think... | 0:10:11 | 0:10:13 | |
Is that my n...? | 0:10:13 | 0:10:14 | |
I'm ever so sorry about that. | 0:10:14 | 0:10:18 | |
I've got a proper nose bleed now! | 0:10:18 | 0:10:20 | |
I've got a weird sort of headache as well. | 0:10:25 | 0:10:29 | |
It's a buzz, a buzz here. | 0:10:29 | 0:10:31 | |
-Yeah. -I'll be fine I'll be all right. | 0:10:31 | 0:10:33 | |
I would stop pulling. | 0:10:48 | 0:10:50 | |
It doesn't normally come out like that. | 0:10:52 | 0:10:55 | |
Yeah, whilst you're eating, I would just leave it. | 0:10:55 | 0:10:59 | |
-Look at that. Would you say, you're a beauty technician? -Yeah. | 0:11:00 | 0:11:04 | |
Have you ever seen that? | 0:11:04 | 0:11:06 | |
Do you se this at work? | 0:11:06 | 0:11:09 | |
I'd leave it. Wait till you get home. | 0:11:09 | 0:11:12 | |
-I'm a bit worried about that. -know. | 0:11:12 | 0:11:14 | |
-What would you do in this situation? -Go to the doctors. | 0:11:14 | 0:11:17 | |
You know what as well? | 0:11:17 | 0:11:19 | |
They gave me this at work for ailments and things, | 0:11:19 | 0:11:23 | |
but I can't read it because I can't see. | 0:11:23 | 0:11:25 | |
Could you just read that out for me and say if it says anything about... | 0:11:25 | 0:11:28 | |
In case of exposure to radiation, | 0:11:28 | 0:11:31 | |
please check for signs, an irritating cough can occur, | 0:11:31 | 0:11:34 | |
also bleeding from orifices such as the nose, hair loss. | 0:11:34 | 0:11:38 | |
-Hair loss? -And skin irritation, do you have any skin irritation. | 0:11:38 | 0:11:43 | |
My arms do feel a bit weird. | 0:11:43 | 0:11:45 | |
Oh, that's not right, is it? | 0:11:45 | 0:11:47 | |
-No. -Oh, my God, oh. | 0:11:49 | 0:11:52 | |
OK, that's actually making me sick. | 0:11:52 | 0:11:54 | |
Just, what was the last one, as well? | 0:11:54 | 0:11:56 | |
Teeth dropping from mouth may be a problem. | 0:11:56 | 0:11:58 | |
OK, let me stand outside because I feel a bit queasy. | 0:12:00 | 0:12:03 | |
Hey, Kamara, are you OK? | 0:12:08 | 0:12:10 | |
Look, I'm as freaked out myself, to be honest. | 0:12:10 | 0:12:13 | |
I've spoken to work and they've said to sit tight. | 0:12:13 | 0:12:15 | |
Someone's either going to call me back... | 0:12:15 | 0:12:18 | |
PHONE RINGS | 0:12:18 | 0:12:19 | |
I can't actually, I can't hear anything. | 0:12:21 | 0:12:23 | |
-Could you just... Is there anybody there? -Hello? | 0:12:23 | 0:12:26 | |
-What's she saying? -She says there's trouble at the plant. | 0:12:26 | 0:12:29 | |
-Trouble? -Yes. | 0:12:29 | 0:12:31 | |
-Billy, Billy? -Billy. -Lost him. | 0:12:31 | 0:12:34 | |
-Lost him? -Lost him. | 0:12:34 | 0:12:36 | |
-Someone's coming to get you. Do they know where you are? -Yeah, yeah. | 0:12:36 | 0:12:40 | |
-Well, I'm losing even more hair now. -OK, stop picking it. | 0:12:40 | 0:12:44 | |
Can I just, this is a Geiger counter can I just... | 0:12:45 | 0:12:49 | |
BLEEPING | 0:12:49 | 0:12:51 | |
BLEEPING INTENSIFIES | 0:12:53 | 0:12:54 | |
Can I go to the toilet? Sorry. | 0:12:54 | 0:12:56 | |
SIRENS | 0:12:56 | 0:12:59 | |
Kamara, Kamara. | 0:13:01 | 0:13:03 | |
Kamara, don't... | 0:13:05 | 0:13:09 | |
Kamara! Kamara, don't go! We haven't finished yet. | 0:13:11 | 0:13:17 | |
We haven't even had dessert. | 0:13:17 | 0:13:20 | |
Introducing a sociopathic celebrity agent | 0:13:23 | 0:13:25 | |
and a promising young performer. | 0:13:25 | 0:13:28 | |
Nice to see you, sit down, take a seat. | 0:13:30 | 0:13:33 | |
I want to get into films or do stunts, just anything I can do. | 0:13:33 | 0:13:36 | |
Anything I can do along those lines would be brilliant. | 0:13:36 | 0:13:39 | |
Would you sleep with Kerry Katona? | 0:13:39 | 0:13:41 | |
-Probably. -I'm looking for celebrities, right? -Yeah. | 0:13:41 | 0:13:45 | |
-The books are open at the moment. The books are open. -Yeah. | 0:13:45 | 0:13:48 | |
The important thing is knowing people are willing to put themselves out there. | 0:13:48 | 0:13:52 | |
-I am not a normal guy. -Right, you're in the jungle. | 0:13:52 | 0:13:56 | |
-Yeah. -Now what are you going to do with this? | 0:13:56 | 0:13:58 | |
Remember, you've got to perform here. | 0:13:58 | 0:14:02 | |
What was your name again? | 0:14:02 | 0:14:03 | |
-Josh. -People want to tune in back in and watch Josh Delaforth. | 0:14:03 | 0:14:07 | |
What you going to do with that? | 0:14:07 | 0:14:08 | |
Get the spider and apologise to it right now. Have you got the spider? | 0:14:18 | 0:14:22 | |
-Right, treat it with care. Put it there, I want you to apologise. -I'm really sorry. | 0:14:22 | 0:14:26 | |
-IN VOICE OF SPIDER: -Why are you sorry? -Well, I... I lost my temper. | 0:14:26 | 0:14:29 | |
-Yeah, you did, I've lost all my legs. -Sorry, man. | 0:14:29 | 0:14:32 | |
-I'll make it up to you, I promise. -How will you make it up to me? -I'll look after you, | 0:14:32 | 0:14:37 | |
-I'll give you the best life you can have. -Really? -Yeah. | 0:14:37 | 0:14:40 | |
-Do you love me? -I do love you. | 0:14:40 | 0:14:42 | |
-Why? -Because I think you're beautiful. | 0:14:42 | 0:14:45 | |
Can we have little baby spiders? | 0:14:45 | 0:14:48 | |
It will be difficult, but we will find a way. | 0:14:48 | 0:14:50 | |
-What you doing? -fingering a spider. | 0:14:51 | 0:14:54 | |
You're fingering a spider? | 0:14:54 | 0:14:56 | |
Well, that's all I need to hear. See that dummy over there? | 0:14:57 | 0:15:01 | |
-Yeah. -It's a big angry monkey. It's just called you a twat. | 0:15:01 | 0:15:04 | |
Hang on, let me just see if I can defuse the situation, yeah? | 0:15:04 | 0:15:07 | |
Right, that bloke over there, right? | 0:15:09 | 0:15:12 | |
What do you think of him? | 0:15:12 | 0:15:15 | |
Think he's a twat? | 0:15:15 | 0:15:16 | |
Apparently he does. He does think you're a twat. | 0:15:16 | 0:15:19 | |
You've just kicked a monkey. | 0:15:26 | 0:15:28 | |
-I've kicked a monkey... -Right in the face. -He called me a twat, though. -Josh... | 0:15:28 | 0:15:32 | |
I want to do business with you, I want to sign you up. | 0:15:32 | 0:15:35 | |
-That's what I like to hear. -What do you say? -Thank you very much. | 0:15:35 | 0:15:38 | |
-Yeah? -I won't, I won't let you down. | 0:15:38 | 0:15:40 | |
Featuring Mikael, the gay stereotype, | 0:15:43 | 0:15:45 | |
his accomplice, Clare | 0:15:45 | 0:15:48 | |
and her boyfriend, James. | 0:15:48 | 0:15:50 | |
Clare has set her boyfriend up, | 0:15:50 | 0:15:52 | |
because he gets jealous when other blokes pay her attention. | 0:15:52 | 0:15:55 | |
She's brought him along for a calming yoga session | 0:15:55 | 0:16:00 | |
and James can relax, because yoga teacher Mikael | 0:16:00 | 0:16:02 | |
is very obviously gay... | 0:16:02 | 0:16:05 | |
ish. | 0:16:05 | 0:16:07 | |
I'm just going to see where the fulcrum is of that breathing. | 0:16:07 | 0:16:10 | |
And out... | 0:16:10 | 0:16:13 | |
-You smell... You smell lovely. -Thank you. | 0:16:14 | 0:16:19 | |
It's like a big strawberry split, | 0:16:19 | 0:16:22 | |
all dripping wet. | 0:16:22 | 0:16:23 | |
Strawberry split that I'd like... That I could lick. | 0:16:23 | 0:16:28 | |
From head to toe. | 0:16:28 | 0:16:30 | |
-It's all right, don't you worry. -No, I'm not. -I'm gay. | 0:16:30 | 0:16:33 | |
-Right, we just need to loosen up these hips, OK? -OK. | 0:16:36 | 0:16:41 | |
Now, I'm just going to need to grab each shoulder blade, like that. | 0:16:41 | 0:16:46 | |
Push back, push back nice, nice and hard. | 0:16:46 | 0:16:50 | |
Bit, bit harder and... That's it! | 0:16:50 | 0:16:55 | |
And forward... | 0:16:55 | 0:16:58 | |
and back. We know what we're doing. | 0:16:58 | 0:17:01 | |
Right, legs in the air. And after three, | 0:17:01 | 0:17:04 | |
pull towards your face, that's it! | 0:17:04 | 0:17:07 | |
Keep doing that, that's it. Let's have a look. | 0:17:07 | 0:17:11 | |
Here, put your knees on my shoulders here, that's it, that's it. | 0:17:11 | 0:17:16 | |
There you go. | 0:17:18 | 0:17:19 | |
-It's all right, James, don't worry, it's OK, I'm gay! -Really? | 0:17:19 | 0:17:24 | |
-I'm starting to doubt that now. -There we go. | 0:17:24 | 0:17:27 | |
Keep go... There. | 0:17:27 | 0:17:30 | |
Micky? All right, son? | 0:17:30 | 0:17:35 | |
You just carry on. You carry on. That's it, there you go. | 0:17:35 | 0:17:39 | |
Now think of nothing, nothing, nothing. | 0:17:39 | 0:17:43 | |
-Stuart, what are you doing here? I'm bloody working. -Did you get my email last night? | 0:17:43 | 0:17:48 | |
-What the two birds in Jacuzzi? -No, the redhead, you know. -Shush! | 0:17:48 | 0:17:52 | |
-What? -Have you got your camera? | 0:17:52 | 0:17:55 | |
-Yeah. -I've got an idea, go get it. | 0:17:55 | 0:17:56 | |
-Now? -Yeah, go on. | 0:17:56 | 0:17:59 | |
Get in this position, knees out like that. | 0:18:02 | 0:18:05 | |
That's it, everyone get on all fours, that's it. | 0:18:05 | 0:18:07 | |
That's it. Right, spread your legs, spread your legs. OK. | 0:18:07 | 0:18:11 | |
Right, you need to now start up and down up, like this... | 0:18:11 | 0:18:15 | |
Up and down. Come on, let me help you, let me help you. | 0:18:15 | 0:18:18 | |
-That's it, let me just... Let me just help you. -What are you doing? | 0:18:18 | 0:18:21 | |
-What the fuck are you doing? -Just get down, get down. | 0:18:21 | 0:18:24 | |
You can't just stop the exercise. | 0:18:24 | 0:18:26 | |
Yes, you can, when someone with a camera who's recording me right now comes in. | 0:18:26 | 0:18:31 | |
-You what? -What's going on?! | 0:18:31 | 0:18:34 | |
I'm sorry, I should've said, he's not going to take any pictures of you, right? | 0:18:34 | 0:18:38 | |
-All he's doing is taking pictures of the class. -Yeah. -That's all he's doing. | 0:18:38 | 0:18:42 | |
-Right, well... -So don't worry, now calm down. | 0:18:42 | 0:18:44 | |
-The class is over now, we're off. -Why? -This is fucking dodgy. | 0:18:44 | 0:18:47 | |
-If you don't want the pictures to be taken... -No, I don't. | 0:18:47 | 0:18:51 | |
Hold my hand, will you hold my hand too? | 0:18:51 | 0:18:53 | |
What's he all about? | 0:18:53 | 0:18:55 | |
I don't... That was weird. I'm sorry, pal, but that was weird. | 0:18:55 | 0:18:58 | |
It's OK, I'm gay. | 0:18:58 | 0:18:59 | |
And special guest, the plumber. | 0:19:07 | 0:19:09 | |
Hello? | 0:19:20 | 0:19:22 | |
'Hello and welcome. | 0:19:22 | 0:19:26 | |
'Please state the name of the person you are here to see.' | 0:19:26 | 0:19:30 | |
John Harvey. | 0:19:30 | 0:19:33 | |
'You have requested Barbara Gonzalez. | 0:19:33 | 0:19:37 | |
'Is that correct?' | 0:19:37 | 0:19:39 | |
No, John Harvey. | 0:19:39 | 0:19:42 | |
'Do you require Jonathan or Harvey.' | 0:19:44 | 0:19:50 | |
John, Jonathan. | 0:19:51 | 0:19:54 | |
-'Jonathan Harvey, is that correct?' -Yes. | 0:19:54 | 0:19:59 | |
'Please state your name.' | 0:19:59 | 0:20:03 | |
-Andy. -'Julie, is that correct?' | 0:20:03 | 0:20:07 | |
Andy. | 0:20:07 | 0:20:08 | |
'Please state your occupation.' | 0:20:13 | 0:20:17 | |
Can I speak to John Harvey please I'm here to do a blocked sink? | 0:20:17 | 0:20:22 | |
'John Harvey, you are an employee of this company, | 0:20:22 | 0:20:28 | |
'please proceed.' | 0:20:28 | 0:20:31 | |
-No, I want to speak to john Harvey. -'Hello and welcome. | 0:20:31 | 0:20:36 | |
'Please state the name of the person you are here to see.' | 0:20:36 | 0:20:40 | |
'The weather report. | 0:20:45 | 0:20:48 | |
'Sunny with showers.' | 0:20:48 | 0:20:52 | |
Featuring an average northern man looking for a snack | 0:20:53 | 0:20:58 | |
and a stupefied sandwich maker. | 0:20:58 | 0:21:01 | |
Hi, just give us a meat pie, please, mate. | 0:21:09 | 0:21:12 | |
Just, er, one meat pie. | 0:21:13 | 0:21:17 | |
-Meat pie. -Yeah, yeah. | 0:21:17 | 0:21:19 | |
HE CLEAR HIS THROAT | 0:21:21 | 0:21:23 | |
We don't have meat pie. | 0:21:23 | 0:21:25 | |
-You what, mate? -We don't have meat pie. | 0:21:25 | 0:21:28 | |
You're telling me you haven't got meat pie? | 0:21:28 | 0:21:30 | |
Oh, give over. Come on, just one meat pie. | 0:21:30 | 0:21:34 | |
We don't have meat pie. | 0:21:34 | 0:21:36 | |
Oh, right, I get it. | 0:21:36 | 0:21:40 | |
For me to get what I want, yeah... | 0:21:40 | 0:21:42 | |
I've got to give you what you want, yeah? | 0:21:42 | 0:21:45 | |
I can see you. I can see you looking at me. | 0:21:45 | 0:21:48 | |
I can see you looking at me, I can read you like a book, you know, you guys. | 0:21:48 | 0:21:52 | |
Every single one of you, right? | 0:21:52 | 0:21:55 | |
You're all the same. Well, OK, right, have it your way. | 0:21:55 | 0:21:59 | |
Right. | 0:22:02 | 0:22:04 | |
Happy now? | 0:22:05 | 0:22:08 | |
I've shown you me tits... | 0:22:09 | 0:22:12 | |
now give us a meat pie. | 0:22:12 | 0:22:14 | |
We don't have meat pie. | 0:22:14 | 0:22:16 | |
Do you want to mash 'em? | 0:22:16 | 0:22:18 | |
No, thanks. | 0:22:18 | 0:22:20 | |
HE SIGHS | 0:22:20 | 0:22:22 | |
You know what, mate? | 0:22:22 | 0:22:24 | |
You've made me feel really cheap, I hope you're happy with yourself. | 0:22:24 | 0:22:29 | |
Starring the head of security at a disused factory | 0:22:39 | 0:22:42 | |
and special guest, Jay. | 0:22:42 | 0:22:44 | |
It's Jay's first day on the job | 0:22:44 | 0:22:47 | |
and it's up to the boss to show him the ropes. | 0:22:47 | 0:22:50 | |
Just us two today, yeah, Adam's just gone. | 0:22:50 | 0:22:52 | |
The only real ball-ache about this job is, er... | 0:22:52 | 0:22:55 | |
-there's got to be somebody in this control room at all times. -Of course. | 0:22:55 | 0:22:59 | |
Right, so, jay, I'm just going to do the rounds, right? See you in a bit. | 0:22:59 | 0:23:04 | |
-ON WALKIE-TALKIE: -'Right, OK. If you look at the monitor | 0:23:12 | 0:23:17 | |
'you can see now I'm in sector one, over.' | 0:23:17 | 0:23:19 | |
Yep, I see you loud and clear, loud and clear. | 0:23:19 | 0:23:22 | |
'# Da, da, da...#' | 0:23:22 | 0:23:25 | |
'I'm now in what we call sector two.' | 0:23:25 | 0:23:29 | |
I see you loud and clear, loud and clear. | 0:23:29 | 0:23:33 | |
HE LAUGHS | 0:23:33 | 0:23:36 | |
'Peace out, over.' | 0:23:36 | 0:23:39 | |
-'Over.' -Yeah I see you in sector three now. | 0:23:39 | 0:23:42 | |
'I tell you what, it's not rocket science, is it, mate?' | 0:23:42 | 0:23:45 | |
No, definitely not. | 0:23:45 | 0:23:48 | |
Ross, come in? | 0:23:54 | 0:23:56 | |
'Hello? Over.' | 0:23:58 | 0:24:01 | |
Sector One, I've just seen a tiger in sector one. | 0:24:01 | 0:24:04 | |
'You what, mate?' | 0:24:07 | 0:24:08 | |
I just saw a tiger in sector one. | 0:24:08 | 0:24:12 | |
'Eh, fuck off, mate. I knew I were going to like you. | 0:24:12 | 0:24:17 | |
'What, like a cat? A stray cat? A moggy?' | 0:24:17 | 0:24:21 | |
No, mate, a big moggy. Trust me, a big tiger. | 0:24:21 | 0:24:24 | |
It had stripes and everything, over. | 0:24:24 | 0:24:26 | |
'Well, I'll go and have a look for a big stray cat then, shall I?' | 0:24:26 | 0:24:32 | |
Be careful, over. | 0:24:32 | 0:24:34 | |
'Let's have a look, um... | 0:24:34 | 0:24:36 | |
'Oh, what a surprise(!) | 0:24:36 | 0:24:38 | |
'It's negative on the tiger | 0:24:38 | 0:24:41 | |
'and I'll have whatever you're smoking, mate!' | 0:24:41 | 0:24:45 | |
I'm not funny, mate, it's serious. I did see it, I swear I did see it. | 0:24:45 | 0:24:49 | |
HE CACKLES | 0:24:49 | 0:24:52 | |
'Knobhead, over.' | 0:24:52 | 0:24:55 | |
That was fucked up. | 0:24:55 | 0:24:57 | |
'I'm just going off for a quick piss now, all right? Over.' | 0:24:57 | 0:25:00 | |
Received, over. That was fucked up. | 0:25:00 | 0:25:04 | |
Oh, you bastard... | 0:25:13 | 0:25:14 | |
Ross, come in, Ross. | 0:25:17 | 0:25:18 | |
'Hang on, mate, I'm having a piss, hang on!' | 0:25:18 | 0:25:22 | |
There's definitely a tiger, I just saw it. | 0:25:22 | 0:25:24 | |
Three times it's come back on our screen. | 0:25:24 | 0:25:27 | |
'Fuck off, mate, a joke's a joke, innit?' | 0:25:27 | 0:25:29 | |
Ross, come in, Ross. | 0:25:31 | 0:25:34 | |
'Yes, Jay.' | 0:25:35 | 0:25:37 | |
Right, the tiger's in there, mate. | 0:25:38 | 0:25:41 | |
'Oh, come on, this is getting a bit boring now. | 0:25:43 | 0:25:45 | |
'I mean, this is actually my job. | 0:25:45 | 0:25:47 | |
'I've got to take it a little bit seriously. | 0:25:47 | 0:25:49 | |
'I mean, I've seen foxes and all that, but tigers, come on...' | 0:25:49 | 0:25:53 | |
Ross, what is behind that post in front of you. | 0:25:53 | 0:25:55 | |
'All I can see is a bit of empty space, mate.' | 0:25:55 | 0:25:59 | |
What, and darkness? | 0:25:59 | 0:26:01 | |
'Yeah, yeah, darkness. | 0:26:01 | 0:26:04 | |
'Going into the darkness now. | 0:26:04 | 0:26:06 | |
'Nothing going on, nothing to report... | 0:26:06 | 0:26:09 | |
-TIGER ROARS -'Fuck me! | 0:26:09 | 0:26:10 | |
'There's a fucking tiger!' | 0:26:10 | 0:26:12 | |
PANICKED BREATHING | 0:26:12 | 0:26:16 | |
THE TIGER ROARS | 0:26:20 | 0:26:21 | |
'Oh, my God, it is! | 0:26:28 | 0:26:30 | |
'Fucking hell.' | 0:26:30 | 0:26:33 | |
Ross, come in, Ross. | 0:26:33 | 0:26:35 | |
HE YELPS AND TIGER ROARS | 0:26:35 | 0:26:38 | |
Ross, come in, Ross. | 0:26:45 | 0:26:47 | |
THE TIGER ROARS | 0:26:51 | 0:26:54 | |
Ross, come in, Ross. | 0:26:54 | 0:26:57 | |
You're on a hidden camera show on BBC Three. | 0:27:00 | 0:27:04 | |
I fucking knew it. | 0:27:04 | 0:27:05 | |
SHE LAUGHS | 0:27:05 | 0:27:06 | |
You had me like a little stray cat. | 0:27:06 | 0:27:09 | |
Oh, you joker. You joker! | 0:27:09 | 0:27:12 | |
You were great, you were feisty! | 0:27:12 | 0:27:14 | |
You were feisty, she was brilliant. | 0:27:14 | 0:27:16 | |
We're not on TV, where's the fucking cameras? | 0:27:16 | 0:27:20 | |
Who's this, the Ghostbusters? | 0:27:20 | 0:27:21 | |
-Right there's no-one here. -You want a bet? | 0:27:21 | 0:27:24 | |
LAUGHTER Oh, you motherfucker! | 0:27:24 | 0:27:28 | |
Oh, my God! | 0:27:28 | 0:27:31 | |
No! | 0:27:33 | 0:27:34 | |
Next time on The Pranker... | 0:27:34 | 0:27:36 | |
This is running the extra mile. | 0:27:38 | 0:27:40 | |
Eurgh... | 0:27:41 | 0:27:43 | |
Eugh! | 0:27:45 | 0:27:47 | |
Subtitles by Red Bee Media Ltd | 0:27:52 | 0:27:55 | |
E-mail [email protected] | 0:27:55 | 0:27:58 |